Browse content similar to Sunday Part 2 - including Coldplay. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | :00:00. | :00:07. | |
and scenes of repetitive flashing images | :00:08. | :00:08. | |
I like the one with the singing. # And it was all yellow. Favourite | :00:09. | :00:20. | |
Coldplay song would be... Yellow. That was where it started. Magic. | :00:21. | :00:23. | |
Crocs. Paradise, I like that one. Hello and welcome to the final night | :00:24. | :00:52. | |
of Glastonbury 3016. We are the Coldplay fan club. There are only | :00:53. | :00:58. | |
two Mike remembers, and that is why we are here. What is your favourite? | :00:59. | :01:04. | |
Um, shiver. Mine is warning sign. Good evening, everybody. Coldplay of | :01:05. | :01:11. | |
course are at 9.30 this evening, headlining the Pyramid Stage. It has | :01:12. | :01:14. | |
been a great day, but the weather has not been the greatest. Never has | :01:15. | :01:20. | |
a festival needed the rainbows and vibrancy and enthusiasm to bring of | :01:21. | :01:26. | |
Coldplay to bring colour to the mud. Look at these shoes. I have lived | :01:27. | :01:32. | |
it, baby. But it has been a good day, despite the drizzle. We have a | :01:33. | :01:36. | |
lot coming up. We have a live acoustic, but first an artist who | :01:37. | :01:40. | |
was playing on the Pyramid Stage. It is Back. This is new pollution. -- | :01:41. | :01:47. | |
Beck. # She's got the lily-white | :01:48. | :02:09. | |
cavity crazes # She's got a carburetor | :02:10. | :02:15. | |
tied to the moon # Pink eyes looking | :02:16. | :02:18. | |
to the food of the ages # She's got a hand | :02:19. | :02:22. | |
on a wheel of pain # She can talk to | :02:23. | :02:39. | |
the mangling strangers # Throwing troubles | :02:40. | :02:43. | |
to the dying embers # Like a whip-crack | :02:44. | :02:50. | |
sending me shivers # She's the boat | :02:51. | :03:53. | |
in a strip mine ocean That is Beck from the Pyramid Stage | :03:54. | :05:09. | |
earlier today. And the set has included a David Bowie cover, for | :05:10. | :05:12. | |
obvious reasons. Speaking of David Bowie... We have Gemma out there, | :05:13. | :05:17. | |
with a different review to David Bowie. Tell us what is going on and | :05:18. | :05:23. | |
who you are with. There has been a particular emotional element to | :05:24. | :05:26. | |
Glastonbury this year, and that has a lot to do with the fact that we | :05:27. | :05:30. | |
have lost so many musical icons. There have been many DJ tributes and | :05:31. | :05:36. | |
covers of Prince. There is Lemmy from Motorhead represented on The | :05:37. | :05:40. | |
Other Stage, and of course, we cannot forget one of our biggest | :05:41. | :05:47. | |
losses of 2016, Bowie. And this lady has just created something | :05:48. | :05:51. | |
spectacular so that we can remember him in a phenomenal light. Tell me | :05:52. | :05:59. | |
about this. Well, I was talking with some home educational people in | :06:00. | :06:01. | |
Brighton who needed a giant puppet to represent individuality of style, | :06:02. | :06:08. | |
so between the three of us, we went, Bowie! And it gave me the | :06:09. | :06:14. | |
opportunity. When he died, I am not the Uber fan I see all over | :06:15. | :06:21. | |
Glastonbury, but to me, he was a constant through my life. And he | :06:22. | :06:26. | |
also showed me how to be an individual, whether it was conscious | :06:27. | :06:30. | |
or not. And I felt a real loss. It was like a bolt to the heart. And | :06:31. | :06:40. | |
this was a labour of love. How have people reacted to this? It is so | :06:41. | :06:45. | |
big. It has been awesome. The responses have been amazing, | :06:46. | :06:51. | |
gobsmacking. They have had me going up and down, round and about. We | :06:52. | :06:56. | |
have had tears, laughter and everything. Usually, I make things | :06:57. | :07:03. | |
and I am used to people going, that's amazing and things like that. | :07:04. | :07:09. | |
And that is great, but it has been overwhelming, because people have | :07:10. | :07:12. | |
been coming up thanking me all over the place. Well, it's so beautiful. | :07:13. | :07:19. | |
All weekend, we have been following the different tributes to David | :07:20. | :07:26. | |
Bowie. Here is a little about that. -- a little film about that. For | :07:27. | :07:31. | |
many, me included, David Bowie was a cultural icon and perhaps the | :07:32. | :07:35. | |
greatest, most innovative British pop artist of them all. He provided | :07:36. | :07:40. | |
his fans with the soundtrack to their lives, and this weekend, they | :07:41. | :07:44. | |
have been out in force to celebrate him in their own special ways. It | :07:45. | :07:48. | |
still hurts now when I think about it, that he has passed away. Do | :07:49. | :07:52. | |
don't think there will ever be another David Bowie. There is no one | :07:53. | :07:56. | |
better than Bowie. We have got to honour him at Glastonbury. I just | :07:57. | :08:00. | |
wanted to create something for people to come along and sing along | :08:01. | :08:06. | |
and celebrate his life. # With as a star man waiting in the | :08:07. | :08:11. | |
sky. # He'd like to come and meet us but | :08:12. | :08:16. | |
he thinks he'd blow our mind. The connection between David Bowie | :08:17. | :08:20. | |
and the festival runs deep, and he even appeared that the very first | :08:21. | :08:24. | |
one, the legendary Glastonbury Fayre. David Bowie played here first | :08:25. | :08:31. | |
in anti-71. I think he went on stage at the break -- in 1971. | :08:32. | :08:36. | |
He didn't have a vehicle, he just came with the guitar on his back, | :08:37. | :08:43. | |
with lovely long and hippie clothes. He really looked the part. I didn't | :08:44. | :08:49. | |
have a clue who he was. But I listened to him sing out for 30 | :08:50. | :08:56. | |
a.m.. -- at 4.30. Then he came back in | :08:57. | :09:04. | |
2000 and did a storming set on the Pyramid. Probably one of the best | :09:05. | :09:09. | |
things I have seen on the Pyramid. I have just written this one. That was | :09:10. | :09:17. | |
the first time I played Glastonbury in 1971. Oh, Glastonbury! | :09:18. | :09:21. | |
# Changes. Ch-ch-ch-changes. | :09:22. | :09:41. | |
# Time may change me, I can't change time. | :09:42. | :09:48. | |
A very special celebration of David Bowie at this year's festival took | :09:49. | :09:52. | |
place last night in a thrilling performance of Philip Glass' | :09:53. | :09:56. | |
Symphony in four, which was inspired by Bowie's 1977 album, Heroes. We | :09:57. | :10:07. | |
are looking at Heroes, reimagined by another iconoclastic genius, Philip | :10:08. | :10:11. | |
Glass. He was close to Bowie and was an enormous influence. | :10:12. | :10:24. | |
We have been hearing groups all day, and this was a totally different | :10:25. | :10:31. | |
feeling. I forget makes it more fitting for Bowie, because it had to | :10:32. | :10:37. | |
be something unique. The hypnotic music was like a collective vigil. | :10:38. | :10:44. | |
And this afternoon, even the security guards got in on the act, | :10:45. | :10:49. | |
dancing along as part of a Star man flash mob on the Pyramid Stage, | :10:50. | :10:52. | |
overlooked by Bowie's all seeing eye. The weekend's events have got | :10:53. | :11:00. | |
me thinking about my favourite Bowie moment, and there are quite a few. | :11:01. | :11:04. | |
But one of them has to be the conclusion of his final performance | :11:05. | :11:08. | |
at Glastonbury, with his anthem, Heroes. | :11:09. | :11:12. | |
# We could be heroes, just for one day. | :11:13. | :11:23. | |
That is a hell of a song, it really is. It's very exciting, and very | :11:24. | :11:33. | |
romantic. He was the bees knees in that sense. | :11:34. | :11:45. | |
There have been some beautiful tributes, and none more beautiful | :11:46. | :11:48. | |
than the one last night. I was watching the orchestra on the Park | :11:49. | :11:52. | |
Stage last night. It was an incredible moment, straight after | :11:53. | :11:56. | |
Adele. Everyone crowded up here. We are 15 minutes away from Coldplay | :11:57. | :12:01. | |
taking to the Pyramid Stage. Lots of rumours, people gossiping about who | :12:02. | :12:05. | |
might be joining them, maybe one of the Bee Gees. There were rumours | :12:06. | :12:09. | |
that we are had been spotted at Glastonbury. I haven't seen her! | :12:10. | :12:12. | |
This is it, things start and then it goes around the festival. We will | :12:13. | :12:21. | |
find out what happens. Right now, we have Clara at the front of the | :12:22. | :12:25. | |
Pyramid Stage. Maybe she has her own ideas. What is going on? Here we are | :12:26. | :12:32. | |
again at the Pyramid Stage on Sunday evening at Glastonbury. The sun | :12:33. | :12:38. | |
hasn't quite set, and we are feeling the energy again of the 150,000 | :12:39. | :12:44. | |
people, who I feel have all rushed forward to come and catch Will, | :12:45. | :12:48. | |
Johnny, Guy and of course Chris on the stage. They will be with us in | :12:49. | :12:55. | |
about 15 minutes, making what I think of their fourth appearance on | :12:56. | :12:58. | |
the Pyramid Stage, first performing here in 1999 and with you again from | :12:59. | :13:05. | |
9:30 p.m.. I like how Clara's hair looks like the Pyramid Stage as | :13:06. | :13:10. | |
well! So in 15 minutes, we will bring you Coldplay live, closing | :13:11. | :13:16. | |
Glastonbury 2016. Some acoustic performances now. The lady you are | :13:17. | :13:19. | |
about to listen to have had a certain degree of success, but she | :13:20. | :13:24. | |
was playing a place called bread and Roses, which is a tiny little pub. | :13:25. | :13:28. | |
That was where she was spotted playing much the same way that Adele | :13:29. | :13:33. | |
was playing in the Guardian tent years ago and then ended up playing | :13:34. | :13:37. | |
on the Pyramid Stage. No pressure! We would love to hear from you. | :13:38. | :13:52. | |
# And I was living in Hollywood. # Trying to make it, I know I could, | :13:53. | :14:03. | |
when something is turned upside down, reached the top and I hit the | :14:04. | :14:09. | |
ground. # And they said I would have to | :14:10. | :14:19. | |
start on the walk of Fame. # And almost there, I got so far, I | :14:20. | :14:27. | |
know who is to blame. # You said my skin was porcelain. | :14:28. | :14:36. | |
# And I want fame like Marilyn. # Bury me in Azalea. | :14:37. | :14:50. | |
# Now they call me Black Dahlia. # They call me Black Dahlia. | :14:51. | :15:03. | |
# And I was living in Hollywood. # Working hard to get what I should. | :15:04. | :15:17. | |
# Always at the silver screen. # I'd try my best to catch my dream. | :15:18. | :15:24. | |
# And they said I would have a star on the walk of Fame. | :15:25. | :15:34. | |
# And almost there, I got so far. # I know who is to blame. | :15:35. | :15:43. | |
# You said my skin was porcelain. # And I want fame like Marilyn. | :15:44. | :15:51. | |
# Bury me in Azalea. # Now they call me Black Dahlia. | :15:52. | :16:05. | |
# They call me Black Dahlia. # I trusted you. | :16:06. | :16:25. | |
# You lured me in. # And I sold my soul. | :16:26. | :16:33. | |
# I thought I would win. # You said I would have a star on | :16:34. | :16:43. | |
the walk of Fame. # Almost there, you know I got so | :16:44. | :16:47. | |
far. # I know you're to blame. | :16:48. | :16:57. | |
# You said my skin was porcelain. # I wanted fame like Marilyn. | :16:58. | :17:04. | |
# Bury me in Azalea. # Now they call me Black Dahlia. | :17:05. | :17:27. | |
# They call me Black Dahlia. # Old, oh. | :17:28. | :17:40. | |
Aine Cahill, thank you so much for joining us. How was Thursday? It was | :17:41. | :17:49. | |
one of the best experiences of my life, to be able to play at | :17:50. | :17:52. | |
Glastonbury, and this is even better. One of the best things about | :17:53. | :17:57. | |
Glastonbury is you will get new fans, did you get some sense of | :17:58. | :18:03. | |
that? Yes, you could see as the performance went on, it started to | :18:04. | :18:07. | |
build, which I was surprised about because we usually play with the | :18:08. | :18:12. | |
full band and thought myself and the piano might not work for the | :18:13. | :18:15. | |
festival but I was so delighted, just delighted! What have you | :18:16. | :18:20. | |
enjoyed about the Festival? We watched a Dell last night. Just | :18:21. | :18:25. | |
walking around and you will not even get to see all of it. Just being | :18:26. | :18:32. | |
here, it is an experience in itself. And the amazing view behind us! That | :18:33. | :18:37. | |
is what I said. All my God! You can see everything. The weather has set | :18:38. | :18:46. | |
in! Coldplay coming up but we shall go to a woman who followed ELO this | :18:47. | :18:51. | |
afternoon. Chibok an injection of pop and vitality to the festival. | :18:52. | :18:53. | |
This is Ellie Goulding. # It's a little dirty how | :18:54. | :19:57. | |
the whole thing started # I don't even really | :19:58. | :19:59. | |
know what you intended # Thought that you were cute | :20:00. | :20:01. | |
and you could make me jealous # Poured it down, | :20:02. | :20:04. | |
so I poured it down # Next thing that I know I'm | :20:05. | :20:06. | |
in the hotel with you # You were talking deep | :20:07. | :20:09. | |
like it was mad love to you # You wanted my heart | :20:10. | :20:12. | |
but I just liked your tattoos # Poured it down, | :20:13. | :20:15. | |
so I poured it down # You don't mess with love, | :20:16. | :20:17. | |
you mess with the truth # I always hear, | :20:18. | :20:21. | |
always hear them talking # Talking 'bout a girl, | :20:22. | :20:48. | |
'bout a girl with my name # Saying that I hurt you | :20:49. | :20:51. | |
but I still don't get it # Wait, | :20:52. | :20:54. | |
I could have really liked you # I'll bet, I'll bet that's why I | :20:55. | :21:00. | |
keep on thinking 'bout you # It's a shame (shame), | :21:01. | :21:03. | |
you said I was good # So I poured it down, | :21:04. | :21:06. | |
so I poured it down # You don't mess with love, | :21:07. | :21:09. | |
you mess with the truth # You got yourself | :21:10. | :21:15. | |
in a dangerous zone # Cause we both have the fear, | :21:16. | :21:52. | |
fear of being alone # You don't mess with love, | :21:53. | :21:58. | |
you mess with the truth # And my heart don't understand it, | :21:59. | :22:04. | |
understand it, understand it APPLAUSE. | :22:05. | :23:07. | |
Thank you. That was Ellie Goulding. That is talk about your favourite | :23:08. | :23:12. | |
parts? When I got here on Friday morning, I ran to the Other Stage | :23:13. | :23:18. | |
because James were starting and I had them play on the issue of the | :23:19. | :23:21. | |
week before and they were great. You worry when somebody opens up, how | :23:22. | :23:26. | |
many people will be there but the field was full and it was the most | :23:27. | :23:30. | |
superb set and then I saw Christine and the Queen 's so if you want to | :23:31. | :23:34. | |
fall in love with the new act, that is everybody's favourite. Lots of | :23:35. | :23:38. | |
people are talking about that. What about you? The one that would stick | :23:39. | :23:45. | |
out so far is Fatboy Slim, yesterday, unbelievable, it was 30 | :23:46. | :23:51. | |
deep outside, it was a perfect set at 9pm and today, Catfish and the | :23:52. | :23:55. | |
Bottlemen the bottle men, they are the headliners of the future. They | :23:56. | :24:02. | |
were just one point. They just got it. Let us get better and this | :24:03. | :24:08. | |
evening. We are few moments away from Coldplay headlining for the | :24:09. | :24:13. | |
fourth time at the world's greatest festival. Here is a history of the | :24:14. | :24:19. | |
band doing that. I don't know if anybody has ever heard of us, but we | :24:20. | :24:25. | |
are called Coldplay! Yes, there was a time when some of us had not heard | :24:26. | :24:31. | |
of Coldplay. Tonight we're on the cusp of Glastonbury folklore, | :24:32. | :24:34. | |
preparing to headline the Pyramid Stage for a record-breaking fourth | :24:35. | :24:38. | |
time. It is amazing we have got to headline this Ford times, | :24:39. | :24:44. | |
incredible. Making their debut on the Other Stage into thousands, they | :24:45. | :24:48. | |
had head but they were not yet superstar material. # Look at the | :24:49. | :24:55. | |
stars... We might have looked like for students he had won a | :24:56. | :24:58. | |
competition and in many ways that is what had happened! The first | :24:59. | :25:03. | |
headline slot in 2000 and two was a huge leg up to the pop Premiership. | :25:04. | :25:09. | |
We got called up really early and it was a big deal, the equivalent of | :25:10. | :25:13. | |
scoring a goal and bubbly. The world watched in wonder, transfixed by the | :25:14. | :25:18. | |
blinding set. Somebody said before we went on stage, but every do, | :25:19. | :25:25. | |
don't stare at the laser! I could not help but! We came off stage with | :25:26. | :25:32. | |
better eyesight! And I have some hair on my back but was gone! And in | :25:33. | :25:40. | |
2005 when the rain and mud threatened to drench the spirit of | :25:41. | :25:43. | |
Glastonbury, Coldplay knocked the weather or off the front page. Chris | :25:44. | :25:50. | |
Martin Road and old to the magic that defines their favourite | :25:51. | :25:56. | |
festival. # The weather does no harm... Michael Evers and the Worthy | :25:57. | :26:08. | |
Farm! Is a macro give me mud, up to my knees... Such a special place to | :26:09. | :26:19. | |
us, we loved that audience. # Every watcher for... In 2011 they | :26:20. | :26:24. | |
headlined for a third time, setting the probe and light with a stage | :26:25. | :26:29. | |
show but proved they had graduated into global rock icons. # Every | :26:30. | :26:35. | |
teardrop... Tonight it will be a heroes welcome as a return to the | :26:36. | :26:43. | |
West Country residence. Our home does appears for 360 Air two days a | :26:44. | :26:51. | |
year, this is like on. -- 362. They have been on the road since March | :26:52. | :26:55. | |
this year and now we bring them to you live on BBC Two. Headlining | :26:56. | :27:00. | |
Glastonbury on this glorious Sunday evening, ladies and gentlemen, we | :27:01. | :27:02. | |
give you... Coldplay! We all want to help one another. We | :27:03. | :28:07. | |
want to live by each other's happiness, not misery, we don't want | :28:08. | :28:13. | |
to hate and despise one another. This world can provide for everyone. | :28:14. | :28:21. | |
Do not despair. The misery that is upon us is the passing of creed, the | :28:22. | :28:25. | |
bitterness of men. The hate of men who will pass and dictators die and | :28:26. | :28:31. | |
the Power they took from the people will be returned to the people. The | :28:32. | :28:36. | |
kingdom of God is within man, not just one man... The people have the | :28:37. | :28:51. | |
power. CHEERING AND APPLAUSE. Wonderful adventure... | :28:52. | :29:06. | |
# For the thirst and for the hunger | :29:07. | :29:30. | |
# You can see the change you want to | :29:31. | :30:02. | |
# Into life I just been spoken | :30:03. | :30:27. | |
# With a head full, a head full of dreams | :30:28. | :30:42. | |
# Where there are miracles at work | :30:43. | :30:47. | |
# With a head full, a head full of dreams #. | :30:48. | :32:13. | |
In this is our favourite place in the world. | :32:14. | :33:05. | |
Everybody, wave! One, two, three, go! | :33:06. | :33:25. | |
# Oh yeah, your skin and bones | :33:26. | :34:24. | |
# For you, I'd bleed myself dry | :34:25. | :36:19. | |
# And all the things that you do #. | :36:20. | :37:06. | |
Good evening, everybody. Thank you for waiting for three days of rain | :37:07. | :37:19. | |
and mud. We came here a bit scared about the state of the world, but to | :37:20. | :37:23. | |
see the that Glastonbury makes me feel like people are great and | :37:24. | :37:28. | |
together, can do wonderful things. Thank you for restoring my faith in | :37:29. | :37:32. | |
the world. We are going to give it everything we have for you tonight | :37:33. | :37:35. | |
and I hope you have a great time. Thank you for being here. Now show | :37:36. | :37:44. | |
me what you got! Show me what you got! I want to see you, I want to | :37:45. | :37:48. | |
hear you. Sing along. | :37:49. | :38:20. | |
# Sing, oh. # I turn the music up | :38:21. | :38:26. | |
I got my records on # I shut the world | :38:27. | :38:29. | |
outside until the lights come on # Maybe the street's alight | :38:30. | :38:32. | |
Maybe the trees are gone # I feel my heart start beating | :38:33. | :38:36. | |
to my favourite song # Until Monday morning | :38:37. | :38:40. | |
feels another life # I turn the music up, | :38:41. | :38:49. | |
I'm on a roll this time # I turn the music up | :38:50. | :38:53. | |
I got my records on # From underneath the rubble sing | :38:54. | :39:17. | |
a rebel song # Don't want to see | :39:18. | :39:21. | |
another generation drop # I'd rather | :39:22. | :39:25. | |
be a comma than a full stop # Maybe I'm in theblack, | :39:26. | :39:29. | |
maybe I'm on my knees # Maybe I'm in the gap | :39:30. | :39:33. | |
between the two trapezes # But my heart is beating | :39:34. | :39:37. | |
and my pulses start # Oh-oh-oh | :39:38. | :39:44. | |
this light # I swear you emerge | :39:45. | :39:54. | |
blinking into # Every teardrop | :39:55. | :39:58. | |
is a waterfall # Every teardrop | :39:59. | :40:32. | |
is a waterfall # You don't know how lovely | :40:33. | :42:12. | |
you are # Oh, | :42:13. | :42:51. | |
it's such a shame for us to part # No-one | :42:52. | :43:41. | |
ever said it would be so hard # I'm | :43:42. | :43:59. | |
going back to the start # Do not speak as loud | :44:00. | :44:14. | |
as my heart # Oh, | :44:15. | :44:50. | |
and I rush to the start # Oh, | :44:51. | :45:05. | |
it's such a shame for us to part # No-one | :45:06. | :45:30. | |
ever said it would be this hard # Oh, | :45:31. | :45:46. | |
it's such a shame for us to part # No-one | :45:47. | :47:27. | |
ever said it would be so hard # I'm | :47:28. | :47:40. | |
going back to the start And believable, thank you so much. | :47:41. | :47:49. | |
Let's go! -- unbelievable! ACU on the left, I see you on the | :47:50. | :48:35. | |
right. One, two, three... # Around here you never | :48:36. | :49:01. | |
want to sleep all night # And come on, | :49:02. | :49:50. | |
rage with me # But it flew | :49:51. | :50:03. | |
away from her reach # So she ran | :50:04. | :53:46. | |
away in her sleep # Every time | :53:47. | :53:50. | |
she closed her eyes # She expected the | :53:51. | :54:18. | |
world # But it flew | :54:19. | :54:24. | |
away from her reach # And the bullets | :54:25. | :54:28. | |
catch in her teeth # In the night, the stormy night | :54:29. | :54:32. | |
she'll close her eyes # In the night, the stormy | :54:33. | :54:48. | |
night, away she'd fly # Oh oh oh oh | :54:49. | :54:56. | |
oh oh-oh-oh # Oh oh | :54:57. | :55:09. | |
oh oh oh oh-oh-oh-oh # And so lying underneath those | :55:10. | :55:38. | |
stormy skies # She'd say, "Oh, ohohohoh, | :55:39. | :55:50. | |
I know the sun must set to rise" # Oh oh oh oh | :55:51. | :55:57. | |
oh oh-oh-oh # Oh oh oh oh | :55:58. | :56:10. | |
oh oh-oh-oh Can you turn the lights on so that | :56:11. | :59:41. | |
we can say hello? Look at that audience! That is a brave, wonderful | :59:42. | :59:47. | |
bunch of people. I was walking around yesterday with my children | :59:48. | :59:52. | |
and I take my proverbial hat off to all of you who has been through all | :59:53. | :59:59. | |
of the rain and the mud and the carnage, the collapse of the country | :00:00. | :00:03. | |
and everything! And you are still looking wonderful and happy! | :00:04. | :00:08. | |
Positive. All the great things that link us. I don't want to ramble on | :00:09. | :00:15. | |
because I am not a good talker. This is our beautiful drummer from | :00:16. | :00:19. | |
Southampton! You might have seen him on Game of Thrones, one of the | :00:20. | :00:26. | |
starring roles! Series three? Episode nine. The best episode! And | :00:27. | :00:36. | |
from Wales, our beautiful guitarist and best friend, Johnny. And the man | :00:37. | :00:49. | |
who turned down 1001 bands to play bass, he chose to humbly stand | :00:50. | :00:57. | |
beside us, just being gorgeous. This is Guy! CHEERING AND APPLAUSE.. Who | :00:58. | :01:02. | |
never gets embarrassed whenever I introduce an onstage! And Azura, I | :01:03. | :01:08. | |
am Chris De Burgh! And this song is about great things that were and | :01:09. | :01:10. | |
could be again! Wait, what's going on? One of us is | :01:11. | :01:29. | |
out, maybe it's me. One of us is out of tune. Is that an A? One note is | :01:30. | :01:46. | |
that, Johnny? He? Oh, that is a terrible problem, live at | :01:47. | :01:49. | |
Glastonbury. Shall we just skip to the next song? Or shall I just do it | :01:50. | :01:59. | |
on my own? I could do it, yeah. OK, so having introduced the best band | :02:00. | :02:05. | |
in my lifetime, now they are going to leave me on my own to do it. | :02:06. | :02:09. | |
Something is wrong with the piano, but we can muster through. | :02:10. | :02:35. | |
# This particular diamond was extra special | :02:36. | :02:47. | |
Still I should, but I can't let you go. | :02:48. | :03:16. | |
# There's a feeling within me, an everglow | :03:17. | :03:47. | |
# Yeah, we swore on that night | :03:48. | :03:57. | |
# We'd be friends 'til we died | :03:58. | :04:01. | |
# Life as short as the falling of snow | :04:02. | :04:12. | |
# And now I'm gonna miss you, I know | :04:13. | :04:21. | |
# And I know that you're with me | :04:22. | :04:37. | |
# Cos you give me this feeling, this everglow | :04:38. | :05:12. | |
# What I wouldn't give for just a moment to hold | :05:13. | :05:18. | |
# Yeah, I live for this feeling, this everglow | :05:19. | :05:37. | |
# So if you love someone, you should let them know | :05:38. | :05:42. | |
# Oh, the light that you left me will everglow #. | :05:43. | :05:58. | |
God is watching me. God don't praise me because I beat Joe Fraser. He | :05:59. | :06:09. | |
wants to know how we treat each other, how do we help each other? | :06:10. | :06:15. | |
So, I'm going to dedicate my life to using my name and popularity to | :06:16. | :06:18. | |
helping charities, helping people unite with people. People are | :06:19. | :06:21. | |
bombing each other because of religion. We need somebody to help | :06:22. | :06:27. | |
us make peace. So when I die, if there is a heaven, I want to see it. | :06:28. | :06:33. | |
Thank you, everybody. # You've put me down | :06:34. | :07:30. | |
upon my knees # Oh I beg, I beg and plead, | :07:31. | :07:41. | |
singing # Come out of things unsaid shoot | :07:42. | :07:48. | |
an apple off my head # Trouble that can't be named tigers | :07:49. | :07:53. | |
waiting to be tamed, singing # Confusion never stops, | :07:54. | :08:01. | |
closing walls and ticking clocks # I could not stop that | :08:02. | :08:36. | |
you now know, singing # Come out upon my seas, | :08:37. | :08:44. | |
curse missed opportunities # Am I a part of the cure | :08:45. | :08:51. | |
or am I part of the disease? # Home, home, | :08:52. | :08:58. | |
where I wanted to go Hands up, hands up. Yes, let's go | :08:59. | :13:24. | |
for that clap. One, two. Now give me some noise! Give me some noise! Now | :13:25. | :13:33. | |
let's jump, jump, clap, noise, jump! # Took a car downtown | :13:34. | :14:02. | |
where the lost boys meet # I took a car downtown and took | :14:03. | :14:07. | |
what they offered me # I saw the lights go down | :14:08. | :14:13. | |
at the end of the scene # I saw the lights go down | :14:14. | :14:20. | |
and they're standing # When they smashed my | :14:21. | :14:24. | |
heart into smithereens # I'll be a bright red rose | :14:25. | :14:47. | |
combusting the concrete Give me those beautiful hands, all | :14:48. | :16:21. | |
the way to the back. Look at that! Let me know you're out there. I | :16:22. | :16:30. | |
can't hear you, let me know you're out there! Now jump, two, three, go! | :16:31. | :16:57. | |
# Oh, angel sent from up above | :16:58. | :18:36. | |
# You know you make my world light up | :18:37. | :18:41. | |
# When I was down, when I was hurt | :18:42. | :18:47. | |
# Life is a drink, and love's a drug | :18:48. | :18:56. | |
# When I was a river, dried up | :18:57. | :19:07. | |
# And said drink from me, drink from me | :19:08. | :19:15. | |
# Put your wings on me, wings on me | :19:16. | :19:25. | |
# When I'm low, low, low, low | :19:26. | :19:35. | |
# I feel it coursing through my blood | :19:36. | :20:16. | |
# When I'm low, low, low, low | :20:17. | :20:38. | |
# Got me feeling drunk and high | :20:39. | :20:44. | |
# Then we'll shoot across the sky | :20:45. | :21:25. | |
# Then we'll shoot across the sky | :21:26. | :21:35. | |
# Then we'll shoot across the sky | :21:36. | :21:46. | |
# Then we'll shoot across the sky | :21:47. | :21:57. | |
# Then we'll shoot across the sky | :21:58. | :22:51. | |
# When you try your best But you don't succeed | :22:52. | :22:57. | |
# When you get what you want but not what you need | :22:58. | :23:03. | |
# When you feel so tired but you can't sleep | :23:04. | :23:09. | |
# And the tears come streaming down your face | :23:10. | :23:24. | |
# When you lose something you can't replace | :23:25. | :23:30. | |
# When you love someone but it goes to waste | :23:31. | :23:37. | |
# And high up above or down below | :23:38. | :24:25. | |
# When you're too in love to let it go | :24:26. | :24:32. | |
# But if you never try you'll never know | :24:33. | :24:38. | |
# When you lose something you cannot replace | :24:39. | :26:16. | |
# Tears stream down your face | :26:17. | :26:21. | |
# Tears stream down your face | :26:22. | :26:36. | |
# I promise you I will learn from my mistakes | :26:37. | :26:43. | |
Thank you so much, everybody. CHEERING AND APPLAUSE. | :26:44. | :27:59. | |
Thank you, everybody. You are making us feel unbelievable. It is greatest | :28:00. | :28:09. | |
gift earth, what the Glastonbury audience gives to artists. I wish I | :28:10. | :28:18. | |
could tell you how it felt. And... Normally, we are on tour and what we | :28:19. | :28:23. | |
do at this point is we would play heroes by David Bowie. And it is | :28:24. | :28:29. | |
great. What we shall do something a little different. When we started in | :28:30. | :28:38. | |
1986, we got a record deal in 1999 and replayed Glastonbury at the John | :28:39. | :28:48. | |
Peel Stage. Maybe you have seen the next Adeles and that kind of thing | :28:49. | :28:54. | |
but at the beginning of this year, you might have read about that | :28:55. | :29:02. | |
beautiful band, Viola Beach, who had just got signed and went through a | :29:03. | :29:07. | |
tragic accident. They got taken away. And we thought that was just | :29:08. | :29:14. | |
the worst. It reminded us of the other bands that come through for -- | :29:15. | :29:18. | |
three here, the excitement and joy and we hope and we relief felt that | :29:19. | :29:27. | |
in them. Instead of playing heroes, we are going to create Viola Beach's | :29:28. | :29:32. | |
alternate future for them and let them headline last brief for us! So, | :29:33. | :29:44. | |
Chris and Jack, Thomas and the manager, Craig, this is what would | :29:45. | :29:49. | |
have been new in 20 years or whatever. I hope this will do you | :29:50. | :29:56. | |
justice. Put this into the charts tomorrow, if you like it. CHEERING | :29:57. | :29:58. | |
AND APPLAUSE. # We'll be fine though # Singing | :29:59. | :30:22. | |
# What do they know? # She's a Libra and I need | :30:23. | :30:45. | |
her # The Mona Lisa # Would want to be her # Singing | :30:46. | :30:49. | |
woah What do they know? # And she told me that I'll never | :30:50. | :30:55. | |
find another girl like her # She's in Lycra but I don't | :30:56. | :31:20. | |
like her # She's a weirdo and | :31:21. | :31:29. | |
a lido # And she said that together | :31:30. | :31:31. | |
we could take on the world # And she said that together | :31:32. | :31:41. | |
we could take on the world # And she told me that I'll never | :31:42. | :31:56. | |
find another girl like her # And she said that together | :31:57. | :32:03. | |
we could do anything # And she told me that she loves | :32:04. | :32:11. | |
a boy who knows how to sing # And she said that together | :32:12. | :32:16. | |
we could take on the world # And she told me that I'll never | :32:17. | :32:47. | |
find another girl like her # And she said that together | :32:48. | :32:54. | |
we could do anything # And she told me that she loves | :32:55. | :33:01. | |
a boy who knows how to sing CHEERING AND APPLAUSE. Viola Beach, | :33:02. | :33:05. | |
everybody! Let's hear you, come on! On the left | :33:06. | :33:20. | |
side. Beautiful. # Feel the fear | :33:21. | :33:46. | |
in my enemies' eyes # I hear Jerusalem | :33:47. | :34:21. | |
bells are ringing # My missionaries | :34:22. | :34:46. | |
in a foreign field # My missionaries | :34:47. | :34:56. | |
in a foreign field # But that was when I ruled | :34:57. | :36:06. | |
the world I don't know what I'm doing, but I | :36:07. | :36:33. | |
like it. Let's go, let's go. All right, listen to this. Turn it up, | :36:34. | :36:37. | |
greatest crowd in the world! # My missionaries | :36:38. | :36:39. | |
in a foreign field # I know Saint Peter | :36:40. | :37:02. | |
won't call my name # But that was when I ruled | :37:03. | :37:08. | |
the world # But that was when I ruled | :37:09. | :37:23. | |
the world # Turn your magic on, Umi, | :37:24. | :38:05. | |
she'd say # Turn your magic on, | :38:06. | :38:10. | |
to me she'd say # Everything | :38:11. | :38:27. | |
you want's a dream away # Under this pressure, | :38:28. | :38:31. | |
under this weight # You make me feel like I'm alive | :38:32. | :39:02. | |
# Oh, you make me feel like I'm alive again | :39:03. | :39:14. | |
# Said I can't go on, not in this way | :39:15. | :39:18. | |
# I'm a dream that died by light of day | :39:19. | :39:23. | |
# Gonna hold up half the sky and say | :39:24. | :39:27. | |
# I feel my heart underneath my skin | :39:28. | :39:36. | |
# Cos you make me feel like I'm alive again | :39:37. | :39:54. | |
# Oh, you make me feel like I'm alive again | :39:55. | :40:05. | |
# Turn your magic on, Umi, she'd say | :40:06. | :40:12. | |
OK, I know this is hard because of the mud. Just trust me and try it. | :40:13. | :40:20. | |
Everybody, get down. Let's crouch down. Hands up, crouch down. This is | :40:21. | :40:30. | |
the last thing you have to do this weekend, so you may as well get | :40:31. | :40:32. | |
muddy. Everybody, stay down. # If we've only got | :40:33. | :40:43. | |
this life # And if we've only got this | :40:44. | :41:04. | |
life Thank you so much. You've been | :41:05. | :41:11. | |
incredible. # Welcome | :41:12. | :43:04. | |
and entertain them all! # Be grateful for whoever | :43:05. | :44:15. | |
comes And strips your house of its | :44:16. | :44:32. | |
furniture. Treat each guest honourably. Or some new delight. The | :44:33. | :44:52. | |
malice. Meet them at the door, laughing, and invite them in. Be | :44:53. | :44:54. | |
grateful. For whoever comes. Because each has been | :44:55. | :45:00. | |
sent as a guide. # Amazing Grace... # How sweet the | :45:01. | :45:20. | |
sound. like me # I once was lost but now | :45:21. | :46:07. | |
I'm found # Was blind, but now I see. CHEERING AND APPLAUSE. | :46:08. | :46:21. | |
Thank you so much. Thank you. As a come towards the finale of | :46:22. | :46:38. | |
Glastonbury, we need to pull out some special tricks. If you could be | :46:39. | :46:47. | |
so patient. What we normally do, but for someone special, we shall take a | :46:48. | :46:58. | |
request from Instagram. Michael, here. People keep asking me, which | :46:59. | :47:05. | |
band in the world should I have had playing here. There is one that I | :47:06. | :47:15. | |
seriously wanted. Bee Gees. Fantastic and, lovely songs. Thank | :47:16. | :47:27. | |
you very much. That is Michael Evers, the king of the music. We can | :47:28. | :47:33. | |
bring on an actual Bee Gee! CHEERING AND APPLAUSE. Mr Barry Gibb! Letters | :47:34. | :47:43. | |
be respectful. All right! -- let us. # There is a light. A certain kind | :47:44. | :48:36. | |
of light. # That never shone on me. # I want my life to be lived with | :48:37. | :48:47. | |
you... # There is a way... Everybody says, to do each and every little | :48:48. | :49:00. | |
thing. # But what does it bring? # If I ain't got you. Baby, you don't | :49:01. | :49:08. | |
know what it's like. To love somebody The way | :49:09. | :49:25. | |
I love you # I'm a man, can't | :49:26. | :49:30. | |
you see what I am? # I live and I breathe | :49:31. | :50:01. | |
for you # But what good does it do if I | :50:02. | :50:11. | |
ain't got you? # You don't know | :50:12. | :50:14. | |
what it's like, baby # You don't know | :50:15. | :50:20. | |
what it's like, baby OK, this is very important. Those of | :50:21. | :51:31. | |
you who want Barry to leave the stage, speak and I... Nobody! If you | :51:32. | :51:36. | |
want to play the greatest song of all time... CHEERING AND APPLAUSE. | :51:37. | :51:42. | |
Are you ready? # Well, you can tell by the way I | :51:43. | :52:09. | |
use my walk, I'm a woman's man: no time to talk. # Music loud and women | :52:10. | :52:14. | |
warm, I've been kicked around Since I was born. And now it's all right. | :52:15. | :52:21. | |
It's OK. And you may look the other way. | :52:22. | :52:26. | |
Whether you're a brother or whether you're a mother, | :52:27. | :52:28. | |
# You're stayin' alive, stayin' alive. | :52:29. | :52:29. | |
# Feel the city breakin' and everybody shakin', | :52:30. | :52:31. | |
# Ah, ha, ha, ha, stayin' alive, stayin' alive. | :52:32. | :52:47. | |
# Well now, I get low and I get high, And if I can't get | :52:48. | :52:51. | |
# Got the wings of heaven on my shoes. | :52:52. | :52:54. | |
# I'm a dancin' man and I just can't lose. | :52:55. | :52:57. | |
# We can try to understand The New York Times' effect on man. | :52:58. | :53:06. | |
# Whether you're a brother or whether you're a mother, | :53:07. | :53:08. | |
# You're stayin' alive, stayin' alive. | :53:09. | :53:10. | |
# Feel the city breakin' and everybody shakin', | :53:11. | :53:12. | |
# Ah, ha, ha, ha, stayin' alive, stayin' alive. | :53:13. | :53:18. | |
# Well, you can tell by the way I use my walk | :53:19. | :54:01. | |
# Music loud and women warm, I've been kicked around since I was born | :54:02. | :54:07. | |
# We can try to understand The New York Times' effect on man | :54:08. | :54:16. | |
# Whether you're a brother or whether you're a mother | :54:17. | :54:18. | |
# You're stayin' alive, stayin' alive | :54:19. | :54:20. | |
# Feel the city breakin' and everybody shakin' | :54:21. | :54:22. | |
# Ah, ha, ha, ha, stayin' alive, stayin' alive | :54:23. | :54:29. | |
CHEERING AND APPLAUSE. Thank you very much! | :54:30. | :56:05. | |
Makes more noise for Bee Gees out David Bowie and Prince, for making | :56:06. | :56:36. | |
us feel so good. Thank you, Barry. We have two more? Do you want two | :56:37. | :56:39. | |
more? Let's play one of them! # Cos you're a sky, cos you're a sky | :56:40. | :56:56. | |
full of stars # Cos you're a sky, cos | :56:57. | :57:03. | |
you're a sky full of stars # I don't care go on and | :57:04. | :57:18. | |
tear me apart # I don't care if you do, | :57:19. | :57:33. | |
ooh # Cos in a sky, cos in a sky | :57:34. | :57:41. | |
full of stars # Cos you're a sky, cos | :57:42. | :57:47. | |
you're a sky full of stars # Cos you get lighter | :57:48. | :58:28. | |
the more it gets dark # I don't care go | :58:29. | :58:42. | |
on and tear me apart # Cos in a sky, cos | :58:43. | :58:59. | |
in a sky full of stars # Cos you're a sky, you're a sky | :59:00. | :59:12. | |
full of stars # Cos you're a sky, you're a sky | :59:13. | :00:23. | |
full of stars Thank you, everybody. One more. | :00:24. | :01:33. | |
Let's go. # Fixing up a car to drive | :01:34. | :02:07. | |
in it again # Searching for the water, | :02:08. | :02:10. | |
hoping for the rain # Waiting for a chance to pick | :02:11. | :02:13. | |
on your orange field # See a pearl form | :02:14. | :02:25. | |
a diamond in the rough # See a bird soaring high | :02:26. | :02:34. | |
above the flood # Underneath the storm, | :02:35. | :02:37. | |
an umbrella is saying # "Sitting with the poison | :02:38. | :02:46. | |
takes away the pain" # Saying we're gonna get it, | :02:47. | :02:48. | |
get it together right now # Gonna get it, get it | :02:49. | :02:58. | |
together somehow # Gonna get it, get it | :02:59. | :03:01. | |
together and flower # We're gonna get it, | :03:02. | :03:06. | |
get it together, I know # Gonna get it, get it together | :03:07. | :03:10. | |
and flow # Gonna get it, get it | :03:11. | :03:12. | |
together and go # Lying in the gutter, | :03:13. | :03:16. | |
aiming for the moon # Trying to empty out | :03:17. | :03:33. | |
the ocean with a spoon # Break your heart, | :03:34. | :03:35. | |
oh yes # I wanna grow, | :03:36. | :03:54. | |
yes, I wanna feel # Yes, I wanna know, | :03:55. | :03:56. | |
show me how to heal it up # Oh, try and see the forest, | :03:57. | :04:01. | |
there in every seed # Angels in the marble | :04:02. | :04:08. | |
waiting to be freed # When the going is rough, | :04:09. | :04:10. | |
saying # Gonna get it, get it together | :04:11. | :04:17. | |
somehow # Gonna get it, | :04:18. | :04:23. | |
get it together and flower # We're gonna get it, get it | :04:24. | :04:28. | |
together, I know # Gonna get it, get it together | :04:29. | :04:31. | |
and flow # Gonna get it, get | :04:32. | :04:34. | |
it together and go # But you can say what is, | :04:35. | :04:40. | |
or fight for it # Close your mind | :04:41. | :04:46. | |
or take a risk # You can say, "It's mine," | :04:47. | :04:51. | |
and clench your fist # We're gonna get it, | :04:52. | :04:57. | |
get it together right now We are going to sing this | :04:58. | :05:45. | |
altogether. All right, here we go. # We're gonna get it, | :05:46. | :05:50. | |
get it together right now # Gonna get it, get it together | :05:51. | :05:53. | |
somehow # Gonna get it, get it | :05:54. | :05:56. | |
together and flower # We're gonna get it, | :05:57. | :06:02. | |
get it together, I know # Gonna get it, | :06:03. | :06:05. | |
get it together and flow # Gonna get it, get | :06:06. | :06:08. | |
it together and go # We're gonna get it, | :06:09. | :06:12. | |
get it together right now # Gonna get it, get it together | :06:13. | :06:18. | |
somehow # Gonna get it, get it | :06:19. | :06:20. | |
together and flower # We're gonna get it, | :06:21. | :06:25. | |
get it together, I know # Gonna get it, | :06:26. | :06:29. | |
get it together and flow # Gonna get it, get | :06:30. | :06:32. | |
it together and go We have come to the end. Shit! I | :06:33. | :07:55. | |
want to say thank you to the crew at the stewards and everyone who worked | :07:56. | :07:59. | |
so hard to put this together. To the eve 's family, to the cows. Most of | :08:00. | :08:06. | |
all, Michael and Emily and all of us who get to play would like to thank | :08:07. | :08:10. | |
you all for going through everything you're going through to make this is | :08:11. | :08:14. | |
double the most special place on servers far as we are concerned. -- | :08:15. | :08:19. | |
this festival. In fact, you know what, I don't want this to be the | :08:20. | :08:25. | |
last song. Who is in charge of this festival? Is there anyone we can | :08:26. | :08:30. | |
speak to to make this not the last song? Is there anyone we can speak | :08:31. | :08:36. | |
to who is in charge? Can we speak to someone in charge, someone with some | :08:37. | :08:45. | |
power? The perfect person, Michael. Can we do one more song, please? We | :08:46. | :08:56. | |
will do one more song. And this is going to be special, everybody. | :08:57. | :09:00. | |
Let's bring on the best singer of all time. Ready? | :09:01. | :09:14. | |
# And now, the end is near. # And so I face the final curtain. | :09:15. | :09:32. | |
# My friend, I'll say it clear. # I'll state my case, of which I'm | :09:33. | :09:38. | |
certain. # I've lived a life that is full. | :09:39. | :09:47. | |
# I traveled each and every highway | :09:48. | :09:54. | |
# And more, much more than this, | :09:55. | :09:56. | |
# But then again, too few to mention | :09:57. | :10:11. | |
# I did what I had to do and saw it through without exemption | :10:12. | :10:23. | |
# I planned each charted course, | :10:24. | :10:28. | |
# Each careful step along the byway | :10:29. | :10:34. | |
# Yes, there were times, I'm sure you knew | :10:35. | :10:52. | |
# When I bit off more than I could chew | :10:53. | :10:57. | |
# I faced it all and I stood tall and did it my way | :10:58. | :11:21. | |
# I've had my fill, my share of losing | :11:22. | :11:33. | |
# Oh, no, oh, no, not me, I did it my way | :11:34. | :12:07. | |
# For what is a man, what has he got? | :12:08. | :12:13. | |
# To say the things he truly feels and not the words of one who kneels | :12:14. | :12:31. | |
# The record shows I took the blows | :12:32. | :12:36. | |
# Yes, it was my way. APPLAUSE AND CHEERING. | :12:37. | :13:26. | |
I guess we had better finish. Guess we had better go home. | :13:27. | :13:39. | |
# Fixing up a car to drive in it again | :13:40. | :13:45. | |
# When you're in pain, when you think you've had enough. | :13:46. | :14:03. | |
# Don't ever give up. # Don't ever give up. Thank you, | :14:04. | :14:14. | |
everybody. Have a safe journey home. Look at what people can do together. | :14:15. | :14:20. | |
# Oh, APPLAUSE. | :14:21. | :14:46. | |
Thank you, everybody. Have a safe journey home. | :14:47. | :15:06. | |
Ending with that traditional Coldplay bow. I managed to sneak out | :15:07. | :16:06. | |
when that was on and on that massive crowd I found my family and the time | :16:07. | :16:09. | |
I spent with them sums up what Coldplay are about, having the time | :16:10. | :16:14. | |
of their lives and make kids range from tiny too big and all-round | :16:15. | :16:17. | |
everybody was singing to every song, having a wonderful time. That is | :16:18. | :16:23. | |
what Coldplay are about, they got the tone of what is going on at the | :16:24. | :16:27. | |
moment, it is all about love. That was wonderful. It was euphoric. I | :16:28. | :16:37. | |
thought the tribute to Viola Beach was heartfelt. And who knew Coldplay | :16:38. | :16:49. | |
could do disco! World champion onstage strumming! And everybody was | :16:50. | :17:00. | |
singing. And Michael Evers. Some bel canto singing to finish. And a lot | :17:01. | :17:04. | |
of the monitor equipment up before they went on and they have stolen | :17:05. | :17:10. | |
some stuff from one of the BBC tents. And that is why we are here | :17:11. | :17:19. | |
in this little dome! We are close to the Pyramid Stage. Under the | :17:20. | :17:23. | |
crackling of the fireworks. We are here until midnight and we have if | :17:24. | :17:30. | |
you things to show you. We will kick off with something from the Other | :17:31. | :17:34. | |
Stage, they were headliners tonight, LCD Soundsystem. | :17:35. | :17:46. | |
# Daft Punk is playing at my house, my house | :17:47. | :18:26. | |
# I'll show you the ropes, kid # Show you the ropes | :18:27. | :18:45. | |
# I bought 15 cases for my house, my house | :18:46. | :18:50. | |
# Well, Daft Punk is playing at my house, my house | :18:51. | :19:01. | |
# You got to set them up kid, set them up | :19:02. | :19:07. | |
# Set them up up, ooh-ooh yeah | :19:08. | :19:22. | |
# Well, Daft Punk is playing at my house, my house | :19:23. | :19:25. | |
# There's every kid for miles at my house, my house | :19:26. | :19:38. | |
# And the neighbors call the police? | :19:39. | :19:45. | |
# There's a fist fight brewing at my house, my house? | :19:46. | :19:51. | |
# Because the jocks can't get in the door | :19:52. | :19:57. | |
# When Daft Punk is playing at my house, my house | :19:58. | :20:02. | |
# Set them up up, ooh-ooh yeah | :20:03. | :20:31. | |
# Well, everybody's lined up in my house, my house | :20:32. | :21:03. | |
# And Sarah's girlfriend is working the door | :21:04. | :21:17. | |
# Got everybody's PA in my house, my house | :21:18. | :21:19. | |
# All the robots descend from the bus | :21:20. | :21:22. | |
# There's a freak out brewing in my house, my house | :21:23. | :21:30. | |
# Cos Daft Punk is playing at my house, my house | :21:31. | :21:39. | |
# Set them up up, ooh-ooh yeah | :21:40. | :22:08. | |
# And never, never, never let them go | :22:09. | :22:13. | |
APPLAUSE. Very atmospheric LCD Soundsystem. | :22:14. | :22:47. | |
That was on the Other Stage. The alternative to Coldplay this | :22:48. | :22:57. | |
evening. We have some Beck for you. And an acoustic set from John | :22:58. | :23:03. | |
Taylor. We're still marooned on the stage on the hill. We came down the | :23:04. | :23:09. | |
mudslide from that stage but she was stuck at the top. It has been a | :23:10. | :23:15. | |
hectic weekend, it has been towering, when it is muddy, it has | :23:16. | :23:19. | |
not rained much but whenever you cannot sit down and you are wading | :23:20. | :23:29. | |
through this ankle-deep mud. We have been flown around in sedan chairs, | :23:30. | :23:36. | |
obviously! These have come from wardrobe! I went to Earth, Wind and | :23:37. | :23:42. | |
Fire and they have never worn a pair of wellies in their lives ever! They | :23:43. | :23:47. | |
were pristine. Why are we wearing these? What are we doing here? They | :23:48. | :23:53. | |
are at the West Holts stage! I felt sorry for them. The end of the | :23:54. | :23:59. | |
Healing Fields is a good place to end up for the weekend to detox and | :24:00. | :24:07. | |
James Maloney is out there. The final day of the festival, a little | :24:08. | :24:15. | |
bit of rain and a little bit of mud, but what a festival. I started in | :24:16. | :24:19. | |
Glastonbury time with Michael Labour's. And then last night, | :24:20. | :24:29. | |
things got pretty wild. Today, I have come up to Greenfields for a | :24:30. | :24:37. | |
cup of tea. In the midst of adversity and treacherous weather | :24:38. | :24:40. | |
conditions, you have some clotted cream. Lovely! Home-made jam. | :24:41. | :24:51. | |
Life-saver! How has business been? Weeded twice as many on Thursday and | :24:52. | :25:00. | |
Friday as last year. 800 scones. That is a lot of scones and jam. | :25:01. | :25:08. | |
Gallons of jam. Any sugar? I don't want to get a sugar high whenever I | :25:09. | :25:17. | |
am trying to chill! Still warm! That hit the spot. I have come here to | :25:18. | :25:22. | |
the healing Fields. Because my shoulders are a little bit tight. | :25:23. | :25:25. | |
Can I have a massage? Ahh. But is great. Can you feel | :25:26. | :25:46. | |
those knots? You are an expert in helping people to relax. What is a | :25:47. | :25:52. | |
relaxing part of Glastonbury? I love green fields. I love being outside | :25:53. | :25:58. | |
in the summer, you can always come here and find a nice place to just | :25:59. | :26:06. | |
chill. There you go. You have just got that knot. I might have a little | :26:07. | :26:13. | |
wonder, down here, to see what else is here. | :26:14. | :26:26. | |
# I was born to be wild... # Never want to die! # Born to be wild! I | :26:27. | :26:46. | |
have had a lovely couple tea and Rob dying, nice and relaxed but I was | :26:47. | :26:51. | |
born to be wild so I am going to go back to the party down there. | :26:52. | :26:58. | |
Nice one! In the healing Fields. Did he have the best time or Gemma? They | :26:59. | :27:10. | |
had all of the fun! Out and about. Summary different faces. Huge crowds | :27:11. | :27:18. | |
for Coldplay and Adele, born to be wild at the healing Fields. They | :27:19. | :27:22. | |
have played in that stage and that was a completely different side of | :27:23. | :27:26. | |
things. If you are watching and did not get the ticket, this will whet | :27:27. | :27:30. | |
your appetite to come here in the future because is so much to and | :27:31. | :27:34. | |
Explorer. There was a young man who came through BBC introducing in has | :27:35. | :27:41. | |
had great success and it meant a lot to him to be here playing on the | :27:42. | :27:44. | |
John Peel Stage. Please enjoy Jake Bugg. | :27:45. | :28:14. | |
Visit macro try to keep it up late. # Never going to be the same. | :28:15. | :28:49. | |
Just gimme the love Just gimme the love | :28:50. | :29:00. | |
Shakes hard, turning out to get paid Bad times, | :29:01. | :29:02. | |
sees the people real fake Pushing on her heart | :29:03. | :29:04. | |
thats allready been made Coming up fast, cut glass the next take | :29:05. | :29:07. | |
# Better put your sticker on cause you gonna break | :29:08. | :29:10. | |
# Late nights make you walk sideways And now we're gonna party my way | :29:11. | :29:13. | |
That was Jake Bugg. I like seeing him in that environment. Last year, | :29:14. | :30:53. | |
he was quite exposed and had a big slot, but in that John Peel tent, it | :30:54. | :31:00. | |
kind of works. A darker atmosphere. Moodier. So, we are sitting | :31:01. | :31:05. | |
backstage under the shadow of the Pyramid Stage. Up the hill about two | :31:06. | :31:10. | |
miles is the Park Stage. We are going to have a live session from | :31:11. | :31:13. | |
Joanne Shaw Taylor, a blues guitarist is covered by Dave Stuart | :31:14. | :31:16. | |
from the Eurythmics. She's put her time between Detroit and Michigan. | :31:17. | :31:18. | |
Here she is. # When your name's | :31:19. | :31:59. | |
already mud, honey # You ain't getting redeemed | :32:00. | :33:30. | |
cos karma's intervened # No more running 'round town | :33:31. | :33:54. | |
waving that blood money # Your name's long been mud, | :33:55. | :33:57. | |
honey APPLAUSE AND CHEERING. | :33:58. | :34:48. | |
Thank you, Joanne. What are the chances of that, being that good on | :34:49. | :34:52. | |
the guitar and having a voice like that? She's amazing. Really good. If | :34:53. | :34:57. | |
you are wondering why I keep looking at Mark intently, it is because | :34:58. | :35:01. | |
somebody commented that I looked extraordinarily disinterested in | :35:02. | :35:04. | |
everything you said, so I'm hanging on your every word. But think of | :35:05. | :35:08. | |
something interesting to say! I am always amazed by how people plan | :35:09. | :35:15. | |
ahead. During ELO, did you see that guy who had blown up a little Binny | :35:16. | :35:21. | |
and was rowing across? To do that -- a little dinghy, I love that. I | :35:22. | :35:28. | |
asked Jeff about that. When you are standing there on stage, did you see | :35:29. | :35:34. | |
the dinghy? He went, yes, I saw that. And the puppets. He was | :35:35. | :35:38. | |
obsessed with the puppets. Anyway, next to a performance that happened | :35:39. | :35:42. | |
on the Park Stage, not far from where you just saw that acoustic. | :35:43. | :35:47. | |
The headlines that came from Grimes. This is kill versus Maine. | :35:48. | :36:06. | |
# I got in a fight, I was indisposed | :36:07. | :36:27. | |
# I was in despite all the wicked prose | :36:28. | :36:29. | |
# But I'm only a man and I do what I can | :36:30. | :36:32. | |
# I got friends in high places, I get out for free | :36:33. | :36:35. | |
# I got in a fight but they don't know me | :36:36. | :36:38. | |
# 'Cause I'm only a man and I do what I can | :36:39. | :36:43. | |
# Tell me I'm a mobster looking so precious, uh | :36:44. | :36:50. | |
# You gave up being good when you declared a state of war | :36:51. | :36:59. | |
# Eh, oh, don't behave, oh, don't behave, oh | :37:00. | :37:09. | |
# 'Cause I'm only a man, do what I can, ooh-whoa-oh | :37:10. | :37:18. | |
# 'Cause I'm only a man, do what I can | :37:19. | :37:26. | |
# I did something bad, maybe I was wrong | :37:27. | :37:31. | |
# Sometimes people say that I'm a big time bomb | :37:32. | :37:33. | |
# But I'm only a man and I do what I can | :37:34. | :37:40. | |
# Tell me I'm a mobster looking so precious, uh | :37:41. | :37:47. | |
# Never more You gave up being good | :37:48. | :37:54. | |
# Eh, oh, don't behave, oh, don't behave, oh | :37:55. | :38:06. | |
# 'Cause I'm only a man, do what I can, ooh-whoa-oh | :38:07. | :38:16. | |
# 'Cause I'm only a man, do what I can | :38:17. | :38:31. | |
# 'Cause we can make 'em all a bit crazy | :38:32. | :38:36. | |
# We can make 'em all right | :38:37. | :38:38. | |
# I can't touch it, even though it's mine | :38:39. | :38:52. | |
# Eh, oh, don't behave, oh, don't behave, oh | :38:53. | :39:02. | |
# 'Cause I'm only a man, do what I can, ooh-whoa-oh | :39:03. | :39:13. | |
# 'Cause I'm only a man, do what I can (do what I can) | :39:14. | :39:22. | |
# Tell me I'm a mobster looking so precious, uh | :39:23. | :39:28. | |
That was Grimes on the Park Stage. There were times at past festivals | :39:29. | :40:19. | |
when you would walk past The Other Stage and no matter what time it | :40:20. | :40:23. | |
was, there were always four moody people with fringes staring at | :40:24. | :40:26. | |
effects pedals. Doesn't happen nowadays. Laura Mvula had some great | :40:27. | :40:34. | |
dancers today. It sets them apart. When you go and see a band, you want | :40:35. | :40:38. | |
to performance, something to feast your eyes on. This is a great event. | :40:39. | :40:44. | |
Makes me feel wholly adequate, being completely unable to dance. Speak | :40:45. | :40:49. | |
for yourself. You have got all the moves. I often interpret music | :40:50. | :40:54. | |
through the medium of dance. Want to do it now? We have an audience. It | :40:55. | :40:59. | |
is a bit late, everybody is winding down, let's leave it. Let's go and | :41:00. | :41:04. | |
see Gemma instep. She is obviously having the time of her life. I think | :41:05. | :41:09. | |
she is in Arcadia, which is of course where you have the best fun. | :41:10. | :41:14. | |
In so many ways, Glastonbury has been more unforgettable than ever | :41:15. | :41:18. | |
before, more special and more important. It is more than about the | :41:19. | :41:22. | |
headliners, more than the party or the copious amounts of glitter you | :41:23. | :41:26. | |
can put on yourself. It is about coming together, adding in the mud | :41:27. | :41:31. | |
and enjoying yourself. My goodness, here we are at Arcadia, the Sunday | :41:32. | :41:38. | |
night finale. It is infamous for its madness, it's industrialism, it's | :41:39. | :41:42. | |
dancing. Basement Jack played here earlier. What a way to finish off an | :41:43. | :41:47. | |
incredible festival one of the festivals on the planet if you ask | :41:48. | :41:52. | |
me. Look at these guys! It hasn't been easy, but they are still here. | :41:53. | :41:58. | |
The mud has been nuts, and they are hitting the party on a Sunday night. | :41:59. | :42:02. | |
I have seen so much this year. My mind is blown to smithereens. | :42:03. | :42:11. | |
You know what, Gemma's energy is the same as it was when we got here. I | :42:12. | :42:16. | |
am losing my voice, but she has enough voice for all of us. She has | :42:17. | :42:22. | |
such a vitality. She is lovely. I passed the family the other day who | :42:23. | :42:25. | |
were talking about what they enjoyed. Their kid was about six and | :42:26. | :42:30. | |
he was going, I really loved Arcadia and the big spider! How much would | :42:31. | :42:35. | |
that blow your mind if you were a six-year-old kid? Talking about | :42:36. | :42:38. | |
things blowing your mind, Beck was here earlier. So many people were | :42:39. | :42:42. | |
clamouring to see what he had to offer. | :42:43. | :43:02. | |
# Let the handcuffs slip off your wrists | :43:03. | :43:36. | |
# Neptune's lips taste like fermented wine | :43:37. | :43:58. | |
# Let the handcuffs slip off your wrists | :43:59. | :44:30. | |
# Let the handcuffs slip off your wrists | :44:31. | :45:13. | |
APPLAUSE. Melody, that was Sexx Laws and that | :45:14. | :46:02. | |
was not The New Pollution, but it was Beck! Puku the cat dragged in! | :46:03. | :46:13. | |
You wanted to see me? Well done! How does it feel straight after doing | :46:14. | :46:18. | |
something like that? Just so happy. And grateful. It was quite | :46:19. | :46:24. | |
emotional, more poignant than before and also joyous. Life is emotional. | :46:25. | :46:31. | |
Did you mean to reflect that? I cannot help that. And the audience | :46:32. | :46:41. | |
was so wonderful. Lovely. It is a mistake to interview me! What about | :46:42. | :46:48. | |
Barry Gibb? I was impressed to see world champion swinging a disco | :46:49. | :46:57. | |
number like him! Heeded! He did. I said three months ago, what do you | :46:58. | :47:05. | |
think about this? Because Robert and Morris have gone, bring back the Bee | :47:06. | :47:12. | |
Gees. They were like, well... And one week later they had learned at! | :47:13. | :47:17. | |
Will you ever be able to hit the high notes like can? At his age? No! | :47:18. | :47:29. | |
He was so sweet. He was like, I don't know if anybody is going to | :47:30. | :47:38. | |
remember it! That made me happy. Daisy agreed to it straightaway? | :47:39. | :47:43. | |
Button away that you would imagine, like some superstar, are you sure? | :47:44. | :47:50. | |
Yes, we definitely do. And how did he feel when it was finished? I have | :47:51. | :47:54. | |
not seen him since. Can we talk about Michael Evers? Added that idea | :47:55. | :48:02. | |
came about? Is 80th birthday, I saw him doing that. And my frontman took | :48:03. | :48:07. | |
over that. That is the end of Glastonbury! It was the entire | :48:08. | :48:15. | |
thing! And he loves to sing! Karaoke and stuff! There is something | :48:16. | :48:20. | |
freeing about a Sunday night. Maybe people are very -- the people who | :48:21. | :48:26. | |
are cool have already gone! I was thinking about destiny, the thing | :48:27. | :48:32. | |
you did for while the beach was very heartfelt. And in a way, they made | :48:33. | :48:43. | |
it to the Pyramid Stage. -- Viola Beach. You never know what is | :48:44. | :48:49. | |
coming. None of us do. And it was trying to reflect. That is how I am | :48:50. | :48:54. | |
trying to live at the moment. What is nice is, all other family was | :48:55. | :49:01. | |
here. We had to e-mail them to say, is this OK? And they came down. That | :49:02. | :49:10. | |
bit made me like... I have never seen you so emotional! They were so | :49:11. | :49:19. | |
young. And I have seen lots of bands like that. Will you play Glastonbury | :49:20. | :49:24. | |
again? I think people probably need a break from us! Congratulations for | :49:25. | :49:30. | |
tonight. It was fantastic! What is next? I think we're going to go | :49:31. | :49:40. | |
to... Nathanial Ratliff? And the night sweats? Amazing last night, | :49:41. | :49:46. | |
the man who did the song, he was wearing cotton trousers to hear, it | :49:47. | :49:53. | |
was a song about sexual? Yes, brilliant! But not as brilliant as | :49:54. | :49:56. | |
the Daniel Radcliffe! -- Nathanial. Is macro love so strange, it would | :49:57. | :51:09. | |
never run out. # It is a common way to blame and hide the truth... # I | :51:10. | :51:22. | |
know that some will say. # It matters but little babe Ah but come | :51:23. | :51:30. | |
on and mean it to me. # I need it so bad I needed to try. | :51:31. | :51:36. | |
# Needed to fall I needed your love | :51:37. | :52:14. | |
# It now, say it's a game I know that some will say | :52:15. | :52:44. | |
# Ah mean it to me I need it so bad | :52:45. | :53:08. | |
# I needed your love I'm burning away | :53:09. | :53:18. | |
# I needed your love I'm burning away | :53:19. | :53:45. | |
APPLAUSE. Nathaniel Rateliff and The Night | :53:46. | :54:21. | |
Sweats. What did you think of Adele? Wonderful. She said you gave advice. | :54:22. | :54:27. | |
She said she would fall over at some point? That is what she told you? | :54:28. | :54:35. | |
That I said? We had a chat. She said it was invaluable advice! Headlining | :54:36. | :54:42. | |
tips! I just wanted to check that we were not wearing the same dress! | :54:43. | :54:45. | |
Mission accomplished! That is just about it! Let's have another day! | :54:46. | :54:52. | |
You are in a band. We have got a little tent. Lots of stuff on the | :54:53. | :55:01. | |
website. You can also download the BBC music app. You can watch any of | :55:02. | :55:06. | |
those performances whenever you like, in the bath, not in the car, | :55:07. | :55:11. | |
unless it is the back-seat! Or you have a chauffeur! That is it for | :55:12. | :55:16. | |
another year. Do you fancy it next year? Co-presenting? See you next | :55:17. | :55:22. | |
year! These are the highlights! Goodbye! | :55:23. | :55:40. | |
Visit macro there is a fire starting my heart. # I can see you Chris | :55:41. | :55:50. | |
Jones the group 's EU crystal clear. Is it grew seed how I needed every | :55:51. | :55:59. | |
piece of you. # Don't under arrest me at me, there are things that I | :56:00. | :56:06. | |
can do. -- underestimate me. # Reaching fever pitch, bringing me | :56:07. | :56:18. | |
out of the dark. Visit the grill the scars of your love remind me of us. | :56:19. | :56:25. | |
# They keep me thinking that we almost had it all. I can't help | :56:26. | :56:35. | |
feeling we could have had it all. # Rolling in the deep. # You had my | :56:36. | :56:48. | |
heart inside of your hand. # And you played it, to the beat. Visit macro | :56:49. | :57:03. | |
Baby, I have no story to be told. # But I've heard one on you And I'm | :57:04. | :57:12. | |
gonna make your head burn. # Think of me in the depths of your despair | :57:13. | :57:15. | |
Make a home down there As mine sure won't be shared. Visit macro The | :57:16. | :57:20. | |
scars of your love remind me of us. MUSIC: Toreador Song from Carmen | :57:21. | :59:04. | |
by Georges Bizet | :59:05. | :59:08. |