Browse content similar to Day 2. Check below for episodes and series from the same categories and more!
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know. In a ditch, probably. Hiding. On over the place, to be honest. I | :00:14. | :00:19. | |
have heard about a place called the rabbit hole. Hopefully celebrating | :00:20. | :00:24. | |
in a wigwam. Loitering? With my family and friends. I am not telling | :00:25. | :00:27. | |
you where you can find me! Hello and welcome back to | :00:28. | :00:51. | |
Glastonbury 2014. Day two and I'll only feel like I have been here a | :00:52. | :00:56. | |
week and a half, in a good way. You have. We have done three radio shows | :00:57. | :01:01. | |
already. I am on top of everything and it is going really well. Great | :01:02. | :01:05. | |
to be with you. We are overlooking the site. Hello, everybody. | :01:06. | :01:09. | |
Thousands of people waving, but there is no camera so we can gloss | :01:10. | :01:15. | |
over that! We were told there might be a repeat of the electrical storm | :01:16. | :01:21. | |
and it has just started to rain. A little bit of precipitation | :01:22. | :01:24. | |
forecast. If lightning happens, we have got plan B. The weather has | :01:25. | :01:29. | |
been something from Bohemian Rhapsody but it has also been fun so | :01:30. | :01:36. | |
far. The Manic Street Preachers are coming to chat to us later. Before | :01:37. | :01:41. | |
we do any of that, let's catch you up on what has been happening, shall | :01:42. | :01:42. | |
we? # You are supposed to care. | :01:43. | :02:14. | |
# All you do is take. Lily Allen. She was brilliant | :02:15. | :02:43. | |
yesterday. And Debbie Harry. All round a colourful day. Blondie were | :02:44. | :02:47. | |
looking more monochrome. But you just saw the spectacular performance | :02:48. | :02:53. | |
from Arcade Fire. Like a carnival. Everything and several kitchen | :02:54. | :02:56. | |
sinks. Pink Floyd have got nothing on them. Brilliant. We don't want to | :02:57. | :03:03. | |
go on about the weather but there were consequences of the electrical | :03:04. | :03:07. | |
storm. All of the stages were closed down and certain acts got taken off | :03:08. | :03:13. | |
mid set. In the acoustic tent they went after two songs. Even the | :03:14. | :03:17. | |
acoustic tent? Yes, that they sang among us, so it really was acoustic! | :03:18. | :03:23. | |
Rudimental had a main stage act and they were gutted. Literally in | :03:24. | :03:27. | |
tears. I am sure people watching the coverage at home last year will | :03:28. | :03:40. | |
remember how great they were on the other was their big shot at the | :03:41. | :03:43. | |
Pyramid and then the heavens opened. I think they had got to their big | :03:44. | :03:48. | |
track, which is called Spoons. Then it went wrong. Everybody has been | :03:49. | :03:52. | |
feeling sorry for them and they have got press out, which means it has | :03:53. | :03:58. | |
been OK in the end. This is Rudimental from the Pyramid stage | :03:59. | :03:59. | |
yesterday. # I feel the chemicals burning my | :04:00. | :05:29. | |
bloodstream. # Thought I had found her. | :05:30. | :06:05. | |
# God make me another one. # God forgive me for the things I | :06:06. | :06:08. | |
have done. # I was never meant to hurt no one. | :06:09. | :06:20. | |
# Brokenhearted. # No, don't leave me lonely. | :06:21. | :06:37. | |
# Oh, colour crimson in my eyes. # This is how it ends. | :06:38. | :06:42. | |
# I feel the chemicals burning my bloodstream. | :06:43. | :06:51. | |
# Fading out again. # I feel the chemicals burning my | :06:52. | :06:53. | |
bloodstream. # Tell me when it kicks in. | :06:54. | :07:49. | |
# All the voices calling across the line. | :07:50. | :07:53. | |
# All the voices in my mind. # Calling out across the line. | :07:54. | :07:58. | |
# All the voices in my mind. # Calling out across the line. | :07:59. | :08:04. | |
# All the voices in my mind. # Calling out across the line. | :08:05. | :08:09. | |
# All the voices in my mind. # Calling out across the line. | :08:10. | :08:14. | |
# While the voices in my mind. # Calling out across the line. | :08:15. | :08:21. | |
# All the voices in my mind. # Calling out across the line. | :08:22. | :08:27. | |
# All the voices in my mind. # Tell me when it kicks in. | :08:28. | :08:36. | |
Glastonbury! How does it feel right now? | :08:37. | :08:53. | |
We ain't done yet. We not finished with you. | :08:54. | :09:18. | |
That feels right. Glastonbury, can I get you to come down low with us? | :09:19. | :09:27. | |
Can we get down low? Can you get down low with us? | :09:28. | :09:37. | |
Get down low. Get down low. Get down. And here, too. Get down. Get | :09:38. | :10:02. | |
down. # In my bloodstream, in my | :10:03. | :10:12. | |
bloodstream. # In my bloodstream. | :10:13. | :10:25. | |
# Tell me when it kicks in. # Tell me when it kicks in. | :10:26. | :10:36. | |
# Tell me when it kicks in. Thank you. Make some noise for | :10:37. | :11:22. | |
Rudimental. Can you make some noise for Ed? | :11:23. | :11:27. | |
There you go. They might have been cut off that they were having a | :11:28. | :11:33. | |
great time and I have never seen anybody having a piggyback off | :11:34. | :11:37. | |
security. Lucky he was a big lad because there are some spry girls at | :11:38. | :11:42. | |
the front. What would have happened then? Not everybody was | :11:43. | :11:45. | |
enthusiastically getting down low. It is too muddy, make! Everybody has | :11:46. | :11:52. | |
been standing up for six hours! But it was a great set from them. And Ed | :11:53. | :11:58. | |
Sheeran. I remember him three years ago sitting patiently like a little | :11:59. | :12:02. | |
ginger health on a toadstool in our studios that in the compound waiting | :12:03. | :12:08. | |
patiently to do his first acoustic. And look where he is now. A lady did | :12:09. | :12:13. | |
an acoustic performance for us in the BBC music TP on BBC six music. | :12:14. | :12:19. | |
She played yesterday and she is playing this afternoon as well. She | :12:20. | :12:21. | |
is from Melbourne. # I sleep in late another day. | :12:22. | :13:13. | |
# Oh, what a wonder, what a waste. # It is a Monday, Monday. Things | :13:14. | :13:25. | |
will happen today. # I guess the neighbours must think | :13:26. | :13:30. | |
we run a meth lab. # We should amend that. | :13:31. | :13:35. | |
# I pull the sheets back. # It is 40 degrees and I feel like I | :13:36. | :13:38. | |
am dying. # Life is getting hard in here so I | :13:39. | :13:42. | |
do some gardening. # Anything to take my mind away from | :13:43. | :13:46. | |
where it is supposed to be. # The nice lady next door talks of | :13:47. | :13:51. | |
green beds and the nice things she wants to plant. | :13:52. | :13:55. | |
# I want to grow tomatoes on the doorsteps. | :13:56. | :14:00. | |
# Sunflowers, bean sprouts, sweetcorn and radishes. | :14:01. | :14:04. | |
# I feel proactive, I pull out weeds. | :14:05. | :14:06. | |
# All of a sudden I am having trouble breathing in. | :14:07. | :14:13. | |
# I am having trouble breathing in. # I am having trouble breathing in. | :14:14. | :14:36. | |
# My hands are shaky. # My knees are weak # I can?t seem to stand # On my | :14:37. | :15:35. | |
own two feet I?m breathing but i?m wheezing | :15:36. | :15:38. | |
Feel like i?m emphysem-in? My throat feels like a funnel Filled with weet | :15:39. | :15:42. | |
bix and kerosene and Oh no, next thing i know They call up triple o | :15:43. | :15:46. | |
I?d rather die than owe the hospital Till I get old I get adrenalin | :15:47. | :15:49. | |
Straight to the heart I feel like was really sick and i Had too much | :15:50. | :15:52. | |
psuedoefedryn and i Couldn?t sleep at night Halfway down high street, | :15:53. | :15:55. | |
andy looks ambivalent He?s probably wondering what i?m doing getting in | :15:56. | :15:59. | |
an ambulance The paramedic thinks i?m clever cos i play guitar I think | :16:00. | :16:05. | |
she?s clever cos she stops people i?m clever cos i play guitar I think | :16:06. | :16:08. | |
she?s clever cos she stops people dying Anaphylactic and super | :16:09. | :16:10. | |
hypocondriactic Should?ve stayed in bed today I much prefer the mundane. | :16:11. | :16:14. | |
I take a hit from An asthma puffer I do it wrong I was never good | :16:15. | :16:16. | |
at smoking bongs. I?m not that good at breathing in. | :16:17. | :17:15. | |
Thank you. Her name is Courtney Barnett and that is the best song | :17:16. | :17:25. | |
you're going to hear this year about having a panic attack when you're | :17:26. | :17:31. | |
doing the gardening. She is on at five o'clock today. You can check | :17:32. | :17:34. | |
out all the stages live on the Glastonbury website. If you want to | :17:35. | :17:40. | |
watch said as it happens, you can. All of the six stages at the | :17:41. | :17:45. | |
festival are streaming live. She was great. She reminded me of Patti | :17:46. | :17:50. | |
Smith. I just love the sparse backing. It shows you the sustaining | :17:51. | :17:55. | |
power of guitar bass drums. It was good stuff. Look at the new columns | :17:56. | :18:02. | |
at the side of the Park Stage. I have a new this year? I think so. | :18:03. | :18:08. | |
They are very attractive. It is like John Nash has been around. We are | :18:09. | :18:15. | |
going to have to live acoustic music now. This is a lady who is bringing | :18:16. | :18:21. | |
country music to new audiences, both at home in the States and here. She | :18:22. | :18:25. | |
has covered Dolly Parton who will be playing tomorrow at four o'clock. I | :18:26. | :18:34. | |
have a Dolly Parton by John. I am so jealous. It is probably not that | :18:35. | :18:47. | |
impressive at distance. This woman is from Golden in taxes. Here we go. | :18:48. | :19:31. | |
If you ain't got two kids by 21, You're probably gonna die alone. | :19:32. | :19:35. | |
Least that's what tradition told you. | :19:36. | :19:37. | |
And it don't matter if you don't believe, | :19:38. | :19:39. | |
Come Sunday morning, you best be there in the front row like you're | :19:40. | :20:17. | |
supposed to. # Same hurt in every heart. | :20:18. | :20:20. | |
# Same trailer, different park. # Mama's hooked on Mary Kay. | :20:21. | :20:22. | |
# Brother's hooked on Mary Jane. # Daddy's hooked on Mary two doors | :20:23. | :20:24. | |
down. # Mary, Mary quite contrary. | :20:25. | :20:27. | |
# We get bored, so, we get married # Just like dust, we settle in this | :20:28. | :21:11. | |
town. # We think the first time's good | :21:12. | :21:13. | |
enough. # So, we hold on to high school | :21:14. | :21:15. | |
love. # Sayin' we won't end up like our | :21:16. | :21:17. | |
parents. # Tiny little boxes in a row. | :21:18. | :21:21. | |
# Ain't what you want, it's what you know. | :21:22. | :21:23. | |
# Just happy in the shoes you're wearin'. | :21:24. | :21:25. | |
# Same checks we're always cashin' to buy a little more distraction. | :21:26. | :21:29. | |
# 'Cause mama's hooked on Mary Kay. # Brother's hooked on Mary Jane. | :21:30. | :21:33. | |
# Daddy's hooked on Mary two doors down. | :21:34. | :21:34. | |
# Mary, Mary, quite contrary. # We get bored, so, we get married. | :21:35. | :21:38. | |
# Just like dust, we settle in this town. | :21:39. | :21:40. | |
# On this broken merry go 'round and 'round and 'round we go | :21:41. | :21:43. | |
# Where it stops nobody knows and it ain't slowin' down. | :21:44. | :21:45. | |
# This merry go 'round. # Mary, Mary, quite contrary. | :21:46. | :22:01. | |
# We're so bored until we're buried. # Just like dust, we settle in this | :22:02. | :22:04. | |
town. # On this broken merry go 'round. | :22:05. | :22:16. | |
# Merry go 'round. # Jack and Jill went up the hill. | :22:17. | :22:27. | |
# Jack burned out on booze and pills. | :22:28. | :22:54. | |
# And Mary had a little lamb. Mary just don't give a damn no more. | :22:55. | :23:06. | |
Glastonbury is great. It is wonderful to have a mix of different | :23:07. | :23:12. | |
voices altogether in the one place. Yes, and there are voices which | :23:13. | :23:18. | |
carry a political message. There is always lots of campaigning, in a | :23:19. | :23:22. | |
gentle way of Glastonbury. One of the voices associated with that was | :23:23. | :23:27. | |
the late Tony Benn. He became a fixture on the folk circuit with the | :23:28. | :23:30. | |
singer songwriter Roy Bailey. He formed a bit of a jewel with him. He | :23:31. | :23:36. | |
has been a regular visitor to these parts, particularly with Billy | :23:37. | :23:41. | |
Bright. Let's have a look at Tony Bennett Glastonbury. When I come | :23:42. | :23:50. | |
here and I look at all the young people at Glastonbury, I realise | :23:51. | :23:54. | |
that my grandchildren and you are going to have to build the world | :23:55. | :24:02. | |
afresh. The idea that hundreds of thousands of others are gathering in | :24:03. | :24:08. | |
religion -- gathering in rural England to share experiences and | :24:09. | :24:11. | |
discuss ideas, it is an idea that goes back centuries. Tony Benn | :24:12. | :24:15. | |
wanted to be the person that encouraged us. He really enjoyed | :24:16. | :24:27. | |
himself. He was funny. This being our first year without Tony Benn as | :24:28. | :24:31. | |
headliner, he was the one who always drew a crowd. We have kept pride of | :24:32. | :24:35. | |
place for Tony in the centre of the stage. We will keep his banner. He | :24:36. | :24:43. | |
encouraged us. We will take the whole thing off with a special | :24:44. | :24:49. | |
tribute to Tony. Myself, and Mike Leavis, and his granddaughter will | :24:50. | :24:54. | |
say a few words. My name is Emily Benn. I was privileged enough to be | :24:55. | :24:59. | |
the granddaughter of Tony. There are not many people whose Glastonbury | :25:00. | :25:04. | |
companion is there it here at year -- 88-year-old grandfather. When he | :25:05. | :25:10. | |
spoke and 20 read what he had to say, you got the sense of something | :25:11. | :25:15. | |
profound going on. We miss that from politics and therefore we missed | :25:16. | :25:20. | |
someone like him. The fight that he came from a working-class background | :25:21. | :25:24. | |
did not stop him from understanding the problems that people face. He | :25:25. | :25:31. | |
was just so inspirational. He could talk to anybody. One time he | :25:32. | :25:39. | |
actually drove through the festival and an open top linking convertible. | :25:40. | :25:45. | |
He used to say that when he was low and needed a boost, he knew pretty | :25:46. | :25:49. | |
could come to, Glastonbury, and he would feel better. If we set our | :25:50. | :25:55. | |
minds to it, there is nothing we cannot achieve. He was very big on | :25:56. | :26:02. | |
radical Christianity and so on. Lots of that is shared by the guy that | :26:03. | :26:06. | |
founded and runs the Glastonbury Festival, Mike Leavis. It was the | :26:07. | :26:11. | |
nonconformism that we were both weaned on. Both him and my family. | :26:12. | :26:24. | |
We have renamed the left-field power. It is pretty appropriate to | :26:25. | :26:31. | |
call it the power of strength. That cannot be a better title. He loved | :26:32. | :26:37. | |
what was on it, people pulling backwards together in solidarity. | :26:38. | :26:41. | |
For it to be named after him, that is amazing. | :26:42. | :26:51. | |
Tony Bennett Glastonbury. Lots of that centred around the left-field | :26:52. | :26:57. | |
stage, and Billy Brown. Once again, you cannot get away. The Manic | :26:58. | :27:02. | |
Street Preachers are here. It is an awkward scheduling Cuenca DIMMs. | :27:03. | :27:07. | |
Welcome. Well done. You Smith that out, the backstage toilet | :27:08. | :27:13. | |
facilities. Yes, we were having a funny discussion on Twitter the | :27:14. | :27:16. | |
other night. How has the festival been for you so far? IT must last | :27:17. | :27:22. | |
night and did some busking. Then I had to go back to Cardiff and see my | :27:23. | :27:27. | |
kid and my dog. We got here two hours ago. I will climb onto four in | :27:28. | :27:33. | |
the morning. You are on the other stage at half past seven tonight. | :27:34. | :27:38. | |
Your record, it is a great festival record. I am not sure that anyone | :27:39. | :27:45. | |
will know it yet. It is an epic sound. I have come in my Eastern | :27:46. | :27:58. | |
Block trench coat. But the big riffs of the new album, it will work well. | :27:59. | :28:04. | |
You do not want to overdo it and bore everyone. I cannot help | :28:05. | :28:09. | |
noticing that neither Paris is appearing at the festival today, and | :28:10. | :28:14. | |
that obviously you guys around. You have a song together. I am wondering | :28:15. | :28:18. | |
if you have any guess that may join you on the stage later? We could not | :28:19. | :28:31. | |
get it to happen. Nina Persson. Kate Lobont. We are going to have | :28:32. | :28:36. | |
somebody on stage with us tonight, definitely. Other Nina. I do going | :28:37. | :28:43. | |
to be winning that had. It is my rugby had. I am sorry. We will have | :28:44. | :28:50. | |
on our demand when we get back to the bus. Be used or have the big | :28:51. | :28:55. | |
flag on your amplifiers? Yes, it is glued on with sweat and hard work. | :28:56. | :29:00. | |
You said you are going through to four in the morning. Yes. I only | :29:01. | :29:06. | |
ever get drunk at sporting occasions. This is my other excuse. | :29:07. | :29:11. | |
I have got some good linkups tonight. It is a heavy crew. What | :29:12. | :29:18. | |
about you, when are you going to bed? I'm hoping to get back for | :29:19. | :29:26. | |
Uruguay against Colombia. I enjoyed the coverage last night. It was | :29:27. | :29:32. | |
great last night. That is my ideal match. Thank you for coming to see | :29:33. | :29:43. | |
us. The Manic Street Preachers, check out their new album. It is | :29:44. | :29:48. | |
brilliant. We are going to go to Gemma. She is making friends. | :29:49. | :30:02. | |
We are in the hospitality area schmoozing. Apparently this is where | :30:03. | :30:06. | |
the serious fashionistas hang out. Is this true? I think so. We can | :30:07. | :30:14. | |
represent our own style, you know. I have seen some interesting outfits. | :30:15. | :30:18. | |
This is particularly fetching. This is what I am talking about. This is | :30:19. | :30:23. | |
perfect because you can wear whatever you want underneath it. If | :30:24. | :30:26. | |
you are not familiar with these wonders, this visual splendour on | :30:27. | :30:34. | |
your eyes, it is The Cuban Brothers, of course! Who else would you find | :30:35. | :30:40. | |
in hospitality but these VIPs? How are you finding the dripping? I am | :30:41. | :30:48. | |
dealing with it. I am outside. It is a little bit soggy. How do you keep | :30:49. | :30:54. | |
it up? I have a waterproof thing underneath. So if I get wet on top, | :30:55. | :31:01. | |
I have a waterproof underneath. Can you give some morale boosting tips | :31:02. | :31:07. | |
for our hungover bottoms? He does not speak very good English! I think | :31:08. | :31:13. | |
the best thing to do is maybe laminate your body or something. | :31:14. | :31:19. | |
Maybe cover yourself in WD-40 say the water is just falling off you in | :31:20. | :31:26. | |
this manner. It is just water. It is not going to damage you. It is a | :31:27. | :31:30. | |
beautiful thing. It is Glastonbury 2014. What is the weirdest thing | :31:31. | :31:36. | |
that you have seen since you have been here? I only just got here five | :31:37. | :31:40. | |
minutes ago so maybe you looking so fabulous. I am the weirdest thing | :31:41. | :31:45. | |
you have seen? That is not what I said. OK... He is not very well. He | :31:46. | :31:52. | |
has just woken up. The strangest thing I have seen, to be honest, | :31:53. | :31:58. | |
there was an entertainer back in the day and there was a guy who had | :31:59. | :32:03. | |
another gripe on a harness and they work bouncing around the field. -- | :32:04. | :32:08. | |
another guy. It was the most wonderful thing I have seen so far. | :32:09. | :32:18. | |
OK! Harnesses, VIP chat, all with the Cuban Brothers in the | :32:19. | :32:22. | |
hospitality area. That is the spirit, isn't it? They are known for | :32:23. | :32:27. | |
DJ naked and break dancing when they get going. I was once at a house | :32:28. | :32:32. | |
party when they did it and there was a laminate floor. The squeak of | :32:33. | :32:36. | |
flesh as the back spinning began haunts me to this day. I find it | :32:37. | :32:42. | |
hard to partake of their work. I was keen on them but I feel less keen | :32:43. | :32:46. | |
after that! Waterproof layers, next to your skin with closing on top. | :32:47. | :32:54. | |
Laminate yourself? Good step. I tell you who will not take that tipped to | :32:55. | :32:57. | |
heart because she is fabulously attired wherever she goes. It is the | :32:58. | :33:07. | |
phenomenal new album Food, named after the fact that she nearly left | :33:08. | :33:12. | |
music after training as a cordon bleu chef. I wonder if she sampled | :33:13. | :33:17. | |
everything here? She probably did. She took her own food truck to the | :33:18. | :33:22. | |
Southwest Festival. She is the ever fresh and wonderful Kelis. | :33:23. | :33:38. | |
If you know this one, get ready to sing along! | :33:39. | :33:51. | |
# I showed you that I love too. # You might trick me once. Won't let | :33:52. | :34:03. | |
you trick me twice. Seen it here one too many times. | :34:04. | :34:19. | |
# So you might trick me once. # I won't let you trick me twice. | :34:20. | :34:24. | |
# You might trick me once. # I won't let you trick me twice. | :34:25. | :34:30. | |
# You might trick me once. # I won't let you trick me twice. | :34:31. | :34:32. | |
# I won't let you trick me twice. # It is only because I am not with | :34:33. | :34:50. | |
you that you make me number one. # Although I love you, it hurts me | :34:51. | :34:54. | |
deep inside. # Now you no longer have to hide. | :34:55. | :35:02. | |
# Started getting heavy when I really wasn't ready. | :35:03. | :35:10. | |
# Called the police, there is a man gone down. | :35:11. | :35:13. | |
# It is not how I want to get down. # Might trick me once | :35:14. | :35:38. | |
# I won't let you trick me twice This next song is one of my | :35:39. | :36:53. | |
favourites off my new album. For the simple reason just that there are so | :36:54. | :36:57. | |
many break-up songs and nobody ever talks about after you are Andy and | :36:58. | :37:03. | |
-- angry and sad. The practical stuff, which is important, too. I | :37:04. | :37:08. | |
want all my stuff back! I like this one. | :37:09. | :37:28. | |
# It is the strangest thing to have you back in my face. | :37:29. | :37:38. | |
# With all these years past, I got used to my space. | :37:39. | :37:46. | |
# I don't know how to feel. # This whole thing seems so surreal. | :37:47. | :37:53. | |
# So you keep one foot out the door. # Baby, don't go. | :37:54. | :37:59. | |
# We got so much history. # I hurt you, you heard me. | :38:00. | :38:06. | |
# No, we don't need therapy. # What I need is you here. | :38:07. | :38:14. | |
# And even though I know I'm right. # Just like a lapse in my memory. | :38:15. | :38:20. | |
# I want you, baby, don't go. # Baby, don't go. | :38:21. | :38:27. | |
# I'm so glad you gave me back my keys. | :38:28. | :38:30. | |
# Oh, I'm so glad you gave me back my keys. | :38:31. | :38:37. | |
# I'm so glad you give back my keys. # My keys. | :38:38. | :38:55. | |
# You got so many issues. # I am just helping myself that I | :38:56. | :39:03. | |
don't know who is going to help you. # Like a lapse in my memory, I want | :39:04. | :39:09. | |
you. # Baby, don't go. | :39:10. | :39:20. | |
# Don't go. # Baby, don't. | :39:21. | :39:28. | |
# Stay the night. # Don't go. | :39:29. | :39:38. | |
# Baby, baby, don't. # You go back my keys. | :39:39. | :39:55. | |
# Oh, I'm so glad you give back my keys | :39:56. | :40:00. | |
# Oh, I'm so glad you give back my keys | :40:01. | :40:04. | |
# Oh, I'm so glad you give back my keys | :40:05. | :40:09. | |
# Oh, I'm so glad you give back my keys | :40:10. | :40:18. | |
# Oh, I'm so glad you give back my keys | :40:19. | :40:24. | |
# Game over. # Give me what I want. | :40:25. | :41:33. | |
# Give me what I need. # I am Becky you, please. | :41:34. | :41:38. | |
# I am down on my knees. # Give me what I want, give me what | :41:39. | :41:42. | |
I need. # I am begging you, please. | :41:43. | :41:44. | |
# I am down on my knees. # Give me what I want. | :41:45. | :41:58. | |
# Give me what I need. # I am begging you, please. | :41:59. | :42:06. | |
# I am down on my knees. # Give me what I want, give me what | :42:07. | :42:29. | |
# Give me what I want. # Give me what I need. | :42:30. | :42:31. | |
# I am begging you, please. # I am down on my knees. | :42:32. | :42:35. | |
# Give me what I want. # Give me what I need. | :42:36. | :42:38. | |
# I am begging you, please. # I am down on my knees. | :42:39. | :42:41. | |
# Give me what I want. # Give me what I need. | :42:42. | :42:44. | |
# I am begging you, please. # I am down on my knees. | :42:45. | :42:48. | |
# Give me what I want. # Give me what I need. | :42:49. | :42:52. | |
# I am begging you, please. # I am down on my knees. | :42:53. | :43:09. | |
# You are not even my type. I want tall. All the way back there in the | :43:10. | :43:22. | |
corner. Yeah, you. # To us? | :43:23. | :43:28. | |
# Year, you. # Ice cold water. | :43:29. | :43:36. | |
# Give me ice-cold water. # She needs ice-cold water. Say it | :43:37. | :43:44. | |
again. # She needs ice-cold water. One more | :43:45. | :43:47. | |
time. # She needs ice-cold water. | :43:48. | :44:01. | |
# Rock back and forth, baby. # No, not too close to me. | :44:02. | :44:06. | |
# Rock back and forth, baby. # No, not too close to me. | :44:07. | :44:14. | |
# Give me what I want. # Give me what I need. | :44:15. | :44:17. | |
# I am begging you, please. # I am down on my knees. | :44:18. | :44:20. | |
# Give me what I want. # Give me what I need. | :44:21. | :44:23. | |
# I am begging you, please. # I am down on my knees. | :44:24. | :44:26. | |
# Give me what I want. # Give me what I need. | :44:27. | :44:29. | |
# I am begging you, please. # I am down on my knees. | :44:30. | :44:38. | |
# Give me what I want. # Give me what I need. | :44:39. | :44:41. | |
# I am begging you, please. # I am down on my knees. | :44:42. | :44:48. | |
# Give me what I want. # Give me what I need. | :44:49. | :44:50. | |
# I am begging you, please. # I am down on my knees. | :44:51. | :45:32. | |
go. I just want to dance, is that all right? | :45:33. | :45:35. | |
CHEERING # La la-la la la, | :45:36. | :46:40. | |
# Warm it up. # Lala-lalala, | :46:41. | :46:54. | |
# The boys are waiting My milkshake brings all the boys to | :46:55. | :46:56. | |
the yard, And they're like | :46:57. | :46:58. | |
It's better than yours, Damn right it's better than yours, | :46:59. | :47:00. | |
I can teach you, But I have to charge | :47:01. | :47:17. | |
I can see you're on it, You want me to teach thee | :47:18. | :47:19. | |
Techniques that freaks these boys, It can't be bought, | :47:20. | :47:21. | |
Just know, thieves get caught, Watch if your smart, | :47:22. | :47:34. | |
# And they're like # It's better than yours, | :47:35. | :47:37. | |
# Damn right it's better than yours, # I can teach you, | :47:38. | :47:38. | |
# But I have to charge CHEERING | :47:39. | :47:54. | |
That is a classic track. Milkshake. And some brilliant tracks | :47:55. | :47:59. | |
from her new album. It is well worth checking out. Great fun. What a | :48:00. | :48:07. | |
great band and a great voice. That song has always worried me. If you | :48:08. | :48:11. | |
are setting up a milkshake emporium, high Street frontage is | :48:12. | :48:15. | |
what you want. You think that the customer should be prepared to | :48:16. | :48:18. | |
travel. You cannot assume they are going to. It has worked for her. She | :48:19. | :48:25. | |
has got quite a lot going for her. If I had been her business adviser, | :48:26. | :48:29. | |
I would have said, that is a long shot. | :48:30. | :48:35. | |
Maybe she thinks outside the box. A sunny afternoon at Glastonbury. That | :48:36. | :48:40. | |
was perfect. She knows what she is doing. That was more or less a few | :48:41. | :48:47. | |
moments ago at Glastonbury. We have Nina Persson coming up. She is | :48:48. | :48:54. | |
behind us. She is on the Parks page. You can watch everything as it | :48:55. | :49:00. | |
happens on the website. Right now, we are going to take you back a | :49:01. | :49:05. | |
year, for a sound reason. We spoke about Tony Benn. He was a voice and | :49:06. | :49:10. | |
presence at Glastonbury. We heard very recently, while we have been on | :49:11. | :49:15. | |
the site, someone who made a big impact in recent times has also | :49:16. | :49:20. | |
sadly passed away. It is the great Bobby Womack. I was like enough to | :49:21. | :49:23. | |
have him on my radio programme and to see him live three times last | :49:24. | :49:28. | |
year. Even though his health was not great, he was being driven to the | :49:29. | :49:32. | |
stage rather than walking there, his voice was incredible. Better than | :49:33. | :49:38. | |
ever. Again, I great band and Kenya had to put on a show. He made sure | :49:39. | :49:44. | |
he had a cracking band with him. He was loving every minute of it. I | :49:45. | :49:48. | |
spoke to him at the latitude Festival and he was full of | :49:49. | :49:51. | |
fantastic stories and having a great time. We thought it would be nice to | :49:52. | :49:57. | |
remember the great Bobby Womack with this performance. This was last | :49:58. | :49:58. | |
year. # But I have to charge | :49:59. | :50:25. | |
# With the things you say Shatter your world. | :50:26. | :50:37. | |
Deep in your heart, with negative vibes | :50:38. | :50:56. | |
Let me hear you all singing one time. That is such sad news. | :50:57. | :51:36. | |
Especially at the festival really give such brilliant performances. | :51:37. | :51:40. | |
Everybody is thinking about him today. We should be thankful for the | :51:41. | :51:46. | |
great work you did that the end of his life. Absolutely. His last album | :51:47. | :51:55. | |
was brilliant. Superb. We have loads more to bring you. Nina Persson on | :51:56. | :52:01. | |
the stage behind us. Lots of good people on that stage today. This is | :52:02. | :52:08. | |
someone else that we are both fans. She has appeared on both the version | :52:09. | :52:12. | |
was. Yes, and she was still playing when we arrived to present this | :52:13. | :52:14. | |
programme for you. vibes | :52:15. | :53:15. | |
# I haven't seen you in the longest while | :53:16. | :53:38. | |
# I thank you # I'll help you, I'll help you | :53:39. | :54:20. | |
# I took a back seat # Everyone agreed to help you | :54:21. | :54:45. | |
# I can't help you, I can't help you # After the fact, we were out of | :54:46. | :54:46. | |
steam # Can't help you, can't help | :54:47. | :55:31. | |
# Can't help you, can't help you # Can't help you, can't help | :55:32. | :56:01. | |
# Can't help you, can't help you I love that song. It reminds me of | :56:02. | :56:24. | |
other bands. Yes, I love the saxophone. We have been finding out | :56:25. | :56:31. | |
on the television about the people that make the festival take. This is | :56:32. | :56:36. | |
what we're going to be speaking about next. I have written | :56:37. | :56:41. | |
tomorrow's front-page story on the onside newspaper. Has that broke the | :56:42. | :56:48. | |
exclusive. It has not. It is going to be good. They publish this every | :56:49. | :56:52. | |
day at Festival time. I have trodden on this. We are in a Glastonbury | :56:53. | :57:01. | |
tales series. We're finding out about the people that run | :57:02. | :57:04. | |
institutions like this. We are finding out about the man behind | :57:05. | :57:10. | |
this paper right now. I am Denis Gould from Stroud. I am part of the | :57:11. | :57:17. | |
Glastonbury free press. It took us completely by surprise last year, | :57:18. | :57:22. | |
the first year. We came to print the Glastonbury free press and as soon | :57:23. | :57:27. | |
as we opened the tent, the world's media were filming not pass but this | :57:28. | :57:30. | |
beautiful machine, the Rolls-Royce of letter prices. Printing 20,000 | :57:31. | :57:41. | |
copies take six or seven hours. It is distributed through the | :57:42. | :57:44. | |
information points, cafes. People walking around the side. People come | :57:45. | :57:58. | |
looking for it. I hated poetry when I left school. I came out and | :57:59. | :58:04. | |
discovered boots and started buying and selling bits. I published | :58:05. | :58:10. | |
pamphlets and poems, from the 60s. People relate to playing cards. I | :58:11. | :58:14. | |
get all packs and print my words and other peoples words on them. Take a | :58:15. | :58:20. | |
card, any card, gamble your life away. Take a pass, any path, ramble | :58:21. | :58:28. | |
your life away. Take a bike, any bicycle, cycle your life away. I | :58:29. | :58:35. | |
like the immediacy of it. Poets have always been subversive. We have | :58:36. | :58:38. | |
always been to the forefront of change. I think you can see poetry | :58:39. | :58:45. | |
changing society. We have seen a whole host of performances that | :58:46. | :58:55. | |
revolve around words. Marvellous. Wonderful. Really sweet. I just had | :58:56. | :59:01. | |
a flashback to school. We had printing presses like that. We | :59:02. | :59:07. | |
printed posters for our first gig. That is part of what makes | :59:08. | :59:10. | |
Glastonbury so special, those things that bring you echo is of the past. | :59:11. | :59:16. | |
Absolutely. It is all about the continuity and embracing change at | :59:17. | :59:20. | |
the same time. Tradition is unimportant. It is like Christmas, | :59:21. | :59:25. | |
it does not matter what happens, it is still Christmas. We are moving on | :59:26. | :59:32. | |
to more music. We have the wonderful war paint, on the other stage. | :59:33. | :00:00. | |
# I could not believe what I was seeing. | :00:01. | :00:13. | |
# Seeing is believing. # How can we, when do we forget | :00:14. | :00:18. | |
where we came from? # Touch the stars. | :00:19. | :00:57. | |
# I could not believe what you had said. | :00:58. | :01:10. | |
# With all your experience was your crowd in? | :01:11. | :01:14. | |
# You read there when I first believed in. | :01:15. | :01:17. | |
# I first laughed and thought I was dreaming. | :01:18. | :01:49. | |
# I never made a sound. # Don't forget somebody else. | :01:50. | :02:32. | |
# I woke up one day, baby # Let's get cool and | :02:33. | :02:36. | |
# There's no need to where you're going | :02:37. | :02:39. | |
# Take my hand, take my heart into this moment | :02:40. | :02:41. | |
# To where you understand and where you believe in | :02:42. | :03:01. | |
# In my dreams we are one awake. -- all awake. | :03:02. | :03:21. | |
They were at John Peel last year and it is good to see them again at | :03:22. | :03:28. | |
Glastonbury 2014. That is Warpaint on the other stage. And what | :03:29. | :03:33. | |
glorious sunshine. At the start of the show we thought we might get | :03:34. | :03:38. | |
lightning and go to a performance that this is absolutely beautiful. | :03:39. | :03:42. | |
We brought our anoraks with us just in case. We had caught me on from | :03:43. | :03:47. | |
Melbourne Australia, and someone else's here from Melbourne. -- | :03:48. | :03:58. | |
Courtenay Barnett. This is a live acoustic performance from Vance Joy. | :03:59. | :04:16. | |
# I was scared of dentists and the dark. | :04:17. | :04:21. | |
# I was scared of pretty girls and starting conversations. | :04:22. | :04:33. | |
# All my friends are turning green. # They come unstuck. | :04:34. | :04:40. | |
# Running onto the riptide. # Taken away to the dark side. | :04:41. | :04:47. | |
# I want to be your left hand man. # I love you when you are singing | :04:48. | :04:49. | |
that song. # I got a lump in my throat because | :04:50. | :04:56. | |
you are singing the words wrong. # There is this movie that I think | :04:57. | :05:00. | |
you will like. # This guy decides to quit his job | :05:01. | :05:04. | |
and head to New York City. # This cowboy is running from | :05:05. | :05:09. | |
himself. # She has been living on the highest | :05:10. | :05:18. | |
shelf. # Oh, and they come unstuck. | :05:19. | :05:26. | |
# Lady, running down to the riptide. # Taken away to the dark side. | :05:27. | :05:32. | |
# I want to be your left-hand man. # I love you when you are singing | :05:33. | :05:35. | |
that song. # And I got a lump in my throat. | :05:36. | :05:41. | |
# Because you are going to sing the words wrong. | :05:42. | :05:48. | |
# I just want to, just want to know. # If you are going to stay. | :05:49. | :05:59. | |
# I just got to, I just got to know. # I can't have it, can't have it any | :06:00. | :06:03. | |
other way. # I swear she is destined for the | :06:04. | :06:08. | |
screen. # Closest thing to Michelle Pfeiffer | :06:09. | :06:13. | |
that you have ever seen. # Lady, running down to the riptide. | :06:14. | :06:27. | |
# Taken away to the dark side. # I want to be your left-hand man. I | :06:28. | :06:34. | |
love you when you are singing that song. | :06:35. | :06:37. | |
# I got a lump in my throat because you are going to sing the words | :06:38. | :06:40. | |
wrong. # I got a lump in my throat because | :06:41. | :06:45. | |
you are singing the words wrong. # I love you and I got a lump in my | :06:46. | :06:49. | |
throat. # You have gone and so the words | :06:50. | :07:00. | |
wrong. Absolutely wonderful. Thank you very much, Vance Joy. We have | :07:01. | :07:08. | |
just checked the timings, and Courtney is on at five o'clock on | :07:09. | :07:13. | |
John Peel. Don't slip over or anything because I am sure your | :07:14. | :07:20. | |
limbs are insured to make music. He has been already and he was great. | :07:21. | :07:24. | |
We have been talking about the personalities associated with this, | :07:25. | :07:29. | |
like the station master and the free press, but the Michael Evers family | :07:30. | :07:33. | |
remain at the heart. Yes, the man who started the whole thing. But | :07:34. | :07:37. | |
what are his real passion is? What is he really all about? | :07:38. | :07:46. | |
I first came here in 1984 when I brought Billy Bragg down here for | :07:47. | :07:52. | |
his first Glastonbury appearance. Now and every year 180,000 people | :07:53. | :07:56. | |
gathered here for a festival of fun and music. We all know about Michael | :07:57. | :08:01. | |
Eavis the Glastonbury Festival organiser but how many of us know | :08:02. | :08:06. | |
about the farmer? This is still a working dairy farm. | :08:07. | :08:13. | |
Michael. How are you doing? All right. Have you been farming today? | :08:14. | :08:25. | |
Some people would think that when you have an operation as big as the | :08:26. | :08:28. | |
Glastonbury Festival every year and the money that generates, why bother | :08:29. | :08:37. | |
farming? It is all about the cows! They come first? The whole thing is | :08:38. | :08:40. | |
all about the cows, it really is, seriously. Michael Eavis's | :08:41. | :08:46. | |
relationship with this patch of farmland stretches back to the 19th | :08:47. | :08:53. | |
century. It has been in my family for 150 years. My great-grandfather | :08:54. | :08:57. | |
came up from Dorset and settled in this valley. Wasn't he wise? | :08:58. | :09:02. | |
Beautiful. When did you take it over? When I was 19, my father died | :09:03. | :09:08. | |
of cancer unfortunately. I picked up his enthusiasm right from the start. | :09:09. | :09:12. | |
I was really keen on saving the farm. It has been my home forever. | :09:13. | :09:17. | |
There is no better life on this earth than being a dairy farm in the | :09:18. | :09:23. | |
middle of Somerset. And the dairy herd is central? Cows are the most | :09:24. | :09:27. | |
beautiful animals. I think we should go and meet them. Glastonbury may be | :09:28. | :09:34. | |
an award-winning music festival but this year it is Michael's cows | :09:35. | :09:38. | |
grabbing the praise. The herd has been nominated for an award? What is | :09:39. | :09:46. | |
it? We have been short listed for the UK dairy farmer of the year. It | :09:47. | :09:49. | |
is more important than actually winning the NME Award. Can I | :09:50. | :10:00. | |
introduce you to Stephen? Of course. Are you in charge? What happens to | :10:01. | :10:04. | |
the cows during the Festival? They stay inside. Their accommodation is | :10:05. | :10:17. | |
5-star. It is called the mootel. When the music is on they are on the | :10:18. | :10:22. | |
edges watching it but they enjoy it. I imagine they will like Dolly | :10:23. | :10:28. | |
Parton. For the past 44 years, balancing festival and farm has | :10:29. | :10:33. | |
become something of an obsession for Michael that this years he reckons | :10:34. | :10:36. | |
he may have finally cracked one of its less glamorous issues. What have | :10:37. | :10:43. | |
you brought me to see? This is the premier long drop. The best we have | :10:44. | :10:51. | |
built in 44 years. Toilets! Yes. You can see the depth. They will take | :10:52. | :10:57. | |
all of the excrement for at least a week. I don't normally get seen | :10:58. | :11:03. | |
standing in a toilet like this. People might talk! What do you do | :11:04. | :11:10. | |
with it all later? It goes into the arable land eventually, back into | :11:11. | :11:16. | |
the soil structure. It is one of those connections between the | :11:17. | :11:20. | |
Festival and your beloved farmland? Absolutely. It is all about | :11:21. | :11:24. | |
fertility in the land. There have been times when the impact of the | :11:25. | :11:27. | |
festival has pushed the farm to the brink. It is the most beautiful | :11:28. | :11:36. | |
valley. Absolutely amazing. I can see why you have affection for it. | :11:37. | :11:40. | |
There have been problems in the past largely arising from the weather. It | :11:41. | :11:45. | |
can get nasty and when it is heavy rain, it costs half a million pounds | :11:46. | :11:55. | |
more to clean it when it has been muddy. We have to get every single | :11:56. | :11:57. | |
metal tent peg up. If they eat it, they die from it. Have you ever | :11:58. | :12:05. | |
thought you would not do it again? On a Monday morning when it is a mud | :12:06. | :12:09. | |
bath and the tents are wrecked, there is a fleeting moment when I | :12:10. | :12:13. | |
wonder if it is worth it but millions of people love it so much. | :12:14. | :12:16. | |
How can I stand in the way of that? He is a proper hero. I found out | :12:17. | :12:29. | |
something really lovely, which I did not know about the Festival until | :12:30. | :12:33. | |
today, which is that when the Pyramid Stage collapsed and caught | :12:34. | :12:37. | |
fire in the 90s and they had to rebuild it quickly when you're just | :12:38. | :12:41. | |
before the festival, Robert Plant, who is playing on it today, | :12:42. | :12:45. | |
christened it with a bottle of milk from one of the Worthy Farm cows. | :12:46. | :12:52. | |
How lovely. Like a ship. Speaking about christenings. You are making | :12:53. | :12:58. | |
your first appearance at Glastonbury. How has it taken this | :12:59. | :13:03. | |
long? Our debut. I don't know how long. We never played in the 80s. | :13:04. | :13:12. | |
Were you not a band who liked Festival is back in your principal | :13:13. | :13:17. | |
days? You had strong opinions about what you might do. We had opinions | :13:18. | :13:23. | |
about everything! We still have, in lots of ways. I don't know, they | :13:24. | :13:27. | |
weren't really around that much. Not like they are now. What do you make | :13:28. | :13:43. | |
of it when you got on site? At first it was like Vietnam or something but | :13:44. | :13:46. | |
now the sunshine is out I feel better. The sunshine is going to | :13:47. | :13:51. | |
help but it will just be fun playing here because I have never been into | :13:52. | :13:54. | |
anything as big as this before. I am excited. The rebirth of Dexys, your | :13:55. | :14:06. | |
album has been very well received. I did read one review of it. It was | :14:07. | :14:10. | |
not mine! Don't punch me in the face! Now you have got a film and | :14:11. | :14:16. | |
there is an important screening and people can get a single. Yes, a | :14:17. | :14:22. | |
brilliant film has been made by Paul Kelly and Kieron | :14:23. | :14:25. | |
brilliant film has been made by Paul Kelly and Evans. They really pushed | :14:26. | :14:30. | |
it. They saw some shows we did last year, filmed it, did some other | :14:31. | :14:34. | |
stuff and they have done a really good job. We can show they clip of | :14:35. | :14:42. | |
it. You can get a free single if you book to see the film before the | :14:43. | :14:43. | |
seventh. This is Nowhere Is Home. am just incapable of love. # stop | :14:44. | :15:32. | |
that. # stop that. # no, no. That is not so. It looks fantastic. The good | :15:33. | :15:37. | |
great job. The captured the spirit of it and filmed it beautifully. | :15:38. | :15:42. | |
Martin Kelly said he did not want this phase of Dexys to go | :15:43. | :15:48. | |
undocumented. Enjoy your first time here. We will do our best. These are | :15:49. | :15:53. | |
the most pristine Wellington boots I have seen all day. That is going to | :15:54. | :16:01. | |
get waterlogged. You have made an error. Dexys, looking flash as | :16:02. | :16:10. | |
always. Now somebody else that knows how to dress well. | :16:11. | :16:17. | |
I am still at the hospitality area, trying to impress some VIPs. Rock | :16:18. | :16:28. | |
stars. The Cuban Brothers. I know you're performing later in the | :16:29. | :16:33. | |
cabaret area. I thought we could one not, impress some of these people in | :16:34. | :16:41. | |
big sunglasses. Let's do this. A little routine. Top rocking. We are | :16:42. | :16:49. | |
going to bounce. Yes, bones, and spend. And spend. And point. Yes. | :16:50. | :17:03. | |
Yes, hello. And sexy walking. They rate is. OK, and come round friends. | :17:04. | :17:11. | |
This is what I am talking about. Friends of mine, let's go. Killer | :17:12. | :17:27. | |
Kenny. He is so sexy. So nice. This is actually happening. This is not a | :17:28. | :17:40. | |
dream. OK. Guys, we have to go back. They will not stop. The braking will | :17:41. | :17:54. | |
not stop. OK. The feeling is nice, the feeling is nice. Back to you | :17:55. | :18:03. | |
guys in the studio. This is not making sense, but it kind of does. | :18:04. | :18:08. | |
This is what happens at Glastonbury. Please help. | :18:09. | :18:13. | |
We can all do that, but we do not want to show off. That looked like a | :18:14. | :18:19. | |
hidden camera inside the BBC to presenters' communal dressing room. | :18:20. | :18:24. | |
We always do that. You want to see Hugh Stevens and the flips that he | :18:25. | :18:30. | |
pulls off. Frankly surprising for a man of his build. His caterpillar is | :18:31. | :18:35. | |
awesome. Speaking of someone who will not be break dancing any time | :18:36. | :18:39. | |
soon, we will be checking out some music that is happening right now. | :18:40. | :18:43. | |
Lana del Ray is performing at the pediment stage. Here she is a few | :18:44. | :18:46. | |
moments ago. If you get my drift. It is amazing to be with everybody | :18:47. | :19:03. | |
today. I am so excited. You guys are having the time of your lives. | :19:04. | :20:15. | |
Elvis is my daddy, Marilyn?s my mother, | :20:16. | :20:18. | |
Jesus is my bestest friend. We don?t need nobody 'cause we got | :20:19. | :20:20. | |
each other, Or at least I pretend. | :20:21. | :20:22. | |
We get down every Friday night, Dancin? and grindin? in the pale | :20:23. | :20:24. | |
moonlight. Grand Ole Opry, we're feelin? | :20:25. | :20:25. | |
alright, Mary prays the rosary for my broken | :20:26. | :20:27. | |
mind. (So don't worry about) | :20:28. | :20:40. | |
I sing the body electric, I sing the body electric, baby. | :20:41. | :20:43. | |
I sing the body electric, I sing the body electric, | :20:44. | :20:45. | |
Sing the body electric, Sing the body electric. | :20:46. | :20:47. | |
I?m on fire, sing that body electric. | :20:48. | :21:01. | |
Whitman is my daddy, Monaco?s my mother, | :21:02. | :21:02. | |
Diamonds are my bestest friend. Heaven is my baby, suicide?s her | :21:03. | :21:04. | |
father, Opulence is the end. | :21:05. | :21:16. | |
# We get down every Friday night, # Dancin? and grindin? in the pale | :21:17. | :21:18. | |
moonlight. # Grand Ole Opry, we're feelin? | :21:19. | :21:19. | |
alright, # Mary prays the rosary for my | :21:20. | :21:21. | |
broken mind. # So don't worry about | :21:22. | :21:30. | |
I sing the body electric, I sing the body electric, baby. | :21:31. | :21:33. | |
I sing the body electric, I sing the body electric, | :21:34. | :21:35. | |
Sing the body electric, Sing the body electric. | :21:36. | :21:37. | |
I?m on fire, sing that body electric. | :21:38. | :21:51. | |
My clothes still smell like you, And all the photographs say, that | :21:52. | :21:53. | |
we?re still young. I pretend I?m not hurt, | :21:54. | :21:57. | |
I go about the world like I?m havin? fun. | :21:58. | :21:58. | |
We get crazy every Friday night, I drop it like it?s hot in the pale | :21:59. | :22:01. | |
moonlight. Grand Ole Opry, feelin' all right | :22:02. | :22:03. | |
Mary's swayin? softly, to her heart's delight. | :22:04. | :22:34. | |
# I sing the body electric, # I sing the body electric, baby. | :22:35. | :22:37. | |
# I sing the body electric, # I sing the body electric, | :22:38. | :22:40. | |
# Sing the body electric, # Sing the body electric. | :22:41. | :22:43. | |
# I?m on fire, sing that body electric. | :22:44. | :22:44. | |
# I sing the body electric, baby. # I sing the body electric, baby. | :22:45. | :22:46. | |
# I sing the body electric, baby. Lana del Ray on the main stage. She | :22:47. | :23:59. | |
is on the main stage right now. It is wonderful stuff, enigmatic and | :24:00. | :24:03. | |
approach. It has also been adopted by Lauren Laverne. Very convincing | :24:04. | :24:10. | |
as well. We can bring you more from Lana del Ray on the main stage. This | :24:11. | :24:12. | |
is blue jeans. # Blue jeans, white shirt # Walked | :24:13. | :25:19. | |
into the room # You know you made my eyes burn # It was like, James Dean, | :25:20. | :25:23. | |
for sure # You're so fresh to death and sick as ca-cancer # You were | :25:24. | :25:27. | |
sorta punk rock, I grew up on hip hop # But you fit me better than my | :25:28. | :25:30. | |
favourite sweater, and I know # That love is mean # And love hurts # But | :25:31. | :25:34. | |
I still remember that day we met in December # Oh, baby # I will love | :25:35. | :25:39. | |
you till the end of time # I would wait a million years # Promise | :25:40. | :25:49. | |
you'll remember that you're mine # Baby, can you see through the tears? | :25:50. | :25:54. | |
# Love you more # Than those bitches before # Say you'll remember, oh | :25:55. | :26:06. | |
baby, say you'll remember, oh baby, ooh # I will love you till the end | :26:07. | :26:11. | |
of time # Big dreams, gangster # Said you had to leave to start your | :26:12. | :26:15. | |
life over # I was like, "No please, stay here # "We don't need no money, | :26:16. | :26:19. | |
we can make it all work" # But he headed out on Sunday, said he'd come | :26:20. | :26:27. | |
on Monday # I stayed up waitin', anticipatin', and pacin' # But he | :26:28. | :26:44. | |
was chasing paper # Caught up in the game # That was the last I heard # I | :26:45. | :26:48. | |
will love you till the end of time # I would wait a million years | :26:49. | :26:54. | |
before # Say you'll remember, oh baby, say you'll | :26:55. | :27:07. | |
remember, oh baby, ooh # I will love you till the end of time # You went | :27:08. | :27:14. | |
out every night # And baby, that's all right # I told you that no | :27:15. | :27:21. | |
matter what you did I'd be by your side # Cos I'mma ride or die # | :27:22. | :27:31. | |
Whether you fail or fly # Well, at least you tried # But when | :27:32. | :27:37. | |
you walked out that door A piece of me died # I told you I wanted more | :27:38. | :27:41. | |
but that's not what I had in mind # I just want it like before # We were | :27:42. | :27:45. | |
dancing all night # Then they took you away Stole you out of my life # | :27:46. | :27:49. | |
You just need to remember # I will love you till the end of time # I | :27:50. | :27:53. | |
would wait a million years # Promise you'll remember that you're mine # | :27:54. | :28:07. | |
Baby, can you see through the tears? # Love you more # Than those | :28:08. | :28:10. | |
before # Say you'll remember, oh baby, say you'll remember, oh baby, | :28:11. | :28:14. | |
ooh # I will love you till the end of time. # | :28:15. | :28:31. | |
MUSIC: "Without Me" by Eminem Guess... Who's... Back. | :28:32. | :28:32. | |
Now... This... Looks... Like... A... Job... To... Me... | :28:33. | :28:40. | |
So... Everybody... Just... Follow... Me... | :28:41. | :28:42. | |
Cos... We... Need... A... Little... Controversy... | :28:43. | :28:44. | |
Cos... I... Feel... So... Empty... Without... Me. | :28:45. | :28:48. | |
That's three million hits right there. | :28:49. | :28:51. |