Saturday Part 1 Glastonbury


Saturday Part 1

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You. It is nourishing.

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What does it do to the soul. It is a connection.

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It warms the cockles. Glastonbury does something to the

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musical soul for sure. Maybe at 5am, you are talking about

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things you would not normally. It makes you better.

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It brings out my inner fox! Hello from Glastonbury Festival! We

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are here for the second day of our coverage. The music in full swing.

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We are up at the park. Our Jaguar Australia Indy dance types are up on

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the stage. It is a little windy. I think this is one of the best days

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of the weekend. Friday, everybody is keen. Sunday you are get getting a

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bit, we are going to have to go home soon but Saturday afternoon,

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blissful. And the calm before the storm, the

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big Saturday night headliner which this year is Adele on the Pyramid

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Stage. Loads of stuff everywhere but everyone talking about Adele.

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And blissed out psyche Delia... Yes, we have some of that warming up for

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Adele. What could be better. Yes, and tonight, Adele, hello! Leer

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is the story so far on day two of Glastonbury.

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-- Here is the story so far. # I've got to have a shot

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# You're got to make it hot # Give me all your loving

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# All your hugs and kisses too # Give me all your loving

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# All your hugs and kisses too # Give me all your loving all your

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hugs and kisses too... It really has been quite a 24 hours, hasn't it,

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Mark? Extraordinary scenes. By day two you feel you have been

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here a week-and-a-half. These days, it takes me an hour, I

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forget who I am, what day it is, what is going on. When you are doing

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radio coverage earlier, like I works I am like, what day is it? This

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morning, I heard the band reare going to hear the band next take to

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the Pyramid stage live. I think you were on stage with them? I was.

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Lovely to see Squeeze. And later on a set here from Age of Luna. Looking

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fresh. So the cleanest people on the site. Age of Lunar and Squeeze.

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Dapper. Box fresh! Indeed so. So three or

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four songs from Squeeze. Here they are on the Pyramid stage from

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earlier on today. # I never thought it would happen #

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With me and the girl from Clapham # Out on the windy common # That

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night I ain't forgotten # When she dealt out the rations #

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With some or other passions # I said "you are a lady" #

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"Perhaps" she said. "I may be" # # We moved

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in to a basement # With thoughts of our engagement #

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We stayed in by the telly # Although the room was smelly.

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# We spent our time just kissing # The weather brass and bitter

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# I put away a tenner # You've left my ring by the soap,

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# Now is that love? # You cleaned me out

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you could say broke, # # You won't get

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dressed you walk about, # A teasing glance

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has pushed me out, # The tougher tougher

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tougher it gets # The more my lips frequent

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# Now that is love. # Beat me up with your letters,

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your walk out notes, # Funny how you still find me

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right here at home. # You've called my

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bluff I'm not so hot, # My assets froze while

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yours have dropped, # It's the cupid

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cupid cupid disguise # That more or less survived

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# Now that is love. # Beat me up with your letters,

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your walk out notes, # Funny how you still find me

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right here at home. # Now is that love,

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that's making you think. # You've made my bed,

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the finger points Plays plays.

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Cheer, loves! # His soul had been replenished .#

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# He slowly fell to pieces and was only too aware

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# All of the people. # Family and friends

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# In this congress Gregation # Open your heart

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# To this # Standing in the picture

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with his family all around # She had offered amnesty

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for a multitude of sins # Through the stained glass

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window her love shone down on him. # Open your hands

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# Where once was a steeple # There lived within

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# All other people # Family and friends

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# In this congregation # Open your heart

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# To this celebration # Open your heart...

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# To all of the people... # Family and friends

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# Open your heart. Thank you, it's been a long time

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since we could say this but we have a newish album out and this is the

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title track from it, From The Cradle To The Grave.

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# They say time will not stand still

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# But when I look outside the window

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Squeeze. In case you were wondering and thought, is that John and --

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John Lydon, the drummer looks a bit like him. We are moving around to

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bring you the best of the sunshine. If you are missing anything, there

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is an act you want to see, you can check out the live stream on the

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website. We are streaming all six main stages from midday every day

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and you should not theoretically miss anything. We are now going to

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find out a little bit about the culture that gave rise to the

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festival. It did not just grow out off the ground, it comes from the

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culture of the place, six miles that way, Glastonbury town itself. Today,

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you mention Glastonbury and you think of the world-famous music

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festival but Glastonbury Festival takes its name from Glastonbury

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town, seven miles down the road from Worthy Farm. This is no ordinary

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Somerset town. For thousands of years it has been a magnet

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innovators, rebels, and the history of the places the stuff of legend, a

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weird and wonderful town of nonconformity and creativity without

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which they would be no festival we know it. My pilgrimage to

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Glastonbury starts with its newly elected mayor. John, hello. We are

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in Glastonbury town, why do people come here today? First impressions,

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it is a market town but you look at the shops, it is witchcraft shop,

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man, myth and magic. There is something unusual. Like walking into

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the Wicker Man. To really understand Glastonbury, you have to understand

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the town's origins. The local tour guide gave me a whistle-stop tour.

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This is the cloistered gardens. Why have so many been drawn to

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Glastonbury? It goes back over 2000 years, Druids would meet for the

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solstice and equinox. Around the time Joseph came with Mary Magdalene

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and built the first church. Then we have stories of King Arthur being

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buried here. And the dissolution of the Abbey, which destroyed the site.

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And then a resurgence in the Victorian age, right to the 70s when

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the festival was started. A little town with a big story. There you

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have it, Glastonbury Festival is the latest chapter in this town's big

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story. But the festival ethos is not just a product of 1970s hippies. In

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1914 a composer establish the original festival in the assembly

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rooms. His Glastonbury Festival featured performance and dance and

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music and literature, attracting people such as Edward Elgar and

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George Bernard Shaw. What kind of man was he? He was quite a rebel, a

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nonconformist, unconventional in a lot of ways. Some people found it

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quite upsetting their work Bohemians wearing corduroy trousers. And

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knickerbockers. In those days, Edwardian time, that was frowned

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upon. The myths and history of Glastonbury inspired many of his

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works and live on in the assembly rooms today and people like Sarah

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Moody, the town's very own bard. Up we go, up the high street. The

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bakery. Lovely. I am the 11th bard of Glastonbury. One night I hoped a

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dream that there were many stories buried deep in Glastonbury Tor. It

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was my job to get these stories out and retell them. How does

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Glastonbury inspire you? The culture and heritage is here. It is amazing.

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An absolute jewel for a storyteller to live here. The musical legacy

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continues in Glastonbury and here is a local who knows something about

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that. The lay lines and history and legends of King Arthur, it was

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thrown into the Glastonbury ideas. It is part of festival culture.

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Throughout the centuries, Glastonbury has inspired many

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people, like Rutland, Sarah Mooney and Michael Eavis. It is easy to see

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why the festivals took their name from a town as magical as this. Do

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you think a festival might Glastonbury can only come from an

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area like Glastonbury? It is the only place. It is very

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antiestablishment, the setup, nowhere else in the country would I

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have got away with it, seriously! James on the magical qualities of

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Glastonbury. The first time I came here working for the radio I went up

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Glastonbury Tor with the archdruid, which was a magical afternoon, and

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you had a magical afternoon yesterday. I was in the healing

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fields. The spirit captured by the Bohemians. Sometimes challenging. We

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were there yesterday afternoon on the radio with a lady who has been

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running back since the 80s, the place people go to recharge, get

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their crystals done. Part of the festival, absolutely. We will have

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more music. He has been here a few times that the first time on the

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Pyramid Stage, from Somerset to Senegal and back to Somerset. Baaba

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Maal. Thank you! Thank you very much.

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How are you feeling today? The sun is out! So, Che, is from London,

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Kenya, Nigeria... Icon of Senegalese music, Baaba

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Maal. He runs his own music festival at

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home in Senegal every year. How cool was the guitarist.

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Channelling his own Jimi Hendrix. A lot of flavour there. The baby in

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the ear protectors. The bloke lying out in the mud enjoying himself.

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All of it. And so great to see so much great African music. It's a big

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part of the programme. One who have just started, it is on the West

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Holts Stage. Lots more on both of those acts on

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BBC Four tonight. Over on the Acoustic Stage later on, amidst

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Cyndi Lauper is a former established poet, and here, given the events of

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recent days, is Raffle McTell. # What is it about you

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# Makes fee meal this way # When I'm leaving you

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# When I'm coming home # When I'm lost for words to say

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# And I know your fast and faded # And the travels you've been

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through # But it's more about what happens

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now # And what we're coming to

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# And the echo from the green hills # Runs through the city streets

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# And the sun when it shines on England

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# Oh, it lifts a heart in me # What is it about you

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# That took men into war # A rows and rows of crosses, who

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remembers, why, what for # In corns of these foreign fields

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# The dust in them concealed # Out of sight but not out of mind

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# Don't you know that England feels # And the echo from the green hills

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# Runs through our city streets # And the rain when it falls on

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England # Oh, it washes pain from me

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# England # Oh, England

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# England # Oh,

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England # Only the sound the battle hymn

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# Or a song for Vic # It's just a way to try to say what

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England means for me # And our accents

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# And our colours change # From the city to the farmland

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# From the moorland # To the mountain

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# From the river # To the sea

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# And the echo from the green hills # Runs through our city streets

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# And the wind that blows through England

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# Breathes its life in you and me # From the rolling road to the

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winding lane # From the field to the factory

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# From the summer's haze # To the winter's glaze and the

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colours in between # It's a stillness in the evening

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# It's a heartbeat I am feeling # From Cornwall to Northumberland

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# From the Pennines to the sea # And the echos from the green hills

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# Runs through our city streets # And the wind when it blows from

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England # Breathes its life in you and me

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# England # Oh, England

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# England, oh, England

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England. APPLAUSE

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How are you? Well done for battling the noise

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from the Park stage. The rhythm section did not quite agree! It has

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been an interesting couple of days, how did you feel about that song

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when you wrote it and how about it today? When I wrote the song, I felt

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we needed one that brought us together, it did not matter the

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religion, colour, where you come from, anything else, I thought we

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needed a song that was not warmongering. And probably it is as

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relevant now, maybe even more so, how things have changed. What about

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being at the festival, is it right it is your first time here, but that

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is up for debate? I met Michael Eavis some years ago and he said I

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was there, and you are not supposed to remember, but I am not sure, I

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might have been. It was not as big as this. It was wet, I remember

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that. But you brought some songs. Ralph is on the Acoustic Stage

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later. Now we can sample some more live

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music on the John Peel stage. We have Alessia Cara.

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# She just wants to be beautiful. # She craves attention, she craves

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it. # She prays to be sculpted by the

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sculptor. # Light that is shining. She tries

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to cover out the pain. # Because cover girls don't cry.

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# There is a hope waiting for you in the dark.

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# Beautiful just the way you are. You don't have to change a finger.

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The world can change its heart. # With scars, where beautiful.

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# You don't have to change a thing. Your beautiful, with scars.

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We are beautiful. # Starving, cover girls the dumping.

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She says, beauty is pain and there is beauty in everything, what is a

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little bit of hunger? # She fades away and she doesn't see

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how perfect, she does not understand, beauty goes deeper than

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the surface. # To every girl that is hurting,

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hope you see a little bit clearer. A light that shines within.

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# There is hope waiting for you in the dark.

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# You are beautiful just the way you are. You don't have to change a

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thing. The world can change its heart.

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With scars, we are beautiful. # You don't have to to change a

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thing. # With scars, we are beautiful.

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# No better life than the life we are living.

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# You are beautiful. You are beautiful.

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# There is a hope waiting for you in the dark.

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# You should know you are beautiful just the way you are.

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# You don't have to change a thing, the world can change its heart.

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# With scars, we are beautiful. Oh, oh.

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# You don't have to change a thing. # With scars, we are beautiful.

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APPLAUSE. Thank U.

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# Truly, I ain't got no business here

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# But really I would rather be at home all by myself

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# Not in this room with people who don't even care about my wellbeing

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# I don't dance, don't ask, I don't need a boyfriend

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# So you can go back, please enjoy your party

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# Under clouds of marijuana with this boy who's hollerin'

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# Oh with this music I don't listen to

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# So tell my friends that I'll be over here

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# Oh oh oh here Oh oh oh here

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# Oh oh oh I ask myself what am I doing here

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# Oh oh oh here Oh oh oh here

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# And I can't wait till we can break up out of here

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# Excuse me if I seem a little unimpressed with this

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# An antisocial pessimist, but usually I don't mess with this

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# And your intentions aren't to bother me

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# But honestly I'd rather be somewhere with my people

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# We can kick it and just listen to some music with a message

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# How we plan to take over the planet

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# I hope you'll understand that I'll be here

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# With the girl who's always gossiping about her friends

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# Right next to the boy who's throwing up

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# Cause he can't take what's in his cup no more

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# Oh oh oh here Oh oh oh here

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# Oh oh oh I ask myself what am I doing here?

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# Oh oh oh here Oh oh oh here

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# And I can't wait till we can break up out of here

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# Hours later, congregatin' next to the refrigerator

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# Some girl's talking about a hater, she ain't got none

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# So holler at me, I'll be in the car when you're done

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# Don't want what you're offerin' and I'm done talking

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# So tell my people when they ready that I'm ready

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# Yo I'll be over here my beanie low

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# Oh oh oh here Oh oh oh here

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# Oh oh oh I ask myself what am I doing here

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# Oh oh oh here Oh oh oh here

:49:01.:49:02.

# I can't wait till we can break up out of here

:49:03.:49:07.

Alessia Cara, you might have caught her recently on radio one's big

:49:08.:49:37.

weekend. A Canadian singer with a big voice and a big future. Nothing

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that. We are going out and about, I think

:49:42.:49:47.

to the theatre or the circus fields. You lost family over there. My kids,

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I brought them for the first time this year they basically will not

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come back to me, I tell them I have an hour off and they do not want to

:49:58.:50:00.

hang out with money, they say they are busy. Before you get to sit on

:50:01.:50:14.

this seat you have to earn your spurs coming out in to the fielder

:50:15.:50:19.

Matt jobs falls to Clara. We are in the circus fields. Weird

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and wonderful things happen in Glastonbury. We have the big top

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behind me. We have been checking it out. Right now I will do something I

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have always wanted to do. I will see you on the other side.

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The circus big top ring is a wonderful amount of creativity,

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culture and diversity. I am jade, the stage manager of the circus big

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top. It is back-to-back circus, 16 hours a day with trapeze, flying

:51:07.:51:11.

trapeze, acrobatics, you name it, we have got it. We are a duo and work

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together performing tricks in the air and instead of a winch, I have a

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lovely human called Lyndal. A lot of what Blaze stars, she is spinning

:51:39.:51:42.

very fast and does not have a lot of awareness of where you actually are!

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The trick is not to try to focus on one, because that is when you get

:51:56.:52:03.

sick. There is a history of circus performance at Glastonbury. People

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put on an extra bit of effort to come here. I am from Colombia. My

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name is Tony from France. Their skills in duo straps is

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phenomenal, making everybody else go weak at the knees when you watch

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them. People use different qualities. It depends on your body,

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conditions and energy you have. We explore something in the air. It

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comes naturally. We are performing one show a day at Glastonbury. We

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have skating. Silks and juggling and hula hoop and magic tricks. This is

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definitely the best place. Everybody is sitting around and it is like

:53:05.:53:10.

being in a real circus. It is exciting. When you come on it is

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nerve-racking but when you get into it it is really fun.

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I am Nadia, from Kent. At Glastonbury I will be performing

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break dance. This is a giant metal wheel you spin

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inside, two metres in diameter, doing spinning that is at right, and

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less upright! It is score, contemporary,

:53:42.:53:53.

beautiful, but it also has a slight edge. The element of surprise. If

:53:54.:54:04.

you bring a show to Glastonbury, you will be doing your make up in a hut

:54:05.:54:10.

and living in a caravan. We built the tent. We build the kitchen and

:54:11.:54:15.

cook and clean the site, we work together to make the show happen.

:54:16.:54:19.

Everybody pitches in and does what they can and it is wonderful to come

:54:20.:54:23.

back every year, it is like a big family. We feel energy here. That

:54:24.:54:28.

something is happening to you, it is not just coming to perform, it is

:54:29.:54:30.

something else. Last year I was making headdresses

:54:31.:54:48.

out of flowers but this year I am getting on a trapeze. And while I do

:54:49.:54:57.

that you enjoy a performance from earlier this

:54:58.:55:43.

Lady Leshurr, well, she is very game.

:55:44.:57:45.

I had to say, Clara with, circus skills and that Nadia with the hope,

:57:46.:57:49.

is who my five-year-old dumped me for. She is a better woman than me.

:57:50.:57:55.

I acknowledge that. Now, more live music. One of the

:57:56.:57:59.

best live bands out there at the moment, a fantastic talent.

:58:00.:58:01.

It is Wolf Alice. # She needs a lover to escape her

:58:02.:58:33.

father and mother # She hopes for some other way out

:58:34.:58:35.

of the hole # She's over-achieving,

:58:36.:58:38.

chasing her dreams and # Coming down slowly,

:58:39.:58:40.

Yeah, it's out of control # Scrap the blues

:58:41.:58:42.

if the blues don't work # Flash your teeth

:58:43.:58:45.

though the inside hurts # Scrap the blues

:58:46.:58:47.

if the blues don't work # Doesn't make you feel better

:58:48.:58:52.

Just makes others feel worse # All in the books

:58:53.:58:55.

and all in her blood and # Nowhere to run

:58:56.:58:57.

cos it's out of control # You wait for something

:58:58.:59:02.

to undo these feelings # Waiting and waiting

:59:03.:59:05.

but it's out of control # Scrap the blues

:59:06.:59:08.

if the blues don't work # Flash your teeth

:59:09.:59:20.

though the inside hurts # Scrap the blues

:59:21.:59:22.

if the blues don't work # Doesn't make you feel better

:59:23.:59:25.

Just makes others feel worse We have a couple more for you, then

:59:26.:00:44.

we are going to come out and watch some bands.

:00:45.:00:48.

Thank you so much for coming to see us. I didn't think anybody would be

:00:49.:00:54.

here to watch us. This song is called Blush.

:00:55.:01:21.

# It hurts to think that I get stuck on you

:01:22.:01:35.

# Oh, help me now # I am happy

:01:36.:02:01.

now # So walk on, face what you got to

:02:02.:02:14.

do now # Got two hands

:02:15.:02:24.

# But don't take too long # But I'm happy now

:02:25.:02:26.

# Are you happy # Turn me

:02:27.:02:42.

down like I knew I should # Punch drunk, dumb struck,

:02:43.:02:47.

pot luck happy happy # Don't chicken out,

:02:48.:02:49.

it's all good # You're allowed to be what you

:02:50.:02:54.

could # Punch drunk, dumb struck,

:02:55.:02:56.

pot luck happy happy # Turn me

:02:57.:03:19.

down like I knew I should # Don't chicken out,

:03:20.:03:28.

it's all good # You're allowed to be what you

:03:29.:03:40.

could # Curse the things that

:03:41.:04:10.

made me sad for so long # Yeah it hurts to think

:04:11.:04:43.

that they can still go on # Glastonbury, thank you so much for

:04:44.:05:17.

this experience, you have no idea. Who wants to dance?!

:05:18.:06:42.

# Tired of waiting for the bus to nowhere

:06:43.:06:47.

# I don't tell lies no more, you know

:06:48.:06:55.

# I don't know what I'm looking for, you know

:06:56.:07:12.

# I have a tricky love affair, you know

:07:13.:07:17.

# But it knows I'll never leave, you know

:07:18.:07:23.

# I hate to see it despair Oh, don't you do it

:07:24.:07:30.

# When it's hard to give a hard to give a...

:07:31.:08:13.

# It's not the boy giving the funny feels

:08:14.:08:17.

# It's not the P to pay for the wheel

:08:18.:08:21.

# And change, it feels like fear It's all you know

:08:22.:08:33.

Thank you so much. Say "cheese", Glastonbury! Thanks

:08:34.:09:59.

again. There you go, that was Wolf Alice

:10:00.:10:03.

from earlier on. Slightly changeable.

:10:04.:10:07.

It is only spitting. Nothing to it. I think it will pass in a mere

:10:08.:10:12.

moment. But look who is here, Trevor Nelson. How are you?! Look at you

:10:13.:10:19.

two. I'm the Virgin here. You can talk, the Glastonbury

:10:20.:10:23.

Virgin. I mean you in a welly is making my day. Are these especially

:10:24.:10:30.

bought? I must be honest. I have spent my life watching you present

:10:31.:10:33.

this from the comfort of my home, now I am here. I can't believe it.

:10:34.:10:40.

Your first time here? My first time. What do you make of it? Muddy. But,

:10:41.:10:46.

number one, you have to have had experienced it to understand. I

:10:47.:10:49.

walked the whole site. It took five hours. Getting here has been hard

:10:50.:10:55.

but when you get to a stage, you are like, what the... Who thought of

:10:56.:11:00.

this?! You have seen the flame throwing spider? Yes.

:11:01.:11:07.

Shangri-la? Yes. The Pyramid Stage, obviously. The other stage. The

:11:08.:11:14.

tributes to Bowie, Lemi. Yes. There is a lot to take in. No way to

:11:15.:11:20.

do the site, it is impossible. You need a guide to help you with what

:11:21.:11:24.

is going on. But a once in a lifetime for me.

:11:25.:11:28.

You are doing Radio 2? Yes, I am indeed. 9.00pm until midnight.

:11:29.:11:33.

Playing on the main set. But what a great opportunity. From here, you

:11:34.:11:38.

have the best spot in the site. It is great. We will have live music

:11:39.:11:43.

from Age of Lunar. They are brand new. The first time on the telly? An

:11:44.:11:49.

amazing gig, I tell you, they are the talk of the town. They are very

:11:50.:11:57.

young, British. Go back to Fugees with others and put them in a

:11:58.:12:01.

melting pot, they are doing something no other young kids are

:12:02.:12:07.

doing. Can't wait to see them perform live, eauer.

:12:08.:12:11.

Fantastic. We like that. More of it. Indeed so.

:12:12.:12:14.

They are sheltered under there. They are under the lip of our

:12:15.:12:19.

Australianing. So we have been here too.

:12:20.:12:23.

We are polite to the guests. We have to share a BBCle Pound

:12:24.:12:29.

Shopper umbrella. This is what it has come to.

:12:30.:12:31.

This is Age Of Lunar. # That is why I love this feeling. I

:12:32.:13:08.

control my emotions. # Tell me about your sweetness.

:13:09.:13:22.

# A picture of me and you. # The youth and the beauty of a

:13:23.:13:25.

woman. # Baby I can see you.

:13:26.:13:36.

# You have got that essence, baby. # Recollections.

:13:37.:13:50.

# Memory, sour- sweet. So I dream of sweetness.

:13:51.:13:57.

# I don't know what you have been thinking but yes I know myself.

:13:58.:14:05.

# You adore me. # There is something about your

:14:06.:14:11.

sweetness. # You are just something that I need

:14:12.:14:16.

since. # Nobody can do...

:14:17.:14:24.

# My prize possession, I give you all my heaven.

:14:25.:14:27.

# This is more than anything we could have expected.

:14:28.:14:36.

# I was cool on my Jack Jones. # I cherish every moment, every

:14:37.:14:41.

single hour and second. # You have got that essence, baby.

:14:42.:14:52.

# Recollections from a distance. # Memory, sour- sweet.

:14:53.:15:01.

# So I dream of sleep. # Down here where I'm from, we talk

:15:02.:15:11.

slow to the dance flows. # That you, you have got that fire.

:15:12.:15:26.

# And you, you get me higher. # You got that essence, baby.

:15:27.:15:37.

# Recollections from the distance. # Memories, sour sweet. Sweetness.

:15:38.:15:45.

# So I dream of sleep, so I dream of sleep.

:15:46.:15:54.

# Strawberry lips so sweet. # They complemented your kiss. I

:15:55.:16:02.

will not lie, when we tongue tie, I get butterflies.

:16:03.:16:10.

APPLAUSE. Age of Luna, that was fantastic.

:16:11.:16:17.

Thanks. Have you played already? How did it go? Amazing. The best show of

:16:18.:16:22.

our lives so far. There were 1000 people there. Would you say it is

:16:23.:16:29.

the best TV appearance of your lives? Yes! First of many.

:16:30.:16:37.

Great to see you. Excellent hair. I am going to adopt one of those next

:16:38.:16:39.

year! Good luck with that! Thanks. Great

:16:40.:16:45.

to see you and enjoy your Glastonbury. We will have more music

:16:46.:16:51.

from earlier on and this is a Band of Skulls.

:16:52.:17:08.

# I want to see you win the morning. I want to see you when the breaking

:17:09.:17:17.

day is done. # You've got to go, you've got to

:17:18.:17:22.

go, it's all rights. # But I want to see you in the

:17:23.:17:26.

flight... # And when I get the same reaction I

:17:27.:17:51.

know this time it's going to give some satisfaction.

:17:52.:17:56.

# You've got to go. It's all right. # But I want to see you, see you in

:17:57.:18:00.

the flight of # I want to see you. I want to see

:18:01.:18:27.

you when the breaking day is dawning.

:18:28.:18:27.

# You've got to go, it's all right. I wanna see you in the

:18:28.:18:38.

morning # You can speak to me.

:18:39.:21:18.

# Doing all I can to survive. # Don't ask for sympathy, begged to

:21:19.:21:23.

differ. # And as the symmetry, I'm a

:21:24.:21:25.

regular. # I'm your favourite enemy, I'm the

:21:26.:21:47.

leader of the pack. # I've got your heart, got your

:21:48.:21:57.

soul. # It's a killer, killer, killer.

:21:58.:22:06.

# Get out of the way if you can't stand the flak.

:22:07.:22:10.

# Me and my army, we're on the maximum attack.

:22:11.:22:18.

# If this was fantasy, I would condone it.

:22:19.:22:23.

# But he moves so thoughtlessly, I would atone for it.

:22:24.:22:29.

# From under the bleachers, to the windmills of my mind.

:22:30.:22:37.

# Seems you protest too much as of lately.

:22:38.:22:43.

# With all those straws you touch and so strictly.

:22:44.:22:49.

# I'm going to beseech you, you were just a matter of time.

:22:50.:23:01.

# I'm your favourite anime. # IMB leader of the pack.

:23:02.:23:06.

# I got your heart, got your soul, got your back.

:23:07.:23:13.

# I'm your favourite anime, I'm the leader of the pack.

:23:14.:23:16.

# Of got your heart, got your soul, got your back.

:23:17.:23:29.

# It's a killer, killer, killer. # Get out of the way, if you can't

:23:30.:23:34.

stand the flak. # Me and my Army, we're on the

:23:35.:23:39.

maximum attack. # Get out of the way, if you can't

:23:40.:23:45.

stand the flak. # Me and my Army, we are on a

:23:46.:23:50.

maximum attack. # You have got to face up to the

:23:51.:23:56.

fact, this is only mine. # It's a killer, killer, killer.

:23:57.:24:08.

APPLAUSE. Glastonbury! Yes, rocking, Band of Skulls. I would think, if I

:24:09.:24:12.

were a young woman, thinking of being in a band, I would see the

:24:13.:24:16.

bass player in the Band of Skulls and think, I want to do that. Just

:24:17.:24:21.

because you are not a young woman does not mean you cannot go for it,

:24:22.:24:25.

it does not have to be a gender thing. I am already losing your

:24:26.:24:31.

affections to a wicker rabbit. He is lovely, I love him. We have played

:24:32.:24:37.

you a lot of great new music on the programme and where better to

:24:38.:24:42.

discover more than at the BBC Introducing stage, where you will

:24:43.:24:46.

find streaming on the Glastonbury website. We will catch up with a

:24:47.:24:51.

fantastic artist that I have been playing a lot. She is called Frances

:24:52.:25:07.

# I'll fear your fear of EU, I'll cry your tears for you.

:25:08.:25:17.

# Even if I fall down, when you are not around, don't worry about me.

:25:18.:25:23.

# Don't worry about me. # Because if I fall, you will fall.

:25:24.:25:33.

# And if I rise, we will rise together.

:25:34.:25:41.

# When I smile, we will smile. # And don't worry about me.

:25:42.:25:46.

# Don't worry about me. # I'll feel the fear for you

:25:47.:26:09.

# I'll cry your tears for you # I'll do anything I can to make you

:26:10.:26:15.

comfortable # Even if I fall down

:26:16.:26:22.

# When you're not around # Don't worry bout me

:26:23.:26:30.

# Don't worry b arcs t me # I'll climb the hills you face

:26:31.:26:35.

# I'll do this in your place # I'll do anything to go through it

:26:36.:26:40.

instead of you # But even if I fall down

:26:41.:26:48.

# When you're not around # Don't worry bout me

:26:49.:26:58.

# Cos if I fall... # You'll fall

:26:59.:27:05.

# And if I rise... # We rise together

:27:06.:27:11.

# When I smile... # Owl smile

:27:12.:27:18.

# And don't worry bout me # Don't worry bout me

:27:19.:27:23.

# Cos if I fall # Owl fall

:27:24.:27:32.

# And if I rise we rise together # When I smile...

:27:33.:27:38.

# Owl smile # Don't worry bout me

:27:39.:27:43.

# Don't worry bout me If I fall, owl

:27:44.:28:08.

fall # If I rise, we rise together

:28:09.:28:17.

# When I smile... Owl smile # Don't worry bout me. Thank you.

:28:18.:28:39.

Frances. She's been working with the Communion label. It is a Crucible

:28:40.:28:43.

for brilliant British artists. I think she has a bright future ahead

:28:44.:28:46.

of her. That is the BBC introducing stage,

:28:47.:28:51.

one of the many streamed on the BBC Glastonbury websitement

:28:52.:28:55.

We are building up to the headline night. Some have started early. One

:28:56.:29:02.

bloke was wearing a oncie. It is still there. He staggered off

:29:03.:29:08.

somewhere! But we are building up to ael tonight. But to get news the

:29:09.:29:14.

mood let's have a flavour of last night's headliners of Muse and this

:29:15.:29:17.

is Plug In Baby. # Exposed your lies

:29:18.:30:02.

# It's no big surprise # And now it's time for changing

:30:03.:30:09.

APPLAUSE. Making Pyramid Stage history, now

:30:10.:33:31.

the only band ever to have headlined the Pyramid Stage on a Friday night,

:33:32.:33:36.

Saturday night and Sunday night. A lot of Brian may musical DNA in

:33:37.:33:39.

that. Tonight, the headline is Adele, who

:33:40.:33:48.

was spotted in Tesco in Glastonbury. It would be hard to imagine last

:33:49.:33:57.

year Kanye nipping in there. She is a folk hero. We are looking forward

:33:58.:34:02.

to her gracing the stage tonight and this is her journey to Glastonbury.

:34:03.:34:12.

Second up in 2016's hat-trick of home-grown headliners is the nation,

:34:13.:34:16.

note the world's, favourite female staff.

:34:17.:34:26.

# Let me photograph you. Surprisingly, this is her first

:34:27.:34:29.

official outing at Glastonbury and she is making her way straight to

:34:30.:34:33.

the top. Saturday night on the Pyramid Stage. Tottenham born and

:34:34.:34:40.

Brixton bread, Adele dream to following the footsteps of her

:34:41.:34:48.

heroes The Spice Girls and Etta James. She went to the Brit School

:34:49.:34:57.

in Croydon and was sued on the road to glory.

:34:58.:35:03.

# You can find him, sitting on your doorstep. The song spoke of the life

:35:04.:35:12.

and loves of her generation with a distinctly London accent. Her debut,

:35:13.:35:21.

19, released in 2008, went straight to number one and gave us the first

:35:22.:35:30.

in a stream of classic ballads. And the hits kept coming.

:35:31.:35:40.

# Should I give up... ? Please give a big cheer for the gorgeous Adele.

:35:41.:35:45.

I am not going to talk too long because speeches are really boring.

:35:46.:35:49.

Next came what some referred to as the tricky second album. 21 stormed

:35:50.:35:57.

the top of the charts and camped out there longer than any other album by

:35:58.:36:07.

a solo artist in history. She is currently number one in an

:36:08.:36:10.

astonishing 17 countries. If you have ever had a broken heart, you

:36:11.:36:20.

are about to remember it now. # I wish nothing but the best for

:36:21.:36:26.

you. And with someone like you, Adele

:36:27.:36:34.

gave the nation a collective we peed moment. And so, by her mid-twenties,

:36:35.:36:39.

Adele was fast becoming a national treasure, making her a perfect fit

:36:40.:36:44.

to perform the latest James Bond theme.

:36:45.:36:54.

# This is the end. # Hold your breath and count to ten.

:36:55.:37:00.

If that was not on the enough, the song won a Grammy, a Golden Globe,

:37:01.:37:10.

even an Oscar. And the fairy tale continued when

:37:11.:37:15.

later in 2013 Adele was invited to Buckingham Palace to receive the

:37:16.:37:20.

MBE. After that she needed a break and took time off to become a mother

:37:21.:37:24.

and reflect on the phenomena in her life has become. But now, she is

:37:25.:37:36.

back. The new album 25 has become the UK's fastest selling album of

:37:37.:37:41.

all time. She has just signed the most lucrative record deal in

:37:42.:37:48.

history. And the biggest star on the planet is about to storm its

:37:49.:37:58.

greatest stage. Tonight's headliner, Adele, who I

:37:59.:38:02.

met once at the Mercury prize and she came in a radio show with Robert

:38:03.:38:06.

Plant and had a lot of red wine and Coca-Cola. She was a hoot. She is

:38:07.:38:14.

tremendous. I am excited to see what she does tonight and we will bring

:38:15.:38:19.

you that. We have a couple of shows. We are back at 7pm on BBC Four. The

:38:20.:38:25.

first thing you will be able to see is Squeeze and 7:30pm on BBC Two...

:38:26.:38:32.

Madness. And building up to the headline performance from Adele,

:38:33.:38:38.

kicking at around nine o'clock. Tune in to the website. There is plenty

:38:39.:38:42.

to find there and live streaming of those stages. She has a down to

:38:43.:38:48.

earth approach. I think it will be a real moment and real connection with

:38:49.:38:53.

the crowd. Do not miss it, stay with us. Adele will be on live from

:38:54.:38:57.

Glastonbury tonight at 9pm.

:38:58.:38:58.

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