Browse content similar to Arcade Fire. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and scenes of repetitive | :00:24. | :00:30. | |
flashing images. Good evening and welcome to | :00:31. | :00:53. | |
Glastonbury 2014, the Friday night. We've got hours of entertainment for | :00:54. | :00:59. | |
you. We've got some acoustic performances. Some of the highlights | :01:00. | :01:05. | |
of the Other Stages. Metronomy, but it is about the headliners tonight | :01:06. | :01:13. | |
on the Pyramid Stage. The headliners at Glastonbury you could almost say | :01:14. | :01:20. | |
they don't matter, because the festival sells out before they | :01:21. | :01:26. | |
announce the headliners. Tonight's headliner was Arcade Fire. They are | :01:27. | :01:35. | |
a band rather like Mumford Sons whose rise seems so to have been | :01:36. | :01:43. | |
meteoric. When they come and play they bring such a spectacle. That's | :01:44. | :01:52. | |
what you are going to enjoy in a minute. It is like a carnival. Just | :01:53. | :01:57. | |
let it wash over you. Their rise seems to have been speedy. Here's | :01:58. | :02:04. | |
the story of how Arcade Fire became a headlining act. | :02:05. | :02:08. | |
From a Canadian suburb to the heady heights of stadiums around the world | :02:09. | :02:15. | |
Arcade Fire have been whipping crowds into a frenzy for ten years. | :02:16. | :02:22. | |
Are the front man formed the group after moving to Montreal. They burst | :02:23. | :02:27. | |
on to the seen with their debut album Funeral in 2004. This indie | :02:28. | :02:33. | |
record became a smash and soon they were sharing the stage with Bowie. | :02:34. | :02:41. | |
We come from a pretty DIY more punk background, so we don't take any of | :02:42. | :02:48. | |
it for granted. In 2007 their Glastonbury tale begins. Bathed in | :02:49. | :02:56. | |
neon they had a storming set on the Other Stage. When we played | :02:57. | :03:04. | |
Glastonbury last time we flew in to the airport and hailed a cab and | :03:05. | :03:08. | |
said Glastonbury, please. He I remember playing Wake Up at | :03:09. | :03:19. | |
Glastonbury. It has become anthemic for people, where if something | :03:20. | :03:26. | |
happened this their lives, and you get that energy. Their third | :03:27. | :03:34. | |
offering a began when he saw a picture of his old neighbourhood. It | :03:35. | :03:41. | |
ended with a number 1. Fast forward a few years and shrounded in a Vale | :03:42. | :03:47. | |
of successy and gigs billed as the reflectors and their latest album | :03:48. | :03:52. | |
was revealed. Hailing back to their crowd-mingling beginnings they made | :03:53. | :03:55. | |
grand entrances to gigs sporting their now infamous bobble heads. | :03:56. | :03:58. | |
Wearing the giant masks is terrifying. You can only see out the | :03:59. | :04:03. | |
nostrils and you can't hear anything. It's the opposite of | :04:04. | :04:08. | |
therapeutic. But tonight it is all about one triangle-shaped structure | :04:09. | :04:14. | |
and one of the hottest bands in the world now. One of the rules of our | :04:15. | :04:23. | |
band is you can't perform in wellies and you can't be wearing a festival | :04:24. | :04:26. | |
tag when you perform. # Entre les voyants, | :04:27. | :05:35. | |
les vivants et les morts # It's just a Reflektor | :05:36. | :05:59. | |
(It's just a Reflektor) # It's just a Reflektor | :06:00. | :06:16. | |
(It's just a Reflektor) # We fell in love | :06:17. | :06:24. | |
when I was nineteen # Entre les voyants, | :06:25. | :06:37. | |
les vivants et les morts # It's just a Reflektor | :06:38. | :06:50. | |
(It's just a Reflektor) # It's just a Reflektor | :06:51. | :07:06. | |
(It's just a Reflektor) # It's just a reflection | :07:07. | :07:50. | |
# It's just a Reflektor (It's just a Reflektor) | :07:51. | :08:05. | |
# It's just a reflection of a reflection | :08:06. | :08:07. | |
# It's just a reflection of a reflection | :08:08. | :08:21. | |
# I thought I found a way to enter | :08:22. | :09:05. | |
# It's just a Reflektor (It's just a Reflektor) | :09:06. | :09:08. | |
# It's just a Reflektor (It's just a Reflektor) | :09:09. | :09:43. | |
# Thought you would bring me to the resurrector | :09:44. | :09:45. | |
# Turns out it was just a Reflektor (It's just a Reflektor) | :09:46. | :09:51. | |
# Thought you would bring to me the resurrector | :09:52. | :09:53. | |
# Turns out it was just a Reflektor (It's just a Reflektor) | :09:54. | :10:00. | |
# Thought you would bring to me the ressurector | :10:01. | :10:02. | |
# Turns out it was just a Reflektor (It's just a Reflektor) | :10:03. | :10:04. | |
# Will I see you on the other side? | :10:05. | :11:06. | |
We are so happy to be here, Glastonbury. | :11:07. | :15:53. | |
# I woke up with the power out # Not really somethin to shout about | :15:54. | :16:00. | |
# Ice has covered up my parents' hands | :16:01. | :16:02. | |
# I went out to find some light | :16:03. | :16:16. | |
# Kids are swingin' from the power lines | :16:17. | :16:18. | |
# Nobody's home, so nobody minds | :16:19. | :16:24. | |
# Neighbours all were shouting that they found the light | :16:25. | :16:28. | |
# Shadows jumpin' all over my walls | :16:29. | :16:33. | |
# Some of them big, some of them small | :16:34. | :16:39. | |
# I went out to pick a fight with anyone | :16:40. | :16:47. | |
# Ice has covered up my parents' eyes | :16:48. | :17:09. | |
# Don't know how to see, don't know how to cry | :17:10. | :17:15. | |
# And the power's out in the heart of man | :17:16. | :18:16. | |
# Just light a candle for the kids # Jesus Christ, don't keep it hid! | :18:17. | :18:53. | |
# And the power's out in the heart of man | :18:54. | :19:30. | |
# And there's something wrong in the heart of man | :19:31. | :19:46. | |
# Scare your son and scare your daughter | :19:47. | :22:41. | |
# Every time you close your eyes, lies, lies! | :22:42. | :23:32. | |
# People try and hide the light underneath the covers | :23:33. | :23:46. | |
# Underneath the covers # Come on, hide your lovers | :23:47. | :23:51. | |
# Underneath the covers # Hidin' from your brothers | :23:52. | :23:55. | |
# Underneath the covers # Come on, hide your lovers | :23:56. | :24:03. | |
# Scare your son, scare your daughter | :24:04. | :24:29. | |
# Now here's the sun, it's all right! | :24:30. | :24:31. | |
# Scare your son, scare your daughter | :24:32. | :24:37. | |
# Now here's the moon, it's all right! | :24:38. | :24:51. | |
# But every time you close your eyes, lies, lies! | :24:52. | :24:54. | |
lies, lies! lies, lies! | :24:55. | :25:32. | |
# You're the one that they used to hate | :25:33. | :27:10. | |
# You're my Joan of Arc # Joan of Arc | :27:11. | :27:29. | |
# You're my Joan of Arc # You had a vision they couldn't see | :27:30. | :27:30. | |
# But everything that you said would happen | :27:31. | :27:37. | |
# And they're the ones that put you down | :27:38. | :27:42. | |
# But I'm the one that will follow you | :27:43. | :27:49. | |
# You're my Joan of Arc # Tell the boys their time is | :27:50. | :27:52. | |
through # Now they tell you that you're | :27:53. | :27:59. | |
their muse # And they lit the fire? | :28:00. | :28:24. | |
called your name # When the voices came, you cut your | :28:25. | :28:33. | |
hair # Tell the boys their time is | :28:34. | :28:38. | |
through # Alors tu dis que je suis | :28:39. | :28:52. | |
une sainte # Mais ce n'est pas moi | :28:53. | :29:37. | |
# J'entends des voix # Mais ce n'est pas moi | :29:38. | :29:42. | |
# Je ne suis pas Jeanne d'Arc # And if you shoot you better hit | :29:43. | :29:47. | |
your mark # And if you shoot you better hit | :29:48. | :29:51. | |
# My Joan of Arc (Jeanne d'Arc) # Tell the boys their time is | :29:52. | :29:54. | |
through # Joan of Arc (Jeanne d'Arc) | :29:55. | :29:59. | |
# Tell the boys I'll follow you # Joan of Arc (Jeanne d'Arc) | :30:00. | :30:05. | |
# When the boys are over you # I'll follow you | :30:06. | :30:11. | |
# Tell the boys I'll follow you # First they love you, then they | :30:12. | :30:39. | |
kill you # Then they love you again | :30:40. | :31:05. | |
kill you We are so grateful | :31:06. | :31:32. | |
and honoured to be here. # Grab your mother's keys | :31:33. | :32:08. | |
we're leavin' # I saw you standing on the opposite | :32:09. | :32:46. | |
shore # But by the time the first bombs | :32:47. | :33:15. | |
fell # But in my dreams we're still | :33:16. | :33:18. | |
screamin' # And all of the walls that they | :33:19. | :33:59. | |
built in the '70s finally fall # And all of the houses they built | :34:00. | :34:18. | |
in the '70s finally fall # Why I want a daughter while I'm | :34:19. | :34:20. | |
still young # But if it's too much to ask | :34:21. | :35:08. | |
It's too much to ask # In the parking lot we're still | :35:09. | :35:24. | |
waiting # So move your feet from hot | :35:25. | :35:37. | |
pavement and into the grass # So move your feet from hot | :35:38. | :35:39. | |
pavement and into the grass # In my dreams we're still | :35:40. | :36:50. | |
# If I could have the time back, I would love to waste it again | :36:51. | :38:02. | |
and again and again in a field with my friends. | :38:03. | :38:05. | |
# Like the kids in art school said they would | :38:06. | :39:33. | |
# You say, "Can we still be friends?" | :39:34. | :39:39. | |
# Cos it's better than being alone | :39:40. | :40:18. | |
# Saying please come out with us tonight | :40:19. | :40:46. | |
# Like the kids in art school said they would | :40:47. | :41:05. | |
# You say, "Can we still be friends?" | :41:06. | :41:17. | |
# Than live in the shadows of your song | :41:18. | :42:20. | |
We are Arcade Fire and we are from Montreal. | :42:21. | :43:31. | |
# And if the snow buries my, my neighborhood | :43:32. | :44:22. | |
# Then I'll dig a tunnel from my window to yours | :44:23. | :44:36. | |
# And meet me in the middle, the middle of the town | :44:37. | :45:06. | |
# And since there's no-one else around | :45:07. | :45:11. | |
# We let our hair grow long and forget all we used to know | :45:12. | :45:19. | |
# Then our skin gets thicker from living out in the snow | :45:20. | :45:26. | |
# You change all the lead, sleeping in my head | :45:27. | :45:32. | |
# As the day grows dim I hear you sing a golden hymn | :45:33. | :45:54. | |
# But we forgot all the names that the names we used to know | :45:55. | :46:13. | |
# And spread the ashes of the colours over this heart of mine | :46:14. | :48:11. | |
Everyone of us is born special and unique, | :48:12. | :48:38. | |
and somewhere along the way, someone tries to get us to be the same. | :48:39. | :48:41. | |
I just want to say, however you were born, you are perfect, or I? | :48:42. | :48:44. | |
# Walk in a room, stare out through you | :48:45. | :49:21. | |
# Daddy it's true, I'm different from you | :49:22. | :49:38. | |
# But tell me why they treat me like this? | :49:39. | :49:43. | |
# You turn away, what could I say # Not the first betrayed by a kiss | :49:44. | :49:51. | |
# They're staring at you # When you walk in a room# Turn on | :49:52. | :50:00. | |
# Just let us through # Or just let us through | :50:01. | :50:26. | |
# Down on your knees # Begging us please | :50:27. | :50:29. | |
# Daddy, it's fine, I'm used to them now | :50:30. | :50:37. | |
# But tell me why they treat me like this? | :50:38. | :50:40. | |
# Maybe it's true # They're staring at you | :50:41. | :51:01. | |
# Or just let us through # Just let us through | :51:02. | :51:29. | |
# Let them stare # That's all right with you | :51:30. | :51:39. | |
# But lose myself if it turn away from you | :51:40. | :51:47. | |
# Daddy told him to wait # Mother, I'm so scared | :51:48. | :51:54. | |
# But will you watch us drown? # You know that they will | :51:55. | :52:06. | |
# What are you so afraid to lose? # But will you watch us drown? | :52:07. | :52:34. | |
# Praying that we don't exist # Begging us please | :52:35. | :52:50. | |
# Praying that we don't exist # Begging us please | :52:51. | :53:14. | |
# My body is a cage that keeps me from dancing | :53:15. | :54:39. | |
# With the one I love but my mind holds the key | :54:40. | :54:46. | |
# I'm standing on a stage of fear and self-doubt | :54:47. | :54:53. | |
# It's a hollow play but they'll clap anyway | :54:54. | :55:30. | |
# Same old city with a different name | :55:31. | :55:40. | |
# I don't know why, but I know I can't stay | :55:41. | :55:55. | |
# There's a weight that's pressing down | :55:56. | :55:59. | |
# Late at night you can hear the sound | :56:00. | :56:04. | |
# Even the noise you make when you sleep | :56:05. | :56:09. | |
# They know my name cos I told it to them | :56:10. | :56:17. | |
# But they don't know where and they don't know when | :56:18. | :56:22. | |
# It's coming when it's coming | :56:23. | :56:42. | |
# Knew its name since before I could speak, oh-oh-oh-oh | :56:43. | :57:01. | |
# They know my name cos I told it to them | :57:02. | :57:04. | |
# But they don't know where and they don't know when | :57:05. | :57:09. | |
# It's coming, oh, when, but it's coming, keep the car running | :57:10. | :57:28. | |
# Please don't think I've left you alone | :57:29. | :57:36. | |
# The same place animals go when they die | :57:37. | :57:41. | |
# You can't climb across a mountain so high | :57:42. | :57:46. | |
# The same city where I go when I sleep | :57:47. | :57:51. | |
# You can't swim across a river so deep | :57:52. | :58:05. | |
# They know my name cos I told it to them | :58:06. | :58:08. | |
# But they don't know where and they don't know when | :58:09. | :58:10. | |
# It's coming, oh, when is it coming? | :58:11. | :58:12. | |
# We know a place where no spaceships go | :58:13. | :00:39. | |
# Between the click of the light and the start of the dream | :00:40. | :02:19. | |
# Between the click of the light and the start of the dream | :02:20. | :02:34. | |
# Between the click of the light and the start of the dream | :02:35. | :03:08. | |
# Throw my ashes into the sea | :03:09. | :05:35. | |
# Guns can't kill what soldiers can't see | :05:36. | :06:15. | |
# Tous les morts-nes forment une armee | :06:16. | :07:28. | |
# In those days their blood was still warm | :07:29. | :08:11. | |
# In the dead light of the afterglow I've gotta know | :08:12. | :10:00. | |
# Can we work it out If we scream and shout | :10:01. | :10:07. | |
# Till we work it out? Can we just work it out | :10:08. | :10:15. | |
# Till we work it out? Till we work it out? | :10:16. | :10:26. | |
# Oh, it was just a glimpse of you Like looking through a window | :10:27. | :10:38. | |
# Or a shallow sea Could you see me? | :10:39. | :10:42. | |
# It's like nothing else we used to know | :10:43. | :10:49. | |
# Are done hanging on In the dead light of the afterglow | :10:50. | :10:58. | |
# I've gotta know Can we work it out | :10:59. | :11:02. | |
# If we scream and shout Till we work it out? | :11:03. | :11:09. | |
# Can we just work it out If we scream and shout | :11:10. | :11:13. | |
# Till we work it out? But you say | :11:14. | :11:19. | |
# Oh, when love is gone where does it go? | :11:20. | :11:23. | |
# Oh, when love is gone where does it go? | :11:24. | :11:32. | |
# Where do we go? And where do we go? | :11:33. | :11:44. | |
# Where do we go? And after this | :11:45. | :11:53. | |
# Can it last another night? After all the bad advice | :11:54. | :12:00. | |
# That had nothing at all to do with life | :12:01. | :12:05. | |
# I've gotta know Can we work it out | :12:06. | :12:10. | |
# If we scream and shout Till we work it out? | :12:11. | :12:15. | |
# Can we just work it out If we scream and shout | :12:16. | :12:20. | |
# Till we work it out? But you say | :12:21. | :12:26. | |
# Oh, when love is gone where does it go? | :12:27. | :12:31. | |
# Oh, when love is gone where does it go? | :12:32. | :12:48. | |
# Oh, when love is gone where does it go? | :12:49. | :12:54. | |
# Hey, Eurydice! Can you see me? (The underworld an endless wave) | :12:55. | :18:43. | |
# I will sing your name, till you're sick of me | :18:44. | :18:48. | |
# Just wait until it's over (Tu dis que c'est la fin du monde) | :18:49. | :18:53. | |
# But if you call for me, this frozen sea | :18:54. | :19:01. | |
# It melts beneath me (I saw you out in front of me) | :19:02. | :19:06. | |
# (Oh Orpheus don't turn around too soon) | :19:07. | :19:17. | |
# Boy, they're gonna eat you alive (Eat you alive) | :19:18. | :20:20. | |
# But it's never gonna happen now (Never gonna happen now) | :20:21. | :20:25. | |
# We'll figure it out somehow (Figure it out somehow) | :20:26. | :20:30. | |
# Boy, they're gonna eat you alive (Eat you alive) | :20:31. | :20:39. | |
# But it's never gonna happen now (Never gonna happen now) | :20:40. | :20:44. | |
# We'll figure it out somehow (Figure it out somehow) | :20:45. | :20:47. | |
# Cos it's never over (it's never over) | :20:48. | :20:50. | |
# They heard me singing and they told me to stop | :20:51. | :22:39. | |
# Quit these pretentious things and just punch the clock | :22:40. | :22:46. | |
# These days my life I feel it has no purpose | :22:47. | :22:52. | |
# But late at night the feelings swim to the surface | :22:53. | :23:03. | |
# Cos on the surface the city lights shine | :23:04. | :23:11. | |
# They're calling at me, come and find your kind | :23:12. | :23:20. | |
# Sometimes I wonder if the world's so small | :23:21. | :23:28. | |
# That we can never get away from the sprawl | :23:29. | :23:33. | |
# Living in the sprawl, dead shopping malls rise | :23:34. | :23:37. | |
# I need the darkness, someone please cut the lights | :23:38. | :23:52. | |
# We rode our bikes to the nearest park | :23:53. | :23:57. | |
# Sat under the swings and kissed in the dark | :23:58. | :24:08. | |
# You shield my eyes from the police lights | :24:09. | :24:14. | |
# The black river, your city lights shine | :24:15. | :24:31. | |
# Sometimes I wonder if the world's so small | :24:32. | :24:52. | |
# Living in the sprawl, dead shopping malls rise | :24:53. | :25:10. | |
# I need the darkness, someone please cut the lights | :25:11. | :25:35. | |
# Sometimes I wonder if the world's so small | :25:36. | :25:59. | |
# Can we ever get away from the sprawl? | :26:00. | :26:15. | |
# I need the darkness, someone please cut the lights | :26:16. | :27:33. | |
CHEERING Hello, Glastonbury! Are you sick of | :27:34. | :28:46. | |
live music? NO! What is this?! I'm sorry about that. | :28:47. | :29:58. | |
Oh, I like this one. coming everyone. Once again, we're | :29:59. | :30:53. | |
called the Arcade Fire. We appreciate your patience and your | :30:54. | :30:58. | |
energy. # Is anything as strange as | :30:59. | :31:07. | |
a normal person? # Well, I'm so confused, | :31:08. | :31:09. | |
am I a normal person, you know # I can't tell if | :31:10. | :31:35. | |
I'm a normal person, it's true # I think I'm cool enough, | :31:36. | :31:37. | |
but am I cruel enough # I'm gonna break you down until | :31:38. | :31:40. | |
everything is normal now # I'm gonna break you down until | :31:41. | :31:50. | |
everything is normal now # They take their tea at two, | :31:51. | :31:58. | |
all the normal people, they do # They burned the jungle down, | :31:59. | :32:13. | |
while they were sleeping it grew # You dream in English now, | :32:14. | :32:16. | |
in proper English, look how # You're just the same as me, | :32:17. | :32:18. | |
it's through # And they will break you down until | :32:19. | :32:27. | |
everything is normal now # They will break you down | :32:28. | :32:30. | |
until everyone is normal now # If that's what's normal now, | :32:31. | :32:38. | |
I don't want to know # If that's what's normal now, mama, | :32:39. | :32:50. | |
don't make me go # When they get excited | :32:51. | :33:03. | |
they try to hide it # When they get excited | :33:04. | :33:06. | |
they try to hide it # When they get excited | :33:07. | :33:10. | |
they try to hide it # When they get excited | :33:11. | :33:13. | |
they try to hide it # I'm gonna break you down until | :33:14. | :33:17. | |
everything is normal now # I'm gonna break you down until | :33:18. | :33:25. | |
everything is normal now # If that's what's normal now, | :33:26. | :33:32. | |
I don't want to know # Maybe if you have together, you | :33:33. | :33:45. | |
can make the changes in our hearts # And if you hang together, you can | :33:46. | :34:01. | |
change us, # I've never really | :34:02. | :34:04. | |
ever met a normal person # I've never really | :34:05. | :34:23. | |
ever met a normal person like you # And the missionaries, they tell us | :34:24. | :34:33. | |
we will be left behind # If you want to be righteous, | :34:34. | :36:40. | |
get in line # Look out, | :36:41. | :36:59. | |
here comes the night time # Look out, here comes | :37:00. | :37:24. | |
the night time # Yeah, heaven's a place | :37:25. | :37:47. | |
and they know where it is # It's behind the gate | :37:48. | :37:51. | |
they won't let you in # Coming from the street, | :37:52. | :38:05. | |
they lock the door # When I hear the beat, | :38:06. | :38:15. | |
the spirit's on me like a live wire # A thousand horses running wild | :38:16. | :38:35. | |
in a city on fire # But it starts in your feet, | :38:36. | :38:45. | |
then it goes to your head # And if you can't feel it, | :38:46. | :38:48. | |
then the roots are dead # And if you're the judge, | :38:49. | :38:54. | |
then what is our crime? # Look out, here comes | :38:55. | :39:00. | |
the night time # Now the preachers | :39:01. | :39:23. | |
they talk up on the satellite # Here comes the night time, | :39:24. | :40:06. | |
the night time # When you look in the sky, | :40:07. | :41:07. | |
just try looking inside # When you look in the sky, | :41:08. | :41:10. | |
just try looking inside that have happened to our band, this | :41:11. | :42:20. | |
has to be the highlight. Thank you. I've had the most amazing -- have | :42:21. | :42:24. | |
the most amazing time of your lives. Be safe. Take care of each other. | :42:25. | :42:27. | |
Let's sing this together. # Somethin' filled up my heart | :42:28. | :43:08. | |
with nothin' # Before they turn the summer into | :43:09. | :43:32. | |
dust # Our bodies get bigger, | :43:33. | :45:03. | |
but our hearts get torn up # We're just a million little gods | :45:04. | :45:20. | |
causin' rainstorms # When the reaper, he reaches and | :45:21. | :45:23. | |
touches my hand Thank you Glastonbury. Thank you so | :45:24. | :48:19. | |
much. You've made us so happy. Thank you so much. You guys rule. You guys | :48:20. | :48:27. | |
are the absolute best, thank you so much. That was amazing. | :48:28. | :48:35. | |
CHEERING AND APPLAUSE One more time. | :48:36. | :48:49. | |
What a triumphant set from Arcade Fire. I hope you're enjoying this, | :48:50. | :49:46. | |
wherever you are. A lot of you are maybe in your beds at the moment, | :49:47. | :49:51. | |
maybe having your own festival. This is the gorgeous Huw, fragrant, as | :49:52. | :49:59. | |
well. I'm not that fragrant. Those crazy Canadians, that was a good | :50:00. | :50:03. | |
set. What an amazing show. How's the day been? Lovely. I had a sleep in | :50:04. | :50:09. | |
the green fields. I saw Tune Yards. It started with Kaiser Chiefs. I've | :50:10. | :50:13. | |
had a lovely You're working day. Tomorrow? Yeah Radio 1 Saturday and | :50:14. | :50:19. | |
Sunday and then I hang out with you until 2am. What is the highlight | :50:20. | :50:24. | |
today? It's tricky. I loved what I saw of Lykke Li. She was brilliant | :50:25. | :50:30. | |
on the John Peel Stage. We'll bring you live highlights on the way. We | :50:31. | :50:33. | |
have guests joining us in the tree house as well. We certainly do. I | :50:34. | :50:40. | |
saw Kourtney Barnet. Sorry! I should have asked. How rude, that's all I'm | :50:41. | :50:48. | |
sayingment I enjoyed Kourtney Barnett. She was on the Park Stage. | :50:49. | :50:55. | |
It's behind us over here. She had a big crowd and really great. She's | :50:56. | :50:59. | |
working the festival and doing quite a few performances over the weekend. | :51:00. | :51:03. | |
Thanks for asking any way. Glad that was good. Cool, good start. We will | :51:04. | :51:08. | |
have some acoustic music now. He started playing pubs and clubs in | :51:09. | :51:17. | |
Dublin. It's his first Glastonbury. It's the wonderful Hozier. | :51:18. | :51:30. | |
# We were born sick, you heard them say it | :51:31. | :51:41. | |
# She tells me "worship in the bedroom" | :51:42. | :51:46. | |
# I'll worship like a dog at the shrine of your lies | :51:47. | :52:21. | |
# I'll worship like a dog at the shrine of your lies | :52:22. | :52:32. | |
# I'll tell you my sins and you can sharpen your knife | :52:33. | :52:35. | |
# Something meaty for the main course | :52:36. | :53:00. | |
# I'll worship like a dog at the shrine of your lies | :53:01. | :53:19. | |
# I'll worship like a dog at the shrine of your lies | :53:20. | :53:37. | |
# I'll tell you my sins so you can sharpen your knife | :53:38. | :53:50. | |
# No masters or kings when the ritual begins | :53:51. | :53:53. | |
# There is no sweeter innocence than our gentle sin | :53:54. | :54:00. | |
# In the madness and soil of that sad earthly scene | :54:01. | :54:08. | |
# I'll worship like a dog at the shrine of your lies | :54:09. | :54:36. | |
# I'll tell you my sins and you can sharpen your knife | :54:37. | :54:39. | |
# I'll worship like a dog at the shrine of your lies | :54:40. | :54:53. | |
Glastonbury. What are your first impressions? It is pretty | :54:54. | :55:26. | |
spectacular. The scale of it is quite hard to grasp at first. A | :55:27. | :55:32. | |
great way to be spending a Friday night. That was brilliant. Thank | :55:33. | :55:35. | |
you. That was Hozier. And it was cold up | :55:36. | :55:42. | |
here, so it was hard to play accousticly. | :55:43. | :55:45. | |
With chattering teeth. We are going to the West Holts | :55:46. | :55:50. | |
Stage, where I sues tUnE-yArDs earlier on. It used to be called | :55:51. | :55:58. | |
Jazz World Stage. MIA headlined tonight, a controversial character. | :55:59. | :56:02. | |
She did a lot of controversial things, flicking the finger during | :56:03. | :56:08. | |
the Super Bowl when performing with monnia. | :56:09. | :56:11. | |
She's an amazing artist. We want to put this out now. This is MIA. | :56:12. | :56:21. | |
I can't believe it, we are at Glastonbury, the biggest festival in | :56:22. | :56:23. | |
the world. What are we going to do? Blaze-a-blaze | :56:24. | :58:39. | |
galang-a-lang-a-lang-lang Purple haze galang-a-lang-a-lang | :58:40. | :58:40. | |
Blaze-a-blaze galang-a-lang-a-lang-lang Purple | :58:41. | :58:41. | |
haze galang-a-lang-a-lang London calling, speak the slang now Boys | :58:42. | :58:44. | |
say whagwan, girls say wha-what London calling, speak the slang now | :58:45. | :59:07. | |
Boys say whagwan, girls say wha-what They say River's gonna run through | :59:08. | :59:11. | |
Work is gonna save you Pray and you will pull through Suck a dick'll | :59:12. | :59:15. | |
help you Don't let 'em get to you If he's got one, you've got two | :59:16. | :59:18. | |
Backstab your crew Sell it out to sell you Blaze-a-blaze | :59:19. | :59:20. | |
galang-a-lang-a-lang-lang Purple haze galang-a-lang-a-lang | :59:21. | :59:20. | |
Blaze-a-blaze galang-a-lang-a-lang-lang Purple | :59:21. | :59:21. | |
haze galang-a-lang-a-lang Blaze-a-blaze | :59:22. | :59:22. | |
galang-a-lang-a-lang-lang Purple haze galang-a-lang-a-lang | :59:23. | :59:23. | |
Blaze-a-blaze galang-a-lang-a-lang-lang Purple | :59:24. | :59:24. | |
haze Ya ya haaaaaa... Oh eh oh eh oh oh | :59:25. | :00:03. | |
oh ya ya yay Ya ya haaaaaa... Oh eh oh eh oh oh oh ya ya yay Ya ya | :00:04. | :00:13. | |
haaaaaa... Oh eh oh eh oh oh oh ya ya yay Ya ya haaaaaa... Oh eh oh eh | :00:14. | :00:29. | |
oh oh oh ya ya yay Ya ya haaaaaa... Oh eh oh eh oh oh oh ya ya yay Ya ya | :00:30. | :00:35. | |
haaaaaa... Oh eh oh eh oh oh oh ya ya yay | :00:36. | :00:42. | |
CHEERING Everyone put your hands in the air | :00:43. | :01:04. | |
like this. Are you ready? I was at home | :01:05. | :01:15. | |
# Making my business # I'm fresh from Lagos | :01:16. | :01:18. | |
# Fresh from Nigeria # If I look angry | :01:19. | :01:23. | |
# You walked into my kitchen # I be by the cooker | :01:24. | :01:29. | |
# Don't be scared # Africa calling, never be a drug | :01:30. | :01:34. | |
dealer # I | :01:35. | :02:13. | |
# Sometimes I think sitting on trains | :02:14. | :02:51. | |
# Every stop I get to, I'm clocking that game | :02:52. | :02:54. | |
# Everyone's a winner now we're making our fame | :02:55. | :02:56. | |
# All I wanna do is GUNSHOTS | :02:57. | :03:00. | |
# All I wanna do is GUNSHOTS | :03:01. | :03:07. | |
# All I wanna do is GUNSHOTS | :03:08. | :03:13. | |
# All I wanna do is GUNSHOTS | :03:14. | :03:18. | |
# Sticks and stones and weed and bones | :03:19. | :03:26. | |
# Sticks and stones and weed and bones | :03:27. | :03:39. | |
# No-one on the corner has swagger like us | :03:40. | :03:45. | |
# Hit me on my burner, prepaid wireless | :03:46. | :03:49. | |
# We pack and deliver like UPS trucks | :03:50. | :03:51. | |
# Already going to hell, just pumping that gas | :03:52. | :03:55. | |
# No one on the corner has swagger like us | :03:56. | :03:59. | |
# Hit me on my burner, prepaid wireless | :04:00. | :04:01. | |
# We pack and deliver like UPS trucks | :04:02. | :04:03. | |
# Already going to hell, just pumping that gas | :04:04. | :04:06. | |
# All I wanna do is GUNSHOTS | :04:07. | :04:09. | |
# All I wanna do is GUNSHOTS | :04:10. | :04:14. | |
# All I wanna do is GUNSHOTS | :04:15. | :04:19. | |
# All I wanna do is GUNSHOTS | :04:20. | :04:25. | |
# All I wanna do is GUNSHOTS | :04:26. | :04:58. | |
# All I wanna do is GUNSHOTS | :04:59. | :05:05. | |
M.I.A. Puts on a brilliant show. So compelling to watch. She headlined | :05:06. | :05:40. | |
earlier tonight. We are live from Glastonbury. It is very nice to be | :05:41. | :05:45. | |
here. It is a great way to spend an evening. I hope you're enjoying | :05:46. | :05:49. | |
everything. We have lots more to come, Metronomy, and now one of the | :05:50. | :05:55. | |
great things we we do these shows is we get to capture the excitement of | :05:56. | :06:01. | |
a band when they've finished. We should have Lauren with Arcade Fire. | :06:02. | :06:09. | |
I'm here in the Treehouse with Arcade Fire. That was an incredible | :06:10. | :06:15. | |
performance. I feel tired. We went back to Medieval England, saw all of | :06:16. | :06:20. | |
humanity at the same time. It was incredible. There were people | :06:21. | :06:27. | |
lighting signal flares. It was Medieval, old school carnival, | :06:28. | :06:31. | |
right? It really had that feel to it. You said on stage that you've | :06:32. | :06:37. | |
done some amazing things in this band but that was probably the best | :06:38. | :06:40. | |
experience. Was that just you in the moment or is this a huge deal for | :06:41. | :06:44. | |
you? We've never been in front of a crowd like that. It rel felt for a | :06:45. | :06:51. | |
band that has never had a had a proper hit single, to have that many | :06:52. | :06:56. | |
people singing a song that they've given to your younger brother and | :06:57. | :07:02. | |
hearing that many people sing Wake Up, a powerful experience. And how | :07:03. | :07:05. | |
about the prep for this? The build-up to this has been a pretty | :07:06. | :07:10. | |
huge thing. What's the anticipation of tonight been like for you? We've | :07:11. | :07:14. | |
been playing a lot of shows that have been really fun. And we were | :07:15. | :07:19. | |
like, let's play another show that's really fun. Let's play the biggest | :07:20. | :07:25. | |
party. I read a great quote recently, she said the shows aren't | :07:26. | :07:30. | |
a recital, they are a communal experience. How does it translate | :07:31. | :07:33. | |
with a crowd of that size? It is a vast amount of people. How do you | :07:34. | :07:40. | |
get everybody engaged? Signal flares really help. A couple of guys at the | :07:41. | :07:47. | |
back had signal flares and it lit up the whole area. It really gave a | :07:48. | :07:53. | |
sense of depth and scale. Is that a thing that people normally do at | :07:54. | :07:57. | |
Glastonbury? It is, people advise against it on | :07:58. | :08:03. | |
health and safety basis. Last time it happened was in Scotland and | :08:04. | :08:08. | |
security stopped it. It was dangerous. Maybe they knew something | :08:09. | :08:13. | |
we didn't. It does do something to you standing in front of that size | :08:14. | :08:17. | |
of a crowd. It's a really special night. How did you put this set list | :08:18. | :08:22. | |
together? How did you decide what you are going to play tonight? I | :08:23. | :08:27. | |
know you've been doing region-specific covers Richard was | :08:28. | :08:33. | |
up until 4.30am doing a best of Glastonbury sound clash at the end. | :08:34. | :08:38. | |
That was brilliant. We kind of change it from night to night and we | :08:39. | :08:44. | |
kind of instinctively went with what's been working. Reflektor tends | :08:45. | :08:49. | |
to work at the front. Reflektor makes people dance and it sets the | :08:50. | :08:52. | |
tone for everything. We thought, let's start with that. That's a good | :08:53. | :08:57. | |
party song. This has been a great year for you guys and you've done | :08:58. | :09:02. | |
some amazing things to promote the new album, Reflektor. But it is ten | :09:03. | :09:06. | |
years since the debut album. Does it feel like a decade? It doesn't feel | :09:07. | :09:12. | |
like a decade, but something happened over the last ten years, | :09:13. | :09:19. | |
because that record was not like a hit record by any Metrix, and yet to | :09:20. | :09:25. | |
see that many people know the songs that well, like older brothers have | :09:26. | :09:30. | |
given it to their younger brothers. To me that's the greatest compliment | :09:31. | :09:34. | |
in the world. Just people giving each other music, sharing it with | :09:35. | :09:38. | |
your friends. That's what it is all about. That's how I felt about the | :09:39. | :09:43. | |
Pixies or nirvana or anything that was important to me as a kid. That's | :09:44. | :09:47. | |
your goal when you are in a band. It is fantastic to see you guys up | :09:48. | :09:53. | |
there with all the toys at your disposal. Having the time of your | :09:54. | :09:57. | |
lives. Where do you go from here? What's next? Dublin. We are playing | :09:58. | :10:02. | |
a pretty big snow in Dublin in two days. We've never been a | :10:03. | :10:09. | |
goal-orientated band. We never had a white board that said Glastonbury, | :10:10. | :10:14. | |
number one album, play Saturday Night Live. Our goals have always | :10:15. | :10:19. | |
been more musical, like, write a better song, do something with | :10:20. | :10:24. | |
production that's different. It doesn't feel that different for us. | :10:25. | :10:29. | |
It feels like we are in control of our own destiny. We are able to | :10:30. | :10:33. | |
chose what projects we want to do. It feels like an exciting time. | :10:34. | :10:37. | |
There's no like, what do we do that's bigger? We don't want to be | :10:38. | :10:43. | |
bigger or smaller. It is not about topping it that way. We haven't | :10:44. | :10:51. | |
changed. Congratulations again on such a wonderful headline show. | :10:52. | :10:58. | |
Pleasure. Now can I take my make-up off? Yes, somebody give him a wipe. | :10:59. | :11:07. | |
Lauren talking to Arcade Fire without their massive paper papier | :11:08. | :11:15. | |
mache heads. I like his fake painted on glasses. | :11:16. | :11:18. | |
So many people saying today how fantastic everybody looks. It looks | :11:19. | :11:22. | |
like this is the festival that everyone makes such an effort for. | :11:23. | :11:25. | |
Beautiful make-up and clothes that people are wearing. A lot of people | :11:26. | :11:29. | |
are commenting on it. We are going now to the band who | :11:30. | :11:34. | |
were headlines on the Park Stage and this is Metronomy from earlier on | :11:35. | :11:36. | |
this evening. # Love letters | :11:37. | :12:56. | |
# # Love letters all I see | :12:57. | :13:02. | |
# On every day I read # The bits of yellow paper | :13:03. | :13:09. | |
# Addressed from you to me # And every day a chance | :13:10. | :13:15. | |
# Inside a Paolo Di Canio of stamps # To tell you what I'm up to | :13:16. | :13:21. | |
# And say just how I feel # You've got me writing... | :13:22. | :13:26. | |
# Love letters # I'm always writing | :13:27. | :13:36. | |
# Love letters # You've got me writing | :13:37. | :13:41. | |
# Love letters # I'm always writing | :13:42. | :13:52. | |
# Love letters # | :13:53. | :13:58. | |
From far -- from far across the sea # They fly from you to me | :13:59. | :14:03. | |
# But still I get no sleep # Oh, my love, don't be mad | :14:04. | :14:12. | |
# 'Cause I'll keep on writing # Love letters | :14:13. | :14:18. | |
# Yeah, I'll keep on writing # Love letters | :14:19. | :14:23. | |
# I'll keep on writing | :14:24. | :14:29. | |
# Love letters # Yeah I'll keep on writing | :14:30. | :14:38. | |
# Love letters # Love letters | :14:39. | :14:44. | |
# Love letters | :14:45. | :14:52. | |
# love letters | :14:53. | :14:58. | |
# Love letters # And now you giving me | :14:59. | :16:16. | |
The look look # But just remember | :16:17. | :16:22. | |
How we shook shook # This town | :16:23. | :16:28. | |
is the oldest friend of mine # We're always running | :16:29. | :17:06. | |
round this town We'd never make | :17:07. | :17:12. | |
Anything better than this # We didn't read it in a big book | :17:13. | :17:16. | |
Big book, big book # And now we're giving you | :17:17. | :17:30. | |
The look look # Giving you the look, a-ah | :17:31. | :17:33. | |
Giving you the look, a-ah # Shook shook | :17:34. | :17:36. | |
Shook, shook # Took, took | :17:37. | :17:41. | |
Took, took # This town | :17:42. | :17:48. | |
This town, this town # This town is the oldest friend of | :17:49. | :17:50. | |
Mine # This town | :17:51. | :18:13. | |
This town, this town looks more like a mad professor with | :18:14. | :19:50. | |
his massive bouffant quiff. That was Metronomy and they were on | :19:51. | :19:53. | |
the Park Stage earlier on. Star-spotting. We should do more of | :19:54. | :19:59. | |
that. Who've you seen? Most impressive. Noel Gallagher. I'm | :20:00. | :20:07. | |
going to trump that, Bradley Cooper, with Metallica. Gemma Cairney loves | :20:08. | :20:15. | |
a party. She is in an area called Block 9 and we are going over to her | :20:16. | :20:20. | |
live right now. Hi Gemma. Wow! What can I say? The place at Glastonbury | :20:21. | :20:26. | |
where your wildest dreams and nightmares become reality, it is | :20:27. | :20:31. | |
pretty grey out here. Block 9 in the midst of it all a post-apocalyptic | :20:32. | :20:44. | |
bonanza. Earlier the One Show was here. They were here with Euan | :20:45. | :20:54. | |
Thomas and this is what happened. With all due respect, at the moment, | :20:55. | :21:00. | |
where are we? It is bits and peepses everywhere. What is it going to be? | :21:01. | :21:07. | |
This will be the download. Over here is the New York traffic lights with | :21:08. | :21:15. | |
a fully operational Walk, Don't Walk signs. And the dancers. Do you think | :21:16. | :21:21. | |
this will be done for Wednesday? It is a giant jigsaw puzzle. But in | :21:22. | :21:26. | |
your mind it is all finished? In my mind we are downtown New York 1989. | :21:27. | :21:33. | |
And a 50-foot high set is under construction. Dedicated to music | :21:34. | :21:37. | |
closer to home, it is called the London Underground. That's a serious | :21:38. | :21:42. | |
amount of scaffolding. You can't tell now but this becomes a replica | :21:43. | :21:48. | |
of an East London tower block. And the wow factor is our Crocked tube. | :21:49. | :21:57. | |
This one only weighs one tonne and it is made out of plywood. And this | :21:58. | :22:03. | |
goes up there? Up to the third floor, like it's been smashed | :22:04. | :22:08. | |
through the building. I've been training recently. Shall we do it? A | :22:09. | :22:17. | |
0-tonne crane lifts it on to the scaffolding. Hard hat on, highs | :22:18. | :22:21. | |
advise, gloves, but Alex has loads more kit than me. Slowly by surely | :22:22. | :22:32. | |
the carriage rises into position. That's a tonne of Tube train hanging | :22:33. | :22:39. | |
right there. Not exactly in my hands but I feel responsible. It's up | :22:40. | :22:52. | |
there. It looks good? Really happy. Went very smoothly. They are | :22:53. | :22:57. | |
securing it now. I have got a bit of a sweat on. I think you at least owe | :22:58. | :23:06. | |
me a cup of tea. A mammoth operation takes place, with car penters and | :23:07. | :23:10. | |
artists. The end result is breathtaking. | :23:11. | :23:16. | |
This is amazing. Last time I was here it was a field with | :23:17. | :23:20. | |
scaffolding. Now look at it. It looks like New York. And as for | :23:21. | :23:25. | |
London Underground, that's genius. Am I actually in Somerset in a | :23:26. | :23:32. | |
lovely lady offered to show me around. Welcome to the NYC Download. | :23:33. | :23:41. | |
Are you going to show me around? Yes. You've got to teach men how to | :23:42. | :23:46. | |
vogue. OK. It's absolutely heaving in there. | :23:47. | :24:06. | |
It's brilliant. I'm going to check out the London Underground. This is | :24:07. | :24:14. | |
the weirdest thing. Have a look in here. I'm inside a fridge. That was | :24:15. | :24:27. | |
the most bizarre entrance to a club ever. | :24:28. | :24:36. | |
It's my first time at Glastonbury. I've got to say I'm truly blown away | :24:37. | :24:45. | |
by the venues here at Block 9. If you thought this place was mud, | :24:46. | :24:49. | |
wellies and bands, think again. There's so much more to it than | :24:50. | :24:58. | |
that. Well hello there. Euan had his fun and it is now time for mine. See | :24:59. | :25:07. | |
you later, guys. That is a woman having far too much | :25:08. | :25:14. | |
fun. Any fantasy you have, you can live it out here at Glastonbury. | :25:15. | :25:19. | |
There are so many random worlds you can visit, whether it is Shangri-la, | :25:20. | :25:25. | |
the London Underground or Block 9. And so much work goes into these | :25:26. | :25:29. | |
things before the festival opens. Months of planning and building. | :25:30. | :25:33. | |
Unbelievable. We are going over to the John Peel Stage now. Earlier on | :25:34. | :25:38. | |
Lykke Li played a brilliant show. This is the wonderful Swedish Lykke | :25:39. | :25:41. | |
Li. fall on me | :25:42. | :26:31. | |
# On a lonely highway # How can we | :26:32. | :26:40. | |
# Turn around the heartache # Oh I, I'm alone tonight, babe | :26:41. | :26:49. | |
# And I'm never gonna love again baby wait a lifetime before | :26:50. | :26:59. | |
# You love somebody new # Come and turn the lights down so I | :27:00. | :27:10. | |
# Can feel your hand in mine # Can we start all over again 'cause | :27:11. | :27:21. | |
# I'm never gonna love a new # Every time the rain false, think | :27:22. | :27:25. | |
of me # On a lonely highway | :27:26. | :27:31. | |
# How can we # Turn around the heartache | :27:32. | :27:41. | |
# Oh I, I'm along Aileen tonight, babe | :27:42. | :27:49. | |
# And I'm never gonna love again # No not I | :27:50. | :27:55. | |
# Not I # I'm never gonna love again | :27:56. | :28:05. | |
# Oh, no # I'm never gonna love again | :28:06. | :28:16. | |
# Drive me to the dead end # Till I, promise not to run | :28:17. | :28:25. | |
# This time # I can't keep running away 'cause | :28:26. | :28:32. | |
I'm never gonna love again # Every time the rain falls | :28:33. | :28:38. | |
# Think of me # On a lonely highway | :28:39. | :28:45. | |
# How can we # Turn around the heartache | :28:46. | :28:54. | |
# Oh I, I'm alone tonight, babe # And I'm never gonna love again | :28:55. | :29:03. | |
# Not I # Not I | :29:04. | :29:13. | |
# I'm never gonna love again # No, not I | :29:14. | :29:23. | |
# Not I note not I, I'm never gonna love again | :29:24. | :29:43. | |
# I'm never gonna love again. # CHEERING | :29:44. | :29:43. | |
Come on! Hey Glastonbury! # | :29:44. | :31:44. | |
Don't turn away, this is my time # Don't make demands | :31:45. | :31:49. | |
# I don't take none # Just say a picture that it gone | :31:50. | :31:55. | |
get done # Don't pull your pants before I go | :31:56. | :31:58. | |
down # Don't turn away, this is my time | :31:59. | :32:06. | |
# Like the shotgun need an outcome # I'm your prostitute, you gonna get | :32:07. | :32:10. | |
some # Like a shotgun needs an outcome | :32:11. | :32:22. | |
# I'm your prostitute, you gonna get some | :32:23. | :32:29. | |
# Go he go away low, but here I can do no harm | :32:30. | :32:35. | |
# Go ahead go away low in my honey love-in arms | :32:36. | :32:41. | |
# Got you around my finger like a lonely lover's charm | :32:42. | :32:50. | |
# And 'cause I can, I'm gonna go west | :32:51. | :33:09. | |
# Just like a man I'm in fortress # Like the shotgun needs an outcome | :33:10. | :33:17. | |
# I'm your prostitute, you gonna get some | :33:18. | :33:19. | |
# Like a shotgun needs an outcome # I'm your prostitute, you gonna get | :33:20. | :33:25. | |
some # | :33:26. | :33:29. | |
Go ahead, so away low, but here I can do no harm | :33:30. | :33:36. | |
# Go ahead go away low in my honey love-in arms | :33:37. | :33:40. | |
# Go ahead go away now, where I can do no wrong | :33:41. | :33:45. | |
# Got you around my finger like a lonely lover's Chancellor. | :33:46. | :33:54. | |
Go ahead go, go ahead go... # Go ahead go, go, go, go | :33:55. | :34:08. | |
# Go ahead go away here I can do no harm | :34:09. | :34:15. | |
# Go ahead go away low in my Lonnie love-in arms | :34:16. | :34:18. | |
# Go ahead go away low, where I can do no wrong | :34:19. | :34:22. | |
# Got you around my finger like a lonely lover's charm | :34:23. | :34:37. | |
# Go ahead go away low, here I can do no harm | :34:38. | :34:44. | |
# Go ahead go away low in my honey love-in arms | :34:45. | :34:50. | |
# Got you around my finger like a lonely lover's charm. # | :34:51. | :35:08. | |
CHEERING. An amazing live perform earnsier on | :35:09. | :35:19. | |
the John Peel Stage. That was lick length. | :35:20. | :35:22. | |
Back to celebrity spotting. Why is Noel Gallagher here? I heard a | :35:23. | :35:26. | |
rumour he might be scouting the place out for a how much... Headline | :35:27. | :35:32. | |
slot? That is a totally unfounded rumour. That didn't come from us. I | :35:33. | :35:37. | |
can't think who he would be going on stage with. Dolly! Dolly and Noel! | :35:38. | :35:44. | |
Bradley Cooper turned up in a helicopter with Lars from Metallica. | :35:45. | :35:50. | |
They are best mates apparently. It was when the rain was pouring down. | :35:51. | :35:56. | |
People were huddled in tents and this lone figure was standing there. | :35:57. | :36:02. | |
It looked like Bradley Cooper. It is! The most unlikely spotting of a | :36:03. | :36:05. | |
Hollywood star at Glastonbury. Very strange. | :36:06. | :36:08. | |
One of the good things about doing this show is we have these amazing | :36:09. | :36:15. | |
cabaret performers. We are now going to see Sylvia in action. She was | :36:16. | :36:19. | |
playing in the Circus Field earlier. She's going to get her hoops out and | :36:20. | :36:21. | |
show us what she can do with them. APPLAUSE | :36:22. | :39:01. | |
Wow! Seriously impressive. She can do the splits and hula hoop with her | :39:02. | :39:10. | |
knows! I was asking earlier if you have ever hula hooped. I have, but | :39:11. | :39:18. | |
not with my knees or ankles and I wasn't smiling at the time. Sylvia, | :39:19. | :39:23. | |
thank you. I must go to the circus tent more often. This is Interpol | :39:24. | :39:26. | |
with Slow Hands. # Just raisy like the good old days | :39:27. | :41:07. | |
# -- crazy like the good old days # Can you see what you've done? My | :41:08. | :41:14. | |
my heart and soul # This is a wasteland now | :41:15. | :41:21. | |
# We spies, we slow hands # Put the weights around yourself | :41:22. | :41:32. | |
# We spies, oh yeah, we slow hands # You put the weights all around | :41:33. | :41:35. | |
yourself now. We spies oh yeah we slow hands | :41:36. | :42:16. | |
# We spies, we slow hands # We spies, internet slow hands | :42:17. | :42:25. | |
# You put the weights all around yourself. | :42:26. | :42:28. | |
An amazing backdrop. That was spectacular. That was Interpol with | :42:29. | :42:34. | |
Slow Hands. Still to come is Paolo Nutini. | :42:35. | :42:42. | |
That's coming up after the next act. More live acoustic music now, and | :42:43. | :42:47. | |
this guy played on the Pyramid Stage. This is Adam from The War on | :42:48. | :42:50. | |
Drugs. # Like a train in reverse | :42:51. | :43:28. | |
down a dark road # Have you fixed | :43:29. | :43:32. | |
your eyes to the wind? # Will you let it pull you in again | :43:33. | :43:51. | |
on the way back in? # I'm a bit run down here | :43:52. | :43:59. | |
at the moment # There's a cold wind blowing | :44:00. | :44:05. | |
down my old road # Down the backstreets | :44:06. | :44:37. | |
where the pines grow # But I'd be lying to myself | :44:38. | :44:42. | |
if I said I didn't mind # But it won't be easy | :44:43. | :44:55. | |
to leave it all again # There's just a stranger | :44:56. | :45:22. | |
living in me # I'm just bit run down here | :45:23. | :45:50. | |
at the moment # Yeah, I'm all alone here, | :45:51. | :46:11. | |
living in darkness That was The War on Drugs. They have | :46:12. | :46:54. | |
an album out later in the year. How you doing stamina-wise. I'm OK. | :46:55. | :47:02. | |
It doesn't feel like nearly 2 in the morning. You are working tomorrow, | :47:03. | :47:06. | |
can I remind you of that? What we thought we would do now is go to | :47:07. | :47:11. | |
Paolo Nutini. He's brought his whole family, lots of mates. He's here for | :47:12. | :47:15. | |
the duration of the festival. This is his sixth or seventh time of | :47:16. | :47:20. | |
playing, and he is only young. This is Paolo Nutini for you to enjoy. | :47:21. | :47:57. | |
voice. If you go to block 9, guess who you | :47:58. | :53:40. | |
are going to find there? Don't know. Paolo Nutini. Really? If you saw | :53:41. | :53:47. | |
anyone you wanted to see today, head to the Glastonbury website. There's | :53:48. | :53:52. | |
over 60 performances from six of the stages here at Glastonbury. There's | :53:53. | :53:58. | |
loads. Check it out at some point during the weekend. The iPlayer is a | :53:59. | :54:03. | |
great place to go to for catch-up. If you need more of the stuff you've | :54:04. | :54:09. | |
missed out on, you can catch up. Who are you looking forward to tomorrow? | :54:10. | :54:16. | |
Metallica. The controversial headline slot. There's got to be | :54:17. | :54:22. | |
pyrotechnics. Lauren and Mark will be back at 3.00pm tomorrow. We'll | :54:23. | :54:28. | |
see goodnight night now. If your friend was taken away... | :54:29. | :54:31. | |
# Not giving in... # I'm afraid | :54:32. | :54:34. | |
there's not much we can do. ..how would you fight | :54:35. | :54:37. | |
to get her back? This is wrong. I'm not going to | :54:38. | :54:39. | |
carry on as if nothing has happened. | :54:40. | :54:43. |