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Hello there. Welcome to Glastonbury 2011 on BBC Three. In the glorious | :00:20. | :00:23. | |
sunshine. Look at it. It is absolutely | :00:23. | :00:26. | |
stunning. As you can see behind us, it is the Pyramid Stage and pretty | :00:26. | :00:30. | |
much the entire site, you can see everything and all the smart people | :00:30. | :00:36. | |
that decided to camp up here... CHEERING AND APPLAUSE | :00:36. | :00:41. | |
You can hear them. The rain falls that way. They are dry. | :00:41. | :00:48. | |
We have got a ponderful view. -- wonderful view. Pendulum are about | :00:48. | :00:52. | |
to go on the stage and you can see Plan B. | :00:52. | :00:58. | |
It is the first time we have been let out on camera and Gemma and | :00:58. | :01:01. | |
Greg have been seeing brilliant stuff. Where are you? What's going | :01:01. | :01:05. | |
on guys? Well, we are the other side of the Pyramid Stage and | :01:05. | :01:10. | |
people are waiting for Pendulum which you will see on BBC Three | :01:10. | :01:16. | |
from 9pm. I am going to go to the John Peel Stage. I am not sure | :01:16. | :01:22. | |
what's going on, but it will be fun. Did you see Jessie yesterday? | :01:22. | :01:28. | |
missed it and it looked great. Let's look at Price Tag from | :01:28. | :01:32. | |
yesterday. Can we have a microphone? | :01:32. | :01:42. | |
:01:42. | :02:00. | ||
Who knows the words to Price Tag? Big business. Big business. | :02:00. | :02:10. | |
:02:10. | :02:23. | ||
Go on girl. Hey. CHEERING AND APPLAUSE | :02:23. | :02:27. | |
What's your name? Shay. That's a cool name. Right, you can | :02:27. | :02:34. | |
sit here. Jessie J featuring Shay. That | :02:34. | :02:39. | |
wasn't even planned! Do you know the words? You sing the money, | :02:39. | :02:48. | |
money, the clrks the cha-ching bits, whatever bits you know. It is a big | :02:48. | :02:58. | |
:02:58. | :03:31. | ||
# That you can't even # It's not about the money, | :03:31. | :03:41. | |
:03:41. | :03:41. | ||
# We don't need your money, # Ain't about the cha-ching, | :03:41. | :03:51. | |
:03:51. | :04:12. | ||
# Can we all slow down # Guarantee we'll be feelin' | :04:12. | :04:22. | |
:04:22. | :04:27. | ||
# It's not about the money, # We don't need your money, | :04:28. | :04:37. | |
:04:38. | :04:46. | ||
# Ain't about the cha-ching, RAPS: Keep the price tag | :04:46. | :04:52. | |
You can keep the cars Leave it in the garage | :04:52. | :04:54. | |
Cos all I need are keys and guitars | :04:54. | :04:57. | |
In 30 seconds I'm leaving to Mars | :04:57. | :05:07. | |
We do this for the love So we fight and sacrifice | :05:07. | :05:11. | |
So we ain't gonna stop, no, never | :05:11. | :05:13. | |
Waiting to see A sign of defeat, uh-uh | :05:13. | :05:15. | |
So we gonna keep Everyone movin' they feet | :05:15. | :05:17. | |
So bring back the beat And everyone sayin'... | :05:17. | :05:20. | |
# It's not about the money, money, money | :05:20. | :05:22. | |
# We don't need your money, money, money | :05:22. | :05:25. | |
# We just wanna make the world dance | :05:25. | :05:27. | |
# Forget about the price tag | :05:27. | :05:30. | |
# Ain't about the cha-ching, cha-ching | :05:30. | :05:33. | |
# Ain't about the ba-bling, ba-bling | :05:33. | :05:35. | |
# Wanna make the world dance | :05:35. | :05:38. | |
# Forget about the price tag | :05:38. | :05:41. | |
# It's not about the money, money, money | :05:41. | :05:51. | |
:05:51. | :05:57. | ||
# La-la-la-la | :05:57. | :05:58. | |
# | :05:58. | :05:58. | |
# Everybody | :05:58. | :05:59. | |
# La-la-la-la | :05:59. | :06:02. | |
# La-la-la-la | :06:02. | :06:03. | |
# Price tag | :06:03. | :06:09. | |
# It's not about the money, money, money | :06:09. | :06:10. | |
# We don't need your money, money, money | :06:10. | :06:11. | |
# We just wanna make the world dance | :06:11. | :06:14. | |
# Forget about the price tag | :06:14. | :06:15. | |
# Ain't about the cha-ching, cha-ching. | :06:15. | :06:17. | |
# Ain't about the ba-bling, ba-bling | :06:17. | :06:19. | |
# Wanna make the world dance | :06:19. | :06:22. | |
# Forget about the price tag | :06:22. | :06:28. | |
# It's not about the money, money, money | :06:28. | :06:30. | |
# We don't need your money, money, money | :06:30. | :06:32. | |
# We just wanna make the world dance | :06:32. | :06:33. | |
# Forget about the price tag | :06:33. | :06:37. | |
# Ain't about the cha-ching, cha-ching | :06:37. | :06:39. | |
# Ain't about the ba-bling, ba-bling | :06:39. | :06:42. | |
# Wanna make the world dance | :06:42. | :06:45. | |
# Forget about the price tag | :06:45. | :06:50. | |
# It's not about the money, money, money | :06:50. | :06:52. | |
# We don't need your money, money, money | :06:52. | :06:55. | |
# We just wanna make the world dance | :06:55. | :06:58. | |
# Forget about the price tag | :06:58. | :07:01. | |
# Ain't about the cha-ching, cha-ching | :07:01. | :07:06. | |
# We just wanna make the world dance | :07:06. | :07:09. | |
# Forget about the price tag | :07:09. | :07:10. | |
# | :07:10. | :07:10. | |
# I | :07:10. | :07:11. | |
# I just | :07:11. | :07:18. | |
# I just want to make Shay dance # I just want to make Glastonbury | :07:18. | :07:26. | |
dance # I just want to make the world | :07:26. | :07:36. | |
:07:36. | :07:45. | ||
dance All right are you buddy buddy? I | :07:45. | :07:55. | |
:07:55. | :08:00. | ||
Stand up, take a bow. Stand up, take a bow. | :08:00. | :08:06. | |
Thank you! That is without a doubt one of the | :08:06. | :08:09. | |
highlights. That was Jessie J who plucked a little girl from the | :08:09. | :08:14. | |
audience. What a little star. You would have missed the fact that | :08:14. | :08:18. | |
Jessie J asked for a cup of mud and and she proceeded to spread it over | :08:18. | :08:20. | |
her face to be at one with the audience. | :08:20. | :08:25. | |
You might be able to detect a slight noise behind us. The sound | :08:25. | :08:29. | |
of Pendulum. Also Plan B who is fresh off the | :08:29. | :08:33. | |
Pyramid Stage is going to come in for a chat in a moment. We are | :08:33. | :08:38. | |
socially interactive. If you want to ask a question, you can go on | :08:38. | :08:44. | |
Twitter on on to the BBC Three Facebook pages. | :08:44. | :08:49. | |
So you have already seen Greg and Gemma and Greg Greg James has been | :08:49. | :08:54. | |
going on a crawl. So the search continues. Greg, let's see how | :08:54. | :09:02. | |
Now this is a million miles away from the mayhem of last night's | :09:02. | :09:07. | |
night-time crawl. It is the iconic Stone Circle. It is where people | :09:07. | :09:10. | |
come to relax and cleanse their soul. It is difficult to know | :09:10. | :09:14. | |
looking around if they have just just woken up or still up from last | :09:14. | :09:24. | |
:09:24. | :09:40. | ||
night. To cleanse my soul further. This is a wonderful, wonderful | :09:40. | :09:43. | |
atmosphere. Tas lot more relaxing up here. | :09:43. | :09:49. | |
is it you do here? What we are doing a lot of energising | :09:49. | :09:54. | |
medtations. They are quick fix wid ard fix wizard spells. | :09:54. | :09:58. | |
So you are a wizard? I am. We are going to imagine there are | :09:58. | :10:02. | |
roots stretching out deep into the ground and linking into the the | :10:02. | :10:09. | |
energy that is the mother of our planet. | :10:09. | :10:13. | |
The third eye in the centre of the head, purple. Take a deep breath. | :10:13. | :10:18. | |
We are going to open our eyes and take a look around you. Notice the | :10:18. | :10:24. | |
difference in the colours that you see. You have accepted that magical | :10:24. | :10:31. | |
sight that is the wizard inside. Thank you for inviting me in. Tell | :10:31. | :10:37. | |
me what this is exactly? It is commonly known as the gong tent. We | :10:37. | :10:43. | |
do relaxation sessions in here. We are going to do a two minute gong | :10:43. | :10:53. | |
:10:53. | :11:01. | ||
GONG SOUNDS. Thank you very much. I feel like | :11:01. | :11:05. | |
I'm vibrating. You are vibrating indeed. You may | :11:05. | :11:11. | |
feel the reverberations for that that a a while. | :11:11. | :11:16. | |
Do the neighbours not get annoyed? No, it's Glastonbury! | :11:16. | :11:26. | |
Good morning. How are you? I'm very well. How are you? Can I ask you | :11:26. | :11:30. | |
quickly what you are doing? barge-style painting. None of us | :11:30. | :11:34. | |
know what we are doing, but we have managed to create this. They look | :11:34. | :11:42. | |
good. People like it. It is a chillout thing as well. | :11:42. | :11:45. | |
A mobile festival seat. Yeah, go on then. | :11:45. | :11:51. | |
I mean it is not uncomfortable. But if you are sat right at the front | :11:51. | :11:59. | |
for Coldplay. He is there, you know what I mean? Yeah. | :11:59. | :12:07. | |
What's going on here then, please? We are making copper piles out of | :12:08. | :12:11. | |
recycled water cylinders. People can start hitting it around with a | :12:11. | :12:15. | |
hammer and before you know it, you have got a bowl. Would you like to | :12:15. | :12:21. | |
have a go? If you leave me to my copper bowl I will have a think | :12:21. | :12:28. | |
about where to go next on my I thought there was an air of | :12:28. | :12:32. | |
serenity around Greg today. He is very, very calm after the Healing | :12:32. | :12:36. | |
Fields. He had an air of calm about him. | :12:36. | :12:40. | |
What I love about Glastonbury is watching my favourite bands work | :12:40. | :12:48. | |
their way up the list. One of my favourite bands is the Bombay | :12:48. | :12:50. | |
Bicycle Club. I am looking forward to watching | :12:50. | :13:00. | |
:13:00. | :13:01. | ||
this. The Bombay Bicycle Club and this is Shuffle at demrast bury. | :13:02. | :13:11. | |
:13:12. | :13:12. | ||
Apology for the loss of subtitles for 57 seconds | :13:12. | :14:09. | |
# Get it out of my mind # Say it on the track | :14:09. | :14:19. | |
:14:19. | :14:24. | ||
# Once you get the freedom # Once you have more | :14:24. | :14:33. | |
# # # Once you get the feeling # Once you get some more | :14:33. | :14:43. | |
:14:43. | :14:45. | ||
# Freedom on the floor # I want you to believe in it until | :14:45. | :14:55. | |
:14:55. | :15:07. | ||
it's gone # You give to me all I know | :15:07. | :15:15. | |
# I will stay here # I will not go | :15:15. | :15:23. | |
# You gave to me # All I know | :15:23. | :15:33. | |
:15:33. | :15:51. | ||
# I will stay here # I will not go | :15:51. | :15:57. | |
# Once you get the feeling # Once you get more | :15:57. | :16:07. | |
# Says it is going to heal again # He won't make the call | :16:07. | :16:17. | |
:16:17. | :16:19. | ||
# Once you get the the feeling # Feet on the floor | :16:19. | :16:24. | |
# Jumping out the wall # I want you to believe in it | :16:24. | :16:34. | |
:16:34. | :16:38. | ||
Fantastic. That was The beautiful Bombay Bicycle Club. | :16:38. | :16:42. | |
Fresh off the Pyramid Stage, it is Mr Plan B | :16:42. | :16:48. | |
You have just stepped off that stage. | :16:48. | :16:54. | |
I am still red. I have got mud all over my shoes. I had a wicked time | :16:54. | :17:02. | |
and I came here in the year 2000 and broke in! Sorry. Don't tell | :17:02. | :17:06. | |
Eavis that. We thought it was a good idea to camp by the toilets, | :17:06. | :17:11. | |
but not here, in the morning they pump out the toilets and it is not | :17:11. | :17:17. | |
a nice odour. I think I worked Cyprus hill on that stage there. | :17:17. | :17:21. | |
That was like eleven years ago. To be On that stage and perform and | :17:21. | :17:24. | |
look out from the other side was mental. What a moment. | :17:24. | :17:31. | |
Definitely. The Pyramid Stage is one thing, but you won yourself | :17:31. | :17:39. | |
three Ivan know Ivan Novello Awards. I read that you made Rolf Harris | :17:39. | :17:43. | |
cry. Rolf Harris came up to me in tears. | :17:43. | :17:47. | |
This is so surreal. Because I have never you before, but I feel like I | :17:47. | :17:54. | |
know you because I grew up with him. No, he just said, he said that what | :17:54. | :17:59. | |
I said inspired him to want to go and write some more songs. Wow. | :17:59. | :18:03. | |
It was something like that. If he releases a single soon you are | :18:03. | :18:08. | |
responsible for that. Completely. It was like, it meant a | :18:08. | :18:12. | |
lot to me to win them awards. You know, I would have been happy with | :18:12. | :18:16. | |
one, and I got three. It has been a long journey. | :18:16. | :18:20. | |
One of which was Song Writer of the Year. | :18:20. | :18:25. | |
It has been a long journey. I went from the first album where I was | :18:26. | :18:30. | |
underrated and underestimated and I felt it. Like now, obviously, | :18:30. | :18:37. | |
people are giving me credit for what I'm doing and there is no | :18:37. | :18:42. | |
greater feeling and it being cemented by winning those awards. | :18:42. | :18:47. | |
And going out to the States. You had a bit of of a tour? I spent six | :18:47. | :18:51. | |
weeks in America and it was hard and it was long, but I loved it and | :18:51. | :18:59. | |
I enjoyed it. Especially the part of the tour where I was with Adele | :18:59. | :19:02. | |
because she is great fun. Things are taking time. Tas bit slow. | :19:03. | :19:10. | |
It is a big place. It is a big place, but it is like | :19:10. | :19:15. | |
the gatekeepers, if they don't want to play play your stuff on radio, | :19:15. | :19:19. | |
you are flogging a dead horse. It is a great record and hopefully it | :19:19. | :19:22. | |
will be one of those things that spreads through word of mouth. | :19:22. | :19:28. | |
We have got some Facebook and Twitter questions. | :19:28. | :19:37. | |
One of Twitter, "what do you to get psyched up before a gig?" | :19:37. | :19:44. | |
usually worrying everything. I'm woreying about my -- worrying about | :19:44. | :19:51. | |
my shoes. Clips. I am usually worrying about that | :19:51. | :19:54. | |
stuff so much that I'm not thinking about what is going on stage. | :19:54. | :19:59. | |
Do you listen to any music to get yourself in a zone? It is always a | :19:59. | :20:04. | |
panic. Where is my comb? Where is had this? You just go on stage and | :20:04. | :20:09. | |
you are released. I wouldn't say there is anything I do to kind of | :20:09. | :20:13. | |
get me hyped up. I am hyped up as soon as I see the crowd. | :20:13. | :20:19. | |
I have got to ask you something on behalf of the crowd. A lot of | :20:19. | :20:25. | |
people are are wondering what is happening with the Ballard of | :20:25. | :20:32. | |
Belmarsh? It is another instalment. It covers old ground like the | :20:32. | :20:36. | |
videos do. It just goes into greater detail what they are and | :20:36. | :20:40. | |
that's the great thing about hip- hop, it allows you to do that. I | :20:40. | :20:45. | |
wrote this album the way I write hip-hop which is trying to convey | :20:45. | :20:50. | |
the story that I need to get out rather than trying to make songs | :20:50. | :20:55. | |
that the radio will play. I always talk about this album like it is an | :20:55. | :20:58. | |
underground album and I am not sure how much commercial legs it has, | :20:58. | :21:02. | |
but it is more what I call a film for the blind so when you put it on | :21:02. | :21:07. | |
it will be like listening to the auto to the audio of the film | :21:07. | :21:10. | |
without having the images. It is coming out. | :21:10. | :21:15. | |
I have got good supplies. I recorded Ray Winston in the studio. | :21:15. | :21:25. | |
:21:25. | :21:29. | ||
I wrote a John John Cooper- clerkesque. I got Ray to come in | :21:29. | :21:35. | |
and speak it. It sound amazing. It is like the 2011 Park Life. | :21:35. | :21:38. | |
Incredible. I'm really, really excited. It is | :21:38. | :21:42. | |
weird because I was in the studio with him and I was like, "This is | :21:42. | :21:46. | |
the proudest moment of my musical life." And I have had some great | :21:46. | :21:49. | |
moments, but it was weird. He is a legend. | :21:49. | :21:53. | |
I thought that at the time, but to have him there. It is so unexpected. | :21:53. | :21:58. | |
I never thought he would say yes and he did. So look forward to that. | :21:58. | :22:03. | |
. One more question from Facebook from Ryan. "Where did Plan B get | :22:03. | :22:11. | |
the idea for his image, it is very cool?" I make music and I let the | :22:11. | :22:16. | |
music talk and I heard about Northern Soul music. A lot of the | :22:16. | :22:21. | |
break dance moves you see in hip- hop actually, dancers were doing | :22:21. | :22:25. | |
that in Northern Soul in the UK before the whole hip-hop thing came | :22:26. | :22:31. | |
about. And there was this look, it was a little bit earlier than the | :22:31. | :22:38. | |
Mods. The Mods are like two button suits. They are like buttoned done | :22:38. | :22:43. | |
collars. Before that, ten years earlier, in the late 50s and early | :22:43. | :22:48. | |
60, it was one button suits. So when I made the music I listened | :22:48. | :22:53. | |
back to it and I thought, "What does this make me feel like?" I | :22:53. | :22:58. | |
thought Northern Soul and I went on sooUb on YouTube and got old | :22:58. | :23:02. | |
footage, looking at the moves and what those artist wore and that's | :23:03. | :23:12. | |
:23:13. | :23:13. | ||
how we styled Banks. We going from hip-hop artist who wore baggy jeans | :23:13. | :23:18. | |
to wearing tight trousers was an uncomfortable transition. | :23:18. | :23:22. | |
You are not going to be wearing this down to Waitrose, I take it? | :23:22. | :23:25. | |
The whole time I was uncome uncomfortable and I got the | :23:25. | :23:30. | |
pictures out. I thought this is the look. I was able to detach me from | :23:30. | :23:35. | |
the character, you know. It just grew from there. | :23:35. | :23:40. | |
Even in this sweaty weather, you are sticking with the suit. | :23:40. | :23:45. | |
Plan B, thank you. We are going to see some of your set from earlier. | :23:45. | :23:50. | |
There are flashing images. Be warned. This is Plan B on the | :23:50. | :24:00. | |
:24:00. | :24:00. | ||
Apology for the loss of subtitles for 57 seconds | :24:00. | :27:49. | |
# Keep trying just so we can say... # I know I lied and I cheated | :27:49. | :27:57. | |
# That justifies me being locked up this long | :27:57. | :28:06. | |
# I ain't guilty of no crime Get these chains off me | :28:06. | :28:09. | |
# Can't risk doing no more time Please just set me free | :28:09. | :28:13. | |
# Every day I go on I feel my heart getting colder | :28:13. | :28:16. | |
# I'm beggin' you, please Yeah, yeah | :28:16. | :28:19. | |
# You got me wrong I don't deserve this fate | :28:19. | :28:24. | |
# I'm not where I belong Not the kind of place | :28:24. | :28:28. | |
# Once he's mad at your fear I ain't meant to be here | :28:28. | :28:30. | |
# I'm meant to be free | :28:30. | :28:34. | |
# Yeah I know, I know I know I've been a fool | :28:34. | :28:43. | |
# I had everything and went and lost it all | :28:43. | :28:52. | |
# But I don't deserve this sentence on my head | :28:52. | :29:02. | |
# Especially when I never did what she said | :29:02. | :29:08. | |
# I ain't guilty of no crime Get these chains off me | :29:08. | :29:11. | |
# Can't risk doing no more time Please just set me free | :29:11. | :29:14. | |
# Every day I go on I feel my heart getting colder | :29:14. | :29:19. | |
# I'm begging you, please Yeah, yeah | :29:19. | :29:23. | |
# You got me wrong I don't deserve this fate | :29:23. | :29:27. | |
# I'm not where I belong Not the kind of place | :29:27. | :29:31. | |
# Once he's mad at your fear I ain't meant to be here | :29:31. | :29:34. | |
# I'm meant to be free Yeah, yeah, yeah | :29:34. | :29:43. | |
# Time's such a precious thing | :29:43. | :29:46. | |
# We shouldn't waste it on little things | :29:46. | :29:56. | |
:29:56. | :29:57. | ||
# Won't get in the way | :29:57. | :30:00. | |
# Of what we need cos it just don't pay | :30:00. | :30:10. | |
:30:10. | :30:11. | ||
# I ain't guilty of no crime Get these chains off me | :30:12. | :30:14. | |
# Can't risk doing no more time Please just set me free | :30:14. | :30:19. | |
# Every day I go on I feel my heart getting colder | :30:19. | :30:23. | |
# I'm beggin' you please Yeah, yeah | :30:23. | :30:27. | |
# You got me wrong I don't deserve this fate | :30:27. | :30:31. | |
# I'm not where I belong Not the kind of place | :30:31. | :30:34. | |
# Once he's mad at your fear I ain't meant to be here | :30:34. | :30:37. | |
# I'm meant to be free Yeah, yeah, yeah | :30:37. | :30:42. | |
# I'm meant to be free Yeah, yeah, yeah, yeah | :30:42. | :30:52. | |
:30:52. | :30:58. | ||
# I'm meant to be free Yeah, yeah, yeah, yeah | :30:58. | :31:06. | |
# I'm meant to be free Yeah, yeah, yeah, yeah | :31:06. | :31:16. | |
:31:16. | :31:18. | ||
Glastonbury, | :31:18. | :31:19. | |
Glastonbury, how | :31:19. | :31:19. | |
Glastonbury, how are | :31:19. | :31:29. | |
:31:29. | :31:29. | ||
Apology for the loss of subtitles for 57 seconds | :31:29. | :36:44. | |
Hello Glastonbury. In 2000 I was out there with you | :36:44. | :36:49. | |
will the. Eleven years later, here we are. Thank you for welcoming us | :36:49. | :36:59. | |
:36:59. | :37:00. | ||
on the stage. In return, we would # Welcome to hell | :37:00. | :37:10. | |
:37:10. | :37:12. | ||
# Oh, we're so happy that # There's a warden | :37:12. | :37:17. | |
# As I make my way inside of the jail | :37:17. | :37:20. | |
# He smiles at me ever so sweetly | :37:20. | :37:26. | |
# And sends to me en route to my cell | :37:26. | :37:31. | |
# Welcome to hell | :37:31. | :37:34. | |
# Welcome to hell That's what I heard them sing | :37:34. | :37:42. | |
# Welcome to hell, yeah | :37:42. | :37:48. | |
# Oh, we're so happy that you're here today | :37:48. | :37:54. | |
# Grins all up on their faces | :37:54. | :37:59. | |
# Looking so delighted I'm here | :37:59. | :38:04. | |
# Murders, robbers and rapists | :38:04. | :38:08. | |
# All shouting up in my ear | :38:08. | :38:14. | |
# Welcome to hell | :38:14. | :38:17. | |
# Welcome to hell That's what I heard them sing | :38:17. | :38:25. | |
# Welcome to hell, yeah | :38:25. | :38:30. | |
# Oh, we're so happy that you're here today | :38:30. | :38:36. | |
# Put my brave face on | :38:36. | :38:40. | |
# Can't let 'em know that I'm scared | :38:40. | :38:42. | |
# Put my brave face on | :38:42. | :38:46. | |
# Cos if they know then I'm dead I put my brave face on | :38:46. | :38:49. | |
# Can't let 'em know that I'm scared I put my brave face on | :38:49. | :38:53. | |
# And don't I know Don't I know, don't I know | :38:53. | :39:03. | |
:39:03. | :39:04. | ||
# And don't I know Don't I know, don't I know | :39:04. | :39:08. | |
# Just how low, just how low Just how low | :39:08. | :39:11. | |
# I've fallen down I've fallen down? | :39:11. | :39:17. | |
# What's in store for me Oh for me, oh for me | :39:17. | :39:21. | |
# And I can see, I can see I can see | :39:21. | :39:26. | |
# What's in store for me Oh for me, oh for me | :39:26. | :39:31. | |
# Falling out There's no way out now | :39:31. | :39:40. | |
# Falling out There's no way out now | :39:40. | :39:41. | |
# Welcome to hell | :39:41. | :39:44. | |
# Welcome to hell That's what I heard them sing | :39:44. | :39:50. | |
# Welcome to hell, yeah | :39:50. | :39:55. | |
# Oh, we're so happy that you're here today | :39:55. | :40:02. | |
# Welcome to hell, yeah | :40:02. | :40:06. | |
# Welcome to hell That's what I heard them sing | :40:06. | :40:11. | |
# Welcome to hell, hey | :40:11. | :40:17. | |
# Oh we're so happy that you're here today | :40:17. | :40:23. | |
# Oh, oh yeah | :40:23. | :40:26. | |
# Put my brave face on | :40:26. | :40:28. | |
# Can't let 'em know that I'm scared I put my brave face on | :40:28. | :40:31. | |
# Cos if they know then I'm dead I put my brave face on | :40:31. | :40:36. | |
Can't let 'em know that I'm scared I put my brave face on | :40:36. | :40:40. | |
# Put my brave face on Can't let 'em know that I'm scared | :40:40. | :40:48. | |
# I put my brave face on Cos if they know then I'm dead | :40:48. | :40:56. | |
# I put my brave face on Can't let 'em know that I'm scared | :40:56. | :41:00. | |
# I put my brave face on. # | :41:00. | :41:10. | |
:41:10. | :41:27. | ||
Glastonbury, | :41:27. | :41:28. | |
Glastonbury, how | :41:28. | :41:29. | |
Glastonbury, how are | :41:29. | :41:35. | |
Glastonbury, how are you feeling? This one is for the ladies in the | :41:35. | :41:45. | |
:41:45. | :41:45. | ||
Apology for the loss of subtitles for 57 seconds | :41:45. | :42:27. | |
# But look at how times # Sweep your feet | :42:27. | :42:37. | |
:42:37. | :42:37. | ||
# I've got that real love # I've got that real love | :42:37. | :42:47. | |
:42:47. | :42:47. | ||
Apology for the loss of subtitles for 57 seconds | :42:47. | :43:41. | |
# Sweep your feet # I've got that real love | :43:41. | :43:51. | |
:43:51. | :44:25. | ||
# I've got that real love # Sweep your feet | :44:25. | :44:35. | |
# Yeah, baby, know I've got that real love for you know | :44:35. | :44:42. | |
# Yeahhh, ooh... | :44:42. | :44:52. | |
:44:52. | :44:56. | ||
# Oooh, ooh | :44:56. | :45:00. | |
# Oooh, ooh | :45:00. | :45:10. | |
:45:10. | :45:31. | ||
OK. | :45:31. | :45:32. | |
OK. How | :45:33. | :45:33. | |
OK. How are | :45:33. | :45:38. | |
OK. How are you feeling? Are you feeling good? All right, let's do | :45:38. | :45:48. | |
:45:48. | :45:51. | ||
# Cos I don't go outside for nothing, # Oh no they can't tell me nothin', | :45:51. | :46:01. | |
:46:01. | :46:08. | ||
# Yes so I don't care # If I just stay here in this hole | :46:08. | :46:18. | |
:46:18. | :46:19. | ||
# Cos I don't go outside for nothin', # Oh no they can't tell me nothin', | :46:19. | :46:29. | |
:46:29. | :46:36. | ||
# Yes so I dunno, I'm feeling sorry # Would you really know what is | :46:36. | :46:46. | |
:46:46. | :46:51. | ||
# I ain't hurtin' nobody, # Why can't you just let me | :46:51. | :47:01. | |
:47:01. | :47:07. | ||
# Cos I don't go outside for nothin', # Oh no they can't tell me nothin', | :47:07. | :47:17. | |
:47:17. | :47:36. | ||
at myself thinking myself, I got everything I need | :47:36. | :47:38. | |
I ain't trying to impress anyone in this cesspit jail I just don't care | :47:38. | :47:42. | |
I ain't gotta smell fresh for a woman so I'm blessed not washing my skin or my hair | :47:42. | :47:48. | |
They can call me a recluse, they ain't gonna remove or cut me loose | :47:48. | :47:51. | |
From this place, I'm locked in hiding | :47:51. | :47:53. | |
Like a rocker wall moves cos you know I've gotten used to the space that I'm occupying | :47:53. | :47:56. | |
There really ain't anything out there on the win they'd enjoy more more than see me crying | :47:56. | :47:59. | |
So I do it in my room where none ofthese goons can see me though I know they've been trying | :47:59. | :48:09. | |
:48:09. | :48:11. | ||
So I just stay in my cell like I'm bricked in and hope that stops me from getting kicked in | :48:11. | :48:15. | |
Even if it earns me this nickname in prison | :48:15. | :48:18. | |
# Oh yeah they call me The Recluse | :48:18. | :48:21. | |
# Cos I don't go outside for nothin', no one | :48:21. | :48:25. | |
# Is gonna make me leave this room | :48:25. | :48:28. | |
# Oh no they can't tell me nothin', no way | :48:28. | :48:33. | |
# Oh yeah they call me The Recluse | :48:33. | :48:36. | |
# Cos I don't go outside for nothin', no one | :48:36. | :48:40. | |
# Is gonna make me leave this room | :48:40. | :48:43. | |
# Oh no they can't tell me nothin' | :48:43. | :48:53. | |
:48:53. | :49:17. | ||
# She said, I love you, boy I love your soul | :49:17. | :49:19. | |
# She said, I love you, baby Oh, oh, oh, ohhh | :49:19. | :49:28. | |
# She said, I love you more than words can say | :49:28. | :49:30. | |
# She said, I love you, ba-a-aby | :49:30. | :49:40. | |
:49:40. | :49:41. | ||
# So I said, what you saying, girl? It can't be right | :49:41. | :49:51. | |
:49:51. | :49:52. | ||
# So I said, what you saying, girl? It can't be right | :49:52. | :49:56. | |
# How can you be in love with me? We only just met tonight | :49:56. | :50:01. | |
# So she said | :50:01. | :50:04. | |
# Boy, I loved you from the start | :50:04. | :50:09. | |
# When I first heard love goes down | :50:09. | :50:11. | |
# Something started burning in my heart | :50:11. | :50:15. | |
# I said, stop this crazy talk | :50:16. | :50:18. | |
# And leave right now and close the door | :50:18. | :50:27. | |
# She said, but I love you, boy I love you so | :50:27. | :50:31. | |
# She said, I love you, baby Oh, oh, oh, oh | :50:31. | :50:40. | |
# She said, I love you more than words can say | :50:40. | :50:42. | |
# She said, I love you, ba-a-aby | :50:42. | :50:52. | |
# Yes, you did | :50:52. | :50:54. | |
# So now I'm up in the courts | :50:54. | :50:56. | |
# Pleading my case from the witness box | :50:56. | :50:57. | |
# Telling the judge and jury the same thing that I said to the cops | :50:57. | :50:58. | |
# On the day that I got arrested I'm innocent, I contested | :50:58. | :51:00. | |
# She just feels rejected | :51:00. | :51:02. | |
# Had her heart broken by someone she's obsessed with | :51:02. | :51:06. | |
# Cos she likes the sound of my music | :51:06. | :51:09. | |
# Which makes her a fan of my music | :51:09. | :51:10. | |
# That's why love goes down not to lose it | :51:10. | :51:12. | |
# Cos she can't separate the man from the music | :51:12. | :51:14. | |
# And I'm saying all this in the stand | :51:14. | :51:15. | |
# As my girl cries tears from the galleries | :51:15. | :51:17. | |
# Got bigger than I ever could have planned | :51:17. | :51:18. | |
# Like that song by the Zutons, Valerie | :51:18. | :51:20. | |
# So the jury don't look like they're buying it | :51:20. | :51:22. | |
# And it's making me nervous | :51:22. | :51:22. | |
# And I'm just screw-faced like I'm trying it | :51:22. | :51:24. | |
# Their eyes fixed on me like a murderer's | :51:24. | :51:27. | |
# They wanna lock me up and throw away the key | :51:27. | :51:29. | |
# They wanna send me down even though I told them she... | :51:29. | :51:32. | |
# She said, I love you, boy I love your soul | :51:32. | :51:42. | |
:51:42. | :51:44. | ||
# She said, I love you, boy I love your soul | :51:44. | :51:46. | |
# She said, I love you, baby Oh, oh, oh, oh | :51:46. | :51:54. | |
# Yes, you did | :51:54. | :51:56. | |
# She said, I love you more than words can say | :51:56. | :51:59. | |
# She said, I love you, ba-a-aby | :51:59. | :52:07. | |
# So I said, why the hell you gotta treat me this way? | :52:07. | :52:11. | |
# You don't know what love is | :52:11. | :52:14. | |
# You wouldn't do this if you did | :52:14. | :52:16. | |
# Oh, no, no, no, no... # | :52:16. | :52:26. | |
:52:26. | :52:35. | ||
Thank | :52:35. | :52:35. | |
Thank you, | :52:36. | :52:37. | |
Thank you, Glastonbury. | :52:37. | :52:42. | |
Thank you, Glastonbury. Glastonbury, are you having a good time? Enjoy | :52:42. | :52:52. | |
:52:52. | :52:52. | ||
Apology for the loss of subtitles for 57 seconds | :52:52. | :56:06. | |
the rest of the weekend. Make sure # I'm at the bar and I see this | :56:06. | :56:16. | |
:56:16. | :56:16. | ||
Apology for the loss of subtitles for 57 seconds | :56:16. | :57:11. | |
# But do I care? Do I...I'm on a The fantastic Plan B earlier on | :57:11. | :57:14. | |
today complete with a little bit of naughty language. | :57:14. | :57:24. | |
A very messy piggyback at the end. Yesterday, we were treated to a | :57:24. | :57:32. | |
performance by Ed Sheeran. We are going to see a part of that set. A | :57:32. | :57:38. | |
beautiful Bob Dylan cover of Make You Feel My Love. This is Ed | :57:38. | :57:48. | |
:57:48. | :58:00. | ||
# When the wind is blowing in your face | :58:00. | :58:05. | |
# And the whole world is on your case | :58:05. | :58:15. | |
:58:15. | :58:17. | ||
# I can offer you a warm embrace # To make you feel my love | :58:17. | :58:21. | |
# When the evening shadows and the stars appear high pressure # And | :58:21. | :58:25. | |
there is no one there to dry your tears | :58:25. | :58:32. | |
# Oh, I could hold hold you for a million years | :58:32. | :58:40. | |
# To make you feel my love # And I know you haven't made your | :58:41. | :58:47. | |
mind up yet # Though I could never do you wrong | :58:47. | :58:53. | |
# I've known it from the moment that we met | :58:53. | :58:59. | |
# Deep down in my heart is where you belong belong, oh | :58:59. | :59:02. | |
# I'll go hungry, I'd go black and blue | :59:02. | :59:07. | |
# I'd go crawling down the avenue # There's nothing that I wouldn't | :59:07. | :59:17. | |
:59:17. | :59:35. | ||
Can I just try one thing? I know it is dux outside -- dusk outside. Can | :59:35. | :59:38. | |
everyone get out their phone or their lighter and just hold it in | :59:39. | :59:45. | |
the air so the light goes up. It doesn't quite work yet. It is | :59:45. | :59:55. | |
:59:55. | :00:05. | ||
# The wind is raging on the violent seas | :00:05. | :00:11. | |
# And on the highway of regret # The winds of change are blowing | :00:11. | :00:16. | |
wild and free # You ain't seen nothing like me | :00:16. | :00:26. | |
:00:26. | :00:26. | ||
# I will make you happy, make your dreams come true | :00:26. | :00:29. | |
# But there is nothing that I would not do | :00:29. | :00:39. | |
:00:39. | :00:41. | ||
# Go to the ends of the earth for # To make you feel my love # | :00:41. | :00:47. | |
We're going to sing this again. # To make you feel my love # | :00:47. | :00:51. | |
One more time. # To make you feel my love | :00:51. | :01:00. | |
To make you feel my love # To make you feel my love | :01:00. | :01:10. | |
:01:10. | :01:12. | ||
# To make you feel my love # CHEERING AND APPLAUSE | :01:12. | :01:21. | |
Beautiful. That was from the BBC Introducing Tent. That was stunning. | :01:21. | :01:25. | |
Gemma has been all over this festival all weekend. She can | :01:25. | :01:29. | |
actually be an official tour guide. She knows every nook and cranny. We | :01:29. | :01:39. | |
:01:39. | :01:45. | ||
are going to catch up with Gemma. Put your arms up in the air and say | :01:45. | :01:47. | |
o-ar. Yeah, it is cool. | :01:47. | :01:52. | |
. Yes. How are you feeling? Mm, tired. I | :01:52. | :01:56. | |
have got my sunglasses on to cover up me bags | :01:56. | :02:01. | |
What about you lovey? The sun is shining. What has been the weirdest | :02:02. | :02:05. | |
thing you witnessed? When it was really, really muddy like when it | :02:05. | :02:10. | |
rain on the first days, we just saw people in plastic suits and we | :02:10. | :02:14. | |
thought thought they were going to run in the mud and they turned | :02:14. | :02:19. | |
around, "Will you marry me?" This guy got down on one knee and | :02:19. | :02:22. | |
proposed. Who are you looking forward to | :02:22. | :02:25. | |
seeing later on? It has got to be Beyonce. | :02:25. | :02:34. | |
I love Gemma. I have the same outfit at home. | :02:34. | :02:37. | |
I hope you have got some under wear underneath that. | :02:37. | :02:45. | |
No, I want to feel the breeze. Please join us on Twitter. We are | :02:45. | :02:51. | |
on Facebook as well. Also if you have missed anything, you can go | :02:51. | :02:57. | |
You can watch loads of different BBC introducing performances if you | :02:57. | :03:02. | |
want to catch up and there is loads of Glastonbury highlights on there | :03:02. | :03:08. | |
as well. The first time I saw Laura Marling | :03:08. | :03:11. | |
was in a pub in West London and I was blown away because she was | :03:11. | :03:17. | |
about this big and her guitar was so-so much bigger. Her voice is | :03:17. | :03:19. | |
incredible. I couldn't believe she is as young | :03:19. | :03:24. | |
as she is. When I heard she was performing on the Pyramid Stage I | :03:24. | :03:30. | |
was worried because it is so huge. I was worried it would take her in. | :03:30. | :03:34. | |
She won a BRIT Award as well with her gorgeous acceptance speech and | :03:34. | :03:38. | |
people are beginning to know what she is about now. She has the most | :03:38. | :03:42. | |
beautiful voice and she packed out this whole area in front of the | :03:42. | :03:46. | |
Pyramid Stage. We had a lot of people swaying and hugging. It felt | :03:46. | :03:53. | |
like a graduation on the Pyramid Stage. Here is Laura Marling | :03:53. | :04:03. | |
:04:03. | :04:40. | ||
# You'll scream and you'll wail till # And they're tired | :04:40. | :04:50. | |
:04:50. | :05:01. | ||
# You'll scream and you'll wail till # Let it always be known that | :05:01. | :05:11. | |
:05:11. | :05:25. | ||
# My children will live # I'll be blown over by | :05:25. | :05:35. | |
:05:35. | :05:46. | ||
# And the tender are carried to # And I'll be damned if I'll be | :05:46. | :05:56. | |
:05:56. | :06:13. | ||
# Let it always be known that # It's funny how the first chords | :06:13. | :06:18. | |
# Are the minor notes that come to serenade you | :06:18. | :06:24. | |
# It's hard to accept yourself as someone you don't desire | :06:24. | :06:29. | |
# As someone who don't want to be | :06:29. | :06:36. | |
# As someone who don't want to be | :06:36. | :06:42. | |
# Oh, give me to a rambling man | :06:42. | :06:47. | |
# Let it always be known that I was who I am | :06:47. | :06:52. | |
# Oh, give me to a rambling man | :06:52. | :07:01. | |
# Let it always be known that I was who I am | :07:01. | :07:11. | |
:07:11. | :07:22. | ||
The | :07:22. | :07:23. | |
The the | :07:23. | :07:23. | |
The the gorgeous | :07:23. | :07:28. | |
The the gorgeous sounds of Laura Marling. The crowd were bouncing | :07:28. | :07:31. | |
like this high off the floor and you will see some of that set later | :07:31. | :07:37. | |
on BBC Three. Going back to Laura Marling did you | :07:37. | :07:42. | |
notice those guys trying hard not to fall in love with her? If you | :07:42. | :07:47. | |
are a fan of Ed Sheeran, you can see the set online. | :07:47. | :07:51. | |
Another brilliant band that I know you are passionate about. We have | :07:51. | :07:55. | |
seen them live together a few times. I love Everything Everything | :07:55. | :07:58. | |
Everything. I fell in love with the band and | :07:59. | :08:02. | |
one of the things I love about them when I see them play is the drummer | :08:02. | :08:06. | |
trying hard to keep up with the time signatures because it changes | :08:06. | :08:11. | |
and he always gets a sweat on. They are fantastic to watch. | :08:11. | :08:21. | |
:08:21. | :08:31. | ||
Right, here is Everything # I will gain an extra life, | :08:31. | :08:41. | |
:08:41. | :08:42. | ||
# I am one with the furniture, # Gangrene knuckle | :08:42. | :08:52. | |
# Soon my clock will have # I'm watching that foxhound frolic | :08:52. | :09:02. | |
:09:02. | :09:08. | ||
# Airbrush! # Gotta come back | :09:08. | :09:18. | |
:09:18. | :09:27. | ||
# More dollar! Less scholar! # Chest pumped elegantly | :09:27. | :09:32. | |
# Watch your dorsal fin collapse I know nothing about my history | :09:33. | :09:37. | |
# I put a rainforest in an Oxo cube | :09:37. | :09:40. | |
# Struck by lightning if I take the tube | :09:40. | :09:42. | |
# Thank your chromosomes for that | :09:42. | :09:45. | |
# I have skin like a waxen peel, and a face that I can never feel | :09:45. | :09:48. | |
# Airbrush! What have you done with my landscape? | :09:48. | :09:52. | |
# Flooding the fields with this clone shape | :09:52. | :09:53. | |
# Where is the country you died for? | :09:53. | :09:55. | |
# And what is the century? And ahhh | :09:55. | :09:57. | |
# Who did your Photoshop handsome? | :09:57. | :09:59. | |
# You ready for reincarnation? | :09:59. | :10:01. | |
# Gotta come back as something less frantic | :10:01. | :10:02. | |
# You gotta banish that army of panic | :10:02. | :10:04. | |
# Gotta come back as something organic | :10:04. | :10:06. | |
# Come back as something organic | :10:06. | :10:11. | |
# Come back as something organic | :10:11. | :10:13. | |
# Come back as something organic | :10:13. | :10:23. | |
:10:23. | :11:03. | ||
# Airbrush! # Airbrush! | :11:03. | :11:13. | |
:11:13. | :11:37. | ||
# Gotta come back as I adore that band. | :11:37. | :11:42. | |
By the time Glastonbury comes back in a few years time, they will be | :11:42. | :11:47. | |
higher up the list. Boiler suits in the heat. | :11:47. | :11:53. | |
They are like Ghostbuster suits. If you want to see that Pendulum | :11:53. | :11:58. | |
set this is where you need to be, BBC Three. You will get the Kaiser | :11:58. | :12:02. | |
Chiefs. Ricky was excited about hitting Glastonbury today so you | :12:02. | :12:04. | |
will see that later on. Can I have a confession moment | :12:04. | :12:09. | |
here? I had an awkward moment with Ricky. Because the last time I saw | :12:09. | :12:16. | |
him was in the changing room. Go to the same gym and I have seen more | :12:16. | :12:21. | |
of Ricky than I would like to share. But he will be in full health later. | :12:21. | :12:29. | |
He is in one piece. If you are going on Twitter please | :12:29. | :12:35. | |
keep leaving your comments. It is the BBC Three Facebook pages. You | :12:35. | :12:41. | |
can still tweet. Remember, if you want to, you can | :12:41. | :12:45. | |
hit the Red Button and see loads more. | :12:45. | :12:49. | |
You can see loads of stuff online. Ed Sheeran is on there and tonnes | :12:49. | :12:52. | |
more. Get online to see what is happening. | :12:52. | :12:57. |