Arctic Monkeys Glastonbury


Arctic Monkeys

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This programme contains and scenes of

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Stage in 2007. Now, they return in 2013 as Glastonbury veterans, older,

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wiser and to finish what they began. Here is their journey so far.

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Arctic Monkeys. ... A band from Sheffield are set to have the

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fastest-selling debut album since chart records began. After an

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impressive 2005, the Arctic Monkeys' rise to fame continued as the band

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began to take the world by storm. You meet people and they go, "Are

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you enjoying it?" No, it is shit! string of music awards followed,

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including a hat-trick of NME, a BRIT and a Mercury Music Prize.

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winner is Arctic Monkeys. Somebody call 999! In 2007, album two topped

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the charts and Arctic Monkeys made headlines again. The band, the

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Arctic Monkeys, have made music history. Later that year, the band

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played their first Glastonbury. Their set featured a tribute to Dame

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Shirley Bassey. # Diamonds are forever.

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# Hold one up... # Arctic Monkeys returned in 2009 with

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slick new haircuts and a slicker number one album.

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# The next time I caught my own reflection... #

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It is brilliant. They tell life as it is! The summer of 2011 saw the

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group return to Sheffield for a homecoming gig. And knocking Lady

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Gaga from pole position to cement their place in chart history. The

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lads embarked on a tour across the USA but continued to make British

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music history when they came together to perform at last year's

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Olympics Opening Ceremony. As the band flew back to LA, fans were left

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anticipating the Arctic Monkeys' next move, soon to be revealed on

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Twitter. With the promise of a fifth album, their Glastonbury set might

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just premiere some brand-new material. And maybe some fancy new

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haircuts. You will have to wait and see. Returning to the Pyramid Stage,

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Apology for the loss of subtitles for 110 seconds

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they are Arctic Monkeys and you # Have you got colour

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# That sticks around like something in your teeth?

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# Are there some aces up your sleeve?

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# Have you no idea that you're in deep?

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# I dreamt about you nearly every night this week

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# How many secrets can you keep?

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# Cos there's this tune I've found that makes me think of you somehow

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# And I play it on repeat until I fall asleep

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# Spilling drinks on my settee

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# Do I wanna know? If this feeling flows both ways

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# Sad to see you go Sorta hoping that you'd stay

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# Baby we both know That the nights were mainly made for

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# Saying things that you can't say tomorrow day

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# Crawling back to you

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# Ever thought of calling when you've had a few?

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# Cos I always do

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# Maybe I'm too busy being yours to fall for somebody new

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# Now I've thought it through Crawling back to you

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# So have you got the guts?

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# Been wondering if your heart's still open

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# And if so I wanna know what time it shuts

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# Simmer down and pucker up I'm sorry to interrupt

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# It's just I'm constantly on the cusp of trying to kiss you

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# But I dunno if you feel the same as I do

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# But we could be together if you wanted to

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# Do I wanna know? If this feeling flows both ways

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# Sad to see you go Was sorta hoping that you'd stay

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# Baby, we both know

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# That the nights were mainly made for saying

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# Things that you can't say tomorrow day

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# Crawling back to you

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# Crawling back to you

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# Ever thought of calling when you've had a few?

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# Cos I always do

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# Maybe I'm too busy being yours to fall for somebody new

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# Now I've thought it through

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# Crawling back to you

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# Do I wanna know? If this feeling flows both ways

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# Sad to see you go Was sorta hoping that you'd stay

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# Baby we both know That the nights were mainly

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# Made for saying things that you can't say tomorrow day

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# Do I wanna know? Too busy being yours to fall

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# Sad to see you go Ever thought of calling, darling?

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# Do I wanna know?

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# Do you want me crawling back to you? #

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APPLAUSE AND CHEERING

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Apology for the loss of subtitles for 110 seconds

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# Brian Top marks for not trying

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# So kind of you To bless us with your effortlessness

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# We're grateful And so strangely comforted

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# And I wonder

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# Are you playing us under?

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# Because we can't take our eyes Off your T-shirt and tie combination

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# Well, see you later, elevator

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# Someone to kiss Someone to kick you

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# There's not a net You couldn't slip through

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# Well, at least That's the impression I get

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# Because you're smooth And you're wet

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# And she's not aware yet But she's yours

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# She'll be saying, use me

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# Show me the Jacuzzi

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# I imagine that It's there on a plate

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# You're a wrong liberate Means you'll never be frightened

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# To make them wait for a while I doubt it's your style

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# Not to get

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# What you set out to

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# Acquire The eyes are on fire

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# You are the unforecasted storm

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# Calm, collected and commanding You leave the other story standing

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# With your ignitions and jokes Bet there's hundreds of blokes

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# That have wept cos you've Stolen their...

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# Thunder

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# Are you putting us under?

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# Cos we can't take our eyes Off your T-shirt and tie combination

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# Well, see you later, elevator. #

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CHEERING AND APPLAUSE

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How

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How you

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How you feeling,

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good? Are you feeling good? CROWD: Yes!

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That's what I thought. Are you in a party mood, everybody? It's Friday

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night! Do you feel like you all want # For you to say the first word

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(BOTH) # Well don't you always

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# It's what you're there for # Instead you'll just do the same

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(BOTH) # The only reason (BOTH) # Well don't you always

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# Get on your dancing shoes You sexy little swine

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# Hoping they're looking for you

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# Sure you'll be rummaging through

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# Oh and the ... shock, horror

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# You've seen your future bride, yeah

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# But it's so so absurd

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# For you to say the first word

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# So you're waiting and waiting, and. #

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE Thank

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CHEERING AND APPLAUSE Thank you

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Apology for the loss of subtitles for 110 seconds

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# Go into business # But just don't sit down

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# But just don't sit down # Fill in a circular hole

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# But just don't sit down # Do the Macarena

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Apology for the loss of subtitles for 110 seconds

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# But just don't sit down CROWD: We love you Arctics, we do!

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We are going to play some new shit, we are going to play old shit and

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things which are Glastonbury special, you know what I'm saying?

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We are going to play all night long, does that sound good?

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CROWD: Yeah! # Despair to the point

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# The sheer desperation to be seen

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# Staring at the television screen

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# Despair to the point where they provoke you

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# To tell the ... punch line before you have told the joke

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# Sorry, sunshine, it doesn't exist It wasn't in the top 100 list

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# And it's the thousandth time and it's even bolder

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# Don't be surprised when you get bent over

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# He told ya that you were gagging for it

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# She saw it and she grabbed it and it wasn't what it seemed

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# The kids all dream of making it whatever that means

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# Another variation on a theme

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# A tangle on the television and the magazine

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# D'you reckon that they do it for a joke?

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# D'you reckon that they make 'em take an oath?

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# That says we are defenders

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# Of any poseur or professional pretender around

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# When did your list replace the twist and turn?

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# Like the fist replaced the kissed-on concern

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# And if you're bothered I don't want your prayers

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# Save it for the morning after

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# And it's the thousandth time and it's even bolder

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# Don't be surprised when you get bent over

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# He told ya that you were dying for it

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# Let's have a game on the Teddy Picker

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# Not quick enough Can I have it quicker?

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# Already thick and you're getting thicker

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# Let's have a game on the Teddy Picker

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# Not quick enough Can I have it quicker?

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# Already thick and you're getting thicker

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# Assuming that all things are equal

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# Who'd want to be men of the people

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# When there's people like you?

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# You. #

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# Outside the cafe by the cracker factory

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# You were practising a magic trick

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# And my thoughts got rude As you talked and chewed

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# On the last of your pick 'n' mix

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# Said you're mistaken if you're thinking that I had been cold before

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# As you bit into your strawberry lace

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# And then a flip in your attention in the form of a gobstopper

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# Is all you have left and all was going to waste

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# Your past times

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# Consisted of the strange And twisted and deranged

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# And I love that little game you had called

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# Crying Lightning

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# And how you like to aggravate the ice cream man on rainy afternoons

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# The next time that I caught my own reflection

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# The next time that I caught my own reflection

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# It was on its way to meet you Thinking of excuses to postpone

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# You never looked like yourself from the side

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# But your profile could not hide

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# The fact you knew I was approaching your throne

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# With folded arms you occupy the bench like toothache

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# Stood and puffed your chest out like you never lost a war

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# And though I tried so not to suffer the indignity of a reaction

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# There was no cracks to grasp or gaps to claw

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# And your past times

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# Consisted of the strange And twisted and deranged

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# And I hate that little game you had called

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# Crying Lightning

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# And how you like to aggravate the icky man on rainy afternoons

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# Uninviting

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# But not half as impossible as everyone assumes

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# You are Crying Lightning

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# Your past times

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# Consisted of the strange And twisted and deranged

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# And I hate that little game you had called

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# Crying Lightning

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# Crying Lightning

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# Crying Lightning

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# Consisted of the strange # And I hate that little game

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the Arctic Monkeys. CHEERING

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My name is Alex. I would like to introduce to you the rest of the

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band over the course of the evening. I like to start with this young man

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over here on the drum kit, everybody.

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CHEERING His name is Matthew. If you like

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him, why don't you tell him you like him?

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CHEERING You want to think yourselves very

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lucky because n only is he going to play the drums, he is going to sing

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Apology for the loss of subtitles for 110 seconds

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# I want a brick by brick # I want a brick by brick

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Apology for the loss of subtitles for 110 seconds

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# I want a brick by brick # Fake tales of San Francisco

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# Echo through the room # More point to a wedding disco

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# Without a bride or groom # There's a super cool band yeah

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# With their trilbies and their glasses of white wine

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# And all the weekend rock stars in the toilets

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# Practising their lines # I don't want to hear you

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# Kick me out, kick me out # I don't want to hear you no

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# Kick me out, kick me out # I don't want to hear you no

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# Fake tales of San Francisco # Echo through the air

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# And there's a few bored faces in the back

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# All wishing they weren't there # And auz the microphone squeaks

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# A young girl's telephone beeps # Yeah she's dashing for the exit

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# Oh, she's running to the streets outside

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# Oh, you've saved me # She screams down the line #

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The band were fucking wank # And I'm not having a nice time

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# I don't want to hear you # Kick me out, kick me out

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# I don't want to hear you no # Kick me out, kick me out

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# Yeah, but his bird thinks it's amazing, though,

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# So all that's left # Is the proof that love's not only

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blind but deaf # He talks of San Francisco, he's

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from Hunter's Bar # I don't quite know the distance

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# But I'm sure that's far, # Yeah, I'm sure that's pretty far

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# Yeah, I'd love to tell you all my problem

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# You're not from New York City, you're from Rotherham

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# So get off the bandwagon and put down the handbook

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# Yeah, yeah, yeah, yeah, yeah # Get off the bandwagon and put down

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the handbook # Get off the bandwagon and put down

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Apology for the loss of subtitles for 110 seconds

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# She's thunderstorms # Lying on her front

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# Up against the wall # She's thunderstorms

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# I've been feeling foolish # You should try it

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# She came and substituted # The peace and quiet for

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# She's been loop-the-looping # Her motorcycle boots

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# Of acrobatic blood Concertina

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# Cheating heartbeat Rapid fire

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# She's thunderstorms Lying on her front

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# Up against the wall She's thunderstorms

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# In an unusual place When you're feeling far away

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# She does what the night does to the day

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# She's thunderstorms Lying on her front

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# Up against the wall She's thunderstorms

:37:00.:37:10.
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# Thunderstorms, thunderstorms. #

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Apology for the loss of subtitles for 110 seconds

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# Old yellow bricks, love's a risk Quite the little escapologist

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# Love's so miffed when you wish

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# For a thousand places better than this

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# You are the fugitive but you don't know what you're running from

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# You can't kid us and you couldn't trick anyone

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# Houdini, love, you don't know what you're running away from

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# Who wants to sleep in a city that never wakes up?

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# She was enraged by the way

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# That the emperor put traps in the cage

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# And the days, she deemed dull

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# Leading to nights reading beer bottles

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# You're such a fugitive but you don't know what you're running from

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# You can't kid us and you couldn't trick anyone

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# Houdini, love, you don't know what you're running away from

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# Who wants to sleep in a city that never wakes up?

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# Blinded by nostalgia

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# Who wants to sleep in a city that never wakes up?

:39:03.:39:13.
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# You're at a loss just because

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# It wasn't all that you thought it was

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# You are the fugitive but you don't know what you're running away from

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# She said, "I want to sleep in a city that never wakes up

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# "And revel in nostalgia" "I know," I said

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# "He wants to sleep in a city that never wakes up

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# "But Dorothy was right, though". #

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APPLAUSE AND CHEERING

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Thank

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Thank you

:40:54.:40:54.

Thank you very

:40:55.:41:04.
:41:05.:41:10.

CROWD: Yeah! Are you having a good time at the

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moon music, everybody. I want you to -- I want to introduce you the white

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# The tramp with the trampoline # So spark is a charm

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# And the bicycle wheels all struggle to move round

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# In your muddy mind

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# Blatantly cape town

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# And will intertwine in co-operative time

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# Shall we sit on the springs till the mung goes dry?

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# All the pretty visitors came and waved their arms

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# All the pretty visitors came and waved their arms

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# And cast the shadow of a snake pit on the wall

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# All the pretty visitors came and waved their arms

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# And cast the shadow of a snake pit on the...

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# What came first the chicken or the dickhead?

:42:35.:42:36.

# Split sleep reaps through rewards and ill-fitting thoughts

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# A twilight force She doesn't wanna walk

:42:38.:42:40.

# Your legs start running and your head gets caught

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# Cannot be 19

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# It's perfectly placed for the reasonably frightening

:42:43.:42:44.

# Pulled from the after taste You'll have to s lip away

:42:45.:42:46.

# And I'm happy to say

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# Behold as the crook in a hammock plays...

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# All the pretty visitors came and waved their arms

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# And cast the shadow of a snake pit on the wall

:42:56.:43:03.

# All the pretty visitors came and waved their arms

:43:03.:43:08.

# And cast the shadow of a snake pit on the wall...

:43:08.:43:18.
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Apology for the loss of subtitles for 110 seconds

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# Behold as the crook in the hammock plays

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# Crawling with the base of the scales

:44:02.:44:04.

# And fiddles with the feet on a balancing act

:44:04.:44:06.

# Gagged, bound and craft in a tale

:44:06.:44:08.

# Trailing wrapped in a gasp

:44:08.:44:11.

# Crawling with the base of the scales

:44:11.:44:12.

# And ... fiddles with the feet on a balancing act

:44:12.:44:14.

# You were gagged Bound and craft in a tale

:44:14.:44:16.

# Trailing wrapped in a gasp

:44:16.:44:21.

# All the pretty visitors came and waved their arms

:44:21.:44:26.

# And cast the shadow of a snake pit on the wall

:44:26.:44:33.

# All the pretty visitors came and waved their arms

:44:33.:44:38.

# And cast the shadow of a snake pit on the wall. #

:44:38.:44:48.
:44:48.:44:50.

CHEERING AND APPLAUSE

:44:51.:45:00.
:45:01.:45:32.

Thank

:45:32.:45:33.

Thank you

:45:33.:45:33.

Thank you very

:45:33.:45:43.
:45:43.:45:43.

those fellas out there that were didn't want to wave their arms. This

:45:43.:45:53.
:45:53.:46:11.

# Stop making the eyes at me # And what it is that surprises me

:46:11.:46:15.

# And your shoulders are frozen Cold as the night

:46:15.:46:17.

# Oh, but you're an explosion You're dynamite

:46:17.:46:19.

# Your name isn't Rio but I don't care for sand

:46:19.:46:21.

# Lighting the fuse might result in a bang, with a bang - go!

:46:21.:46:25.

# I bet that you look good on the dancefloor

:46:25.:46:28.

# I don't know if you're looking for romance or

:46:28.:46:30.

# I don't know what you're looking for

:46:30.:46:34.

# I said I bet that you look good on the dancefloor

:46:34.:46:37.

# Dancing to electro-pop like a robot from 1984

:46:37.:46:39.

# From 1984!

:46:39.:46:44.

# From 1984!

:46:44.:46:52.

# I wish you'd stop ignoring me because you're sending me to despair

:46:52.:46:57.

# Without a sound, yeah You're calling me

:46:57.:46:59.

# And I don't think it's very fair

:46:59.:47:01.

# That your shoulders are frozen Cold as the night

:47:01.:47:03.

# Oh, you're an explosion You're dynamite

:47:04.:47:05.

# Your name isn't Rio but I don't care for sand

:47:05.:47:08.

# Lighting the fuse might result in a bang, with a bang - go!

:47:08.:47:11.

# I bet that you look good on the dancefloor

:47:11.:47:14.

# I don't know if you're looking for romance, or

:47:14.:47:16.

# I don't know what you're looking for

:47:16.:47:20.

# I said I bet that you look good on the dancefloor

:47:20.:47:23.

# Dancing to electro-pop like a robot from 1984

:47:23.:47:26.

# From 1984!

:47:26.:47:30.

# Oh there ain't no love No Montagues or Capulets

:47:30.:47:36.

# Just banging tunes in DJ sets

:47:36.:47:38.

# And dirty dancefloors and dreams of naughtiness

:47:38.:47:44.

# Well, I bet that you look good on the dancefloor

:47:44.:47:54.
:47:54.:48:03.

# Well, I bet that you look good on the dancefloor

:48:03.:48:05.

# I don't know if you're looking for romance, or

:48:05.:48:07.

# I don't know what you're looking for

:48:07.:48:11.

# I said I bet that you look good on the dancefloor

:48:11.:48:14.

# Dancing to electro-pop like a robot from 1984

:48:14.:48:20.

# From 1984! #

:48:20.:48:26.

CHEERING AND APPLAUSE

:48:26.:48:36.
:48:36.:49:06.

Give

:49:06.:49:06.

Give it

:49:06.:49:06.

Give it up

:49:06.:49:16.
:49:16.:49:16.

Apology for the loss of subtitles for 110 seconds

:49:16.:50:36.

# Do me a favour, break my nose # Do me a favour

:50:36.:50:46.
:50:46.:50:46.

Apology for the loss of subtitles for 110 seconds

:50:46.:51:51.

# Too heavy to hold # She said, do me a favour

:51:51.:51:58.

# Perhaps... might be too kind

:51:58.:52:01.

# Perhaps ... off might be too kind. #

:52:01.:52:11.
:52:11.:52:13.

CHEERING AND APPLAUSE

:52:13.:52:23.
:52:23.:52:59.

Glastonbury,

:52:59.:53:01.

Glastonbury, Glastonbury?

:53:01.:53:02.

CHEERING

:53:02.:53:02.
:53:02.:53:04.

CHEERING I

:53:04.:53:04.

I love

:53:04.:53:04.

I love you.

:53:04.:53:13.

I love you. Let's

:53:13.:53:17.

I love you. Let's park all that showmanship shit for a moment. I

:53:17.:53:24.

want to tell you I'm yours. The question is, however, are you mine,

:53:24.:53:34.
:53:34.:53:42.

# Tracy Island, time-travelling # Could have shaped heartaches

:53:42.:53:43.

# In some velvet morning Years too late

:53:43.:53:44.

# She's a silver lining, lone ranger

:53:44.:53:46.

# Riding through an open space in my mind

:53:46.:53:48.

# When she's not right there beside me

:53:48.:53:49.

# I go crazy, cos here isn't where I wanna be

:53:49.:53:50.

# And satisfaction feels like a distant memory

:53:51.:53:54.

# And I can't help myself

:53:54.:53:57.

# All I wanna hear her say is "Are you mine?"

:53:57.:54:03.

# Well, are you mine? Are you mine? Are you mine?

:54:03.:54:13.
:54:13.:54:21.

# I guess what I'm trying to say is

:54:21.:54:24.

# I need the deep end Keep imagining meeting

:54:24.:54:26.

# Wished away entire lifetimes Unfair we're not somewhere

:54:27.:54:31.

# Misbehaving for days, great escape Lost track of time and space

:54:31.:54:37.

# She's a silver lining Climbing on my desire

:54:37.:54:40.

# And I go crazy cos here isn't where I wanna be

:54:40.:54:45.

# And satisfaction feels like a distant memory

:54:45.:54:49.

# And I can't help myself

:54:49.:54:51.

# All I wanna hear her say is "Are you mine?"

:54:51.:54:58.

# Well, are you mine? Are you mine tomorrow? Are you mine?

:54:58.:55:05.

# Or just mine tonight? Are you mine? Are you mine?

:55:05.:55:15.
:55:15.:55:18.

# And the thrill of the chase moves in mysterious ways

:55:18.:55:22.

# So in case I'm mistaken I just wanna hear you say

:55:22.:55:28.

# "You got me, baby, are you mine?"

:55:28.:55:38.
:55:38.:55:40.

# She's a silver lining, lone ranger

:55:40.:55:43.

# Riding through an open space in my mind

:55:43.:55:47.

# When she's not right there beside me

:55:47.:55:50.

# And I go crazy, cos here isn't where I wanna be

:55:50.:55:53.

# And satisfaction feels like a distant memory

:55:53.:55:57.

# And I can't help myself

:55:57.:56:00.

# All I wanna hear her say is "Are you mine?"

:56:00.:56:04.

# Well, are you mine? Are you mine tomorrow?

:56:04.:56:10.

# Are you mine? Or just mine tonight?

:56:10.:56:15.

# Are you mine? Are you mine tomorrow?

:56:15.:56:20.

# Or just mine tonight? #

:56:20.:56:25.

APPLAUSE AND CHEERING

:56:25.:56:35.
:56:35.:56:58.

# You landed in a very common crisis

:56:58.:56:59.

# Everything's in order

:56:59.:57:00.

# In a black hole, nothing as pretty

:57:00.:57:02.

# As the past though

:57:02.:57:05.

# That Bloody Mary's

:57:05.:57:06.

# Lacking her Tabasco

:57:06.:57:07.

# A slag, the best you ever had

:57:08.:57:10.

# The best you ever had

:57:10.:57:11.

# Is just a memory and those dreams

:57:11.:57:15.

# Not as daft as they seem

:57:15.:57:18.

# Not as daft as they seem

:57:18.:57:20.

# My love when you dream them up

:57:20.:57:29.

# Flicking through a book of sex tips

:57:29.:57:32.

# When boys were all electric

:57:32.:57:33.

# Now when she tells

:57:33.:57:35.

# She's gonna get it

:57:35.:57:36.

# I'm guessing that

:57:36.:57:37.

# She'd rather just forget it

:57:37.:57:39.

# Clinging to not getting sentimental

:57:39.:57:40.

# Said she wasn't going

:57:40.:57:41.

# But she went still

:57:41.:57:43.

# Likes gentlemen not to be gentle

:57:43.:57:44.

# Was it a Mecca Dabber

:57:44.:57:46.

# Or a betting pencil?

:57:46.:57:48.

# Oh the boy's a slag

:57:48.:57:50.

# The best you ever had

:57:50.:57:51.

# The best you ever had

:57:51.:57:53.

# Is just a memory

:57:53.:57:55.

# And those dreams

:57:55.:57:58.

# Not as daft as they seem

:57:58.:58:00.

# Not as daft as they seem

:58:00.:58:02.

# My love when you dream them up

:58:02.:58:08.

# Where did you go?

:58:08.:58:12.

# Where did you go?

:58:12.:58:17.

# Where did you go?

:58:17.:58:21.

# O-oh...

:58:21.:58:31.
:58:31.:58:33.

# You're falling about

:58:33.:58:37.

# You took a left off

:58:37.:58:38.

# Last Laugh Lane

:58:38.:58:40.

# You were just sounding it out

:58:40.:58:44.

# You're not coming back again

:58:44.:58:52.

# You're falling about

:58:52.:58:56.

# You took a left off Last Laugh Lane

:58:56.:58:59.

# You were just sounding it out But you're not coming back again

:58:59.:59:09.

# You used to get it in your fishnets

:59:09.:59:11.

# Now you only get it In your night dress

:59:11.:59:15.

# Discarded all the naughty nights For niceness

:59:15.:59:16.

# You landed in a very common crisis

:59:16.:59:18.

# All's in order in a black hole Nothing seems as pretty

:59:18.:59:20.

# As the past though

:59:20.:59:22.

# Bloody Mary's lacking her Tabasco

:59:22.:59:24.

# Remember when you used to be

:59:24.:59:25.

# A rascal? #

:59:25.:59:30.

CHEERING AND APPLAUSE

:59:30.:59:40.
:59:40.:00:06.

Time

:00:06.:00:06.

Time for

:00:06.:00:06.

Time for us

:00:07.:00:16.
:00:17.:00:16.

you for having us. Thank you for having us. It's been a

:00:17.:00:21.

pleasure. We're going to leave you with this one - like we always used

:00:21.:00:31.
:00:31.:00:31.

Apology for the loss of subtitles for 110 seconds

:00:31.:01:41.

to in the old days. It's got a # Well, oh, they might wear classic

:01:41.:01:51.
:01:51.:01:51.

# But all of that's # The point's that

:01:51.:01:55.

# And there's the truth that they can't see

:01:55.:01:58.

# They'd probably like to throw a punch at me

:01:58.:02:02.

# And if you could only see 'em then you would agree

:02:02.:02:06.

# Agree that there ain't no romance around there

:02:06.:02:10.

# You know, oh, it's a funny thing you know?

:02:10.:02:13.

# We'll tell them if you like We'll tell them all tonight

:02:13.:02:17.

# They'll never listen Because their minds are made up

:02:17.:02:20.

# And course it's all OK to carry on that way

:02:21.:02:25.

# Cos over there there's broken bones

:02:25.:02:29.

# There's only music so that there's new ringtones

:02:29.:02:32.

# And it don't take no Sherlock Holmes

:02:32.:02:36.

# To see it's a little different around here

:02:36.:02:40.

# Don't get me wrong though There's boys in bands

:02:40.:02:43.

# And kids who like to scrap with pool cues in their hands

:02:43.:02:47.

# And just cos he's had a couple of cans

:02:47.:02:50.

# He thinks it's alright to act like a ...head

:02:50.:02:54.

# Don't you know, oh it's a funny thing, you know?

:02:54.:02:58.

# We'll tell them if you like We'll tell them all tonight

:02:58.:03:01.

# They'll never listen Because their minds are made up

:03:01.:03:05.

# And course it's all OK to carry on that way

:03:05.:03:09.

# But I said no, oh no Well, you won't get me to go

:03:09.:03:16.

# Not anywhere, not anywhere No, I won't go, oh no, no

:03:16.:03:26.
:03:26.:03:54.

# Well, over there There's friends of mine

:03:54.:03:57.

# What can I say, I've known them for a long, long time

:03:57.:04:02.

# And yet they might overstep the line

:04:02.:04:05.

# But you just cannot get angry in the same way

:04:05.:04:11.

# No, not in the same way

:04:11.:04:14.

# Said not in the same way

:04:14.:04:19.

# Oh no, oh no, no. #

:04:19.:04:29.
:04:29.:04:29.

Apology for the loss of subtitles for 110 seconds

:04:29.:05:27.

APPLAUSE AND CHEERING

:05:27.:05:37.
:05:37.:05:37.

Apology for the loss of subtitles for 110 seconds

:05:37.:06:18.

CHEERING

:06:18.:06:18.

CHEERING AND

:06:18.:06:18.

CHEERING AND APPLAUSE

:06:18.:06:19.
:06:19.:06:29.
:06:29.:07:04.

CHEERING

:07:04.:07:04.

CHEERING AND

:07:04.:07:04.

CHEERING AND APPLAUSE

:07:04.:07:04.
:07:04.:07:11.

Thank

:07:11.:07:11.

Thank you,

:07:11.:07:12.

Thank you, Glastonbury!

:07:12.:07:12.
:07:12.:07:14.

Thank you, Glastonbury! Could

:07:14.:07:14.

Could you

:07:14.:07:14.

Could you stand

:07:14.:07:15.

Could you stand a

:07:15.:07:25.
:07:25.:07:25.

Apology for the loss of subtitles for 110 seconds

:07:25.:08:05.

# So, love, he kneels before... I'm messing!

:08:05.:08:12.

# Look at the stars # I'm only kidding now. Pipe down,

:08:12.:08:18.

pipe down! # I saw you in the bathroom

:08:18.:08:25.

# She was nothing but a vision Under the water line

:08:25.:08:32.

# She was close # Close enough to be a ghost

:08:32.:08:42.
:08:42.:09:09.

# And kissed whoever # Yeah, I let him go

:09:09.:09:19.
:09:19.:09:31.

# I thought I saw you # It was too loud

:09:31.:09:41.
:09:41.:09:49.

# It was close # Tell me

:09:49.:09:59.
:09:59.:10:14.

# And I'm beginning to think # Yeah, I let him go

:10:14.:10:24.
:10:24.:11:00.

# I saw your sister # She was close

:11:00.:11:07.

# "You can call me anything you want." #

:11:08.:11:16.

CHEERING AND APPLAUSE

:11:16.:11:26.
:11:26.:11:34.

Give

:11:34.:11:34.

Give a

:11:34.:11:35.

Give a round

:11:35.:11:39.

Give a round of applause for guy, by the way. The man in Manchester who

:11:39.:11:47.

did our string arrangements for us this evening.

:11:47.:11:53.

While we have our friends out here we might try and do an old Monkeys'

:11:53.:12:02.

tune everybody. It's one we don't get out very often. Do you want to

:12:02.:12:08.

hear a tune - one we don't get out very often? All right then!

:12:08.:12:18.
:12:18.:12:18.

Apology for the loss of subtitles for 110 seconds

:12:18.:13:01.

# Now then Mardy Bum # And it's like looking

:13:01.:13:05.

# And it goes off And out come all these words

:13:05.:13:11.

# Oh there's a very pleasant side to you

:13:11.:13:15.

# A side I much prefer

:13:15.:13:17.

# It's one that laughs and jokes around

:13:17.:13:23.

# Remember cuddles in the kitchen Yeah, to get things off the ground

:13:23.:13:29.

# And it was up, up and away

:13:29.:13:34.

# Oh, but it's right hard to remember

:13:34.:13:38.

# That on a day like today

:13:38.:13:43.

# When you're all argumentative And you've got the face on

:13:43.:13:53.
:13:53.:14:01.

# Well now then Mardy Bum Oh I'm in trouble again, aren't I?

:14:01.:14:10.

# I thought as much Cos you turned over there

:14:10.:14:15.

# Pulling that silent disappointment face

:14:15.:14:19.

# The one that I can't bear

:14:19.:14:23.

# Can't we laugh and joke around Remember cuddles in the kitchen

:14:23.:14:31.

# Yeah, to get things off the ground And it was up, up and away

:14:31.:14:39.

# Oh, but it's right hard to remember

:14:39.:14:42.

# That on a day like today when you're all argumentative

:14:43.:14:48.

# And you've got the face on

:14:48.:14:53.

# Yeah, I'm sorry I was late But I missed the train

:14:53.:14:57.

# And then the traffic was a state

:14:57.:15:01.

# And I can't be arsed to carry on in this debate

:15:01.:15:06.

# That reoccurs, oh when you say I don't care

:15:06.:15:10.

# But of course I do Yeah I clearly do!

:15:10.:15:20.
:15:20.:15:39.

# So laugh and joke around Remember cuddles in the kitchen

:15:39.:15:46.

# Yeah, to get things off the ground

:15:46.:15:49.

# And it was up, up and away Still it's right hard to remember

:15:49.:15:55.

# That on a day like today When you're all argumentative

:15:55.:16:04.

# And you've got the face on. #

:16:04.:16:14.
:16:14.:16:33.

CHEERING

:16:34.:16:34.

CHEERING AND

:16:34.:16:34.

CHEERING AND APPLAUSE

:16:34.:16:34.
:16:34.:16:44.
:16:44.:17:04.

# So who's that girl there?

:17:04.:17:05.

# I wonder what went wrong so that she had to roam the streets

:17:05.:17:07.

# She don't do major credit cards I doubt she does receipts

:17:07.:17:09.

# It's all not quite legitimate

:17:09.:17:11.

# And what a scummy man

:17:11.:17:16.

# Just give him half a chance I bet he'll rob you if he can

:17:16.:17:20.

# Can see it in his eyes, yeah That he's got a driving ban

:17:20.:17:24.

# Amongst some other offences

:17:24.:17:28.

# And I've seen him with girls of the night

:17:28.:17:33.

# And he told Roxanne to put on her red light

:17:33.:17:38.

# They're all infected But he'll be all right

:17:38.:17:42.

# Cos he's a scumbag, don't you know?

:17:42.:17:52.
:17:52.:18:14.

# He's a scumbag, don't you know?

:18:14.:18:24.
:18:24.:18:40.

# Although you're trying not to listen

:18:40.:18:43.

# I bet your eyes are staring at the ground

:18:43.:18:45.

# She makes a subtle proposition

:18:45.:18:48.

# "I'm sorry, love I'll have to turn you down"

:18:48.:18:51.

# Oh, he must be up to summat

:18:51.:18:54.

# Want half a chance to show he's more than likely

:18:54.:18:57.

# I've got a feeling in my stomach

:18:57.:19:00.

# I start to wonder what his story might be

:19:00.:19:02.

# What his story might be

:19:02.:19:04.

# They said it changes when the sun goes down

:19:04.:19:06.

# And they said it changes when the sun goes down

:19:06.:19:09.

# And they said it changes when the sun goes down

:19:09.:19:12.

# Around here

:19:12.:19:15.

# Around...here

:19:15.:19:25.
:19:25.:19:29.

# Look, here comes a Ford Mondeo Isn't he Mr Inconspicuous?

:19:29.:19:33.

# And he don't have to say 'owt

:19:33.:19:37.

# She understands she's here to get picked up

:19:37.:19:40.

# Bet she's delighted when she sees him

:19:40.:19:43.

# Pulling in and giving her the eye

:19:43.:19:46.

# Because she must be ... freezing

:19:46.:19:49.

# Scantily clad beneath the clear night sky

:19:49.:19:52.

# She don't stop in the winter, no

:19:52.:19:54.

# They said it changes when the sun goes down

:19:54.:19:56.

# And they said it changes when the sun goes down

:19:56.:19:58.

# And they said it changes when the sun goes down

:19:58.:20:02.

# Around here

:20:02.:20:05.

# They said it changes when the sun goes down

:20:05.:20:09.

# Over the river going out of town

:20:09.:20:11.

# And they said it changes when the sun goes down

:20:11.:20:13.

# Around here

:20:13.:20:15.

# Around...here

:20:16.:20:22.

# And what a scummy man

:20:22.:20:26.

# Just give him half a chance I bet he'll rob you if he can

:20:26.:20:30.

# Can see it in his eyes, yeah That he's got a nasty plan

:20:30.:20:34.

# I hope you're not involved at all. #

:20:34.:20:40.

CHEERING AND APPLAUSE

:20:40.:20:50.
:20:50.:21:09.

Glastonbury,

:21:09.:21:10.

Glastonbury, while

:21:10.:21:10.

Glastonbury, while I've

:21:10.:21:17.

might I ask a favour of you? Would you do me a favour?

:21:17.:21:21.

It's actually my mum's birthday today and she 's here in the crowd

:21:21.:21:31.
:21:31.:21:51.

with you. Is there any chance you Hip-hip! For she's a jolly good

:21:51.:21:55.

fellow! Thank you everybody. I appreciate

:21:55.:22:03.

that! Rock'n'roll! I've even got time for one more tune, Glastonbury,

:22:03.:22:08.

then I'll have to bid you good night. In order to finish this off

:22:08.:22:13.

properly though, I think we need a little help from our friend - just

:22:13.:22:19.

the way we did it six years ago, folks. I would like to give you a

:22:19.:22:29.
:22:29.:22:53.

hero's welcome. I would like you to bottom of my heart. See you next

:22:53.:23:03.
:23:03.:23:19.

time. Have a great weekend, # If it's a 7-hour flight

:23:19.:23:26.

# With your hands between your thighs

:23:26.:23:36.
:23:36.:23:37.

# Stop and wait a sec

:23:37.:23:40.

# When you look at me like that, my darling

:23:41.:23:44.

# What did you expect?

:23:44.:23:47.

# I probably still adore you with your hands around my neck

:23:47.:23:54.

# Or I did last time I checked

:23:54.:24:04.
:24:04.:24:05.

# I'm not shy of a spark

:24:05.:24:09.

# The knife twists at the thought that I should fall short of the mark

:24:09.:24:16.

# Frightened by the bite though it's no harsher than the bark

:24:16.:24:25.

# The middle of adventure such a perfect place to start

:24:25.:24:32.

# I'm going back to 505

:24:32.:24:37.

# If it's a 7-hour flight or a 45-minute drive

:24:37.:24:44.

# In my imagination you're waiting lying on your side

:24:44.:24:51.

# With your hands between your thighs

:24:51.:25:01.
:25:01.:25:30.

# But I crumble completely when you cry

:25:30.:25:35.

# It seems like once again you've had to greet me with goodbye

:25:35.:25:42.

# I'm always just about to go and spoil a surprise

:25:42.:25:48.

# Take my hands off of your eyes too soon

:25:48.:25:57.

# I'm going back to 505

:25:58.:26:02.

# If it's a 7-hour flight or a 45-minute drive

:26:02.:26:09.

# In my imagination you're waiting lying on your side

:26:09.:26:16.

# With your hands between your thighs and a smile! #

:26:16.:26:25.

CHEERING AND APPLAUSE

:26:25.:26:35.
:26:35.:26:35.

Apology for the loss of subtitles for 110 seconds

:26:35.:27:41.

CHEERING

:27:41.:27:41.

CHEERING AND

:27:42.:27:42.

CHEERING AND APPLAUSE

:27:42.:27:42.
:27:42.:27:52.
:27:52.:28:00.

The

:28:00.:28:01.

The crowd

:28:01.:28:02.

The crowd absolutely

:28:02.:28:06.

The crowd absolutely loving Arctic Monkeys at Glastonbury 2013. So

:28:06.:28:16.
:28:16.:28:17.

interesting to see them. They are Kind of grew up.

:28:17.:28:23.

They have grown up in public in many way, haven't they? I have rarely

:28:23.:28:30.

seen total mast eerie of the main -- mastery of the Main Stage of

:28:30.:28:37.

Glastonbury. I cannot decide whether he looks like a young billy Furry

:28:37.:28:42.

or... He looks like the last of the international playboys. He would not

:28:42.:28:48.

be out of place on a Smith's album cover. A good well done, fellas and

:28:48.:28:54.

no mistake. We are back until 2am. We'll have live music from a great

:28:54.:29:01.

friend of ours. A lady on site, she is wearing leggings purchased on

:29:01.:29:11.
:29:11.:29:11.

Apology for the loss of subtitles for 110 seconds

:29:11.:29:55.

# Fire me in an oven # Each and every minute I see

:29:55.:30:05.
:30:05.:30:25.

# Cheating ourselves to believe we'll be last

:30:25.:30:30.

# Like a fool I thought it was true

:30:30.:30:36.

# I was holding your flowers and only you knew

:30:36.:30:46.
:30:46.:30:47.

# A diary fills its pages with one eye on the clock

:30:47.:30:57.
:30:57.:30:58.

# How long, how long have we got

:30:58.:31:05.

# Until we're everything we hope to be?

:31:05.:31:15.

# Terrified while a picture of dignity

:31:15.:31:21.

# Come eat with me

:31:21.:31:25.

# At the table of this life. #

:31:25.:31:31.

SHE WHISTLES MELODY

:31:32.:31:41.
:31:42.:31:54.

# La da da da da

:31:54.:31:58.

# La da da da-da-da

:31:58.:32:08.
:32:08.:32:10.

# La da da da-da-da

:32:10.:32:13.

# All made of glass

:32:13.:32:23.
:32:23.:32:24.

# All made of glass

:32:24.:32:33.

# Yeah, we're all made of glass

:32:33.:32:40.

# All made of glass

:32:40.:32:42.

# Cheating ourselves to believe we'll be last

:32:42.:32:47.

# Like a fool I thought it was true

:32:47.:32:52.

# I was holding your flowers and only you knew. #

:32:52.:33:02.
:33:02.:33:09.

CHEERING AND APPLAUSE

:33:09.:33:19.
:33:19.:33:20.

That

:33:20.:33:21.

That was

:33:21.:33:21.

That was KT

:33:21.:33:21.
:33:21.:33:31.
:33:31.:33:32.

That was KT Tunstall and Made Of Glass. How you are big tomorrow.

:33:32.:33:36.

the acoustic tent. It sound like it could be rowdy, although you would

:33:36.:33:46.
:33:46.:33:46.

think it would be mellow. I am the fill filling between Deacon blue

:33:46.:33:52.

and... Thank you for that. Thank you very much. It is time to enjoy more

:33:52.:33:58.

live music now. This is from a headliner on the Other Stage

:33:58.:34:07.

tonight. Geoff's mum will be cross if we don't play some of his set.

:34:07.:34:12.

Alex Turner's mum was pleased. is what we're all about on this

:34:12.:34:22.
:34:22.:34:52.

show. It is Portishead, live at # Please could you stay awhile

:34:52.:34:57.

# And the time that I will suffer less

:34:57.:35:04.

# Is when I never have to wake

:35:04.:35:11.

# Wandering stars For whom it is reserved

:35:11.:35:18.

# The blackness of darkness, forever

:35:18.:35:25.

# Wandering stars For whom it is reserved

:35:25.:35:32.

# The blackness of darkness, forever

:35:32.:35:39.

# Those who have seen the needles I now tread

:35:39.:35:46.

# Like a husk, from which all that was now has fled

:35:46.:35:52.

# And the masks that the monsters wear

:35:52.:36:00.

# To feed upon their prey

:36:00.:36:07.

# Wandering stars For whom it is reserved

:36:07.:36:14.

# The blackness of darkness, forever

:36:14.:36:20.

# Wandering stars For whom it is reserved

:36:20.:36:28.

# The blackness of darkness, forever

:36:28.:36:38.
:36:38.:37:06.

# Doubled up inside Take a while to share my grief

:37:06.:37:16.
:37:16.:37:18.

# Always doubled up inside Taunted, cruel

:37:18.:37:28.
:37:28.:37:31.

# Wandering stars For whom it is reserved

:37:31.:37:40.

# The blackness The darkness, forever

:37:40.:37:47.

# Wandering stars For whom it is reserved

:37:47.:37:54.

# The blackness The darkness, forever. #

:37:54.:38:04.
:38:04.:38:04.

Apology for the loss of subtitles for 110 seconds

:38:04.:39:53.

# I saw a saviour A saviour come my way

:39:53.:39:55.

# I thought I'd see it in the cold light of day

:39:55.:40:03.

# But now I realise that I'm only for me

:40:03.:40:13.
:40:13.:40:15.

# If only I could see Return myself to me

:40:16.:40:25.
:40:26.:40:27.

# And recognise the poison in my heart

:40:27.:40:35.

# There is no other place No-one else I face

:40:35.:40:42.

# The remedy will agree with how I feel

:40:42.:40:52.
:40:52.:40:55.

# Here in my reflecting What more can I say?

:40:55.:41:04.

# For I am guilty for the voice that I obey

:41:04.:41:12.

# Too scared to sacrifice the choice chosen for me

:41:12.:41:22.
:41:22.:41:25.

# If only I could see Return myself to me

:41:25.:41:35.

# And recognise the poison in my heart

:41:35.:41:43.

# There is no other place No-one else I face

:41:43.:41:51.

# The remedy to agree with how I feel.#

:41:51.:42:01.
:42:01.:42:01.

Apology for the loss of subtitles for 110 seconds

:42:01.:43:55.

APPLAUSE AND CHEERING

:43:55.:44:05.
:44:05.:44:35.

# I'm so tired Of playing

:44:35.:44:37.

# Playing with this bow and arrow

:44:37.:44:41.

# Gonna give my heart away

:44:41.:44:44.

# Leave it to the other girls to play

:44:44.:44:51.

# For I've been a temptress too long

:44:51.:44:57.

# Just

:44:57.:44:58.

# Give me a reason to love you

:44:58.:45:06.

# Give me a reason to be

:45:06.:45:13.

# A woman

:45:13.:45:22.

# I just wanna be a woman

:45:22.:45:30.

# From this time, unchained

:45:30.:45:34.

# We're all looking at a different picture

:45:34.:45:38.

# Through this new frame of mind

:45:38.:45:42.

# A thousand flowers could bloom

:45:42.:45:48.

# Move over, and give us some room

:45:48.:45:55.

# Yeah

:45:55.:45:57.

# Give me a reason to love you

:45:57.:46:03.

# Give me a reason to be

:46:03.:46:10.

# A woman

:46:10.:46:18.

# I just wanna be a woman

:46:18.:46:28.
:46:28.:47:01.

# So don't you stop bein' a man

:47:01.:47:09.

# Just take a little look from our side when you can

:47:09.:47:18.

# Sow a little tenderness

:47:18.:47:26.

# No matter if you cry

:47:26.:47:34.

# Give me a reason to love you

:47:34.:47:41.

# Give me a reason to be here

:47:41.:47:48.

# A woman

:47:48.:47:55.

# It's all I wanna be is a woman

:47:55.:48:05.
:48:05.:48:15.

# For this is the beginning of forever and ever

:48:15.:48:25.
:48:25.:48:45.

# It's time to move over

:48:45.:48:53.

# I'm so tired, of playing

:48:53.:48:58.

# Playing with this bow and arrow

:48:58.:49:01.

# Gonna give my heart away

:49:01.:49:05.

# Leave it to the other girls to play

:49:05.:49:11.

# For I've been a temptress too long. #

:49:11.:49:21.
:49:21.:49:22.

# Give me a reason to love you

:49:22.:49:31.

# Give me a reason to be

:49:31.:49:39.

APPLAUSE AND CHEERING

:49:39.:49:49.

Completely

:49:49.:49:49.

Completely compelling.

:49:49.:49:51.

Completely compelling. That

:49:51.:49:53.

Completely compelling. That was Portishead. You could not look away

:49:54.:50:03.
:50:04.:50:10.

for a moment! It was.Cracking! We had... . Corking!

:50:10.:50:15.

Their live show is so brilliant. With their own images there -

:50:15.:50:19.

Portishead, but when you meet them in person they are so cheery, such

:50:19.:50:26.

good company. We have a giant flame Spider behind us. Puffing out fire!

:50:26.:50:36.
:50:36.:50:40.

That is a vast flame-based arachnid. I have one in my house! If you want

:50:40.:50:50.
:50:50.:51:00.

Joe is waiting to talk to the Arctic Monkeys. Look who I am joined by

:51:00.:51:10.
:51:10.:51:11.

now. It is the Arctic Monkeys. How was that? Great. Couldn't have asked

:51:11.:51:21.
:51:21.:51:28.

for any more! How did you feel? Buzzing.I

:51:28.:51:36.

remember when you played '97... Not that old. I was about 11 in 1997

:51:36.:51:46.

sclanl 200 -- 1997!Last time.

:51:46.:51:53.

Felt comfortable. Really enjoyed ourselves. Party time. I do remember

:51:53.:51:56.

standing watching, I think it was Elbow or someone like that and you

:51:56.:52:00.

were on the stage. I spoke to you briefly. You were watching whoever

:52:00.:52:05.

it was on the stage and you said something about, yeah, last time we

:52:05.:52:09.

played we didn't quite get it. Totally. You said I want to come

:52:09.:52:19.

Totally. You said I want to come back here and headline. Maybe

:52:19.:52:29.
:52:29.:52:29.

Coldplay. It was like Garvy and me and you and Ashcroft.

:52:29.:52:39.
:52:39.:52:40.

It freaked me out. I thought it was really interesting

:52:40.:52:44.

because you made the point, you were studying and you were like, we've

:52:44.:52:50.

got to come back here - it was like unfinished business. A bit of that.

:52:50.:52:55.

We were so new to it all like before, it was a bit mad that we

:52:55.:53:01.

probably got to headline it so soon, but and we had the bad weather and

:53:02.:53:07.

thaw. You also said you didn't understand Glastonbury. The first

:53:07.:53:11.

time any of us had ever been. Since then we have probably been every

:53:11.:53:17.

year and got to know it and understood what it is a bit more.

:53:17.:53:22.

How do you make it as good as it was tonight - you did nail it

:53:22.:53:32.
:53:32.:53:34.

completely. . Thank you, Jo. How did you go about it? We tried to cover

:53:34.:53:39.

every bit with our fabric. We have leather upstairs. We have denim

:53:39.:53:44.

here. We have mo hair on the end there.

:53:44.:53:48.

You were channelling Elvis when you were on stage - you were with the

:53:48.:53:56.

spirit of Elvis - is that fair to say? It's a compliment. That is very

:53:56.:54:01.

fair to me. Is it fair to say though, Jo? It is a question.

:54:01.:54:06.

seem like you were becoming a different performer. . Maybe. We

:54:06.:54:11.

play 1,000 shows like in the last few years and just you can't just,

:54:11.:54:17.

yeah, I don't know. Eventually... Is your mum really here tonight.

:54:17.:54:23.

is. And it is her birthday.That would be a weird lie otherwise.

:54:23.:54:32.

would have been a sick joke. What a strange lie! And I wanted to cry

:54:32.:54:40.

when you did that with the strings. I cry easily, it doesn't take much.

:54:40.:54:49.

We have Guy. Guy Garvey.He, we got him on board. He wrote the string

:54:49.:54:55.

arrangement - that is why they sounded like Elbow tunes if you are

:54:55.:55:02.

wondering. He did a great job. Thanks Guy. What happens from now,

:55:02.:55:08.

for the rest of the night? I don't know. Who knows? Into the abouts by

:55:08.:55:14.

somewhere? I don't know. We're all pretty like - although we don't seem

:55:14.:55:18.

it, we are pumped up. This is as pumped up as I have ever seen it -

:55:18.:55:23.

this is as good as you've ever got! You are even going to air this.

:55:23.:55:28.

will make it to air. Well done. You need to choose a track now.

:55:28.:55:31.

Something from your set and we will play it out. What was your favourite

:55:31.:55:37.

moment of the set? I don't know really. Why don't you choose.

:55:37.:55:43.

choose your band. What did you enjoy doing? Are You Mine. The first time

:55:43.:55:48.

we played it on these shores. That was enjoyable. Is that all right?

:55:48.:55:58.
:55:58.:56:11.

# Lone ranger riding # Lone ranger riding

:56:11.:56:21.
:56:21.:56:24.

# Tracy Island, time-travelling # Well, are you mine?

:56:24.:56:34.
:56:34.:56:51.

# I need the deep end # Wished away entire lifetimes

:56:51.:56:55.

# Misbehaving for days, great escape Lost track of time and space

:56:55.:57:01.

# She's a silver lining Climbing on my desire

:57:01.:57:04.

# And I go crazy cos here isn't where I wanna be

:57:04.:57:09.

# And satisfaction feels like a distant memory

:57:09.:57:12.

# And I can't help myself

:57:12.:57:16.

# All I wanna hear her say is "Are you mine?"

:57:16.:57:22.

# Well, are you mine? Are you mine tomorrow? Are you mine?

:57:22.:57:28.

# Or just mine tonight? Are you mine? Are you mine?

:57:28.:57:38.
:57:38.:57:42.

# And the thrill of the chase moves in mysterious ways

:57:42.:57:46.

# So in case I'm mistaken I just wanna hear you say

:57:47.:57:52.

# "You got me, baby, are you mine?"

:57:52.:58:02.
:58:02.:58:04.

# She's a silver lining, lone ranger

:58:04.:58:07.

# Riding through an open space in my mind

:58:07.:58:11.

# When she's not right there beside me

:58:11.:58:14.

# And I go crazy, cos here isn't where I wanna be

:58:14.:58:17.

# And satisfaction feels like a distant memory

:58:17.:58:21.

# And I can't help myself

:58:21.:58:24.

# All I wanna hear her say is "Are you mine?"

:58:24.:58:30.

# Well, are you mine? Are you mine tomorrow?

:58:30.:58:34.

# Are you mine? Or just mine tonight?

:58:35.:58:39.

# Are you mine? Are you mine tomorrow?

:58:39.:58:45.

# Or just mine tonight? #

:58:45.:58:49.

APPLAUSE AND CHEERING

:58:49.:58:58.

APPLAUSE AND CHEERING We

:58:58.:58:59.

APPLAUSE AND CHEERING We have

:58:59.:59:06.

plagued by daddy-long-legs. There was one on the centre of the camera.

:59:06.:59:11.

They have come in here for the warmth! The Arctic Monkeys there.

:59:11.:59:17.

Just in case you missed them before. Lauren, there are so many things on

:59:17.:59:21.

at Glastonbury. If you missed any of them, would there be any ways you

:59:21.:59:25.

could see them again? Funny you should ask! It is the first digital

:59:25.:59:32.

Glastonbury. There are many options for the viewer. First, go to the

:59:32.:59:37.

website. Of course, you can watch the live stream as well as on your

:59:37.:59:45.

TV. Wow!Your computer, your red button, your mobile phone, tablet.

:59:45.:59:48.

Could you get it on a microwave or food blender? Peer into your food

:59:48.:59:53.

processor or shout at a toaster! One of the headline acts over the three

:59:53.:59:59.

days is going to pop out. Marvellous. You have no excuse.

:59:59.:00:03.

While you contemplate which way you would like to watch, try this from

:00:03.:00:13.
:00:13.:00:13.

Apology for the loss of subtitles for 110 seconds

:00:13.:01:25.

# Under a sky # No-one sees

:01:25.:01:35.
:01:35.:01:36.

# Waiting, watching it happening # Don't hurry, give it time

:01:36.:01:42.

# Things are the way # They have to be

:01:42.:01:52.
:01:52.:01:52.

# Slow down, give it time # Still life, you know I'm listening

:01:52.:02:02.
:02:02.:02:04.

# The moment that you want is coming # If you give it time

:02:04.:02:14.
:02:14.:02:14.

# When you wake up # You will find me

:02:14.:02:24.
:02:24.:02:30.

# When you wake up # You will find me

:02:30.:02:40.
:02:40.:03:01.

# Under a sky, no-one else sees # Yourself appears in front of me

:03:01.:03:10.

# The sky clear, the sun hits, I'm here

:03:10.:03:14.

# Waiting, what's happening # The moment that you want is coming

:03:14.:03:24.
:03:24.:03:24.

# If you give it time # when you wake up

:03:24.:03:33.

# When you wake up # You will find me

:03:33.:03:43.
:03:43.:04:10.

# When you wake up # When you wake up

:04:10.:04:20.
:04:20.:04:22.

# You will find me # When you wake up

:04:22.:04:30.

# You wake up # You will find me

:04:30.:04:40.
:04:40.:04:42.

# When you wake up # You will find me

:04:42.:04:46.

# When you wake up # You wake up

:04:46.:04:56.

# You will find me # When you wake up

:04:56.:05:06.
:05:06.:05:06.

# You will find me # When you wake up

:05:06.:05:16.
:05:16.:05:18.

# You wake up # You will find me

:05:18.:05:28.
:05:28.:05:28.

Apology for the loss of subtitles for 110 seconds

:05:28.:06:15.

when you wake up sounded wonderful. He looked like

:06:15.:06:21.

Eric Turner's taller brother. much so. Also, shades of Simple

:06:21.:06:28.

Minds in 1979. Indeed.Fabulous headline set. Yes.I tell you who

:06:28.:06:36.

else was good today. Who else was that? Tame Impala performed a

:06:36.:06:39.

fantastic live session for us earlier. Why not leave the telly on.

:06:39.:06:49.
:06:49.:07:13.

# Shaking his big grey trunk # And it's not like mister shook

:07:13.:07:23.
:07:23.:07:37.

# There must be something deep down # He's got friends

:07:37.:07:43.

# Oh, look there he is now coming down the stairs

:07:44.:07:53.
:07:54.:07:54.

Apology for the loss of subtitles for 110 seconds

:07:54.:09:31.

# He pulled the mirrors off his Cadillac

:09:31.:09:32.

# Cos he doesn't like it looking like he looks back

:09:32.:09:35.

# He talks like his opinion is a simple fact

:09:35.:09:43.

# Somebody grabbed his collar

:09:43.:09:47.

# He cried the whole way home

:09:47.:09:50.

# He won't remember a thing till they start again

:09:50.:10:00.
:10:00.:10:03.

# That's how it is till the end Yeah. #

:10:03.:10:13.
:10:13.:10:18.

If

:10:18.:10:19.

If you

:10:19.:10:19.

If you can't

:10:19.:10:28.

child freaking out, then really, you need to have a word with yourself!

:10:28.:10:31.

All the guitars are available, but those are like the best. Now we are

:10:31.:10:41.

going to have a bit of magic. Welcome to Magic Singh. How are

:10:41.:10:50.

things in theatreland? They have been fantastic. I believe it's been

:10:50.:10:56.

an expensive day. You might be in need of some cash help? I do. Have

:10:56.:11:03.

you any on you? I do. How much would you like? I don't carry cash!Fiver?

:11:03.:11:10.

I want to make sure everyone can see this. It is a �5 note. If I fold

:11:10.:11:14.

this one, we get a square shape. Then one more time, we get a

:11:14.:11:21.

rectangle. Then we get a square shape. Watch this. One more fold. I

:11:21.:11:30.

will change this. It is looking good! There we go. Hello?That is

:11:30.:11:37.

excellent. I will take that later! You will probably notice the T-shirt

:11:37.:11:44.

I'm wearing. All the bands that are playing are on here. I will try

:11:44.:11:52.

to... Name one of the bands on this T-shirt. It is tricky. Public Enemy.

:11:52.:11:58.

Disclosure. Dizzee was great. Arctic Monkeys. The Stones. They are the

:11:58.:12:03.

big story. They are playing tomorrow night. Headlining on the Pyramid

:12:03.:12:10.

Stage. It has to be The Rolling Stones. We will use a T-shirt. Let's

:12:10.:12:20.
:12:20.:12:25.

shake this for a moment. Shake it!I think we got it. Woah! Magic! You

:12:25.:12:30.

can make yourself a fortune! You are going to rake it in. Brilliant.

:12:30.:12:40.
:12:40.:12:43.

Thank you 6789 We should do one more thing. -- Thank you. We should do

:12:43.:12:47.

one more thing. You are wearing a ring. That is beautiful. Can I

:12:47.:12:56.

borrow one of those? It is cut glass. If this gets lost, I'm unwed!

:12:56.:13:03.

It was going to Cash Converters on Monday! Place one of your hands nice

:13:03.:13:13.
:13:13.:13:13.

and flat. You can see how it is clear. You can see the ring as well.

:13:14.:13:20.

Here is the idea. Let's throw it down the hill! I will hold this. I

:13:20.:13:27.

want you to give you my wallet just in case. Watch the ring. Here we go.

:13:27.:13:35.

It withers away. Oh my goodness, I'm single! Is that good or bad? I gave

:13:35.:13:40.

you my wallet as well. You have been holding that. Inside here, I have a

:13:40.:13:44.

gift for you to say thanks. I will get your ring in a minute. I have a

:13:44.:13:49.

zip compartment just here. Inside here, I should have an envelope -

:13:49.:13:56.

yeah, that should do it. Have a look inside. Can you hold my mic? I can.

:13:56.:14:02.

He has a sticker on the back! Classic! Oh my God, it is in there!

:14:02.:14:10.

Look. Can you see that? Extraordinary, people. Look at that!

:14:10.:14:16.

That is inside. Wow. Do you want to check if that still fits? That is

:14:16.:14:21.

incredible. I'm going to drop it. Can you get it? This is like my

:14:21.:14:31.
:14:31.:14:33.

wedding! Thank you so much. That is amazing. My pleasure.APPLAUSE

:14:33.:14:43.
:14:43.:14:43.

see a boat today. We are both married. We will discuss the

:14:43.:14:51.

details. Let's go back to the West Holts Stage and this is Seasick

:14:51.:15:01.
:15:01.:15:11.

# I like big old farm tractors # And things that dig up

:15:11.:15:14.

# And go real loud like they were meant to

:15:14.:15:24.
:15:24.:15:26.

# I like looking at fields When they've just been cut

:15:26.:15:28.

# Looking at the pigs When they do the rut

:15:28.:15:31.

# I love the way hay smells When it's stacked in a barn

:15:31.:15:34.

# These are a few things Gonna find on the farm

:15:34.:15:40.

# Down on the farm

:15:40.:15:44.

# Do-do-do do-do do-do-do do-do do-do-do

:15:44.:15:47.

# Do-do-do do-do do-do-do do-do do-do-do

:15:47.:15:53.

# Yeah, down on the farm

:15:53.:15:57.

# I love the way Farm supply stores smell

:15:57.:16:00.

# The mix of seed, work and clothes And oil and more

:16:00.:16:03.

# You can get a new shovel Get a new rake

:16:03.:16:10.

# Get your chainshaw sharpened But you might have to wait

:16:10.:16:12.

# They got coffee Yeah, they got coffee

:16:12.:16:17.

# Do-do-do do-do do-do-do do-do do-do-do

:16:17.:16:20.

# Do-do-do do-do do-do-do do-do do-do-do

:16:20.:16:26.

# Yeah, they got coffee, baby

:16:26.:16:30.

# Down on the farm Down on the farm

:16:30.:16:37.

# Down on the farm Down on the farm

:16:37.:16:47.
:16:47.:16:50.

# I think I'll go out And wash my old John Deere

:16:50.:16:54.

# Hang on just a minute What's that I hear?

:16:54.:16:57.

# My friend Dan Playing drums in the barn

:16:57.:17:00.

# Guess we gonna rock 'n' roll Down on the farm

:17:00.:17:06.

# Yeah, down on the farm

:17:06.:17:11.

# Down on the farm Down on the farm

:17:11.:17:17.

# Down on the farm Down on the farm

:17:17.:17:21.

# Down on the farm Down on the farm

:17:21.:17:31.
:17:31.:17:31.

Apology for the loss of subtitles for 110 seconds

:17:31.:18:13.

Down on the farm CHEERING AND APPLAUSE

:18:13.:18:23.
:18:23.:18:24.

stage, these days they call it the West Holts Stage. That was Seasick

:18:24.:18:30.

Steve. I saw Steve earlier on. I said you are looking mighty fine. He

:18:30.:18:40.
:18:40.:18:50.

said, 've surfing." He was on good form. This afternoon, I had a

:18:50.:18:56.

tactical siesta. I heard the whole of Miles Kane's set whilst lying on

:18:56.:19:04.

my bed. That sounds all right! I was here since 7.00pm. I started out

:19:04.:19:12.

with Jake Bugg doing a live acoustic on Chris Evans' show on Radio Two.

:19:12.:19:15.

It's been a full dance card for me at Glastonbury. We have the sense

:19:15.:19:21.

that it is a good year, there are lots of surprises in store. Indeed.

:19:21.:19:28.

We will talk to you lots more about all the things we have seen. Let's

:19:28.:19:38.
:19:38.:19:38.

Apology for the loss of subtitles for 110 seconds

:19:38.:20:51.

get to the John Peel Stage and # Inhaler, inhaler

:20:51.:20:56.

# Yeah, yeah, yeah # Inhaler, inhaler

:20:56.:21:00.

# Yeah, yeah, yeah # Cold is the shoulder you'll give

:21:00.:21:04.

me for sure # Dance with your hips and grind on

:21:04.:21:11.

the floor # The daytime is the right time,

:21:11.:21:17.

don't you know girl # You've heard that before

:21:17.:21:25.

# Hey! # Inhaler, inhaler

:21:25.:21:33.

# Inhaler # Yeah, yeah, yeah

:21:33.:21:43.
:21:43.:21:48.

# Inhaler, inhale inhaler # Yeah, yeah, yeah

:21:48.:21:58.
:21:58.:22:18.

# Inhaler # Inhale Inhaler

:22:18.:22:26.

# Inhaler # Yeah, yeah, yeah

:22:26.:22:36.
:22:36.:22:59.

Miles Kane earlier on. Sounding pretty much as I remembered him,

:22:59.:23:08.

when I was getting a mid-afternoon siesta. Look at you! I can't shake

:23:08.:23:18.
:23:18.:23:19.

the image of you! A busy afternoon. I tell you who else has had a busy

:23:19.:23:26.

day, Greg James. He's been taking on some challenges. He has. If you know

:23:26.:23:33.

the programme Man versus Food, which is where a fat bloke goes around

:23:33.:23:37.

America eating as much as he can, this is a kind of Glastonbury

:23:37.:23:46.

version of that with Greg James. This is Gregory Does Glastonbury

:23:46.:23:54.

Grub. Hi, ladies and gents. I have spotted your pizza. Where is this

:23:54.:24:04.
:24:04.:24:05.

from? Glastonbury pizza.I'm off. This is the back end of the pizza

:24:05.:24:14.

company? Jake, show me what to do. You have to treat your dough like a

:24:14.:24:23.

beautiful woman. Give me the spade! Hole in one, yes! She's in. Next,

:24:23.:24:33.

toppings. Let's make some pizza. have three types of cheese. We will

:24:33.:24:39.

have this. All of it. Done. Pizza fit for a legend. Now to the big

:24:39.:24:47.

oven. Look at this bad boy. How hot is it in there? 350, 400 degrees.

:24:47.:24:57.
:24:57.:25:08.

Yes! Is it ready yet? 69.Very, very good. This is jerk chicken.

:25:08.:25:14.

course it is! This is the real, real food. Jerk chicken, curry, rice and

:25:14.:25:23.

peas. What is jerk chicken?Jerk chicken is chicken that's been

:25:23.:25:29.

marinated in all different spices. What we do, we marinate it like

:25:29.:25:34.

that. And like until the chicken gets covered over. You have a lot on

:25:34.:25:42.

your hands? Yeah. That is Mikey, he is the best jerk man in town!

:25:42.:25:48.

There's a lovely taste and texture. Yeah, man. You are mean with that

:25:48.:25:54.

knife? I am.Lovely bit of jerk. That is lovely. I'm making these

:25:54.:26:04.
:26:04.:26:09.

people over here jealous. This is Anna Mae's Mac and Cheese. There is

:26:09.:26:14.

a challenge? We do have a challenge. If you can eat half a pan in a

:26:14.:26:19.

minute, it's been done, you might beat the record. One minute?Yeah.

:26:19.:26:29.

I'm up for it. One minute, one pan of Mac and Cheese. Let's do it! That

:26:29.:26:34.

is a pan than I thought! I have brought some friends with me. This

:26:35.:26:42.

is Big Steve. This is Slim Bob. Crowd, are you ready?

:26:42.:26:52.
:26:52.:27:16.

Grub. The Mac defeated me but it was very nice. I'm going to go off and

:27:16.:27:20.

have a bit of sick! Well, there you go, that is our

:27:20.:27:24.

colleague, Greg James, who I am presenting with tomorrow afternoon,

:27:24.:27:29.

I believe, on BBC Two. Frankly, good effort! If Greg's idea of how you

:27:29.:27:35.

treat a beautiful woman is to squash her flat and pop her into an oven -

:27:35.:27:40.

mixed feelings about that. I enjoyed that film. We didn't see the pan at

:27:40.:27:48.

the end of it. He might have had two mouthfuls and he might have puffed

:27:48.:27:52.

his cheeks out for effect. He has hollow legs! We will have some more

:27:52.:27:56.

live acoustic music now from a guy whose records I like very much. In

:27:56.:28:02.

fact, he did a great session on Radio Two folk show. He is called

:28:02.:28:12.
:28:12.:28:26.

# I'm a fishing girl # The town in which I live

:28:26.:28:29.

# I told my mother My violent brother

:28:29.:28:35.

# That all they give to me is reason to leave

:28:35.:28:41.

# Ooh ooh ooh ooh

:28:41.:28:48.

# Imagine my surprise A pair of ancient eyes

:28:48.:28:54.

# Set into a face as old as land

:28:54.:29:01.

# He stands in front of me He came out of the sea

:29:01.:29:07.

# He says it hurts his skin to touch the sand

:29:07.:29:14.

# He crawls back into the sea

:29:14.:29:17.

# The air is salty and sweet

:29:17.:29:20.

# A backward glance by way of invitation

:29:20.:29:27.

# I'm in now up to my knees

:29:27.:29:30.

# The air is salty and sweet

:29:30.:29:33.

# I'll leave my dress by way of explanation

:29:33.:29:40.

# Ooh ooh ooh ooh

:29:40.:29:49.

# Ooh ooh ooh ooh

:29:49.:29:53.

# My man don't care for clothes The things he does not own

:29:53.:29:59.

# They never trouble him Never give him grief

:29:59.:30:06.

# Cos he's as soft as silk As pure as baby milk

:30:06.:30:12.

# And harder than earth that he scorns

:30:12.:30:19.

# He crawls back into the sea

:30:19.:30:22.

# The air is salty and sweet

:30:22.:30:25.

# A backward glance by way of invitation

:30:25.:30:32.

# The air is salty and sweet

:30:32.:30:38.

# I'm in now up to my knees

:30:38.:30:40.

# The air is salty and sweet

:30:40.:30:42.

# I'll leave my dress by way of explanation

:30:42.:30:46.

# Ooh ooh ooh ooh

:30:46.:30:52.

# Ooh ooh ooh ooh

:30:52.:31:02.
:31:02.:31:16.

CHEERING AND APPLAUSE

:31:16.:31:25.

John

:31:25.:31:25.

John Smith

:31:25.:31:26.

John Smith live

:31:26.:31:31.

have played quite a bhufl sets already, haven't you? Yes.I

:31:31.:31:35.

understand you had a nightmare getting here. What happened? The car

:31:35.:31:40.

exploded on the way here. How long were you waiting? Where were you

:31:40.:31:49.

stuck? About a mile off site.Oh, man, that is a wounder(!) Thank you

:31:49.:31:56.

for getting here. Great to see you. While John was playing that, there

:31:56.:32:02.

were more bursts of fire and angle grinders and sheet metal work coming

:32:02.:32:07.

from over here. We are going to have more music from the other stage now

:32:07.:32:17.
:32:17.:32:30.

from earlier today. These were - # She may contain the urge to run

:32:30.:32:33.

# Citrezene your fever's gripped me again

:32:33.:32:35.

# Never kisses all you ever send are full stops - la la la la

:32:35.:32:38.

# Do you know where the wilds things go?

:32:38.:32:41.

# They go along to take your honey - la la la la

:32:41.:32:49.

# They go along to take your honey - la la la la

:32:49.:32:55.

# Your hand grips hand as my eyes shut

:32:55.:32:57.

# Ahhh ahhh ahhh ah ah

:32:57.:32:59.

# Ahhh ahhh ahhh ah ah

:33:00.:33:04.

# Do you know where the wild things go?

:33:04.:33:07.

# They go along to take your honey - la la la la

:33:07.:33:10.

# Break down lets sleep build up breakfast now

:33:10.:33:13.

# Let's eat my love my love love love - la la la la

:33:13.:33:17.

# She bruises coughs she splutters pistol shots

:33:17.:33:19.

# But hold her down with soggy clothes and breeze blocks

:33:19.:33:23.

# She's morphine queen of my vaccine my love my love love love - la la la la

:33:23.:33:29.

# Muscle to muscle and toe to toe

:33:29.:33:32.

# The fear has gripped me but here I go

:33:32.:33:35.

# My heart sinks as I jump up

:33:35.:33:38.

# Your hand grips hand as my eyes shut

:33:39.:33:44.

# And ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:33:44.:33:50.

# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:33:50.:34:00.

# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:34:00.:34:08.

# She may contain the urge to run away

:34:08.:34:10.

# But hold her down with soggy clothes and breeze blocks

:34:10.:34:13.

# Germaline disinfect the scene my love my love love love

:34:13.:34:20.

# But please don't go I love you so my lovely

:34:20.:34:30.
:34:30.:34:32.

# Please don't go, please don't go, I love you so I love you so

:34:32.:34:35.

# Please don't go, please don't go, I love you so, I love you so

:34:35.:34:42.

# Please break my heart hey

:34:42.:34:44.

# Please don't go, please don't go, I love you so, I love you so

:34:44.:34:51.

# Please don't go, please don't go, I love you so, I love you so

:34:51.:34:54.

# Please break my heart ah ha

:34:54.:34:57.

# Please don't go, I'll eat you whole

:34:57.:35:00.

# I love you so, I love you, so I love you so

:35:00.:35:03.

# Please don't go I'll eat you whole

:35:03.:35:07.

# I love you so, I love you so, I love you so, I love you so. #

:35:07.:35:15.

# I love you so, I love you so, I love you so, I love you so. #

:35:15.:35:25.
:35:25.:35:26.

# Please don't go I'll eat you whole

:35:26.:35:28.

# I love you so, I love you so, I love you so, I love you so. #

:35:28.:35:34.

# I love you so, I love you so, I love you so, I love you so. #

:35:34.:35:37.

# Please don't go I'll eat you whole

:35:37.:35:40.

# I love you so, I love you so, I love you so, I love you so. #

:35:40.:35:44.

# Please don't go I'll eat you whole

:35:44.:35:46.

# I love you so, I love you so, I love you so, I love you so. #

:35:46.:35:50.

# I love you so, I love you so, I love you so, I love you so. #

:35:50.:35:53.

CHEERING AND APPLAUSE

:35:53.:36:01.

Thank

:36:01.:36:02.

Thank you!

:36:02.:36:03.

Thank you! It

:36:03.:36:11.

band when the crowd sings the words? It must be joyous. Also when their

:36:11.:36:19.

symbol matches the one of the Festival, that is ideal. Very nifty!

:36:19.:36:25.

It is late at night here at Glastonbury 2013. We are live. We

:36:25.:36:33.

are adaptable. Now, without much rehearsal, we have turned this way!

:36:33.:36:39.

I was walking past the West Holts Stage earlier on and there was a

:36:39.:36:45.

band called Goat. I love them. They are brilliant. If you like this, you

:36:45.:36:55.
:36:55.:36:55.

Apology for the loss of subtitles for 110 seconds

:36:55.:41:02.

must look up their album. They are with their music. Love them. The

:41:02.:41:11.

second drum drummer, was he a bit too scary? The one with the skulls,

:41:11.:41:17.

we will keep off him! I feel underdressed now. You know, I don't

:41:17.:41:21.

want to be prescriptive, but if you don't like that music, we can't be

:41:21.:41:26.

friends! I don't know what was going on. They are from a small village in

:41:26.:41:36.

Sweden. There you go. I tell you what, Tom from The Horrors has done

:41:36.:41:42.

a great remix of their single. Funnily enough, he shared a stage

:41:42.:41:49.

with the artist we are about to see. It was all nicely done, that. We are

:41:49.:41:59.
:41:59.:42:00.

Apology for the loss of subtitles for 110 seconds

:42:00.:42:58.

standing up for this link. It is # Seen enough to eye you

:42:58.:43:03.

# But I've seen to much to try you # It's always weirdness while you

:43:03.:43:08.

# Dig it much too much to fry you # The weirdness flows between us

:43:08.:43:17.

# Anyone can tell to see us # Freak scene can just can't believe

:43:17.:43:24.

# Why can't it just be cool and free # Seen enough to eye you

:43:24.:43:30.

# But I've seen too much to try you # It's always weirdness while you

:43:30.:43:34.

# Dig it much too much to fry you # The weirdness flows between us

:43:35.:43:44.
:43:45.:43:45.

# Anyone can tell to see us # freak scene just can't believe us

:43:45.:43:53.

# Why can't it just be cool and leave us?

:43:53.:44:03.
:44:03.:44:03.

Apology for the loss of subtitles for 110 seconds

:44:03.:45:24.

I do like to see a grown man with long pink hair. Tomorrow, we have

:45:24.:45:32.

pink hair! We can make that dream a reality. Yeah. We are sort of

:45:32.:45:37.

huddling together for warmth here. We are in our new home. We have

:45:37.:45:43.

moved. We used to be behind the Pyramid Stage. This year, we are at

:45:43.:45:49.

the Park, up the hill, overlooking Worthy Farm. Actually... There is a

:45:49.:45:54.

giant fish up there! There is a huge fish. It is better to concentrate on

:45:54.:46:00.

things you can see. There is also a cow with a feather headdress. Let's

:46:00.:46:04.

enjoy some more of the wonderful music from the Park Stage tonight.

:46:04.:46:14.
:46:14.:46:52.

# You thought you'd set the bar # We just lit the fire

:46:52.:46:56.

# You gave it all you got and what you've got is not a lot

:46:56.:46:59.

# Why don't you hand it over? Time is up, you've had your shot

:46:59.:47:03.

# Gather once again Disasters in the end

:47:03.:47:06.

# It's like a default

:47:06.:47:12.

# You thought you'd made the grade All you made will start to fade

:47:12.:47:14.

# We threw it in the fire It's better that it not remain

:47:14.:47:18.

# You just brought together Didn't seem to have the heart

:47:18.:47:22.

# Wheels are coming off now Knew that it would fall apart

:47:22.:47:26.

# Take one for the team You're a cog in the machine

:47:26.:47:29.

# It's like a default

:47:29.:47:39.
:47:39.:47:40.

# It's like a default

:47:40.:47:44.

# It's like a default

:47:44.:47:54.
:47:54.:48:16.

# You thought you'd set the bar # We just lit the fire

:48:16.:48:17.

# You gave it all you got and what you've got is not a lot

:48:17.:48:19.

# Why don't you hand it over? Time is up, you've had your shot

:48:19.:48:20.

# Gather once again Disasters in the end

:48:21.:48:22.

# It's like a default

:48:22.:48:30.

# It's like a default

:48:30.:48:33.

# It's like a default

:48:33.:48:43.
:48:43.:48:52.

# You've missed the starting gun # You took part in the race

:48:52.:48:53.

# You thought you'd set the bar I'd never tried to work it out

:48:54.:49:03.
:49:04.:49:10.

I

:49:11.:49:11.

I would

:49:11.:49:12.

I would like

:49:12.:49:21.

Django Django. On the drums, from Dundee in Scotland, it is Dave

:49:21.:49:30.

McLean. APPLAUSE On the bass, from Leeds in England, it is Jimmy Dixon.

:49:30.:49:40.
:49:40.:49:40.

Apology for the loss of subtitles for 110 seconds

:49:40.:50:36.

I'm your host tonight, all the way # It's like a default

:50:36.:50:46.
:50:46.:50:46.

Apology for the loss of subtitles for 110 seconds

:50:46.:51:26.

# You thought you'd set the bar playing a track from their debut

:51:27.:51:32.

album. How nice to see a band with consent on shirtage! They have a

:51:32.:51:38.

strong shirt policy. It is working. It is never confusing. Now, listen,

:51:38.:51:43.

we will be back with you from 4.00pm tomorrow afternoon when we will have

:51:43.:51:52.

some Elvis Costello. Yes.Laura Mvula. Ben Howard. Yeah, you are

:51:52.:52:00.

better at lists! Yeah. Lauren and Greg. Thanks for watching tonight.

:52:00.:52:05.

Thank you very much. We will leave you with a gentleman whose spirit I

:52:05.:52:15.
:52:15.:52:53.

enjoyed earlier. This is Dizzee I wake up every day

:52:53.:52:58.

Everything in my life I act real shallow

:52:58.:53:01.

A heavy bass line is my kind of silence

:53:01.:53:03.

Everybody says I got to get a grip But I let sanity give me the slip

:53:03.:53:07.

Some people think I'm bonkers But I just think I'm free

:53:07.:53:11.

Man, I'm just living my life There's nothing crazy about me

:53:11.:53:15.

Some people pay for thrills but I get mine for free

:53:15.:53:19.

Man, I'm just living my life There's nothing crazy about me

:53:19.:53:29.
:53:29.:53:40.

Bonkers

:53:40.:53:50.
:53:50.:53:58.

I wake up every day It's a daydream

:53:58.:53:59.

Everything in my life ain't what it seems

:53:59.:54:00.

I wake up, just to go back to sleep

:54:00.:54:01.

I act real shallow but I'm in too deep

:54:01.:54:02.

And all I care about is sex and violence

:54:02.:54:03.

A heavy bass line is my kind of silence

:54:04.:54:05.

Everybody says I got to get a grip But I let sanity give me the slip

:54:05.:54:08.

Some people think I'm bonkers But I just think I'm free

:54:09.:54:12.

Man, I'm just living my life There's nothing crazy about me

:54:12.:54:16.

Some people pay for thrills but I get mine for free

:54:16.:54:20.

Man, I'm just living my life There's nothing crazy about me

:54:20.:54:30.
:54:30.:54:32.

Some people pay for thrills but I get mine for free

:54:32.:54:33.

Man, I'm just living my life There's nothing crazy about me

:54:33.:54:38.

Some people pay for thrills but I get mine for free

:54:38.:54:39.

Man, I'm just living my life There's nothing crazy about me

:54:39.:54:49.
:54:49.:55:14.

I wake up every day It's a daydream

:55:14.:55:15.

Everything in my life ain't what it seems

:55:15.:55:16.

I wake up, just to go back to sleep

:55:16.:55:17.

I act real shallow but I'm in too deep

:55:17.:55:18.

And all I care about is sex and violence

:55:18.:55:19.

A heavy bass line is my kind of silence

:55:19.:55:20.

Everybody says I got to get a grip But I let sanity give me the slip

:55:20.:55:25.

Some people think I'm bonkers But I just think I'm free

:55:25.:55:29.

Man, I'm just living my life There's nothing crazy about me

:55:29.:55:33.

Some people pay for thrills but I get mine for free

:55:33.:55:36.

Man, I'm just living my life There's nothing crazy about me

:55:36.:55:46.
:55:46.:55:47.

Some people pay for thrills but I get mine for free

:55:47.:55:48.

Man, I'm just living my life There's nothing crazy about me

:55:48.:55:50.

Some people pay for thrills but I get mine for free

:55:50.:55:52.

Man, I'm just living my life There's nothing crazy about me

:55:52.:55:58.

Bounce, bounce, bounce

:55:58.:56:00.

Come on, come on

:56:01.:56:03.

Bounce, bounce, bounce

:56:03.:56:06.

Come on, come on

:56:06.:56:09.

Bounce, bounce, bounce

:56:09.:56:12.

Bonkers

:56:12.:56:20.

Come on, come on

:56:21.:56:28.

# Let's go fucking bonkers

:56:28.:56:31.

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