Browse content similar to Saturday Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You. It is nourishing. | :00:12. | :00:18. | |
What does it do to the soul. It is a connection. | :00:19. | :00:24. | |
It warms the cockles. Glastonbury does something to the | :00:25. | :00:28. | |
musical soul for sure. Maybe at 5am, you are talking about | :00:29. | :00:33. | |
things you would not normally. It makes you better. | :00:34. | :00:35. | |
It brings out my inner fox! Hello from Glastonbury Festival! We | :00:36. | :00:56. | |
are here for the second day of our coverage. The music in full swing. | :00:57. | :01:08. | |
We are up at the park. Our Jaguar Australia Indy dance types are up on | :01:09. | :01:12. | |
the stage. It is a little windy. I think this is one of the best days | :01:13. | :01:17. | |
of the weekend. Friday, everybody is keen. Sunday you are get getting a | :01:18. | :01:23. | |
bit, we are going to have to go home soon but Saturday afternoon, | :01:24. | :01:25. | |
blissful. And the calm before the storm, the | :01:26. | :01:31. | |
big Saturday night headliner which this year is Adele on the Pyramid | :01:32. | :01:36. | |
Stage. Loads of stuff everywhere but everyone talking about Adele. | :01:37. | :01:43. | |
And blissed out psyche Delia... Yes, we have some of that warming up for | :01:44. | :01:50. | |
Adele. What could be better. Yes, and tonight, Adele, hello! Leer | :01:51. | :01:56. | |
is the story so far on day two of Glastonbury. | :01:57. | :02:07. | |
-- Here is the story so far. # I've got to have a shot | :02:08. | :02:19. | |
# You're got to make it hot # Give me all your loving | :02:20. | :02:26. | |
# All your hugs and kisses too # Give me all your loving | :02:27. | :02:38. | |
# All your hugs and kisses too # Give me all your loving all your | :02:39. | :02:49. | |
hugs and kisses too... It really has been quite a 24 hours, hasn't it, | :02:50. | :02:57. | |
Mark? Extraordinary scenes. By day two you feel you have been | :02:58. | :03:01. | |
here a week-and-a-half. These days, it takes me an hour, I | :03:02. | :03:05. | |
forget who I am, what day it is, what is going on. When you are doing | :03:06. | :03:11. | |
radio coverage earlier, like I works I am like, what day is it? This | :03:12. | :03:16. | |
morning, I heard the band reare going to hear the band next take to | :03:17. | :03:21. | |
the Pyramid stage live. I think you were on stage with them? I was. | :03:22. | :03:27. | |
Lovely to see Squeeze. And later on a set here from Age of Luna. Looking | :03:28. | :03:32. | |
fresh. So the cleanest people on the site. Age of Lunar and Squeeze. | :03:33. | :03:37. | |
Dapper. Box fresh! Indeed so. So three or | :03:38. | :03:44. | |
four songs from Squeeze. Here they are on the Pyramid stage from | :03:45. | :03:45. | |
earlier on today. # I never thought it would happen # | :03:46. | :03:57. | |
With me and the girl from Clapham # Out on the windy common # That | :03:58. | :04:00. | |
night I ain't forgotten # When she dealt out the rations # | :04:01. | :04:03. | |
With some or other passions # I said "you are a lady" # | :04:04. | :04:07. | |
"Perhaps" she said. "I may be" # # We moved | :04:08. | :04:11. | |
in to a basement # With thoughts of our engagement # | :04:12. | :04:15. | |
We stayed in by the telly # Although the room was smelly. | :04:16. | :04:24. | |
# We spent our time just kissing # The weather brass and bitter | :04:25. | :04:28. | |
# I put away a tenner # You've left my ring by the soap, | :04:29. | :05:04. | |
# Now is that love? # You cleaned me out | :05:05. | :06:57. | |
you could say broke, # # You won't get | :06:58. | :07:00. | |
dressed you walk about, # A teasing glance | :07:01. | :07:16. | |
has pushed me out, # The tougher tougher | :07:17. | :07:20. | |
tougher it gets # The more my lips frequent | :07:21. | :07:25. | |
# Now that is love. # Beat me up with your letters, | :07:26. | :07:28. | |
your walk out notes, # Funny how you still find me | :07:29. | :07:30. | |
right here at home. # You've called my | :07:31. | :07:34. | |
bluff I'm not so hot, # My assets froze while | :07:35. | :07:56. | |
yours have dropped, # It's the cupid | :07:57. | :08:00. | |
cupid cupid disguise # That more or less survived | :08:01. | :08:04. | |
# Now that is love. # Beat me up with your letters, | :08:05. | :08:07. | |
your walk out notes, # Funny how you still find me | :08:08. | :08:29. | |
right here at home. # Now is that love, | :08:30. | :08:33. | |
that's making you think. # You've made my bed, | :08:34. | :08:53. | |
the finger points Plays plays. | :08:54. | :08:58. | |
Cheer, loves! # His soul had been replenished .# | :08:59. | :09:51. | |
# He slowly fell to pieces and was only too aware | :09:52. | :10:46. | |
# All of the people. # Family and friends | :10:47. | :11:22. | |
# In this congress Gregation # Open your heart | :11:23. | :11:25. | |
# To this # Standing in the picture | :11:26. | :11:48. | |
with his family all around # She had offered amnesty | :11:49. | :11:53. | |
for a multitude of sins # Through the stained glass | :11:54. | :12:06. | |
window her love shone down on him. # Open your hands | :12:07. | :12:21. | |
# Where once was a steeple # There lived within | :12:22. | :12:25. | |
# All other people # Family and friends | :12:26. | :12:34. | |
# In this congregation # Open your heart | :12:35. | :12:44. | |
# To this celebration # Open your heart... | :12:45. | :12:52. | |
# To all of the people... # Family and friends | :12:53. | :12:55. | |
# Open your heart. Thank you, it's been a long time | :12:56. | :13:18. | |
since we could say this but we have a newish album out and this is the | :13:19. | :13:26. | |
title track from it, From The Cradle To The Grave. | :13:27. | :13:31. | |
# They say time will not stand still | :13:32. | :14:33. | |
# But when I look outside the window | :14:34. | :14:37. | |
Squeeze. In case you were wondering and thought, is that John and -- | :14:38. | :16:55. | |
John Lydon, the drummer looks a bit like him. We are moving around to | :16:56. | :17:00. | |
bring you the best of the sunshine. If you are missing anything, there | :17:01. | :17:05. | |
is an act you want to see, you can check out the live stream on the | :17:06. | :17:11. | |
website. We are streaming all six main stages from midday every day | :17:12. | :17:15. | |
and you should not theoretically miss anything. We are now going to | :17:16. | :17:19. | |
find out a little bit about the culture that gave rise to the | :17:20. | :17:24. | |
festival. It did not just grow out off the ground, it comes from the | :17:25. | :17:30. | |
culture of the place, six miles that way, Glastonbury town itself. Today, | :17:31. | :17:37. | |
you mention Glastonbury and you think of the world-famous music | :17:38. | :17:41. | |
festival but Glastonbury Festival takes its name from Glastonbury | :17:42. | :17:45. | |
town, seven miles down the road from Worthy Farm. This is no ordinary | :17:46. | :17:54. | |
Somerset town. For thousands of years it has been a magnet | :17:55. | :17:59. | |
innovators, rebels, and the history of the places the stuff of legend, a | :18:00. | :18:05. | |
weird and wonderful town of nonconformity and creativity without | :18:06. | :18:07. | |
which they would be no festival we know it. My pilgrimage to | :18:08. | :18:13. | |
Glastonbury starts with its newly elected mayor. John, hello. We are | :18:14. | :18:19. | |
in Glastonbury town, why do people come here today? First impressions, | :18:20. | :18:25. | |
it is a market town but you look at the shops, it is witchcraft shop, | :18:26. | :18:31. | |
man, myth and magic. There is something unusual. Like walking into | :18:32. | :18:40. | |
the Wicker Man. To really understand Glastonbury, you have to understand | :18:41. | :18:48. | |
the town's origins. The local tour guide gave me a whistle-stop tour. | :18:49. | :18:53. | |
This is the cloistered gardens. Why have so many been drawn to | :18:54. | :18:59. | |
Glastonbury? It goes back over 2000 years, Druids would meet for the | :19:00. | :19:07. | |
solstice and equinox. Around the time Joseph came with Mary Magdalene | :19:08. | :19:14. | |
and built the first church. Then we have stories of King Arthur being | :19:15. | :19:18. | |
buried here. And the dissolution of the Abbey, which destroyed the site. | :19:19. | :19:25. | |
And then a resurgence in the Victorian age, right to the 70s when | :19:26. | :19:34. | |
the festival was started. A little town with a big story. There you | :19:35. | :19:38. | |
have it, Glastonbury Festival is the latest chapter in this town's big | :19:39. | :19:44. | |
story. But the festival ethos is not just a product of 1970s hippies. In | :19:45. | :19:51. | |
1914 a composer establish the original festival in the assembly | :19:52. | :19:57. | |
rooms. His Glastonbury Festival featured performance and dance and | :19:58. | :20:02. | |
music and literature, attracting people such as Edward Elgar and | :20:03. | :20:07. | |
George Bernard Shaw. What kind of man was he? He was quite a rebel, a | :20:08. | :20:13. | |
nonconformist, unconventional in a lot of ways. Some people found it | :20:14. | :20:20. | |
quite upsetting their work Bohemians wearing corduroy trousers. And | :20:21. | :20:26. | |
knickerbockers. In those days, Edwardian time, that was frowned | :20:27. | :20:32. | |
upon. The myths and history of Glastonbury inspired many of his | :20:33. | :20:36. | |
works and live on in the assembly rooms today and people like Sarah | :20:37. | :20:41. | |
Moody, the town's very own bard. Up we go, up the high street. The | :20:42. | :20:48. | |
bakery. Lovely. I am the 11th bard of Glastonbury. One night I hoped a | :20:49. | :20:55. | |
dream that there were many stories buried deep in Glastonbury Tor. It | :20:56. | :21:02. | |
was my job to get these stories out and retell them. How does | :21:03. | :21:07. | |
Glastonbury inspire you? The culture and heritage is here. It is amazing. | :21:08. | :21:15. | |
An absolute jewel for a storyteller to live here. The musical legacy | :21:16. | :21:19. | |
continues in Glastonbury and here is a local who knows something about | :21:20. | :21:24. | |
that. The lay lines and history and legends of King Arthur, it was | :21:25. | :21:29. | |
thrown into the Glastonbury ideas. It is part of festival culture. | :21:30. | :21:35. | |
Throughout the centuries, Glastonbury has inspired many | :21:36. | :21:40. | |
people, like Rutland, Sarah Mooney and Michael Eavis. It is easy to see | :21:41. | :21:45. | |
why the festivals took their name from a town as magical as this. Do | :21:46. | :21:50. | |
you think a festival might Glastonbury can only come from an | :21:51. | :21:54. | |
area like Glastonbury? It is the only place. It is very | :21:55. | :21:59. | |
antiestablishment, the setup, nowhere else in the country would I | :22:00. | :22:10. | |
have got away with it, seriously! James on the magical qualities of | :22:11. | :22:14. | |
Glastonbury. The first time I came here working for the radio I went up | :22:15. | :22:19. | |
Glastonbury Tor with the archdruid, which was a magical afternoon, and | :22:20. | :22:22. | |
you had a magical afternoon yesterday. I was in the healing | :22:23. | :22:29. | |
fields. The spirit captured by the Bohemians. Sometimes challenging. We | :22:30. | :22:34. | |
were there yesterday afternoon on the radio with a lady who has been | :22:35. | :22:39. | |
running back since the 80s, the place people go to recharge, get | :22:40. | :22:45. | |
their crystals done. Part of the festival, absolutely. We will have | :22:46. | :22:50. | |
more music. He has been here a few times that the first time on the | :22:51. | :22:54. | |
Pyramid Stage, from Somerset to Senegal and back to Somerset. Baaba | :22:55. | :22:56. | |
Maal. Thank you! Thank you very much. | :22:57. | :30:27. | |
How are you feeling today? The sun is out! So, Che, is from London, | :30:28. | :30:39. | |
Kenya, Nigeria... Icon of Senegalese music, Baaba | :30:40. | :36:18. | |
Maal. He runs his own music festival at | :36:19. | :36:24. | |
home in Senegal every year. How cool was the guitarist. | :36:25. | :36:30. | |
Channelling his own Jimi Hendrix. A lot of flavour there. The baby in | :36:31. | :36:34. | |
the ear protectors. The bloke lying out in the mud enjoying himself. | :36:35. | :36:40. | |
All of it. And so great to see so much great African music. It's a big | :36:41. | :36:45. | |
part of the programme. One who have just started, it is on the West | :36:46. | :36:50. | |
Holts Stage. Lots more on both of those acts on | :36:51. | :36:57. | |
BBC Four tonight. Over on the Acoustic Stage later on, amidst | :36:58. | :37:08. | |
Cyndi Lauper is a former established poet, and here, given the events of | :37:09. | :37:19. | |
recent days, is Raffle McTell. # What is it about you | :37:20. | :37:26. | |
# Makes fee meal this way # When I'm leaving you | :37:27. | :37:31. | |
# When I'm coming home # When I'm lost for words to say | :37:32. | :37:39. | |
# And I know your fast and faded # And the travels you've been | :37:40. | :37:41. | |
through # But it's more about what happens | :37:42. | :37:45. | |
now # And what we're coming to | :37:46. | :37:49. | |
# And the echo from the green hills # Runs through the city streets | :37:50. | :37:54. | |
# And the sun when it shines on England | :37:55. | :37:56. | |
# Oh, it lifts a heart in me # What is it about you | :37:57. | :38:06. | |
# That took men into war # A rows and rows of crosses, who | :38:07. | :38:11. | |
remembers, why, what for # In corns of these foreign fields | :38:12. | :38:15. | |
# The dust in them concealed # Out of sight but not out of mind | :38:16. | :38:21. | |
# Don't you know that England feels # And the echo from the green hills | :38:22. | :38:27. | |
# Runs through our city streets # And the rain when it falls on | :38:28. | :38:31. | |
England # Oh, it washes pain from me | :38:32. | :38:43. | |
# England # Oh, England | :38:44. | :38:51. | |
# England # Oh, | :38:52. | :39:02. | |
England # Only the sound the battle hymn | :39:03. | :39:08. | |
# Or a song for Vic # It's just a way to try to say what | :39:09. | :39:14. | |
England means for me # And our accents | :39:15. | :39:17. | |
# And our colours change # From the city to the farmland | :39:18. | :39:23. | |
# From the moorland # To the mountain | :39:24. | :39:25. | |
# From the river # To the sea | :39:26. | :39:29. | |
# And the echo from the green hills # Runs through our city streets | :39:30. | :39:34. | |
# And the wind that blows through England | :39:35. | :39:38. | |
# Breathes its life in you and me # From the rolling road to the | :39:39. | :39:42. | |
winding lane # From the field to the factory | :39:43. | :39:49. | |
# From the summer's haze # To the winter's glaze and the | :39:50. | :39:52. | |
colours in between # It's a stillness in the evening | :39:53. | :39:58. | |
# It's a heartbeat I am feeling # From Cornwall to Northumberland | :39:59. | :40:03. | |
# From the Pennines to the sea # And the echos from the green hills | :40:04. | :40:09. | |
# Runs through our city streets # And the wind when it blows from | :40:10. | :40:13. | |
England # Breathes its life in you and me | :40:14. | :40:20. | |
# England # Oh, England | :40:21. | :40:32. | |
# England, oh, England | :40:33. | :40:49. | |
England. APPLAUSE | :40:50. | :41:02. | |
How are you? Well done for battling the noise | :41:03. | :41:08. | |
from the Park stage. The rhythm section did not quite agree! It has | :41:09. | :41:12. | |
been an interesting couple of days, how did you feel about that song | :41:13. | :41:16. | |
when you wrote it and how about it today? When I wrote the song, I felt | :41:17. | :41:22. | |
we needed one that brought us together, it did not matter the | :41:23. | :41:26. | |
religion, colour, where you come from, anything else, I thought we | :41:27. | :41:31. | |
needed a song that was not warmongering. And probably it is as | :41:32. | :41:36. | |
relevant now, maybe even more so, how things have changed. What about | :41:37. | :41:41. | |
being at the festival, is it right it is your first time here, but that | :41:42. | :41:47. | |
is up for debate? I met Michael Eavis some years ago and he said I | :41:48. | :41:51. | |
was there, and you are not supposed to remember, but I am not sure, I | :41:52. | :41:56. | |
might have been. It was not as big as this. It was wet, I remember | :41:57. | :42:01. | |
that. But you brought some songs. Ralph is on the Acoustic Stage | :42:02. | :42:09. | |
later. Now we can sample some more live | :42:10. | :42:14. | |
music on the John Peel stage. We have Alessia Cara. | :42:15. | :42:22. | |
# She just wants to be beautiful. # She craves attention, she craves | :42:23. | :42:36. | |
it. # She prays to be sculpted by the | :42:37. | :42:43. | |
sculptor. # Light that is shining. She tries | :42:44. | :42:57. | |
to cover out the pain. # Because cover girls don't cry. | :42:58. | :43:04. | |
# There is a hope waiting for you in the dark. | :43:05. | :43:09. | |
# Beautiful just the way you are. You don't have to change a finger. | :43:10. | :43:16. | |
The world can change its heart. # With scars, where beautiful. | :43:17. | :43:28. | |
# You don't have to change a thing. Your beautiful, with scars. | :43:29. | :43:47. | |
We are beautiful. # Starving, cover girls the dumping. | :43:48. | :43:53. | |
She says, beauty is pain and there is beauty in everything, what is a | :43:54. | :43:58. | |
little bit of hunger? # She fades away and she doesn't see | :43:59. | :44:04. | |
how perfect, she does not understand, beauty goes deeper than | :44:05. | :44:09. | |
the surface. # To every girl that is hurting, | :44:10. | :44:17. | |
hope you see a little bit clearer. A light that shines within. | :44:18. | :44:22. | |
# There is hope waiting for you in the dark. | :44:23. | :44:27. | |
# You are beautiful just the way you are. You don't have to change a | :44:28. | :44:32. | |
thing. The world can change its heart. | :44:33. | :44:35. | |
With scars, we are beautiful. # You don't have to to change a | :44:36. | :44:54. | |
thing. # With scars, we are beautiful. | :44:55. | :45:06. | |
# No better life than the life we are living. | :45:07. | :45:14. | |
# You are beautiful. You are beautiful. | :45:15. | :45:21. | |
# There is a hope waiting for you in the dark. | :45:22. | :45:24. | |
# You should know you are beautiful just the way you are. | :45:25. | :45:30. | |
# You don't have to change a thing, the world can change its heart. | :45:31. | :45:44. | |
# With scars, we are beautiful. Oh, oh. | :45:45. | :45:54. | |
# You don't have to change a thing. # With scars, we are beautiful. | :45:55. | :46:00. | |
APPLAUSE. Thank U. | :46:01. | :46:13. | |
# Truly, I ain't got no business here | :46:14. | :46:23. | |
# But really I would rather be at home all by myself | :46:24. | :46:31. | |
# Not in this room with people who don't even care about my wellbeing | :46:32. | :46:36. | |
# I don't dance, don't ask, I don't need a boyfriend | :46:37. | :46:40. | |
# So you can go back, please enjoy your party | :46:41. | :46:42. | |
# Under clouds of marijuana with this boy who's hollerin' | :46:43. | :46:50. | |
# Oh with this music I don't listen to | :46:51. | :46:55. | |
# So tell my friends that I'll be over here | :46:56. | :47:00. | |
# Oh oh oh here Oh oh oh here | :47:01. | :47:02. | |
# Oh oh oh I ask myself what am I doing here | :47:03. | :47:07. | |
# Oh oh oh here Oh oh oh here | :47:08. | :47:12. | |
# And I can't wait till we can break up out of here | :47:13. | :47:15. | |
# Excuse me if I seem a little unimpressed with this | :47:16. | :47:18. | |
# An antisocial pessimist, but usually I don't mess with this | :47:19. | :47:23. | |
# And your intentions aren't to bother me | :47:24. | :47:29. | |
# But honestly I'd rather be somewhere with my people | :47:30. | :47:31. | |
# We can kick it and just listen to some music with a message | :47:32. | :47:35. | |
# How we plan to take over the planet | :47:36. | :47:41. | |
# I hope you'll understand that I'll be here | :47:42. | :47:45. | |
# With the girl who's always gossiping about her friends | :47:46. | :47:52. | |
# Right next to the boy who's throwing up | :47:53. | :48:00. | |
# Cause he can't take what's in his cup no more | :48:01. | :48:02. | |
# Oh oh oh here Oh oh oh here | :48:03. | :48:07. | |
# Oh oh oh I ask myself what am I doing here? | :48:08. | :48:13. | |
# Oh oh oh here Oh oh oh here | :48:14. | :48:15. | |
# And I can't wait till we can break up out of here | :48:16. | :48:19. | |
# Hours later, congregatin' next to the refrigerator | :48:20. | :48:21. | |
# Some girl's talking about a hater, she ain't got none | :48:22. | :48:25. | |
# So holler at me, I'll be in the car when you're done | :48:26. | :48:32. | |
# Don't want what you're offerin' and I'm done talking | :48:33. | :48:37. | |
# So tell my people when they ready that I'm ready | :48:38. | :48:44. | |
# Yo I'll be over here my beanie low | :48:45. | :48:54. | |
# Oh oh oh here Oh oh oh here | :48:55. | :48:57. | |
# Oh oh oh I ask myself what am I doing here | :48:58. | :49:00. | |
# Oh oh oh here Oh oh oh here | :49:01. | :49:02. | |
# I can't wait till we can break up out of here | :49:03. | :49:07. | |
Alessia Cara, you might have caught her recently on radio one's big | :49:08. | :49:37. | |
weekend. A Canadian singer with a big voice and a big future. Nothing | :49:38. | :49:41. | |
that. We are going out and about, I think | :49:42. | :49:47. | |
to the theatre or the circus fields. You lost family over there. My kids, | :49:48. | :49:51. | |
I brought them for the first time this year they basically will not | :49:52. | :49:57. | |
come back to me, I tell them I have an hour off and they do not want to | :49:58. | :50:00. | |
hang out with money, they say they are busy. Before you get to sit on | :50:01. | :50:14. | |
this seat you have to earn your spurs coming out in to the fielder | :50:15. | :50:19. | |
Matt jobs falls to Clara. We are in the circus fields. Weird | :50:20. | :50:25. | |
and wonderful things happen in Glastonbury. We have the big top | :50:26. | :50:29. | |
behind me. We have been checking it out. Right now I will do something I | :50:30. | :50:35. | |
have always wanted to do. I will see you on the other side. | :50:36. | :50:47. | |
The circus big top ring is a wonderful amount of creativity, | :50:48. | :50:58. | |
culture and diversity. I am jade, the stage manager of the circus big | :50:59. | :51:06. | |
top. It is back-to-back circus, 16 hours a day with trapeze, flying | :51:07. | :51:11. | |
trapeze, acrobatics, you name it, we have got it. We are a duo and work | :51:12. | :51:23. | |
together performing tricks in the air and instead of a winch, I have a | :51:24. | :51:38. | |
lovely human called Lyndal. A lot of what Blaze stars, she is spinning | :51:39. | :51:42. | |
very fast and does not have a lot of awareness of where you actually are! | :51:43. | :51:55. | |
The trick is not to try to focus on one, because that is when you get | :51:56. | :52:03. | |
sick. There is a history of circus performance at Glastonbury. People | :52:04. | :52:06. | |
put on an extra bit of effort to come here. I am from Colombia. My | :52:07. | :52:13. | |
name is Tony from France. Their skills in duo straps is | :52:14. | :52:26. | |
phenomenal, making everybody else go weak at the knees when you watch | :52:27. | :52:31. | |
them. People use different qualities. It depends on your body, | :52:32. | :52:36. | |
conditions and energy you have. We explore something in the air. It | :52:37. | :52:47. | |
comes naturally. We are performing one show a day at Glastonbury. We | :52:48. | :52:58. | |
have skating. Silks and juggling and hula hoop and magic tricks. This is | :52:59. | :53:04. | |
definitely the best place. Everybody is sitting around and it is like | :53:05. | :53:10. | |
being in a real circus. It is exciting. When you come on it is | :53:11. | :53:14. | |
nerve-racking but when you get into it it is really fun. | :53:15. | :53:21. | |
I am Nadia, from Kent. At Glastonbury I will be performing | :53:22. | :53:27. | |
break dance. This is a giant metal wheel you spin | :53:28. | :53:39. | |
inside, two metres in diameter, doing spinning that is at right, and | :53:40. | :53:41. | |
less upright! It is score, contemporary, | :53:42. | :53:53. | |
beautiful, but it also has a slight edge. The element of surprise. If | :53:54. | :54:04. | |
you bring a show to Glastonbury, you will be doing your make up in a hut | :54:05. | :54:10. | |
and living in a caravan. We built the tent. We build the kitchen and | :54:11. | :54:15. | |
cook and clean the site, we work together to make the show happen. | :54:16. | :54:19. | |
Everybody pitches in and does what they can and it is wonderful to come | :54:20. | :54:23. | |
back every year, it is like a big family. We feel energy here. That | :54:24. | :54:28. | |
something is happening to you, it is not just coming to perform, it is | :54:29. | :54:30. | |
something else. Last year I was making headdresses | :54:31. | :54:48. | |
out of flowers but this year I am getting on a trapeze. And while I do | :54:49. | :54:57. | |
that you enjoy a performance from earlier this | :54:58. | :55:43. | |
Lady Leshurr, well, she is very game. | :55:44. | :57:45. | |
I had to say, Clara with, circus skills and that Nadia with the hope, | :57:46. | :57:49. | |
is who my five-year-old dumped me for. She is a better woman than me. | :57:50. | :57:55. | |
I acknowledge that. Now, more live music. One of the | :57:56. | :57:59. | |
best live bands out there at the moment, a fantastic talent. | :58:00. | :58:01. | |
It is Wolf Alice. # She needs a lover to escape her | :58:02. | :58:33. | |
father and mother # She hopes for some other way out | :58:34. | :58:35. | |
of the hole # She's over-achieving, | :58:36. | :58:38. | |
chasing her dreams and # Coming down slowly, | :58:39. | :58:40. | |
Yeah, it's out of control # Scrap the blues | :58:41. | :58:42. | |
if the blues don't work # Flash your teeth | :58:43. | :58:45. | |
though the inside hurts # Scrap the blues | :58:46. | :58:47. | |
if the blues don't work # Doesn't make you feel better | :58:48. | :58:52. | |
Just makes others feel worse # All in the books | :58:53. | :58:55. | |
and all in her blood and # Nowhere to run | :58:56. | :58:57. | |
cos it's out of control # You wait for something | :58:58. | :59:02. | |
to undo these feelings # Waiting and waiting | :59:03. | :59:05. | |
but it's out of control # Scrap the blues | :59:06. | :59:08. | |
if the blues don't work # Flash your teeth | :59:09. | :59:20. | |
though the inside hurts # Scrap the blues | :59:21. | :59:22. | |
if the blues don't work # Doesn't make you feel better | :59:23. | :59:25. | |
Just makes others feel worse We have a couple more for you, then | :59:26. | :00:44. | |
we are going to come out and watch some bands. | :00:45. | :00:48. | |
Thank you so much for coming to see us. I didn't think anybody would be | :00:49. | :00:54. | |
here to watch us. This song is called Blush. | :00:55. | :01:21. | |
# It hurts to think that I get stuck on you | :01:22. | :01:35. | |
# Oh, help me now # I am happy | :01:36. | :02:01. | |
now # So walk on, face what you got to | :02:02. | :02:14. | |
do now # Got two hands | :02:15. | :02:24. | |
# But don't take too long # But I'm happy now | :02:25. | :02:26. | |
# Are you happy # Turn me | :02:27. | :02:42. | |
down like I knew I should # Punch drunk, dumb struck, | :02:43. | :02:47. | |
pot luck happy happy # Don't chicken out, | :02:48. | :02:49. | |
it's all good # You're allowed to be what you | :02:50. | :02:54. | |
could # Punch drunk, dumb struck, | :02:55. | :02:56. | |
pot luck happy happy # Turn me | :02:57. | :03:19. | |
down like I knew I should # Don't chicken out, | :03:20. | :03:28. | |
it's all good # You're allowed to be what you | :03:29. | :03:40. | |
could # Curse the things that | :03:41. | :04:10. | |
made me sad for so long # Yeah it hurts to think | :04:11. | :04:43. | |
that they can still go on # Glastonbury, thank you so much for | :04:44. | :05:17. | |
this experience, you have no idea. Who wants to dance?! | :05:18. | :06:42. | |
# Tired of waiting for the bus to nowhere | :06:43. | :06:47. | |
# I don't tell lies no more, you know | :06:48. | :06:55. | |
# I don't know what I'm looking for, you know | :06:56. | :07:12. | |
# I have a tricky love affair, you know | :07:13. | :07:17. | |
# But it knows I'll never leave, you know | :07:18. | :07:23. | |
# I hate to see it despair Oh, don't you do it | :07:24. | :07:30. | |
# When it's hard to give a hard to give a... | :07:31. | :08:13. | |
# It's not the boy giving the funny feels | :08:14. | :08:17. | |
# It's not the P to pay for the wheel | :08:18. | :08:21. | |
# And change, it feels like fear It's all you know | :08:22. | :08:33. | |
Thank you so much. Say "cheese", Glastonbury! Thanks | :08:34. | :09:59. | |
again. There you go, that was Wolf Alice | :10:00. | :10:03. | |
from earlier on. Slightly changeable. | :10:04. | :10:07. | |
It is only spitting. Nothing to it. I think it will pass in a mere | :10:08. | :10:12. | |
moment. But look who is here, Trevor Nelson. How are you?! Look at you | :10:13. | :10:19. | |
two. I'm the Virgin here. You can talk, the Glastonbury | :10:20. | :10:23. | |
Virgin. I mean you in a welly is making my day. Are these especially | :10:24. | :10:30. | |
bought? I must be honest. I have spent my life watching you present | :10:31. | :10:33. | |
this from the comfort of my home, now I am here. I can't believe it. | :10:34. | :10:40. | |
Your first time here? My first time. What do you make of it? Muddy. But, | :10:41. | :10:46. | |
number one, you have to have had experienced it to understand. I | :10:47. | :10:49. | |
walked the whole site. It took five hours. Getting here has been hard | :10:50. | :10:55. | |
but when you get to a stage, you are like, what the... Who thought of | :10:56. | :11:00. | |
this?! You have seen the flame throwing spider? Yes. | :11:01. | :11:07. | |
Shangri-la? Yes. The Pyramid Stage, obviously. The other stage. The | :11:08. | :11:14. | |
tributes to Bowie, Lemi. Yes. There is a lot to take in. No way to | :11:15. | :11:20. | |
do the site, it is impossible. You need a guide to help you with what | :11:21. | :11:24. | |
is going on. But a once in a lifetime for me. | :11:25. | :11:28. | |
You are doing Radio 2? Yes, I am indeed. 9.00pm until midnight. | :11:29. | :11:33. | |
Playing on the main set. But what a great opportunity. From here, you | :11:34. | :11:38. | |
have the best spot in the site. It is great. We will have live music | :11:39. | :11:43. | |
from Age of Lunar. They are brand new. The first time on the telly? An | :11:44. | :11:49. | |
amazing gig, I tell you, they are the talk of the town. They are very | :11:50. | :11:57. | |
young, British. Go back to Fugees with others and put them in a | :11:58. | :12:01. | |
melting pot, they are doing something no other young kids are | :12:02. | :12:07. | |
doing. Can't wait to see them perform live, eauer. | :12:08. | :12:11. | |
Fantastic. We like that. More of it. Indeed so. | :12:12. | :12:14. | |
They are sheltered under there. They are under the lip of our | :12:15. | :12:19. | |
Australianing. So we have been here too. | :12:20. | :12:23. | |
We are polite to the guests. We have to share a BBCle Pound | :12:24. | :12:29. | |
Shopper umbrella. This is what it has come to. | :12:30. | :12:31. | |
This is Age Of Lunar. # That is why I love this feeling. I | :12:32. | :13:08. | |
control my emotions. # Tell me about your sweetness. | :13:09. | :13:22. | |
# A picture of me and you. # The youth and the beauty of a | :13:23. | :13:25. | |
woman. # Baby I can see you. | :13:26. | :13:36. | |
# You have got that essence, baby. # Recollections. | :13:37. | :13:50. | |
# Memory, sour- sweet. So I dream of sweetness. | :13:51. | :13:57. | |
# I don't know what you have been thinking but yes I know myself. | :13:58. | :14:05. | |
# You adore me. # There is something about your | :14:06. | :14:11. | |
sweetness. # You are just something that I need | :14:12. | :14:16. | |
since. # Nobody can do... | :14:17. | :14:24. | |
# My prize possession, I give you all my heaven. | :14:25. | :14:27. | |
# This is more than anything we could have expected. | :14:28. | :14:36. | |
# I was cool on my Jack Jones. # I cherish every moment, every | :14:37. | :14:41. | |
single hour and second. # You have got that essence, baby. | :14:42. | :14:52. | |
# Recollections from a distance. # Memory, sour- sweet. | :14:53. | :15:01. | |
# So I dream of sleep. # Down here where I'm from, we talk | :15:02. | :15:11. | |
slow to the dance flows. # That you, you have got that fire. | :15:12. | :15:26. | |
# And you, you get me higher. # You got that essence, baby. | :15:27. | :15:37. | |
# Recollections from the distance. # Memories, sour sweet. Sweetness. | :15:38. | :15:45. | |
# So I dream of sleep, so I dream of sleep. | :15:46. | :15:54. | |
# Strawberry lips so sweet. # They complemented your kiss. I | :15:55. | :16:02. | |
will not lie, when we tongue tie, I get butterflies. | :16:03. | :16:10. | |
APPLAUSE. Age of Luna, that was fantastic. | :16:11. | :16:17. | |
Thanks. Have you played already? How did it go? Amazing. The best show of | :16:18. | :16:22. | |
our lives so far. There were 1000 people there. Would you say it is | :16:23. | :16:29. | |
the best TV appearance of your lives? Yes! First of many. | :16:30. | :16:37. | |
Great to see you. Excellent hair. I am going to adopt one of those next | :16:38. | :16:39. | |
year! Good luck with that! Thanks. Great | :16:40. | :16:45. | |
to see you and enjoy your Glastonbury. We will have more music | :16:46. | :16:51. | |
from earlier on and this is a Band of Skulls. | :16:52. | :17:08. | |
# I want to see you win the morning. I want to see you when the breaking | :17:09. | :17:17. | |
day is done. # You've got to go, you've got to | :17:18. | :17:22. | |
go, it's all rights. # But I want to see you in the | :17:23. | :17:26. | |
flight... # And when I get the same reaction I | :17:27. | :17:51. | |
know this time it's going to give some satisfaction. | :17:52. | :17:56. | |
# You've got to go. It's all right. # But I want to see you, see you in | :17:57. | :18:00. | |
the flight of # I want to see you. I want to see | :18:01. | :18:27. | |
you when the breaking day is dawning. | :18:28. | :18:27. | |
# You've got to go, it's all right. I wanna see you in the | :18:28. | :18:38. | |
morning # You can speak to me. | :18:39. | :21:18. | |
# Doing all I can to survive. # Don't ask for sympathy, begged to | :21:19. | :21:23. | |
differ. # And as the symmetry, I'm a | :21:24. | :21:25. | |
regular. # I'm your favourite enemy, I'm the | :21:26. | :21:47. | |
leader of the pack. # I've got your heart, got your | :21:48. | :21:57. | |
soul. # It's a killer, killer, killer. | :21:58. | :22:06. | |
# Get out of the way if you can't stand the flak. | :22:07. | :22:10. | |
# Me and my army, we're on the maximum attack. | :22:11. | :22:18. | |
# If this was fantasy, I would condone it. | :22:19. | :22:23. | |
# But he moves so thoughtlessly, I would atone for it. | :22:24. | :22:29. | |
# From under the bleachers, to the windmills of my mind. | :22:30. | :22:37. | |
# Seems you protest too much as of lately. | :22:38. | :22:43. | |
# With all those straws you touch and so strictly. | :22:44. | :22:49. | |
# I'm going to beseech you, you were just a matter of time. | :22:50. | :23:01. | |
# I'm your favourite anime. # IMB leader of the pack. | :23:02. | :23:06. | |
# I got your heart, got your soul, got your back. | :23:07. | :23:13. | |
# I'm your favourite anime, I'm the leader of the pack. | :23:14. | :23:16. | |
# Of got your heart, got your soul, got your back. | :23:17. | :23:29. | |
# It's a killer, killer, killer. # Get out of the way, if you can't | :23:30. | :23:34. | |
stand the flak. # Me and my Army, we're on the | :23:35. | :23:39. | |
maximum attack. # Get out of the way, if you can't | :23:40. | :23:45. | |
stand the flak. # Me and my Army, we are on a | :23:46. | :23:50. | |
maximum attack. # You have got to face up to the | :23:51. | :23:56. | |
fact, this is only mine. # It's a killer, killer, killer. | :23:57. | :24:08. | |
APPLAUSE. Glastonbury! Yes, rocking, Band of Skulls. I would think, if I | :24:09. | :24:12. | |
were a young woman, thinking of being in a band, I would see the | :24:13. | :24:16. | |
bass player in the Band of Skulls and think, I want to do that. Just | :24:17. | :24:21. | |
because you are not a young woman does not mean you cannot go for it, | :24:22. | :24:25. | |
it does not have to be a gender thing. I am already losing your | :24:26. | :24:31. | |
affections to a wicker rabbit. He is lovely, I love him. We have played | :24:32. | :24:37. | |
you a lot of great new music on the programme and where better to | :24:38. | :24:42. | |
discover more than at the BBC Introducing stage, where you will | :24:43. | :24:46. | |
find streaming on the Glastonbury website. We will catch up with a | :24:47. | :24:51. | |
fantastic artist that I have been playing a lot. She is called Frances | :24:52. | :25:07. | |
# I'll fear your fear of EU, I'll cry your tears for you. | :25:08. | :25:17. | |
# Even if I fall down, when you are not around, don't worry about me. | :25:18. | :25:23. | |
# Don't worry about me. # Because if I fall, you will fall. | :25:24. | :25:33. | |
# And if I rise, we will rise together. | :25:34. | :25:41. | |
# When I smile, we will smile. # And don't worry about me. | :25:42. | :25:46. | |
# Don't worry about me. # I'll feel the fear for you | :25:47. | :26:09. | |
# I'll cry your tears for you # I'll do anything I can to make you | :26:10. | :26:15. | |
comfortable # Even if I fall down | :26:16. | :26:22. | |
# When you're not around # Don't worry bout me | :26:23. | :26:30. | |
# Don't worry b arcs t me # I'll climb the hills you face | :26:31. | :26:35. | |
# I'll do this in your place # I'll do anything to go through it | :26:36. | :26:40. | |
instead of you # But even if I fall down | :26:41. | :26:48. | |
# When you're not around # Don't worry bout me | :26:49. | :26:58. | |
# Cos if I fall... # You'll fall | :26:59. | :27:05. | |
# And if I rise... # We rise together | :27:06. | :27:11. | |
# When I smile... # Owl smile | :27:12. | :27:18. | |
# And don't worry bout me # Don't worry bout me | :27:19. | :27:23. | |
# Cos if I fall # Owl fall | :27:24. | :27:32. | |
# And if I rise we rise together # When I smile... | :27:33. | :27:38. | |
# Owl smile # Don't worry bout me | :27:39. | :27:43. | |
# Don't worry bout me If I fall, owl | :27:44. | :28:08. | |
fall # If I rise, we rise together | :28:09. | :28:17. | |
# When I smile... Owl smile # Don't worry bout me. Thank you. | :28:18. | :28:39. | |
Frances. She's been working with the Communion label. It is a Crucible | :28:40. | :28:43. | |
for brilliant British artists. I think she has a bright future ahead | :28:44. | :28:46. | |
of her. That is the BBC introducing stage, | :28:47. | :28:51. | |
one of the many streamed on the BBC Glastonbury websitement | :28:52. | :28:55. | |
We are building up to the headline night. Some have started early. One | :28:56. | :29:02. | |
bloke was wearing a oncie. It is still there. He staggered off | :29:03. | :29:08. | |
somewhere! But we are building up to ael tonight. But to get news the | :29:09. | :29:14. | |
mood let's have a flavour of last night's headliners of Muse and this | :29:15. | :29:17. | |
is Plug In Baby. # Exposed your lies | :29:18. | :30:02. | |
# It's no big surprise # And now it's time for changing | :30:03. | :30:09. | |
APPLAUSE. Making Pyramid Stage history, now | :30:10. | :33:31. | |
the only band ever to have headlined the Pyramid Stage on a Friday night, | :33:32. | :33:36. | |
Saturday night and Sunday night. A lot of Brian may musical DNA in | :33:37. | :33:39. | |
that. Tonight, the headline is Adele, who | :33:40. | :33:48. | |
was spotted in Tesco in Glastonbury. It would be hard to imagine last | :33:49. | :33:57. | |
year Kanye nipping in there. She is a folk hero. We are looking forward | :33:58. | :34:02. | |
to her gracing the stage tonight and this is her journey to Glastonbury. | :34:03. | :34:12. | |
Second up in 2016's hat-trick of home-grown headliners is the nation, | :34:13. | :34:16. | |
note the world's, favourite female staff. | :34:17. | :34:26. | |
# Let me photograph you. Surprisingly, this is her first | :34:27. | :34:29. | |
official outing at Glastonbury and she is making her way straight to | :34:30. | :34:33. | |
the top. Saturday night on the Pyramid Stage. Tottenham born and | :34:34. | :34:40. | |
Brixton bread, Adele dream to following the footsteps of her | :34:41. | :34:48. | |
heroes The Spice Girls and Etta James. She went to the Brit School | :34:49. | :34:57. | |
in Croydon and was sued on the road to glory. | :34:58. | :35:03. | |
# You can find him, sitting on your doorstep. The song spoke of the life | :35:04. | :35:12. | |
and loves of her generation with a distinctly London accent. Her debut, | :35:13. | :35:21. | |
19, released in 2008, went straight to number one and gave us the first | :35:22. | :35:30. | |
in a stream of classic ballads. And the hits kept coming. | :35:31. | :35:40. | |
# Should I give up... ? Please give a big cheer for the gorgeous Adele. | :35:41. | :35:45. | |
I am not going to talk too long because speeches are really boring. | :35:46. | :35:49. | |
Next came what some referred to as the tricky second album. 21 stormed | :35:50. | :35:57. | |
the top of the charts and camped out there longer than any other album by | :35:58. | :36:07. | |
a solo artist in history. She is currently number one in an | :36:08. | :36:10. | |
astonishing 17 countries. If you have ever had a broken heart, you | :36:11. | :36:20. | |
are about to remember it now. # I wish nothing but the best for | :36:21. | :36:26. | |
you. And with someone like you, Adele | :36:27. | :36:34. | |
gave the nation a collective we peed moment. And so, by her mid-twenties, | :36:35. | :36:39. | |
Adele was fast becoming a national treasure, making her a perfect fit | :36:40. | :36:44. | |
to perform the latest James Bond theme. | :36:45. | :36:54. | |
# This is the end. # Hold your breath and count to ten. | :36:55. | :37:00. | |
If that was not on the enough, the song won a Grammy, a Golden Globe, | :37:01. | :37:10. | |
even an Oscar. And the fairy tale continued when | :37:11. | :37:15. | |
later in 2013 Adele was invited to Buckingham Palace to receive the | :37:16. | :37:20. | |
MBE. After that she needed a break and took time off to become a mother | :37:21. | :37:24. | |
and reflect on the phenomena in her life has become. But now, she is | :37:25. | :37:36. | |
back. The new album 25 has become the UK's fastest selling album of | :37:37. | :37:41. | |
all time. She has just signed the most lucrative record deal in | :37:42. | :37:48. | |
history. And the biggest star on the planet is about to storm its | :37:49. | :37:58. | |
greatest stage. Tonight's headliner, Adele, who I | :37:59. | :38:02. | |
met once at the Mercury prize and she came in a radio show with Robert | :38:03. | :38:06. | |
Plant and had a lot of red wine and Coca-Cola. She was a hoot. She is | :38:07. | :38:14. | |
tremendous. I am excited to see what she does tonight and we will bring | :38:15. | :38:19. | |
you that. We have a couple of shows. We are back at 7pm on BBC Four. The | :38:20. | :38:25. | |
first thing you will be able to see is Squeeze and 7:30pm on BBC Two... | :38:26. | :38:32. | |
Madness. And building up to the headline performance from Adele, | :38:33. | :38:38. | |
kicking at around nine o'clock. Tune in to the website. There is plenty | :38:39. | :38:42. | |
to find there and live streaming of those stages. She has a down to | :38:43. | :38:48. | |
earth approach. I think it will be a real moment and real connection with | :38:49. | :38:53. | |
the crowd. Do not miss it, stay with us. Adele will be on live from | :38:54. | :38:57. | |
Glastonbury tonight at 9pm. | :38:58. | :38:58. |