Browse content similar to Laura Mvula & Noah and the Whale. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Greg James and that is Gemma. This is BBC Three at Glastonbury on day | 0:00:19 | 0:00:27 | |
two. The news from the farm is it's sunny. Look at this! It's beautiful. | 0:00:27 | 0:00:30 | |
Behind us Primal Scream has just kicked off. They have special | 0:00:30 | 0:00:36 | |
guests. Not a welly in sight. I'm chuffed. I have my silver booties on | 0:00:36 | 0:00:42 | |
today. At those.Loads to come, including our gorgeous Jen Long on | 0:00:42 | 0:00:49 | |
the ground. Hi? I'm in silver haze, this is like the dance music area | 0:00:49 | 0:00:54 | |
Glastonbury. It's a new area. That's a carnival sound system. To my | 0:00:54 | 0:01:00 | |
right, the sonic stage. Mr Jam is DJing right now. Everyone is having | 0:01:00 | 0:01:06 | |
a wild time. The sun has come out. While everyone was smiling yesterday | 0:01:06 | 0:01:12 | |
but the smiles are bigger. I went to the BBC introducing stage and saw | 0:01:12 | 0:01:19 | |
Haim do a secret set. I saw AD Sullivan and I'm going to be | 0:01:19 | 0:01:22 | |
chatting to artists and regular punters about what makes today | 0:01:22 | 0:01:27 | |
fantastic. Back to you. I really like it when there's | 0:01:27 | 0:01:34 | |
weirdos in the back, edging into shot. There's this as well.Speaking | 0:01:34 | 0:01:39 | |
of that, it's quite laddie tonight. We have chasing status live at 10. | 0:01:39 | 0:01:43 | |
30, Example will be chatting with is as well. Noah & The Whale, who are | 0:01:43 | 0:01:48 | |
quieter lads, but lads nonetheless. We have Ben Howard as well. It's a | 0:01:48 | 0:01:52 | |
sausage party. It's not just a lad fest you know, we have the beautiful | 0:01:52 | 0:01:58 | |
Haim, who I cannot wait to meet, with a special acoustic. They've | 0:01:58 | 0:02:03 | |
been busy this weekend. Have done about six performances. I'm looking | 0:02:03 | 0:02:09 | |
forward to speaking to them. Also, up next, the beautiful, a lady who | 0:02:09 | 0:02:14 | |
up next, the beautiful, a lady who up next, the beautiful, a lady who | 0:02:14 | 0:02:24 | |
0:02:24 | 0:02:24 | ||
Apology for the loss of subtitles for 43 seconds | 0:02:24 | 0:03:07 | |
# There she was looking for a saviour | 0:03:07 | 0:03:17 | |
0:03:17 | 0:03:17 | ||
Apology for the loss of subtitles for 43 seconds | 0:03:17 | 0:04:08 | |
saviour # She close your eyes and then she | 0:04:08 | 0:04:11 | |
had a smile # You don't stop, no | 0:04:11 | 0:04:18 | |
# You belong to me # She cry | 0:04:18 | 0:04:24 | |
# Maybe it's too late # She don't stop | 0:04:25 | 0:04:34 | |
0:04:35 | 0:04:54 | ||
# She don't stop # She don't stop Sunshine she don't, | 0:04:54 | 0:05:04 | |
0:05:04 | 0:05:20 | ||
she don't sunshine she don't stop, # She walked towards you with her | 0:05:21 | 0:05:26 | |
head down # She wondered if there's a way out | 0:05:26 | 0:05:31 | |
# Who's going to take her home this time? | 0:05:31 | 0:05:41 | |
0:05:41 | 0:05:42 | ||
# She knew that this time would be CHEERING AND APPLAUSE | 0:05:42 | 0:05:45 | |
CHEERING AND APPLAUSE Thank you very much. | 0:05:45 | 0:05:55 | |
0:05:55 | 0:06:26 | ||
# Hey there you # Shattered in a thousand pieces | 0:06:26 | 0:06:30 | |
# Hey there you # Trying to stand up on your own two | 0:06:30 | 0:06:36 | |
feet # Stumbling through the sky | 0:06:36 | 0:06:43 | |
# When the lights go out and you're on your own | 0:06:43 | 0:06:50 | |
# How you gonna make it through till the morning? | 0:06:50 | 0:07:00 | |
0:07:00 | 0:07:01 | ||
# Sing to the moon and the stars # Lead you to the other side | 0:07:01 | 0:07:11 | |
0:07:11 | 0:07:11 | ||
# Sing to the moon # And the stars will shine over you | 0:07:11 | 0:07:21 | |
0:07:21 | 0:07:36 | ||
# Hey there you # Hey there you | 0:07:36 | 0:07:46 | |
0:07:46 | 0:07:56 | ||
# When the lights go out # Never gonna see a day when your | 0:07:56 | 0:08:01 | |
# Sing to the moon and the stars will shine | 0:08:01 | 0:08:08 | |
# Over you Lead you to the other side | 0:08:08 | 0:08:13 | |
# Sing to the moon and the stars will shine | 0:08:13 | 0:08:19 | |
# Over you Heaven's gonna turn the time | 0:08:19 | 0:08:29 | |
0:08:29 | 0:08:48 | ||
# Sing to the moon and the stars will shine | 0:08:48 | 0:08:53 | |
# Over you Lead you to the other side | 0:08:53 | 0:08:59 | |
# Sing to the moon and the stars will shine | 0:08:59 | 0:09:05 | |
# Over you Heaven's gonna turn the time. # | 0:09:05 | 0:09:14 | |
# Sing to the moon and the stars will shine | 0:09:14 | 0:09:18 | |
# Over you Heaven's gonna turn the time. # | 0:09:18 | 0:09:24 | |
# Sing to the moon and the stars will shine | 0:09:25 | 0:09:29 | |
# Over you Heaven's gonna turn the time. # | 0:09:29 | 0:09:36 | |
# Sing to the moon and the stars will shine | 0:09:36 | 0:09:46 | |
0:09:46 | 0:09:48 | ||
# Sing to the moon and the stars will shine | 0:09:48 | 0:09:53 | |
# Over you Heaven's gonna turn the time. # | 0:09:53 | 0:10:01 | |
CHEERING AND APPLAUSE | 0:10:01 | 0:10:11 | |
0:10:11 | 0:10:15 | ||
I | 0:10:15 | 0:10:15 | |
I usually | 0:10:15 | 0:10:15 | |
I usually take | 0:10:15 | 0:10:21 | |
I can't walk in he's. I was going to attempt to walk in he's, but I think | 0:10:21 | 0:10:27 | |
for this song, as we're outside, and it's green, like a garden, we should | 0:10:27 | 0:10:31 | |
just have a good time. Thank you so much for being a wonderful audience. | 0:10:31 | 0:10:37 | |
This is my first Glastonbury ever. APPLAUSE | 0:10:37 | 0:10:42 | |
You've been fabulous. Thank you so much. Have a wonderful rest of the | 0:10:43 | 0:10:44 | |
much. Have a wonderful rest of the much. Have a wonderful rest of the | 0:10:44 | 0:10:54 | |
0:10:54 | 0:10:58 | ||
festival. Sit in the green garden | 0:10:58 | 0:11:04 | |
# Nobody out there, but it's OK now Don't mind if rain falls | 0:11:04 | 0:11:14 | |
0:11:14 | 0:11:20 | ||
Sit in the green garden # Ooh ah, ooh ah oh | 0:11:20 | 0:11:24 | |
of a butterfly # High as a tree top | 0:11:24 | 0:11:31 | |
Putting my bag down # Taking my shoes off | 0:11:31 | 0:11:39 | |
# Walk in the carpet of green velvet # Dance in my garden like we used to | 0:11:39 | 0:11:49 | |
# Ooh ah, ooh ah oh # Dance in my garden like we used to | 0:11:49 | 0:11:58 | |
# Ooh ah, ooh ah oh Sit in the green garden | 0:11:58 | 0:12:07 | |
# Nobody out there, but it's OK now Don't mind if rain falls | 0:12:07 | 0:12:12 | |
# I'll go wherever you go Wherever you take me | 0:12:12 | 0:12:22 | |
0:12:22 | 0:12:54 | ||
# Dance in my garden like we used to The dance | 0:12:54 | 0:13:02 | |
# Dance in my garden like we used to | 0:13:02 | 0:13:11 | |
# I'll go wherever you go Wherever you take me | 0:13:11 | 0:13:21 | |
0:13:21 | 0:13:23 | ||
# I'll go I'll go wherever you go | 0:13:23 | 0:13:27 | |
# Wherever you take me | 0:13:27 | 0:13:30 | |
# I'll go, I'll go, wherever you go Wherever you take me | 0:13:30 | 0:13:39 | |
# I'll go, I'll go wherever you go | 0:13:39 | 0:13:43 | |
# I'll go, I'll go wherever you go | 0:13:43 | 0:13:45 | |
# Wherever you take me, I'll go. # | 0:13:45 | 0:13:50 | |
# I'll go, I'll go wherever you go | 0:13:50 | 0:13:54 | |
# Wherever you take me, I'll go. # | 0:13:54 | 0:14:00 | |
CHEERING AND APPLAUSE | 0:14:00 | 0:14:09 | |
Glastonbury | 0:14:09 | 0:14:09 | |
Glastonbury thank | 0:14:09 | 0:14:09 | |
Glastonbury thank you | 0:14:09 | 0:14:15 | |
You've been amazing. This is my last song. My name is Laura Mvula. Thank | 0:14:15 | 0:14:18 | |
song. My name is Laura Mvula. Thank song. My name is Laura Mvula. Thank | 0:14:18 | 0:14:28 | |
0:14:28 | 0:14:58 | ||
song. My name is Laura Mvula. Thank # I will never be what you want | 0:14:58 | 0:15:02 | |
# And that's all right # I play my own tune | 0:15:02 | 0:15:09 | |
# Shine like the moon # Embarrass Embarrassing | 0:15:09 | 0:15:15 | |
# What you gonna do # When I fly over you | 0:15:15 | 0:15:25 | |
# The centre of the universe # Who make you the centre of the | 0:15:25 | 0:15:28 | |
universe # Who made you the centre of the | 0:15:28 | 0:15:34 | |
universe? # Who made you the centre of the | 0:15:34 | 0:15:39 | |
universe? # Every morning when I wake up I | 0:15:39 | 0:15:44 | |
pray for you # And then I pray for me that soon | 0:15:44 | 0:15:48 | |
you'll see # How love can be, our love will set | 0:15:48 | 0:15:51 | |
you free # And what's it gonna be | 0:15:51 | 0:15:58 | |
# I see the beauty in your eyes # Who made you the centre of the | 0:15:58 | 0:16:04 | |
universe? # Who made you the centre of the | 0:16:04 | 0:16:09 | |
universe? # Who made you the Seb centre of the | 0:16:09 | 0:16:15 | |
universe? # Who made you the centre of the | 0:16:15 | 0:16:23 | |
universe? # I will be what you want and that's | 0:16:23 | 0:16:26 | |
all right # My skin ain't light and my body | 0:16:26 | 0:16:30 | |
ain't tight # I will never be what you want and | 0:16:30 | 0:16:33 | |
that's all right # Because my skin ain't light and | 0:16:33 | 0:16:39 | |
that's all right # Who made you the centre of the | 0:16:39 | 0:16:45 | |
universe? # Who made you the centre of the | 0:16:46 | 0:16:52 | |
universe? # Who made you the centre of the | 0:16:52 | 0:16:59 | |
universe? # Who made you the centre of the | 0:16:59 | 0:17:09 | |
0:17:09 | 0:17:43 | ||
# Who made you the centre of the # Aaahhhhh | 0:17:43 | 0:17:49 | |
# Aaahhhhh # Oooohhhhh # | 0:17:49 | 0:17:53 | |
CHEERING AND APPLAUSE Thank you so much. | 0:17:53 | 0:17:57 | |
Zblt wonderful Laura Mvula from the pyramid stage earlier today. She did | 0:17:57 | 0:18:02 | |
a festival at aido one, do you remember? Yes. It was absolutely | 0:18:02 | 0:18:07 | |
packed out. You could hear a pin drop. Her voice was incredible. | 0:18:07 | 0:18:13 | |
was so packed, I went to get a beer and I wasn't allowed in because | 0:18:13 | 0:18:19 | |
everybody was crammed in. Some of you may have blacked out during that | 0:18:19 | 0:18:22 | |
last bit, some seconds of nothing. I'm sorry. Someone accidentally | 0:18:22 | 0:18:26 | |
pulled the plug out. I'm sorry about that. Oh, dear.There's loads of | 0:18:26 | 0:18:33 | |
stuff going on behind us. You have Primal Scream. Watch whatever you | 0:18:33 | 0:18:36 | |
want whenever you want on these tablets. Watch it on your mobile | 0:18:36 | 0:18:41 | |
devices. This is the first ever digital Glastonbury. Don't miss out | 0:18:41 | 0:18:48 | |
on anything. Super exciting. You can also tweet us Include File Not Found | 0:18:48 | 0:18:58 | |
0:18:58 | 0:19:15 | ||
Earlier on she spoke to Rudimental. Behind the Sonic Stage, taking the | 0:19:15 | 0:19:21 | |
stage soon are Rudimental. How are you doing? More than excited. It's | 0:19:21 | 0:19:25 | |
Glastonbury. This is what we dreamed of. We're ecstatic to be here. Can't | 0:19:25 | 0:19:28 | |
wait to get on stage. Been playing loads of festivals for the last | 0:19:28 | 0:19:33 | |
year. This is your first ever Glastonbury is that right? It is and | 0:19:34 | 0:19:38 | |
we're under-prepared as well. been watching it on the BBC for | 0:19:38 | 0:19:41 | |
years, all the headline acts and various performers. To get a chance | 0:19:41 | 0:19:48 | |
to do it ourselves, it's emotional. One of our first dreams was to play | 0:19:48 | 0:19:52 | |
at Glastonbury main stage in the next five or six years. Did your | 0:19:52 | 0:19:57 | |
mates give you any survival tips because it's crazy here? It's nuts | 0:19:57 | 0:20:00 | |
because it's like, make sure you pack the correct footwear. If you | 0:20:01 | 0:20:04 | |
don't you're going to be in trouble. You're all right though. It's sunny | 0:20:04 | 0:20:08 | |
today. It is beautiful. We're truly blessed with the weather. We're | 0:20:08 | 0:20:12 | |
happy about that. The live show. We have a lot of great vocalists on the | 0:20:12 | 0:20:18 | |
album. Are there secrets -- secret guests on the bus? I don't know. | 0:20:18 | 0:20:25 | |
That would be giving await secrets. We've got our vocalists and a great | 0:20:25 | 0:20:29 | |
bunch of vocalists to choose from. There will be some from the album. | 0:20:29 | 0:20:35 | |
Played last night for Radio 1 in Shangri La is that correct? It was | 0:20:35 | 0:20:39 | |
crazy. Was a DJ set. There was a lot of energy on stage. What you see us | 0:20:39 | 0:20:44 | |
live it's a whole different experience. You played Hackney | 0:20:44 | 0:20:47 | |
Weekend for Radio 1 last year that. Was a home coming for you, I guess. | 0:20:47 | 0:20:51 | |
How does this compare? It's crazy. That was our second live show. Now | 0:20:51 | 0:20:56 | |
we have a bit more experience under our belt. We go in there a little | 0:20:56 | 0:21:00 | |
less nervous. It doesn't compare. It's Glastonbury, you know, we live | 0:21:00 | 0:21:04 | |
for this. This is what we work so hard for, 24 hours a day, seven days | 0:21:04 | 0:21:10 | |
a week in the studio for. Once all the work is over tonight, any plans? | 0:21:10 | 0:21:16 | |
We're going to enjoy ourselves. There's so much more to see. Rolling | 0:21:16 | 0:21:25 | |
Stones. We're DJing after as well. And looking forward to seeing Nars | 0:21:25 | 0:21:29 | |
who's on after us. I want to see the Rolling Stones as well. We will have | 0:21:29 | 0:21:33 | |
to divide the crew. I'll leave to you debate it over. Thank you for | 0:21:33 | 0:21:38 | |
chatting to me. Thank you. We are really excited to | 0:21:38 | 0:21:42 | |
bring you Rudimental later on as we speak, there's a tape being run | 0:21:42 | 0:21:48 | |
across the whole of the farm from the sonic haze, a little boy is | 0:21:48 | 0:21:52 | |
running a tape across to the BBC Three people and they'll put the | 0:21:52 | 0:21:54 | |
tape in the machine and the wonderful people at home will be | 0:21:54 | 0:21:58 | |
able to see it. That's the first ever truly digital Glastonbury there | 0:21:58 | 0:22:02 | |
in action. Fingers crossed that it will be successful. I'm loving the | 0:22:02 | 0:22:07 | |
fact that your legs are so long thaw nearly broke the chair. Yeah, sorry. | 0:22:07 | 0:22:11 | |
We're about to go live, if I looked like I was about to burst into | 0:22:11 | 0:22:15 | |
laughter, it's because Greg nearly broke the chair. Too tall for | 0:22:15 | 0:22:22 | |
everywhere. I'm just mainly leg. You carry on. It's fine. I'll carry on. | 0:22:23 | 0:22:28 | |
Thank goodness for Haim. They are three sisters fromical fosh -- from | 0:22:28 | 0:22:31 | |
California. They were rocking up the California. They were rocking up the | 0:22:31 | 0:22:41 | |
0:22:41 | 0:22:58 | ||
California. They were rocking up the # I give a little into the moment | 0:22:58 | 0:23:08 | |
0:23:08 | 0:23:23 | ||
# I hear the voices # And nothing's gonna wake me now | 0:23:23 | 0:23:33 | |
0:23:33 | 0:23:35 | ||
# And I'll never look back # And if it gets rough | 0:23:35 | 0:23:40 | |
# They keep saying Don't stop, no-one's ever enough | 0:23:40 | 0:23:42 | |
# I'll never look back Never give up | 0:23:42 | 0:23:44 | |
# And if it gets rough It's time to get rough | 0:23:44 | 0:23:46 | |
# But now I'm falling Falling, falling | 0:23:46 | 0:23:48 | |
# Falling, falling, falling | 0:23:48 | 0:23:51 | |
# Falling, falling, falling Falling, oh | 0:23:51 | 0:23:55 | |
# Now I'm going down And I can feel the eyes | 0:23:55 | 0:23:59 | |
# They're watching us so closely, oh | 0:23:59 | 0:24:03 | |
# I'm trying not to make a sound Cos I'll be found out somehow | 0:24:03 | 0:24:10 | |
# So keep calling | 0:24:10 | 0:24:12 | |
# Don't stop, no, I'll never give up | 0:24:12 | 0:24:14 | |
# And I'll never look back Just hold your head up | 0:24:14 | 0:24:16 | |
# And if it gets rough It's time to get rough | 0:24:16 | 0:24:19 | |
# They keep saying Don't stop, no-one's ever enough | 0:24:19 | 0:24:22 | |
# I'll never look back Never give up | 0:24:22 | 0:24:24 | |
# And if it gets rough It's time to get rough | 0:24:24 | 0:24:26 | |
# But now I'm falling into the fire Feeling higher than the truth | 0:24:26 | 0:24:31 | |
# I can feel the heat but I'm not burning | 0:24:31 | 0:24:36 | |
# Feeling desire, feeling tired Hungry too | 0:24:36 | 0:24:40 | |
# Feels like I'm falling Yeah, I can hear them calling | 0:24:40 | 0:24:44 | |
# Into the fire feeling higher than the truth | 0:24:44 | 0:24:48 | |
# I can feel the heat but I'm not burning | 0:24:48 | 0:24:52 | |
# Feeling desire, feeling tired Hungry too | 0:24:52 | 0:24:57 | |
# Feels like I'm falling, yeah I can hear them calling | 0:24:57 | 0:25:07 | |
0:25:07 | 0:25:33 | ||
# Falling, falling, falling Falling, falling, falling | 0:25:33 | 0:25:40 | |
# Falling, falling, falling, oh | 0:25:40 | 0:25:47 | |
# Oh and now I'm falling Falling, falling, falling | 0:25:47 | 0:25:51 | |
# And now I'm falling into the fire feeling higher than the truth | 0:25:51 | 0:25:54 | |
# I can feel the heat but I'm not burning | 0:25:54 | 0:25:56 | |
# Feeling desire, feeling tired Hungry too | 0:25:56 | 0:26:00 | |
# Feels like I'm falling Yeah, I can hear them calling for me | 0:26:00 | 0:26:06 | |
# Into the fire Feeling higher than the truth | 0:26:06 | 0:26:09 | |
# I can feel the heat but I'm not burning | 0:26:09 | 0:26:13 | |
# Feeling desire, feeling tired Hungry too | 0:26:13 | 0:26:17 | |
# It feels like I'm falling, yeah I can hear them calling for me | 0:26:17 | 0:26:26 | |
# Falling, falling, falling, falling Fall, yeah | 0:26:26 | 0:26:29 | |
# And now I'm falling Falling, falling, falling, falling | 0:26:29 | 0:26:34 | |
# And now I'm falling Falling, falling, falling, falling | 0:26:34 | 0:26:41 | |
# Never look back, never give up | 0:26:41 | 0:26:44 | |
# I'll never give up I'll never give up | 0:26:44 | 0:26:46 | |
# Never look back, never give up | 0:26:47 | 0:26:48 | |
# Never look back, never give up | 0:26:48 | 0:26:50 | |
# Never look back, never give up | 0:26:50 | 0:26:52 | |
# I'll never give up I'll never give up | 0:26:52 | 0:26:54 | |
# Never look back, never give up | 0:26:54 | 0:26:56 | |
# Never look back, never give up | 0:26:56 | 0:26:58 | |
# Never look back, never give up | 0:26:58 | 0:27:00 | |
# I'll never give up I'll never give up | 0:27:00 | 0:27:02 | |
# Never look back, never give up | 0:27:02 | 0:27:04 | |
# Never look back, never give up | 0:27:04 | 0:27:06 | |
# Never look back, never give up | 0:27:06 | 0:27:08 | |
# I'll never give up I'll never give up | 0:27:08 | 0:27:11 | |
APPLAUSE AND CHEERING | 0:27:11 | 0:27:21 | |
0:27:21 | 0:27:48 | ||
# | 0:27:48 | 0:27:48 | |
# You | 0:27:48 | 0:27:48 | |
# You tried | 0:27:48 | 0:27:51 | |
# You tried to see # And you tried to bring yourself | 0:27:51 | 0:28:01 | |
0:28:01 | 0:28:10 | ||
# But I'm trying to get # Hey you! Hey you! | 0:28:10 | 0:28:16 | |
# Now I know I'm never gonna go your way | 0:28:16 | 0:28:18 | |
# If you go, now I know I know know know | 0:28:18 | 0:28:21 | |
# Forever we tried to make it right | 0:28:21 | 0:28:23 | |
# Together we saw the end in sight | 0:28:23 | 0:28:25 | |
# I'm tired of fighting the good fight | 0:28:25 | 0:28:27 | |
# If you say the word then I'll say goodbye | 0:28:27 | 0:28:29 | |
# Forever I see you and me | 0:28:29 | 0:28:30 | |
# Forever I'll try for you and I | 0:28:30 | 0:28:35 | |
# No, I never believed in their insight | 0:28:35 | 0:28:36 | |
# Just another good reason to get it right | 0:28:36 | 0:28:39 | |
# I don't want to turn around | 0:28:39 | 0:28:42 | |
# So come on, baby Come on and try to let it out | 0:28:42 | 0:28:46 | |
# Let go We're still the same | 0:28:46 | 0:28:49 | |
# So come on, baby | 0:28:49 | 0:28:50 | |
# Trigger the sound Let's figure it out | 0:28:50 | 0:28:52 | |
# Let's get back to where we started out | 0:28:52 | 0:28:55 | |
# Hey you! Hey you! Can't you make this sane? | 0:28:55 | 0:28:58 | |
# I know, I know, I know you ain't the one to play the game | 0:28:58 | 0:29:02 | |
# Now I know I'm never gonna go your way | 0:29:02 | 0:29:06 | |
# If you go, now I know I know know know | 0:29:06 | 0:29:10 | |
# Forever we tried to make it right | 0:29:10 | 0:29:11 | |
# Together we saw the end in sight | 0:29:11 | 0:29:13 | |
# I'm tired of fighting the good fight | 0:29:13 | 0:29:16 | |
# If you say the word then I'll say goodbye | 0:29:16 | 0:29:17 | |
# Forever I see you and me | 0:29:17 | 0:29:19 | |
# Forever I'll try for you and I | 0:29:19 | 0:29:23 | |
# No, I never believed in the reason | 0:29:23 | 0:29:25 | |
# Just another good reason to get a ride | 0:29:25 | 0:29:35 | |
0:29:35 | 0:29:58 | ||
# Go, go, go, go, get out Get out of my memory | 0:29:58 | 0:30:04 | |
# No, no, no, not tonight I don't have the energy | 0:30:04 | 0:30:12 | |
# Go, go, go, go, get out Get out of my memory | 0:30:12 | 0:30:20 | |
# No, no, no, not tonight Oh, not tonight | 0:30:20 | 0:30:25 | |
# Oh, not tonight | 0:30:25 | 0:30:28 | |
# Forever we tried to make it right | 0:30:28 | 0:30:30 | |
# Together we saw the end in sight | 0:30:30 | 0:30:31 | |
# I'm tired of fighting the good fight | 0:30:31 | 0:30:33 | |
# If you say the word then I'll say goodbye | 0:30:33 | 0:30:35 | |
# Forever I see you and me | 0:30:35 | 0:30:37 | |
# Forever I'll try for you and I | 0:30:37 | 0:30:41 | |
# No, I never believed in their insight | 0:30:41 | 0:30:43 | |
# Just another good reason to get it right | 0:30:43 | 0:30:44 | |
# Forever we tried to make it right | 0:30:44 | 0:30:46 | |
# Together we saw the end in sight | 0:30:47 | 0:30:48 | |
# I'm tired of fighting the good fight | 0:30:48 | 0:30:50 | |
# If you say the word then I'll say goodbye | 0:30:50 | 0:30:51 | |
# Forever I see you and me | 0:30:51 | 0:30:53 | |
# Forever I'll try for you and I | 0:30:53 | 0:30:56 | |
# No, I never believed in their insight | 0:30:56 | 0:30:57 | |
# Just another good reason to get it right. # | 0:30:58 | 0:31:01 | |
# Forever I'll try for you and I | 0:31:01 | 0:31:06 | |
# Forever I'll try for you and I | 0:31:06 | 0:31:10 | |
# Forever I'll try for you and I | 0:31:10 | 0:31:14 | |
APPLAUSE AND CHEERING | 0:31:14 | 0:31:21 | |
They're | 0:31:21 | 0:31:21 | |
They're so | 0:31:21 | 0:31:21 | |
They're so lovely. | 0:31:21 | 0:31:27 | |
They're so lovely. I love them. I love them. Haim, earlier on. I can't | 0:31:27 | 0:31:31 | |
wait to meet them. They'll be in here later. I've never met them | 0:31:31 | 0:31:35 | |
before. They're mad and brilliant. You will love them. Jen Long has | 0:31:36 | 0:31:40 | |
been out and about this weekend amongst the festival. She's also mad | 0:31:40 | 0:31:44 | |
and brilliant. At BBC Three, we celebrate the young people. So | 0:31:44 | 0:31:48 | |
here's Jen Long with the young people of Glastonbury. | 0:31:48 | 0:31:53 | |
So, I'm still here, I've met some girls who are having a great | 0:31:53 | 0:32:02 | |
weekend. What are your names? Daisy. Orie. I'm Moss. Where are you from | 0:32:02 | 0:32:10 | |
snrchlts Brighton. Did you get here? Wednesday. We came at 5am. 4! | 0:32:10 | 0:32:18 | |
in the line. Are you camping? the park. Due do last night?We went | 0:32:18 | 0:32:25 | |
to Shangri La. There were crazy people dancing and thrusting | 0:32:25 | 0:32:30 | |
everywhere. It was so good. It was amazing. You had to wear a moustache | 0:32:30 | 0:32:36 | |
to get in. Did you bring a moustache with you? No, they give you one. If | 0:32:36 | 0:32:42 | |
you lose it, you can't come back in. What due do snrchlts I like, just | 0:32:42 | 0:32:50 | |
went home. So boring.Plans for this evening? Rolling Stones. Rudimental | 0:32:50 | 0:33:00 | |
now coming on. Sunnies, so just enjoying the sun. We heard daft punk | 0:33:00 | 0:33:06 | |
rumours. Can't wait see them and then Chasing Status. That would be | 0:33:06 | 0:33:11 | |
amazing. That doesn't sound like it could be true. It's going to happen | 0:33:11 | 0:33:21 | |
0:33:21 | 0:33:21 | ||
tonight. I'll see you there, guys. Thanks so much. | 0:33:21 | 0:33:26 | |
Such Haim-a--likes. Amazing big glasses, long Shaggy hair. We'll | 0:33:26 | 0:33:31 | |
catch up with Jen later. Now to the other stage from earlier. One of my | 0:33:31 | 0:33:34 | |
favourite bands played earlier, Noah & The Whale. You should have heard | 0:33:34 | 0:33:38 | |
of them by now. They've had four albums. They were playing tracks | 0:33:38 | 0:33:43 | |
from their new album and the other three wonderful albums. If I were in | 0:33:43 | 0:33:48 | |
a band, I could fit into this band. They wore a suit. If I wore a suit | 0:33:48 | 0:33:51 | |
and puffed up my hair. Yeah.The and puffed up my hair. Yeah.The | 0:33:51 | 0:34:01 | |
0:34:01 | 0:34:01 | ||
Apology for the loss of subtitles for 43 seconds | 0:34:01 | 0:34:56 | |
and puffed up my hair. Yeah.The # So take a chance | 0:34:56 | 0:35:05 | |
# And leave tonight # I'll be waiting in a car outside | 0:35:05 | 0:35:11 | |
# You find a way # You let your anger and your sad | 0:35:11 | 0:35:13 | |
sadness # And when you turn around | 0:35:13 | 0:35:20 | |
# He's there and now he's stand standing with your finger on the | 0:35:20 | 0:35:22 | |
pulse # And then an open door, two foot | 0:35:22 | 0:35:25 | |
steps on the floor # And now you're standing with your | 0:35:25 | 0:35:35 | |
0:35:35 | 0:35:49 | ||
finger on the pulse # It's jar's face, her worried eyes | 0:35:49 | 0:35:52 | |
# Pulls back the door and gently steps inside | 0:35:52 | 0:35:56 | |
# The nighttime with a charcoal grin # The fuzzing diamonds on her | 0:35:57 | 0:36:02 | |
pallied skin # And when you turn around, he's | 0:36:02 | 0:36:05 | |
there on the ground # And now you're standing with your | 0:36:05 | 0:36:08 | |
finger on the pulse # And then an open door | 0:36:08 | 0:36:12 | |
# Two foot steps on the floor # And now you're standing with your | 0:36:12 | 0:36:22 | |
finger on the pulse # And if I don't belong by you | 0:36:22 | 0:36:27 | |
# I don't belong anywhere # You know I'd follow you | 0:36:27 | 0:36:37 | |
0:36:37 | 0:36:37 | ||
# To the heart of nowhere # It's just too kinds of people | 0:36:37 | 0:36:44 | |
# God fearing and the Godless # The cowards and the faithless | 0:36:44 | 0:36:54 | |
0:36:54 | 0:36:54 | ||
Apology for the loss of subtitles for 43 seconds | 0:36:54 | 0:37:43 | |
# The cowards and the faithless CHEERING AND APPLAUSE | 0:37:43 | 0:37:48 | |
We're going to do a song for you now that really suits today. It's called | 0:37:48 | 0:37:58 | |
0:37:58 | 0:37:58 | ||
Apology for the loss of subtitles for 43 seconds | 0:37:58 | 0:38:38 | |
that really suits today. It's called # This is a song for anyone | 0:38:38 | 0:38:45 | |
# I'll do anything to be happy Oh, cos blue skies are coming | 0:38:45 | 0:38:55 | |
0:38:55 | 0:38:57 | ||
# But I know that it's hard | 0:38:57 | 0:39:07 | |
0:39:07 | 0:39:24 | ||
# This is the last song that I write | 0:39:24 | 0:39:27 | |
# While still in love with you | 0:39:27 | 0:39:36 | |
# This is the last song that I write | 0:39:36 | 0:39:39 | |
# While you're even on my mind | 0:39:39 | 0:39:47 | |
# Cos it's time to leave those feelings behind | 0:39:47 | 0:39:57 | |
0:39:57 | 0:39:58 | ||
# Oh, cos blue skies are coming But I know that it's hard | 0:39:58 | 0:40:08 | |
0:40:08 | 0:40:09 | ||
# I don't think that it's the end But I know we can't keep going | 0:40:09 | 0:40:19 | |
0:40:19 | 0:40:20 | ||
# I don't think that it's the end But I know we can't keep going | 0:40:20 | 0:40:30 | |
0:40:30 | 0:40:31 | ||
# But blue skies are coming Oh, yeah, blue skies are coming | 0:40:31 | 0:40:41 | |
0:40:41 | 0:40:42 | ||
# Oh, well, blue skies are coming | 0:40:42 | 0:40:46 | |
# But I know that it's hard. # | 0:40:46 | 0:40:56 | |
0:40:56 | 0:41:22 | ||
# Aaaah | 0:41:22 | 0:41:27 | |
# Aaaah | 0:41:27 | 0:41:37 | |
0:41:37 | 0:41:39 | ||
CHEERING AND APPLAUSE | 0:41:39 | 0:41:49 | |
0:41:49 | 0:42:21 | ||
# | 0:42:21 | 0:42:21 | |
# Circles | 0:42:21 | 0:42:21 | |
# Circles of | 0:42:21 | 0:42:29 | |
# Circles of o street lights # There's people out there in the | 0:42:29 | 0:42:33 | |
black # You're in the town you grew up | 0:42:33 | 0:42:41 | |
# Because you'll never come back # The night outside is five below | 0:42:41 | 0:42:48 | |
# Tonight's the kind of night # Everything could change | 0:42:48 | 0:42:58 | |
0:42:58 | 0:43:04 | ||
# Tonight's the kind of night # Everything could change | 0:43:04 | 0:43:06 | |
# The rumble strip o'clock # And the rattling frame | 0:43:06 | 0:43:11 | |
# Beat out a pulse on his head # The engine hums and a humble tone | 0:43:11 | 0:43:16 | |
# A melody of rubber and lead # Under a lamp light glow | 0:43:16 | 0:43:21 | |
# And paradise stars # Infinity of dancing white light | 0:43:21 | 0:43:23 | |
# He sees that his debt # Is to experience only | 0:43:23 | 0:43:26 | |
# And not to those who'd plan out his life | 0:43:26 | 0:43:30 | |
# The night outside is five below # The moon is in the sky | 0:43:30 | 0:43:34 | |
# His heart is full of perfect joy # He whispers his goodbye | 0:43:34 | 0:43:41 | |
# Tonight's the kind of night # Where everything could change hr | 0:43:41 | 0:43:51 | |
0:43:51 | 0:43:53 | ||
# Tonight's the kind of night # Where everything could change | 0:43:53 | 0:43:55 | |
# Tonight's he's not gonna come back home | 0:43:55 | 0:44:01 | |
# Oh, tonight he's not gonna come back home | 0:44:01 | 0:44:09 | |
# Oh, tonight, he's not gonna come # Oh, tonight, he's not gonna come | 0:44:09 | 0:44:19 | |
0:44:19 | 0:44:24 | ||
# Tonight's the kind of night # Where everything could change | 0:44:24 | 0:44:30 | |
# Well, tonight's the kind of night # Well, tonight's the kind of night | 0:44:30 | 0:44:33 | |
# Where everything could change # Tonight's the kind of night | 0:44:33 | 0:44:42 | |
# Where everything could change # Well, tonight's the kind of night | 0:44:42 | 0:44:46 | |
# Well, tonight's the kind of night # Where everything could change | 0:44:46 | 0:44:50 | |
# Well, tonight's the kind of night # Well, tonight's the kind of night | 0:44:50 | 0:44:56 | |
# Where everything could change # Tonight's the kind of night | 0:44:56 | 0:45:06 | |
0:45:06 | 0:45:42 | ||
# Tonight's the kind of night # Lisa likes brandy | 0:45:42 | 0:45:50 | |
# She went on almost anyone From the hard time living | 0:45:50 | 0:45:51 | |
# Till the Chelsea days | 0:45:51 | 0:45:53 | |
# From when her hair was sweet blonde | 0:45:53 | 0:45:56 | |
# Till the day it turned grey She said "L-I-F-E G-O-E-S O-N" | 0:45:56 | 0:45:58 | |
# You've got more than money And sense, my friend | 0:45:58 | 0:46:01 | |
# You've got heart And you go in your own way | 0:46:01 | 0:46:06 | |
# L-I-F-E G-O-E-S O-N | 0:46:06 | 0:46:09 | |
# What you don't have now Will come back again | 0:46:09 | 0:46:12 | |
# You've got heart And you go in your own way | 0:46:12 | 0:46:22 | |
0:46:22 | 0:46:30 | ||
# Some people wear their history Like a map on their face | 0:46:30 | 0:46:33 | |
# And Joey was an artist Just living out a case | 0:46:33 | 0:46:35 | |
# But his best work Was his letters home | 0:46:35 | 0:46:41 | |
# His standard works of fiction About imaginary success | 0:46:41 | 0:46:44 | |
# The chorus girls in neon Were his closest things to friends | 0:46:44 | 0:46:47 | |
# But to a writer The truth is no big deal | 0:46:47 | 0:46:53 | |
# From the hard time living To the sleepless nights | 0:46:53 | 0:46:56 | |
# And the black and blue body From the weekend fights | 0:46:56 | 0:46:59 | |
# He'd say "L-I-F-E G-O-E-S O-N" | 0:46:59 | 0:47:02 | |
# You've got more than money And sense, my friend | 0:47:02 | 0:47:05 | |
# You've got heart And you go in your own way | 0:47:05 | 0:47:10 | |
# L-I-F-E G-O-E-S O-N | 0:47:10 | 0:47:13 | |
# What you don't have now Will come back again | 0:47:13 | 0:47:16 | |
# You've got heart And you go in your own way | 0:47:16 | 0:47:23 | |
# On my last night on earth I won't look to the sky | 0:47:23 | 0:47:28 | |
# Just breathe in the air And blink in the light | 0:47:28 | 0:47:34 | |
# On my last night on earth I'll pay a high price | 0:47:34 | 0:47:39 | |
# To have no regrets And be done with my life | 0:47:39 | 0:47:46 | |
# L-I-F-E G-O-E-S O-N | 0:47:46 | 0:47:49 | |
# You've got more than money And sense, my friend | 0:47:49 | 0:47:52 | |
# You've got heart And you go in your own way | 0:47:52 | 0:47:57 | |
# L-I-F-E G-O-E-S O-N | 0:47:57 | 0:48:02 | |
# What you don't have now Will come back again | 0:48:02 | 0:48:05 | |
# You've got heart And you go in your own way | 0:48:05 | 0:48:09 | |
# L-I-F-E G-O-E-S O-N | 0:48:10 | 0:48:12 | |
# You've got more than money And sense, my friend | 0:48:12 | 0:48:15 | |
# You've got heart And you go in your own way | 0:48:15 | 0:48:21 | |
# L-I-F-E G-O-E-S O-N | 0:48:21 | 0:48:24 | |
# What you don't have now Will come back again | 0:48:24 | 0:48:26 | |
# You've got heart | 0:48:26 | 0:48:34 | |
# And you go in your own way. # | 0:48:34 | 0:48:44 | |
0:48:44 | 0:48:57 | ||
CHEERING AND APPLAUSE | 0:48:57 | 0:49:03 | |
Noah | 0:49:03 | 0:49:03 | |
Noah & | 0:49:03 | 0:49:03 | |
Noah & The | 0:49:04 | 0:49:08 | |
Noah & The Whale there, the band that Greg wishes he was in. I can't | 0:49:08 | 0:49:12 | |
play the violin. I would like to be in Noah & The Whale or be Ben | 0:49:12 | 0:49:17 | |
Howard. Fair enough. He's joining us soon. He's causing bedlam in the | 0:49:17 | 0:49:22 | |
studio. Going to chat with naughty Ben in a second bit key board. I was | 0:49:22 | 0:49:25 | |
up to some weird stuff yesterday. heard about this, something to do | 0:49:25 | 0:49:29 | |
with grub and food. Was on telly. I came up with an idea to do a video | 0:49:29 | 0:49:34 | |
thing where I could get a free lunch. Nice.Know that programme, | 0:49:34 | 0:49:40 | |
man versus food with that fat American guy? This is my version. | 0:49:40 | 0:49:46 | |
You've heard of man versus food. This is Gregory does Glastonbury | 0:49:46 | 0:49:51 | |
grub. Hi ladies and gentleman, I've spotted your pizza, where is it | 0:49:51 | 0:50:00 | |
from? Glastonbury pizza.Right, I'm off. Hi. This is the back end of the | 0:50:00 | 0:50:10 | |
0:50:10 | 0:50:11 | ||
Glastonbury wood-fired pizza company. Jake, show me what to do. | 0:50:11 | 0:50:16 | |
You have to treat your dough like a beautiful woman. Give me the spade. | 0:50:16 | 0:50:25 | |
Heel. Hole in one. She's in. Next - toppings. Let's make some pizza. | 0:50:25 | 0:50:31 | |
Three types of cheese. Shove them all on. Pep Rhony? Peppers?Yeah, | 0:50:31 | 0:50:36 | |
all of it. Whack it on. Pizza fit for a legend. Now into the big oven. | 0:50:36 | 0:50:43 | |
Lovely. Look at this bad boy, how hot is it in there? 4000 degrees. | 0:50:43 | 0:50:48 | |
hot is it in there? 4000 degrees. Yes! -- 400 degrees.Yes! Is it | 0:50:48 | 0:50:58 | |
0:50:58 | 0:51:07 | ||
So this is jerk chicken. Of course it's jerk chicken. | 0:51:07 | 0:51:13 | |
This is the real food, jerk chicken, occur rid goat, rice and peas. | 0:51:13 | 0:51:20 | |
of all what is jerk chicken? It's chicken that's been marinated in all | 0:51:20 | 0:51:28 | |
different spices. What do we do? We marinate it like that. And like that | 0:51:28 | 0:51:32 | |
until the chicken get covered over. You have a lot on your hands there. | 0:51:32 | 0:51:37 | |
Yeah. That's Miky. He's the best jerk man in town. I can smell the | 0:51:37 | 0:51:44 | |
flavours coming out. You can see it's lovely charcoal here. Yeah, | 0:51:44 | 0:51:50 | |
man. Mean with that knife.I am. lovely bit of jerk. That is lovely. | 0:51:50 | 0:51:57 | |
I'm making these people over here very jealous. | 0:51:57 | 0:52:05 | |
This is Anna May's mac and cheese. You must be Anna? I am indeed.I've | 0:52:05 | 0:52:10 | |
heard that there's a challenge. do have a challenge. If you can eat | 0:52:10 | 0:52:14 | |
half a pan in a minute, it's been done. You might be able to beat the | 0:52:14 | 0:52:21 | |
record. One minute for half a pan? Yeah. Up for it. One minute, one | 0:52:21 | 0:52:27 | |
huge pan of mac and cheese. Let's do it. That's a bigger pan than I | 0:52:27 | 0:52:35 | |
thought. So I've brought some friends with me. This is Big Steve, | 0:52:35 | 0:52:41 | |
take two forks. This is slim Bob, take two forks. Crowd, are you | 0:52:41 | 0:52:51 | |
0:52:51 | 0:53:05 | ||
APPLAUSE That was Greg versus Glastonbury | 0:53:05 | 0:53:12 | |
grub. The mac defeated me but it was very nice. I'm going off and have a | 0:53:12 | 0:53:20 | |
little bit of sick. There you go, that is television | 0:53:20 | 0:53:25 | |
bronze. You ate really quickly. It made me feel a bit sick in my mouth. | 0:53:25 | 0:53:30 | |
Very much. I liked your hair bow. I modelled myself on you today. | 0:53:30 | 0:53:36 | |
We have a special guest. Now Ben Howard, Wem come to our tree house. | 0:53:36 | 0:53:44 | |
-- welcome to our tree house. on TV now? Yes, that inane chatter | 0:53:44 | 0:53:49 | |
is the basis of it. How was your set? It was good, fun. It's a | 0:53:49 | 0:53:55 | |
beautiful day. Do you think there were more or less people than are | 0:53:55 | 0:54:01 | |
for Primal Scream? More, definitely more. More? That's absolutely | 0:54:01 | 0:54:05 | |
flippin incredible. Yeah, there was. Sorry. They're playing now. Sorry. | 0:54:05 | 0:54:10 | |
How did it feel? It was pretty wild. It's a good view. It's mad standing | 0:54:10 | 0:54:15 | |
up there and just being able to look out on that many people and, I've | 0:54:15 | 0:54:19 | |
been here when it's been like a headline show. I saw Neil Young here | 0:54:19 | 0:54:24 | |
and it was full of people. It's incredible. We went up there and it | 0:54:24 | 0:54:30 | |
wane wasn't as many people as that, but it was a lot of people. | 0:54:30 | 0:54:34 | |
It's been an incredible couple of years for you. This must be a real | 0:54:34 | 0:54:38 | |
triumphant moment for you. It's been a long journey to get the | 0:54:38 | 0:54:41 | |
Glastonbury pyramid stage. Can you enjoy this moment and do nothing for | 0:54:41 | 0:54:47 | |
a while? Yeah, it felt like a lot of the summer built up to this point. | 0:54:47 | 0:54:51 | |
We weren't going to do shows this summer or many festivals. We got | 0:54:51 | 0:54:55 | |
invited to a few and then, they invited us to play this. It was OK, | 0:54:55 | 0:54:58 | |
we're doing a summer of festivals and this is going to be the biggest | 0:54:58 | 0:55:02 | |
moment. Have you been celebrating since the performance? Yeah. Yeah. | 0:55:02 | 0:55:06 | |
It's been fun. What's this rumour about you buying Haim a load of | 0:55:06 | 0:55:10 | |
drinks last night? Not last night. I bought them a load of drinks a while | 0:55:10 | 0:55:14 | |
back. I always thought they'd be like full rock-and-rollers. They're | 0:55:14 | 0:55:18 | |
good on the drink. They're happy people on the drink but they, I | 0:55:18 | 0:55:22 | |
don't know, you'll see them in a bit. Give them grief about it. I | 0:55:22 | 0:55:27 | |
thought they were proper rock-and-roll. What else do you do | 0:55:27 | 0:55:31 | |
at Glastonbury? Are you a healing fields kind of guy? I was told I | 0:55:31 | 0:55:39 | |
have a TV interview. I thought let's keep it calm. I have two days here. | 0:55:39 | 0:55:44 | |
Party starts after this. It's wild. Have you been out? It's wild. Just | 0:55:44 | 0:55:48 | |
the scale of this place is unbelievable. Do you feel extra | 0:55:48 | 0:55:52 | |
pressure doing the Pyramid Stage. Do you feel there's so much history | 0:55:52 | 0:55:56 | |
here? Or are you OK with that sort of thing? It's not the history, it's | 0:55:56 | 0:56:00 | |
great energy on that stage. You go to so many festivals and sometimes | 0:56:00 | 0:56:04 | |
you turn up and it's, I'm not spiritual in the slightest, but it's | 0:56:04 | 0:56:07 | |
like you get on the stage and sometimes it feels good and | 0:56:07 | 0:56:12 | |
sometimes it doesn't. That mace feels amazing. It's electric. | 0:56:12 | 0:56:17 | |
saw a load of Cornwall flags in the crowd. Yes! And Devon flags. It's | 0:56:17 | 0:56:22 | |
buzzing. The atmosphere is amazing. It was nice to play in the daytime, | 0:56:22 | 0:56:26 | |
so there's not much pressure. So nice to play early on and play to | 0:56:26 | 0:56:30 | |
that many people and have that view. To actually be able to stood in that | 0:56:30 | 0:56:34 | |
position and look out to so many people is amazing. What we're going | 0:56:34 | 0:56:39 | |
to do, we have to break for the news for a little bit, which kills the | 0:56:39 | 0:56:42 | |
Glastonbury vibe. If you stay right there, when we come back from the | 0:56:42 | 0:56:45 | |
news, we are going to play a whole chunk of your set from earlier on | 0:56:45 | 0:56:49 | |
today. Does that sound good? That sounds fun. We're back in just a | 0:56:49 | 0:56:50 |