Plan B Glastonbury


Plan B

On day three of the Glastonbury Festival, Fearne Cotton and Reggie Yates introduce the Pyramid Stage performance from the multi-platinum rap-soul king of 2010, Plan B.


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Transcript


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This programme contains scenes of This programme contains scenes of

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Hello there. Welcome to Glastonbury 2011 on BBC Three. In the glorious

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sunshine. Look at it. It is absolutely

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stunning. As you can see behind us, it is the Pyramid Stage and pretty

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much the entire site, you can see everything and all the smart people

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that decided to camp up here... CHEERING AND APPLAUSE

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You can hear them. The rain falls that way. They are dry.

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We have got a ponderful view. -- wonderful view. Pendulum are about

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to go on the stage and you can see Plan B.

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It is the first time we have been let out on camera and Gemma and

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Greg have been seeing brilliant stuff. Where are you? What's going

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on guys? Well, we are the other side of the Pyramid Stage and

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people are waiting for Pendulum which you will see on BBC Three

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from 9pm. I am going to go to the John Peel Stage. I am not sure

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what's going on, but it will be fun. Did you see Jessie yesterday?

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missed it and it looked great. Let's look at Price Tag from

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yesterday. Can we have a microphone?

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Who knows the words to Price Tag? Big business. Big business.

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Go on girl. Hey. CHEERING AND APPLAUSE

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What's your name? Shay. That's a cool name. Right, you can

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sit here. Jessie J featuring Shay. That

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wasn't even planned! Do you know the words? You sing the money,

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money, the clrks the cha-ching bits, whatever bits you know. It is a big

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# That you can't even # It's not about the money,

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# We don't need your money, # Ain't about the cha-ching,

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# Can we all slow down # Guarantee we'll be feelin'

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# It's not about the money, # We don't need your money,

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# Ain't about the cha-ching, RAPS: Keep the price tag

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You can keep the cars Leave it in the garage

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Cos all I need are keys and guitars

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In 30 seconds I'm leaving to Mars

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We do this for the love So we fight and sacrifice

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So we ain't gonna stop, no, never

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Waiting to see A sign of defeat, uh-uh

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So we gonna keep Everyone movin' they feet

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So bring back the beat And everyone sayin'...

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just wanna make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching, cha-ching

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# Ain't about the ba-bling, ba-bling

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# Wanna make the world dance

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# Forget about the price tag

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# It's not about the money, money, money

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# La-la-la-la

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#

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# Everybody

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# La-la-la-la

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# La-la-la-la

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# Price tag

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just wanna make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching, cha-ching.

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# Ain't about the ba-bling, ba-bling

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# Wanna make the world dance

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# Forget about the price tag

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# It's not about the money, money, money

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# We don't need your money, money, money

:06:30.:06:32.

# We just wanna make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching, cha-ching

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# Ain't about the ba-bling, ba-bling

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# Wanna make the world dance

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# Forget about the price tag

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just wanna make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching, cha-ching

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# We just wanna make the world dance

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# Forget about the price tag

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#

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# I

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# I just

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# I just want to make Shay dance # I just want to make Glastonbury

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dance # I just want to make the world

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dance All right are you buddy buddy? I

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Stand up, take a bow. Stand up, take a bow.

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Thank you! That is without a doubt one of the

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highlights. That was Jessie J who plucked a little girl from the

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audience. What a little star. You would have missed the fact that

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Jessie J asked for a cup of mud and and she proceeded to spread it over

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her face to be at one with the audience.

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You might be able to detect a slight noise behind us. The sound

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of Pendulum. Also Plan B who is fresh off the

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Pyramid Stage is going to come in for a chat in a moment. We are

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socially interactive. If you want to ask a question, you can go on

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Twitter on on to the BBC Three Facebook pages.

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So you have already seen Greg and Gemma and Greg Greg James has been

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going on a crawl. So the search continues. Greg, let's see how

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Now this is a million miles away from the mayhem of last night's

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night-time crawl. It is the iconic Stone Circle. It is where people

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come to relax and cleanse their soul. It is difficult to know

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looking around if they have just just woken up or still up from last

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night. To cleanse my soul further. This is a wonderful, wonderful

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atmosphere. Tas lot more relaxing up here.

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is it you do here? What we are doing a lot of energising

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medtations. They are quick fix wid ard fix wizard spells.

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So you are a wizard? I am. We are going to imagine there are

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roots stretching out deep into the ground and linking into the the

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energy that is the mother of our planet.

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The third eye in the centre of the head, purple. Take a deep breath.

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We are going to open our eyes and take a look around you. Notice the

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difference in the colours that you see. You have accepted that magical

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sight that is the wizard inside. Thank you for inviting me in. Tell

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me what this is exactly? It is commonly known as the gong tent. We

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do relaxation sessions in here. We are going to do a two minute gong

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GONG SOUNDS. Thank you very much. I feel like

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I'm vibrating. You are vibrating indeed. You may

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feel the reverberations for that that a a while.

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Do the neighbours not get annoyed? No, it's Glastonbury!

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Good morning. How are you? I'm very well. How are you? Can I ask you

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quickly what you are doing? barge-style painting. None of us

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know what we are doing, but we have managed to create this. They look

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good. People like it. It is a chillout thing as well.

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A mobile festival seat. Yeah, go on then.

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I mean it is not uncomfortable. But if you are sat right at the front

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for Coldplay. He is there, you know what I mean? Yeah.

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What's going on here then, please? We are making copper piles out of

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recycled water cylinders. People can start hitting it around with a

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hammer and before you know it, you have got a bowl. Would you like to

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have a go? If you leave me to my copper bowl I will have a think

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about where to go next on my I thought there was an air of

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serenity around Greg today. He is very, very calm after the Healing

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Fields. He had an air of calm about him.

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What I love about Glastonbury is watching my favourite bands work

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their way up the list. One of my favourite bands is the Bombay

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Bicycle Club. I am looking forward to watching

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this. The Bombay Bicycle Club and this is Shuffle at demrast bury.

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Apology for the loss of subtitles for 57 seconds

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# Get it out of my mind # Say it on the track

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# Once you get the freedom # Once you have more

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# # # Once you get the feeling # Once you get some more

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# Freedom on the floor # I want you to believe in it until

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it's gone # You give to me all I know

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# I will stay here # I will not go

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# You gave to me # All I know

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# I will stay here # I will not go

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# Once you get the feeling # Once you get more

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# Says it is going to heal again # He won't make the call

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# Once you get the the feeling # Feet on the floor

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# Jumping out the wall # I want you to believe in it

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Fantastic. That was The beautiful Bombay Bicycle Club.

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Fresh off the Pyramid Stage, it is Mr Plan B

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You have just stepped off that stage.

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I am still red. I have got mud all over my shoes. I had a wicked time

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and I came here in the year 2000 and broke in! Sorry. Don't tell

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Eavis that. We thought it was a good idea to camp by the toilets,

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but not here, in the morning they pump out the toilets and it is not

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a nice odour. I think I worked Cyprus hill on that stage there.

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That was like eleven years ago. To be On that stage and perform and

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look out from the other side was mental. What a moment.

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Definitely. The Pyramid Stage is one thing, but you won yourself

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three Ivan know Ivan Novello Awards. I read that you made Rolf Harris

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cry. Rolf Harris came up to me in tears.

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This is so surreal. Because I have never you before, but I feel like I

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know you because I grew up with him. No, he just said, he said that what

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I said inspired him to want to go and write some more songs. Wow.

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It was something like that. If he releases a single soon you are

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responsible for that. Completely. It was like, it meant a

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lot to me to win them awards. You know, I would have been happy with

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one, and I got three. It has been a long journey.

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One of which was Song Writer of the Year.

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It has been a long journey. I went from the first album where I was

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underrated and underestimated and I felt it. Like now, obviously,

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people are giving me credit for what I'm doing and there is no

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greater feeling and it being cemented by winning those awards.

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And going out to the States. You had a bit of of a tour? I spent six

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weeks in America and it was hard and it was long, but I loved it and

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I enjoyed it. Especially the part of the tour where I was with Adele

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because she is great fun. Things are taking time. Tas bit slow.

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It is a big place. It is a big place, but it is like

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the gatekeepers, if they don't want to play play your stuff on radio,

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you are flogging a dead horse. It is a great record and hopefully it

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will be one of those things that spreads through word of mouth.

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We have got some Facebook and Twitter questions.

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One of Twitter, "what do you to get psyched up before a gig?"

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usually worrying everything. I'm woreying about my -- worrying about

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my shoes. Clips. I am usually worrying about that

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stuff so much that I'm not thinking about what is going on stage.

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Do you listen to any music to get yourself in a zone? It is always a

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panic. Where is my comb? Where is had this? You just go on stage and

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you are released. I wouldn't say there is anything I do to kind of

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get me hyped up. I am hyped up as soon as I see the crowd.

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I have got to ask you something on behalf of the crowd. A lot of

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people are are wondering what is happening with the Ballard of

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Belmarsh? It is another instalment. It covers old ground like the

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videos do. It just goes into greater detail what they are and

:20:36.:20:40.

that's the great thing about hip- hop, it allows you to do that. I

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wrote this album the way I write hip-hop which is trying to convey

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the story that I need to get out rather than trying to make songs

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that the radio will play. I always talk about this album like it is an

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underground album and I am not sure how much commercial legs it has,

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but it is more what I call a film for the blind so when you put it on

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it will be like listening to the auto to the audio of the film

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without having the images. It is coming out.

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I have got good supplies. I recorded Ray Winston in the studio.

:21:15.:21:25.
:21:25.:21:29.

I wrote a John John Cooper- clerkesque. I got Ray to come in

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and speak it. It sound amazing. It is like the 2011 Park Life.

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Incredible. I'm really, really excited. It is

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weird because I was in the studio with him and I was like, "This is

:21:42.:21:46.

the proudest moment of my musical life." And I have had some great

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moments, but it was weird. He is a legend.

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I thought that at the time, but to have him there. It is so unexpected.

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I never thought he would say yes and he did. So look forward to that.

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. One more question from Facebook from Ryan. "Where did Plan B get

:22:03.:22:11.

the idea for his image, it is very cool?" I make music and I let the

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music talk and I heard about Northern Soul music. A lot of the

:22:16.:22:21.

break dance moves you see in hip- hop actually, dancers were doing

:22:21.:22:25.

that in Northern Soul in the UK before the whole hip-hop thing came

:22:26.:22:31.

about. And there was this look, it was a little bit earlier than the

:22:31.:22:38.

Mods. The Mods are like two button suits. They are like buttoned done

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collars. Before that, ten years earlier, in the late 50s and early

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60, it was one button suits. So when I made the music I listened

:22:48.:22:53.

back to it and I thought, "What does this make me feel like?" I

:22:53.:22:58.

thought Northern Soul and I went on sooUb on YouTube and got old

:22:58.:23:02.

footage, looking at the moves and what those artist wore and that's

:23:03.:23:12.
:23:13.:23:13.

how we styled Banks. We going from hip-hop artist who wore baggy jeans

:23:13.:23:18.

to wearing tight trousers was an uncomfortable transition.

:23:18.:23:22.

You are not going to be wearing this down to Waitrose, I take it?

:23:22.:23:25.

The whole time I was uncome uncomfortable and I got the

:23:25.:23:30.

pictures out. I thought this is the look. I was able to detach me from

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the character, you know. It just grew from there.

:23:35.:23:40.

Even in this sweaty weather, you are sticking with the suit.

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Plan B, thank you. We are going to see some of your set from earlier.

:23:45.:23:50.

There are flashing images. Be warned. This is Plan B on the

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Apology for the loss of subtitles for 57 seconds

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# Keep trying just so we can say... # I know I lied and I cheated

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# That justifies me being locked up this long

:27:57.:28:06.

# I ain't guilty of no crime Get these chains off me

:28:06.:28:09.

# Can't risk doing no more time Please just set me free

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# Every day I go on I feel my heart getting colder

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# I'm beggin' you, please Yeah, yeah

:28:16.:28:19.

# You got me wrong I don't deserve this fate

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# I'm not where I belong Not the kind of place

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# Once he's mad at your fear I ain't meant to be here

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# I'm meant to be free

:28:30.:28:34.

# Yeah I know, I know I know I've been a fool

:28:34.:28:43.

# I had everything and went and lost it all

:28:43.:28:52.

# But I don't deserve this sentence on my head

:28:52.:29:02.

# Especially when I never did what she said

:29:02.:29:08.

# I ain't guilty of no crime Get these chains off me

:29:08.:29:11.

# Can't risk doing no more time Please just set me free

:29:11.:29:14.

# Every day I go on I feel my heart getting colder

:29:14.:29:19.

# I'm begging you, please Yeah, yeah

:29:19.:29:23.

# You got me wrong I don't deserve this fate

:29:23.:29:27.

# I'm not where I belong Not the kind of place

:29:27.:29:31.

# Once he's mad at your fear I ain't meant to be here

:29:31.:29:34.

# I'm meant to be free Yeah, yeah, yeah

:29:34.:29:43.

# Time's such a precious thing

:29:43.:29:46.

# We shouldn't waste it on little things

:29:46.:29:56.
:29:56.:29:57.

# Won't get in the way

:29:57.:30:00.

# Of what we need cos it just don't pay

:30:00.:30:10.
:30:10.:30:11.

# I ain't guilty of no crime Get these chains off me

:30:12.:30:14.

# Can't risk doing no more time Please just set me free

:30:14.:30:19.

# Every day I go on I feel my heart getting colder

:30:19.:30:23.

# I'm beggin' you please Yeah, yeah

:30:23.:30:27.

# You got me wrong I don't deserve this fate

:30:27.:30:31.

# I'm not where I belong Not the kind of place

:30:31.:30:34.

# Once he's mad at your fear I ain't meant to be here

:30:34.:30:37.

# I'm meant to be free Yeah, yeah, yeah

:30:37.:30:42.

# I'm meant to be free Yeah, yeah, yeah, yeah

:30:42.:30:52.
:30:52.:30:58.

# I'm meant to be free Yeah, yeah, yeah, yeah

:30:58.:31:06.

# I'm meant to be free Yeah, yeah, yeah, yeah

:31:06.:31:16.
:31:16.:31:18.

Glastonbury,

:31:18.:31:19.

Glastonbury, how

:31:19.:31:19.

Glastonbury, how are

:31:19.:31:29.
:31:29.:31:29.

Apology for the loss of subtitles for 57 seconds

:31:29.:36:44.

Hello Glastonbury. In 2000 I was out there with you

:36:44.:36:49.

will the. Eleven years later, here we are. Thank you for welcoming us

:36:49.:36:59.
:36:59.:37:00.

on the stage. In return, we would # Welcome to hell

:37:00.:37:10.
:37:10.:37:12.

# Oh, we're so happy that # There's a warden

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# As I make my way inside of the jail

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# He smiles at me ever so sweetly

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# And sends to me en route to my cell

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# Welcome to hell

:37:31.:37:34.

# Welcome to hell That's what I heard them sing

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# Welcome to hell, yeah

:37:42.:37:48.

# Oh, we're so happy that you're here today

:37:48.:37:54.

# Grins all up on their faces

:37:54.:37:59.

# Looking so delighted I'm here

:37:59.:38:04.

# Murders, robbers and rapists

:38:04.:38:08.

# All shouting up in my ear

:38:08.:38:14.

# Welcome to hell

:38:14.:38:17.

# Welcome to hell That's what I heard them sing

:38:17.:38:25.

# Welcome to hell, yeah

:38:25.:38:30.

# Oh, we're so happy that you're here today

:38:30.:38:36.

# Put my brave face on

:38:36.:38:40.

# Can't let 'em know that I'm scared

:38:40.:38:42.

# Put my brave face on

:38:42.:38:46.

# Cos if they know then I'm dead I put my brave face on

:38:46.:38:49.

# Can't let 'em know that I'm scared I put my brave face on

:38:49.:38:53.

# And don't I know Don't I know, don't I know

:38:53.:39:03.
:39:03.:39:04.

# And don't I know Don't I know, don't I know

:39:04.:39:08.

# Just how low, just how low Just how low

:39:08.:39:11.

# I've fallen down I've fallen down?

:39:11.:39:17.

# What's in store for me Oh for me, oh for me

:39:17.:39:21.

# And I can see, I can see I can see

:39:21.:39:26.

# What's in store for me Oh for me, oh for me

:39:26.:39:31.

# Falling out There's no way out now

:39:31.:39:40.

# Falling out There's no way out now

:39:40.:39:41.

# Welcome to hell

:39:41.:39:44.

# Welcome to hell That's what I heard them sing

:39:44.:39:50.

# Welcome to hell, yeah

:39:50.:39:55.

# Oh, we're so happy that you're here today

:39:55.:40:02.

# Welcome to hell, yeah

:40:02.:40:06.

# Welcome to hell That's what I heard them sing

:40:06.:40:11.

# Welcome to hell, hey

:40:11.:40:17.

# Oh we're so happy that you're here today

:40:17.:40:23.

# Oh, oh yeah

:40:23.:40:26.

# Put my brave face on

:40:26.:40:28.

# Can't let 'em know that I'm scared I put my brave face on

:40:28.:40:31.

# Cos if they know then I'm dead I put my brave face on

:40:31.:40:36.

Can't let 'em know that I'm scared I put my brave face on

:40:36.:40:40.

# Put my brave face on Can't let 'em know that I'm scared

:40:40.:40:48.

# I put my brave face on Cos if they know then I'm dead

:40:48.:40:56.

# I put my brave face on Can't let 'em know that I'm scared

:40:56.:41:00.

# I put my brave face on. #

:41:00.:41:10.
:41:10.:41:27.

Glastonbury,

:41:27.:41:28.

Glastonbury, how

:41:28.:41:29.

Glastonbury, how are

:41:29.:41:35.

Glastonbury, how are you feeling? This one is for the ladies in the

:41:35.:41:45.
:41:45.:41:45.

Apology for the loss of subtitles for 57 seconds

:41:45.:42:27.

# But look at how times # Sweep your feet

:42:27.:42:37.
:42:37.:42:37.

# I've got that real love # I've got that real love

:42:37.:42:47.
:42:47.:42:47.

Apology for the loss of subtitles for 57 seconds

:42:47.:43:41.

# Sweep your feet # I've got that real love

:43:41.:43:51.
:43:51.:44:25.

# I've got that real love # Sweep your feet

:44:25.:44:35.

# Yeah, baby, know I've got that real love for you know

:44:35.:44:42.

# Yeahhh, ooh...

:44:42.:44:52.
:44:52.:44:56.

# Oooh, ooh

:44:56.:45:00.

# Oooh, ooh

:45:00.:45:10.
:45:10.:45:31.

OK.

:45:31.:45:32.

OK. How

:45:33.:45:33.

OK. How are

:45:33.:45:38.

OK. How are you feeling? Are you feeling good? All right, let's do

:45:38.:45:48.
:45:48.:45:51.

# Cos I don't go outside for nothing, # Oh no they can't tell me nothin',

:45:51.:46:01.
:46:01.:46:08.

# Yes so I don't care # If I just stay here in this hole

:46:08.:46:18.
:46:18.:46:19.

# Cos I don't go outside for nothin', # Oh no they can't tell me nothin',

:46:19.:46:29.
:46:29.:46:36.

# Yes so I dunno, I'm feeling sorry # Would you really know what is

:46:36.:46:46.
:46:46.:46:51.

# I ain't hurtin' nobody, # Why can't you just let me

:46:51.:47:01.
:47:01.:47:07.

# Cos I don't go outside for nothin', # Oh no they can't tell me nothin',

:47:07.:47:17.
:47:17.:47:36.

at myself thinking myself, I got everything I need

:47:36.:47:38.

I ain't trying to impress anyone in this cesspit jail I just don't care

:47:38.:47:42.

I ain't gotta smell fresh for a woman so I'm blessed not washing my skin or my hair

:47:42.:47:48.

They can call me a recluse, they ain't gonna remove or cut me loose

:47:48.:47:51.

From this place, I'm locked in hiding

:47:51.:47:53.

Like a rocker wall moves cos you know I've gotten used to the space that I'm occupying

:47:53.:47:56.

There really ain't anything out there on the win they'd enjoy more more than see me crying

:47:56.:47:59.

So I do it in my room where none ofthese goons can see me though I know they've been trying

:47:59.:48:09.
:48:09.:48:11.

So I just stay in my cell like I'm bricked in and hope that stops me from getting kicked in

:48:11.:48:15.

Even if it earns me this nickname in prison

:48:15.:48:18.

# Oh yeah they call me The Recluse

:48:18.:48:21.

# Cos I don't go outside for nothin', no one

:48:21.:48:25.

# Is gonna make me leave this room

:48:25.:48:28.

# Oh no they can't tell me nothin', no way

:48:28.:48:33.

# Oh yeah they call me The Recluse

:48:33.:48:36.

# Cos I don't go outside for nothin', no one

:48:36.:48:40.

# Is gonna make me leave this room

:48:40.:48:43.

# Oh no they can't tell me nothin'

:48:43.:48:53.
:48:53.:49:17.

# She said, I love you, boy I love your soul

:49:17.:49:19.

# She said, I love you, baby Oh, oh, oh, ohhh

:49:19.:49:28.

# She said, I love you more than words can say

:49:28.:49:30.

# She said, I love you, ba-a-aby

:49:30.:49:40.
:49:40.:49:41.

# So I said, what you saying, girl? It can't be right

:49:41.:49:51.
:49:51.:49:52.

# So I said, what you saying, girl? It can't be right

:49:52.:49:56.

# How can you be in love with me? We only just met tonight

:49:56.:50:01.

# So she said

:50:01.:50:04.

# Boy, I loved you from the start

:50:04.:50:09.

# When I first heard love goes down

:50:09.:50:11.

# Something started burning in my heart

:50:11.:50:15.

# I said, stop this crazy talk

:50:16.:50:18.

# And leave right now and close the door

:50:18.:50:27.

# She said, but I love you, boy I love you so

:50:27.:50:31.

# She said, I love you, baby Oh, oh, oh, oh

:50:31.:50:40.

# She said, I love you more than words can say

:50:40.:50:42.

# She said, I love you, ba-a-aby

:50:42.:50:52.

# Yes, you did

:50:52.:50:54.

# So now I'm up in the courts

:50:54.:50:56.

# Pleading my case from the witness box

:50:56.:50:57.

# Telling the judge and jury the same thing that I said to the cops

:50:57.:50:58.

# On the day that I got arrested I'm innocent, I contested

:50:58.:51:00.

# She just feels rejected

:51:00.:51:02.

# Had her heart broken by someone she's obsessed with

:51:02.:51:06.

# Cos she likes the sound of my music

:51:06.:51:09.

# Which makes her a fan of my music

:51:09.:51:10.

# That's why love goes down not to lose it

:51:10.:51:12.

# Cos she can't separate the man from the music

:51:12.:51:14.

# And I'm saying all this in the stand

:51:14.:51:15.

# As my girl cries tears from the galleries

:51:15.:51:17.

# Got bigger than I ever could have planned

:51:17.:51:18.

# Like that song by the Zutons, Valerie

:51:18.:51:20.

# So the jury don't look like they're buying it

:51:20.:51:22.

# And it's making me nervous

:51:22.:51:22.

# And I'm just screw-faced like I'm trying it

:51:22.:51:24.

# Their eyes fixed on me like a murderer's

:51:24.:51:27.

# They wanna lock me up and throw away the key

:51:27.:51:29.

# They wanna send me down even though I told them she...

:51:29.:51:32.

# She said, I love you, boy I love your soul

:51:32.:51:42.
:51:42.:51:44.

# She said, I love you, boy I love your soul

:51:44.:51:46.

# She said, I love you, baby Oh, oh, oh, oh

:51:46.:51:54.

# Yes, you did

:51:54.:51:56.

# She said, I love you more than words can say

:51:56.:51:59.

# She said, I love you, ba-a-aby

:51:59.:52:07.

# So I said, why the hell you gotta treat me this way?

:52:07.:52:11.

# You don't know what love is

:52:11.:52:14.

# You wouldn't do this if you did

:52:14.:52:16.

# Oh, no, no, no, no... #

:52:16.:52:26.
:52:26.:52:35.

Thank

:52:35.:52:35.

Thank you,

:52:36.:52:37.

Thank you, Glastonbury.

:52:37.:52:42.

Thank you, Glastonbury. Glastonbury, are you having a good time? Enjoy

:52:42.:52:52.
:52:52.:52:52.

Apology for the loss of subtitles for 57 seconds

:52:52.:56:06.

the rest of the weekend. Make sure # I'm at the bar and I see this

:56:06.:56:16.
:56:16.:56:16.

Apology for the loss of subtitles for 57 seconds

:56:16.:57:11.

# But do I care? Do I...I'm on a The fantastic Plan B earlier on

:57:11.:57:14.

today complete with a little bit of naughty language.

:57:14.:57:24.

A very messy piggyback at the end. Yesterday, we were treated to a

:57:24.:57:32.

performance by Ed Sheeran. We are going to see a part of that set. A

:57:32.:57:38.

beautiful Bob Dylan cover of Make You Feel My Love. This is Ed

:57:38.:57:48.
:57:48.:58:00.

# When the wind is blowing in your face

:58:00.:58:05.

# And the whole world is on your case

:58:05.:58:15.
:58:15.:58:17.

# I can offer you a warm embrace # To make you feel my love

:58:17.:58:21.

# When the evening shadows and the stars appear high pressure # And

:58:21.:58:25.

there is no one there to dry your tears

:58:25.:58:32.

# Oh, I could hold hold you for a million years

:58:32.:58:40.

# To make you feel my love # And I know you haven't made your

:58:41.:58:47.

mind up yet # Though I could never do you wrong

:58:47.:58:53.

# I've known it from the moment that we met

:58:53.:58:59.

# Deep down in my heart is where you belong belong, oh

:58:59.:59:02.

# I'll go hungry, I'd go black and blue

:59:02.:59:07.

# I'd go crawling down the avenue # There's nothing that I wouldn't

:59:07.:59:17.
:59:17.:59:35.

Can I just try one thing? I know it is dux outside -- dusk outside. Can

:59:35.:59:38.

everyone get out their phone or their lighter and just hold it in

:59:39.:59:45.

the air so the light goes up. It doesn't quite work yet. It is

:59:45.:59:55.
:59:55.:00:05.

# The wind is raging on the violent seas

:00:05.:00:11.

# And on the highway of regret # The winds of change are blowing

:00:11.:00:16.

wild and free # You ain't seen nothing like me

:00:16.:00:26.
:00:26.:00:26.

# I will make you happy, make your dreams come true

:00:26.:00:29.

# But there is nothing that I would not do

:00:29.:00:39.
:00:39.:00:41.

# Go to the ends of the earth for # To make you feel my love #

:00:41.:00:47.

We're going to sing this again. # To make you feel my love #

:00:47.:00:51.

One more time. # To make you feel my love

:00:51.:01:00.

To make you feel my love # To make you feel my love

:01:00.:01:10.
:01:10.:01:12.

# To make you feel my love # CHEERING AND APPLAUSE

:01:12.:01:21.

Beautiful. That was from the BBC Introducing Tent. That was stunning.

:01:21.:01:25.

Gemma has been all over this festival all weekend. She can

:01:25.:01:29.

actually be an official tour guide. She knows every nook and cranny. We

:01:29.:01:39.
:01:39.:01:45.

are going to catch up with Gemma. Put your arms up in the air and say

:01:45.:01:47.

o-ar. Yeah, it is cool.

:01:47.:01:52.

. Yes. How are you feeling? Mm, tired. I

:01:52.:01:56.

have got my sunglasses on to cover up me bags

:01:56.:02:01.

What about you lovey? The sun is shining. What has been the weirdest

:02:02.:02:05.

thing you witnessed? When it was really, really muddy like when it

:02:05.:02:10.

rain on the first days, we just saw people in plastic suits and we

:02:10.:02:14.

thought thought they were going to run in the mud and they turned

:02:14.:02:19.

around, "Will you marry me?" This guy got down on one knee and

:02:19.:02:22.

proposed. Who are you looking forward to

:02:22.:02:25.

seeing later on? It has got to be Beyonce.

:02:25.:02:34.

I love Gemma. I have the same outfit at home.

:02:34.:02:37.

I hope you have got some under wear underneath that.

:02:37.:02:45.

No, I want to feel the breeze. Please join us on Twitter. We are

:02:45.:02:51.

on Facebook as well. Also if you have missed anything, you can go

:02:51.:02:57.

You can watch loads of different BBC introducing performances if you

:02:57.:03:02.

want to catch up and there is loads of Glastonbury highlights on there

:03:02.:03:08.

as well. The first time I saw Laura Marling

:03:08.:03:11.

was in a pub in West London and I was blown away because she was

:03:11.:03:17.

about this big and her guitar was so-so much bigger. Her voice is

:03:17.:03:19.

incredible. I couldn't believe she is as young

:03:19.:03:24.

as she is. When I heard she was performing on the Pyramid Stage I

:03:24.:03:30.

was worried because it is so huge. I was worried it would take her in.

:03:30.:03:34.

She won a BRIT Award as well with her gorgeous acceptance speech and

:03:34.:03:38.

people are beginning to know what she is about now. She has the most

:03:38.:03:42.

beautiful voice and she packed out this whole area in front of the

:03:42.:03:46.

Pyramid Stage. We had a lot of people swaying and hugging. It felt

:03:46.:03:53.

like a graduation on the Pyramid Stage. Here is Laura Marling

:03:53.:04:03.
:04:03.:04:40.

# You'll scream and you'll wail till # And they're tired

:04:40.:04:50.
:04:50.:05:01.

# You'll scream and you'll wail till # Let it always be known that

:05:01.:05:11.
:05:11.:05:25.

# My children will live # I'll be blown over by

:05:25.:05:35.
:05:35.:05:46.

# And the tender are carried to # And I'll be damned if I'll be

:05:46.:05:56.
:05:56.:06:13.

# Let it always be known that # It's funny how the first chords

:06:13.:06:18.

# Are the minor notes that come to serenade you

:06:18.:06:24.

# It's hard to accept yourself as someone you don't desire

:06:24.:06:29.

# As someone who don't want to be

:06:29.:06:36.

# As someone who don't want to be

:06:36.:06:42.

# Oh, give me to a rambling man

:06:42.:06:47.

# Let it always be known that I was who I am

:06:47.:06:52.

# Oh, give me to a rambling man

:06:52.:07:01.

# Let it always be known that I was who I am

:07:01.:07:11.
:07:11.:07:22.

The

:07:22.:07:23.

The the

:07:23.:07:23.

The the gorgeous

:07:23.:07:28.

The the gorgeous sounds of Laura Marling. The crowd were bouncing

:07:28.:07:31.

like this high off the floor and you will see some of that set later

:07:31.:07:37.

on BBC Three. Going back to Laura Marling did you

:07:37.:07:42.

notice those guys trying hard not to fall in love with her? If you

:07:42.:07:47.

are a fan of Ed Sheeran, you can see the set online.

:07:47.:07:51.

Another brilliant band that I know you are passionate about. We have

:07:51.:07:55.

seen them live together a few times. I love Everything Everything

:07:55.:07:58.

Everything. I fell in love with the band and

:07:59.:08:02.

one of the things I love about them when I see them play is the drummer

:08:02.:08:06.

trying hard to keep up with the time signatures because it changes

:08:06.:08:11.

and he always gets a sweat on. They are fantastic to watch.

:08:11.:08:21.
:08:21.:08:31.

Right, here is Everything # I will gain an extra life,

:08:31.:08:41.
:08:41.:08:42.

# I am one with the furniture, # Gangrene knuckle

:08:42.:08:52.

# Soon my clock will have # I'm watching that foxhound frolic

:08:52.:09:02.
:09:02.:09:08.

# Airbrush! # Gotta come back

:09:08.:09:18.
:09:18.:09:27.

# More dollar! Less scholar! # Chest pumped elegantly

:09:27.:09:32.

# Watch your dorsal fin collapse I know nothing about my history

:09:33.:09:37.

# I put a rainforest in an Oxo cube

:09:37.:09:40.

# Struck by lightning if I take the tube

:09:40.:09:42.

# Thank your chromosomes for that

:09:42.:09:45.

# I have skin like a waxen peel, and a face that I can never feel

:09:45.:09:48.

# Airbrush! What have you done with my landscape?

:09:48.:09:52.

# Flooding the fields with this clone shape

:09:52.:09:53.

# Where is the country you died for?

:09:53.:09:55.

# And what is the century? And ahhh

:09:55.:09:57.

# Who did your Photoshop handsome?

:09:57.:09:59.

# You ready for reincarnation?

:09:59.:10:01.

# Gotta come back as something less frantic

:10:01.:10:02.

# You gotta banish that army of panic

:10:02.:10:04.

# Gotta come back as something organic

:10:04.:10:06.

# Come back as something organic

:10:06.:10:11.

# Come back as something organic

:10:11.:10:13.

# Come back as something organic

:10:13.:10:23.
:10:23.:11:03.

# Airbrush! # Airbrush!

:11:03.:11:13.
:11:13.:11:37.

# Gotta come back as I adore that band.

:11:37.:11:42.

By the time Glastonbury comes back in a few years time, they will be

:11:42.:11:47.

higher up the list. Boiler suits in the heat.

:11:47.:11:53.

They are like Ghostbuster suits. If you want to see that Pendulum

:11:53.:11:58.

set this is where you need to be, BBC Three. You will get the Kaiser

:11:58.:12:02.

Chiefs. Ricky was excited about hitting Glastonbury today so you

:12:02.:12:04.

will see that later on. Can I have a confession moment

:12:04.:12:09.

here? I had an awkward moment with Ricky. Because the last time I saw

:12:09.:12:16.

him was in the changing room. Go to the same gym and I have seen more

:12:16.:12:21.

of Ricky than I would like to share. But he will be in full health later.

:12:21.:12:29.

He is in one piece. If you are going on Twitter please

:12:29.:12:35.

keep leaving your comments. It is the BBC Three Facebook pages. You

:12:35.:12:41.

can still tweet. Remember, if you want to, you can

:12:41.:12:45.

hit the Red Button and see loads more.

:12:45.:12:49.

You can see loads of stuff online. Ed Sheeran is on there and tonnes

:12:49.:12:52.

more. Get online to see what is happening.

:12:52.:12:57.

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