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It is a tour bus and it provides me with a bunk bed and my own toilet. I | :00:19. | :00:30. | |
need a body condoms for protection. A sense of humour. A sense of | :00:31. | :00:35. | |
humour, yes! Hello, welcome back to Glastonbury. | :00:36. | :00:54. | |
This is day three, the sun is shining and it is a great mood on | :00:55. | :01:00. | |
site. I love Sunday, it is when Bliss happens and everybody becomes | :01:01. | :01:06. | |
hippie inside and out. Definitely, and it is very much about Dolly | :01:07. | :01:11. | |
Parton. It is an optimistic, inclusive atmosphere and we are | :01:12. | :01:17. | |
delighted to be here bringing you some gorgeous music. We have got all | :01:18. | :01:24. | |
sorts of stuff today. We have got the English National Ballet, a | :01:25. | :01:27. | |
special piece they are doing. We have got so much good stuff to look | :01:28. | :01:33. | |
forward to. It is good to remember it is a festival of all sorts, | :01:34. | :01:40. | |
including contemporary art. I cannot wait to see some ballet. First, we | :01:41. | :01:46. | |
are going to cross to the Pyramid stage and a gentleman who has got a | :01:47. | :01:50. | |
very special connection with this event. It is Robert Plant from | :01:51. | :01:52. | |
yesterday. # River man. | :01:53. | :02:47. | |
# she's got rhythm. # ?? CAPNEXT with the no good, | :02:48. | :02:52. | |
starry man. # well, well, yeah. | :02:53. | :03:01. | |
# oh, the last time, she was sitting by the sea. | :03:02. | :03:32. | |
# and her banjo on her knee. # come on, now. | :03:33. | :03:51. | |
# oh, how kind. # just to see those two blue eyes. | :03:52. | :04:11. | |
# ?? CAPNEXT which are shining like a diamond, like a diamond in the | :04:12. | :04:17. | |
sky. # I am going down to the station # | :04:18. | :05:15. | |
with my suitcase in my hand. # I am going away into some far off, | :05:16. | :05:29. | |
distant land. # well, well, yeah. Oh, yes, oh, | :05:30. | :05:45. | |
yes. # oh, yeah. | :05:46. | :06:20. | |
# hey, baby, hey, baby. # oh! | :06:21. | :07:07. | |
Robert Plant providing the grid. Little Maggie, I loved that. We have | :07:08. | :07:16. | |
got some live music and this is a real treat. It is part of an amazing | :07:17. | :07:29. | |
musical tradition. 70 generations has come together to make a | :07:30. | :07:32. | |
wonderful record and they are playing for us now. | :07:33. | :12:00. | |
literally got shivers. I went to Mali last year and made a | :12:01. | :12:05. | |
documentary. That is just spellbinding. They are going to be | :12:06. | :12:12. | |
on the Pyramid stage this afternoon. I love the eclectic mix | :12:13. | :12:17. | |
of acts here. Talking about eclectic. Let's find out what the | :12:18. | :12:23. | |
English National Ballet are doing at Glastonbury. | :12:24. | :12:34. | |
The reason I started dancing was because of music. Michael Jackson, | :12:35. | :12:38. | |
you put a record on and I started dancing and that is why Glastonbury | :12:39. | :12:43. | |
is so special. It is special music. Of course I knew about Glastonbury, | :12:44. | :12:48. | |
but I never thought I would get to perform on that stage. All of us are | :12:49. | :12:56. | |
music fans. We would not be dancing if we did not like music. It is off | :12:57. | :13:04. | |
the Richter scale, I am excited. As an English girl and seeing it year | :13:05. | :13:07. | |
after year, it is an exciting thing to be part of. We are performing a | :13:08. | :13:15. | |
piece called Dust and it is by a choreographer called Akram Khan. It | :13:16. | :13:20. | |
started with an idea of doing something based around the First | :13:21. | :13:24. | |
World War. I did not want to show the men dying in the trenches. We | :13:25. | :13:29. | |
wanted to reflect that even though people are dying the women in the | :13:30. | :13:34. | |
factories still have to build weapons for the war. We wanted to | :13:35. | :13:40. | |
show the strength of the women showing at that time in the First | :13:41. | :13:44. | |
World War. They had to come to the factories every day and proved they | :13:45. | :13:51. | |
could do what the men were doing. There is the music and the movement | :13:52. | :13:55. | |
and you will see the powerful movement from the women instead of | :13:56. | :14:00. | |
the men. This piece is not classical ballet that we are used to dancing. | :14:01. | :14:05. | |
This is much more grounded movement, so a lot of the stuff is | :14:06. | :14:11. | |
very low and close to the floor. It is more like earthy movements. It is | :14:12. | :14:17. | |
very unusual for a classical ballet dancer. One of the things I have | :14:18. | :14:23. | |
noticed in many of the images of people in war is that they are | :14:24. | :14:30. | |
covered in Dust. It is like a snake that needs to be released in order | :14:31. | :14:36. | |
for a new life to start. There is one man in the centre and there is a | :14:37. | :14:40. | |
sequence of arms that you might say looks like wings. From there it | :14:41. | :14:50. | |
breaks up and the men go off to war and the women then take their | :14:51. | :14:53. | |
positions, the beats of the percussion come in, and they grow in | :14:54. | :14:59. | |
strength and our movements grow stronger and sharper. Halfway | :15:00. | :15:05. | |
through I will be left out on stage and I will start the duet with one | :15:06. | :15:11. | |
guy, which is beautiful. It explores our emotions and her pulling me back | :15:12. | :15:16. | |
and me trying to go back to where my friends are on the trench. It comes | :15:17. | :15:21. | |
after an extremely powerful piece of music and all of a sudden it is | :15:22. | :15:28. | |
right back to nothing. I just want to see the result and the reaction. | :15:29. | :15:34. | |
That is the bit that is making me nervous and excited at the same | :15:35. | :15:39. | |
time. Irina is my wife, so it is going to be extremely special, not | :15:40. | :15:45. | |
only to be performing in an incredible menu with an amazing | :15:46. | :15:49. | |
audience, it will be special performing with my wife. It will be | :15:50. | :15:56. | |
exciting dancing together. What more can you ask the van appearing at | :15:57. | :16:01. | |
Glastonbury? MUSIC RESUMES WITH RENDITION OF AULD | :16:02. | :17:03. | |
LANG SYNE CHEERING Absolutely incredible, so | :17:04. | :39:39. | |
unique and so beautiful. The sun is out and that was the English | :39:40. | :39:44. | |
National Ballet doing a special performance on the Pyramid stage and | :39:45. | :39:49. | |
I am enchanted. I was almost in tears, what a powerful piece. Look | :39:50. | :39:53. | |
at that huge crowd and that reaction. That is what is brilliant | :39:54. | :40:00. | |
about Glastonbury. What a great response for the English National | :40:01. | :40:05. | |
Ballet. And the main couple are married and they are in love, love | :40:06. | :40:13. | |
Sunday! Let's gather ourselves for some beautiful music who has played | :40:14. | :40:23. | |
the before. Sorry, that is going to happen in a minute. There is, we are | :40:24. | :40:28. | |
going to hear about the clean-up operation. | :40:29. | :40:37. | |
My name is Lucy Smith and I coordinate the green initiatives. I | :40:38. | :40:41. | |
started working in the press office, so now I work doing the green | :40:42. | :40:44. | |
initiative and it is completely different. We do a litter pick up at | :40:45. | :41:00. | |
six in the morning and that gets taken onto a lorry up to the | :41:01. | :41:04. | |
recycling centre. We have got conveyor belts and 2000 people | :41:05. | :41:08. | |
working, sorting all the rubbish, the cardboard, the tins and plastic | :41:09. | :41:12. | |
bottles. It is interesting looking through | :41:13. | :41:17. | |
old programmes which are talking about environmental messages and | :41:18. | :41:21. | |
banning polystyrene and they talk about recycling. Recycling has | :41:22. | :41:27. | |
always happened at the festival. We could just have black bins, | :41:28. | :41:31. | |
everything goes in the same thing, and we sent it to landfill, but | :41:32. | :41:36. | |
sustainability is at the heart of Glastonbury and is in the heart of | :41:37. | :41:41. | |
everyone who works at the festival. They want to reduce the impact on | :41:42. | :41:43. | |
the environment. It is important to remember how big | :41:44. | :42:07. | |
Glastonbury is and recycling on that scale is important and admirable. | :42:08. | :42:12. | |
The sustainable side of Glastonbury. I was over keen to get | :42:13. | :42:17. | |
to the music a moment ago. This gentleman has played the festival | :42:18. | :42:21. | |
before, but is playing the Pyramid stage for the first time. He is | :42:22. | :42:26. | |
herewith a special acoustic experience. | :42:27. | :42:48. | |
# dad, dad, dad, dumb, dumb. After all the people picking, people | :42:49. | :43:06. | |
picking people apart, my love. # after all the dealing, the hooking, | :43:07. | :43:12. | |
the reeling along from the start. # oh, there is a feel with them. | :43:13. | :43:24. | |
# out beyond rightness and wrong, meet me there. # woman, you are | :43:25. | :43:30. | |
living, you are loving, you are needing me. | :43:31. | :43:37. | |
# living, I am alive, sweet woman, keep loving me, O. | :43:38. | :43:42. | |
# because they wake up every morning with a cradle in their hands, but | :43:43. | :43:47. | |
they pretend it is a game. Acting like the place the truth | :43:48. | :43:55. | |
could only live was up a lane. # oh, there is a field, lead me | :43:56. | :44:00. | |
there. # please come along, tied that your | :44:01. | :44:09. | |
hair. # oh, oh, oh. | :44:10. | :44:23. | |
# I tried yesterday and it takes me so long to say, but I need you to | :44:24. | :44:28. | |
know. # darling, you show by leaving me | :44:29. | :44:33. | |
so, the only way to hold on is keep letting go. | :44:34. | :44:39. | |
# oh, there is a field, meet me there. | :44:40. | :44:45. | |
# you know, I am on my way, meet me there. | :44:46. | :45:04. | |
# oh, oh, oh. # there is a field, meet me there. | :45:05. | :45:12. | |
# I will be your rightness and wrong, meet me there. | :45:13. | :45:24. | |
# I am on my way, meet me there. # please, come along, tied back your | :45:25. | :45:57. | |
hair. # after all the people picking, | :45:58. | :46:01. | |
people picking people apart, my love. Fantastic. That was a | :46:02. | :46:19. | |
brilliant track from his debut solo album First Mind. Over on the | :46:20. | :46:24. | |
Pyramid Stage we have Caro Emerald. # I feel a little lazy. | :46:25. | :46:53. | |
To live in the hotel, it is heaven and it is hell, I do not know where | :46:54. | :46:58. | |
I stand. # there is a rumour flying in the | :46:59. | :47:06. | |
air. I am dating everyman, white can they not understand my life is not a | :47:07. | :47:14. | |
mess? # even if the words are untrue. | :47:15. | :47:24. | |
# I say to them for ever it is overdue. Don't wait. Because when I | :47:25. | :47:32. | |
fall in love, you will see the moon and every star declare it from | :47:33. | :47:45. | |
above. One day, the world will feel a spark, feel it in the day and in | :47:46. | :47:56. | |
the dark, the day it is really love. # so now I am in a prison. That I | :47:57. | :48:04. | |
put up myself. # when papers start a fire, it is | :48:05. | :48:09. | |
started by a liar that is crying out for help. | :48:10. | :48:17. | |
# I walk out into the lobby. It is one day in the life, but it cuts | :48:18. | :48:28. | |
like a knife. Nobody gets the last. # even if the words are all untrue, | :48:29. | :48:37. | |
I say to them, for ever, what is overdue? | :48:38. | :48:43. | |
# don't wait, because when I fall in love, you will see the moon and | :48:44. | :48:53. | |
every star declare it from above. # one day, the world will feel a | :48:54. | :49:02. | |
spark. Feel it in the day and in the dark. The day it is really love. | :49:03. | :49:15. | |
# when I am blue, or feeling sad, I am immune to any thing they do. # | :49:16. | :49:37. | |
SHE SCAT SINGS. # don't wait, because when I fall in | :49:38. | :49:48. | |
love, you will see the moon and every star declare it from above. | :49:49. | :50:00. | |
One day the world will feel a spark. Feel it in the day and in the dark, | :50:01. | :50:12. | |
the day it is really love. APPLAUSE thank you so much. Good afternoon, | :50:13. | :50:18. | |
Glastonbury. Well, I never dream and I would ever say that in my | :50:19. | :50:22. | |
lifetime. I am going to say it again. Good afternoon, Glastonbury! | :50:23. | :50:30. | |
I know you have just woken up. You must have. We are here to wake you | :50:31. | :50:35. | |
up. We are going to help you by playing groovy songs and we are | :50:36. | :50:39. | |
going to try and make you never forget about us. I hope you enjoyed | :50:40. | :50:54. | |
it. So, here is that the sun to come out. It is called breezy air of | :50:55. | :51:16. | |
life. # I am really tired of my concrete jungle. I am going to make | :51:17. | :51:20. | |
the great escape and go on a little way. I can get my motor, started up | :51:21. | :51:31. | |
and Headford the green. An endless countryside and go somewhere I have | :51:32. | :51:36. | |
never been. # kiss my blues goodbye, I'll start. | :51:37. | :51:50. | |
Thank you for today. I am sure that by candlelight I will be all right. | :51:51. | :52:12. | |
# Yeah. # it cleared my face so I could feel | :52:13. | :52:18. | |
the breeze. Mr, I do not know a soul. # I will drop off the keys, | :52:19. | :52:29. | |
look out of my window Bay. I would not want it any other way. | :52:30. | :52:39. | |
Kiss my blues goodbye. Read until I see the crazy nights. Breathing in | :52:40. | :52:46. | |
the air of life. Thank you for today. | :52:47. | :52:52. | |
# I am sure that by candlelight I will be all right. Breathing in the | :52:53. | :53:12. | |
air of life. Yeah. # so whenever my eyes get weary and I I am feeling | :53:13. | :53:23. | |
what life brings, for ever, when times are teary, I have nothing left | :53:24. | :53:34. | |
to lose. Ladies and gentlemen, please give it | :53:35. | :53:58. | |
up for Robert! # I will kiss my blues goodbye. Breathing in the air | :53:59. | :54:09. | |
of life. I smiled. Thank you for today. And I'm sure by candlelight I | :54:10. | :54:18. | |
will be all right, breathing in the air of life. SHE SCAT SINGS. | :54:19. | :54:46. | |
APPLAUSE thank you so much. I do not know about these heels. They are | :54:47. | :54:56. | |
really pretty. It is not comfortable at all. I am really guessing you | :54:57. | :55:08. | |
have had a few of these over the past days, or maybe even just now | :55:09. | :55:15. | |
you have already started. You have a little bit of a reputation for a | :55:16. | :55:16. | |
liquid lunch. # Baby, pass the aspirin, | :55:17. | :55:26. | |
something's gotta work # I know I did it to myself | :55:27. | :55:40. | |
but, man-oh-man, it hurts # That second last Martini, | :55:41. | :55:43. | |
the one that went down real smooth # Set me on the bender | :55:44. | :55:48. | |
with nothing left to lose # The girls got going | :55:49. | :55:51. | |
and we had a munch # I promise on a dime, | :55:52. | :56:09. | |
it's the last time # The girls got going | :56:10. | :56:11. | |
and we had a munch # Oh, I promise on a dime, | :56:12. | :56:17. | |
it's the last time # I think I've got the symptoms | :56:18. | :56:20. | |
and none of them will leave # They think that it's a party | :56:21. | :56:28. | |
to laugh at all my grief # It must've been a doozy, | :56:29. | :56:33. | |
I had 200 dreams # At least I found my pillow | :56:34. | :56:36. | |
cos I can't find my keys # The girls got going | :56:37. | :56:40. | |
and we had a munch # I promise on a dime | :56:41. | :57:03. | |
it's the last time # The girls got going | :57:04. | :57:05. | |
and we had a munch # Oh, I promise on a dime | :57:06. | :57:11. | |
it's the last time # Some exotic medicine | :57:12. | :57:14. | |
to cure my every ill # The girls got going | :57:15. | :58:12. | |
and we had a munch # I promise on a dime, | :58:13. | :58:32. | |
it's the last time # The girls got going | :58:33. | :58:35. | |
and we had a munch # Oh, I promise on a dime, | :58:36. | :58:41. | |
it's the last time That was amazing. I love a liquid | :58:42. | :59:36. | |
lunch. Caro Emerald on the Pyramid Stage. We will be back at 5pm with | :59:37. | :59:41. | |
Dolly Parton on the Pyramid | :59:42. | :59:43. |