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This programme contains and scenes of | :00:14. | :00:24. | |
:00:24. | :00:36. | ||
Stage in 2007. Now, they return in 2013 as Glastonbury veterans, older, | :00:36. | :00:46. | |
:00:46. | :00:50. | ||
wiser and to finish what they began. Here is their journey so far. | :00:50. | :00:55. | |
Arctic Monkeys. ... A band from Sheffield are set to have the | :00:55. | :01:01. | |
fastest-selling debut album since chart records began. After an | :01:01. | :01:05. | |
impressive 2005, the Arctic Monkeys' rise to fame continued as the band | :01:05. | :01:11. | |
began to take the world by storm. You meet people and they go, "Are | :01:12. | :01:18. | |
you enjoying it?" No, it is shit! string of music awards followed, | :01:18. | :01:25. | |
including a hat-trick of NME, a BRIT and a Mercury Music Prize. | :01:25. | :01:33. | |
winner is Arctic Monkeys. Somebody call 999! In 2007, album two topped | :01:33. | :01:39. | |
the charts and Arctic Monkeys made headlines again. The band, the | :01:39. | :01:44. | |
Arctic Monkeys, have made music history. Later that year, the band | :01:44. | :01:48. | |
played their first Glastonbury. Their set featured a tribute to Dame | :01:48. | :01:55. | |
Shirley Bassey. # Diamonds are forever. | :01:56. | :02:01. | |
# Hold one up... # Arctic Monkeys returned in 2009 with | :02:01. | :02:06. | |
slick new haircuts and a slicker number one album. | :02:06. | :02:10. | |
# The next time I caught my own reflection... # | :02:10. | :02:18. | |
It is brilliant. They tell life as it is! The summer of 2011 saw the | :02:18. | :02:28. | |
:02:28. | :02:31. | ||
group return to Sheffield for a homecoming gig. And knocking Lady | :02:31. | :02:41. | |
:02:41. | :02:43. | ||
Gaga from pole position to cement their place in chart history. The | :02:43. | :02:46. | |
lads embarked on a tour across the USA but continued to make British | :02:46. | :02:54. | |
music history when they came together to perform at last year's | :02:54. | :03:02. | |
Olympics Opening Ceremony. As the band flew back to LA, fans were left | :03:02. | :03:06. | |
anticipating the Arctic Monkeys' next move, soon to be revealed on | :03:06. | :03:11. | |
Twitter. With the promise of a fifth album, their Glastonbury set might | :03:11. | :03:14. | |
just premiere some brand-new material. And maybe some fancy new | :03:14. | :03:18. | |
haircuts. You will have to wait and see. Returning to the Pyramid Stage, | :03:18. | :03:28. | |
:03:28. | :03:28. | ||
Apology for the loss of subtitles for 110 seconds | :03:28. | :05:19. | |
they are Arctic Monkeys and you # Have you got colour | :05:19. | :05:23. | |
# That sticks around like something in your teeth? | :05:23. | :05:25. | |
# Are there some aces up your sleeve? | :05:25. | :05:26. | |
# Have you no idea that you're in deep? | :05:27. | :05:29. | |
# I dreamt about you nearly every night this week | :05:29. | :05:32. | |
# How many secrets can you keep? | :05:32. | :05:36. | |
# Cos there's this tune I've found that makes me think of you somehow | :05:36. | :05:41. | |
# And I play it on repeat until I fall asleep | :05:41. | :05:47. | |
# Spilling drinks on my settee | :05:47. | :05:52. | |
# Do I wanna know? If this feeling flows both ways | :05:52. | :05:57. | |
# Sad to see you go Sorta hoping that you'd stay | :05:57. | :06:02. | |
# Baby we both know That the nights were mainly made for | :06:02. | :06:08. | |
# Saying things that you can't say tomorrow day | :06:08. | :06:13. | |
# Crawling back to you | :06:13. | :06:16. | |
# Ever thought of calling when you've had a few? | :06:16. | :06:21. | |
# Cos I always do | :06:21. | :06:24. | |
# Maybe I'm too busy being yours to fall for somebody new | :06:24. | :06:32. | |
# Now I've thought it through Crawling back to you | :06:32. | :06:37. | |
# So have you got the guts? | :06:37. | :06:41. | |
# Been wondering if your heart's still open | :06:41. | :06:45. | |
# And if so I wanna know what time it shuts | :06:45. | :06:49. | |
# Simmer down and pucker up I'm sorry to interrupt | :06:49. | :06:54. | |
# It's just I'm constantly on the cusp of trying to kiss you | :06:54. | :07:02. | |
# But I dunno if you feel the same as I do | :07:02. | :07:10. | |
# But we could be together if you wanted to | :07:10. | :07:19. | |
# Do I wanna know? If this feeling flows both ways | :07:19. | :07:24. | |
# Sad to see you go Was sorta hoping that you'd stay | :07:24. | :07:30. | |
# Baby, we both know | :07:30. | :07:32. | |
# That the nights were mainly made for saying | :07:32. | :07:35. | |
# Things that you can't say tomorrow day | :07:35. | :07:39. | |
# Crawling back to you | :07:39. | :07:44. | |
# Crawling back to you | :07:44. | :07:46. | |
# Ever thought of calling when you've had a few? | :07:46. | :07:49. | |
# Cos I always do | :07:49. | :07:51. | |
# Maybe I'm too busy being yours to fall for somebody new | :07:51. | :07:58. | |
# Now I've thought it through | :07:58. | :08:00. | |
# Crawling back to you | :08:00. | :08:04. | |
# Do I wanna know? If this feeling flows both ways | :08:04. | :08:09. | |
# Sad to see you go Was sorta hoping that you'd stay | :08:09. | :08:12. | |
# Baby we both know That the nights were mainly | :08:12. | :08:16. | |
# Made for saying things that you can't say tomorrow day | :08:16. | :08:23. | |
# Do I wanna know? Too busy being yours to fall | :08:23. | :08:27. | |
# Sad to see you go Ever thought of calling, darling? | :08:27. | :08:34. | |
# Do I wanna know? | :08:34. | :08:37. | |
# Do you want me crawling back to you? # | :08:37. | :08:47. | |
:08:47. | :08:57. | ||
APPLAUSE AND CHEERING | :08:57. | :09:07. | |
:09:07. | :09:07. | ||
Apology for the loss of subtitles for 110 seconds | :09:07. | :09:48. | |
# Brian Top marks for not trying | :09:48. | :09:50. | |
# So kind of you To bless us with your effortlessness | :09:50. | :09:51. | |
# We're grateful And so strangely comforted | :09:51. | :09:53. | |
# And I wonder | :09:53. | :09:55. | |
# Are you playing us under? | :09:55. | :09:58. | |
# Because we can't take our eyes Off your T-shirt and tie combination | :09:58. | :10:04. | |
# Well, see you later, elevator | :10:04. | :10:14. | |
:10:14. | :10:17. | ||
# Someone to kiss Someone to kick you | :10:17. | :10:19. | |
# There's not a net You couldn't slip through | :10:19. | :10:22. | |
# Well, at least That's the impression I get | :10:22. | :10:25. | |
# Because you're smooth And you're wet | :10:25. | :10:26. | |
# And she's not aware yet But she's yours | :10:26. | :10:28. | |
# She'll be saying, use me | :10:29. | :10:31. | |
# Show me the Jacuzzi | :10:31. | :10:34. | |
# I imagine that It's there on a plate | :10:34. | :10:37. | |
# You're a wrong liberate Means you'll never be frightened | :10:37. | :10:40. | |
# To make them wait for a while I doubt it's your style | :10:40. | :10:45. | |
# Not to get | :10:45. | :10:47. | |
# What you set out to | :10:47. | :10:48. | |
# Acquire The eyes are on fire | :10:48. | :10:51. | |
# You are the unforecasted storm | :10:51. | :11:01. | |
:11:01. | :11:18. | ||
# Calm, collected and commanding You leave the other story standing | :11:18. | :11:23. | |
# With your ignitions and jokes Bet there's hundreds of blokes | :11:23. | :11:27. | |
# That have wept cos you've Stolen their... | :11:27. | :11:30. | |
# Thunder | :11:31. | :11:33. | |
# Are you putting us under? | :11:33. | :11:36. | |
# Cos we can't take our eyes Off your T-shirt and tie combination | :11:36. | :11:41. | |
# Well, see you later, elevator. # | :11:41. | :11:44. | |
CHEERING AND APPLAUSE | :11:44. | :11:54. | |
:11:54. | :12:18. | ||
How | :12:18. | :12:20. | |
How you | :12:20. | :12:20. | |
How you feeling, | :12:20. | :12:27. | |
good? Are you feeling good? CROWD: Yes! | :12:27. | :12:33. | |
That's what I thought. Are you in a party mood, everybody? It's Friday | :12:33. | :12:43. | |
:12:43. | :13:02. | ||
night! Do you feel like you all want # For you to say the first word | :13:02. | :13:12. | |
:13:12. | :13:13. | ||
(BOTH) # Well don't you always | :13:13. | :13:23. | |
:13:23. | :13:39. | ||
# It's what you're there for # Instead you'll just do the same | :13:39. | :13:49. | |
:13:49. | :13:51. | ||
(BOTH) # The only reason (BOTH) # Well don't you always | :13:51. | :14:01. | |
:14:01. | :14:20. | ||
# Get on your dancing shoes You sexy little swine | :14:20. | :14:26. | |
# Hoping they're looking for you | :14:26. | :14:29. | |
# Sure you'll be rummaging through | :14:29. | :14:34. | |
# Oh and the ... shock, horror | :14:34. | :14:36. | |
# You've seen your future bride, yeah | :14:36. | :14:39. | |
# But it's so so absurd | :14:39. | :14:42. | |
# For you to say the first word | :14:42. | :14:44. | |
# So you're waiting and waiting, and. # | :14:44. | :14:52. | |
CHEERING AND APPLAUSE | :14:52. | :15:00. | |
CHEERING AND APPLAUSE Thank | :15:00. | :15:00. | |
CHEERING AND APPLAUSE Thank you | :15:00. | :15:10. | |
:15:10. | :15:10. | ||
Apology for the loss of subtitles for 110 seconds | :15:10. | :15:56. | |
# Go into business # But just don't sit down | :15:56. | :16:06. | |
:16:06. | :16:39. | ||
# But just don't sit down # Fill in a circular hole | :16:39. | :16:49. | |
:16:49. | :17:26. | ||
# But just don't sit down # Do the Macarena | :17:26. | :17:36. | |
:17:36. | :17:36. | ||
Apology for the loss of subtitles for 110 seconds | :17:36. | :18:51. | |
# But just don't sit down CROWD: We love you Arctics, we do! | :18:51. | :18:56. | |
We are going to play some new shit, we are going to play old shit and | :18:56. | :19:00. | |
things which are Glastonbury special, you know what I'm saying? | :19:00. | :19:07. | |
We are going to play all night long, does that sound good? | :19:07. | :19:17. | |
:19:17. | :19:29. | ||
CROWD: Yeah! # Despair to the point | :19:29. | :19:35. | |
# The sheer desperation to be seen | :19:35. | :19:38. | |
# Staring at the television screen | :19:38. | :19:41. | |
# Despair to the point where they provoke you | :19:41. | :19:44. | |
# To tell the ... punch line before you have told the joke | :19:44. | :19:48. | |
# Sorry, sunshine, it doesn't exist It wasn't in the top 100 list | :19:48. | :19:53. | |
# And it's the thousandth time and it's even bolder | :19:53. | :19:56. | |
# Don't be surprised when you get bent over | :19:57. | :20:00. | |
# He told ya that you were gagging for it | :20:00. | :20:06. | |
# She saw it and she grabbed it and it wasn't what it seemed | :20:06. | :20:09. | |
# The kids all dream of making it whatever that means | :20:09. | :20:12. | |
# Another variation on a theme | :20:12. | :20:14. | |
# A tangle on the television and the magazine | :20:14. | :20:18. | |
# D'you reckon that they do it for a joke? | :20:18. | :20:20. | |
# D'you reckon that they make 'em take an oath? | :20:20. | :20:23. | |
# That says we are defenders | :20:23. | :20:27. | |
# Of any poseur or professional pretender around | :20:27. | :20:35. | |
# When did your list replace the twist and turn? | :20:35. | :20:39. | |
# Like the fist replaced the kissed-on concern | :20:39. | :20:43. | |
# And if you're bothered I don't want your prayers | :20:43. | :20:47. | |
# Save it for the morning after | :20:47. | :20:57. | |
:20:57. | :21:13. | ||
# And it's the thousandth time and it's even bolder | :21:13. | :21:16. | |
# Don't be surprised when you get bent over | :21:16. | :21:19. | |
# He told ya that you were dying for it | :21:19. | :21:25. | |
# Let's have a game on the Teddy Picker | :21:25. | :21:26. | |
# Not quick enough Can I have it quicker? | :21:26. | :21:28. | |
# Already thick and you're getting thicker | :21:28. | :21:31. | |
# Let's have a game on the Teddy Picker | :21:31. | :21:32. | |
# Not quick enough Can I have it quicker? | :21:32. | :21:34. | |
# Already thick and you're getting thicker | :21:34. | :21:36. | |
# Assuming that all things are equal | :21:36. | :21:40. | |
# Who'd want to be men of the people | :21:40. | :21:44. | |
# When there's people like you? | :21:44. | :21:52. | |
# You. # | :21:52. | :22:02. | |
:22:02. | :22:36. | ||
:22:36. | :22:40. | ||
# Outside the cafe by the cracker factory | :22:40. | :22:41. | |
# You were practising a magic trick | :22:41. | :22:43. | |
# And my thoughts got rude As you talked and chewed | :22:43. | :22:44. | |
# On the last of your pick 'n' mix | :22:44. | :22:45. | |
# Said you're mistaken if you're thinking that I had been cold before | :22:45. | :22:46. | |
# As you bit into your strawberry lace | :22:46. | :22:47. | |
# And then a flip in your attention in the form of a gobstopper | :22:48. | :22:49. | |
# Is all you have left and all was going to waste | :22:49. | :22:50. | |
# Your past times | :22:50. | :22:51. | |
# Consisted of the strange And twisted and deranged | :22:51. | :22:52. | |
# And I love that little game you had called | :22:53. | :22:54. | |
# Crying Lightning | :22:54. | :22:56. | |
# And how you like to aggravate the ice cream man on rainy afternoons | :22:56. | :23:00. | |
# The next time that I caught my own reflection | :23:00. | :23:08. | |
# The next time that I caught my own reflection | :23:08. | :23:10. | |
# It was on its way to meet you Thinking of excuses to postpone | :23:11. | :23:16. | |
# You never looked like yourself from the side | :23:16. | :23:18. | |
# But your profile could not hide | :23:18. | :23:20. | |
# The fact you knew I was approaching your throne | :23:21. | :23:25. | |
# With folded arms you occupy the bench like toothache | :23:25. | :23:29. | |
# Stood and puffed your chest out like you never lost a war | :23:29. | :23:33. | |
# And though I tried so not to suffer the indignity of a reaction | :23:33. | :23:38. | |
# There was no cracks to grasp or gaps to claw | :23:38. | :23:42. | |
# And your past times | :23:42. | :23:44. | |
# Consisted of the strange And twisted and deranged | :23:45. | :23:49. | |
# And I hate that little game you had called | :23:49. | :23:51. | |
# Crying Lightning | :23:52. | :23:55. | |
# And how you like to aggravate the icky man on rainy afternoons | :23:55. | :24:01. | |
# Uninviting | :24:01. | :24:04. | |
# But not half as impossible as everyone assumes | :24:04. | :24:08. | |
# You are Crying Lightning | :24:08. | :24:18. | |
:24:18. | :24:42. | ||
# Your past times | :24:42. | :24:43. | |
# Consisted of the strange And twisted and deranged | :24:43. | :24:47. | |
# And I hate that little game you had called | :24:47. | :24:50. | |
# Crying Lightning | :24:50. | :24:55. | |
# Crying Lightning | :24:55. | :24:59. | |
# Crying Lightning | :24:59. | :25:09. | |
:25:09. | :25:13. | ||
# Consisted of the strange # And I hate that little game | :25:13. | :25:23. | |
:25:23. | :25:51. | ||
the Arctic Monkeys. CHEERING | :25:51. | :25:59. | |
My name is Alex. I would like to introduce to you the rest of the | :25:59. | :26:03. | |
band over the course of the evening. I like to start with this young man | :26:04. | :26:08. | |
over here on the drum kit, everybody. | :26:08. | :26:13. | |
CHEERING His name is Matthew. If you like | :26:13. | :26:23. | |
:26:23. | :26:23. | ||
him, why don't you tell him you like him? | :26:23. | :26:26. | |
CHEERING You want to think yourselves very | :26:26. | :26:31. | |
lucky because n only is he going to play the drums, he is going to sing | :26:31. | :26:41. | |
:26:41. | :26:41. | ||
Apology for the loss of subtitles for 110 seconds | :26:41. | :29:10. | |
# I want a brick by brick # I want a brick by brick | :29:10. | :29:20. | |
:29:20. | :29:20. | ||
Apology for the loss of subtitles for 110 seconds | :29:20. | :30:33. | |
# I want a brick by brick # Fake tales of San Francisco | :30:33. | :30:37. | |
# Echo through the room # More point to a wedding disco | :30:37. | :30:42. | |
# Without a bride or groom # There's a super cool band yeah | :30:42. | :30:46. | |
# With their trilbies and their glasses of white wine | :30:46. | :30:51. | |
# And all the weekend rock stars in the toilets | :30:51. | :30:53. | |
# Practising their lines # I don't want to hear you | :30:53. | :30:57. | |
# Kick me out, kick me out # I don't want to hear you no | :30:58. | :31:02. | |
# Kick me out, kick me out # I don't want to hear you no | :31:02. | :31:04. | |
# Fake tales of San Francisco # Echo through the air | :31:04. | :31:07. | |
# And there's a few bored faces in the back | :31:07. | :31:12. | |
# All wishing they weren't there # And auz the microphone squeaks | :31:12. | :31:17. | |
# A young girl's telephone beeps # Yeah she's dashing for the exit | :31:17. | :31:20. | |
# Oh, she's running to the streets outside | :31:20. | :31:30. | |
:31:30. | :31:33. | ||
# Oh, you've saved me # She screams down the line # | :31:33. | :31:38. | |
The band were fucking wank # And I'm not having a nice time | :31:38. | :31:42. | |
# I don't want to hear you # Kick me out, kick me out | :31:42. | :31:49. | |
# I don't want to hear you no # Kick me out, kick me out | :31:49. | :31:52. | |
# Yeah, but his bird thinks it's amazing, though, | :31:52. | :31:56. | |
# So all that's left # Is the proof that love's not only | :31:57. | :32:00. | |
blind but deaf # He talks of San Francisco, he's | :32:00. | :32:04. | |
from Hunter's Bar # I don't quite know the distance | :32:04. | :32:14. | |
:32:14. | :32:15. | ||
# But I'm sure that's far, # Yeah, I'm sure that's pretty far | :32:15. | :32:18. | |
# Yeah, I'd love to tell you all my problem | :32:18. | :32:21. | |
# You're not from New York City, you're from Rotherham | :32:21. | :32:30. | |
# So get off the bandwagon and put down the handbook | :32:30. | :32:34. | |
# Yeah, yeah, yeah, yeah, yeah # Get off the bandwagon and put down | :32:34. | :32:38. | |
the handbook # Get off the bandwagon and put down | :32:38. | :32:48. | |
:32:48. | :32:48. | ||
Apology for the loss of subtitles for 110 seconds | :32:48. | :34:54. | |
# She's thunderstorms # Lying on her front | :34:54. | :34:59. | |
# Up against the wall # She's thunderstorms | :34:59. | :35:03. | |
# I've been feeling foolish # You should try it | :35:03. | :35:08. | |
# She came and substituted # The peace and quiet for | :35:08. | :35:18. | |
:35:18. | :35:37. | ||
# She's been loop-the-looping # Her motorcycle boots | :35:37. | :35:44. | |
# Of acrobatic blood Concertina | :35:44. | :35:53. | |
# Cheating heartbeat Rapid fire | :35:53. | :36:03. | |
:36:03. | :36:03. | ||
# She's thunderstorms Lying on her front | :36:03. | :36:11. | |
# Up against the wall She's thunderstorms | :36:12. | :36:19. | |
# In an unusual place When you're feeling far away | :36:19. | :36:28. | |
# She does what the night does to the day | :36:28. | :36:38. | |
:36:38. | :36:52. | ||
# She's thunderstorms Lying on her front | :36:52. | :37:00. | |
# Up against the wall She's thunderstorms | :37:00. | :37:10. | |
:37:10. | :37:12. | ||
# Thunderstorms, thunderstorms. # | :37:12. | :37:22. | |
:37:22. | :37:22. | ||
Apology for the loss of subtitles for 110 seconds | :37:22. | :38:18. | |
# Old yellow bricks, love's a risk Quite the little escapologist | :38:18. | :38:19. | |
# Love's so miffed when you wish | :38:19. | :38:20. | |
# For a thousand places better than this | :38:20. | :38:21. | |
# You are the fugitive but you don't know what you're running from | :38:21. | :38:23. | |
# You can't kid us and you couldn't trick anyone | :38:23. | :38:24. | |
# Houdini, love, you don't know what you're running away from | :38:24. | :38:26. | |
# Who wants to sleep in a city that never wakes up? | :38:26. | :38:31. | |
# She was enraged by the way | :38:31. | :38:33. | |
# That the emperor put traps in the cage | :38:33. | :38:35. | |
# And the days, she deemed dull | :38:35. | :38:39. | |
# Leading to nights reading beer bottles | :38:39. | :38:42. | |
# You're such a fugitive but you don't know what you're running from | :38:42. | :38:46. | |
# You can't kid us and you couldn't trick anyone | :38:46. | :38:50. | |
# Houdini, love, you don't know what you're running away from | :38:50. | :38:56. | |
# Who wants to sleep in a city that never wakes up? | :38:56. | :39:00. | |
# Blinded by nostalgia | :39:00. | :39:03. | |
# Who wants to sleep in a city that never wakes up? | :39:03. | :39:13. | |
:39:13. | :39:33. | ||
# You're at a loss just because | :39:33. | :39:37. | |
# It wasn't all that you thought it was | :39:37. | :39:40. | |
# You are the fugitive but you don't know what you're running away from | :39:40. | :39:47. | |
# She said, "I want to sleep in a city that never wakes up | :39:47. | :39:51. | |
# "And revel in nostalgia" "I know," I said | :39:51. | :39:54. | |
# "He wants to sleep in a city that never wakes up | :39:54. | :40:00. | |
# "But Dorothy was right, though". # | :40:00. | :40:10. | |
:40:10. | :40:32. | ||
APPLAUSE AND CHEERING | :40:32. | :40:42. | |
:40:42. | :40:54. | ||
Thank | :40:54. | :40:54. | |
Thank you | :40:54. | :40:54. | |
Thank you very | :40:55. | :41:04. | |
:41:05. | :41:10. | ||
CROWD: Yeah! Are you having a good time at the | :41:10. | :41:20. | |
:41:20. | :41:33. | ||
moon music, everybody. I want you to -- I want to introduce you the white | :41:33. | :41:43. | |
:41:43. | :41:50. | ||
# The tramp with the trampoline # So spark is a charm | :41:50. | :41:53. | |
# And the bicycle wheels all struggle to move round | :41:53. | :41:54. | |
# In your muddy mind | :41:54. | :41:55. | |
# Blatantly cape town | :41:55. | :41:56. | |
# And will intertwine in co-operative time | :41:56. | :41:57. | |
# Shall we sit on the springs till the mung goes dry? | :41:57. | :41:59. | |
# All the pretty visitors came and waved their arms | :41:59. | :42:09. | |
:42:09. | :42:10. | ||
# All the pretty visitors came and waved their arms | :42:10. | :42:15. | |
# And cast the shadow of a snake pit on the wall | :42:15. | :42:21. | |
# All the pretty visitors came and waved their arms | :42:21. | :42:27. | |
# And cast the shadow of a snake pit on the... | :42:27. | :42:35. | |
# What came first the chicken or the dickhead? | :42:35. | :42:36. | |
# Split sleep reaps through rewards and ill-fitting thoughts | :42:36. | :42:38. | |
# A twilight force She doesn't wanna walk | :42:38. | :42:40. | |
# Your legs start running and your head gets caught | :42:40. | :42:41. | |
# Cannot be 19 | :42:41. | :42:43. | |
# It's perfectly placed for the reasonably frightening | :42:43. | :42:44. | |
# Pulled from the after taste You'll have to s lip away | :42:45. | :42:46. | |
# And I'm happy to say | :42:46. | :42:48. | |
# Behold as the crook in a hammock plays... | :42:48. | :42:51. | |
# All the pretty visitors came and waved their arms | :42:51. | :42:56. | |
# And cast the shadow of a snake pit on the wall | :42:56. | :43:03. | |
# All the pretty visitors came and waved their arms | :43:03. | :43:08. | |
# And cast the shadow of a snake pit on the wall... | :43:08. | :43:18. | |
:43:18. | :43:18. | ||
Apology for the loss of subtitles for 110 seconds | :43:18. | :44:00. | |
# Behold as the crook in the hammock plays | :44:00. | :44:02. | |
# Crawling with the base of the scales | :44:02. | :44:04. | |
# And fiddles with the feet on a balancing act | :44:04. | :44:06. | |
# Gagged, bound and craft in a tale | :44:06. | :44:08. | |
# Trailing wrapped in a gasp | :44:08. | :44:11. | |
# Crawling with the base of the scales | :44:11. | :44:12. | |
# And ... fiddles with the feet on a balancing act | :44:12. | :44:14. | |
# You were gagged Bound and craft in a tale | :44:14. | :44:16. | |
# Trailing wrapped in a gasp | :44:16. | :44:21. | |
# All the pretty visitors came and waved their arms | :44:21. | :44:26. | |
# And cast the shadow of a snake pit on the wall | :44:26. | :44:33. | |
# All the pretty visitors came and waved their arms | :44:33. | :44:38. | |
# And cast the shadow of a snake pit on the wall. # | :44:38. | :44:48. | |
:44:48. | :44:50. | ||
CHEERING AND APPLAUSE | :44:51. | :45:00. | |
:45:01. | :45:32. | ||
Thank | :45:32. | :45:33. | |
Thank you | :45:33. | :45:33. | |
Thank you very | :45:33. | :45:43. | |
:45:43. | :45:43. | ||
those fellas out there that were didn't want to wave their arms. This | :45:43. | :45:53. | |
:45:53. | :46:11. | ||
# Stop making the eyes at me # And what it is that surprises me | :46:11. | :46:15. | |
# And your shoulders are frozen Cold as the night | :46:15. | :46:17. | |
# Oh, but you're an explosion You're dynamite | :46:17. | :46:19. | |
# Your name isn't Rio but I don't care for sand | :46:19. | :46:21. | |
# Lighting the fuse might result in a bang, with a bang - go! | :46:21. | :46:25. | |
# I bet that you look good on the dancefloor | :46:25. | :46:28. | |
# I don't know if you're looking for romance or | :46:28. | :46:30. | |
# I don't know what you're looking for | :46:30. | :46:34. | |
# I said I bet that you look good on the dancefloor | :46:34. | :46:37. | |
# Dancing to electro-pop like a robot from 1984 | :46:37. | :46:39. | |
# From 1984! | :46:39. | :46:44. | |
# From 1984! | :46:44. | :46:52. | |
# I wish you'd stop ignoring me because you're sending me to despair | :46:52. | :46:57. | |
# Without a sound, yeah You're calling me | :46:57. | :46:59. | |
# And I don't think it's very fair | :46:59. | :47:01. | |
# That your shoulders are frozen Cold as the night | :47:01. | :47:03. | |
# Oh, you're an explosion You're dynamite | :47:04. | :47:05. | |
# Your name isn't Rio but I don't care for sand | :47:05. | :47:08. | |
# Lighting the fuse might result in a bang, with a bang - go! | :47:08. | :47:11. | |
# I bet that you look good on the dancefloor | :47:11. | :47:14. | |
# I don't know if you're looking for romance, or | :47:14. | :47:16. | |
# I don't know what you're looking for | :47:16. | :47:20. | |
# I said I bet that you look good on the dancefloor | :47:20. | :47:23. | |
# Dancing to electro-pop like a robot from 1984 | :47:23. | :47:26. | |
# From 1984! | :47:26. | :47:30. | |
# Oh there ain't no love No Montagues or Capulets | :47:30. | :47:36. | |
# Just banging tunes in DJ sets | :47:36. | :47:38. | |
# And dirty dancefloors and dreams of naughtiness | :47:38. | :47:44. | |
# Well, I bet that you look good on the dancefloor | :47:44. | :47:54. | |
:47:54. | :48:03. | ||
# Well, I bet that you look good on the dancefloor | :48:03. | :48:05. | |
# I don't know if you're looking for romance, or | :48:05. | :48:07. | |
# I don't know what you're looking for | :48:07. | :48:11. | |
# I said I bet that you look good on the dancefloor | :48:11. | :48:14. | |
# Dancing to electro-pop like a robot from 1984 | :48:14. | :48:20. | |
# From 1984! # | :48:20. | :48:26. | |
CHEERING AND APPLAUSE | :48:26. | :48:36. | |
:48:36. | :49:06. | ||
Give | :49:06. | :49:06. | |
Give it | :49:06. | :49:06. | |
Give it up | :49:06. | :49:16. | |
:49:16. | :49:16. | ||
Apology for the loss of subtitles for 110 seconds | :49:16. | :50:36. | |
# Do me a favour, break my nose # Do me a favour | :50:36. | :50:46. | |
:50:46. | :50:46. | ||
Apology for the loss of subtitles for 110 seconds | :50:46. | :51:51. | |
# Too heavy to hold # She said, do me a favour | :51:51. | :51:58. | |
# Perhaps... might be too kind | :51:58. | :52:01. | |
# Perhaps ... off might be too kind. # | :52:01. | :52:11. | |
:52:11. | :52:13. | ||
CHEERING AND APPLAUSE | :52:13. | :52:23. | |
:52:23. | :52:59. | ||
Glastonbury, | :52:59. | :53:01. | |
Glastonbury, Glastonbury? | :53:01. | :53:02. | |
CHEERING | :53:02. | :53:02. | |
:53:02. | :53:04. | ||
CHEERING I | :53:04. | :53:04. | |
I love | :53:04. | :53:04. | |
I love you. | :53:04. | :53:13. | |
I love you. Let's | :53:13. | :53:17. | |
I love you. Let's park all that showmanship shit for a moment. I | :53:17. | :53:24. | |
want to tell you I'm yours. The question is, however, are you mine, | :53:24. | :53:34. | |
:53:34. | :53:42. | ||
# Tracy Island, time-travelling # Could have shaped heartaches | :53:42. | :53:43. | |
# In some velvet morning Years too late | :53:43. | :53:44. | |
# She's a silver lining, lone ranger | :53:44. | :53:46. | |
# Riding through an open space in my mind | :53:46. | :53:48. | |
# When she's not right there beside me | :53:48. | :53:49. | |
# I go crazy, cos here isn't where I wanna be | :53:49. | :53:50. | |
# And satisfaction feels like a distant memory | :53:51. | :53:54. | |
# And I can't help myself | :53:54. | :53:57. | |
# All I wanna hear her say is "Are you mine?" | :53:57. | :54:03. | |
# Well, are you mine? Are you mine? Are you mine? | :54:03. | :54:13. | |
:54:13. | :54:21. | ||
# I guess what I'm trying to say is | :54:21. | :54:24. | |
# I need the deep end Keep imagining meeting | :54:24. | :54:26. | |
# Wished away entire lifetimes Unfair we're not somewhere | :54:27. | :54:31. | |
# Misbehaving for days, great escape Lost track of time and space | :54:31. | :54:37. | |
# She's a silver lining Climbing on my desire | :54:37. | :54:40. | |
# And I go crazy cos here isn't where I wanna be | :54:40. | :54:45. | |
# And satisfaction feels like a distant memory | :54:45. | :54:49. | |
# And I can't help myself | :54:49. | :54:51. | |
# All I wanna hear her say is "Are you mine?" | :54:51. | :54:58. | |
# Well, are you mine? Are you mine tomorrow? Are you mine? | :54:58. | :55:05. | |
# Or just mine tonight? Are you mine? Are you mine? | :55:05. | :55:15. | |
:55:15. | :55:18. | ||
# And the thrill of the chase moves in mysterious ways | :55:18. | :55:22. | |
# So in case I'm mistaken I just wanna hear you say | :55:22. | :55:28. | |
# "You got me, baby, are you mine?" | :55:28. | :55:38. | |
:55:38. | :55:40. | ||
# She's a silver lining, lone ranger | :55:40. | :55:43. | |
# Riding through an open space in my mind | :55:43. | :55:47. | |
# When she's not right there beside me | :55:47. | :55:50. | |
# And I go crazy, cos here isn't where I wanna be | :55:50. | :55:53. | |
# And satisfaction feels like a distant memory | :55:53. | :55:57. | |
# And I can't help myself | :55:57. | :56:00. | |
# All I wanna hear her say is "Are you mine?" | :56:00. | :56:04. | |
# Well, are you mine? Are you mine tomorrow? | :56:04. | :56:10. | |
# Are you mine? Or just mine tonight? | :56:10. | :56:15. | |
# Are you mine? Are you mine tomorrow? | :56:15. | :56:20. | |
# Or just mine tonight? # | :56:20. | :56:25. | |
APPLAUSE AND CHEERING | :56:25. | :56:35. | |
:56:35. | :56:58. | ||
# You landed in a very common crisis | :56:58. | :56:59. | |
# Everything's in order | :56:59. | :57:00. | |
# In a black hole, nothing as pretty | :57:00. | :57:02. | |
# As the past though | :57:02. | :57:05. | |
# That Bloody Mary's | :57:05. | :57:06. | |
# Lacking her Tabasco | :57:06. | :57:07. | |
# A slag, the best you ever had | :57:08. | :57:10. | |
# The best you ever had | :57:10. | :57:11. | |
# Is just a memory and those dreams | :57:11. | :57:15. | |
# Not as daft as they seem | :57:15. | :57:18. | |
# Not as daft as they seem | :57:18. | :57:20. | |
# My love when you dream them up | :57:20. | :57:29. | |
# Flicking through a book of sex tips | :57:29. | :57:32. | |
# When boys were all electric | :57:32. | :57:33. | |
# Now when she tells | :57:33. | :57:35. | |
# She's gonna get it | :57:35. | :57:36. | |
# I'm guessing that | :57:36. | :57:37. | |
# She'd rather just forget it | :57:37. | :57:39. | |
# Clinging to not getting sentimental | :57:39. | :57:40. | |
# Said she wasn't going | :57:40. | :57:41. | |
# But she went still | :57:41. | :57:43. | |
# Likes gentlemen not to be gentle | :57:43. | :57:44. | |
# Was it a Mecca Dabber | :57:44. | :57:46. | |
# Or a betting pencil? | :57:46. | :57:48. | |
# Oh the boy's a slag | :57:48. | :57:50. | |
# The best you ever had | :57:50. | :57:51. | |
# The best you ever had | :57:51. | :57:53. | |
# Is just a memory | :57:53. | :57:55. | |
# And those dreams | :57:55. | :57:58. | |
# Not as daft as they seem | :57:58. | :58:00. | |
# Not as daft as they seem | :58:00. | :58:02. | |
# My love when you dream them up | :58:02. | :58:08. | |
# Where did you go? | :58:08. | :58:12. | |
# Where did you go? | :58:12. | :58:17. | |
# Where did you go? | :58:17. | :58:21. | |
# O-oh... | :58:21. | :58:31. | |
:58:31. | :58:33. | ||
# You're falling about | :58:33. | :58:37. | |
# You took a left off | :58:37. | :58:38. | |
# Last Laugh Lane | :58:38. | :58:40. | |
# You were just sounding it out | :58:40. | :58:44. | |
# You're not coming back again | :58:44. | :58:52. | |
# You're falling about | :58:52. | :58:56. | |
# You took a left off Last Laugh Lane | :58:56. | :58:59. | |
# You were just sounding it out But you're not coming back again | :58:59. | :59:09. | |
# You used to get it in your fishnets | :59:09. | :59:11. | |
# Now you only get it In your night dress | :59:11. | :59:15. | |
# Discarded all the naughty nights For niceness | :59:15. | :59:16. | |
# You landed in a very common crisis | :59:16. | :59:18. | |
# All's in order in a black hole Nothing seems as pretty | :59:18. | :59:20. | |
# As the past though | :59:20. | :59:22. | |
# Bloody Mary's lacking her Tabasco | :59:22. | :59:24. | |
# Remember when you used to be | :59:24. | :59:25. | |
# A rascal? # | :59:25. | :59:30. | |
CHEERING AND APPLAUSE | :59:30. | :59:40. | |
:59:40. | :00:06. | ||
Time | :00:06. | :00:06. | |
Time for | :00:06. | :00:06. | |
Time for us | :00:07. | :00:16. | |
:00:17. | :00:16. | ||
you for having us. Thank you for having us. It's been a | :00:17. | :00:21. | |
pleasure. We're going to leave you with this one - like we always used | :00:21. | :00:31. | |
:00:31. | :00:31. | ||
Apology for the loss of subtitles for 110 seconds | :00:31. | :01:41. | |
to in the old days. It's got a # Well, oh, they might wear classic | :01:41. | :01:51. | |
:01:51. | :01:51. | ||
# But all of that's # The point's that | :01:51. | :01:55. | |
# And there's the truth that they can't see | :01:55. | :01:58. | |
# They'd probably like to throw a punch at me | :01:58. | :02:02. | |
# And if you could only see 'em then you would agree | :02:02. | :02:06. | |
# Agree that there ain't no romance around there | :02:06. | :02:10. | |
# You know, oh, it's a funny thing you know? | :02:10. | :02:13. | |
# We'll tell them if you like We'll tell them all tonight | :02:13. | :02:17. | |
# They'll never listen Because their minds are made up | :02:17. | :02:20. | |
# And course it's all OK to carry on that way | :02:21. | :02:25. | |
# Cos over there there's broken bones | :02:25. | :02:29. | |
# There's only music so that there's new ringtones | :02:29. | :02:32. | |
# And it don't take no Sherlock Holmes | :02:32. | :02:36. | |
# To see it's a little different around here | :02:36. | :02:40. | |
# Don't get me wrong though There's boys in bands | :02:40. | :02:43. | |
# And kids who like to scrap with pool cues in their hands | :02:43. | :02:47. | |
# And just cos he's had a couple of cans | :02:47. | :02:50. | |
# He thinks it's alright to act like a ...head | :02:50. | :02:54. | |
# Don't you know, oh it's a funny thing, you know? | :02:54. | :02:58. | |
# We'll tell them if you like We'll tell them all tonight | :02:58. | :03:01. | |
# They'll never listen Because their minds are made up | :03:01. | :03:05. | |
# And course it's all OK to carry on that way | :03:05. | :03:09. | |
# But I said no, oh no Well, you won't get me to go | :03:09. | :03:16. | |
# Not anywhere, not anywhere No, I won't go, oh no, no | :03:16. | :03:26. | |
:03:26. | :03:54. | ||
# Well, over there There's friends of mine | :03:54. | :03:57. | |
# What can I say, I've known them for a long, long time | :03:57. | :04:02. | |
# And yet they might overstep the line | :04:02. | :04:05. | |
# But you just cannot get angry in the same way | :04:05. | :04:11. | |
# No, not in the same way | :04:11. | :04:14. | |
# Said not in the same way | :04:14. | :04:19. | |
# Oh no, oh no, no. # | :04:19. | :04:29. | |
:04:29. | :04:29. | ||
Apology for the loss of subtitles for 110 seconds | :04:29. | :05:27. | |
APPLAUSE AND CHEERING | :05:27. | :05:37. | |
:05:37. | :05:37. | ||
Apology for the loss of subtitles for 110 seconds | :05:37. | :06:18. | |
CHEERING | :06:18. | :06:18. | |
CHEERING AND | :06:18. | :06:18. | |
CHEERING AND APPLAUSE | :06:18. | :06:19. | |
:06:19. | :06:29. | ||
:06:29. | :07:04. | ||
CHEERING | :07:04. | :07:04. | |
CHEERING AND | :07:04. | :07:04. | |
CHEERING AND APPLAUSE | :07:04. | :07:04. | |
:07:04. | :07:11. | ||
Thank | :07:11. | :07:11. | |
Thank you, | :07:11. | :07:12. | |
Thank you, Glastonbury! | :07:12. | :07:12. | |
:07:12. | :07:14. | ||
Thank you, Glastonbury! Could | :07:14. | :07:14. | |
Could you | :07:14. | :07:14. | |
Could you stand | :07:14. | :07:15. | |
Could you stand a | :07:15. | :07:25. | |
:07:25. | :07:25. | ||
Apology for the loss of subtitles for 110 seconds | :07:25. | :08:05. | |
# So, love, he kneels before... I'm messing! | :08:05. | :08:12. | |
# Look at the stars # I'm only kidding now. Pipe down, | :08:12. | :08:18. | |
pipe down! # I saw you in the bathroom | :08:18. | :08:25. | |
# She was nothing but a vision Under the water line | :08:25. | :08:32. | |
# She was close # Close enough to be a ghost | :08:32. | :08:42. | |
:08:42. | :09:09. | ||
# And kissed whoever # Yeah, I let him go | :09:09. | :09:19. | |
:09:19. | :09:31. | ||
# I thought I saw you # It was too loud | :09:31. | :09:41. | |
:09:41. | :09:49. | ||
# It was close # Tell me | :09:49. | :09:59. | |
:09:59. | :10:14. | ||
# And I'm beginning to think # Yeah, I let him go | :10:14. | :10:24. | |
:10:24. | :11:00. | ||
# I saw your sister # She was close | :11:00. | :11:07. | |
# "You can call me anything you want." # | :11:08. | :11:16. | |
CHEERING AND APPLAUSE | :11:16. | :11:26. | |
:11:26. | :11:34. | ||
Give | :11:34. | :11:34. | |
Give a | :11:34. | :11:35. | |
Give a round | :11:35. | :11:39. | |
Give a round of applause for guy, by the way. The man in Manchester who | :11:39. | :11:47. | |
did our string arrangements for us this evening. | :11:47. | :11:53. | |
While we have our friends out here we might try and do an old Monkeys' | :11:53. | :12:02. | |
tune everybody. It's one we don't get out very often. Do you want to | :12:02. | :12:08. | |
hear a tune - one we don't get out very often? All right then! | :12:08. | :12:18. | |
:12:18. | :12:18. | ||
Apology for the loss of subtitles for 110 seconds | :12:18. | :13:01. | |
# Now then Mardy Bum # And it's like looking | :13:01. | :13:05. | |
# And it goes off And out come all these words | :13:05. | :13:11. | |
# Oh there's a very pleasant side to you | :13:11. | :13:15. | |
# A side I much prefer | :13:15. | :13:17. | |
# It's one that laughs and jokes around | :13:17. | :13:23. | |
# Remember cuddles in the kitchen Yeah, to get things off the ground | :13:23. | :13:29. | |
# And it was up, up and away | :13:29. | :13:34. | |
# Oh, but it's right hard to remember | :13:34. | :13:38. | |
# That on a day like today | :13:38. | :13:43. | |
# When you're all argumentative And you've got the face on | :13:43. | :13:53. | |
:13:53. | :14:01. | ||
# Well now then Mardy Bum Oh I'm in trouble again, aren't I? | :14:01. | :14:10. | |
# I thought as much Cos you turned over there | :14:10. | :14:15. | |
# Pulling that silent disappointment face | :14:15. | :14:19. | |
# The one that I can't bear | :14:19. | :14:23. | |
# Can't we laugh and joke around Remember cuddles in the kitchen | :14:23. | :14:31. | |
# Yeah, to get things off the ground And it was up, up and away | :14:31. | :14:39. | |
# Oh, but it's right hard to remember | :14:39. | :14:42. | |
# That on a day like today when you're all argumentative | :14:43. | :14:48. | |
# And you've got the face on | :14:48. | :14:53. | |
# Yeah, I'm sorry I was late But I missed the train | :14:53. | :14:57. | |
# And then the traffic was a state | :14:57. | :15:01. | |
# And I can't be arsed to carry on in this debate | :15:01. | :15:06. | |
# That reoccurs, oh when you say I don't care | :15:06. | :15:10. | |
# But of course I do Yeah I clearly do! | :15:10. | :15:20. | |
:15:20. | :15:39. | ||
# So laugh and joke around Remember cuddles in the kitchen | :15:39. | :15:46. | |
# Yeah, to get things off the ground | :15:46. | :15:49. | |
# And it was up, up and away Still it's right hard to remember | :15:49. | :15:55. | |
# That on a day like today When you're all argumentative | :15:55. | :16:04. | |
# And you've got the face on. # | :16:04. | :16:14. | |
:16:14. | :16:33. | ||
CHEERING | :16:34. | :16:34. | |
CHEERING AND | :16:34. | :16:34. | |
CHEERING AND APPLAUSE | :16:34. | :16:34. | |
:16:34. | :16:44. | ||
:16:44. | :17:04. | ||
# So who's that girl there? | :17:04. | :17:05. | |
# I wonder what went wrong so that she had to roam the streets | :17:05. | :17:07. | |
# She don't do major credit cards I doubt she does receipts | :17:07. | :17:09. | |
# It's all not quite legitimate | :17:09. | :17:11. | |
# And what a scummy man | :17:11. | :17:16. | |
# Just give him half a chance I bet he'll rob you if he can | :17:16. | :17:20. | |
# Can see it in his eyes, yeah That he's got a driving ban | :17:20. | :17:24. | |
# Amongst some other offences | :17:24. | :17:28. | |
# And I've seen him with girls of the night | :17:28. | :17:33. | |
# And he told Roxanne to put on her red light | :17:33. | :17:38. | |
# They're all infected But he'll be all right | :17:38. | :17:42. | |
# Cos he's a scumbag, don't you know? | :17:42. | :17:52. | |
:17:52. | :18:14. | ||
# He's a scumbag, don't you know? | :18:14. | :18:24. | |
:18:24. | :18:40. | ||
# Although you're trying not to listen | :18:40. | :18:43. | |
# I bet your eyes are staring at the ground | :18:43. | :18:45. | |
# She makes a subtle proposition | :18:45. | :18:48. | |
# "I'm sorry, love I'll have to turn you down" | :18:48. | :18:51. | |
# Oh, he must be up to summat | :18:51. | :18:54. | |
# Want half a chance to show he's more than likely | :18:54. | :18:57. | |
# I've got a feeling in my stomach | :18:57. | :19:00. | |
# I start to wonder what his story might be | :19:00. | :19:02. | |
# What his story might be | :19:02. | :19:04. | |
# They said it changes when the sun goes down | :19:04. | :19:06. | |
# And they said it changes when the sun goes down | :19:06. | :19:09. | |
# And they said it changes when the sun goes down | :19:09. | :19:12. | |
# Around here | :19:12. | :19:15. | |
# Around...here | :19:15. | :19:25. | |
:19:25. | :19:29. | ||
# Look, here comes a Ford Mondeo Isn't he Mr Inconspicuous? | :19:29. | :19:33. | |
# And he don't have to say 'owt | :19:33. | :19:37. | |
# She understands she's here to get picked up | :19:37. | :19:40. | |
# Bet she's delighted when she sees him | :19:40. | :19:43. | |
# Pulling in and giving her the eye | :19:43. | :19:46. | |
# Because she must be ... freezing | :19:46. | :19:49. | |
# Scantily clad beneath the clear night sky | :19:49. | :19:52. | |
# She don't stop in the winter, no | :19:52. | :19:54. | |
# They said it changes when the sun goes down | :19:54. | :19:56. | |
# And they said it changes when the sun goes down | :19:56. | :19:58. | |
# And they said it changes when the sun goes down | :19:58. | :20:02. | |
# Around here | :20:02. | :20:05. | |
# They said it changes when the sun goes down | :20:05. | :20:09. | |
# Over the river going out of town | :20:09. | :20:11. | |
# And they said it changes when the sun goes down | :20:11. | :20:13. | |
# Around here | :20:13. | :20:15. | |
# Around...here | :20:16. | :20:22. | |
# And what a scummy man | :20:22. | :20:26. | |
# Just give him half a chance I bet he'll rob you if he can | :20:26. | :20:30. | |
# Can see it in his eyes, yeah That he's got a nasty plan | :20:30. | :20:34. | |
# I hope you're not involved at all. # | :20:34. | :20:40. | |
CHEERING AND APPLAUSE | :20:40. | :20:50. | |
:20:50. | :21:09. | ||
Glastonbury, | :21:09. | :21:10. | |
Glastonbury, while | :21:10. | :21:10. | |
Glastonbury, while I've | :21:10. | :21:17. | |
might I ask a favour of you? Would you do me a favour? | :21:17. | :21:21. | |
It's actually my mum's birthday today and she 's here in the crowd | :21:21. | :21:31. | |
:21:31. | :21:51. | ||
with you. Is there any chance you Hip-hip! For she's a jolly good | :21:51. | :21:55. | |
fellow! Thank you everybody. I appreciate | :21:55. | :22:03. | |
that! Rock'n'roll! I've even got time for one more tune, Glastonbury, | :22:03. | :22:08. | |
then I'll have to bid you good night. In order to finish this off | :22:08. | :22:13. | |
properly though, I think we need a little help from our friend - just | :22:13. | :22:19. | |
the way we did it six years ago, folks. I would like to give you a | :22:19. | :22:29. | |
:22:29. | :22:53. | ||
hero's welcome. I would like you to bottom of my heart. See you next | :22:53. | :23:03. | |
:23:03. | :23:19. | ||
time. Have a great weekend, # If it's a 7-hour flight | :23:19. | :23:26. | |
# With your hands between your thighs | :23:26. | :23:36. | |
:23:36. | :23:37. | ||
# Stop and wait a sec | :23:37. | :23:40. | |
# When you look at me like that, my darling | :23:41. | :23:44. | |
# What did you expect? | :23:44. | :23:47. | |
# I probably still adore you with your hands around my neck | :23:47. | :23:54. | |
# Or I did last time I checked | :23:54. | :24:04. | |
:24:04. | :24:05. | ||
# I'm not shy of a spark | :24:05. | :24:09. | |
# The knife twists at the thought that I should fall short of the mark | :24:09. | :24:16. | |
# Frightened by the bite though it's no harsher than the bark | :24:16. | :24:25. | |
# The middle of adventure such a perfect place to start | :24:25. | :24:32. | |
# I'm going back to 505 | :24:32. | :24:37. | |
# If it's a 7-hour flight or a 45-minute drive | :24:37. | :24:44. | |
# In my imagination you're waiting lying on your side | :24:44. | :24:51. | |
# With your hands between your thighs | :24:51. | :25:01. | |
:25:01. | :25:30. | ||
# But I crumble completely when you cry | :25:30. | :25:35. | |
# It seems like once again you've had to greet me with goodbye | :25:35. | :25:42. | |
# I'm always just about to go and spoil a surprise | :25:42. | :25:48. | |
# Take my hands off of your eyes too soon | :25:48. | :25:57. | |
# I'm going back to 505 | :25:58. | :26:02. | |
# If it's a 7-hour flight or a 45-minute drive | :26:02. | :26:09. | |
# In my imagination you're waiting lying on your side | :26:09. | :26:16. | |
# With your hands between your thighs and a smile! # | :26:16. | :26:25. | |
CHEERING AND APPLAUSE | :26:25. | :26:35. | |
:26:35. | :26:35. | ||
Apology for the loss of subtitles for 110 seconds | :26:35. | :27:41. | |
CHEERING | :27:41. | :27:41. | |
CHEERING AND | :27:42. | :27:42. | |
CHEERING AND APPLAUSE | :27:42. | :27:42. | |
:27:42. | :27:52. | ||
:27:52. | :28:00. | ||
The | :28:00. | :28:01. | |
The crowd | :28:01. | :28:02. | |
The crowd absolutely | :28:02. | :28:06. | |
The crowd absolutely loving Arctic Monkeys at Glastonbury 2013. So | :28:06. | :28:16. | |
:28:16. | :28:17. | ||
interesting to see them. They are Kind of grew up. | :28:17. | :28:23. | |
They have grown up in public in many way, haven't they? I have rarely | :28:23. | :28:30. | |
seen total mast eerie of the main -- mastery of the Main Stage of | :28:30. | :28:37. | |
Glastonbury. I cannot decide whether he looks like a young billy Furry | :28:37. | :28:42. | |
or... He looks like the last of the international playboys. He would not | :28:42. | :28:48. | |
be out of place on a Smith's album cover. A good well done, fellas and | :28:48. | :28:54. | |
no mistake. We are back until 2am. We'll have live music from a great | :28:54. | :29:01. | |
friend of ours. A lady on site, she is wearing leggings purchased on | :29:01. | :29:11. | |
:29:11. | :29:11. | ||
Apology for the loss of subtitles for 110 seconds | :29:11. | :29:55. | |
# Fire me in an oven # Each and every minute I see | :29:55. | :30:05. | |
:30:05. | :30:25. | ||
# Cheating ourselves to believe we'll be last | :30:25. | :30:30. | |
# Like a fool I thought it was true | :30:30. | :30:36. | |
# I was holding your flowers and only you knew | :30:36. | :30:46. | |
:30:46. | :30:47. | ||
# A diary fills its pages with one eye on the clock | :30:47. | :30:57. | |
:30:57. | :30:58. | ||
# How long, how long have we got | :30:58. | :31:05. | |
# Until we're everything we hope to be? | :31:05. | :31:15. | |
# Terrified while a picture of dignity | :31:15. | :31:21. | |
# Come eat with me | :31:21. | :31:25. | |
# At the table of this life. # | :31:25. | :31:31. | |
SHE WHISTLES MELODY | :31:32. | :31:41. | |
:31:42. | :31:54. | ||
# La da da da da | :31:54. | :31:58. | |
# La da da da-da-da | :31:58. | :32:08. | |
:32:08. | :32:10. | ||
# La da da da-da-da | :32:10. | :32:13. | |
# All made of glass | :32:13. | :32:23. | |
:32:23. | :32:24. | ||
# All made of glass | :32:24. | :32:33. | |
# Yeah, we're all made of glass | :32:33. | :32:40. | |
# All made of glass | :32:40. | :32:42. | |
# Cheating ourselves to believe we'll be last | :32:42. | :32:47. | |
# Like a fool I thought it was true | :32:47. | :32:52. | |
# I was holding your flowers and only you knew. # | :32:52. | :33:02. | |
:33:02. | :33:09. | ||
CHEERING AND APPLAUSE | :33:09. | :33:19. | |
:33:19. | :33:20. | ||
That | :33:20. | :33:21. | |
That was | :33:21. | :33:21. | |
That was KT | :33:21. | :33:21. | |
:33:21. | :33:31. | ||
:33:31. | :33:32. | ||
That was KT Tunstall and Made Of Glass. How you are big tomorrow. | :33:32. | :33:36. | |
the acoustic tent. It sound like it could be rowdy, although you would | :33:36. | :33:46. | |
:33:46. | :33:46. | ||
think it would be mellow. I am the fill filling between Deacon blue | :33:46. | :33:52. | |
and... Thank you for that. Thank you very much. It is time to enjoy more | :33:52. | :33:58. | |
live music now. This is from a headliner on the Other Stage | :33:58. | :34:07. | |
tonight. Geoff's mum will be cross if we don't play some of his set. | :34:07. | :34:12. | |
Alex Turner's mum was pleased. is what we're all about on this | :34:12. | :34:22. | |
:34:22. | :34:52. | ||
show. It is Portishead, live at # Please could you stay awhile | :34:52. | :34:57. | |
# And the time that I will suffer less | :34:57. | :35:04. | |
# Is when I never have to wake | :35:04. | :35:11. | |
# Wandering stars For whom it is reserved | :35:11. | :35:18. | |
# The blackness of darkness, forever | :35:18. | :35:25. | |
# Wandering stars For whom it is reserved | :35:25. | :35:32. | |
# The blackness of darkness, forever | :35:32. | :35:39. | |
# Those who have seen the needles I now tread | :35:39. | :35:46. | |
# Like a husk, from which all that was now has fled | :35:46. | :35:52. | |
# And the masks that the monsters wear | :35:52. | :36:00. | |
# To feed upon their prey | :36:00. | :36:07. | |
# Wandering stars For whom it is reserved | :36:07. | :36:14. | |
# The blackness of darkness, forever | :36:14. | :36:20. | |
# Wandering stars For whom it is reserved | :36:20. | :36:28. | |
# The blackness of darkness, forever | :36:28. | :36:38. | |
:36:38. | :37:06. | ||
# Doubled up inside Take a while to share my grief | :37:06. | :37:16. | |
:37:16. | :37:18. | ||
# Always doubled up inside Taunted, cruel | :37:18. | :37:28. | |
:37:28. | :37:31. | ||
# Wandering stars For whom it is reserved | :37:31. | :37:40. | |
# The blackness The darkness, forever | :37:40. | :37:47. | |
# Wandering stars For whom it is reserved | :37:47. | :37:54. | |
# The blackness The darkness, forever. # | :37:54. | :38:04. | |
:38:04. | :38:04. | ||
Apology for the loss of subtitles for 110 seconds | :38:04. | :39:53. | |
# I saw a saviour A saviour come my way | :39:53. | :39:55. | |
# I thought I'd see it in the cold light of day | :39:55. | :40:03. | |
# But now I realise that I'm only for me | :40:03. | :40:13. | |
:40:13. | :40:15. | ||
# If only I could see Return myself to me | :40:16. | :40:25. | |
:40:26. | :40:27. | ||
# And recognise the poison in my heart | :40:27. | :40:35. | |
# There is no other place No-one else I face | :40:35. | :40:42. | |
# The remedy will agree with how I feel | :40:42. | :40:52. | |
:40:52. | :40:55. | ||
# Here in my reflecting What more can I say? | :40:55. | :41:04. | |
# For I am guilty for the voice that I obey | :41:04. | :41:12. | |
# Too scared to sacrifice the choice chosen for me | :41:12. | :41:22. | |
:41:22. | :41:25. | ||
# If only I could see Return myself to me | :41:25. | :41:35. | |
# And recognise the poison in my heart | :41:35. | :41:43. | |
# There is no other place No-one else I face | :41:43. | :41:51. | |
# The remedy to agree with how I feel.# | :41:51. | :42:01. | |
:42:01. | :42:01. | ||
Apology for the loss of subtitles for 110 seconds | :42:01. | :43:55. | |
APPLAUSE AND CHEERING | :43:55. | :44:05. | |
:44:05. | :44:35. | ||
# I'm so tired Of playing | :44:35. | :44:37. | |
# Playing with this bow and arrow | :44:37. | :44:41. | |
# Gonna give my heart away | :44:41. | :44:44. | |
# Leave it to the other girls to play | :44:44. | :44:51. | |
# For I've been a temptress too long | :44:51. | :44:57. | |
# Just | :44:57. | :44:58. | |
# Give me a reason to love you | :44:58. | :45:06. | |
# Give me a reason to be | :45:06. | :45:13. | |
# A woman | :45:13. | :45:22. | |
# I just wanna be a woman | :45:22. | :45:30. | |
# From this time, unchained | :45:30. | :45:34. | |
# We're all looking at a different picture | :45:34. | :45:38. | |
# Through this new frame of mind | :45:38. | :45:42. | |
# A thousand flowers could bloom | :45:42. | :45:48. | |
# Move over, and give us some room | :45:48. | :45:55. | |
# Yeah | :45:55. | :45:57. | |
# Give me a reason to love you | :45:57. | :46:03. | |
# Give me a reason to be | :46:03. | :46:10. | |
# A woman | :46:10. | :46:18. | |
# I just wanna be a woman | :46:18. | :46:28. | |
:46:28. | :47:01. | ||
# So don't you stop bein' a man | :47:01. | :47:09. | |
# Just take a little look from our side when you can | :47:09. | :47:18. | |
# Sow a little tenderness | :47:18. | :47:26. | |
# No matter if you cry | :47:26. | :47:34. | |
# Give me a reason to love you | :47:34. | :47:41. | |
# Give me a reason to be here | :47:41. | :47:48. | |
# A woman | :47:48. | :47:55. | |
# It's all I wanna be is a woman | :47:55. | :48:05. | |
:48:05. | :48:15. | ||
# For this is the beginning of forever and ever | :48:15. | :48:25. | |
:48:25. | :48:45. | ||
# It's time to move over | :48:45. | :48:53. | |
# I'm so tired, of playing | :48:53. | :48:58. | |
# Playing with this bow and arrow | :48:58. | :49:01. | |
# Gonna give my heart away | :49:01. | :49:05. | |
# Leave it to the other girls to play | :49:05. | :49:11. | |
# For I've been a temptress too long. # | :49:11. | :49:21. | |
:49:21. | :49:22. | ||
# Give me a reason to love you | :49:22. | :49:31. | |
# Give me a reason to be | :49:31. | :49:39. | |
APPLAUSE AND CHEERING | :49:39. | :49:49. | |
Completely | :49:49. | :49:49. | |
Completely compelling. | :49:49. | :49:51. | |
Completely compelling. That | :49:51. | :49:53. | |
Completely compelling. That was Portishead. You could not look away | :49:54. | :50:03. | |
:50:04. | :50:10. | ||
for a moment! It was.Cracking! We had... . Corking! | :50:10. | :50:15. | |
Their live show is so brilliant. With their own images there - | :50:15. | :50:19. | |
Portishead, but when you meet them in person they are so cheery, such | :50:19. | :50:26. | |
good company. We have a giant flame Spider behind us. Puffing out fire! | :50:26. | :50:36. | |
:50:36. | :50:40. | ||
That is a vast flame-based arachnid. I have one in my house! If you want | :50:40. | :50:50. | |
:50:50. | :51:00. | ||
Joe is waiting to talk to the Arctic Monkeys. Look who I am joined by | :51:00. | :51:10. | |
:51:10. | :51:11. | ||
now. It is the Arctic Monkeys. How was that? Great. Couldn't have asked | :51:11. | :51:21. | |
:51:21. | :51:28. | ||
for any more! How did you feel? Buzzing.I | :51:28. | :51:36. | |
remember when you played '97... Not that old. I was about 11 in 1997 | :51:36. | :51:46. | |
sclanl 200 -- 1997!Last time. | :51:46. | :51:53. | |
Felt comfortable. Really enjoyed ourselves. Party time. I do remember | :51:53. | :51:56. | |
standing watching, I think it was Elbow or someone like that and you | :51:56. | :52:00. | |
were on the stage. I spoke to you briefly. You were watching whoever | :52:00. | :52:05. | |
it was on the stage and you said something about, yeah, last time we | :52:05. | :52:09. | |
played we didn't quite get it. Totally. You said I want to come | :52:09. | :52:19. | |
Totally. You said I want to come back here and headline. Maybe | :52:19. | :52:29. | |
:52:29. | :52:29. | ||
Coldplay. It was like Garvy and me and you and Ashcroft. | :52:29. | :52:39. | |
:52:39. | :52:40. | ||
It freaked me out. I thought it was really interesting | :52:40. | :52:44. | |
because you made the point, you were studying and you were like, we've | :52:44. | :52:50. | |
got to come back here - it was like unfinished business. A bit of that. | :52:50. | :52:55. | |
We were so new to it all like before, it was a bit mad that we | :52:55. | :53:01. | |
probably got to headline it so soon, but and we had the bad weather and | :53:02. | :53:07. | |
thaw. You also said you didn't understand Glastonbury. The first | :53:07. | :53:11. | |
time any of us had ever been. Since then we have probably been every | :53:11. | :53:17. | |
year and got to know it and understood what it is a bit more. | :53:17. | :53:22. | |
How do you make it as good as it was tonight - you did nail it | :53:22. | :53:32. | |
:53:32. | :53:34. | ||
completely. . Thank you, Jo. How did you go about it? We tried to cover | :53:34. | :53:39. | |
every bit with our fabric. We have leather upstairs. We have denim | :53:39. | :53:44. | |
here. We have mo hair on the end there. | :53:44. | :53:48. | |
You were channelling Elvis when you were on stage - you were with the | :53:48. | :53:56. | |
spirit of Elvis - is that fair to say? It's a compliment. That is very | :53:56. | :54:01. | |
fair to me. Is it fair to say though, Jo? It is a question. | :54:01. | :54:06. | |
seem like you were becoming a different performer. . Maybe. We | :54:06. | :54:11. | |
play 1,000 shows like in the last few years and just you can't just, | :54:11. | :54:17. | |
yeah, I don't know. Eventually... Is your mum really here tonight. | :54:17. | :54:23. | |
is. And it is her birthday.That would be a weird lie otherwise. | :54:23. | :54:32. | |
would have been a sick joke. What a strange lie! And I wanted to cry | :54:32. | :54:40. | |
when you did that with the strings. I cry easily, it doesn't take much. | :54:40. | :54:49. | |
We have Guy. Guy Garvey.He, we got him on board. He wrote the string | :54:49. | :54:55. | |
arrangement - that is why they sounded like Elbow tunes if you are | :54:55. | :55:02. | |
wondering. He did a great job. Thanks Guy. What happens from now, | :55:02. | :55:08. | |
for the rest of the night? I don't know. Who knows? Into the abouts by | :55:08. | :55:14. | |
somewhere? I don't know. We're all pretty like - although we don't seem | :55:14. | :55:18. | |
it, we are pumped up. This is as pumped up as I have ever seen it - | :55:18. | :55:23. | |
this is as good as you've ever got! You are even going to air this. | :55:23. | :55:28. | |
will make it to air. Well done. You need to choose a track now. | :55:28. | :55:31. | |
Something from your set and we will play it out. What was your favourite | :55:31. | :55:37. | |
moment of the set? I don't know really. Why don't you choose. | :55:37. | :55:43. | |
choose your band. What did you enjoy doing? Are You Mine. The first time | :55:43. | :55:48. | |
we played it on these shores. That was enjoyable. Is that all right? | :55:48. | :55:58. | |
:55:58. | :56:11. | ||
# Lone ranger riding # Lone ranger riding | :56:11. | :56:21. | |
:56:21. | :56:24. | ||
# Tracy Island, time-travelling # Well, are you mine? | :56:24. | :56:34. | |
:56:34. | :56:51. | ||
# I need the deep end # Wished away entire lifetimes | :56:51. | :56:55. | |
# Misbehaving for days, great escape Lost track of time and space | :56:55. | :57:01. | |
# She's a silver lining Climbing on my desire | :57:01. | :57:04. | |
# And I go crazy cos here isn't where I wanna be | :57:04. | :57:09. | |
# And satisfaction feels like a distant memory | :57:09. | :57:12. | |
# And I can't help myself | :57:12. | :57:16. | |
# All I wanna hear her say is "Are you mine?" | :57:16. | :57:22. | |
# Well, are you mine? Are you mine tomorrow? Are you mine? | :57:22. | :57:28. | |
# Or just mine tonight? Are you mine? Are you mine? | :57:28. | :57:38. | |
:57:38. | :57:42. | ||
# And the thrill of the chase moves in mysterious ways | :57:42. | :57:46. | |
# So in case I'm mistaken I just wanna hear you say | :57:47. | :57:52. | |
# "You got me, baby, are you mine?" | :57:52. | :58:02. | |
:58:02. | :58:04. | ||
# She's a silver lining, lone ranger | :58:04. | :58:07. | |
# Riding through an open space in my mind | :58:07. | :58:11. | |
# When she's not right there beside me | :58:11. | :58:14. | |
# And I go crazy, cos here isn't where I wanna be | :58:14. | :58:17. | |
# And satisfaction feels like a distant memory | :58:17. | :58:21. | |
# And I can't help myself | :58:21. | :58:24. | |
# All I wanna hear her say is "Are you mine?" | :58:24. | :58:30. | |
# Well, are you mine? Are you mine tomorrow? | :58:30. | :58:34. | |
# Are you mine? Or just mine tonight? | :58:35. | :58:39. | |
# Are you mine? Are you mine tomorrow? | :58:39. | :58:45. | |
# Or just mine tonight? # | :58:45. | :58:49. | |
APPLAUSE AND CHEERING | :58:49. | :58:58. | |
APPLAUSE AND CHEERING We | :58:58. | :58:59. | |
APPLAUSE AND CHEERING We have | :58:59. | :59:06. | |
plagued by daddy-long-legs. There was one on the centre of the camera. | :59:06. | :59:11. | |
They have come in here for the warmth! The Arctic Monkeys there. | :59:11. | :59:17. | |
Just in case you missed them before. Lauren, there are so many things on | :59:17. | :59:21. | |
at Glastonbury. If you missed any of them, would there be any ways you | :59:21. | :59:25. | |
could see them again? Funny you should ask! It is the first digital | :59:25. | :59:32. | |
Glastonbury. There are many options for the viewer. First, go to the | :59:32. | :59:37. | |
website. Of course, you can watch the live stream as well as on your | :59:37. | :59:45. | |
TV. Wow!Your computer, your red button, your mobile phone, tablet. | :59:45. | :59:48. | |
Could you get it on a microwave or food blender? Peer into your food | :59:48. | :59:53. | |
processor or shout at a toaster! One of the headline acts over the three | :59:53. | :59:59. | |
days is going to pop out. Marvellous. You have no excuse. | :59:59. | :00:03. | |
While you contemplate which way you would like to watch, try this from | :00:03. | :00:13. | |
:00:13. | :00:13. | ||
Apology for the loss of subtitles for 110 seconds | :00:13. | :01:25. | |
# Under a sky # No-one sees | :01:25. | :01:35. | |
:01:35. | :01:36. | ||
# Waiting, watching it happening # Don't hurry, give it time | :01:36. | :01:42. | |
# Things are the way # They have to be | :01:42. | :01:52. | |
:01:52. | :01:52. | ||
# Slow down, give it time # Still life, you know I'm listening | :01:52. | :02:02. | |
:02:02. | :02:04. | ||
# The moment that you want is coming # If you give it time | :02:04. | :02:14. | |
:02:14. | :02:14. | ||
# When you wake up # You will find me | :02:14. | :02:24. | |
:02:24. | :02:30. | ||
# When you wake up # You will find me | :02:30. | :02:40. | |
:02:40. | :03:01. | ||
# Under a sky, no-one else sees # Yourself appears in front of me | :03:01. | :03:10. | |
# The sky clear, the sun hits, I'm here | :03:10. | :03:14. | |
# Waiting, what's happening # The moment that you want is coming | :03:14. | :03:24. | |
:03:24. | :03:24. | ||
# If you give it time # when you wake up | :03:24. | :03:33. | |
# When you wake up # You will find me | :03:33. | :03:43. | |
:03:43. | :04:10. | ||
# When you wake up # When you wake up | :04:10. | :04:20. | |
:04:20. | :04:22. | ||
# You will find me # When you wake up | :04:22. | :04:30. | |
# You wake up # You will find me | :04:30. | :04:40. | |
:04:40. | :04:42. | ||
# When you wake up # You will find me | :04:42. | :04:46. | |
# When you wake up # You wake up | :04:46. | :04:56. | |
# You will find me # When you wake up | :04:56. | :05:06. | |
:05:06. | :05:06. | ||
# You will find me # When you wake up | :05:06. | :05:16. | |
:05:16. | :05:18. | ||
# You wake up # You will find me | :05:18. | :05:28. | |
:05:28. | :05:28. | ||
Apology for the loss of subtitles for 110 seconds | :05:28. | :06:15. | |
when you wake up sounded wonderful. He looked like | :06:15. | :06:21. | |
Eric Turner's taller brother. much so. Also, shades of Simple | :06:21. | :06:28. | |
Minds in 1979. Indeed.Fabulous headline set. Yes.I tell you who | :06:28. | :06:36. | |
else was good today. Who else was that? Tame Impala performed a | :06:36. | :06:39. | |
fantastic live session for us earlier. Why not leave the telly on. | :06:39. | :06:49. | |
:06:49. | :07:13. | ||
# Shaking his big grey trunk # And it's not like mister shook | :07:13. | :07:23. | |
:07:23. | :07:37. | ||
# There must be something deep down # He's got friends | :07:37. | :07:43. | |
# Oh, look there he is now coming down the stairs | :07:44. | :07:53. | |
:07:54. | :07:54. | ||
Apology for the loss of subtitles for 110 seconds | :07:54. | :09:31. | |
# He pulled the mirrors off his Cadillac | :09:31. | :09:32. | |
# Cos he doesn't like it looking like he looks back | :09:32. | :09:35. | |
# He talks like his opinion is a simple fact | :09:35. | :09:43. | |
# Somebody grabbed his collar | :09:43. | :09:47. | |
# He cried the whole way home | :09:47. | :09:50. | |
# He won't remember a thing till they start again | :09:50. | :10:00. | |
:10:00. | :10:03. | ||
# That's how it is till the end Yeah. # | :10:03. | :10:13. | |
:10:13. | :10:18. | ||
If | :10:18. | :10:19. | |
If you | :10:19. | :10:19. | |
If you can't | :10:19. | :10:28. | |
child freaking out, then really, you need to have a word with yourself! | :10:28. | :10:31. | |
All the guitars are available, but those are like the best. Now we are | :10:31. | :10:41. | |
going to have a bit of magic. Welcome to Magic Singh. How are | :10:41. | :10:50. | |
things in theatreland? They have been fantastic. I believe it's been | :10:50. | :10:56. | |
an expensive day. You might be in need of some cash help? I do. Have | :10:56. | :11:03. | |
you any on you? I do. How much would you like? I don't carry cash!Fiver? | :11:03. | :11:10. | |
I want to make sure everyone can see this. It is a �5 note. If I fold | :11:10. | :11:14. | |
this one, we get a square shape. Then one more time, we get a | :11:14. | :11:21. | |
rectangle. Then we get a square shape. Watch this. One more fold. I | :11:21. | :11:30. | |
will change this. It is looking good! There we go. Hello?That is | :11:30. | :11:37. | |
excellent. I will take that later! You will probably notice the T-shirt | :11:37. | :11:44. | |
I'm wearing. All the bands that are playing are on here. I will try | :11:44. | :11:52. | |
to... Name one of the bands on this T-shirt. It is tricky. Public Enemy. | :11:52. | :11:58. | |
Disclosure. Dizzee was great. Arctic Monkeys. The Stones. They are the | :11:58. | :12:03. | |
big story. They are playing tomorrow night. Headlining on the Pyramid | :12:03. | :12:10. | |
Stage. It has to be The Rolling Stones. We will use a T-shirt. Let's | :12:10. | :12:20. | |
:12:20. | :12:25. | ||
shake this for a moment. Shake it!I think we got it. Woah! Magic! You | :12:25. | :12:30. | |
can make yourself a fortune! You are going to rake it in. Brilliant. | :12:30. | :12:40. | |
:12:40. | :12:43. | ||
Thank you 6789 We should do one more thing. -- Thank you. We should do | :12:43. | :12:47. | |
one more thing. You are wearing a ring. That is beautiful. Can I | :12:47. | :12:56. | |
borrow one of those? It is cut glass. If this gets lost, I'm unwed! | :12:56. | :13:03. | |
It was going to Cash Converters on Monday! Place one of your hands nice | :13:03. | :13:13. | |
:13:13. | :13:13. | ||
and flat. You can see how it is clear. You can see the ring as well. | :13:14. | :13:20. | |
Here is the idea. Let's throw it down the hill! I will hold this. I | :13:20. | :13:27. | |
want you to give you my wallet just in case. Watch the ring. Here we go. | :13:27. | :13:35. | |
It withers away. Oh my goodness, I'm single! Is that good or bad? I gave | :13:35. | :13:40. | |
you my wallet as well. You have been holding that. Inside here, I have a | :13:40. | :13:44. | |
gift for you to say thanks. I will get your ring in a minute. I have a | :13:44. | :13:49. | |
zip compartment just here. Inside here, I should have an envelope - | :13:49. | :13:56. | |
yeah, that should do it. Have a look inside. Can you hold my mic? I can. | :13:56. | :14:02. | |
He has a sticker on the back! Classic! Oh my God, it is in there! | :14:02. | :14:10. | |
Look. Can you see that? Extraordinary, people. Look at that! | :14:10. | :14:16. | |
That is inside. Wow. Do you want to check if that still fits? That is | :14:16. | :14:21. | |
incredible. I'm going to drop it. Can you get it? This is like my | :14:21. | :14:31. | |
:14:31. | :14:33. | ||
wedding! Thank you so much. That is amazing. My pleasure.APPLAUSE | :14:33. | :14:43. | |
:14:43. | :14:43. | ||
see a boat today. We are both married. We will discuss the | :14:43. | :14:51. | |
details. Let's go back to the West Holts Stage and this is Seasick | :14:51. | :15:01. | |
:15:01. | :15:11. | ||
# I like big old farm tractors # And things that dig up | :15:11. | :15:14. | |
# And go real loud like they were meant to | :15:14. | :15:24. | |
:15:24. | :15:26. | ||
# I like looking at fields When they've just been cut | :15:26. | :15:28. | |
# Looking at the pigs When they do the rut | :15:28. | :15:31. | |
# I love the way hay smells When it's stacked in a barn | :15:31. | :15:34. | |
# These are a few things Gonna find on the farm | :15:34. | :15:40. | |
# Down on the farm | :15:40. | :15:44. | |
# Do-do-do do-do do-do-do do-do do-do-do | :15:44. | :15:47. | |
# Do-do-do do-do do-do-do do-do do-do-do | :15:47. | :15:53. | |
# Yeah, down on the farm | :15:53. | :15:57. | |
# I love the way Farm supply stores smell | :15:57. | :16:00. | |
# The mix of seed, work and clothes And oil and more | :16:00. | :16:03. | |
# You can get a new shovel Get a new rake | :16:03. | :16:10. | |
# Get your chainshaw sharpened But you might have to wait | :16:10. | :16:12. | |
# They got coffee Yeah, they got coffee | :16:12. | :16:17. | |
# Do-do-do do-do do-do-do do-do do-do-do | :16:17. | :16:20. | |
# Do-do-do do-do do-do-do do-do do-do-do | :16:20. | :16:26. | |
# Yeah, they got coffee, baby | :16:26. | :16:30. | |
# Down on the farm Down on the farm | :16:30. | :16:37. | |
# Down on the farm Down on the farm | :16:37. | :16:47. | |
:16:47. | :16:50. | ||
# I think I'll go out And wash my old John Deere | :16:50. | :16:54. | |
# Hang on just a minute What's that I hear? | :16:54. | :16:57. | |
# My friend Dan Playing drums in the barn | :16:57. | :17:00. | |
# Guess we gonna rock 'n' roll Down on the farm | :17:00. | :17:06. | |
# Yeah, down on the farm | :17:06. | :17:11. | |
# Down on the farm Down on the farm | :17:11. | :17:17. | |
# Down on the farm Down on the farm | :17:17. | :17:21. | |
# Down on the farm Down on the farm | :17:21. | :17:31. | |
:17:31. | :17:31. | ||
Apology for the loss of subtitles for 110 seconds | :17:31. | :18:13. | |
Down on the farm CHEERING AND APPLAUSE | :18:13. | :18:23. | |
:18:23. | :18:24. | ||
stage, these days they call it the West Holts Stage. That was Seasick | :18:24. | :18:30. | |
Steve. I saw Steve earlier on. I said you are looking mighty fine. He | :18:30. | :18:40. | |
:18:40. | :18:50. | ||
said, 've surfing." He was on good form. This afternoon, I had a | :18:50. | :18:56. | |
tactical siesta. I heard the whole of Miles Kane's set whilst lying on | :18:56. | :19:04. | |
my bed. That sounds all right! I was here since 7.00pm. I started out | :19:04. | :19:12. | |
with Jake Bugg doing a live acoustic on Chris Evans' show on Radio Two. | :19:12. | :19:15. | |
It's been a full dance card for me at Glastonbury. We have the sense | :19:15. | :19:21. | |
that it is a good year, there are lots of surprises in store. Indeed. | :19:21. | :19:28. | |
We will talk to you lots more about all the things we have seen. Let's | :19:28. | :19:38. | |
:19:38. | :19:38. | ||
Apology for the loss of subtitles for 110 seconds | :19:38. | :20:51. | |
get to the John Peel Stage and # Inhaler, inhaler | :20:51. | :20:56. | |
# Yeah, yeah, yeah # Inhaler, inhaler | :20:56. | :21:00. | |
# Yeah, yeah, yeah # Cold is the shoulder you'll give | :21:00. | :21:04. | |
me for sure # Dance with your hips and grind on | :21:04. | :21:11. | |
the floor # The daytime is the right time, | :21:11. | :21:17. | |
don't you know girl # You've heard that before | :21:17. | :21:25. | |
# Hey! # Inhaler, inhaler | :21:25. | :21:33. | |
# Inhaler # Yeah, yeah, yeah | :21:33. | :21:43. | |
:21:43. | :21:48. | ||
# Inhaler, inhale inhaler # Yeah, yeah, yeah | :21:48. | :21:58. | |
:21:58. | :22:18. | ||
# Inhaler # Inhale Inhaler | :22:18. | :22:26. | |
# Inhaler # Yeah, yeah, yeah | :22:26. | :22:36. | |
:22:36. | :22:59. | ||
Miles Kane earlier on. Sounding pretty much as I remembered him, | :22:59. | :23:08. | |
when I was getting a mid-afternoon siesta. Look at you! I can't shake | :23:08. | :23:18. | |
:23:18. | :23:19. | ||
the image of you! A busy afternoon. I tell you who else has had a busy | :23:19. | :23:26. | |
day, Greg James. He's been taking on some challenges. He has. If you know | :23:26. | :23:33. | |
the programme Man versus Food, which is where a fat bloke goes around | :23:33. | :23:37. | |
America eating as much as he can, this is a kind of Glastonbury | :23:37. | :23:46. | |
version of that with Greg James. This is Gregory Does Glastonbury | :23:46. | :23:54. | |
Grub. Hi, ladies and gents. I have spotted your pizza. Where is this | :23:54. | :24:04. | |
:24:04. | :24:05. | ||
from? Glastonbury pizza.I'm off. This is the back end of the pizza | :24:05. | :24:14. | |
company? Jake, show me what to do. You have to treat your dough like a | :24:14. | :24:23. | |
beautiful woman. Give me the spade! Hole in one, yes! She's in. Next, | :24:23. | :24:33. | |
toppings. Let's make some pizza. have three types of cheese. We will | :24:33. | :24:39. | |
have this. All of it. Done. Pizza fit for a legend. Now to the big | :24:39. | :24:47. | |
oven. Look at this bad boy. How hot is it in there? 350, 400 degrees. | :24:47. | :24:57. | |
:24:57. | :25:08. | ||
Yes! Is it ready yet? 69.Very, very good. This is jerk chicken. | :25:08. | :25:14. | |
course it is! This is the real, real food. Jerk chicken, curry, rice and | :25:14. | :25:23. | |
peas. What is jerk chicken?Jerk chicken is chicken that's been | :25:23. | :25:29. | |
marinated in all different spices. What we do, we marinate it like | :25:29. | :25:34. | |
that. And like until the chicken gets covered over. You have a lot on | :25:34. | :25:42. | |
your hands? Yeah. That is Mikey, he is the best jerk man in town! | :25:42. | :25:48. | |
There's a lovely taste and texture. Yeah, man. You are mean with that | :25:48. | :25:54. | |
knife? I am.Lovely bit of jerk. That is lovely. I'm making these | :25:54. | :26:04. | |
:26:04. | :26:09. | ||
people over here jealous. This is Anna Mae's Mac and Cheese. There is | :26:09. | :26:14. | |
a challenge? We do have a challenge. If you can eat half a pan in a | :26:14. | :26:19. | |
minute, it's been done, you might beat the record. One minute?Yeah. | :26:19. | :26:29. | |
I'm up for it. One minute, one pan of Mac and Cheese. Let's do it! That | :26:29. | :26:34. | |
is a pan than I thought! I have brought some friends with me. This | :26:35. | :26:42. | |
is Big Steve. This is Slim Bob. Crowd, are you ready? | :26:42. | :26:52. | |
:26:52. | :27:16. | ||
Grub. The Mac defeated me but it was very nice. I'm going to go off and | :27:16. | :27:20. | |
have a bit of sick! Well, there you go, that is our | :27:20. | :27:24. | |
colleague, Greg James, who I am presenting with tomorrow afternoon, | :27:24. | :27:29. | |
I believe, on BBC Two. Frankly, good effort! If Greg's idea of how you | :27:29. | :27:35. | |
treat a beautiful woman is to squash her flat and pop her into an oven - | :27:35. | :27:40. | |
mixed feelings about that. I enjoyed that film. We didn't see the pan at | :27:40. | :27:48. | |
the end of it. He might have had two mouthfuls and he might have puffed | :27:48. | :27:52. | |
his cheeks out for effect. He has hollow legs! We will have some more | :27:52. | :27:56. | |
live acoustic music now from a guy whose records I like very much. In | :27:56. | :28:02. | |
fact, he did a great session on Radio Two folk show. He is called | :28:02. | :28:12. | |
:28:12. | :28:26. | ||
# I'm a fishing girl # The town in which I live | :28:26. | :28:29. | |
# I told my mother My violent brother | :28:29. | :28:35. | |
# That all they give to me is reason to leave | :28:35. | :28:41. | |
# Ooh ooh ooh ooh | :28:41. | :28:48. | |
# Imagine my surprise A pair of ancient eyes | :28:48. | :28:54. | |
# Set into a face as old as land | :28:54. | :29:01. | |
# He stands in front of me He came out of the sea | :29:01. | :29:07. | |
# He says it hurts his skin to touch the sand | :29:07. | :29:14. | |
# He crawls back into the sea | :29:14. | :29:17. | |
# The air is salty and sweet | :29:17. | :29:20. | |
# A backward glance by way of invitation | :29:20. | :29:27. | |
# I'm in now up to my knees | :29:27. | :29:30. | |
# The air is salty and sweet | :29:30. | :29:33. | |
# I'll leave my dress by way of explanation | :29:33. | :29:40. | |
# Ooh ooh ooh ooh | :29:40. | :29:49. | |
# Ooh ooh ooh ooh | :29:49. | :29:53. | |
# My man don't care for clothes The things he does not own | :29:53. | :29:59. | |
# They never trouble him Never give him grief | :29:59. | :30:06. | |
# Cos he's as soft as silk As pure as baby milk | :30:06. | :30:12. | |
# And harder than earth that he scorns | :30:12. | :30:19. | |
# He crawls back into the sea | :30:19. | :30:22. | |
# The air is salty and sweet | :30:22. | :30:25. | |
# A backward glance by way of invitation | :30:25. | :30:32. | |
# The air is salty and sweet | :30:32. | :30:38. | |
# I'm in now up to my knees | :30:38. | :30:40. | |
# The air is salty and sweet | :30:40. | :30:42. | |
# I'll leave my dress by way of explanation | :30:42. | :30:46. | |
# Ooh ooh ooh ooh | :30:46. | :30:52. | |
# Ooh ooh ooh ooh | :30:52. | :31:02. | |
:31:02. | :31:16. | ||
CHEERING AND APPLAUSE | :31:16. | :31:25. | |
John | :31:25. | :31:25. | |
John Smith | :31:25. | :31:26. | |
John Smith live | :31:26. | :31:31. | |
have played quite a bhufl sets already, haven't you? Yes.I | :31:31. | :31:35. | |
understand you had a nightmare getting here. What happened? The car | :31:35. | :31:40. | |
exploded on the way here. How long were you waiting? Where were you | :31:40. | :31:49. | |
stuck? About a mile off site.Oh, man, that is a wounder(!) Thank you | :31:49. | :31:56. | |
for getting here. Great to see you. While John was playing that, there | :31:56. | :32:02. | |
were more bursts of fire and angle grinders and sheet metal work coming | :32:02. | :32:07. | |
from over here. We are going to have more music from the other stage now | :32:07. | :32:17. | |
:32:17. | :32:30. | ||
from earlier today. These were - # She may contain the urge to run | :32:30. | :32:33. | |
# Citrezene your fever's gripped me again | :32:33. | :32:35. | |
# Never kisses all you ever send are full stops - la la la la | :32:35. | :32:38. | |
# Do you know where the wilds things go? | :32:38. | :32:41. | |
# They go along to take your honey - la la la la | :32:41. | :32:49. | |
# They go along to take your honey - la la la la | :32:49. | :32:55. | |
# Your hand grips hand as my eyes shut | :32:55. | :32:57. | |
# Ahhh ahhh ahhh ah ah | :32:57. | :32:59. | |
# Ahhh ahhh ahhh ah ah | :33:00. | :33:04. | |
# Do you know where the wild things go? | :33:04. | :33:07. | |
# They go along to take your honey - la la la la | :33:07. | :33:10. | |
# Break down lets sleep build up breakfast now | :33:10. | :33:13. | |
# Let's eat my love my love love love - la la la la | :33:13. | :33:17. | |
# She bruises coughs she splutters pistol shots | :33:17. | :33:19. | |
# But hold her down with soggy clothes and breeze blocks | :33:19. | :33:23. | |
# She's morphine queen of my vaccine my love my love love love - la la la la | :33:23. | :33:29. | |
# Muscle to muscle and toe to toe | :33:29. | :33:32. | |
# The fear has gripped me but here I go | :33:32. | :33:35. | |
# My heart sinks as I jump up | :33:35. | :33:38. | |
# Your hand grips hand as my eyes shut | :33:39. | :33:44. | |
# And ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :33:44. | :33:50. | |
# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :33:50. | :34:00. | |
# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :34:00. | :34:08. | |
# She may contain the urge to run away | :34:08. | :34:10. | |
# But hold her down with soggy clothes and breeze blocks | :34:10. | :34:13. | |
# Germaline disinfect the scene my love my love love love | :34:13. | :34:20. | |
# But please don't go I love you so my lovely | :34:20. | :34:30. | |
:34:30. | :34:32. | ||
# Please don't go, please don't go, I love you so I love you so | :34:32. | :34:35. | |
# Please don't go, please don't go, I love you so, I love you so | :34:35. | :34:42. | |
# Please break my heart hey | :34:42. | :34:44. | |
# Please don't go, please don't go, I love you so, I love you so | :34:44. | :34:51. | |
# Please don't go, please don't go, I love you so, I love you so | :34:51. | :34:54. | |
# Please break my heart ah ha | :34:54. | :34:57. | |
# Please don't go, I'll eat you whole | :34:57. | :35:00. | |
# I love you so, I love you, so I love you so | :35:00. | :35:03. | |
# Please don't go I'll eat you whole | :35:03. | :35:07. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:07. | :35:15. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:15. | :35:25. | |
:35:25. | :35:26. | ||
# Please don't go I'll eat you whole | :35:26. | :35:28. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:28. | :35:34. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:34. | :35:37. | |
# Please don't go I'll eat you whole | :35:37. | :35:40. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:40. | :35:44. | |
# Please don't go I'll eat you whole | :35:44. | :35:46. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:46. | :35:50. | |
# I love you so, I love you so, I love you so, I love you so. # | :35:50. | :35:53. | |
CHEERING AND APPLAUSE | :35:53. | :36:01. | |
Thank | :36:01. | :36:02. | |
Thank you! | :36:02. | :36:03. | |
Thank you! It | :36:03. | :36:11. | |
band when the crowd sings the words? It must be joyous. Also when their | :36:11. | :36:19. | |
symbol matches the one of the Festival, that is ideal. Very nifty! | :36:19. | :36:25. | |
It is late at night here at Glastonbury 2013. We are live. We | :36:25. | :36:33. | |
are adaptable. Now, without much rehearsal, we have turned this way! | :36:33. | :36:39. | |
I was walking past the West Holts Stage earlier on and there was a | :36:39. | :36:45. | |
band called Goat. I love them. They are brilliant. If you like this, you | :36:45. | :36:55. | |
:36:55. | :36:55. | ||
Apology for the loss of subtitles for 110 seconds | :36:55. | :41:02. | |
must look up their album. They are with their music. Love them. The | :41:02. | :41:11. | |
second drum drummer, was he a bit too scary? The one with the skulls, | :41:11. | :41:17. | |
we will keep off him! I feel underdressed now. You know, I don't | :41:17. | :41:21. | |
want to be prescriptive, but if you don't like that music, we can't be | :41:21. | :41:26. | |
friends! I don't know what was going on. They are from a small village in | :41:26. | :41:36. | |
Sweden. There you go. I tell you what, Tom from The Horrors has done | :41:36. | :41:42. | |
a great remix of their single. Funnily enough, he shared a stage | :41:42. | :41:49. | |
with the artist we are about to see. It was all nicely done, that. We are | :41:49. | :41:59. | |
:41:59. | :42:00. | ||
Apology for the loss of subtitles for 110 seconds | :42:00. | :42:58. | |
standing up for this link. It is # Seen enough to eye you | :42:58. | :43:03. | |
# But I've seen to much to try you # It's always weirdness while you | :43:03. | :43:08. | |
# Dig it much too much to fry you # The weirdness flows between us | :43:08. | :43:17. | |
# Anyone can tell to see us # Freak scene can just can't believe | :43:17. | :43:24. | |
# Why can't it just be cool and free # Seen enough to eye you | :43:24. | :43:30. | |
# But I've seen too much to try you # It's always weirdness while you | :43:30. | :43:34. | |
# Dig it much too much to fry you # The weirdness flows between us | :43:35. | :43:44. | |
:43:45. | :43:45. | ||
# Anyone can tell to see us # freak scene just can't believe us | :43:45. | :43:53. | |
# Why can't it just be cool and leave us? | :43:53. | :44:03. | |
:44:03. | :44:03. | ||
Apology for the loss of subtitles for 110 seconds | :44:03. | :45:24. | |
I do like to see a grown man with long pink hair. Tomorrow, we have | :45:24. | :45:32. | |
pink hair! We can make that dream a reality. Yeah. We are sort of | :45:32. | :45:37. | |
huddling together for warmth here. We are in our new home. We have | :45:37. | :45:43. | |
moved. We used to be behind the Pyramid Stage. This year, we are at | :45:43. | :45:49. | |
the Park, up the hill, overlooking Worthy Farm. Actually... There is a | :45:49. | :45:54. | |
giant fish up there! There is a huge fish. It is better to concentrate on | :45:54. | :46:00. | |
things you can see. There is also a cow with a feather headdress. Let's | :46:00. | :46:04. | |
enjoy some more of the wonderful music from the Park Stage tonight. | :46:04. | :46:14. | |
:46:14. | :46:52. | ||
# You thought you'd set the bar # We just lit the fire | :46:52. | :46:56. | |
# You gave it all you got and what you've got is not a lot | :46:56. | :46:59. | |
# Why don't you hand it over? Time is up, you've had your shot | :46:59. | :47:03. | |
# Gather once again Disasters in the end | :47:03. | :47:06. | |
# It's like a default | :47:06. | :47:12. | |
# You thought you'd made the grade All you made will start to fade | :47:12. | :47:14. | |
# We threw it in the fire It's better that it not remain | :47:14. | :47:18. | |
# You just brought together Didn't seem to have the heart | :47:18. | :47:22. | |
# Wheels are coming off now Knew that it would fall apart | :47:22. | :47:26. | |
# Take one for the team You're a cog in the machine | :47:26. | :47:29. | |
# It's like a default | :47:29. | :47:39. | |
:47:39. | :47:40. | ||
# It's like a default | :47:40. | :47:44. | |
# It's like a default | :47:44. | :47:54. | |
:47:54. | :48:16. | ||
# You thought you'd set the bar # We just lit the fire | :48:16. | :48:17. | |
# You gave it all you got and what you've got is not a lot | :48:17. | :48:19. | |
# Why don't you hand it over? Time is up, you've had your shot | :48:19. | :48:20. | |
# Gather once again Disasters in the end | :48:21. | :48:22. | |
# It's like a default | :48:22. | :48:30. | |
# It's like a default | :48:30. | :48:33. | |
# It's like a default | :48:33. | :48:43. | |
:48:43. | :48:52. | ||
# You've missed the starting gun # You took part in the race | :48:52. | :48:53. | |
# You thought you'd set the bar I'd never tried to work it out | :48:54. | :49:03. | |
:49:04. | :49:10. | ||
I | :49:11. | :49:11. | |
I would | :49:11. | :49:12. | |
I would like | :49:12. | :49:21. | |
Django Django. On the drums, from Dundee in Scotland, it is Dave | :49:21. | :49:30. | |
McLean. APPLAUSE On the bass, from Leeds in England, it is Jimmy Dixon. | :49:30. | :49:40. | |
:49:40. | :49:40. | ||
Apology for the loss of subtitles for 110 seconds | :49:40. | :50:36. | |
I'm your host tonight, all the way # It's like a default | :50:36. | :50:46. | |
:50:46. | :50:46. | ||
Apology for the loss of subtitles for 110 seconds | :50:46. | :51:26. | |
# You thought you'd set the bar playing a track from their debut | :51:27. | :51:32. | |
album. How nice to see a band with consent on shirtage! They have a | :51:32. | :51:38. | |
strong shirt policy. It is working. It is never confusing. Now, listen, | :51:38. | :51:43. | |
we will be back with you from 4.00pm tomorrow afternoon when we will have | :51:43. | :51:52. | |
some Elvis Costello. Yes.Laura Mvula. Ben Howard. Yeah, you are | :51:52. | :52:00. | |
better at lists! Yeah. Lauren and Greg. Thanks for watching tonight. | :52:00. | :52:05. | |
Thank you very much. We will leave you with a gentleman whose spirit I | :52:05. | :52:15. | |
:52:15. | :52:53. | ||
enjoyed earlier. This is Dizzee I wake up every day | :52:53. | :52:58. | |
Everything in my life I act real shallow | :52:58. | :53:01. | |
A heavy bass line is my kind of silence | :53:01. | :53:03. | |
Everybody says I got to get a grip But I let sanity give me the slip | :53:03. | :53:07. | |
Some people think I'm bonkers But I just think I'm free | :53:07. | :53:11. | |
Man, I'm just living my life There's nothing crazy about me | :53:11. | :53:15. | |
Some people pay for thrills but I get mine for free | :53:15. | :53:19. | |
Man, I'm just living my life There's nothing crazy about me | :53:19. | :53:29. | |
:53:29. | :53:40. | ||
Bonkers | :53:40. | :53:50. | |
:53:50. | :53:58. | ||
I wake up every day It's a daydream | :53:58. | :53:59. | |
Everything in my life ain't what it seems | :53:59. | :54:00. | |
I wake up, just to go back to sleep | :54:00. | :54:01. | |
I act real shallow but I'm in too deep | :54:01. | :54:02. | |
And all I care about is sex and violence | :54:02. | :54:03. | |
A heavy bass line is my kind of silence | :54:04. | :54:05. | |
Everybody says I got to get a grip But I let sanity give me the slip | :54:05. | :54:08. | |
Some people think I'm bonkers But I just think I'm free | :54:09. | :54:12. | |
Man, I'm just living my life There's nothing crazy about me | :54:12. | :54:16. | |
Some people pay for thrills but I get mine for free | :54:16. | :54:20. | |
Man, I'm just living my life There's nothing crazy about me | :54:20. | :54:30. | |
:54:30. | :54:32. | ||
Some people pay for thrills but I get mine for free | :54:32. | :54:33. | |
Man, I'm just living my life There's nothing crazy about me | :54:33. | :54:38. | |
Some people pay for thrills but I get mine for free | :54:38. | :54:39. | |
Man, I'm just living my life There's nothing crazy about me | :54:39. | :54:49. | |
:54:49. | :55:14. | ||
I wake up every day It's a daydream | :55:14. | :55:15. | |
Everything in my life ain't what it seems | :55:15. | :55:16. | |
I wake up, just to go back to sleep | :55:16. | :55:17. | |
I act real shallow but I'm in too deep | :55:17. | :55:18. | |
And all I care about is sex and violence | :55:18. | :55:19. | |
A heavy bass line is my kind of silence | :55:19. | :55:20. | |
Everybody says I got to get a grip But I let sanity give me the slip | :55:20. | :55:25. | |
Some people think I'm bonkers But I just think I'm free | :55:25. | :55:29. | |
Man, I'm just living my life There's nothing crazy about me | :55:29. | :55:33. | |
Some people pay for thrills but I get mine for free | :55:33. | :55:36. | |
Man, I'm just living my life There's nothing crazy about me | :55:36. | :55:46. | |
:55:46. | :55:47. | ||
Some people pay for thrills but I get mine for free | :55:47. | :55:48. | |
Man, I'm just living my life There's nothing crazy about me | :55:48. | :55:50. | |
Some people pay for thrills but I get mine for free | :55:50. | :55:52. | |
Man, I'm just living my life There's nothing crazy about me | :55:52. | :55:58. | |
Bounce, bounce, bounce | :55:58. | :56:00. | |
Come on, come on | :56:01. | :56:03. | |
Bounce, bounce, bounce | :56:03. | :56:06. | |
Come on, come on | :56:06. | :56:09. | |
Bounce, bounce, bounce | :56:09. | :56:12. | |
Bonkers | :56:12. | :56:20. | |
Come on, come on | :56:21. | :56:28. | |
# Let's go fucking bonkers | :56:28. | :56:31. |