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This programme contains repetitive flashing images. | :00:00. | :00:14. | |
I don't know anything about Metallica. When I think about | :00:15. | :00:22. | |
Metallica loud. Power. Guy liner. A live force. Genius. Controversy. | :00:23. | :00:28. | |
I am humbled. Well, hello there. Welcome back to | :00:29. | :00:49. | |
Glastonbury 2014. I only left you here a few hours ago and it was | :00:50. | :00:54. | |
looking positively like William Blake's Green and Pleasant Land. But | :00:55. | :00:58. | |
look at it now. We have had more Queen weather in the interim. It's | :00:59. | :01:02. | |
looking brown and wet out there. But luckily the skies have cleared. | :01:03. | :01:06. | |
However, I have to say thunder is coming. It is of the musical | :01:07. | :01:13. | |
variety, though. Metallica, of course are taking to that Pyramid | :01:14. | :01:25. | |
Stage shortly. Also we have -- Goldfrapp coming up. And Jo Whiley | :01:26. | :01:31. | |
is up on that hill, I think it's that one. She's waiting for | :01:32. | :01:35. | |
Metallica to come on stage, hi, Jo. Yeah, I am here on the hill waiting | :01:36. | :01:40. | |
for Metallica. There will be thunder and lightning, power and loudness | :01:41. | :01:43. | |
and probably will be guy-liner. That's all to come. First of all, we | :01:44. | :01:48. | |
are going to go to a man who was revving up the audience for | :01:49. | :01:51. | |
Metallica earlier. He was mean and moody, he was the one and only | :01:52. | :01:53. | |
magnificent Jack White. # And every single bone in my brain | :01:54. | :02:19. | |
is electric # But I dig ditches | :02:20. | :02:27. | |
like the best of 'em # And even God herself | :02:28. | :02:28. | |
has fewer plans than me # But she never helps me out | :02:29. | :02:32. | |
with my scams for free # Though she grabs a stick | :02:33. | :02:34. | |
and then she points it at me # Yeah, when I say nothing | :02:35. | :02:36. | |
I say everything # They threw me down | :02:37. | :02:43. | |
in the lazaretto # Making models of people | :02:44. | :02:45. | |
I used to know # And all my illegitimate kids | :02:46. | :02:50. | |
have begotten # Thrown down to the wolves | :02:51. | :02:54. | |
Made feral for nothing # And I'm trying to escape | :02:55. | :02:57. | |
any way that I can, oh # Time is lost, no time at all | :02:58. | :03:04. | |
Throw it in a garbage can # I jump up | :03:05. | :03:13. | |
and let her know when I can # They're lighting fires | :03:14. | :03:19. | |
with the cast of the masses # And like the dough | :03:20. | :04:22. | |
I don't fall down # I'm so Detroit | :04:23. | :04:25. | |
I make it rise from the ashes. # Hispaniola debut album. -- from his | :04:26. | :06:14. | |
debut album. We will catch up with our Mark now. He is with Goldfrapp. | :06:15. | :06:23. | |
You join us here where we are having a sophisticated soiree of enigmatic | :06:24. | :06:28. | |
disco hits in the company of Goldfrapp. | :06:29. | :06:49. | |
# Nothing more to say. # You're my favourite moment | :06:50. | :07:10. | |
# You're my number one # I am like a dove to get you | :07:11. | :07:30. | |
# Just and then it's gone # You're my number one | :07:31. | :07:34. | |
# I'm like a dog to get you # I want it up and on | :07:35. | :07:46. | |
# I'm like a dog to get you # Yeah, yeah, yeah | :07:47. | :08:13. | |
# Getting down to greet you # Walk out into velvet | :08:14. | :08:23. | |
# Nothing more to say # You're my favourite moment | :08:24. | :08:29. | |
# You're my Saturday # Cos you're my number one | :08:30. | :08:37. | |
# I'm like a dog to get you # I want it up and on | :08:38. | :08:45. | |
# I'm like a dog to get you # Yeah, yeah, yeah | :08:46. | :09:01. | |
# You're my number one # I'm like a dog to get you | :09:02. | :09:11. | |
# I want it up and on # I'm like a dog to get you | :09:12. | :09:24. | |
# Yeah, yeah, yeah # Howl under the moon | :09:25. | :09:32. | |
# Yeah, yeah, yeah # Howl under the moon | :09:33. | :09:57. | |
# Yeah, yeah, yeah APPLAUSE AND CHEERING | :09:58. | :09:59. | |
Thank you. # Plastic brain scar | :10:00. | :11:18. | |
# I want laser # I'm your chauffeur with high | :11:19. | :11:21. | |
# Gloss highs # Take you where you want | :11:22. | :11:40. | |
# Can't stop, off the train | :11:41. | :11:54. | |
# Train, yeah, yeah, yeah # Wolf lady sucks my brain | :11:55. | :12:06. | |
# Apricot sunrise came # LA nights just roll in | :12:07. | :12:29. | |
# Can't stop, oh, off the train # Train, yeah, yeah, yeah | :12:30. | :12:45. | |
# Can't stop off the train # Train, yeah, yeah, yeah | :12:46. | :12:58. | |
# Nasaldouche, poolside line # Soft lit tan, what's your sign? | :12:59. | :13:11. | |
# Hold my hand, just roll in # Can't stop off the train | :13:12. | :13:36. | |
# Train, yeah, yeah, yeah # Can't stop off the train | :13:37. | :13:43. | |
Train, yeah, yeah, yeah # Can't stop off the train | :13:44. | :14:20. | |
# Train, yeah, yeah, yeah # Can't stop off the train | :14:21. | :14:28. | |
# Train, yeah, yeah, yeah APPLAUSE AND CHEERING | :14:29. | :15:33. | |
That woman, my word! Alison Goldfrapp and friends, by the looks | :15:34. | :15:38. | |
having a stormer up there at the West Holt Stage at Glastonbury 2014. | :15:39. | :15:42. | |
Incredible. So good. Some live music now. Here is an artist who's already | :15:43. | :15:53. | |
been to number one. A wonderful solo artist in her own right, this is | :15:54. | :15:57. | |
Jess Glyn. # # Finally I am where I want to be | :15:58. | :16:12. | |
# I didn't think this life was going to be for me | :16:13. | :16:17. | |
# The love you gave me to discover # Now I am caught up in a dream, | :16:18. | :16:30. | |
don't want to leave # # No confiding nor abiding | :16:31. | :16:40. | |
# Now I am here with you # Right here, you got me where you | :16:41. | :16:43. | |
want me # Now I am right here | :16:44. | :16:46. | |
# Waiting for you calling # I am right here | :16:47. | :16:50. | |
# You got me where you want me # Now I am right here | :16:51. | :17:15. | |
# Right here # I wouldn't change it for the world | :17:16. | :17:22. | |
# You play mean hard to get for a while | :17:23. | :17:26. | |
# Still got me deeper every day with your smile | :17:27. | :17:30. | |
# I ain't been one for wishing not at all | :17:31. | :17:33. | |
# When you least suspect it's creeping up on you | :17:34. | :17:37. | |
# No confiding nor abiding tomorrows # And now I'm content knowing that | :17:38. | :17:44. | |
I'm here with you # Right here, you've got me where | :17:45. | :17:47. | |
you want me now # I'm right here | :17:48. | :17:53. | |
# Waiting for you calling now # Right here, you've got me where | :17:54. | :17:55. | |
you want me now # I'm right here, right here | :17:56. | :18:11. | |
# Oh, Oh oh, oh # Oh, oh, oh | :18:12. | :18:23. | |
# Finally I'm content, I've found that thing | :18:24. | :18:26. | |
# Right here is where I'll stay # But I'm not complacent | :18:27. | :18:30. | |
# Finally I'm content # Yeah, I've found | :18:31. | :18:39. | |
# Right here is where I'll stay # But I'm not complaining | :18:40. | :18:49. | |
# Oh, oh, oh # Right here | :18:50. | :18:53. | |
# You got me where you want me now # I'm right here | :18:54. | :18:57. | |
# Waiting for you calling now # I'm right here | :18:58. | :19:03. | |
# You've got me where you want me now | :19:04. | :19:06. | |
# # I'm right here, right here # You got me where you want me | :19:07. | :19:11. | |
# Now I'm right here # Wait Waiting for you calling | :19:12. | :19:17. | |
# I'm right here, you got me where you want me | :19:18. | :19:26. | |
# I'm right here, right here # Oh, oh, oh | :19:27. | :19:49. | |
APPLAUSE AND CHEERING Nice. Thank you so much to Jess and | :19:50. | :19:52. | |
friends playing live this evening. As they say, the lass can chant, | :19:53. | :19:56. | |
beautiful stuff. Another lass with us tonight has been with us all day, | :19:57. | :20:01. | |
out and about literally our girl in the field making friends and getting | :20:02. | :20:08. | |
up to mischief, let's catch up with Gemma | :20:09. | :20:13. | |
I am in a - the only true rock bar here at Glastonbury this year. It's | :20:14. | :20:22. | |
hidden in a secret location. Oh my goodness! | :20:23. | :20:27. | |
I felt liberated enough on Metallica night to get a special bespoke | :20:28. | :20:37. | |
tattoo. My mate here is a special tattoo artist is giving me one. You | :20:38. | :20:41. | |
would never guess it's light outside, I don't know what's going | :20:42. | :20:46. | |
on, but I feel liberated. Rock on brothers and sisters! | :20:47. | :20:55. | |
Oh my goodness. She's changed. Poor Gemma, although that tattoo is going | :20:56. | :21:00. | |
to look amazing when she's back on radio in the week. It's all to the | :21:01. | :21:05. | |
good. OK, so Metallica are on their way. We are going to bring you that | :21:06. | :21:09. | |
set as soon as we can, as soon as it happens. While we are waiting why | :21:10. | :21:13. | |
don't we enjoy a gentleman who is on the Park Stage behind us right now, | :21:14. | :21:15. | |
the brilliant John Grant. # Little sweet marshmallow. | :21:16. | :22:08. | |
# I wantia go to Marz # Where green rivers flow | :22:09. | :22:13. | |
# And your sweet 16 is waiting for you after the show | :22:14. | :22:27. | |
# I wantia go to Marz # You will get your heart's desire, | :22:28. | :22:35. | |
I will meet you under the lights # Golden champagne juicy grapefruit | :22:36. | :23:07. | |
lucky Monday # High school football | :23:08. | :23:18. | |
# Hot fudge buffalotulip sundae # Almond caramel frappe pineapple | :23:19. | :23:23. | |
rootbeer # Black and white pennyapple | :23:24. | :23:35. | |
# Henry Ford sweetheart maple tea # I wanna go to Marz | :23:36. | :23:40. | |
# Where green rivers flow # And your sweet 16 is waiting for | :23:41. | :23:47. | |
you after the show # I wanna go to Marz | :23:48. | :23:54. | |
# We'll meet the gold dust twins tonight | :23:55. | :23:55. | |
# You'll get your heart's desire # I will meet you under the lights | :23:56. | :25:31. | |
# Your beauty is unstoppable # Your confidence unspeakable | :25:32. | :25:49. | |
# I know you know that I know you know | :25:50. | :25:55. | |
# I am willing to do anything to get attention from you | :25:56. | :26:06. | |
# Even though I don't have anything that I can bargain with | :26:07. | :26:15. | |
# This is like a well-oiled machine # Could I please see that smile | :26:16. | :26:20. | |
again # It's all that makes me feel that I | :26:21. | :26:26. | |
am living in this world # I see you closing all the doors | :26:27. | :26:36. | |
# I see the walls as they go up # I know it's what you have to do | :26:37. | :26:45. | |
# I'd probably do the same thing too, my dear | :26:46. | :27:00. | |
# Baby, you're where dreams go to die | :27:01. | :27:08. | |
# I regret the day your lovely carcass caught my eye | :27:09. | :27:15. | |
# Baby, you're where dreams go to die | :27:16. | :27:19. | |
# I've got to get away # I don't want to, but I have to try | :27:20. | :27:30. | |
# Oh, baby # You have to play your part, my | :27:31. | :27:48. | |
dear # I've written it all down for you | :27:49. | :27:52. | |
# It doesn't matter if the things you say to me aren't true | :27:53. | :27:59. | |
# Just do it then I'll let you go # Just say the words and say them | :28:00. | :28:05. | |
slow # I promise I'll tell no one | :28:06. | :28:18. | |
# Yes, I cross my heart and hope to die | :28:19. | :28:27. | |
# Baby, you're where dreams go to die | :28:28. | :28:33. | |
# I regret the day your lovely carcass caught my | :28:34. | :28:38. | |
# I regret the day your lovely # Baby, you're where dreams go to | :28:39. | :28:44. | |
die # I've got to get away | :28:45. | :28:53. | |
# I don't want to but I have to try # Oh, baby | :28:54. | :29:08. | |
# Oh, baby, please A brilliant songwriter, that was | :29:09. | :29:31. | |
John Grant here at Glastonbury, a Festival that's traditionally been | :29:32. | :29:34. | |
about this, but this year it's very much about this. It definitely is | :29:35. | :29:40. | |
tonight. I spoke to Lars from Metallica yesterday, he says they've | :29:41. | :29:43. | |
been waiting years to play this gig. Here is their story at Glastonbury. | :29:44. | :30:00. | |
Four mere mortals rede-15ed rock and together they changed the world. | :30:01. | :30:14. | |
One word - Metallica. Tonight these titans of rock are the | :30:15. | :30:17. | |
first metal band to headline Glastonbury. Glastonbury is the | :30:18. | :30:22. | |
greatest Festival on this planet and it's been on a bucket list of mine | :30:23. | :30:26. | |
for years, so the fact that we are the first sort of harder rock band | :30:27. | :30:31. | |
to come in and give it a go is very cool. We are very honoured. It was | :30:32. | :30:40. | |
33 years ago that James Hetfield answered Lars add in a paper looking | :30:41. | :30:45. | |
for someone to jam with. They played harder and faster and louder than | :30:46. | :30:53. | |
any band before. Stripping away the cliches, they | :30:54. | :31:00. | |
were unique. They were Metallica. Then from the depths of the | :31:01. | :31:04. | |
underworld an album of great darkness arose, a jet-black master | :31:05. | :31:09. | |
piece seeking with gloom, it catapulted Metallica to stardom. | :31:10. | :31:22. | |
Metallica rotated on MTV and these four horsemen stole the souls of a | :31:23. | :31:32. | |
new mass audience of metal fans. In the mid-90s they reinvented | :31:33. | :31:36. | |
themselves with snappy new haircuts and darkness made visible. | :31:37. | :31:43. | |
But at the dawn of a new millennium they met with turbulent times. The | :31:44. | :31:51. | |
lead singer was admitted to rehab and Jason Newstead left the band. | :31:52. | :32:02. | |
With new bass machine Robert, they saw a return to form. They've | :32:03. | :32:05. | |
celebrated their 30th anniversary, made a record with the late Lou Reed | :32:06. | :32:11. | |
and are now ready to rock the Pyramid Stage. It's clear 33 years | :32:12. | :32:16. | |
into a ride that you can still get a chance to play so people who may not | :32:17. | :32:21. | |
be familiar with what you are doing. It keeps us, I guess young. These | :32:22. | :32:27. | |
uncompromising monsters of rock promise a riff-laden heart-pounding | :32:28. | :32:34. | |
shattering set. Say your prayers, here come Metallica. | :32:35. | :32:43. | |
And here they are. Be ready to be rocked by Metallica. The biggest | :32:44. | :32:48. | |
rock act in the world, here they are. | :32:49. | :33:36. | |
# Hebrews born to serve to the pharaoh | :33:37. | :33:38. | |
# Something must be done Four hundred years | :33:39. | :33:56. | |
# So let it be written So let it be done | :33:57. | :34:03. | |
# Running red and strong down the Nile | :34:04. | :34:10. | |
# Darkness three days long Hail to fire | :34:11. | :34:23. | |
# So let it be written So let it be done | :34:24. | :34:26. | |
# So let it be written So let it be done | :34:27. | :34:35. | |
# Rule the midnight air The destroyer | :34:36. | :36:34. | |
# Creep the steps and floor Final darkness | :36:35. | :36:41. | |
# Lamb's blood, painted doors I shall pass | :36:42. | :36:58. | |
# So let it be written So let it be done | :36:59. | :37:06. | |
Are you having fun, Glastonbury? Let's keep it going! This is For | :37:07. | :38:45. | |
Whom The Bell Tolls! # Make his fight on the hill | :38:46. | :40:27. | |
in the early day # Shouting gun, on they run | :40:28. | :40:30. | |
through the endless gray # On they fight, for they are right | :40:31. | :40:37. | |
Yes, but who's to say? # For a hill, men would kill | :40:38. | :40:41. | |
Why? They do not know # Men of five, still alive | :40:42. | :40:44. | |
through the raging glow # Gone insane from the pain | :40:45. | :40:50. | |
that they surely know # Take a look to the sky | :40:51. | :40:56. | |
just before you die # Blackened roar, massive roar | :40:57. | :41:31. | |
Fills the crumbling sky # Shattered goal fills his soul | :41:32. | :41:38. | |
with a ruthless cry # Stranger now are his eyes | :41:39. | :41:42. | |
to this mystery # Crack of dawn, all is gone | :41:43. | :41:45. | |
except the will to be # Now they see what will be | :41:46. | :41:52. | |
Blinded eyes to see Hello, Glasto! Metallica is grateful | :41:53. | :49:17. | |
to be invited to such an event called Glastonbury. We are very | :49:18. | :49:24. | |
proud to be here. And to be representing, shall we say, the | :49:25. | :49:30. | |
heavier side of music, all right? I know it's all represented here, so | :49:31. | :49:35. | |
why not heavy rock and heavy metal? Hey? It's about time! So, me and the | :49:36. | :49:40. | |
boys would love to dedicate this next song to everyone who has been | :49:41. | :49:44. | |
waiting for something like this, but also all of the British heavy metal | :49:45. | :49:50. | |
bands that have been dreaming and still do dream of playing on this | :49:51. | :49:58. | |
estate right here. And uttering the words, do you want heavy? Do you | :49:59. | :50:05. | |
want heavy? Metallica gives you heavy, baby! | :50:06. | :50:57. | |
# No-one but me can save myself but it's too late | :50:58. | :59:52. | |
# Now I can't think Think why I should even try | :59:53. | :00:11. | |
# Yesterday seems as though it never existed | :00:12. | :00:18. | |
# Death greets me warm Now I will just say goodbye. # | :00:19. | :00:32. | |
# So, goodbye... # Say goodbye! | :00:33. | :00:51. | |
All right! Is it happening? I feel all right! I hope you do. We can get | :00:52. | :03:07. | |
even a bit closer and get to know each other. Raise your hand if you | :03:08. | :03:14. | |
want this Earth to be a better place, hey? That's right! Part to | :03:15. | :03:21. | |
that, raise your hand if you think you are doing your part with | :03:22. | :03:25. | |
integrity and honesty to your own morals. -- part two. That's right. | :03:26. | :03:35. | |
And number three... Who would want to be accepted and loved by all your | :03:36. | :03:39. | |
brothers and sisters here on this Earth, exactly how you are right | :03:40. | :03:48. | |
now? That's right! And the fourth question is, raise your hand and | :03:49. | :03:52. | |
your voices if music moves your soul! That's right! This one's from | :03:53. | :04:00. | |
Death Magnetic. It's called Cyanide! # NT, they say | :04:01. | :05:17. | |
# Death, won't you let me stay? # Death, won't you call your name? | :05:18. | :05:26. | |
# Death, call your name. # Suicide, I've already died | :05:27. | :05:32. | |
# You are just a few know I've been waiting for | :05:33. | :05:37. | |
# Cyanide, living dead inside # Break this empty shell for | :05:38. | :05:39. | |
evermore. # Wait, wait patiently | :05:40. | :06:21. | |
# Your death-black wings # Unfolding sleep | :06:22. | :06:26. | |
# Spreading on me # Empty, they say | :06:27. | :06:32. | |
# Death, when Tuesday? # Death, hear me call your name! | :06:33. | :06:45. | |
# Call your name! # Suicide, I've already died | :06:46. | :06:51. | |
# You're just a few know I have been waiting for | :06:52. | :06:56. | |
# Cyanide, living dead inside # Break this empty shell for | :06:57. | :06:59. | |
evermore. # Say, is that rain or are they | :07:00. | :07:24. | |
tears? # That stained your concrete face | :07:25. | :07:28. | |
for years # Crying, weeping, shedding strife | :07:29. | :07:31. | |
# Year after year, life after life. # A narrow, freshly broken ground | :07:32. | :07:54. | |
# A concrete angel laid right down # Upon the grave which swallows fast | :07:55. | :07:57. | |
# It's peace at last, peace at last! # What do they say? | :07:58. | :09:41. | |
# Death, won't you let me stay? # Empty, they say | :09:42. | :09:49. | |
# Death, hear me call your name! # Yeah, call your name | :09:50. | :09:57. | |
# Suicide, I've already died # You are just a few know I've been | :09:58. | :10:00. | |
waiting for # Cyanide, living dead inside | :10:01. | :10:07. | |
# Break this empty shell for evermore | :10:08. | :10:11. | |
# For evermore # For evermore | :10:12. | :10:18. | |
# The funeral I've been waiting for # Cyanide! | :10:19. | :10:20. | |
CHEERING AND APPLAUSE # The young man struggles on and on | :10:21. | :12:00. | |
He's known # Never shined through | :12:01. | :12:09. | |
in what I've shown # Never shined through | :12:10. | :12:21. | |
in what I've shown # A tired man they see | :12:22. | :12:30. | |
no longer cares # Never shined through | :12:31. | :13:09. | |
in what I've shown # Never shined through | :13:10. | :13:27. | |
in what I've shown # Never shined through | :13:28. | :13:40. | |
in what I've shown # Never shined through | :13:41. | :15:00. | |
in what I've shown All right, we are getting warmed up | :15:01. | :17:10. | |
now! Have you got your singing voices on? And they turned up? | :17:11. | :17:11. | |
Better get louder! # Just listen they play my song | :17:12. | :18:42. | |
# Ash to ash # Dust to dust | :18:43. | :18:46. | |
# Fade to back # Fortune, fame, mirror vain | :18:47. | :18:52. | |
# Gone insane # Fortune, fame, mirror vain | :18:53. | :18:57. | |
# Gone ensign # Dance little tin goddess | :18:58. | :19:05. | |
Sing it Glastonbury! Ash to ash | :19:06. | :19:33. | |
# Dust to dust # Fade to black | :19:34. | :19:50. | |
# Fortune, fame, mirror vain # Gone insane | :19:51. | :19:54. | |
# Ash to ash # Dust to dust | :19:55. | :19:57. | |
# Fade to black # But the memory remains | :19:58. | :20:03. | |
Like a faded prima # Can't tell if | :20:04. | :22:30. | |
this is true or dream # Now that the war | :22:31. | :24:28. | |
is through with me # Back in the womb | :24:29. | :24:38. | |
it's much too real # Fed through the tube | :24:39. | :25:12. | |
that sticks in me # Now the world is gone | :25:13. | :25:25. | |
I'm just one God, no! No, no, no! Oh, please, God | :25:26. | :26:13. | |
help me! # Master of puppets | :26:14. | :29:29. | |
I'm pulling your strings # Twisting your mind | :29:30. | :31:40. | |
and smashing your dreams # Blinded by me | :31:41. | :31:43. | |
You can't see a thing # Just call my name | :31:44. | :31:46. | |
cos I'll hear you scream # Just call my name | :31:47. | :31:49. | |
Cos I'll hear you scream # Needlework the way | :31:50. | :31:52. | |
Never you betray # Master of puppets | :31:53. | :32:13. | |
I'm pulling your strings # Twisting your mind | :32:14. | :32:50. | |
and smashing your dreams # Blinded by me | :32:51. | :32:54. | |
You can't see a thing # Just call my name | :32:55. | :32:56. | |
Cos I'll hear you scream # Just call my name | :32:57. | :32:59. | |
Cos I'll hear you scream # Where's the dreams | :33:00. | :33:03. | |
that I've been after? # Hell is worth all that | :33:04. | :35:05. | |
Natural habitat # Never-ending maze | :35:06. | :36:24. | |
Drift on numbered days # Master of puppets | :36:25. | :36:29. | |
I'm pulling your strings # Twisting your mind | :36:30. | :37:04. | |
and smashing your dreams # Blinded by me | :37:05. | :37:08. | |
You can't see a thing # Just call my name | :37:09. | :37:09. | |
Cos I'll hear you scream # Just call my name | :37:10. | :37:12. | |
Cos I'll hear you scream # Couldn't be much more | :37:13. | :37:16. | |
from the heart # It couldn't be | :37:17. | :40:00. | |
much more from the heart Are you still will there? -- out | :40:01. | :41:15. | |
there? # And never mind | :41:16. | :45:34. | |
that noise you heard # It's just the beasts | :45:35. | :47:48. | |
under your bed Oh, yeah! Oh, yeah! Oh, yeah? Ooh! | :47:49. | :49:03. | |
Yeah, yeah! Whoa! # Ha-ha! | :49:04. | :49:12. | |
# Take my hand # We are off to never never land. | :49:13. | :49:34. | |
Glastonbury, together at last! Off to never never land! Thank you, | :49:35. | :50:22. | |
Glasto! That felt good! Thank you, | :50:23. | :50:28. | |
Glastonbury! CROWD: We want more! We want more! | :50:29. | :51:00. | |
We want more! I guess they need more! Are you | :51:01. | :52:30. | |
sure? Do you really like this stuff? Oh, I'm not alone! All right, this | :52:31. | :52:33. | |
song is going to be good. # Yeah, and I brought it home | :52:34. | :52:53. | |
to Molly # Yeah, for you know | :52:54. | :53:48. | |
she tricked me easy # And I shot 'em | :53:49. | :54:02. | |
with both barrels, yeah # Mush-a-ring | :54:03. | :54:56. | |
dum a do dum a da, yeah, yeah # And I shot 'em | :54:57. | :55:00. | |
with both barrels, yeah # Mush-a-ring | :55:01. | :56:05. | |
dum a do dum a da, yeah, yeah # Here I am | :56:06. | :56:07. | |
with a ball and chain, yeah # Mush-a-ring | :56:08. | :56:48. | |
dum a do dum a da, hey he-ah Yeah, yeah, yeah! Sadly, we've come | :56:49. | :57:57. | |
to the last song. CROWD: Boo! I know! But we are | :57:58. | :58:07. | |
grateful to have been part of this awesome event and bring some | :58:08. | :58:10. | |
heaviness to this festival, and we hope you've enjoyed it, too. So this | :58:11. | :58:15. | |
last song, if you're a fan of Metallica or not a fan, this is a | :58:16. | :58:20. | |
song you can get behind. It's got three simple words but before we get | :58:21. | :58:25. | |
into that, we need to turn on some house lights. We want to see this | :58:26. | :58:29. | |
awesome event, we want to see the Glastonbury family. Can we turn on | :58:30. | :58:35. | |
the lights? Oh, yeah! Whoa! Look at you all! All right, this one's from | :58:36. | :58:47. | |
our first album and it's called Seek And Destroy. We want to see some | :58:48. | :58:53. | |
action out there, Glastonbury! # We're scanning the scene | :58:54. | :59:42. | |
in the city tonight # We're looking for you to start up | :59:43. | :59:44. | |
a fight # There's an evil feeling | :59:45. | :59:46. | |
in our brains # But it's nothing new | :59:47. | :59:48. | |
You know it drives us insane # There is no escape | :59:49. | :59:52. | |
and that's for sure # This is the end | :59:53. | :00:46. | |
We won't take any more # Say goodbye | :00:47. | :00:52. | |
to the world you live in # You have always been taking | :00:53. | :00:54. | |
but now you're giving # Our brains are on fire | :00:55. | :00:56. | |
with the feeling to kill # And it won't go away | :00:57. | :03:28. | |
until our dreams are fulfilled # There is only one thing | :03:29. | :03:33. | |
on our minds # Don't try running away | :03:34. | :03:35. | |
cos you're the one we will find Metallica loves you Glastonbury! | :03:36. | :03:38. | |
CHEERING AND APPLAUSE hey, hey, hey. You made us feel so | :03:39. | :06:27. | |
good, Glastonbury, thank you. Thank you for having us. Glastonbury, you | :06:28. | :06:35. | |
guys were fucking great. Thank you so much! All right, Glastonbury, | :06:36. | :06:51. | |
there we go, Ha-ha! I came down here about 24-hours ago. Since then I've | :06:52. | :06:56. | |
walked every fucking of this beautiful place. There is no place | :06:57. | :07:04. | |
on this fucking earth like this beautiful Glastonbury festival. | :07:05. | :07:06. | |
Thank you so much for letting us be part of your experience. Thank you | :07:07. | :07:11. | |
Michael, thank you Emily, thank you Mick. Metallica fucking loves you. | :07:12. | :07:17. | |
We hope to see you one more fucking time! | :07:18. | :07:39. | |
Wow. Metallica, live at Glastonbury 2014, thanking Michael, Emily and | :07:40. | :08:12. | |
Emily's husband Nick for booking them at the festival them have been | :08:13. | :08:18. | |
card a wildcard headliner. I spoke to Lars on site yesterday. He knows | :08:19. | :08:21. | |
exactly what this festival is all about. He is telling the truth. | :08:22. | :08:24. | |
There we have seen him out and about here. He has been out and about. | :08:25. | :08:29. | |
This is not a band that need to play Gerhard Schroeder gas. They have | :08:30. | :08:33. | |
sold hundreds of millions of records - Probably the last thing to do. | :08:34. | :08:40. | |
They played every continent of the world, including Antarctica. The | :08:41. | :08:44. | |
this has been eluding them for 30 years. You can see how much they | :08:45. | :08:51. | |
enjoyed playing that show. They were relishing that moment. Took them a | :08:52. | :08:56. | |
while to get off. Metallica loves Glastonbury. There are very few | :08:57. | :09:01. | |
experiences that can't be made better if you add a giant beach | :09:02. | :09:07. | |
ball. It doesn't hurt. The colourful one was not as Metallica as the | :09:08. | :09:12. | |
black ones? Yeah. What did you do to get a ticket to be on the back of | :09:13. | :09:18. | |
the stage. That was a cool move. Full metal dudes on stage, we have | :09:19. | :09:25. | |
come for your festival, here is the metal hoard. Following it on Twitter | :09:26. | :09:31. | |
the reaction to it. I mean, metal fans, Metallica fans loving that | :09:32. | :09:34. | |
performance. Some people confused by it. Lars himself was saying | :09:35. | :09:39. | |
yesterday, Metallica are a band who bring out strong opinions in people. | :09:40. | :09:42. | |
That is what you want in your Glastonbury headliners. There has to | :09:43. | :09:45. | |
be something a moment people will talk about. What I enjoyed, that I | :09:46. | :09:50. | |
hadn't heard for a long time is twin lead guitars like the Thin Lissie | :09:51. | :09:57. | |
styles. They did Whiskey in the Jar. Yeah. It went down a storm. Massive | :09:58. | :10:03. | |
crowd. Great to see the crowd lit up at the end. Massive crowds for all | :10:04. | :10:06. | |
of our headline acts here. We will bring you all sorts of great music | :10:07. | :10:09. | |
from around and about the festival site. You can see behind us, over | :10:10. | :10:18. | |
there, Mogwai. They promised they would pull funny faces and turn it | :10:19. | :10:21. | |
up extra loud. We will bring you some of their set. We have the Manic | :10:22. | :10:29. | |
Street Preachers, who were our guests earlier on today. Robert | :10:30. | :10:33. | |
Plant who I braved weather to see earlier on. When we started. With | :10:34. | :10:42. | |
his new band, I keep calling them Shape Shifters they have Space | :10:43. | :10:45. | |
Shifters. When they started it was like a bomb going off. | :10:46. | :10:49. | |
Extraordinary. We will cross to the John Peel Tent. MGMT were heading | :10:50. | :11:01. | |
over there just a few moments ago. -- headlining over there just a few | :11:02. | :11:02. | |
moments ago. # I'm feelin' rough I'm feelin' raw | :11:03. | :11:14. | |
I'm in the prime of my life # Let's make some music, make some | :11:15. | :11:21. | |
money, find some models for wives # I'll move to Paris, shoot some | :11:22. | :11:31. | |
heroin, and cook with the stars # You man the island and the cocaine | :11:32. | :11:40. | |
and the elegant cars # This is our decision | :11:41. | :11:50. | |
to live fast and die young # Yeah it's overwhelming | :11:51. | :11:54. | |
but what else can we do? # Get jobs in offices and wake up | :11:55. | :12:12. | |
for the morning commute? # Forget about our mothers | :12:13. | :12:28. | |
and our friends # I'll miss the playgrounds | :12:29. | :12:35. | |
and the animals and digging up worms # I'll miss the comfort of my mother | :12:36. | :13:06. | |
and the weight of the world # I'll miss my sister, miss my | :13:07. | :13:15. | |
father, miss my dog and my home # Yeah I'll miss the boredom and | :13:16. | :13:24. | |
the freedom and the time spent alone # But there is really nothing | :13:25. | :13:34. | |
nothing we can do # The models will have children | :13:35. | :13:38. | |
we'll get a divorce # We'll find some more models | :13:39. | :13:57. | |
everything must run its course # We'll choke on our vomit | :13:58. | :14:12. | |
and that will be the end # To shock you | :14:13. | :14:19. | |
like you won't believe # With the voltage | :14:20. | :16:02. | |
running through her skin # You turn me on | :16:03. | :16:09. | |
with your electric feel # You turn me on | :16:10. | :16:34. | |
with your electric feel amazing. I had a great time. I was | :16:35. | :20:24. | |
introducing Bryan Ferry on the west holt stage. I had a tuxedo on. Here | :20:25. | :20:29. | |
is a nasty low trick from the television people. Tuxedo and a | :20:30. | :20:33. | |
white shirt and bow tie on. I thought when Bryan came on he might | :20:34. | :20:38. | |
want to see someone made an effort. He has never been before. I can't | :20:39. | :20:42. | |
believe it was his debut Glastonbury. You should have seen | :20:43. | :20:54. | |
his jacket. They panned out and I had my wellies on. They don't do | :20:55. | :20:59. | |
that on the news. Exactly. We saw the site the lit up and watched | :21:00. | :21:04. | |
Metallica. It was a wonderful trip. The perimeter is nine miles. The | :21:05. | :21:11. | |
it's massive. Incredible. We are here with 175,000 reasonably | :21:12. | :21:15. | |
like-minded individuals. It is a vast sea of people and canvas out | :21:16. | :21:19. | |
there. We do our best to bring you as much as we can. Also, some very | :21:20. | :21:23. | |
special moments. We have one for you now. Talking about the fact it was | :21:24. | :21:27. | |
unbelievable Bryan Ferry's debut at Glastonbury. We have a musician | :21:28. | :21:33. | |
making his debut at Glastonbury Festival this year. He's called | :21:34. | :21:39. | |
Bernhoft. Who is doing five shows. He did a couple. A few more to come. | :21:40. | :21:43. | |
This track is called Wind You Up. Enjoy. | :21:44. | :21:58. | |
# Wind you up, I'll be appearing on the place | :21:59. | :22:07. | |
# Wind you up, I'll be appearing on the place | :22:08. | :22:17. | |
# Wind you up, I'll be appearing on the place | :22:18. | :22:26. | |
# Wind you up, I'll be appearing on the place | :22:27. | :22:35. | |
# I know the situation looks pretty dry | :22:36. | :22:40. | |
# Your social life has been consumed in a fire | :22:41. | :22:46. | |
# No, don't go, it's not that life you desire | :22:47. | :22:49. | |
# Every day you just wanna sit down and cry | :22:50. | :22:57. | |
# Brings you lower when you need to go high | :22:58. | :23:02. | |
# Just lean back, you don't even need to decide | :23:03. | :23:06. | |
# Wind you up, I'll be appearing on the place | :23:07. | :23:34. | |
# I don't know who you been listening to | :23:35. | :23:36. | |
# But you can't get out of this by yourself | :23:37. | :23:43. | |
# Wind you up, I'll be appearing on the place | :23:44. | :23:59. | |
# Wind you up, I'll be appearing on the place | :24:00. | :24:05. | |
# Wind you up, I'll be appearing on the place | :24:06. | :24:18. | |
# Wind you up, I'll be appearing on the place | :24:19. | :24:27. | |
# You want me, you need me to wind you up | :24:28. | :24:43. | |
# Cos a storm is brewing, winter's coming. | :24:44. | :24:52. | |
# When you're asleep (Wind you up) | :24:53. | :25:06. | |
# I'll just be looking (I'll be appearing on the place) | :25:07. | :25:09. | |
# When you're on heels (Wind you up) | :25:10. | :25:14. | |
# When you'll be making love (I'll be appearing on the place) | :25:15. | :25:18. | |
# When you'll be making love (Wind you up) | :25:19. | :25:29. | |
# (I'll be appearing on the place When you'll become... | :25:30. | :25:32. | |
# You spring for (Wind you up) | :25:33. | :26:01. | |
third album Islander is out on Monday as well. If you enjoyed that. | :26:02. | :26:06. | |
Fill your boots. Brilliant stuff. A joyful day. We had one rain storm | :26:07. | :26:10. | |
this afternoon. I saw a sad thing this afternoon. With a was that? A | :26:11. | :26:16. | |
man dressed as a Tin Man. Always sad. With a man dressed as The Lion. | :26:17. | :26:23. | |
They got split up from the man dressed as the Scare grow. Oh, no! | :26:24. | :26:33. | |
Do we think the Strawman was OK or a wicker thing happened? No. All sorts | :26:34. | :26:39. | |
of fancy dress. More costumes than ever before this year. It bled into | :26:40. | :26:43. | |
the way people dressed for festivals. I wear crazy colours. It | :26:44. | :26:49. | |
was black back in the day. We have the Pixies now. The Other Stage had | :26:50. | :26:54. | |
a big crowd, the Manics were on, followed by the Pixies. Let's look | :26:55. | :26:56. | |
at the Pixies in action. # Outside there's a box car waiting | :26:57. | :27:17. | |
Outside the family stew # Outside we wait till | :27:18. | :27:20. | |
Face turns blue # Out by the box car waiting | :27:21. | :27:25. | |
Take me away to nowhere plains # There is a wait so long | :27:26. | :27:39. | |
So long, so long # Big shake to the land | :27:40. | :27:42. | |
that's falling down # Here comes your man | :27:43. | :28:13. | |
Here comes your man # There is a wait so long | :28:14. | :28:54. | |
So long, so long # Here comes your man | :28:55. | :29:11. | |
Here comes your man. # # Girlie so groovy | :29:12. | :29:54. | |
I want you to know # Don't know about you | :29:55. | :30:28. | |
But I am un... # I am un | :30:29. | :30:31. | |
Chien Andalusia # Wanna grow | :30:32. | :30:46. | |
Up to be # Debaser | :30:47. | :30:47. | |
Debaser # Girlie so groovie | :30:48. | :31:08. | |
Ha ha ha ho # Don't know about you | :31:09. | :31:19. | |
but I am un... # I am un | :31:20. | :31:22. | |
Chien Andalusia # Debaser | :31:23. | :31:36. | |
Debaser # With your feet on the air | :31:37. | :32:41. | |
And your head on the ground # If there's nothing in it | :32:42. | :33:26. | |
And you'll ask yourself # Where is my mind? | :33:27. | :33:41. | |
# Way out in the water See it swimming | :33:42. | :33:57. | |
# Animals were hiding Behind the rocks | :33:58. | :34:10. | |
# Except the little fish But they told me, he swears | :34:11. | :34:25. | |
# Tryin' to talk to me Coy koi | :34:26. | :34:27. | |
# Where is my mind? Where is my mind? | :34:28. | :34:30. | |
# Way out in the water See it swimming | :34:31. | :35:01. | |
# With your feet on the air And your head on the ground | :35:02. | :35:09. | |
# Where is my mind? Where is my mind? | :35:10. | :35:41. | |
# Way out in the water See it swimming | :35:42. | :35:49. | |
# With your feet on the air And your head on the ground | :35:50. | :36:03. | |
# Way out in the water See it swimming | :36:04. | :36:20. | |
# Where is my mind? Where is my mind? | :36:21. | :37:09. | |
the Pixies at the Other Stage. New crowd. New bass player. Happy | :37:10. | :37:18. | |
birthday. It has just gone 12! Thanks. First person to wish me | :37:19. | :37:24. | |
happy birthday. Thank you very much. The Pixies people are again which | :37:25. | :37:28. | |
winly pleased to have them back. Making new music for the first time | :37:29. | :37:33. | |
in years and years. They have been on brilliant form recently. | :37:34. | :37:39. | |
Demonstration there, flares. A new Arcade Fire thing. Were nervous | :37:40. | :37:44. | |
about the flares. When I interviewed them they said - what is the thing | :37:45. | :37:49. | |
about flares. They said, is it health and safety. I'm not sure if | :37:50. | :37:52. | |
health and safety said it was OK. There seems to be more flares and | :37:53. | :37:57. | |
less flags. Tipping point. That is where we are. You said it. There is | :37:58. | :38:06. | |
nothing worse than a limp flag held aloft. People thought it would rain. | :38:07. | :38:11. | |
Metallica have not long finished on the Pyramid Stage. They seemed to | :38:12. | :38:14. | |
enjoy it. Seemed to genuinely move them. Let us find out how it was for | :38:15. | :38:21. | |
them. We have hooked up with Lars. These are the interviews I love | :38:22. | :38:25. | |
doing. The post-show, post-mortem, I guess. Lars from Metallica. This is | :38:26. | :38:34. | |
the post-mortem. Dig them up, carry them up the stairs. Couldn't we have | :38:35. | :38:38. | |
met half way down. We could have carried you up. How was it for you? | :38:39. | :38:43. | |
That was um... That was... That was sensational. I don't remember much | :38:44. | :38:47. | |
of it. I remember walking up on stage. I walked up your stairs. The | :38:48. | :38:52. | |
rest of it was a bit of a blur. It was great. The energy was fantastic. | :38:53. | :38:58. | |
All I saw when I looked that the way was flags. When I looked that way | :38:59. | :39:04. | |
was flags. Just... There was lots of... Real positive vibes and good | :39:05. | :39:09. | |
positive energy. Everybody had like big smiles on their faces. We sort | :39:10. | :39:16. | |
of held it together and played. Actually, fairly decently. All round | :39:17. | :39:22. | |
it was good. Thank you for asking A huge us. Congratulations. I feel | :39:23. | :39:28. | |
eleaved and emotionally drained. There has been such a build-up - Try | :39:29. | :39:34. | |
being me. There was a lot of controversy, how do you feel. We | :39:35. | :39:38. | |
were like, we are a rock-and-roll band playing your festival. Said it | :39:39. | :39:43. | |
was humbling to do. It you were here yesterday morning. Yeah. We saw you | :39:44. | :39:48. | |
everywhere? I have been here for 30 hours. The why did you do that? I | :39:49. | :39:51. | |
figured if you were going to do this. Everybody talks about how this | :39:52. | :39:55. | |
is... I mean this is something that penetrates at a whole other level | :39:56. | :40:00. | |
than at any other festivals anywhere. This is part of your guys | :40:01. | :40:04. | |
culture and history and everybody who is watching. I figure, you never | :40:05. | :40:10. | |
know if you will get invited back. I figured, we have one shot. I want to | :40:11. | :40:16. | |
come in. I'm going to soak up every second that I can of this thing. We | :40:17. | :40:24. | |
came in. Yeah, about 30-hours ago. Last night we saw Arcade Fire. We | :40:25. | :40:32. | |
saw bands. We walked every where. A crew of five or six. Nick, Emily's | :40:33. | :40:39. | |
husband. He was our host. And took us everywhere. We saw every little | :40:40. | :40:47. | |
area. And every little village and tent. It was an amazing experience. | :40:48. | :40:53. | |
By the time we were done at that at 4.00am we knew what the vibe was. | :40:54. | :40:58. | |
Slept for a couple of hours. Came right back down and felt like that | :40:59. | :41:01. | |
we were ready to thabg this on again. And did. You proved to all | :41:02. | :41:06. | |
the critics wrong. You smashed it. History has been made. The first | :41:07. | :41:11. | |
metal band to headline Glastonbury. You mentioned on stage that maybe | :41:12. | :41:14. | |
you will come back to Glastonbury in the future? We would love to. I'm | :41:15. | :41:19. | |
coming back tomorrow. Oh, right! I'm here the whole weekend. | :41:20. | :41:23. | |
coming back tomorrow. Oh, right! I'm forward to Dolly tomorrow, to the | :41:24. | :41:29. | |
Black Keys, The Horrors. Can sakian. I will be the one sweeping up. I | :41:30. | :41:33. | |
will be the one walking around with the garbage bag on Tuesday clearing | :41:34. | :41:38. | |
up. You are a Glastonbury addict. Completely. I'm glad we sold it to | :41:39. | :41:43. | |
you? I met it Michael yesterday. The whole thing has been amazing. Emily. | :41:44. | :41:47. | |
The whole family. The Met met experience, how would you sum it up | :41:48. | :41:56. | |
in a sentence? Other worldly. That is a big word for this time of | :41:57. | :42:00. | |
night. It will take a little while to settle in. Obviously, when you | :42:01. | :42:04. | |
find yourself talking about this whole thing - I have done nine | :42:05. | :42:08. | |
Glastonbury interviews every day the last month. I have run out of things | :42:09. | :42:12. | |
to say about it. You know what I mean. Now we are finally here we | :42:13. | :42:17. | |
played it so much fun. Congratulations. Thank you for | :42:18. | :42:20. | |
coming to see us straight off stage. Really good. Enjoy tomorrow? We will | :42:21. | :42:25. | |
go out and play one more. Forgive me. One more encore waiting. The | :42:26. | :42:31. | |
rabbit hole is in that direction. Have that experience? We ended up | :42:32. | :42:35. | |
there last night. I'm sure that is where we will end up tonight. There | :42:36. | :42:39. | |
is something about a secret under ground You go chamber. There. See if | :42:40. | :42:45. | |
that can be the last bastion tonight. Thank you. Back to you now. | :42:46. | :42:50. | |
He is, I interviewed Lars yesterday. He has done so many Glastonbury | :42:51. | :42:54. | |
interviews every day. He is absolutely right. He completely gets | :42:55. | :42:57. | |
what this festival is all about. He is such a smart guy. As you can see, | :42:58. | :43:02. | |
brilliant company. Immersed himself in it. That was heart warming. That | :43:03. | :43:07. | |
was sincere, wasn't it? That wasn't a charm offensive. He had an | :43:08. | :43:13. | |
experience. He said other worldly. The good word. Hi struck me as a | :43:14. | :43:19. | |
total music nerd. He was talking about the first time that they came | :43:20. | :43:23. | |
over and wanted to play Glastonbury in 1981. They did their first London | :43:24. | :43:27. | |
shows. He knew the address of the club where they first played London. | :43:28. | :43:35. | |
He grew up on People Purple. He said all roads metal wise lead to the UK. | :43:36. | :43:39. | |
This was the one thing left for them to do. He looked like Bill Bailey in | :43:40. | :43:47. | |
close-up. Was he wearing a dressing gown or a monk's... I don't know. | :43:48. | :43:58. | |
More lights than I have ever seen on the Park Stage than ever before | :43:59. | :44:00. | |
tonight for Mogwai. Mogwai, for my money one of the best | :44:01. | :48:04. | |
bands to see live in the world. The only time I've ever missed the | :48:05. | :48:08. | |
chance to see them, when I've had it, when I nodded off on top of | :48:09. | :48:17. | |
their bass amp in Spain. How is that possible? It was noisy. I was tired. | :48:18. | :48:23. | |
It was a late one. It wasn't my job to be sow we are -- sober and report | :48:24. | :48:36. | |
on them. A A double dose, any time. One of the features of night, or | :48:37. | :48:41. | |
day, there is a massive spider in the area called Arcadia. You can't | :48:42. | :48:46. | |
miss it. You can see the flames gusting out of the top. There is a | :48:47. | :48:54. | |
DJ in there. Everything. Quite a feature. A little showy for my | :48:55. | :49:00. | |
taste, to be honest. It's the most frustrating spider to shoot. Every | :49:01. | :49:04. | |
year we go, there is a massive spider with flames coming out. We | :49:05. | :49:10. | |
cut away to a shot of it. . It stops. The guy inside knows we are | :49:11. | :49:14. | |
on. I know he is trying to mess with us. He was breathing this year. We | :49:15. | :49:20. | |
saw it in its full spouting glory. I know what you are thinking - how is | :49:21. | :49:22. | |
it put together. Let's find out. Arcadia is an idea of taking things | :49:23. | :49:39. | |
no-one else wants any more and making them into a massive giant | :49:40. | :49:46. | |
playground. The components of Arcadia are sculpture, recycling, | :49:47. | :49:51. | |
music, special effects, circus performance. Our job is to marry up | :49:52. | :49:54. | |
all those elements and bring them together and make interesting things | :49:55. | :49:59. | |
happen. Glastonbury is the first show of the year for us usually. The | :50:00. | :50:04. | |
spider has been in hibernation for the winter. Getting it out and | :50:05. | :50:09. | |
dusting it off. Giving it its summer coat or doing any repairs that are | :50:10. | :50:14. | |
necessary. We tend to use a lot of aviation equipment. We like jet | :50:15. | :50:18. | |
engines, they are nice and look like they have come from outer space. | :50:19. | :50:23. | |
This is the floor of the DJ Boot in the centre of the spider. This the | :50:24. | :50:33. | |
one of the spider's eye sockets. We have an idea and find the bits, the | :50:34. | :50:37. | |
bits inspire the idea. The two bits get knocked around. Within two | :50:38. | :50:41. | |
minutes of walking into a scrapyard we change direction of what we are | :50:42. | :50:46. | |
going to build and we find another piece that take it is in another | :50:47. | :50:50. | |
direction. These are the top muscles of the spider. This big leg you see | :50:51. | :50:54. | |
here is one of the three legs of the spider. It weighs about 10 tonnes. | :50:55. | :51:05. | |
It's 's a monster and part of a customs and excise scanning machine. | :51:06. | :51:13. | |
The convoy rolls in. The first thing that comes in, the very first thing, | :51:14. | :51:20. | |
is 100 tonne crane which we put in to position. We have already dug | :51:21. | :51:24. | |
trenches and three pads for the spider feet. We reverse the trailers | :51:25. | :51:29. | |
in one at a time, take the legs off. They get laid down with a central | :51:30. | :51:33. | |
hub, using chains, the whole structure is lifted up. When all the | :51:34. | :51:43. | |
dressing goes on and the eyes go on. The characteristics of the spider | :51:44. | :51:48. | |
really to come on then. There is definitely danger involved with it | :51:49. | :51:57. | |
working in the way that we do. It's what make is it exciting. We do | :51:58. | :52:05. | |
dangerous things safely -- makes. They pioneered the neck tolling to | :52:06. | :52:09. | |
get the size of the flames we do on top of the spider. They want big | :52:10. | :52:14. | |
flames and many flames in short time. They are the biggest flames, | :52:15. | :52:19. | |
25 meters. If you had a long enough stick in the crowd, you could | :52:20. | :52:23. | |
probably toast yourself a crumpet and stick a bit of butter on it. Wen | :52:24. | :52:29. | |
we let it off for the first time people stand back and are like, | :52:30. | :52:38. | |
"ahhh!" It goes from something that you just build. It's just a big load | :52:39. | :52:44. | |
of scrap. It then comes alive. It's amazing. It when it switches on, | :52:45. | :52:54. | |
it's magic. It's a privilege to be part of it. | :52:55. | :53:00. | |
It really is fantastic that spider, isn't it? Amazing. Plenty of flames | :53:01. | :53:07. | |
tonight. The guy who created the flames he was really cool. Henry | :53:08. | :53:17. | |
Hot. And Pit brush. How brilliant. Listening to the soundtrack of that | :53:18. | :53:28. | |
film it makes me want Kasabian to ride it. There aren't things as big | :53:29. | :53:34. | |
as that. Things people have built. They don't need to do any of that. | :53:35. | :53:38. | |
They have great bands. It is the set dressing of the whole site that | :53:39. | :53:44. | |
stays with you. Absolutely. That is another Glastonbury icon, the | :53:45. | :53:48. | |
spider, we had it a few years. It has become part of the farm here. | :53:49. | :53:52. | |
The next band is a duo. They have stripped it right back. They were on | :53:53. | :54:01. | |
with The Temples. How are they making that noise with two of them. | :54:02. | :54:08. | |
Drums and bass. They were on the peel stage earlier on. Royal Blood. | :54:09. | :54:29. | |
# Hey little monster, I got my eye on you | :54:30. | :54:32. | |
# Where are you going, where you running to? | :54:33. | :54:43. | |
# Hey little monster, you know it's all OK | :54:44. | :54:52. | |
# I'm gonna love ya, no matter what you say | :54:53. | :55:04. | |
# I'm your wolf I'm your man | :55:05. | :55:18. | |
# Hey little creature, tell me what's on your mind, | :55:19. | :55:31. | |
# Where've you been hiding? And can I come this time? | :55:32. | :55:44. | |
# So pleased to please ya, and rip that heart off your sleeve, | :55:45. | :55:53. | |
# I'm your wolf I'm your man | :55:54. | :56:12. | |
# I'm your wolf I'm your man | :56:13. | :57:13. | |
Those guys, it has a little bit of edge to it. There is aggression back | :57:14. | :58:09. | |
in the music. It's nice - obviously the diversity is brilliant. That is | :58:10. | :58:13. | |
what makes it Glastonbury. I'm liking there is something rawer in | :58:14. | :58:17. | |
there. It's the heaviest bill for years, isn't it really? Yeah. I love | :58:18. | :58:23. | |
those guys. How is he doing that? I don't know. It's weird. It is what | :58:24. | :58:28. | |
they had. It's two of them. Maybe they had no friends. It happens to | :58:29. | :58:32. | |
have worked out brilliantly. I just love the sound they make those two | :58:33. | :58:37. | |
guys. Fantastic. Royal Blood on the John Peel Stage with Little Monster. | :58:38. | :58:42. | |
We will have a chunk of Robert Plant in the not too distant future. | :58:43. | :59:40. | |
# I stand on the edge of sadness # That I can't face | :59:41. | :59:59. | |
# It tastes like I'm leaving # Suddenly I am leaving on a high | :00:00. | :00:10. | |
# Ah-ah # Oh-ooh | :00:11. | :00:15. | |
# Ooh-ooh # Tell your heart to jump to another | :00:16. | :00:29. | |
# But darkness grows and oh, a never-ending night | :00:30. | :00:41. | |
# I stand on the edge of silence # But I confess | :00:42. | :00:54. | |
# It tastes like I'm leaving # Suddenly I'm leaving on a high | :00:55. | :01:14. | |
# Aaah # Oh-ooh-ooh-ooh | :01:15. | :01:30. | |
# Ashes to ash, it leaves me with nothing | :01:31. | :01:35. | |
# I'm falling away # Well, if you want | :01:36. | :01:43. | |
# The touch and the spell # Her eyes are so wild | :01:44. | :01:51. | |
# We stand on the edge # It tastes like I'm leaving | :01:52. | :02:01. | |
# Suddenly I # I'm leaving on a high | :02:02. | :02:14. | |
# Ah, ah # Aaaaah, aaah, aah, aha | :02:15. | :02:32. | |
# Ooh-ooh # Ooh-ooh McOoh-ooh. # | :02:33. | :02:43. | |
CHEERING AND APPLAUSE I didn't have my glasses on for that. They had | :02:44. | :02:51. | |
some three barrel electric fires hanging up above them. Did they | :02:52. | :02:56. | |
really? I can't see a thing without them on. I have to put them back on. | :02:57. | :03:02. | |
I lost mine. Lost my bins! Have mine and see if they work for you. That | :03:03. | :03:15. | |
was Anna Calvi. The weather was really rubbish. I thought I want to | :03:16. | :03:19. | |
see Robert Plant, it's raining. I thought, come on. You are at a | :03:20. | :03:24. | |
festival. Get out there. I did. I braved the elements. Man up. I | :03:25. | :03:30. | |
suppose a lot of people want to see Led Zeppelin headlining Glastonbury. | :03:31. | :03:36. | |
It could happen one days. Plant keeps trying new things, lineups and | :03:37. | :03:42. | |
new bands. Sensational Space Shifters are his new band. They paid | :03:43. | :03:46. | |
this afternoon. Here is a chunk of their set. -- played. | :03:47. | :04:21. | |
# Ooh-ooh, ooh, oh Oh, yeah | :04:22. | :05:43. | |
# Oh, now, love is enough though the world be waiting | :05:44. | :05:46. | |
# And the world has no voice but the voice of complaining | :05:47. | :05:49. | |
# My hands shall not tremble My feet shall not falter | :05:50. | :05:53. | |
# My eyes shall not weary She shall not falter | :05:54. | :06:00. | |
# Oh, this rainbow Oh, this rainbow | :06:01. | :06:04. | |
# Oh, can't you see? The eyes are the eyes of a lover | :06:05. | :06:16. | |
# Ooh-ooh-ooh, ooh-ooh Whoa-oh-oh | :06:17. | :07:14. | |
# Oh, whoa-oh Oh, yeah | :07:15. | :07:29. | |
# Oh, whoa-oh Oh, yeah | :07:30. | :07:35. | |
# I'm gonna send you back to schoolin' | :07:36. | :08:23. | |
# Way down inside Honey, you need it | :08:24. | :08:28. | |
# All them good times Baby, baby, I've been yearnin' | :08:29. | :09:00. | |
# Way, way down inside Honey, you need it | :09:01. | :09:10. | |
cooling # I ain't fooling | :09:11. | :11:00. | |
# Baby way down inside # Love, love, love good time, baby | :11:01. | :11:34. | |
# Baby way down inside # Baby, you | :11:35. | :11:46. | |
# Love # Loooove | :11:47. | :11:59. | |
# Looove # Looove... # | :12:00. | :12:35. | |
# Way down inside Honey, you need it | :12:36. | :12:41. | |
Zeppelin tunes. The world influence there. A little bit of Bo Diddly. | :12:42. | :13:59. | |
Massive amounts of Led Zeppelin. No really great stuff, I think. An | :14:00. | :14:05. | |
icon. That is over used. You see his face on the big screen. He looks | :14:06. | :14:14. | |
Mount Rushmore-esq. He does. He opened that stage. After it burnt | :14:15. | :14:18. | |
down they had to build it quickly again. A few weeks before the | :14:19. | :14:29. | |
festival one year. He Chrissened -- Chrissened it with a pint of milk. | :14:30. | :14:34. | |
We have a live acoustic. This is a band called The Rails. They are a | :14:35. | :14:40. | |
couple in every sense. Master guitarist who played with The | :14:41. | :14:46. | |
Pretenders. Their album Fair Warning is an absolute joy. Someone decided | :14:47. | :14:52. | |
to deliver several metal mop buckets. Hopefully, no-one is hurt. | :14:53. | :14:58. | |
We will get back to you on that. We give you from the Fair Warning | :14:59. | :15:02. | |
album, The Rails. # Oh, Bonny Portmore, | :15:03. | :15:14. | |
you shine where you stand # And the more I think on you | :15:15. | :15:19. | |
the more I think long # If I had you now | :15:20. | :15:25. | |
as I had once before # All the lords in Old England | :15:26. | :15:33. | |
would not purchase Portmore # O bonny Portmore, | :15:34. | :15:40. | |
I am sorry to see # Such a woeful destruction | :15:41. | :15:44. | |
of your ornament tree # For it stood on your shore | :15:45. | :15:51. | |
for many's the long day # Till the long boats from Antrim | :15:52. | :15:57. | |
came to float it away # O bonny Portmore, | :15:58. | :16:05. | |
you shine where you stand # All the birds in the forest | :16:06. | :16:10. | |
they bitterly weep # Saying, "Where will we shelter | :16:11. | :16:13. | |
or where will we sleep?" # For the Oak and the Ash, | :16:14. | :16:17. | |
they are all cutten down # And the walls of bonny Portmore | :16:18. | :16:23. | |
are all down to the ground # Oh, Bonny Portmore, | :16:24. | :17:01. | |
you shine where you stand # And the more I think on you | :17:02. | :17:03. | |
the more I think long # If I had you now | :17:04. | :17:08. | |
as I had once before # All the Lords of Old England | :17:09. | :17:17. | |
would not purchase Portmore. # on the Park Stage. You can watch it | :17:18. | :17:46. | |
on the live stream. On the website. The Rails album is called Fair | :17:47. | :17:49. | |
Warning. It's a joy. We recommend that. Definitely. Two thumbs for | :17:50. | :17:54. | |
that one. Thank you. Thank you very much. Ever so cold up here. I will | :17:55. | :18:02. | |
let you into a secret. Shall we show them, Mark? I knew this was coming. | :18:03. | :18:08. | |
Rock-and-roll. We know how to live! I tell you what. This next little | :18:09. | :18:14. | |
film is for anyone who says Glastonbury is rubbish. | :18:15. | :18:18. | |
# I see trees of green... # I am Lucy Smith I co-ordinate the | :18:19. | :18:26. | |
green initiatives. I started to work in the press office. To work doing | :18:27. | :18:32. | |
the green initiative your observations are completely | :18:33. | :18:33. | |
different. # I think to myself | :18:34. | :18:42. | |
# What a wonderful world... # We do a litter pickup at 6.00am that | :18:43. | :18:51. | |
is taken and bagged up to a lorry to the resigh ling centre. They are | :18:52. | :18:59. | |
hand sorting the rubbish. Cardboard, tins and plastic bottles. They are | :19:00. | :19:03. | |
talking about the environmental messages and banning poll Stoy even | :19:04. | :19:06. | |
then, which was progressive for Glastonbury to do that. They talk | :19:07. | :19:11. | |
will recycling. It has always happened at the festivalle we could | :19:12. | :19:16. | |
just have black bin, plastic cans, bottles going in the same thing and | :19:17. | :19:19. | |
send it to land fill. The sustainability is in the heart of | :19:20. | :19:22. | |
Glastonbury. It's in my heart. It's in the heart of everyone who works | :19:23. | :19:28. | |
with the festival. They want to reduce the impact on the environment | :19:29. | :19:30. | |
# What a wonderful world... # They do a fantastic job cleaning up. | :19:31. | :19:52. | |
It's so quick. I came down to the festival site about six weeks after | :19:53. | :19:56. | |
it was over, you would never know. The stone circles is here and the | :19:57. | :20:00. | |
Skeleton of the Pyramid is here. That is it. People who come here for | :20:01. | :20:04. | |
the first time can't believe it. The I walked around with a friend who | :20:05. | :20:10. | |
said - this stays here. Showing off, what are you like? People can't | :20:11. | :20:13. | |
believe it's stripped away in a couple of days. When the people | :20:14. | :20:16. | |
aren't here the site looks quite small. That is what is weird about | :20:17. | :20:21. | |
it. I don't want to be - this is a metaphor for Glastonbury. It's a | :20:22. | :20:25. | |
metaphor for Glastonbury. The people coming and the bands and the kind of | :20:26. | :20:30. | |
spectacle of the whole thing. The cabaret that makes it look enormous, | :20:31. | :20:35. | |
is everybody being here. I know. Amazing place much amazing place. | :20:36. | :20:39. | |
Someone we had on the show earlier on. They took a while to warm to the | :20:40. | :20:44. | |
Glastonbury experience. They were suspicious of it many years ago. | :20:45. | :20:49. | |
That is fair to say, yes. They are on top form. Their new album is | :20:50. | :20:55. | |
great. Pixies were on the Other Stage, before them, quite a night | :20:56. | :20:59. | |
down there, the Manic Street Preachers. | :21:00. | :21:21. | |
# You had a language problem # I've seen the feature | :21:22. | :21:52. | |
European skies, European desires # European roads, European hopes | :21:53. | :21:58. | |
# European sons # European love | :21:59. | :22:02. | |
# European dreams # European screams | :22:03. | :22:07. | |
# European roads # European hopes | :22:08. | :22:12. | |
# European dreams # European screams | :22:13. | :22:21. | |
# Europa geht durch mich # Europa geht durch mich | :22:22. | :22:36. | |
# Geister wieerlegter Schlaf # Zeit, die did zuruckgelassen habe | :22:37. | :22:50. | |
# European skies # European desires | :22:51. | :22:53. | |
# European roads # European hopes | :22:54. | :22:57. | |
# European roads # European hopes | :22:58. | :23:00. | |
# European sons # European love | :23:01. | :23:05. | |
# European dreams # European screams | :23:06. | :23:14. | |
# Europa geht durch mich # Europa geht durch mich | :23:15. | :23:39. | |
# God builders, devine losers # Let's salute eternalism | :23:40. | :23:46. | |
# More words and less meaning # Communication disappearing | :23:47. | :23:53. | |
# Europaische Himmel # European Wunsche | :23:54. | :24:03. | |
# Europaischen Straben # European skies | :24:04. | :24:06. | |
# European desires # European roads | :24:07. | :24:11. | |
# European hopes # European dreams | :24:12. | :24:14. | |
# European screams # Europa geht durch mich. # | :24:15. | :24:34. | |
CHEERING AND APPLAUSE. Title track off the new album. | :24:35. | :24:59. | |
# Defenders of the faith # Scared to see | :25:00. | :25:25. | |
# To keep the worlds at bay # # | :25:26. | :25:36. | |
We never really went away # Went away | :25:37. | :25:40. | |
# One day we will return # No matter how much it hurts | :25:41. | :26:05. | |
# And it hurts all by ourselves # We've done the best we can | :26:06. | :26:20. | |
# We'll come back one day # Never really went away | :26:21. | :26:29. | |
# Went away # One day we will return | :26:30. | :26:38. | |
# No matter how much it hurts # And it hurts INSTRUMENTAL | :26:39. | :27:16. | |
# Come back one day # We never really went away | :27:17. | :27:30. | |
# Went away # One day we will return | :27:31. | :27:37. | |
# No matter how much it hurts # And it hurts... # | :27:38. | :27:48. | |
CHEERING AND APPLAUSE. Manic Street Preachers at Glastonbury today on | :27:49. | :27:54. | |
The Other Stage. They will be with the other Nina, the German actress | :27:55. | :27:58. | |
who you saw collaborating with them on the first song there. It's around | :27:59. | :28:04. | |
this time of evening that we bring you cabaret entertainment. It | :28:05. | :28:09. | |
certainly is. We swept the site and brought you The Lizard Man. He will | :28:10. | :28:14. | |
do things that are, sort of, unexplainable. Lizardy He will do | :28:15. | :28:24. | |
mystifying things with a beer g and a corkscrew. Give it up for The | :28:25. | :28:31. | |
Lizard Man. My name is The Lizard Man from is Circus Field. I will | :28:32. | :28:37. | |
give you a demonstration in the pierced weightlifting. I put these | :28:38. | :28:43. | |
through my ears. Connecting them to the thin strip of flesh to the side | :28:44. | :28:52. | |
of my head. In 3-2-1, I raise the keg off the ground. But this is the | :28:53. | :28:57. | |
only the beginning. Now it's time for a helicopter spin. NO! Ah! Oh! I | :28:58. | :29:13. | |
don't like it! Ah! I'm dizzy. I've got one more. Here it is. It's right | :29:14. | :29:20. | |
here in the box. This is one of my absolute favourites. It's the | :29:21. | :29:26. | |
cranial corkscrew. A corkscrew for my head. The tip right here goes up | :29:27. | :29:32. | |
to the nose. The handle turns, it is travels through my sinus cavities | :29:33. | :29:37. | |
down the back of my throat and ultimately out my mouth - like so! | :29:38. | :29:43. | |
Oh... Oh... Ah... . The cranial corkscrew. | :29:44. | :30:19. | |
APPLAUSE Well, that's all very well. We do have a | :30:20. | :30:23. | |
bottle of wine that wants opening, actually. That is how most of the | :30:24. | :30:27. | |
beer gets delivered across the site here at the Glastonbury festival. I | :30:28. | :30:35. | |
love it Lizard Man. At the end he span round saying, "I feel a bit | :30:36. | :30:44. | |
dizzy." I with would say that was the least of the problems. I have | :30:45. | :30:51. | |
forgotten what we are going to next. It's West Holts. We have Charles | :30:52. | :30:59. | |
Bradley. It's coming back to you. They are on the West Holt Stage. | :31:00. | :31:13. | |
It's the dap Daptone super dap toen sup er The Daptone Super Soul | :31:14. | :31:20. | |
Review. Let's go over to that. Ladies and gentlemen all over the | :31:21. | :31:23. | |
world. There has been so much confusion. And we've got to change | :31:24. | :31:25. | |
this confusion. # Can I tell them | :31:26. | :31:55. | |
# Fear, greed # Come on, hit it | :31:56. | :31:59. | |
# Confusion # People like to talk | :32:00. | :32:22. | |
# Confusion. Come on, hit it # Confusion confusion | :32:23. | :32:38. | |
# # Confusion | :32:39. | :32:45. | |
# Who are you gonna trust # Before the world turns to dust | :32:46. | :32:52. | |
# Come on # Who you gonna trust | :32:53. | :32:54. | |
# Before the world turn to dust # Come on, hit it | :32:55. | :33:21. | |
# All over the world! # There's got to be some changes out | :33:22. | :33:24. | |
here # We've got to make it right | :33:25. | :33:39. | |
# Come on... # Confusion | :33:40. | :33:49. | |
# Yeah # Confusion | :33:50. | :34:30. | |
# Come on # Give it | :34:31. | :34:50. | |
# People don't let confusion # You know, I want to get wet. | :34:51. | :35:23. | |
yes, come on. Rest in peace, Bobby. Soul music is going to get on. We're | :35:24. | :36:05. | |
going to miss you, Bobby. # When I was a child I believed what | :36:06. | :36:10. | |
they told me # Every word | :36:11. | :36:14. | |
# Each one shall come, each one shall earn | :36:15. | :36:17. | |
# And if I work hard # Nobody can hold me | :36:18. | :36:28. | |
# Hold me # The better the man who was born | :36:29. | :36:32. | |
with a fortune # A a hard day's work he's never | :36:33. | :36:37. | |
done # Living on easy street | :36:38. | :36:49. | |
# As he drinks his champagne and lay in the sun | :36:50. | :36:55. | |
# Money don't follow sweat # Oh, it don't follow peace | :36:56. | :37:06. | |
# Oh, yeah # There is a man who lives like a | :37:07. | :37:13. | |
saint # He works from daybreak until late | :37:14. | :37:17. | |
in the night # Oh, he's never stolen | :37:18. | :37:22. | |
# He's never been lazy # To feed his family there'ses | :37:23. | :37:27. | |
always a fight # Hey had beening he tried to do | :37:28. | :37:31. | |
right by all of God's children # All of God's children | :37:32. | :37:37. | |
# He works mighty hard for what he can afford | :37:38. | :37:42. | |
# Oh, and he don't regret one single moment | :37:43. | :37:48. | |
# No, he don't # Will he get his just rewards | :37:49. | :37:53. | |
# Money don't follow sweat # Money don't follow brains | :37:54. | :38:11. | |
# Oh, it don't feel (inaudible) # No matter what you do | :38:12. | :38:38. | |
# No matter what you say # Oh... # | :38:39. | :38:46. | |
That was great. Sharon Jones there and before that Charles Bradley. | :38:47. | :38:50. | |
Excellent dancing there. Amazing dancing. The best dancing of the | :38:51. | :38:57. | |
festival. Great to see Sharon paying tribute to Bobby Womack. Jen Long is | :38:58. | :39:04. | |
experiencing something I've been told is called The Hand of Man. I'm | :39:05. | :39:11. | |
here in Arcadia. I'm not wearing a seatbelt. Right now there is a | :39:12. | :39:19. | |
tornado of fire behind me. I'm in The Hand of Man. Is that correct? | :39:20. | :39:23. | |
That is correct. Welcome to The Hand. Can you explain to me what is | :39:24. | :39:28. | |
going on? Sure. You have your hand inside of a glove controller. You | :39:29. | :39:32. | |
are controlling this giantic high drolic hand that is capable of | :39:33. | :39:36. | |
picking up and crushing cars. Amazing. How do I operate this? So, | :39:37. | :39:44. | |
you are live now with the hand. OK. I'm doing something, I didn't mean | :39:45. | :39:49. | |
to! Anything you do with your hand, the hand is going to do it. You are | :39:50. | :39:54. | |
controlling that thing. I'm controlling it. Oh, my, God I'm | :39:55. | :40:02. | |
controlling it now. It's like Robot Wars gone wrong. Or right. How did | :40:03. | :40:08. | |
you come up with this idea? I have a long history of building robots, | :40:09. | :40:13. | |
high drolic machines that I've always used to... Am I doing this | :40:14. | :40:20. | |
right. I feel like I missed it? Close your thumb. Pull the thumb | :40:21. | :40:26. | |
inside the wind shield. I will try and lift the car. I'm breaking it a | :40:27. | :40:36. | |
lot! The feeling right now is incredible. I feel like the most | :40:37. | :40:44. | |
powerful woman in the world! I am James Hetfield. You have it there. | :40:45. | :40:48. | |
That is the point of thing. I used to destroy stuff with robots in a | :40:49. | :40:54. | |
theatrical setting. I realised it's lot of fun to destroy stuff with | :40:55. | :40:59. | |
high drolic machinery. It's fun. I decided I wanted to come up with | :41:00. | :41:03. | |
something that would share that experience with everybody. I'm | :41:04. | :41:08. | |
crushing it again. Why are we in Arcadia. Why is this the choice for | :41:09. | :41:13. | |
your wild machinery? Well, I haven't seen any other area of Glastonbury | :41:14. | :41:17. | |
where it would be quite as at home. I broke it! I'm destroying this car. | :41:18. | :41:23. | |
Yes. I'm going to leave it be. We will go back to the studio. Thank | :41:24. | :41:26. | |
you so much for sharing. Thank you, Jen. Your crazy invention. Great. | :41:27. | :41:36. | |
Brilliant! That is all very well for Jen Long and her giant fist, that | :41:37. | :41:40. | |
was my car. Now I have to live here. It's a missed opportunity to say I'm | :41:41. | :41:47. | |
James Hetfield and didn't throw the evil hand. Show that to Lars | :41:48. | :41:53. | |
tomorrow. Two to drum with. That would be really great, wouldn't it? | :41:54. | :41:56. | |
Thank you very much, Jen. We will have mutesic from the BBC | :41:57. | :42:02. | |
Introducing Stage now with Budapest. This is George Ezra. This song is | :42:03. | :42:11. | |
called Budapest, I hope you enjoy it. | :42:12. | :42:17. | |
# My house in Budapest # My hidden treasure chest, | :42:18. | :42:23. | |
any men there? That is where the clean girls are. Only clean girls | :42:24. | :45:53. | |
who look like they have been working in a travel agent and not spent the | :45:54. | :45:58. | |
weekend at Glastonbury were allowed into that gig. They adore him. He | :45:59. | :46:04. | |
seemed adorable. We will experience music royalty am we brought you live | :46:05. | :46:10. | |
here in our Tree Top home the daughter of Richard Thompson. We | :46:11. | :46:16. | |
have the son of another legend performing at the West Holt Stage | :46:17. | :46:18. | |
today. . It's Seun Kuti. CHEERING AND APPLAUSE | :46:19. | :52:45. | |
Man, that was ace. Seun Kuti keeping his dad's memory alive. You can | :52:46. | :52:53. | |
catch up with all sorts of performances on the website. If | :52:54. | :52:56. | |
there is anything you missed or see more of have a nose around. We are | :52:57. | :53:02. | |
back tomorrow with three shows. I'm back at 12.00pm. The we have | :53:03. | :53:07. | |
definitely got the English National Ballet. They will be performing a | :53:08. | :53:11. | |
special piece live on the Pyramid Stage. We will be back at 5.00pm for | :53:12. | :53:18. | |
one of the highlights. Not it decry all the other achievements that have | :53:19. | :53:23. | |
been going on and the great performances and amazing things | :53:24. | :53:27. | |
happen. There is the triumph of Dolly Parton. It feels right. A | :53:28. | :53:31. | |
country girl coming home to a different kind of country, fair | :53:32. | :53:35. | |
enough. One of the best selling artist and most successful | :53:36. | :53:40. | |
songwriters of all-time. 3,000 songs to her name. Everybody is revved up | :53:41. | :53:45. | |
for Dolly. Plenty to choose from for that set list. We will be back at | :53:46. | :53:52. | |
10.00pm with Kasabian. Join us if you can. In the meantime enjoy | :53:53. | :53:57. | |
having a look around the website. We will see you tomorrow from 12.00pm, | :53:58. | :54:02. | |
live from Glastonbury 2014. The thank you very much for watching. | :54:03. | :54:03. | |
See you tomorrow. # Come on, let's stick together. | :54:04. | :54:47. | |
# You know made a pack # To leave one another never | :54:48. | :55:01. | |
# Come on now baby, give our love a try | :55:02. | :55:03. | |
# Let's stick together # Come on, come on, let's stick | :55:04. | :55:06. | |
together # You know we made a vow | :55:07. | :55:10. | |
# To leave one another never INSTRUMENTAL | :55:11. | :55:41. | |
# Well, if you're stuck for a while, consider our child | :55:42. | :55:45. | |
# How can it be happy without its ma and pa | :55:46. | :55:48. | |
# Let's stick together # Come on, come on, let's stick | :55:49. | :55:52. | |
together # You know we made a vow not to | :55:53. | :55:56. | |
leave one another never INSTRUMENTAL | :55:57. | :58:24. | |
# Now the marriage vow is very sacred | :58:25. | :58:27. | |
# The man put us together # Now you ought to make it stick | :58:28. | :58:29. | |
together # Come on, come on, let's stick | :58:30. | :58:33. | |
together # You know we made a vow to leave | :58:34. | :58:41. | |
one another never. ... ... # | :58:42. | :58:55. |