Paul Simon Glastonbury


Paul Simon

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I think we will be able to cultivate mushrooms. Glastonbury

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won't take a year off. Move to Arizona. Make a massive mess of

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other people's festivals. Glastonbury's year off everybody

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should have a well deserved rest. Go to Ibiza. Voluntary Services

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Overseas. It should sleep. around the coast of England and

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This programme may contain flashing Good afternoon and welcome to a

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wonderful Sunday afternoon here at the Glastonbury Festival. You can

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see the scenes of what it is like, where it was grey there was rain

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lashing down, now is bathed in the sunshine. It is beautiful. It is

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amazing how quickly it dries out. know. People are in such a great

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mood. It is like a carnival atmosphere here today. The bands

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are arriving and they are going to get to play in some sunshine.

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Really great spirits. It is like a mixture of a carnival and Sunday

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afternoon in the park, and everybody is waiting, this is

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building up to The Legends slot. We have had Neil Diamond. Shirley

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Bassey, Tom Jones. Today it will be Paul Simon. We will bring that to

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you, so you will get to enjoy the music of Paul Simon. A proper

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legend. Paul Simon coming very shortly. Let's kick-off with a

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rocking performance from The # And while the city sleeps

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# I won't weep because I didn't keep

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# My boyfriend and the summer's end is here again

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# And the leaves are golden # Under the grand silver birch tree

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# While we're thinking about the people we meet

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# Dancing feet wasters on the cover of a magazine

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# People you've kissed people you lust

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# And the one's that you might not # Ever remember what's the use?

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# I'm not what I was last summer # Not who I was in the spring

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# Tell me, tell me, tell me when we will learn

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# We love it and we leave it and we watch it burn

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# Damn these wild young haars # Damn these wild young hearts

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# Now that's the city's awake my heartaches

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# Oh what a silly mistake it seems I've made

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# You left your keys under my bed # Left a thumping in my head

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# I would say sorry what's the use? # Cause I'm not what I was last

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September # And I don't wear the same robes

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in May # We know we shouldn't do it

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# But we do it anyway # We know we might regret it but it

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seemed OK # Damn these wild young hearts

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# If now is forever then what's to prove

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# Cause it won't be the same next summer

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# And I guess I'll see you in the spring

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# Somebody tell me, tell me, tell me, when will I learn

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# I love it and I leave it and I watch it burn

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# Damn this wild young heart # I told you damn this wild young

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heart # Damn this wild young heart

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# Tell me, tell me, tell me, when will I learn

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# Damn this wild young heart. # CHEERING AND APPLAUSE

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The Noisettes. It is terribly impressive that she can sing like

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that and play Bass at the same time. Great performer. That was The

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Noisettes. We are back now in our beautiful garden, hopefully if are

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watching and you are disappointed because you didn't get tickets, we

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have given you that experience over the weekend, come rain, come Shane,

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you have felt like you have been here. You have experienced the

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headliners. We will do that with Beyonce. This afternoon it is all

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about chilling out. Also, Mark's feet have been exposed for the

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first time. We have gone from wellies to boots and I have come

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prepared. You probably had a pedicure before you came here today.

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All the time! That person over there? That's him. All right? Right,

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we have lots of Paul Simon coming your way. We were going to watch

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Bellowhead. We had a date to watch Bellowhead. We never made it.

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got busy. Here, for you, we were grafting, but we can have

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# Some like whisky # Some like beer

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# I wish I had a barrel here # Whisky old

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# Rising up from down below # Whisky old

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# Rising up from down below # Whisky old

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# Whisky up a loft this yard must go come rising up from down below

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# Whisky killed my sister Sue # And whisky killed my brother too

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# Whisky killed my poor old dad # And whisky drove my mother mad

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# Whisky oh Johnny oh # Rising up from down below

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# Whisky oh Johnny oh # Rising up from down below

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# Whisky oh Johnny oh # Rising up from down below

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# Up a loft this yard must go come rising

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# If whisky comes too near my nose # It's up she comes and down she

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goes # A pull and broker every man

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# And a barrel full for the shan'ty # Whisky oh Johnny oh

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# Rising up from down below # Whisky oh Johnny oh

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# Rising up from down below # Whisky oh Johnny oh

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# Rising up from down below # Up a loft this yard must go

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Wow, did you see that fiddle and the Tam Breen... Multi-tasking!

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This place is made for Bellowheads. Whisky Is The Life Of Man or Woman.

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There was a woop from a certain presenter who shall remain nameless.

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Paul Simon is still to come. We have got great acoustic music for

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you and this was - people were misty-eyed when they heard these

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guys in rehearsal. You are going to enjoy this. It is a blend of

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contemporary influences and traditional Indian influences. It's

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Raghu Dixit who comes from Bangalore. I am really looking

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forward to it. People were saying it is really dream-inducing. They

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# Neele aakaash mein, # Neele aakaash mein,

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# Goonjoon, garajoon aur barsoon # No man will ever love you

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# No man will ever love you # No man will ever love you

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Apology for the loss of subtitles for 72 seconds

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# Ohsawariyaan re, # Aaakaash mein goonjen meri aarzoo

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# No man will ever love you # No man will ever love you

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Apology for the loss of subtitles for 72 seconds

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# No man will ever love you APPLAUSE

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That was Raghu Dixit. Now the next thing you are going to see is a

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band who were on the Main Stage, Pyramid Stage, at 11.00 this

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morning. That is where they have novelty acts. It was a band.

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used to be the Glastonbury Brass Band. There is a village, you go

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down a steep hill, Port Isaac, it is featured in Doc Marten. I have

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never seen it. Martin Clunes is in it. You go down the steep hill. A

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couple of nice pubs there, aquarium, pottery. Nice cream teas! A group

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of hearty souls gather to do singing and they make an amazing

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noise. I first saw these guys five years ago, went for a pint and they

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were there singing. They were called Fisherman's Friends. This is

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We are a group who formed up in the early '90s, late '80s. We called

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ourselves the Fisherman's Friends. They all dabbing in their own

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fishing with their own boats. # We are making money with this

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sound... # Our singing is based on the Cornish

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tradition of standing in a semi- circle. Our songs are work songs,

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they come from the working days of sound and they are basically all

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sung to create a rhythm. These songs were evolved by ordinary

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people and so people can still relate to them now, you know, they

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are the people's songs. We are the people's shan'ty men. We first got

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picked up, this was the plan, if we get to Glastonbury, that's it,

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we've made it. It is a huge mega- deal for us. We are hoping someone

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is prepared to get up that early and come and see us. Got through

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about ten checkpoints, we had to strip naked. We are finally in!

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didn't have to, Trev. One or two chose to do that. It is very muddy.

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It is not so bad. Wake up and smell the bacon! It's the Fisherman's

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Friends. Cornish flags, very important. Makes us feel as though

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we are at home. We are up for it. Come on, boys! Here we go, guys.

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are going to sing you some frolicking songs from the days when

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Fantastic. You were magnificent. didn't seem like there were many

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people there. By the time we With some of those artists, they

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play the Pyramid Stage and you worry about them getting lost. That

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stage was not big enough for Fisherman's Friend. I love the

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story of that band and they are so lovely. You couldn't kind of make

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up a better story. It is like Calendar Girls. They are making a

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film about that story. They still go to Port Isaac and they will sing

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to anyone who want to share a pint with them. They are a very

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expensive round as I found to my cost in a hotel bar! Yeah, in

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principle... They are worth it. Yeah, yeah. We still have Paul

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Simon coming up of course. Very shortly. But whilst we are basking

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in the sunshine here, relaxing on this cow/bonkette... Couch. Gemma

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is out there. I woke up hanging this morning, guys. Wow, I'm here

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at the Circus Field with Annabel doing the trapeze. All the blood

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has rushed to my head. I'm coming up. Put your hands on the bar.

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Take your feet underneath. I tried to do that gracefully. Hello.

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You do a lot of trapeze lessons for people who aren't in any fit state

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like myself. It is fun? It is fun. How was I? You were good. Very

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confident. You held that... they usually as scared as me?

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are. You are the big dog around here! What is going on behind us?

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They are all training at the moment. Felipe is doing a handball lance.

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We have some spinning ladders. All sorts of different acts. They have

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to train every day. How do you come up with the name? We are No Fit

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State Circus. I love it. I'm no no fit state. Annabel, do something

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cool. Get on that trapeze. I'm going to run away to the circus.

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Wow! So much more elegant than me. Yeah, just hanging. See you later,

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guys. Why have they got Gemma to do that and why didn't they send you

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there? I would have paid good money. With my natural balance, I was a

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shoe in for that. In live television, they shout at us in our

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ear, like, "Shut up, that's enough of you!" Do they do that to you

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often? Quite often. Do you not get that? No. We didn't realise Gemma

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was poised on her head. She is very high viz. In that outfit,

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absolutely. She's the style guru of Glastonbury this year. Coming up

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shortly, we will bring you some more flavours of what is happening

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here, maybe the odd acoustic, Laura Marling was playing a little while

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ago. Talking of Fisherman's Friends, Laura was on her own. We will chat

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about her in a little while. For now, we will bring you some Paul

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Simon who was in action half an hour ago. First of all, let's find

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out about the background of Paul Simon.

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He says you can call him Al, but most of us know him as Paul Simon.

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Today, Glastonbury welcomes him to the Pyramid Stage. Paul's early

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career started out with his childhood friend Art Garfunkel.

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Together as Simon and Garfunkel in the '60s they would find themselves

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redefining folk music. Simon writing songs that would somehow

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capture the mood of the changing times.

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# Please Mrs Robinson... # After 13 years singing together,

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the smash 1970 album Bridge Over Troubled Water was their last

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studio recording together. # I'm sailing right behind... #

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Simon would recommence a solo career that had begun back in 1965

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when he released the Paul Simon Song book whilst playing the

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English folk clubs. Everything was an adventure. I was living far away

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from home in another culture in another country. I would play there

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maybe once a month and it was always packed. There was a feeling

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of camaraderie. It was probably the most enjoyable time of my life.

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was during this period that he discovered the global rhythms that

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influenced his 1972 hits Mother and Child Reunion. In 1986, his global

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hit Graceland explored the music of South Africa. It catapulted him

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back to the top of the charts but created a political storm as he

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travelled to Johannesburg to incorporate the sounds of the South

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African township with his songwriting. It featured many South

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African musicians. Graceland was revolutionary and introduced the

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music of Soweto to an international audience. His music continues to

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influence. In recent years, he's won a new generation of fans as

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acts as Vampire Weekend have covered his songs. When I think of

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it it's pretty close to Indie thinking. It is rhythmic, it is not

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mainstream. It's more old music. Now he's back with the new album So

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Beautiful or So What which went to the upper reaches of the charts.

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Today he is about to grace the Pyramid Stage with a set of his

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classic songs old and new, delivered by that iconic voice that

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could only be Paul Simon. I have never been to Glastonbury. I am

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curious to see what it is. We will adjust the set to whatever the

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crowd wants, sort of, however we interpret what the crowd wants.

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# And the sun was beating on the # There was a bright light

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# The bomb in the baby carriage was wired to the radio

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# These are the days of miracle and wonder

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# It was a dry wind And it swept across the desert

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# And it curled into the circle of birth

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# And the dead sand falling on the children

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# The mothers and the fathers and the automatic earth

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# These are the days of miracle and wonder

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# This is the long-distance call

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# The way the camera follows us in slo-mo

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# The way we look to us all

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# The way we look to a distant constellation

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# That's dying in the corner of the sky

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# These are the days of miracle and wonder

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# And don't cry, baby Don't cry, don't cry

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Apology for the loss of subtitles for 72 seconds

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# The way the camera follows us in slo-mo

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# The way we look to us all, oh yeah

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# The way we look to a distant constellation

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# That's dying in a corner of the sky

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# These are the days of miracle and wonder

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# And don't cry, baby Don't cry, don't cry, don't cry. #

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# It's a turnaround jump shot It's everybody jumpstart

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# It's every generation throws a hero up the pop charts

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# Medicine is magical and magical is art

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# Thinking of the boy in the bubble and the baby with the baboon heart

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# And I believe these are the days of lasers in the jungle

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# Lasers in the jungle somewhere

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# Staccato signals of constant information

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# A loose affiliation of millionaires

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# And billionaires, and baby

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# These are the days of miracle and wonder

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# This is the long-distance call

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# The way the camera follows us in slo-mo

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# The way we look to us all, oh yeah

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# The way we look to a distant constellation

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# That's dying in a corner of the sky

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# These are the days of miracle and wonder

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# And don't cry, baby Don't cry, don't cry, don't cry. #

:29:47.:29:57.
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# And don't cry, baby Don't cry, don't cry, don't cry. #

:29:59.:30:08.
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# And don't cry, baby Don't cry, don't cry, don't cry. #

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CHEERING AND APPLAUSE

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# The problem is all inside your head, she said to me

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# The answer is easy if you take it logically

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# I'd like to help you in your struggle to be free

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# There must be fifty ways to leave your lover

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# She said, it's really not my habit to intrude

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# Furthermore, I hope my meaning won't be lost or misconstrued

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# But I'll repeat myself at the risk of being crude

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# There must be fifty ways to leave your lover

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# Fifty ways to leave your lover

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# You just slip out the back, Jack Make a new plan, Stan

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# You don't need to be coy, Roy Just get yourself free

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# Hop on the bus, Gus You don't need to discuss much

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# Just drop off the key, Lee And get yourself free

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# Ooh, slip out the back, Jack Make a new plan, Stan

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# You don't need to be coy, Roy Just listen to me

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# Hop on the bus, Gus You don't need to discuss much

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# Just drop off the key, Lee And get yourself free

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# She said, it grieves me so to see you in such pain

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# I wish there was something I could do to make you smile again

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# I said, I appreciate that And would you please explain

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# About the fifty ways?

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# She said, why don't we both just sleep on it tonight?

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# And I believe in the morning you'll begin to see the light

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# And then she kissed me and I realised she probably was right

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# There must be fifty ways to leave your lover

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# Fifty ways to leave your lover

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# You just slip out the back, Jack Make a new plan, Stan

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# You don't need to be coy, Roy Just get yourself free

:33:09.:33:15.

# Hop on the bus, Gus You don't need to discuss much

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# Just drop off the key, Lee And get yourself free

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# Slip out the back, Jack Make a new plan, Stan

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# You don't need to be coy, Roy Just listen to me

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# Hop on the bus, Gus You don't need to discuss much

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# Just drop off the key, Lee And get yourself free. #

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Apology for the loss of subtitles for 72 seconds

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There

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There was

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There was the

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There was the man in action and here we have him beside us. How are

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you feeling? Well, I wish I were feeling better. You have a sore

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throat? I came down with something two days ago and it's just

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lingering. It's such a beautiful day. I was so looking forward to

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playing here. I'm happy about - that I done it, but I wish I had

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done it with my voice, my real voice. Why did it appeal, why did

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you want to be here? I have always heard - first of all, I have had

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many friends who have told me about it. Anyone for example that you can

:35:31.:35:38.

tell us? Famous? I don't mind! have friends who aren't famous,

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whose opinions I think of and... Performers? No, I can't think of

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any that I spoke to in particular. I always heard it was one of the

:35:50.:35:55.

great festivals and very interesting and had interesting

:35:55.:35:58.

acts and was something that I wanted to do and I had been asked

:35:58.:36:06.

to do it several times and for whatever reason I couldn't fit it

:36:06.:36:12.

in, or I was doing something else. This was something that I really

:36:12.:36:18.

looking forward to and I'm happy that I did it. I'm disappointed I

:36:18.:36:22.

wasn't at my best. You sounded great. I said he's still got a

:36:22.:36:27.

beautiful tone to his voice. literally said that. What a great

:36:27.:36:33.

band. Who is the guy who seems to be your right-hand man with the

:36:33.:36:39.

long pony-tail? Mark Stuart. What a guitar player! He is fabulous. He's

:36:39.:36:49.
:36:49.:36:51.

been with me for oh let's say 12 or 13 years. Vincent, on my left,

:36:51.:36:56.

Vincent from Cameroon, he played on Rhythm of the Saints. All the

:36:56.:37:01.

percussion, it sounds fantastic. You were talking in the film before,

:37:01.:37:04.

you try and interpret what the audience might like. Is it

:37:04.:37:10.

difficult picking a set list for something like this? Erm, a little

:37:10.:37:20.
:37:20.:37:21.

bit. I have been playing theatres and clubs so and I have been

:37:21.:37:28.

playing that in order to play the new material from So Beautiful and

:37:28.:37:34.

So What. Yeah. When I play in those venues, everybody there knows, they

:37:34.:37:43.

already know the new record. They know it. So it makes this set list

:37:43.:37:46.

seamless and you don't feel there is one song that is very famous and

:37:46.:37:52.

another that isn't. You can see the connection through the years of how

:37:52.:37:56.

the music has evolved and still has elements from the earliest days.

:37:56.:38:02.

Sure. If I were to reconstruct the set here today, I would say given

:38:02.:38:11.

the reaction to You Can Call Me Al, which we never play... Do you not?

:38:11.:38:18.

Did you enjoy that? Sure I did. With my voice, I probably would

:38:18.:38:25.

take out a ballad and put in a couple more up-tempos. How would

:38:25.:38:30.

you sum up your Glastonbury experience? It's so short, the

:38:30.:38:37.

amount of time that I'm here, you know. It's hardly an experience.

:38:37.:38:43.

But you mean just looking at it from... Yes. A couple of words how

:38:43.:38:48.

it felt to you? It is a large festival. I have played in front of

:38:48.:38:56.

a few people! A few! Large crowds before. Did it feel good? I like

:38:56.:38:59.

playing in the daylight. And you can see that the audience like it,

:38:59.:39:05.

too. I am sure they are much relieved to be standing in a

:39:05.:39:10.

beautiful warm sunshiney day... weather made it all. Thank you for

:39:10.:39:16.

coming back. Thank you for talking to us. This is Diamonds On The

:39:16.:39:26.
:39:26.:39:31.

# She's a rich girl # He's a poor boy

:39:31.:39:41.
:39:41.:39:47.

# Empty as a pocket # She got diamonds on the soles

:39:47.:39:57.
:39:57.:39:57.

Apology for the loss of subtitles for 72 seconds

:39:57.:40:52.

# She got diamonds on the soles of # She's got diamonds on the soles

:40:52.:41:02.
:41:02.:41:08.

# Well, that's one way to lose # Then she slipped into my pocket

:41:08.:41:13.

# Because I please you wearing these diamonds

:41:13.:41:21.

# And I could say, oo oo oo

:41:21.:41:28.

# As if everybody knows what I'm talking about

:41:28.:41:32.

# As if everybody here would know what I was talking about

:41:32.:41:35.

# Talking about diamonds on the soles of her shoes

:41:35.:41:41.

# Talking about diamonds on the soles of her shoes

:41:41.:41:51.
:41:51.:42:28.

# He makes the sign of a wave

:42:28.:42:29.

# The poor boy changes clothes and puts on aftershave

:42:29.:42:32.

# To compensate for his ordinary shoes

:42:32.:42:39.

# To compensate for his ordinary shoes

:42:39.:42:42.

# And she said Honey, take me dancing

:42:42.:42:52.
:42:52.:42:53.

# But they ended up by sleeping in a doorway by the bodegas

:42:53.:42:57.

# And the lights on Upper Broadway

:42:57.:43:00.

# Wearing diamonds on the soles of their shoes

:43:00.:43:05.

# And I could say, oo oo oo

:43:05.:43:13.

# And everybody here would know what I was talking about

:43:13.:43:16.

# I mean, everybody here would know exactly what I was talking about

:43:16.:43:20.

# Talking about diamonds...

:43:20.:43:22.

# Diamonds on the soles of our shoes

:43:22.:43:26.

# Diamonds on the soles of our shoes

:43:26.:43:36.
:43:36.:43:57.

# People say I'm crazy

:43:57.:43:58.

# I got diamonds on the soles of my shoes

:43:58.:44:01.

# Well, that's one way to lose these walking blues

:44:01.:44:05.

# Diamonds on the soles of your shoes. #

:44:05.:44:15.
:44:15.:44:33.

# Ta, na, na, na, na

:44:33.:44:37.

# Ta, na, na, na, na

:44:37.:44:41.

# Ta, na, na, na, na

:44:41.:44:51.
:44:51.:44:51.

Apology for the loss of subtitles for 72 seconds

:44:51.:46:51.

# I was having this discussion # On this friend of mine who had

:46:51.:46:59.

# So what are you going to do about it?

:46:59.:47:01.

# That's what I'd like to know

:47:01.:47:03.

# You don't feel you could love me but I feel you could

:47:03.:47:10.

# It was in the early morning hours when I fell into a phone call

:47:10.:47:16.

# Believing I had supernatural powers I slammed into a brick wall

:47:16.:47:22.

# I said, hey, is this my problem? Is this my fault?

:47:22.:47:26.

# If that's the way it's gonna be

:47:26.:47:28.

# I'm going to call the whole thing to a halt

:47:28.:47:30.

# You don't feel you could love me but I feel you could

:47:30.:47:36.

# You don't feel you could love me But I feel you could

:47:36.:47:46.
:47:46.:48:10.

# Walking down the street when I thought I heard this voice say

:48:10.:48:16.

# Say, ain't we walking down the same street together

:48:16.:48:19.

# On the very same day?

:48:19.:48:22.

# I said Hey senorita, that's astute

:48:22.:48:26.

# I said, why don't we get together and call ourselves an institute?

:48:26.:48:30.

# You don't feel you could love me but I feel you could

:48:30.:48:36.

# You don't feel you could love me but I feel you could

:48:37.:48:46.
:48:47.:48:47.

Apology for the loss of subtitles for 72 seconds

:48:47.:49:52.

CHEERING AND APPLAUSE

:49:52.:50:02.
:50:02.:50:25.

Thank

:50:25.:50:26.

Thank you

:50:26.:50:26.

Thank you so

:50:26.:50:36.
:50:36.:50:36.

Apology for the loss of subtitles for 72 seconds

:50:36.:52:42.

# They give us those nice # Makes you think all the world's

:52:42.:52:52.
:52:52.:52:56.

# So Mama, don't take my Kodachrome away

:52:56.:53:06.
:53:06.:53:08.

# If you took all the girls I knew when I was single

:53:08.:53:14.

# And brought them all together for one night

:53:15.:53:20.

# I know they'd never match my sweet imagination

:53:20.:53:28.

# Everything looks worse in black and white

:53:28.:53:33.

# Kodachrome

:53:33.:53:36.

# They give us those nice bright colours

:53:36.:53:39.

# They give us the greens of summers

:53:39.:53:43.

# Makes you think all the world's a sunny day, oh yeah

:53:43.:53:50.

# I got a Nikon camera I love to a photograph

:53:50.:53:57.

# So Mama, don't take my Kodachrome away. #

:53:57.:54:07.
:54:07.:54:11.

# So Mama, don't take my Kodachrome away. #

:54:11.:54:21.
:54:21.:54:22.

# So Mama, don't take my Kodachrome away. #

:54:22.:54:32.
:54:32.:54:32.

Apology for the loss of subtitles for 72 seconds

:54:32.:55:42.

So Mama, don't take So Mama, don't take

:55:42.:55:44.

# Gone at last, gone at last # Gone at last

:55:44.:55:54.
:55:54.:56:03.

# I had a long streak of that bad # Oo, oo, oo

:56:03.:56:09.

# She just grabbed my sympathy Sweet little soul

:56:09.:56:13.

# Now, what's your problem? Tell me why you're so downcast

:56:13.:56:17.

# I've had a long streak of bad luck But I pray it's gone at last

:56:18.:56:25.

# Gone at last, gone at last Gone at last, gone at last

:56:25.:56:31.

# I had a long streak of bad luck But I pray it's gone at last

:56:31.:56:41.
:56:41.:56:51.

# Once in a while from out of nowhere

:56:51.:56:53.

# When you don't expect it and you're unprepared

:56:53.:56:56.

# Somebody will come and lift you higher

:56:56.:57:00.

# And your burdens will be shared

:57:00.:57:03.

Yes, I do believe if I hadn't met you

:57:03.:57:06.

# I might still be sinking fast

:57:06.:57:09.

# I've had a long streak of that bad luck

:57:09.:57:13.

# But I pray it's gone at last Gone at last, gone at last

:57:13.:57:19.

# Gone at last, gone at last

:57:19.:57:23.

# I had a long streak of bad luck But I pray it's gone at last

:57:23.:57:33.
:57:33.:57:40.

# I had a long streak of bad luck But I pray it's gone at last

:57:40.:57:50.
:57:50.:58:18.

CHEERING AND APPLAUSE

:58:18.:58:28.
:58:28.:58:31.

Thank

:58:31.:58:31.

Thank you.

:58:31.:58:41.
:58:41.:59:20.

# A man

:59:20.:59:20.

# A man walks

:59:20.:59:20.

# A man walks down

:59:20.:59:24.

# A man walks down the street # He says why am I soft in the

:59:24.:59:26.

middle now # Why am I soft in the middle

:59:26.:59:28.

# The rest of my life is so hard # I need a photo-opportunity

:59:28.:59:33.

# I want a shot at redemption # Don't want to end up a cartoon

:59:33.:59:41.

# In a cartoon graveyard # Bonedigger

:59:41.:59:48.

# Dogs in the moonlight # Far away my well-lit door

:59:48.:59:53.

# Mr Beerbelly # Get these mutts away from me

:59:53.:59:57.

# You know I don't find this stuff amusing any more

:59:57.:00:02.

# If you'll be my bodyguard # I can be your long-lost pal

:00:02.:00:06.

# I can call you Betty # And Betty when you call me

:00:06.:00:09.

# You can call me Al # A man walks down the street

:00:09.:00:12.

# He says why am I short of attention

:00:12.:00:15.

# Got a short little span of attention

:00:15.:00:24.

# And my nights are so long # Where's my wife and family

:00:24.:00:30.

# What if I die here # Who'll be my role model

:00:30.:00:33.

# Now that my role model is gone, gone

:00:33.:00:40.

# He ducked back down the alley # With some roly-poly little bat-

:00:40.:00:43.

faced girl # All along along

:00:43.:00:44.

# There were incidents and accidents

:00:44.:00:49.

# There were hints and allegations # If you'll be my bodyguard

:00:49.:00:53.

# I can be your long-lost pal # I can call you Betty

:00:53.:00:56.

# And Betty when you call me # You can call me Al

:00:56.:01:01.

# Call me Al # A man walked down the street

:01:01.:01:05.

# It's a street in a strange world # Maybe it's the Third World

:01:05.:01:09.

# Maybe it's the first time around # He doesn't speak the language

:01:09.:01:19.
:01:19.:01:20.

# He holds no currency, he's a foreign man

:01:20.:01:29.

# He is surrounded by the sound # The sound

:01:29.:01:34.

# Cattle in the market place # Scatterlings and orphanages

:01:35.:01:40.

# He looks around, around # He sees angels in the

:01:40.:01:43.

architecture # Spinning in infinity

:01:43.:01:53.

# He says amen and Hallelujah! # If you'll be my bodyguard

:01:53.:01:57.

# I can call you Betty # And bet ten when you call me

:01:57.:02:05.

# You can call me Al # Call me Al

:02:05.:02:15.
:02:15.:02:23.

# Na-na-na # Oh, yeah

:02:24.:02:33.
:02:34.:02:51.

# Oh, oh, yeah # If you'll be my bodyguard

:02:51.:02:57.

# I can be your long-lost pal # I can call you Betty

:02:57.:03:02.

# And Betty when you call me # You can call me Al

:03:02.:03:12.
:03:12.:03:43.

An enormous crowd out the front of Pyramid Stage enjoying the sunshine.

:03:43.:03:48.

A whole bunch of hits courtesy of Mr Paul Simon. I love him for many

:03:48.:03:52.

reasons. A great songwriter. When ever he performs live, he couldn't

:03:52.:03:58.

look less interested. Do you think? He plays the most amazing songs.

:03:58.:04:02.

He's already been Paul Simon for his whole life. He doesn't have to

:04:02.:04:07.

do anything else. Brilliant scenes. Hello there, it is us, Zane and

:04:07.:04:12.

Lauren. Thank you for sticking with us. We have some lovely stuff on

:04:12.:04:22.
:04:22.:04:22.

Glastonbury 2011 for you, including next a film about ancient

:04:22.:04:32.
:04:32.:04:33.

For the past 40 years, festival- goers have been building their own

:04:33.:04:36.

mythology here on the Glastonbury site. This part of the country has

:04:36.:04:42.

been a destination of pilgrims of all kinds for over 5,000 years.

:04:42.:04:45.

Thousands of festival-goers will stream down these hillsides to

:04:45.:04:50.

watch U2 make history on that stage. How many of them will appreciate

:04:50.:04:54.

just how much truly ancient history surrounds them here? The very first

:04:54.:05:02.

Pyramid Stage was constructed on this spot in 1971. Its appearance

:05:02.:05:05.

was very difference to the Great Pyramids of Egypt, but the idea

:05:05.:05:13.

behind it was much the same. Festival organiser Andrew Care

:05:13.:05:20.

wanted to create a free festival that was more than a gig in a field.

:05:20.:05:24.

The Pyramid Stage was to be a spiritual satellite dish able to

:05:24.:05:28.

pick up and channel the vibrations of the cosmos. Whether or not you

:05:28.:05:32.

agree with Andrew's approach to stage-building, it is an undeniable

:05:32.:05:37.

fact that this landscape is littered with ancient sites. It's

:05:37.:05:43.

also full of myth and legend. Andrew moved the Festival from

:05:43.:05:47.

September to the Summer Solstice in June continuing the tradition of

:05:47.:05:53.

the equinox pilgrimage. He also insisted on erecting the Pyramid

:05:53.:05:59.

Stage on what he believed was a line connected this site to

:05:59.:06:08.

Stonehenge. The site is overlooked by this geological outcrop,

:06:08.:06:16.

Glastonbury Tower. The Celts called this place The Isle of Glass. Apart

:06:16.:06:21.

from the famous muddy Glastonburys, there is precious little sign of

:06:21.:06:31.
:06:31.:06:34.

the sea around here. On a dry day, you can see the Glastonbury

:06:34.:06:39.

Festival site from here, somewhere over there. Today is not a dry day.

:06:39.:06:43.

In keeping with another Glastonbury Festival tradition, the weather has

:06:43.:06:50.

gone bad. In ancient times, these levels were a shallow marshy sea

:06:50.:06:55.

with small islands connected by wooden causeways so maybe there is

:06:55.:07:00.

some truth in the legend of Avalon after all. The connections with

:07:00.:07:10.
:07:10.:07:18.

Hi. Hello, Neil. Great to see you. How are you? Well. How long has

:07:18.:07:24.

this place been the focus of legend? This place has been

:07:24.:07:32.

Arthurian for about 900 years, going back to 12th Century. What

:07:32.:07:35.

trigger Arthurian legend here? is the myth that when King Arthur

:07:36.:07:42.

was killed he was brought to the Isle of Avalon. No-one knew where

:07:42.:07:46.

that was until the monks of Glastonbury started digging up the

:07:46.:07:52.

place and what they found here was the coffin of King Arthur. Why do

:07:52.:07:57.

you think the Arthurian legend is the one that so endures in this

:07:57.:08:02.

part of the world? Well, all nations want a great figurehead and

:08:02.:08:08.

if we look back into the Dark Ages, what we find in reality are petty

:08:09.:08:13.

chieftains. If a country wants to be great, it needs something a bit

:08:13.:08:17.

larger-than-life and King Arthur filled that role. The other

:08:17.:08:21.

important thing about King ar thundershower is the notion that he

:08:21.:08:25.

never really died -- King Arthur is the notion that he never really

:08:26.:08:31.

died. Perhaps he lives on. For many people, this landscape is charged

:08:31.:08:34.

with the energy of all those who have passed through it before them.

:08:35.:08:39.

From the ancient architects of Stonehenge, to those seeking Avalon

:08:39.:08:43.

itself, so perhaps it is fitting that Glastonbury should inhabit

:08:43.:08:48.

this landscape now, drawing yet more people together and creating

:08:48.:08:54.

new legends that are all its own. There we are, we are in a place

:08:54.:09:00.

rich in history. I was chatting to Kool and the Gang and they were at

:09:00.:09:05.

Stonehenge drinking it in. There is going to be more history made this

:09:05.:09:09.

evening in its own small way, Beyonce will be the first female

:09:09.:09:12.

headliner on the Pyramid Stage. That is brilliant. Incredible. It

:09:12.:09:17.

is hers for the stealing. There's people out there already camping

:09:17.:09:21.

outside waiting for Beyonce to take to the stage. There is a lot of

:09:21.:09:24.

curiosity amongst the superfans. Really nice to get to grips with

:09:24.:09:31.

the tradition of the Festival. You don't get that at Reading!

:09:31.:09:35.

Speaking of traditions, do you like I have gone for the Festival straw

:09:35.:09:44.

hat? I'm very proud of you. It was time. Five! Over here, is a couple

:09:44.:09:50.

of ladies who have made a brand-new album. We are going to hear them

:09:50.:10:00.
:10:00.:10:23.

# God bless the world, # God bless the world,

:10:23.:10:33.
:10:33.:10:36.

# If I found the boy, the one with golden eyes

:10:36.:10:40.

# You know I think I'd haunt you

:10:40.:10:44.

# And if I found the rhyme then I would take the time

:10:44.:10:48.

# And sing you one more line and it would go like

:10:48.:10:52.

# God bless the world, it's so glorious

:10:52.:10:55.

# God bless the ones we've loved

:10:55.:10:58.

# God bless the ones we've lost

:10:58.:11:00.

# God bless the world, it's so glorious

:11:00.:11:04.

# I will never die, never die like you

:11:04.:11:14.
:11:14.:11:17.

# I felt his hand today, across my shoulder

:11:17.:11:22.

# I'll kneel down to pray

:11:22.:11:25.

# Say afterlife's OK

:11:25.:11:28.

# But it got so lonely when you turned away

:11:28.:11:38.
:11:38.:11:49.

# God bless the world, it's so glorious

:11:49.:11:53.

# God bless the ones we've loved

:11:53.:11:55.

# God bless the ones we've lost

:11:55.:11:57.

# God bless the world, it's so glorious

:11:57.:12:01.

# I will never die, never die like you

:12:01.:12:10.

# I felt his hand today, across my shoulder

:12:10.:12:15.

# I'll kneel down to pray

:12:15.:12:17.

# Say afterlife's OK

:12:18.:12:22.

# But it got so lonely when you turned away

:12:22.:12:26.

# I saw his lie today, across my shoulder

:12:26.:12:31.

# I'll kneel down to pray

:12:31.:12:34.

# I feel like hell today

:12:34.:12:38.

# But it got so lonely when you turned away

:12:38.:12:43.

# I felt his hand today, across my shoulder

:12:43.:12:48.

# I'll kneel down to pray

:12:48.:12:51.

# Say afterlife's OK

:12:51.:12:54.

# But it got so lonely when you turned away

:12:55.:13:04.

# It got so lonely when you turned away

:13:04.:13:11.

# It got so lonely when you turned away. #

:13:11.:13:21.
:13:21.:13:29.

APPLAUSE

:13:29.:13:31.

APPLAUSE Thank

:13:31.:13:31.

Thank you

:13:31.:13:32.

Thank you very

:13:32.:13:32.

Thank you very much.

:13:32.:13:36.

Thank you very much. That was The Pierces. Did you see the Coldplay

:13:36.:13:43.

set? Did Guy do well? We did not see it. I am sure he did great.

:13:43.:13:49.

didn't watch it! You can check it out and watch it on the website.

:13:49.:13:57.

Brilliant. Thank you very much. Beautiful. Still to come: We have

:13:57.:14:02.

The Vaccines performing on the John Peel Stage. Right now we are going

:14:02.:14:12.
:14:12.:14:15.

to the permid stage -- the Pyramid Stage to see Laura Marling. She

:14:15.:14:22.

plays music that is suited for an intimate audience. She was good on

:14:22.:14:32.
:14:32.:14:32.

Apology for the loss of subtitles for 72 seconds

:14:32.:15:13.

# Hold your devil by his spoke # But someone brought you

:15:13.:15:23.
:15:23.:15:23.

# Brought you to me # What of which you wish to speak

:15:23.:15:33.
:15:33.:15:50.

# Hold your devil by his spoke # But the love of your life lives

:15:50.:16:00.
:16:00.:16:01.

# The arms are fed # And the backs have bled

:16:01.:16:11.
:16:11.:16:46.

# And I hold your face # Ripping off each other's clothes

:16:46.:16:56.
:16:56.:17:26.

# Ripping off each other's clothes The very brilliant Laura Marling on

:17:26.:17:32.

the Pyramid Stage earlier today with Devil's Spoke. She has been

:17:32.:17:40.

working with Ethan Jones again. It's a stronger build from softer

:17:40.:17:46.

to boombastic at the end. We have excited about that concept.

:17:46.:17:48.

Vaccines have had a wonderful weekend and it has been an

:17:48.:17:53.

incredible six to eight months for this band. You could tell instantly

:17:53.:17:57.

when you heard them they were going to be a force to be reckoned with.

:17:57.:18:03.

They have gone on to play some big shows. They have done some touring

:18:03.:18:07.

with Arctic Monkeys. Their Glastonbury consisted of two shows,

:18:07.:18:17.
:18:17.:18:31.

# Everyone needs a helping hand, who # Someone up the social scale for

:18:31.:18:38.

# Have post break-up sex that helps you forget your ex

:18:38.:18:44.

# What did you expect from post break-up sex

:18:44.:18:50.

# Leave it till the guilt consumes I found you in the nearest room

:18:50.:18:56.

# All our friends were unaware, most had just passed out downstairs

:18:56.:19:02.

# To think I'd hoped you'd be OK No, I can't think of what to say

:19:02.:19:08.

# Maybe I misunderstood but I can't believe you're feeling good

:19:08.:19:14.

# From post break-up sex that helps you forget your ex

:19:14.:19:21.

# What did you expect from post break-up sex

:19:21.:19:31.
:19:31.:19:39.

# Post break-up sex that helps you forget your ex

:19:39.:19:45.

# What did you expect from post break-up sex

:19:45.:19:51.

# When you love somebody but you find someone

:19:51.:19:57.

# And it all unravels and it comes undone

:19:57.:20:07.
:20:07.:20:15.

# Post break-up sex that helps you forget your ex

:20:15.:20:21.

# What did you expect from post break-up sex post break-up sex

:20:21.:20:31.

# Post break-up sex that helps you forget your ex

:20:31.:20:34.

# What did you expect from post break-up sex post break-up sex

:20:34.:20:42.

CHEERING AND APPLAUSE

:20:42.:20:50.

That

:20:50.:20:51.

That was

:20:51.:20:52.

That was part

:20:52.:20:56.

That was part of The Vaccines from the John Peel Stage. It is all

:20:56.:20:59.

about the headliner tonight, Beyonce. Everybody has been talking

:20:59.:21:03.

about it. There are rumours flying around the site. People are saying

:21:03.:21:07.

Nelson Mandela will make a speech in the middle of her set -

:21:07.:21:11.

unlikely! People are talking about Kanye West appearing. That is not

:21:11.:21:17.

going to happen. Other members of Destiny's Child. That may happen.

:21:17.:21:22.

Jay-Z appearing. That is going to happen! The supportive husband

:21:22.:21:28.

thing. He will do Crazy Love. They will do three or four - bonny and

:21:28.:21:36.

Clyde. They will do a few. I don't care as long as she does

:21:36.:21:41.

Bootilicious and Crazy Love. Let's hear from the woman herself. This

:21:41.:21:50.

is what Beyonce had to say about appearing at Glastonbury 2011.

:21:50.:21:57.

the first woman to ever headline the Pyramid Stage at Glastonbury.

:21:57.:22:02.

Unbelievable! I didn't know that. I was just told that two days ago.

:22:02.:22:07.

What is Beyonce's take on the Festival? My first impression of

:22:07.:22:10.

Glastonbury was actually in pictures and it was it is a Nateing

:22:10.:22:20.

to me to see everyone in their wellies in the mud, all -- it was

:22:20.:22:25.

fascinating to me to see everyone in their wellys in the mid all

:22:25.:22:28.

united. One day I thought I would like to do a festival and I never

:22:28.:22:32.

ever thought I would be able to headline Glastonbury. What does she

:22:33.:22:37.

make of the Glastonbury crowd? Everyone is so free. Everyone is

:22:37.:22:40.

diverse. They love great art and great music. It doesn't matter

:22:40.:22:44.

where you come from and what type of music you sing. I have seen the

:22:44.:22:49.

response to Stevie Wonder, I have seen the response to Coldplay, to

:22:49.:22:54.

Jay-Z and it just feels so good to know that it is music-lovers and

:22:54.:23:03.

they want to enjoy good music. does the bootilicious Queen of Pop

:23:03.:23:08.

feel about taking on the Festival? I am the biggest fan of U2 and

:23:08.:23:11.

Coldplay. I have spoken to both of them about my set because I'm like

:23:11.:23:16.

OK, you guys are a little bit more familiar with the Festivals and I

:23:16.:23:21.

needed to make sure they gave me their approval and they are, I mean

:23:21.:23:28.

they are genius and I am so excited to share the stage with them and

:23:28.:23:32.

for Glastonbury to recognise a woman and feel like we have the

:23:32.:23:37.

strength and power to headline. I am so honoured that I am the chosen

:23:37.:23:44.

woman! I promise, ladies, I'm going to rock! She is going to rock! You

:23:44.:23:47.

can do the dance and everything. Will you teach me it? You can do

:23:47.:23:52.

the dance! I can. All the ladies can do the dance. When I started to

:23:52.:23:55.

talk about doing Glastonbury coverage this year, on Yeonpyeong

:23:55.:24:05.
:24:05.:24:08.

day, it is going to be for -- on Yeonpyeong day, it is going to be

:24:08.:24:17.

about the ladies. -- Beyonce day, it is going to be for the ladies.

:24:17.:24:24.

We will be back with Beyonce on BBC Two later tonight at 10.00pm. If

:24:24.:24:28.

you want to relive yesterday's action from the Pyramid Stage, you

:24:28.:24:34.

can check out Coldplay on BBC Four. On BBC Three tonight, at 7.45, tune

:24:34.:24:40.

in for more highlights including Plan B. He is tearing it up! He was

:24:40.:24:46.

very nervous. There's all sorts of other stuff online. I am quite

:24:46.:24:52.

excited about Kool and the Gang. Yeah. That is going to be awesome.

:24:52.:25:00.

He is going to stay put and get down, get down. I know, they have

:25:00.:25:08.

the... Morrisy had the gong and the double ba -- Morrissey had the gong

:25:08.:25:15.

and the double bass. Beyonce will need a gong. Nelson Mandela - I

:25:15.:25:21.

will be astounded if he showed up for a quick chat. It will be good.

:25:21.:25:27.

Whatever happens, it will be fantastic. What is your favourite

:25:27.:25:32.

Beyonce song? Crazy Love. If she does bring out the Destiny's Child

:25:32.:25:37.

girls that will be phenomenal. There's so many songs that would be

:25:37.:25:42.

the moment. We will find out later. Join us tonight at 10.00pm. Turn

:25:42.:25:48.

over to Four for Coldplay. Plan B on Three later. We will see you

:25:48.:25:58.
:25:58.:26:16.

later for Beyonce. Take care. # But look at how times

:26:16.:26:26.
:26:26.:26:52.

# Sweep your feet # I've got that real love

:26:52.:27:02.
:27:02.:27:02.

Apology for the loss of subtitles for 72 seconds

:27:02.:27:57.

# I've got that real love # Sweep your feet

:27:57.:28:07.
:28:07.:28:07.

# I've got that real love # I've got that real love

:28:07.:28:17.
:28:17.:28:52.

# Sweep your feet # I've got that real love

:28:52.:28:57.

# Yeah, baby, know I've got that real love for you know

:28:57.:29:02.

# Yeahhh, ooh... #

:29:02.:29:08.

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