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Glastonbury. We are here, Sunday afternoon, day 3. We very much saved | :00:46. | :00:51. | |
the best to last. There is a certain lady in white in the Pyramid Stage. | :00:52. | :00:56. | |
Dolly Parton is tearing it up. The crowd for her is huge. We will bring | :00:57. | :01:01. | |
you her set in its entirety on this programme. She is coming up in a | :01:02. | :01:05. | |
short while. We have lots to keep you entertained. Paul Heaton and | :01:06. | :01:13. | |
Jacqui Abbott are here singing their new single and a duet in tribute to | :01:14. | :01:17. | |
Dolly par ton. I wonder what it could be? And the ever-affable and | :01:18. | :01:29. | |
joyful sheerian is here. He has sent a message to my children. -- Ed | :01:30. | :01:36. | |
Sheeran. Glastonbury 2014. Let's look at the | :01:37. | :01:40. | |
story so far. # I have never dreamed it | :01:41. | :01:46. | |
# Have you ever dreamed a night like this | :01:47. | :01:49. | |
# I cannot believe it # I may never see a night like this | :01:50. | :01:56. | |
# Yeah # When everything you think is | :01:57. | :01:59. | |
incomplete # cheek-to-cheek | :02:00. | :02:05. | |
# Could you ever dream it # I have never dreamed a dream like | :02:06. | :02:09. | |
this # I have never dreamed it | :02:10. | :02:16. | |
# Have you ever dreamed it # A night like this # | :02:17. | :02:47. | |
The story so far at Glastonbury 2014. Lovely day here today. What a | :02:48. | :02:51. | |
lovely day. What has been your highlight so far today? I don't want | :02:52. | :02:56. | |
to show off but I met Dolly Parton, it was amazing. I found an ice-cream | :02:57. | :03:02. | |
van for cheese. You can get fondue fries and I found a castle that | :03:03. | :03:06. | |
serves garlic bread. A garlic bread castle. That was remarkable rather | :03:07. | :03:11. | |
than exceptional. I'm pleased for you as a friend. It is your | :03:12. | :03:15. | |
birthday. I want you to have a good time I went to see Three Daft | :03:16. | :03:21. | |
Monkeys on the Avalon stage. But an ice-cream van for cheese. It is | :03:22. | :03:24. | |
something I have been waiting Forestieri many years. We should | :03:25. | :03:28. | |
hook up with Dolly and take her to it. That white catsuit, idol to go | :03:29. | :03:38. | |
council mud-splattered walk-ways. Should we get to some music? The | :03:39. | :03:44. | |
festivities opened this morning with English National Ballet and it was | :03:45. | :03:49. | |
joyous sound and music from Caro Emerald leading up to Dolly day. | :03:50. | :04:16. | |
# I took the perfect avenue, down the road to both of you | :04:17. | :04:21. | |
# With all the money in the world # You could never buy this girl | :04:22. | :04:30. | |
# If romancing me with neons is something you should do | :04:31. | :04:40. | |
# May the letters write in luminous, in-lou | :04:41. | :04:45. | |
# You could be breaking up, making up | :04:46. | :04:51. | |
# With all this tragedy, don?t get me tangled up | :04:52. | :05:15. | |
# To me you?re acting like you?re twins | :05:16. | :05:18. | |
# I want to see emotions colouring the sky | :05:19. | :05:38. | |
# To the point it will make me wanna cry | :05:39. | :05:42. | |
# You could be breaking up, making up | :05:43. | :05:50. | |
# With all this tragedy don't get me tangled up | :05:51. | :06:15. | |
# Treating girls like a yo-yo is a no no of monumental kind | :06:16. | :06:26. | |
# If playing with your string had lanced to be your thing | :06:27. | :06:30. | |
# It's easy to say to both oh never mind | :06:31. | :06:33. | |
# You could be breaking up, making up | :06:34. | :06:42. | |
# You can't be faking it # Making it from my love | :06:43. | :06:48. | |
# With all this tragedy, don?t get me tangled up | :06:49. | :07:01. | |
# You could be breaking up, making up | :07:02. | :07:02. | |
# You can't be faking it # Making it from my love | :07:03. | :07:07. | |
# With all this tragedy, don't get me tangled up | :07:08. | :07:14. | |
groove. I like it. Contemporary smooth. That was after the ballet. I | :07:15. | :07:52. | |
wasn't here in time for the ballet. You saw that. We played it out on | :07:53. | :07:57. | |
the early show, the lunchtime show here on BBC Two. I almost burst into | :07:58. | :08:02. | |
tears. I had to stopwatching. It was really affecting. Apparently the | :08:03. | :08:05. | |
dancers were not sure anybody would turn up. The crowd was huge. | :08:06. | :08:09. | |
Transfixed and then went crazy afterwards. It was amazing. A proper | :08:10. | :08:14. | |
moment. A precedent was set when we had the opera to kick off the Sunday | :08:15. | :08:18. | |
morning a couple of years ago. We will show you some of the ballet | :08:19. | :08:22. | |
later. We are building up to Dolly. We have Paul and Jacqui coming to | :08:23. | :08:26. | |
ginning for us live and what a joy, someone who is hot-footing it from | :08:27. | :08:31. | |
our encampment back over to the Pyramid Stage to perform live but he | :08:32. | :08:36. | |
is here to give us an exclusive acoustic preview. It is only Ed | :08:37. | :08:38. | |
Sheeran. # When your legs don't work | :08:39. | :08:47. | |
like they used to before your | :08:48. | :08:54. | |
cheeks # People fall in love in mysterious | :08:55. | :08:56. | |
ways # Kiss me under the light of a | :08:57. | :09:20. | |
thousand stars # Place your head on my beating | :09:21. | :09:49. | |
heart strings | :09:50. | :09:53. | |
the same way # I know you will still love me the | :09:54. | :10:17. | |
same # People fall in love in mysterious | :10:18. | :10:21. | |
ways # Kiss me under the light of a | :10:22. | :10:47. | |
thousand stars # Place your head on my beating | :10:48. | :11:16. | |
heart # Kiss me under the light of a | :11:17. | :11:20. | |
thousand stars # Place your head on my beating | :11:21. | :12:01. | |
heart # Thinking out loud | :12:02. | :12:06. | |
# Baby we found love right where we # Babe we found love right where we | :12:07. | :12:19. | |
are. # CHEERING AND APPLAUSE How are you | :12:20. | :12:38. | |
feeling about the gig? I mean I have to follow Dolly. Not adeal, but it | :12:39. | :12:42. | |
will be fun. Fingers crossed. Good luck. If it is any consolation, we | :12:43. | :12:46. | |
heard that we think your album is number one, and definitely the | :12:47. | :12:50. | |
biggest-selling Album of the Year, this year, so you have sold more | :12:51. | :12:56. | |
records than she has. This week. Congratulations. Thank you so much. | :12:57. | :12:59. | |
Thank you very much. Ed Sheeran everybody. Thank you to | :13:00. | :13:04. | |
Ed for joining us before he goes on stage on the Pyramid Stage. We will | :13:05. | :13:08. | |
catch up with our lovely Gemma now. She is out and about in the field. | :13:09. | :13:17. | |
Aw, how lovely. A rare moment of solace in the fields of Avalon | :13:18. | :13:21. | |
chilling out on Dolly Parton Sunday. Family vibe. A place for some real | :13:22. | :13:32. | |
peace and quiet. Unless you are accompanied by a Mariachis band that | :13:33. | :13:38. | |
is. Oh, she's irrepressible. What is she | :13:39. | :14:12. | |
like? I like that Mariachis music. I went to see them. That's one of my | :14:13. | :14:17. | |
favourite areas on the site. The Avalon. We have a timber-framed | :14:18. | :14:21. | |
double-decker pub and a lovely cafe in the Avalon stage and I saw Three | :14:22. | :14:28. | |
Daft Monkeys. The Mariachis were on but I had to come here and rehearse | :14:29. | :14:32. | |
although it doesn't appear to have made much difference. Oh, well, we | :14:33. | :14:36. | |
are free-wheeling towards Dolly. It doesn't matter what we do. We have | :14:37. | :14:42. | |
Dolly, live music coming up. Paul and Jacqui will be here after this | :14:43. | :14:45. | |
next thing. This is the band who had a good slot. The weather was great | :14:46. | :14:49. | |
today. They were in the slot before Dolly Parton on the Pyramid Stage. | :14:50. | :14:53. | |
It worked out nicely for them. These are the 1975. | :14:54. | :15:12. | |
# Hey now call it a split 'cause you know that you will | :15:13. | :15:17. | |
# Oh you bite your friends like chocolate | :15:18. | :15:21. | |
# You say, we'll go where nobody knows, with | :15:22. | :15:23. | |
# no we're never gunna' quit it no # Now we run run away from the boys | :15:24. | :15:33. | |
# in the blue, and my car smells like chocolate | :15:34. | :15:40. | |
# Hey now think about what you do, think about what they say | :15:41. | :15:52. | |
# You say, we'll go where nobody knows, with | :15:53. | :15:53. | |
# no we're never gonna' quit it no # Now we run run away from the boys | :15:54. | :16:03. | |
# Yeah we're dressed in black from head to toe, we've got guns | :16:04. | :16:05. | |
hidden under our petticoats # No we're never gunna' quit it. | :16:06. | :16:14. | |
no we're never gonna' quit it no # Now you're never gonna' quit it, | :16:15. | :16:18. | |
# If you don't start smoking it, that's what she said | :16:19. | :16:20. | |
# She said we're dressed in black, head to toe, with guns hidden under | :16:21. | :16:23. | |
# No we're never gunna' quit it, | :16:24. | :16:34. | |
# Oh my hair smells like chocolate | :16:35. | :17:02. | |
no we're never gunna' quit it no # Yeah we're dressed in black, | :17:03. | :17:04. | |
from head to toe, we've got guns hidden under our petticoats | :17:05. | :17:11. | |
# Well I think we better go, seriously better go | :17:12. | :17:12. | |
# Said the feds are here you know # Seriously better go, oh oh, | :17:13. | :17:14. | |
well I think we better go # Said the feds are here you know | :17:15. | :17:23. | |
# Said we better know # Seriously better go | :17:24. | :17:43. | |
# Yeah we're dressed in black, head to toe, with guns hidden under | :17:44. | :17:48. | |
# No we're never gonna' quit it, no we're never gonna' quit it no | :17:49. | :18:02. | |
# Well I think we better go, seriously better go | :18:03. | :18:04. | |
# Said the feds are here you know # Seriously better go, oh oh, | :18:05. | :18:30. | |
at school at Wilmslow High with my eldest daughter. Really? Yes. We are | :18:31. | :18:37. | |
going to bring you some of that moving performance we were talking | :18:38. | :18:41. | |
about the English National Ballet. They came to Glastonbury with a | :18:42. | :18:46. | |
piece specially commissioned to mark the fact that 100 years yesterday | :18:47. | :18:51. | |
that arch Duke Franz Ferdinand was assassinated and resulting in the | :18:52. | :18:54. | |
fist world war. This is a rather moving piece. We have a film to tell | :18:55. | :18:59. | |
you more about what the ENB were doing at Glastonbury this year. | :19:00. | :19:07. | |
The reason I started dancing was because of music. You know, Michael | :19:08. | :19:11. | |
Jackson. You would put a record on and I started dancing. That's why | :19:12. | :19:15. | |
Glastonbury is so special. It is fantastic music everyone can listen | :19:16. | :19:20. | |
to. Of course I knew about Glastonbury, always, but I never | :19:21. | :19:24. | |
thought I would get to perform on that stage. All of us, as dancers, | :19:25. | :19:29. | |
are, of course, huge music fans. We wouldn't be dancing if it weren't | :19:30. | :19:34. | |
for music. We are all excited. Off the Richter scale excited. As an | :19:35. | :19:39. | |
English girl, growing up, I see it year after year, it is such an | :19:40. | :19:45. | |
exciting thing to be a part of. The English National Ballet are | :19:46. | :19:48. | |
performing a piece called Dust, based on the First World War to show | :19:49. | :19:52. | |
the strength of the women during that time. This was the fist time | :19:53. | :19:56. | |
they got to go to the factories every day and prove that they could | :19:57. | :20:01. | |
do what the men were doing. A lot of people, it will be their first time | :20:02. | :20:05. | |
seeing ballet, which is really exciting. We are here to see what it | :20:06. | :20:09. | |
is like. We have never seen a ballet, have we? It is going to be | :20:10. | :20:13. | |
great to see culture. You never know, I might become a ballet fan | :20:14. | :20:14. | |
after. APPLAUSE | :20:15. | :21:37. | |
It was just very emotional. I got really emotional. It almost got me | :21:38. | :21:42. | |
teary. We were both about to cry. We were crying before, after. We knew | :21:43. | :21:46. | |
it was going to be incredible. But perhaps not quite so powerfully, | :21:47. | :21:52. | |
breathtaking as it was. I will never forget that. There are certainp | :21:53. | :21:55. | |
points in your career that are highlighted. This will be one. One | :21:56. | :21:58. | |
of the best things I have seen at Glastonbury this week. It really was | :21:59. | :22:04. | |
such a powerful performance, especially when you knew the two | :22:05. | :22:09. | |
main dancers from that piece were husband and wife and have never | :22:10. | :22:13. | |
danced together in a major production publicly. Is that right. | :22:14. | :22:17. | |
It was beautiful and a fantastic audience. Wrapped attention. It | :22:18. | :22:20. | |
really worked. A few months ago I organised a charity do up in | :22:21. | :22:24. | |
Cheshire. Paul Heaton very kindly said he would come and sing a couple | :22:25. | :22:28. | |
of songs. He phoned me a couple of weeks later said - I'm hooking with | :22:29. | :22:33. | |
up Jacqui aboted do you -- Abbott. Do you mind if I bring her? People | :22:34. | :22:39. | |
were delighted. They now have hit records. Sellout tours. Another | :22:40. | :22:42. | |
tour. People are thrilled to hear them sing together again. Here they | :22:43. | :22:47. | |
are for us, up at the park for Glastonbury 2014. | :22:48. | :23:24. | |
# The mum and dad were telling you # The way you're dressed ain't cool | :23:25. | :23:32. | |
# There ain't no fashion tips thb well, that is he the moulding of a | :23:33. | :23:38. | |
fool # As soon as you can see | :23:39. | :23:45. | |
# The pushchair that they strapped you in | :23:46. | :23:51. | |
# Should let you find your feet # The way you look it be the | :23:52. | :23:56. | |
cheapist shirt # The tightest top | :23:57. | :24:01. | |
# Revolution want be televised # And neither will your dad | :24:02. | :24:09. | |
# Revolution won't be televised # And neither will your dad | :24:10. | :24:21. | |
# The very first drop of alcohol # The taste and touch so cruel | :24:22. | :24:32. | |
# Turns our dreams to Plasticine # A decent folks to fools | :24:33. | :24:39. | |
# The microscope, the telescope # The sunny | :24:40. | :24:44. | |
# It is the cutting of the... # The mould approximating of a fool | :24:45. | :24:58. | |
# A hiccup of a cough # And the news | :24:59. | :25:04. | |
# When television is off # The way you look | :25:05. | :25:08. | |
# Depends who you must be # The cheapest shirt | :25:09. | :25:12. | |
# The tightest top # Revolution won't be televised and | :25:13. | :25:19. | |
neither will be your... # Revolution won't be televised and | :25:20. | :25:26. | |
neither will your dad # # | :25:27. | :25:49. | |
Stay within the yellow line # Don't wear stripe with check | :25:50. | :25:58. | |
# The way you look # That's who you must be | :25:59. | :26:02. | |
# The quhaepist shirt # The tightest top | :26:03. | :26:10. | |
# Turn the music off # And think that acting proud and | :26:11. | :26:12. | |
rich will stand us from the crowd # How lovely. So great to hear you | :26:13. | :26:24. | |
guys together again. Thank you very much. Are you sticking around to do | :26:25. | :26:28. | |
a bit of a duet for us, aren't you? OK. What a mystery, we are wondering | :26:29. | :26:34. | |
what that could possibly be? A Dolly par ton duet, I can't think. We'll | :26:35. | :26:38. | |
have to hang out and wait for it. Time it check out some more action | :26:39. | :26:42. | |
from around the festival site now. This is what has been going on on | :26:43. | :26:48. | |
The Other Stage. A little bit of Sam Smith for you. | :26:49. | :27:14. | |
# You I don't have money on my mind # No money on my mind a see the | :27:15. | :27:55. | |
numbers # I wanna see heaven | :27:56. | :27:59. | |
# You say could you write a song for me | :28:00. | :28:02. | |
# I say I'm sorry I won't do that happily | :28:03. | :28:04. | |
# When I go home # I tend to close the door | :28:05. | :28:07. | |
# I never wanted more # So sing with me | :28:08. | :28:11. | |
# Can't you see # I don't have money on my mind | :28:12. | :28:16. | |
# Money on my mind # I do it for the love | :28:17. | :28:21. | |
# I don't have # Money on my mind | :28:22. | :28:26. | |
# I do it for # I do it for the love | :28:27. | :28:37. | |
# Please don't get me wrong wrong # I wanna keep it moving | :28:38. | :28:42. | |
# I know what that requires # I'm in the foolish | :28:43. | :28:47. | |
# Please can you make this work for me | :28:48. | :28:49. | |
# Because I'm not a puppet, I will work against your string | :28:50. | :28:53. | |
# When I go home, I tend to close the door | :28:54. | :28:58. | |
# I never wanted more # So sing with me | :28:59. | :29:01. | |
# Can't you see # I don't have | :29:02. | :29:03. | |
# Money on my mind # Money on my mind | :29:04. | :29:07. | |
# I do it for # I do it for the love | :29:08. | :29:12. | |
# I don't have # Money on my mind | :29:13. | :29:17. | |
# I do it for the love # I do it for the love force # | :29:18. | :29:26. | |
Help me sing this # When the sun will set | :29:27. | :29:28. | |
# Don't you fret # No, I have no money on my mind | :29:29. | :29:33. | |
# No money on my mind # No money on my mind | :29:34. | :29:41. | |
# No, I have no money on my mind # Your turn | :29:42. | :29:47. | |
# When the sun will set # Don't you fret knob no I have no | :29:48. | :29:51. | |
money on my nibbed # No money on my mind... # | :29:52. | :30:01. | |
Sam Smith performing on The Other Stage. | :30:02. | :30:06. | |
I was up in the Stone Circle earlier. It was lovely. I bumped | :30:07. | :30:12. | |
into a a family with an 11-month-old baby in a troll quie. She was from | :30:13. | :30:16. | |
the Wirral he was from Leeds. They said "Are you having a great | :30:17. | :30:21. | |
birthday ""She said to him "Give him one of your cans of lager." He said | :30:22. | :30:27. | |
"No I have rationed them out." They were spending last night watching | :30:28. | :30:32. | |
mow tallia with people who signed a petition to stop mow tallia playing. | :30:33. | :30:36. | |
It sounds like they were experiencing everything they wanted | :30:37. | :30:40. | |
to experience -- Metalica. #12k3w4r! -- Here what was on the | :30:41. | :30:52. | |
John Peel Stage earlier today. # Oh, you Jack of all trades | :30:53. | :30:58. | |
# You're the master of none # Oh, the race has begun | :30:59. | :31:25. | |
# I was born a champion # And I'm | :31:26. | :31:30. | |
counting every link # And I guess you think that's | :31:31. | :32:15. | |
fine # You can try and run | :32:16. | :32:20. | |
and hide CHEERING AND APPLAUSE He seems to | :32:21. | :33:54. | |
have become one of the voices and faces of the festival. Doesn't he | :33:55. | :33:57. | |
just? You get that each year when someone comes and steps up about | :33:58. | :34:01. | |
three divisions. It happens that way. It is funny, the ebb and flow | :34:02. | :34:06. | |
of the festival. The slot Dolly is playing, the 5.00pm slot is kind of | :34:07. | :34:12. | |
the unofficial headline shot. We'll bring you that shortly. You will get | :34:13. | :34:16. | |
all your Dolly Parton needs in this show. Hang out for that. But before | :34:17. | :34:20. | |
we get there, we will check out the building really behind another real | :34:21. | :34:24. | |
icon. A feature of the Glastonbury skyline. The giant spider. These | :34:25. | :34:29. | |
days. Have alike at how this is put together over in the Arcadia area. | :34:30. | :34:31. | |
-- have a look. Arcadia is an idea of taking things | :34:32. | :34:45. | |
that nobody else wants any more and making them into a massive giant | :34:46. | :34:52. | |
playground. The components of Arcadia are sculpture, recycling, | :34:53. | :34:57. | |
music, special effects, circus per performance. Our job is to marry up | :34:58. | :35:02. | |
all those elements and bring them together and make some interesting | :35:03. | :35:06. | |
things happen. Glastonbury is the first show of the year for us, | :35:07. | :35:10. | |
usually. The spider has been in hibernation for the winter. We have | :35:11. | :35:14. | |
to get it out, dust it off and give it its summer coat or do any repairs | :35:15. | :35:20. | |
necessary. We tend to use a lot of aviation equipment. We like jet | :35:21. | :35:23. | |
engines because they are nice and they look lick they have come from | :35:24. | :35:28. | |
outer space. -- they look like. This is the floor of the dft J booth in | :35:29. | :35:33. | |
the centre of the spider. This is the spider's eyes, one of the eye | :35:34. | :35:37. | |
sockets. We don't really have an idea and find a bit. It is kind of | :35:38. | :35:44. | |
we find a bit and the idea is inspired by that and the bits get | :35:45. | :35:48. | |
knocked around. And sometimes within a minute of entering a scrap yard we | :35:49. | :35:52. | |
find a bit and it takes things in another direction. These are the top | :35:53. | :35:57. | |
muscles from the spider they are made from Gazale helicopter tails. | :35:58. | :36:02. | |
This big slowing one of the three legs of the spider. It weighs about | :36:03. | :36:08. | |
ten tons, it is a monster, it is part of a Customs and Excise | :36:09. | :36:09. | |
scanning machine. The convoy rolls in and the first | :36:10. | :36:23. | |
thing that comes n the very first thing is 100 tonnes crane which we | :36:24. | :36:29. | |
have put into position. We have already dug trenches and free pads | :36:30. | :36:33. | |
for the spider feet. We reverse the trailers in one at a time, take the | :36:34. | :36:38. | |
legs off. They get laid down with a central hub and using chains, slowly | :36:39. | :36:42. | |
the whole structure is lifted up # A space station might look | :36:43. | :36:45. | |
something like this... # When all the dressing goes on and | :36:46. | :36:49. | |
the eyes go on and the characteristics of the spider really | :36:50. | :36:54. | |
start to come on then. There is definitely danger involved with it | :36:55. | :36:57. | |
working in the way that we do. It is kind of what makes it exciting but | :36:58. | :37:02. | |
also what makes it what it is. We do dangerous things, safely. Henry and | :37:03. | :37:08. | |
his team from Germany are the guys that pioneered the method and | :37:09. | :37:11. | |
technology that we use to get the size of the flames that we do on the | :37:12. | :37:17. | |
top of the spider. They want big flames and many flames in a short | :37:18. | :37:23. | |
time. You have the biggest flames, 25m. If you had a long enough stick | :37:24. | :37:28. | |
and were in the crowd, you could probably toast yourself a crumpet | :37:29. | :37:32. | |
and stick butter on it. When we let that off for the first time, people | :37:33. | :37:38. | |
really stand like and are like... Wow! | :37:39. | :37:45. | |
It goes from something you have just built and is just a big load of | :37:46. | :37:50. | |
scrap that then comes alive. It is amazing. Once the people are there | :37:51. | :37:59. | |
and it switches on, it is a real magic. It is a privilege to be part | :38:00. | :38:01. | |
of it. It is just amazing. That makes me | :38:02. | :38:08. | |
want to go out, though. Lovely Henry Hot. He is like the Giorgio match | :38:09. | :38:17. | |
the aurader of the pyrotechnics world. | :38:18. | :38:20. | |
It is a vivid sight. The first time you see that, it blows your mind. At | :38:21. | :38:24. | |
night it really comes alive. Listen, we are getting very, very close to | :38:25. | :38:30. | |
Dolly tame, aren't we? Dolly time -- Dolly time. | :38:31. | :38:34. | |
Paul Heaton and Jacqui Abbott are no-one's support act but what better | :38:35. | :38:38. | |
way of getting in the mood for Dolly, should you need any extra | :38:39. | :38:40. | |
inducement, than this. # Baby, when I met you | :38:41. | :38:49. | |
there was peace unknown # I set out to get you | :38:50. | :38:53. | |
with a fine tooth comb # I was soft inside, | :38:54. | :38:57. | |
there was somethin' going on # You do something to me | :38:58. | :39:07. | |
that I can't explain # Every beat of my heart, | :39:08. | :39:11. | |
we got somethin' goin on # Tender love is blind, | :39:12. | :39:27. | |
it requires a dedication # All this love we feel, | :39:28. | :39:29. | |
needs no conversation # Islands in the stream, | :39:30. | :39:33. | |
that is what we are # No one in between, | :39:34. | :39:45. | |
how can we be wrong? # I can't live without you | :39:46. | :39:49. | |
if the love was gone # Everything is nothin' | :39:50. | :40:11. | |
if you got no one # Slowly losin' sight | :40:12. | :40:17. | |
of the real thing # But that won't happen to us | :40:18. | :40:30. | |
and we got no doubt # Too deep in love | :40:31. | :40:31. | |
and we got no way out # This could be the year | :40:32. | :40:32. | |
for the real thing # No more will you cry, baby, | :40:33. | :40:40. | |
I will hurt you never # We start and end as one, | :40:41. | :40:46. | |
in love forever # Islands in the stream, | :40:47. | :40:49. | |
that is what we are # No one in between, | :40:50. | :41:01. | |
how can we be wrong? # Islands in the stream, | :41:02. | :41:05. | |
that is what we are # No one in between, | :41:06. | :41:40. | |
how can we be wrong? # Islands in the stream, | :41:41. | :41:42. | |
that is what we are # No one in between, | :41:43. | :41:59. | |
how can we be wrong? CHEERING AND APPLAUSE Fantastic. | :42:00. | :42:35. | |
That set the scene wonderfully. Thank you very much guys. Paul | :42:36. | :42:42. | |
Heaton, Jacqui Abbott and friends. Islands In the Stream. The time has | :42:43. | :42:48. | |
arrived. She has sold 100 million records. Today she came to | :42:49. | :42:50. | |
Glastonbury. It's time for Dolly. She is certainly the Queen of | :42:51. | :43:00. | |
country music and also carries the title of the best chest in the | :43:01. | :43:09. | |
world. Hailing from Tennessee, she is a singer, songwriter, actress and | :43:10. | :43:15. | |
theme park owner. She has sold over 100 million records. Released 75 | :43:16. | :43:20. | |
albums. Cropped up eight Grammy Awards and is one of the hardest | :43:21. | :43:23. | |
working women in showbiz # Working nine to five # | :43:24. | :43:28. | |
This weekend she makes her Glastonbury debut in the Sunday | :43:29. | :43:32. | |
legend singalong slot People have asked me, have you played there, | :43:33. | :43:37. | |
when are you going to? Sure enough it has worked out great. I'm looking | :43:38. | :43:45. | |
forward to T She came a firm favourite in 1967 when she appeared | :43:46. | :43:53. | |
on a TV show. Porter Wagner and her together were one of country music | :43:54. | :43:59. | |
most dynamic duos. Then she had the first sole yes number one in the | :44:00. | :44:04. | |
country charts followed by the autobiographical Coat of Many | :44:05. | :44:06. | |
Colours. # My coat of many colours that my | :44:07. | :44:11. | |
mamma made for me # Made only from rags, but I wore it | :44:12. | :44:16. | |
so proudly... # Enjoying solo success, she said | :44:17. | :44:21. | |
goodbye to Porter but not before penning him a song that was to | :44:22. | :44:25. | |
become one of the greatest hits of all time | :44:26. | :44:28. | |
# And I # Will always love you # | :44:29. | :44:38. | |
The pint-sized platinum blonde crashed into the UK charts in 1976 | :44:39. | :44:48. | |
with a song but a Scarlet # Joe lean I'm begging, please don't | :44:49. | :44:55. | |
take my man # And she duetted with Kenny Rodgers | :44:56. | :44:58. | |
in a pop smash # Islands in the stream | :44:59. | :45:01. | |
# That is what we are # How can we be wrong # | :45:02. | :45:06. | |
I give her full credit for that. I'll take the money but she had can | :45:07. | :45:11. | |
the credit. In 1992, one of her favourite songs became the | :45:12. | :45:13. | |
biggest-selling song of the year. This time she wasn't singing T | :45:14. | :45:18. | |
Whitney Houston made sure we would always love this song by keeping it | :45:19. | :45:22. | |
top of the charts for ten, long weeks. | :45:23. | :45:25. | |
Still working nine to five, Dolly continued to make music, films and | :45:26. | :45:31. | |
more throughout the 00s, picking up a Lifetime Achievement award at the | :45:32. | :45:35. | |
Grammys. With year with a new album and a world tour under her tiny belt | :45:36. | :45:41. | |
she is back on British soil and ready to get down on worthy farm. I | :45:42. | :45:45. | |
have heard it is a farm and they have lots of rain and mud. I'm | :45:46. | :45:50. | |
hoping we are not up to our waste in mud but if we are, we are going to | :45:51. | :45:55. | |
do it just the same gl. Get your Rhine stone welly boots ready. The | :45:56. | :45:59. | |
Queen of country is bringing, Dollywood glamour to the Pyramid | :46:00. | :46:00. | |
Stage. # Baby I'm burning out of control | :46:01. | :46:19. | |
# Baby I'm burning body and soul # Hot as a pistol of flaming | :46:20. | :46:33. | |
desire # Your eyes reflect love | :46:34. | :46:34. | |
and desire # It looks like the fourth of July | :46:35. | :46:45. | |
# There's no use in fighting # Just | :46:46. | :47:01. | |
stand back and watch the sparks fly # Baby I'm burning out of control | :47:02. | :47:05. | |
# Baby I'm burning body and soul # Hot as a pistol of flaming | :47:06. | :47:10. | |
desire # Can't you feel | :47:11. | :47:13. | |
the fire keeps burning. # Can't you feel | :47:14. | :48:05. | |
the fire keeps burning. You are rowdy | :48:06. | :48:41. | |
and you are looking good, too. # Why'd you come in here | :48:42. | :49:27. | |
lookin' like that? # In your cowboy boots | :49:28. | :49:36. | |
and your painted-on jeans # All decked out | :49:37. | :49:38. | |
like a cowgirl's dream # Why'd you come in here | :49:39. | :49:39. | |
looking like that? # He's got a wanderin' eye | :49:40. | :49:40. | |
and a travelin' mind # Out with a different woman | :49:41. | :49:54. | |
every night # Why'd you come in here | :49:55. | :50:00. | |
lookin' like that? # In your high heeled boots | :50:01. | :50:07. | |
and your painted-on jeans # All decked out | :50:08. | :50:10. | |
like a cowgirl's dream # Why'd you come in here | :50:11. | :50:13. | |
lookin' like that? # When you could stop traffic | :50:14. | :50:18. | |
in a gunney sack # Why you're almost | :50:19. | :50:21. | |
givin' me a heart attack # When you waltz right in here | :50:22. | :50:23. | |
lookin' like that # I'm a softhearted woman, | :50:24. | :50:30. | |
he's a hardheaded man # And he's gonna make me feel | :50:31. | :50:44. | |
just as bad as he can # He's got himself a mean streak | :50:45. | :50:47. | |
a half a mile wide # But now he's dancing | :50:48. | :50:50. | |
on this heart of mine # Why'd you come in here | :50:51. | :50:54. | |
lookin' like that? # In your high heeled boots | :50:55. | :50:57. | |
and your painted-on jeans # All decked out | :50:58. | :51:00. | |
like a cowgirl's dream # Why'd you come in here | :51:01. | :51:03. | |
lookin' like that? # In your high heeled boots | :51:04. | :51:19. | |
and your painted-on jeans # All decked out | :51:20. | :51:22. | |
like a cowgirl's dream # Why'd you come in here | :51:23. | :51:25. | |
lookin' like that? # When you could stop traffic | :51:26. | :51:30. | |
in a gunney sack # Why you're almost | :51:31. | :51:33. | |
givin' me a heart attack # When you waltz right | :51:34. | :51:36. | |
in here lookin' like that # Why'd you come in here | :51:37. | :51:39. | |
lookin' like that? # Well, it is such an honour | :51:40. | :52:11. | |
and such a thrill to be here I have been waiting a lifetime | :52:12. | :52:22. | |
for this. And of course, we want all of you | :52:23. | :52:30. | |
to have the best time possible. We just really enjoy just looking | :52:31. | :52:37. | |
around at all of the sites and all And I know you are here to see | :52:38. | :52:40. | |
a whole lot of artists through the festival, and we are just glad | :52:41. | :52:50. | |
that you came to see me. Now, I bet some of you probably | :52:51. | :52:52. | |
follow my music, don't you? Well, | :52:53. | :52:59. | |
we will be doing a few favourites. Let me get out my guitar, and we | :53:00. | :53:06. | |
will do one for you right now. This is a real thrill | :53:07. | :53:10. | |
and a real treat. Now, how many of you go | :53:11. | :53:22. | |
so far back that you would remember # I'm begging of you | :53:23. | :53:25. | |
please don't take my man # Please don't take him | :53:26. | :53:44. | |
just because you can # With ivory skin | :53:45. | :53:57. | |
and eyes of emerald green # Your smile is like | :53:58. | :54:06. | |
a breath of spring # Your voice is soft | :54:07. | :54:10. | |
like summer rain # And I cannot compete with you, | :54:11. | :54:12. | |
Jolene # From crying | :54:13. | :54:19. | |
when he calls your name, Jolene # But you don't know | :54:20. | :54:30. | |
what he means to me, Jolene # I'm begging of you | :54:31. | :54:42. | |
please don't take my man # Please don't take him | :54:43. | :54:54. | |
just because you can # And whatever you decide to do, | :54:55. | :55:30. | |
# I'm begging of you please don't take my man | :55:31. | :55:42. | |
# Please don't take him even though you can | :55:43. | :55:57. | |
Now, some of you may or may not know that that song was loosely based | :55:58. | :56:32. | |
I wrote that years ago, when my husband, | :56:33. | :56:43. | |
when we first got married, he was spending a bit more time with Jolene | :56:44. | :56:46. | |
I want you to know, I got rid of that redheaded woman in a hurry! | :56:47. | :56:54. | |
I want you folks to know that something good can come | :56:55. | :56:56. | |
Had it not been for that other woman, | :56:57. | :57:00. | |
And I would not have made all that money, so thank you, Jolie in. | :57:01. | :57:05. | |
I looked at him sleeping over their in his lazy chair, snoring, hair | :57:06. | :57:21. | |
turning grey in the temples, and I wonder if Jolene is still around. | :57:22. | :57:24. | |
Maybe I could call her and say, you come and get him now! | :57:25. | :57:27. | |
But anyway, thank you for remembering that one and thank | :57:28. | :57:29. | |
I told you we would be doing some of your old favourites. | :57:30. | :57:36. | |
But as usual, we are out on a tour, so we are promoting something new. | :57:37. | :57:40. | |
And of course, that is what we are calling our world tour. | :57:41. | :57:50. | |
And we are excited about that, so I thought if you did not mind, I | :57:51. | :57:53. | |
After it goes by a time or two, you will know it | :57:54. | :58:05. | |
I like all of your flights out there. | :58:06. | :58:15. | |
# Blue smoke climbin' up the mountain | :58:16. | :58:16. | |
# Blue smoke windin' round the bend | :58:17. | :58:17. | |
# Blue smoke is the name of the heartbreak train | :58:18. | :58:19. | |
# I left a note I wrote I'm leaving # And I won't be coming back | :58:20. | :58:24. | |
# Blue smoke rolling, rolling, rolling | :58:25. | :58:29. | |
# Rolling, rolling down the track | :58:30. | :58:32. | |
# Oh, click-ad-ee, click-ad-ee, click-ad-ee clack | :58:33. | :58:34. | |
# And I wonder if you're even gonna notice that I'm gone | :58:35. | :58:51. | |
# But it hurts me even worse to know you never even tried | :58:52. | :59:01. | |
# I packed my suitcase full of heartaches | :59:02. | :59:03. | |
# And I bought a one-way ticket | :59:04. | :59:08. | |
# Left the station straight-up midnight | :59:09. | :59:12. | |
# In a trail of blue smoke with my heart broke | :59:13. | :59:17. | |
# Blue smoke climbin' up the mountain | :59:18. | :59:21. | |
# Blue smoke windin' round the bend | :59:22. | :59:24. | |
# Blue smoke is the name of the heartbreak train | :59:25. | :59:27. | |
# I left a note I wrote I'm leaving # And I won't be coming back | :59:28. | :59:33. | |
# Rolling, rolling down the track | :59:34. | :59:43. | |
# Oh, click-ad-ee, click-ad-ee, click-ad-ee clack | :59:44. | :59:44. | |
# Blue smoke climbin' up the mountain | :59:45. | :00:14. | |
# Blue smoke windin' round the bend | :00:15. | :00:14. | |
# Blue smoke is the name of the heartbreak train | :00:15. | :00:16. | |
# I left a note I wrote I'm leaving # And I won't be coming back | :00:17. | :00:19. | |
# Blue smoke rolling, rolling, rolling | :00:20. | :00:21. | |
# Rolling, rolling down the track | :00:22. | :00:34. | |
# Blue smoke climbin' up the mountain | :00:35. | :00:35. | |
# Blue smoke windin' round the bend | :00:36. | :00:37. | |
# Blue smoke is the name of the heartbreak train | :00:38. | :00:40. | |
# I left a note I wrote I'm leaving # And I won't be coming back | :00:41. | :00:47. | |
# Blue smoke rolling, rolling, rolling | :00:48. | :00:50. | |
# Rolling, rolling down the track | :00:51. | :00:54. | |
# Blue smoke climbin' up the mountain | :00:55. | :00:55. | |
# Blue smoke windin' round the bend | :00:56. | :00:57. | |
# Blue smoke is the name of the heartbreak train | :00:58. | :01:02. | |
# Blue smoke rolling, rolling, rolling | :01:03. | :01:02. | |
# Rolling, rolling down the track | :01:03. | :01:16. | |
You were singing that like you knew it. | :01:17. | :01:43. | |
My songs are pretty simple, and I write a lot of them. | :01:44. | :01:51. | |
As I mentioned before, I am sure a lot of you are familiar with me. | :01:52. | :01:57. | |
You know I grew up in the great Smoky Mountains of | :01:58. | :01:59. | |
And like Michael Eavis, that owns this big old farm, | :02:00. | :02:08. | |
And I grew up in the country, so this mode ain't nothing new to me. | :02:09. | :02:16. | |
And it is nothing new to you either, is it? | :02:17. | :02:19. | |
Anyway, I grew up in a family of 12 children. | :02:20. | :02:25. | |
There were six boys and six girls in our family. | :02:26. | :02:27. | |
We were just a bunch of horny hillbillies up there | :02:28. | :02:32. | |
I don't mean any disrespect by that, because my folks loved each other. | :02:33. | :02:41. | |
My daddy was a hard-working farmer, raised to have kids. | :02:42. | :02:44. | |
He kept food on our table, even if it was not exactly what we wanted. | :02:45. | :02:54. | |
And we always had a bed to sleep in, so that was always good. | :02:55. | :02:57. | |
My mother was one of those people that could tell you | :02:58. | :03:04. | |
And she could cook anything, make it taste good. | :03:05. | :03:09. | |
And she could so anything, make it look really good. | :03:10. | :03:14. | |
You know where I am heading with this, do you? | :03:15. | :03:20. | |
Well, she made a little coat for me, and I wrote a song about it. | :03:21. | :03:24. | |
I always like to dedicate it to all the good mothers we have. | :03:25. | :03:36. | |
So hopefully, it will go out of your mother, wherever she may be, | :03:37. | :03:39. | |
Of late, you will enjoy hearing my little true story of the coat | :03:40. | :03:45. | |
# Back to the seasons of my youth | :03:46. | :03:59. | |
# I recall a box of rags that someone gave us | :04:00. | :04:04. | |
# And how my momma put the rags to use | :04:05. | :04:10. | |
# There were rags of many colours | :04:11. | :04:12. | |
# Momma sewed the rags together # Sewin' every piece with love | :04:13. | :04:25. | |
# She made my coat of many colours | :04:26. | :04:28. | |
# As she sewed, she told a story # From the Bible, she had read | :04:29. | :04:37. | |
# About a coat of many colours # Joseph wore and then she said | :04:38. | :04:43. | |
# Perhaps this coat will bring you | :04:44. | :04:46. | |
# And I just couldn't wait to wear it | :04:47. | :04:51. | |
# And momma blessed it with a kiss | :04:52. | :04:55. | |
# But I wore it so proudly # Although we had no money | :04:56. | :05:09. | |
# My momma sewed in every stitch # And I told 'em all the story | :05:10. | :05:57. | |
# Was worth more than all their clothes | :05:58. | :06:07. | |
# But they didn't understand it # And I tried to make them see | :06:08. | :06:13. | |
# But I was rich as I could be | :06:14. | :06:31. | |
# My momma made for me | :06:32. | :06:33. | |
Of course, you could not live in the mountains and not have a banjo. | :06:34. | :06:58. | |
I remember a lot of things, growing up in the Smoky Mountains is. | :06:59. | :07:03. | |
All the people that touched my life and the folks that helped | :07:04. | :07:06. | |
My grandpa was a Pentecostal preacher. | :07:07. | :07:17. | |
And of course, I went to a little church called | :07:18. | :07:19. | |
the house of prayer, and it was there where I learnt to love the | :07:20. | :07:22. | |
Lord and to believe that through God, all things are possible. | :07:23. | :07:25. | |
Of course, I was kind of a disappointment to | :07:26. | :07:27. | |
my grandpa, because you can look at me and imagine me being | :07:28. | :07:29. | |
He worried a bit about me, because, you see, I had a pattern. | :07:30. | :07:41. | |
There was this loose woman that used to walk around downtown and I | :07:42. | :07:44. | |
thought she was the prettiest thing I had ever seen. | :07:45. | :07:46. | |
I was just a country kid, always wanted to be pretty. | :07:47. | :07:55. | |
So my grandpa worried a bit about me, but as the years went on, | :07:56. | :07:58. | |
he finally gave up and decided I had a good -- as good a chance of | :07:59. | :08:01. | |
Anyhow, I really think about all the different people, | :08:02. | :08:04. | |
and when I did start to grow up and started wearing make-up, | :08:05. | :08:07. | |
Well, it was hard to find one up there in the mountains, | :08:08. | :08:11. | |
# Well, I wish that I was on old Rocky Top | :08:12. | :08:37. | |
# Cos there ain't no smog, no smoke on Rocky Top | :08:38. | :08:42. | |
# Now but once I had me a man on Rocky Top | :08:43. | :08:48. | |
I know you can play fiddle, but I got a pretty affordable than that. | :08:49. | :09:56. | |
Being as how I was at the festival and all. | :09:57. | :10:31. | |
I thought I wanted to do something to impress you are | :10:32. | :10:33. | |
You remember the Benny Hill show, don't you? | :10:34. | :11:07. | |
That was when I learned to play that. | :11:08. | :11:09. | |
I think I could play this backwards if I wanted to. | :11:10. | :11:17. | |
You don't think I could lay it backwards? | :11:18. | :11:23. | |
Well, after sax, you usually have a cigarette. | :11:24. | :12:05. | |
I know that was corny, but it was fun. | :12:06. | :12:51. | |
Before we got here, they told us that you were famous for the mud. | :12:52. | :13:08. | |
Well, we got in this morning, about five o'clock. | :13:09. | :13:19. | |
And I was sitting in the front of the bus, | :13:20. | :13:21. | |
and I looked out and I saw all these workers and all these folks. | :13:22. | :13:24. | |
And they were in mud up to their knees. | :13:25. | :13:27. | |
And I thought, well, I think I will write a song. | :13:28. | :13:29. | |
Mud, mud, mud. # Mud, mud be mud | :13:30. | :13:58. | |
# Up to our bones in all this crud # Still we can't get enough of the | :13:59. | :14:01. | |
# # Mud | :14:02. | :14:06. | |
# Here is mud in your face # Here is mud in your eye | :14:07. | :14:12. | |
# It won't stick in your face # But that's all right | :14:13. | :14:15. | |
# We won't let it ruin our lie # We'll embrace the mud | :14:16. | :14:20. | |
# # Mud | :14:21. | :14:24. | |
#Ed in Rain, rain go away. If the sun won't shine you can't make hay | :14:25. | :14:29. | |
but we won't let it ruin our day # We'll just make more mud | :14:30. | :14:32. | |
# Mud # Mud OK mud, mud, mud, mud up to | :14:33. | :14:43. | |
our bones in all this Crud, still we can't just get enough of the music | :14:44. | :14:45. | |
and the mud # The music and the mud | :14:46. | :15:00. | |
# This Glastonbury mud # # Mud, mud, mud Well, see that, we | :15:01. | :15:08. | |
got us a song. And you did good. You know, I want to introduce this nice | :15:09. | :15:14. | |
bunch of folks up on stage. I'm sure you are going to get a crush on | :15:15. | :15:19. | |
somebody. You are going to want to know who it is. How about a nice | :15:20. | :15:29. | |
hand for Paul and Tom. We have Jennifer. And Vicky Hampton. And | :15:30. | :15:39. | |
Richard Dennison. And Jimmy. #r We have Gary Love. And | :15:40. | :15:51. | |
Dee Turner back there. And our fearless leader Mr Kent Will. How | :15:52. | :15:57. | |
about a nice hand. And that good-looking guy coming in and out | :15:58. | :16:02. | |
with my instruments that's Dean. Thank you for that. I think we | :16:03. | :16:05. | |
should put them to work, though, don't you? Make them sing something | :16:06. | :16:10. | |
with me. Here is another song in the new CD. It's an old song. One of the | :16:11. | :16:17. | |
great old songs that they brought over from the old world as they came | :16:18. | :16:20. | |
over to America. I love this particular song. Hopefully you will | :16:21. | :16:56. | |
too. It goes like this. # He said | :16:57. | :17:03. | |
# I asked my love to take a walk # Just to walk a little way | :17:04. | :17:12. | |
# and as we walked # Then we could talk | :17:13. | :17:24. | |
# About our future wedding day # But when she said she could never | :17:25. | :17:27. | |
be mine # Well I held a knife against | :17:28. | :17:48. | |
# He cried "my love, don't you murder me | :17:49. | :17:52. | |
# I'm not prepared for eternity" # Then only say that you'll be mine | :17:53. | :18:03. | |
# I started home 'tween twelve and one | :18:04. | :18:33. | |
# I cried, "My God, what have I done?" | :18:34. | :18:36. | |
Well, we have a bunch of songs that you have asked for | :18:37. | :19:52. | |
by request, because we wanted to know songs that you want to hear. | :19:53. | :19:54. | |
So we are going to do a medley of some of those songs for you now. | :19:55. | :19:58. | |
Any time you feel like singing along, it's your show. | :19:59. | :20:00. | |
# No-one can light up the night like you do | :20:01. | :20:31. | |
# Burning embores of love # -- Embers | :20:32. | :20:41. | |
# I've known one or two # Old flame | :20:42. | :20:55. | |
# Can't hold a candle to you # Downtown tonight | :20:56. | :21:00. | |
# I saw an old friend someone who # I used to take comfort from | :21:01. | :21:16. | |
# Long before I met you # And I caught a spark in his eyes | :21:17. | :21:26. | |
of forgotten desire to # And with words or a touch | :21:27. | :21:30. | |
# Well I could have rekindled that fire | :21:31. | :21:38. | |
# Old flame # Can't hold a candle to you | :21:39. | :21:53. | |
# No-one can light up the night like you do | :21:54. | :22:06. | |
# Flickering emberes of love # I've known one or two | :22:07. | :22:12. | |
# Old flames # Can't hold a candle to you | :22:13. | :22:26. | |
# Old flames can't hold a candle to you # | :22:27. | :22:40. | |
Maybe you remember this one of the # When the morning sun streaks | :22:41. | :22:48. | |
across my room and I'm waking up # From another dream of you but when | :22:49. | :22:58. | |
I'm onned road # Once again it seems | :22:59. | :23:02. | |
# And all that's left behind is a chain of broken dreams | :23:03. | :23:05. | |
# But you know I love you # You know that I love you oh how I | :23:06. | :23:09. | |
love you # You know I love you | :23:10. | :23:17. | |
# You know that I love you # Oh how I love you | :23:18. | :23:23. | |
# Don't you know that I love you # You know that I love, love you | :23:24. | :23:33. | |
# Oh, oh, oh # You stay close, I'm going to need | :23:34. | :23:42. | |
you for Kenny's part. # They say that it's a matter of | :23:43. | :23:45. | |
trusting # Before love has a chance to begin | :23:46. | :23:56. | |
# And it it's never simple # Only a strong love survives | :23:57. | :24:04. | |
# I know they say that it is a fine line | :24:05. | :24:10. | |
# Between giving up and giving in # Oh and once your heart's in it, | :24:11. | :24:16. | |
you can't just forget it # It's like nothing you felt in your | :24:17. | :24:19. | |
life # We We've got real love | :24:20. | :24:24. | |
# Not infatation # Real love | :24:25. | :24:28. | |
# Our heart's celebration # I love you | :24:29. | :24:33. | |
# You know I love you, too # Real love | :24:34. | :24:37. | |
# Not an imitation # real love | :24:38. | :24:44. | |
# Your my destination # Baby, you and me | :24:45. | :24:48. | |
# We've got everything we need # Real love # | :24:49. | :24:57. | |
Here is something I want to you give a little thought to. | :24:58. | :25:03. | |
# Bhen When you think about love # Think about me | :25:04. | :25:08. | |
# I can give you more than you'll ever need | :25:09. | :25:13. | |
# Sooner or later we'll be in company | :25:14. | :25:16. | |
# When you think about love, think about me | :25:17. | :25:20. | |
# When you think about love, think about me | :25:21. | :25:23. | |
# I can give you more than you'll ever need | :25:24. | :25:29. | |
# Sooner or later every heart needs company | :25:30. | :25:32. | |
# When you think about love # Think about me | :25:33. | :25:36. | |
# When you think about love # Think about me # | :25:37. | :25:51. | |
At least think about it! Thank you. Well, here's one that was my first | :25:52. | :25:58. | |
main selling record and I bet you know every word to it. Singalong | :25:59. | :26:00. | |
with me. # Just when I've begun to get myself | :26:01. | :26:11. | |
together. # And wrap my heart round | :26:12. | :26:16. | |
your little finger # Just when I'm about to | :26:17. | :26:19. | |
make it work without you You just want to rock 'n' roll, | :26:20. | :26:27. | |
do you? # They're laughing and drinkin' | :26:28. | :28:55. | |
and having a party # Crying my heart out, | :28:56. | :29:04. | |
feelin' sorry while # They're having a party | :29:05. | :29:09. | |
two doors down # I think I'll dry | :29:10. | :29:12. | |
these useless tears # They're laughing and drinkin' | :29:13. | :29:15. | |
and having a party # They're having | :29:16. | :29:35. | |
a party just two doors down # They're laughing and drinkin' | :29:36. | :29:54. | |
and having a party # We're having our own party | :29:55. | :30:16. | |
two doors down Everybody, | :30:17. | :30:50. | |
singalong and clap your hands. # Islands in the stream, | :30:51. | :31:00. | |
that is what we are # No one in between, | :31:01. | :31:02. | |
how can we be wrong? # Baby, when I met you | :31:03. | :31:03. | |
there was peace unknown # I set out to get you | :31:04. | :31:25. | |
with a fine tooth comb # I was soft inside, | :31:26. | :31:30. | |
there was somethin' going on # You do something to me | :31:31. | :31:39. | |
that I can't explain # Every beat of my heart, | :31:40. | :31:45. | |
we got somethin' goin on # Tender love is blind, | :31:46. | :31:58. | |
it requires a dedication # All this love we feel, | :31:59. | :32:04. | |
needs no conversation # Islands in the stream, | :32:05. | :32:08. | |
that is what we are # No one in between, | :32:09. | :32:21. | |
how can we be wrong? # I can't live without you | :32:22. | :32:26. | |
if the love was gone # Everything is nothin' | :32:27. | :32:48. | |
if you got no one # Slowly losin' sight | :32:49. | :32:52. | |
of the real thing # But that won't happen to us | :32:53. | :33:02. | |
and we got no doubt # Too deep in love | :33:03. | :33:06. | |
and we got no way out # This could be the year | :33:07. | :33:11. | |
for the real thing # No more will you cry, baby, | :33:12. | :33:20. | |
I will hurt you never # We start and end as one, | :33:21. | :33:25. | |
in love forever # Islands in the stream, | :33:26. | :33:29. | |
that is what we are # No one in between, | :33:30. | :33:43. | |
how can we be wrong? # The | :33:44. | :33:48. | |
folks like me on the job from 9 to 5 # It's enough to drive you crazy | :33:49. | :35:00. | |
if you let it # You would think that I | :35:01. | :35:18. | |
would deserve a fat promotion # I swear sometimes that man | :35:19. | :35:27. | |
is out to get me # On the boss-man's ladder | :35:28. | :35:42. | |
# But you got dreams # Waitin' | :35:43. | :35:47. | |
for the day your ship'll come in # And it's all gonna roll | :35:48. | :35:54. | |
your way # It's all takin' and no givin' | :35:55. | :35:59. | |
# They just use your mind Thank you so much | :36:00. | :36:10. | |
for being such a great audience. I can't believe you knew | :36:11. | :37:15. | |
that song that well! # It's enough to drive you crazy | :37:16. | :38:14. | |
if you let it I tell you what, I wish I had | :38:15. | :38:36. | |
the time and the money. I would get some more tour buses | :38:37. | :38:39. | |
and take you on the road with me. Well, that is | :38:40. | :38:47. | |
a big thrill to hear you singing It was almost my dream to be out | :38:48. | :38:49. | |
on stage, travelling all over the world, | :38:50. | :38:58. | |
singing to people exactly like you. But I didn't know you were going to | :38:59. | :39:03. | |
know all the words to my songs. And again, I want to thank you | :39:04. | :39:06. | |
for being such a great audience. You know, | :39:07. | :39:12. | |
when I was looking out there, this And yes, I was alive and well | :39:13. | :39:36. | |
in the 60s, with all this love and peace, everybody wishing we | :39:37. | :39:46. | |
could all get along. Wouldn't it be great | :39:47. | :39:48. | |
if we could all just live It must come | :39:49. | :39:50. | |
from my up being with my grandpa, but every time I hear the sound | :39:51. | :40:01. | |
of an old church organ, it makes me That's for sure, but like most | :40:02. | :40:04. | |
of you, I would like to be But sometimes, I get to thinking I'm | :40:05. | :40:13. | |
caught somewhere in the middle. I'm just a little too bad to be | :40:14. | :40:19. | |
really good, and If you folks can relate to that, | :40:20. | :40:21. | |
let me a you say amen. It's like I've always got any | :40:22. | :40:27. | |
angel on my right shoulder. Oh, yes, always telling me all | :40:28. | :40:36. | |
the right things to do. And the devil wants to hop | :40:37. | :40:45. | |
on my other shoulder and tear down If you can relate to that, | :40:46. | :40:48. | |
let me a you say amen. But one I am at my worst, | :40:49. | :40:52. | |
when I'm sad, mad, lonely, lost I just looked up and I said, he, | :40:53. | :40:59. | |
Lord, And you know me better than anybody, | :41:00. | :41:04. | |
so why don't you just reached down Well, a few years ago, | :41:05. | :41:12. | |
I'm sure you folks know, Jon Bon Jovi and a wonderful song they had | :41:13. | :41:21. | |
called lay your hands on me. I said, guys, | :41:22. | :41:24. | |
I'm fixing to do a new record. Could you just change that song | :41:25. | :41:37. | |
around for me a little bit, make it into a gospel tunes, | :41:38. | :41:40. | |
just a conversation And guess who I saw coming | :41:41. | :41:42. | |
in here a while ago? And I asked him if he would come | :41:43. | :41:51. | |
and play on this. He was not trying to kiss me, | :41:52. | :41:55. | |
I don't think. Thanks for writing it, | :41:56. | :42:06. | |
and thanks for gracing us today with Get up there | :42:07. | :42:21. | |
and talking to your microphone. # If you're ready, | :42:22. | :42:26. | |
I'm willing and able # Help me lay my cards out | :42:27. | :43:17. | |
on the table # What you get ain't | :43:18. | :43:56. | |
always what you see # Lay your hands on knee | :43:57. | :44:00. | |
# Lay your hands on me # Lay your hands on me | :44:01. | :44:12. | |
# I'm a sinner # I'm a loser | :44:13. | :44:15. | |
# I'm a seeker # I need to learn to live, Lord, | :44:16. | :44:18. | |
you're the teacher # Show me how to get my feet up off | :44:19. | :44:23. | |
the ground # # Teach me how to fly and never come | :44:24. | :44:28. | |
back down # Everything you are is all I need | :44:29. | :44:35. | |
# I've go the what you need # And your satisfaction is | :44:36. | :44:39. | |
guaranteed # You sacrificed it all to set me | :44:40. | :44:42. | |
free # So, if you want me | :44:43. | :44:46. | |
# Lay your hands on me # Lay your hands on me Anybody | :44:47. | :44:59. | |
anywhere you want to, baby # Lay your hands on me | :45:00. | :45:03. | |
# Lay your hands on me Lord, if you want me to prove my | :45:04. | :45:33. | |
love to you # Lay your hands on me | :45:34. | :45:42. | |
# Lay four hands on me # Come on Glastonbury, singalong with | :45:43. | :45:49. | |
us, clap along with us. -- lay your hands on me | :45:50. | :45:52. | |
# Lay your hands on me # Lay your hands on me Snr | :45:53. | :46:03. | |
# Lord I'm ready # Lay your hands on me | :46:04. | :46:20. | |
# Keep me out of trouble # Help me | :46:21. | :46:29. | |
# Lay your hands on me # Lay your hands on me | :46:30. | :46:35. | |
# Lay your hands on me Thank you so much. Thank you so much | :46:36. | :46:44. | |
Ricky. Well, what a thrill. Thank you so | :46:45. | :48:08. | |
much. Thank you so much for gracing us with your presence, appreciated. | :48:09. | :48:16. | |
Thank you so much. Well, that was a thrill, huh? Give her a big hand | :48:17. | :48:24. | |
right now, come on. What an honour, what a thrill this | :48:25. | :48:29. | |
has been today. Thank you so much for being so kind to us. Now, I | :48:30. | :48:36. | |
wrote a song a few years back. It's going to make it the perfect song | :48:37. | :48:41. | |
for me to dedicate to you personally today because I want it to know I | :48:42. | :48:45. | |
appreciate every ticket you ever bought to come to my shows, I | :48:46. | :48:50. | |
appreciate every record you evering bought, every movie that you ever | :48:51. | :48:55. | |
went to that I was in. So this was always my dream, to be doing this. | :48:56. | :49:00. | |
So I thank God and I thank you every day. I just want you to know that | :49:01. | :49:05. | |
this has been a thrill and a joy today and I also want you to know | :49:06. | :49:09. | |
that I will always love you. So this is for you. | :49:10. | :49:23. | |
# That I'll think of you each step of my way | :49:24. | :49:50. | |
# That's all I have, and all I'm taking with me | :49:51. | :50:25. | |
# And I hope life will treat you kind | :50:26. | :51:07. | |
# I will always love you # I will always love you | :51:08. | :51:57. | |
Oh my goodness. Look at that huge crowd. Wow. When you get to Dolly | :51:58. | :54:37. | |
Parton's stage of the game. Five decades making music, 100 million | :54:38. | :54:41. | |
records sold. There aren't many firsts left. It is really special to | :54:42. | :54:44. | |
see another first for her. Wonderful. Dolly Parton playing | :54:45. | :54:49. | |
Glastonbury for the first time I don't think you can do much more | :54:50. | :54:55. | |
than that. How do you top that? Ed Sheeran is going to have to try. | :54:56. | :54:59. | |
That was great. All the fantastic hits. What a show and also the theme | :55:00. | :55:04. | |
tune to the Benny Hill show which doesn't help. An a be-Jewelled | :55:05. | :55:10. | |
saxophone. : Well that was Dolly Parton, first time as Glastonbury. | :55:11. | :55:14. | |
It seems to have been a bit of a triumph. I wonder how she felt about | :55:15. | :55:18. | |
it. As she came off stage, Joe wiley managed to grab a word with her. | :55:19. | :55:23. | |
Lovely to meet you. I'm still out of breath. Listen to them, they are | :55:24. | :55:28. | |
going out there. Queen Queen of Glastonbury, official. How was that | :55:29. | :55:31. | |
for you? Exciting. The fact they are still going, I didn't know. It is | :55:32. | :55:36. | |
fun. It is everything everybody said it was going to be and I didn't get | :55:37. | :55:41. | |
mud on me. It is compare and contrast. Look at that. What was | :55:42. | :55:45. | |
that like? I have never seen a crowd that vast before. How did it feel | :55:46. | :55:50. | |
for you? There was a lot of people there. I was trying to pretend they | :55:51. | :55:54. | |
were all one special person, that's kind of how it felt of. It was | :55:55. | :55:57. | |
exciting, fun, everything everybody said it was going to be. Did it take | :55:58. | :56:01. | |
your breath away? Overwhelming. They were quiet when we did the quiet | :56:02. | :56:05. | |
songs. I didn't know if they would be too rowdy. They were respectful | :56:06. | :56:09. | |
and rowdy when we needed them to be. Have you played a festival before? | :56:10. | :56:13. | |
None this big. Many fest values. Kenny Rodgers was here this time | :56:14. | :56:18. | |
last year. Did you speak to him? He told me it was a great crowd, he | :56:19. | :56:22. | |
said I was going to enjoy myself. He was right. Your favourite bit. ? | :56:23. | :56:26. | |
What did you enjoy? I loved it all. The excitement and electricity of | :56:27. | :56:29. | |
them being out there taking part in every song and singing along with | :56:30. | :56:32. | |
me, a big thrill. Singing nine to five with those voices, that was | :56:33. | :56:36. | |
probably the biggest thrill of the night. What is the strangest sight | :56:37. | :56:39. | |
you have seen? Many people were dressed up as you. I know. There are | :56:40. | :56:44. | |
a lot of drag queens out there. I always said it was a good thing I | :56:45. | :56:49. | |
was a girl because I would have definitely been a drag queen. Did | :56:50. | :56:52. | |
you see the security guards doing the Dolly mob thing? They were doing | :56:53. | :56:56. | |
their number. It was a big thrill. Will you sum-up your Glastonbury | :56:57. | :56:59. | |
experience, how it was for you? It was a wonderful thing. More than | :57:00. | :57:04. | |
they said it was going to be. I was a little nervous, I didn't know what | :57:05. | :57:09. | |
to expect. They were very sweet. Everything I hoped it wouldbe. And | :57:10. | :57:16. | |
no mud. Thank you. Congratulations. I just want to talk about it | :57:17. | :57:21. | |
forever. I want to talk about the trousers/shorts/whatever they are, | :57:22. | :57:24. | |
forever. Amazing, if you want more Dolly there is a documentary about | :57:25. | :57:29. | |
to start on BBC4 called Platinum Blonde. Don't miss it. Shoofrnlts's | :57:30. | :57:33. | |
force of nature. It was like Lars last night. When you are an act on | :57:34. | :57:38. | |
that scale what are the last things to do, conquering Glastonbury, you | :57:39. | :57:43. | |
get impressions, the word goes around, The final frontier. Our | :57:44. | :57:47. | |
friend who was here earlier, Ed Sheeran is on BBC3 at 7.00pm. And | :57:48. | :57:52. | |
don't forget you can catch up with all the performances on the website | :57:53. | :57:56. | |
and on the iPlayer as well. We are back with kas andian at 10.00pm. I | :57:57. | :58:04. | |
can Kasabian I can hardly believe the weekend is slipping away. Even | :58:05. | :58:08. | |
on the first day you feel you have been here a day-and-a-half. Now it | :58:09. | :58:12. | |
is nearly done but kas andian tonight at 10.00pm -- Kasabian. Make | :58:13. | :58:21. | |
sure you join us for that, for the final show from Glastonbury 2014. | :58:22. | :58:23. |