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This programme contains some strong language | :00:10. | :00:12. | |
and scenes of repetitive flashing images | :00:13. | :00:15. | |
Disclosure. Dolly Parton. Whoever I see, I will be glad to see them. I'm | :00:16. | :00:31. | |
just going to do good to do my part. Good evening. Welcome to Glastonbury | :00:32. | :00:55. | |
2014, or the year that Dolly came to Glastonbury, that's will be forever | :00:56. | :00:58. | |
known. She is the name on everybody's list. No matter their | :00:59. | :01:03. | |
age, whatever genre they're into, it's about Dolly. Today, it's all | :01:04. | :01:07. | |
about one thing, it started with very, very ominous weather warnings, | :01:08. | :01:11. | |
foreboding and it's turned out to be all right today. It's beautiful this | :01:12. | :01:17. | |
evening. It's twinkling like fairy land as ever. If the weather had | :01:18. | :01:21. | |
been a different pattern, there wouldn't be anything twinkling. | :01:22. | :01:23. | |
There was no power on the site at all. We won't go on and on, but this | :01:24. | :01:27. | |
afternoon, the weather reports were going to be dreadful, but it was a | :01:28. | :01:30. | |
beautiful morning and afternoon. I saw Blondie at midday and there were | :01:31. | :01:35. | |
200,000 Then all people. Of a sudden, the heavens opened and there | :01:36. | :01:40. | |
was lightning, thunder, it was everywhere. All of a sudden we lost | :01:41. | :01:45. | |
power. There was not one stage with any music for about an hour. It was | :01:46. | :01:51. | |
very eerie. It was strange. Really strange atmosphere. I spent time in | :01:52. | :01:56. | |
a tattoo parlour joining in the community singing going on there. | :01:57. | :02:00. | |
People's spirits seemed to survive. It cleared up and we have got a | :02:01. | :02:05. | |
beautiful evening. There was a wonderful rainbow, which you will | :02:06. | :02:07. | |
see at some point, people taking photographs and filming it. An | :02:08. | :02:11. | |
amazing rainbow after the storms had finished. It bodes very well for a | :02:12. | :02:15. | |
vintage Glastonbury all over again. This is a welcome back quick show. | :02:16. | :02:21. | |
Lily Allen later. And Lauren is on a hill, kind of over there. | :02:22. | :02:27. | |
Hello, here I am, overlooking not only the festival site but the Vale | :02:28. | :02:38. | |
of Avalon. You can see the Worthy farm cows nesting away from the | :02:39. | :02:41. | |
noise. The weather was amazing today. When that storm was going on, | :02:42. | :02:46. | |
I was chatting to Lars from Metallica and I got told off for | :02:47. | :02:49. | |
asking if they had brought the thunder. He said, "We don't want | :02:50. | :02:55. | |
your heavy metal cliches." But it was incredible. Was chatting in the | :02:56. | :03:01. | |
BBC music teepee to my colleague Guy and Pete from Elbow as well. They | :03:02. | :03:05. | |
were nervous about their gig on the Pyramid Stage. They were convinced | :03:06. | :03:10. | |
that the weather was going to be terrible. Pete said, the BBC has | :03:11. | :03:18. | |
told us the weather is going to be bad. And they believed the BBC. But | :03:19. | :03:24. | |
the sun set was wonderful. It was a wonderful set. We have some of it | :03:25. | :03:29. | |
for you now. This is Elbow live tonight. | :03:30. | :03:47. | |
# Mondays is for drinking to the seldom seen kid | :03:48. | :03:53. | |
# I've been working on a cocktail called | :03:54. | :03:57. | |
# Polishing a compass that I hold in my sleeve | :03:58. | :04:10. | |
# Down comes him on sticks but then he kicks like a horse | :04:11. | :04:20. | |
# There's a Chinese cigarette case and the rest you can keep | :04:21. | :04:33. | |
# There's a hole in my neighbourhood | :04:34. | :04:39. | |
# Down which of late I cannot help but fall | :04:40. | :04:46. | |
# There's a hole in my neighbourhood | :04:47. | :04:49. | |
# Down which of late I cannot help but fall | :04:50. | :05:18. | |
# Mondays is for drinking to the seldom seen kid | :05:19. | :05:26. | |
# There's this whispering of jokers doing flesh by the pound | :05:27. | :05:44. | |
# To a chorus of supposes from the little town hoods | :05:45. | :05:49. | |
# There'll be twisted karaoke at the aniseed lounge | :05:50. | :05:54. | |
# And I'll bring you further roses But it does you no good | :05:55. | :05:59. | |
# Down which of late I cannot help but fall | :06:00. | :06:15. | |
# Down which of late I cannot help but fall | :06:16. | :06:25. | |
# Down which of late I cannot help but fall | :06:26. | :06:55. | |
Let's hear you do this, Glastonbury. | :06:56. | :06:57. | |
You are apparently the best choir in the world. | :06:58. | :07:03. | |
# Mondays is for drinking to the seldom seen kid | :07:04. | :07:49. | |
CHEERING AND APPLAUSE Elbow were so nervous They real | :07:50. | :08:16. | |
today. Ly well. He just went, I will never tire of saying this, "hello, | :08:17. | :08:21. | |
Glastonbury". I like the lumber Jack look. Very beefy. Talking of beefy, | :08:22. | :08:28. | |
I was sharing a drink with the Fisherman's Friends earlier on. They | :08:29. | :08:32. | |
came on and the storm started and they did just two songs before the | :08:33. | :08:35. | |
rain came through the roof of the tent. | :08:36. | :08:40. | |
rain came through the roof of the came out into the crowd and | :08:41. | :08:42. | |
serenaded them and moved There are around. Few bands that could have | :08:43. | :08:45. | |
worked like that. It was meant to be. Yeah, yeah. Someone bringing a | :08:46. | :08:50. | |
bit of glamour, because a lot of wellies today, but someone bringing | :08:51. | :08:54. | |
a lot of glamour to the festival was lily Allen. Quite a few costume | :08:55. | :08:57. | |
changes. Here she is this afternoon. # I suppose I should tell you | :08:58. | :09:09. | |
what this bitch is thinking # You find me in the studio and not | :09:10. | :09:13. | |
in the kitchen # I won't be bragging 'bout my cars | :09:14. | :09:14. | |
or talking 'bout my chains # Don't need to shake my arse | :09:15. | :09:18. | |
for you cos I've got a brain # If I told you about my sex life | :09:19. | :09:23. | |
you'd call me a slut # Them boys be talking 'bout their | :09:24. | :09:25. | |
bitches, no one's making a fuss # There's a glass ceiling to break, | :09:26. | :09:29. | |
uh huh, there's money to make # And now it's time to speed it up | :09:30. | :09:33. | |
cos I can't move at this pace # Sometimes it's hard | :09:34. | :09:38. | |
to find the words to say # Forget your balls | :09:39. | :09:41. | |
and grow a pair of tits # If you're not a size six, | :09:42. | :09:49. | |
then you're not good-looking # It's hard, it's hard, | :09:50. | :09:54. | |
it's hard out here for a bitch # It's hard for a bitch, | :09:55. | :09:56. | |
for a bitch, for a bitch # It's hard for a bitch, | :09:57. | :10:00. | |
for a bitch, for a bitch # If you're not a size six, | :10:01. | :10:05. | |
then you're not good-looking # Well, you better be rich | :10:06. | :10:17. | |
or be real good at cooking # You should probably lose some | :10:18. | :10:19. | |
weight cos we can't see your bones # Forget your balls | :10:20. | :10:28. | |
and grow a pair of tits # It's hard, it's hard, | :10:29. | :11:54. | |
it's hard out here for a bitch # It's hard for a bitch, | :11:55. | :11:58. | |
for a bitch, for a bitch # It's hard for a bitch, | :11:59. | :12:00. | |
for a bitch, for a bitch # It's hard for a bitch, | :12:01. | :12:08. | |
for a bitch, for a bitch # It's hard, it's hard out here | :12:09. | :12:36. | |
for a bitch Is this afternoon. A bit of showmanship there. I love Lily | :12:37. | :12:41. | |
Allen and I'm sure she will be pleased with that performance. At | :12:42. | :12:46. | |
one point I think I caught a glimpse of her pants. I think so! That's the | :12:47. | :12:50. | |
happening look this year, very much so, denim shorts and a La atore's -- | :12:51. | :12:58. | |
labrador's head. It's a big look to be rocking this year, the the dog | :12:59. | :13:09. | |
head. First we will go and check out where Gemma is in a camp site | :13:10. | :13:12. | |
somewhere. Hello, I'm on Pennards hill. It's | :13:13. | :13:18. | |
lovely up here. The Arcadia weird spider thing is behind me. I've been | :13:19. | :13:22. | |
having a rave up. I started to really think about the ecosystem of | :13:23. | :13:26. | |
Glastonbury. It does mean staying in a tent for quite a few days. This is | :13:27. | :13:31. | |
where you're going to feel really, really not jealous. I mean the | :13:32. | :13:35. | |
politics of tent camping, where to put it - on a slope or not? | :13:36. | :13:40. | |
Preferably not but you might not have a choice. How about near the | :13:41. | :13:44. | |
loos, you want that in the night, but it might be stinky. I discovered | :13:45. | :13:49. | |
in a moment of need that someone can erect a make mikeshift toilet and | :13:50. | :13:58. | |
found -- erect a make mikeshift toilet and found a tent. We | :13:59. | :14:04. | |
investigated all of this and more a few days ago when everyone arrived. | :14:05. | :14:13. | |
Five, four, three, two, one... CHEERING | :14:14. | :14:20. | |
This weekend, 170,000 are looking for their perfect home at | :14:21. | :14:23. | |
Glastonbury festival and the race is on to find the perfect place to | :14:24. | :14:29. | |
pitch. Location, location, location. Meet Dave, the camp site manager who | :14:30. | :14:36. | |
helped pitchers find their ideal ao bode. -- abode. I wouldn't call us | :14:37. | :14:40. | |
estate agents, but we know where the spaces are. We can point you in the | :14:41. | :14:45. | |
right direction. The main hub of the festival is the Pyramid Stage. A tip | :14:46. | :14:51. | |
for getting is to be at the gate first and first to put your tent | :14:52. | :14:56. | |
It's tradition up. That we go there, so the sooner we get there, the | :14:57. | :15:03. | |
better it will be. It's near the Pyramid Stage. It's down to the left | :15:04. | :15:12. | |
there. It is a race, but a friendly one. Can you see everyone trying to | :15:13. | :15:20. | |
knock each other over on the way? Yay. Here. This will do. | :15:21. | :15:36. | |
Absolutely knackering. Although convenient for the Pyramid Stage, | :15:37. | :15:40. | |
the busy activity of big ground isn't for everyone. For families we | :15:41. | :15:46. | |
have an area here the meadow. The advantage of it being very close to | :15:47. | :15:50. | |
the Kidz Field. So all the things are there for the kiddies. We've | :15:51. | :15:56. | |
come to the family field, because we've come to Glastonbury with our | :15:57. | :16:00. | |
three-year-old and I'm six months pregnant so it seemed like the best | :16:01. | :16:05. | |
place to come. We pitched our tent quite close to the path because | :16:06. | :16:09. | |
we've got a buggy and it's easier access. We're having a Glastonbury | :16:10. | :16:16. | |
for our son, rather than us. I'm sure we'll have a great time but | :16:17. | :16:21. | |
we're focussed on him. We've had a fair few fun Glastonburies. We have | :16:22. | :16:28. | |
the ground to the south. Pennard Hill will be one of the first that | :16:29. | :16:33. | |
actually fills up. It's mainly people who like a bit of hustle and | :16:34. | :16:40. | |
bustle for a few It's the days. Most buzzing place. It's got a really | :16:41. | :16:44. | |
good vibe, with lovely people. You get a beautiful view with the fairy | :16:45. | :16:49. | |
lights. Late comers shouldn't expect to secure their first choice | :16:50. | :16:55. | |
location. Pyramid Stage, we want to be there, near to that. This is the | :16:56. | :17:02. | |
Pyramid Stage now, I think. Yeah? There's no point in walking into the | :17:03. | :17:08. | |
main areas, especially if they're marked on a map because they will be | :17:09. | :17:12. | |
full. Let's look over there and then maybe we go back. Down here? OK. And | :17:13. | :17:21. | |
be prepared to make a small amount of space go a long way. Whether you | :17:22. | :17:29. | |
choose to stay in spacious six-man tent or in a sleeping bag onned | :17:30. | :17:34. | |
bored, one -- bag on the border, one thing is for sure - you're in | :17:35. | :17:37. | |
Britain's best location this weekend. | :17:38. | :17:46. | |
There you go, camping at Glastonbury. It looked blissful in | :17:47. | :17:50. | |
that At that weather. Point, it did. There might be six inches of water | :17:51. | :17:55. | |
in some of the tents now. We are in the luxury BBC dorma bungalow ski | :17:56. | :17:59. | |
lodge on the hill, above the park stage. We're all right. I hope you | :18:00. | :18:03. | |
like our surroundings here. There's been a lot of work going on. They | :18:04. | :18:07. | |
finished the lighting about ten minutes before we went on air. Ten | :18:08. | :18:13. | |
seconds! Everyone Everywhere you go, it's beautiful, there are random | :18:14. | :18:17. | |
creatures on the roofs of stages and it's strange. That's a polar bear | :18:18. | :18:21. | |
and rabbit. It's very weird. There are lots of these creatures around | :18:22. | :18:25. | |
us now. That's nothing to do with the next thing that's happening. She | :18:26. | :18:31. | |
performed with Rude yumental. You might -- Rudimental. This is Ela | :18:32. | :18:35. | |
Aire. Here she is about to play for us now. | :18:36. | :18:43. | |
# Cos you're wanting a little more | :18:44. | :18:57. | |
# Can you hold out and let me do what I want? | :18:58. | :19:59. | |
# Will you love me when I come back? # | :20:00. | :21:45. | |
Great voice that. Was Ella Eyre, who is here today and tomorrow she's | :21:46. | :21:49. | |
playing on the west holt stage. You might see more of her performance | :21:50. | :21:52. | |
tomorrow. We're on the BBC covering all through the day and evening. | :21:53. | :21:57. | |
It's on 6 Music, BBC Three and we're doing these BBC Two shows as well. | :21:58. | :22:03. | |
Lots of music coming our way. Arcade Fire from 11 tonight. I'm glad | :22:04. | :22:08. | |
they've left the piano, because I want to do a few from my new album. | :22:09. | :22:16. | |
We have the surrounding area with people working to make the festival | :22:17. | :22:21. | |
happen and welcome people here. We're calling these Glastonbury | :22:22. | :22:26. | |
tales. We are going to hook up with the station master. | :22:27. | :22:31. | |
# Good morning Mr Railroad man # What time does the train go by? # | :22:32. | :22:38. | |
I'm Paul Mitchell. I'm one of the station staff here at CastleCarey. | :22:39. | :22:44. | |
There's long times when there's not a lot happening, so plenty of time | :22:45. | :22:49. | |
for looking after the flower beds. When Glastonbury comes around, we | :22:50. | :22:53. | |
become the Clapham Junction of the south-west for just a few days each | :22:54. | :22:58. | |
year, about 14,000 people will pass through this sleepy little station. | :22:59. | :23:04. | |
I've lived here for over 30 years. I've never been - I'm not sure it's | :23:05. | :23:09. | |
my type of music really - ABBA have never headlined I don't think? | :23:10. | :23:16. | |
Working here is really an idyllic job. From an early age I thought I | :23:17. | :23:21. | |
wanted to be a station master. Now I am. Train just arrived on platform | :23:22. | :23:29. | |
two is the Glastonbury festival from London Paddington. Make your way to | :23:30. | :23:33. | |
the bus that's will whisk you to the festival site to enjoy the likes of | :23:34. | :23:39. | |
Metallica, Arcade Fire and Kasabian. Enjoy. | :23:40. | :23:49. | |
This is really funny because that was very calm and beautiful. If you | :23:50. | :23:54. | |
could see the carnage that is going on behind the camera right now, | :23:55. | :23:58. | |
there are about 40 people running around trying to move things and | :23:59. | :24:01. | |
mikeshift cows and goodness knows what. Scurrying, beavering away | :24:02. | :24:06. | |
here. There are a lot of people working on this show, not that you'd | :24:07. | :24:13. | |
know! It's extraordinary. I never tire of seeing these lights at | :24:14. | :24:19. | |
night. It's like wonderland. Extraordinary fairy lights. Joining | :24:20. | :24:24. | |
us this year on the telly is our friend Hugh. Welcome Hugh. He's out | :24:25. | :24:34. | |
and about somewhere. Hello, yeah I'm by the side of the John Peel Stage. | :24:35. | :24:42. | |
Lykke Li has just come off stage. I'm joined by Ricky Wilson from the | :24:43. | :24:46. | |
Kaiser Chiefs. Hi Hugh. I can tell you're ready for this. When I came | :24:47. | :24:50. | |
out here, I was kind of low, then Lykke Li has come off and I'm get | :24:51. | :24:56. | |
thering now. I'm feeling ready now. I got on site about 11 today, the | :24:57. | :25:02. | |
first band I saw, a surprise special guests, Kaiser Chiefs. You've had a | :25:03. | :25:05. | |
busy day. It's been really busy today. It's more exciting. I haven't | :25:06. | :25:10. | |
stopped. I'm really enjoying it. It's Glastonbury, it's all about - | :25:11. | :25:13. | |
it's different, all the rules are off. Once you enter these gates, you | :25:14. | :25:18. | |
can be anyone up want to be. That's what everyone is proving. They're | :25:19. | :25:21. | |
all having a brilliant time. And they save up for the tickets and | :25:22. | :25:22. | |
wait a year. Most they save up for the tickets and | :25:23. | :25:27. | |
applied a year ago. So, like, it's a big build up. | :25:28. | :25:30. | |
applied a year ago. So, like, it's a build up for them, it's a build up | :25:31. | :25:32. | |
for us as well. This is our first, this morning was our first proper | :25:33. | :25:36. | |
show in the UK since the album was number one. So we were stoked to see | :25:37. | :25:40. | |
- because you don't know how it translates. You can sell a record | :25:41. | :25:45. | |
and you get all the stats and that, but you don't know until you see | :25:46. | :25:49. | |
people singing the words back to you whether you've connected. So many | :25:50. | :25:53. | |
festival anthems from your band and the new songs as well. You did a | :25:54. | :25:58. | |
Dolly Parton cover on Radio 2 this morning. We did. That was | :25:59. | :26:01. | |
interesting. Ricky, have a great set tonight. Are we done? Yeah, that's | :26:02. | :26:05. | |
it. You're about to go on. Kaiser Chiefs are on very soon. You'll be | :26:06. | :26:09. | |
able to watch this set on BBC Three at 11pm. Now back to you Mark and | :26:10. | :26:13. | |
Jo. Thanks Hugh. Thanks Ricky. He looks | :26:14. | :26:18. | |
well these days. You have to say, he's shed half his body weight. Yeah | :26:19. | :26:23. | |
it's funny seeing him on The One Show earlier on. Ricky was cringing | :26:24. | :26:29. | |
watching that. Working super hard this year at Glastonbury. That's | :26:30. | :26:33. | |
more or less it for this show. Can you get lost now. There's Arcade | :26:34. | :26:39. | |
Fire from 11. Yes, someone here for the entire weekend, this is Mr Paolo | :26:40. | :26:41. | |
Nutini. Enjoy this. # How was I to know you'd just come | :26:42. | :27:00. | |
along? # Lips like they've been singing | :27:01. | :27:01. | |
sexed up strawberry songs # She's the bass, she's the beat | :27:02. | :27:03. | |
She's the rhythm, she's the band # Sly hands, spinning webs like | :27:04. | :27:14. | |
silk # And I never heard the warning when | :27:15. | :27:39. | |
I woke up this morning # She's my rock, she's my bud, | :27:40. | :27:42. | |
she's tequila, she's a trip # I said the only way I win | :27:43. | :27:49. | |
is the way I lose # And I never got the script | :27:50. | :28:07. | |
I unzipped # Got a little bit wet up in my | :28:08. | :28:11. | |
brain # She's your church, | :28:12. | :28:15. | |
she's your sin # She's the oh | :28:16. | :28:16. | |
She's the rain # She gets me silly | :28:17. | :28:26. | |
She's like a trick on me # And in the climax she would scream | :28:27. | :28:44. | |
with me # She gets me funny, she doesn't | :28:45. | :28:52. | |
want none of my money # So I pour it over her like | :28:53. | :28:55. | |
gasoline # Light a match and then I'm back | :28:56. | :28:59. | |
in my teens # Me and super girl smoking my | :29:00. | :29:04. | |
# Unload, reload Eyes back swinging | :29:05. | :29:12. | |
# Sweet thing, knows things Jeff Beck sings | :29:13. | :29:17. | |
# Roundhouse, going down Let's go! | :29:18. | :29:22. | |
# Yeah, the girl, so fine You wanna scream. # | :29:23. | :29:42. |