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This programme may contain strong language | :00:00. | :00:00. | |
Hello and welcome back the Glastonbury 2017, live on BBC Two. I | :00:00. | :00:22. | |
have dreaded Nick Grimshaw in for a younger, better looking model. Who | :00:23. | :00:27. | |
can blame you? You're only human. You have been on air for most of | :00:28. | :00:32. | |
your adult life. Pretty much, and it feels good. So we have loads of | :00:33. | :00:36. | |
great stuff to bring you. The excitement gathers towards the | :00:37. | :00:43. | |
headline act here. Foo Fighters. Del Amitri yeah. So we are going to find | :00:44. | :00:47. | |
out what is happening and get the atmosphere first-hand from our | :00:48. | :00:51. | |
lovely woman on the ground, Jo Whiley, who has been sent into the | :00:52. | :00:56. | |
mosh pit, which will not be a mosh pit because there was heavy | :00:57. | :01:02. | |
security. It will be controlled mosh pit. Let's hand over to our chum Jo, | :01:03. | :01:08. | |
who is scenting the atmosphere. Massive anticipation for the arrival | :01:09. | :01:12. | |
of the Foo Fighters. Absolutely. If I could, I would be in that mosh | :01:13. | :01:17. | |
pit. But you can sense the anticipation. The state is being | :01:18. | :01:21. | |
set, the music is being ramped up and the flags are flying. Palpable | :01:22. | :01:24. | |
excitement from Foo Fighters fans. The band will be on stage and I will | :01:25. | :01:31. | |
bring them to you at 9.40 fight. Back to you. Thanks, Jo! We ran over | :01:32. | :01:39. | |
there to hear what Jo was saying. She looked very colourful. Good to | :01:40. | :01:46. | |
be noticed in that crowd. So we ran over there and they said to get back | :01:47. | :01:50. | |
here. You have had about 30 seconds off since four o'clock this | :01:51. | :01:55. | |
afternoon. But I can't complain, because Glastonbury has been | :01:56. | :01:59. | |
spectacular. And we still haven't needed wellies. It is great, because | :02:00. | :02:03. | |
you can walk around the outer areas. I have been up to the Healing Field | :02:04. | :02:08. | |
and the stone circle, the places you can't be bothered going because it | :02:09. | :02:12. | |
is usually too much effort. A couple got married here at the Park Stage, | :02:13. | :02:17. | |
so congratulations. We wish you a long and happy life. Let's celebrate | :02:18. | :02:23. | |
with music from Mali by Songhoy Blues on the Park Stage, just here. | :02:24. | :02:47. | |
From earlier today just behind us on the Park Stage, Songhoy Blues. Now, | :02:48. | :06:35. | |
let's talk about Liam Gallagher because there is a lot to say. There | :06:36. | :06:42. | |
is. It sounds like he is launching his solo career. Journalists always | :06:43. | :06:46. | |
say, we have to watch Liam Gallagher in case that is the one time when | :06:47. | :06:52. | |
Noel comes on. This isn't it, but he is doing great things. He has | :06:53. | :06:57. | |
famously done stuff with Adele and has come back with a big sound. Some | :06:58. | :06:59. | |
new stuff now and maybe a classic. # When you're chained to the mirror | :07:00. | :07:36. | |
and the razor blade # Today's the day | :07:37. | :07:40. | |
that all the world will see # Walking to the sound of | :07:41. | :07:42. | |
my favorite tune # Tomorrow never knows | :07:43. | :07:50. | |
what it doesn't know too soon # Need a little time | :07:51. | :07:57. | |
to wake up, wake up # Need a little time | :07:58. | :08:09. | |
to rest your mind # You know you should | :08:10. | :08:13. | |
so I guess you might as well # You need a little time | :08:14. | :08:19. | |
to wake up, wake up # Need a little time | :08:20. | :08:27. | |
to wake up, wake up # When you're chained to the mirror | :08:28. | :09:08. | |
and the razor blade # Today's the day that all the world | :09:09. | :09:15. | |
will see # Walking to the sound of | :09:16. | :09:21. | |
my favorite tune # Tomorrow never knows | :09:22. | :09:28. | |
what it doesn't know too soon # Need a little time | :09:29. | :09:35. | |
to wake up, wake up # Need a little time | :09:36. | :09:42. | |
to rest your mind # You know you should | :09:43. | :09:48. | |
so I guess you might as well # You need a little time | :09:49. | :09:55. | |
to wake up, wake up # Need a little time | :09:56. | :10:05. | |
to wake up, wake up Thank you. Now we've got your | :10:06. | :11:03. | |
attention, we are going to get stuck into some new songs. | :11:04. | :11:26. | |
# You've been keeping paraphernalia, oh | :11:27. | :11:32. | |
# Anyone can see right through your eyes | :11:33. | :11:42. | |
# One day you'll shatter like a wall of glass | :11:43. | :12:04. | |
# One day you'll shatter like a wall of glass | :12:05. | :12:34. | |
# One day you'll shatter like a wall of glass | :12:35. | :13:13. | |
# One day you'll shatter like a wall of glass | :13:14. | :13:55. | |
# One day you'll shatter like a wall of glass | :13:56. | :14:15. | |
# One day you'll shatter like a wall of glass | :14:16. | :14:41. | |
CHEERING AND APPLAUSE Wall of Glass, new from Liam | :14:42. | :14:52. | |
Gallacher. A massive crowd wherever he goes. He still has a brooding | :14:53. | :14:56. | |
charisma. The man has still got it. My brother and I went to see him a | :14:57. | :15:01. | |
couple of weeks ago. It was just a worship fest. To see it times ten on | :15:02. | :15:05. | |
that stage, impressive. We're here for it, Liam. He played in | :15:06. | :15:10. | |
Manchester recently, it was like the return of a hero, such an exciting | :15:11. | :15:15. | |
night. Glad to have you back. We're going to catch up with Jo who had a | :15:16. | :15:20. | |
chat with him fresh off the stage. Welcome to our garden and to Liam, | :15:21. | :15:24. | |
who joins me now. How are you? Good, very good. You've come off the | :15:25. | :15:29. | |
stage. Bit spaced out. It's not a bad thing maybe. Why spaced out? | :15:30. | :15:33. | |
Just because you've been like held up in that room all day, so trying | :15:34. | :15:37. | |
to get into the zone and then you go out, loads of people there and | :15:38. | :15:41. | |
singing songs. It's pretty emotional thing. An extraordinary experience. | :15:42. | :15:48. | |
Yeah. It is extraordinary. I'll be right, I'll be back to my usual mad | :15:49. | :15:51. | |
self in half an hour. At the moment you're just a bit processing it. | :15:52. | :16:00. | |
Just locking spaced out and that jazz sheet isn helping. The stories | :16:01. | :16:07. | |
I've heard of people trying to come to see you, so many people trying to | :16:08. | :16:13. | |
see you. Dave from Foo Fighters couldn't get there. I like Dave man, | :16:14. | :16:17. | |
better luck next time. The fact that you were doing the gig and so many | :16:18. | :16:20. | |
people there, what was it like looking out to the audience? | :16:21. | :16:24. | |
Amazing, always nice to do. I'm made for big gigs, I'm made for small | :16:25. | :16:28. | |
ones as well, but the bigger the better. They don't scare me. Does | :16:29. | :16:32. | |
anything scare you? No. Losing my voice scares me. You know, you spend | :16:33. | :16:37. | |
your whole day sitting around thinking, is it going to be there | :16:38. | :16:40. | |
when you walk out. You think it's there. But it was there tonight, I | :16:41. | :16:45. | |
think. You know what I mean? That's the only thing I'm nervous about. | :16:46. | :16:49. | |
How did you prepare for this show? Lots of honey and apple cider | :16:50. | :16:56. | |
vinegar, just stuff like that. I'm behaving myself these days. You know | :16:57. | :17:00. | |
what I mean, as you get older, you just want to like, just - it's the | :17:01. | :17:05. | |
best thing ever being able to sing to loads of people. Got to behave a | :17:06. | :17:09. | |
bit now. It's time to take it seriously? Not too seriously. But | :17:10. | :17:13. | |
you've got to prepare like footballers do. But soon as the | :17:14. | :17:18. | |
gig's over, it's back to like being a scally wag. I imagine it was | :17:19. | :17:23. | |
exciting on stage and looking out and hearing people singing along. | :17:24. | :17:27. | |
What was the last song you did? Don't Look Back in Anger. I've never | :17:28. | :17:34. | |
done that before. Yeah, because like everyone's like that's their song | :17:35. | :17:37. | |
for the moment, with the shit that's going down in the world. I thought | :17:38. | :17:41. | |
if our kid's not going to do it for them, I'll do it for them. I did all | :17:42. | :17:45. | |
right. What are you doing after this, staying around? Yeah, I'm down | :17:46. | :17:50. | |
with the grime boys. Proper grime fan. I met wiley h, a chat about a | :17:51. | :17:56. | |
-- had a chat about a fight coming up. Met Stormzy. Heard about that | :17:57. | :18:00. | |
it's the new punk. I'm going to check it out. Then I'll pop over and | :18:01. | :18:05. | |
see the Foo Fighters. You reckon you can do this and be left alone, will | :18:06. | :18:09. | |
you be in disguise? No, not in disguise. Nice to be back playing | :18:10. | :18:12. | |
tunes to the beautiful people. Congratulations, well done Thank | :18:13. | :18:14. | |
you. Wow. He was on great form. He was. | :18:15. | :18:21. | |
Finger on the pulse. Down with the grime boys. He looks so well. Clean | :18:22. | :18:25. | |
shaven, good hair cut, really chatty. Drinking vinegar. Taking | :18:26. | :18:29. | |
care of himself these days. We like that, Liam. So from one wiley to | :18:30. | :18:34. | |
another, we go to the Godfather of grime. He tweeted earlier on how | :18:35. | :18:39. | |
overjoyed he was to be on the farm. Here he is from the Other Stage, | :18:40. | :18:44. | |
this is wiley. OK, let's go. | :18:45. | :19:15. | |
It quote the good man himself, he well and truly united the raver. | :19:16. | :21:45. | |
Wiley there. We were talking about a wedding which happened here. Can I | :21:46. | :21:50. | |
just say, hello to Janette and friends of jolly Joch, they got | :21:51. | :21:54. | |
married here. There's a plaque up in green fields. Jolly Joch is no | :21:55. | :21:58. | |
longer with us. Hi to you guys. Lots of love. We're getting into the live | :21:59. | :22:02. | |
music now. I've heard these guys rehearsing. They are brilliant. | :22:03. | :22:09. | |
Usually when they say The Fedz are here, it's not a good thing, but | :22:10. | :22:11. | |
this is. Enjoy, this is The Fedz. Hello people. Welcome to the sound | :22:12. | :22:30. | |
of The Fedz. # It's driving me wild, | :22:31. | :22:30. | |
our stars are in sync # So you know the smiles that | :22:31. | :22:36. | |
are coming your way # I'm reading the signs | :22:37. | :22:40. | |
and they're pointing my way # I tremble inside, | :22:41. | :22:48. | |
so I walk in the rain # Because you're making me shy even | :22:49. | :23:35. | |
when you're not here # Just bask in the sun | :23:36. | :23:42. | |
is the tenth minute # Your love's got me jumping | :23:43. | :23:50. | |
around, now I'm spinning around # Actions speak louder than words. | :23:51. | :24:43. | |
We should be close # Want to go close to when my pen | :24:44. | :24:47. | |
would write the sweet notes # The pen prize away | :24:48. | :24:51. | |
# It feels sad because my blue skies are grey | :24:52. | :24:55. | |
# Now my heart's full up # I thought that things would look | :24:56. | :24:56. | |
up # I said it so dad, what can I say | :24:57. | :25:00. | |
# You're the best I ever had. APPLAUSE | :25:01. | :25:53. | |
Thank you. Lovely stuff from The Fedz there. Thanks very much guys. | :25:54. | :25:57. | |
Brilliant. I wish we could join them you know? I think we'd fit in. Yeah. | :25:58. | :26:04. | |
Seamlessly. I might be just what they're missing off the frontline. I | :26:05. | :26:08. | |
think you more so than I. I think. So don't beat yourself up about it. | :26:09. | :26:11. | |
Thank you very much. That was amazing. Now all kinds of music at | :26:12. | :26:16. | |
Glastonbury, that's one of the joys of it. There's a variety. One thing | :26:17. | :26:20. | |
that people say is underrepresented over the years is metal and perhaps | :26:21. | :26:25. | |
extreme metal, denning metal and -- death metal and things like that. | :26:26. | :26:27. | |
They put that right on Thursday night. A label of that kind of music | :26:28. | :26:41. | |
brought it here. Let's see what happened here for Ear ache. | :26:42. | :26:46. | |
2017 a seminal moment for Glastonbury. The festival is | :26:47. | :26:51. | |
throwing open the fields for extreme metal. First up the band that | :26:52. | :27:00. | |
started it all. It's a bit loud! This is napalm | :27:01. | :27:12. | |
death. These are the daddies. These guys created the genre. Hey man, are | :27:13. | :27:30. | |
you all right, you just played Glastonbury myself. You are so wet. | :27:31. | :27:34. | |
Yeah. How do you think the crowd took, it man? Surprisingly, | :27:35. | :27:40. | |
actually. It's a para-Dom. Because whilst we don't deliberately set out | :27:41. | :27:45. | |
to shock people, needless to say the music's sonically violent. What | :27:46. | :27:50. | |
underpins it is peace, tolerance, equality, non-violence. We still get | :27:51. | :27:55. | |
a perverse kick out of like wrecking people's heads. You'll be pleased to | :27:56. | :27:58. | |
know that I'm basically deaf at the moment. Metallica may have headlined | :27:59. | :28:06. | |
the Pyramid Stage in 2014, but never before has metal at Glastonbury been | :28:07. | :28:11. | |
so extreme. As night fell Lucy took me to a whole new area dedicated to | :28:12. | :28:17. | |
metal's outer edges. Where are we? At the ear ache express in Shangri | :28:18. | :28:26. | |
La. A massive shindig with loads of bands to celebrate extreme metal. | :28:27. | :28:31. | |
Glastonbury has never had anything of this calibre. This is from the | :28:32. | :28:39. | |
death metal scene. It's a tribal uniform for the death metal crowd. | :28:40. | :28:44. | |
Is this a big thing in metal, looking scary? There's a | :28:45. | :28:49. | |
misconception that the metal community are really scary. Most | :28:50. | :28:52. | |
people have normal jobs, normal nine to five. It doesn't matter what walk | :28:53. | :28:57. | |
of life you're from, how old you are, what gender you are, so long as | :28:58. | :29:03. | |
you are happy in a mosh pit. We've got a band playing tonight | :29:04. | :29:08. | |
called Worm Rot. They're brutal. They've come all the way from | :29:09. | :29:13. | |
Singapore and they're Muslim. You look metal! | :29:14. | :29:33. | |
Extreme metal has finally made its way to Glastonbury after 30 years. | :29:34. | :29:39. | |
It's loud, and it's awesome! Long may it continue! Arghhh! I want to | :29:40. | :29:51. | |
hang out with him. Nice one. I think James Ballardie has gone native. | :29:52. | :29:54. | |
That's the beautiful thing about it, you leave real life at the gate. | :29:55. | :29:58. | |
Absolutely. Check into fairy land and take it where you like. | :29:59. | :30:01. | |
Inhibitions are left at the gate. Good man, James. We will catch up | :30:02. | :30:09. | |
with Yasser now who has been hanging out at cinema-geddon. I'm interested | :30:10. | :30:13. | |
to see this. I'm told it's like a drive-in cinema. Yeah a | :30:14. | :30:16. | |
drive-through of sorts, like the old days. Couples put their arms round | :30:17. | :30:20. | |
each other and enjoy the view. Here's Yasser. | :30:21. | :30:26. | |
Hi guys, yes, I'm here, Joe is with me, one of the artists. What's the | :30:27. | :30:30. | |
concept? The idea is it's like a mutated drive-in cinema. We've | :30:31. | :30:35. | |
parked all these cars out here and people come and sit there and put | :30:36. | :30:41. | |
the head phones on and watch the screen. That is the biggest screen | :30:42. | :30:45. | |
I've ever seen in my life. I didn't know they make them this big. It's | :30:46. | :30:49. | |
huge. What I love about this place, every car has its own | :30:50. | :30:52. | |
characteristics. Talk to us about that. This is the rolls rust. You | :30:53. | :31:00. | |
don't often see a rusty one. This is the royal car, which we drove Prince | :31:01. | :31:08. | |
Edward into the Olympic Stadium at the closing ceremony. That's the | :31:09. | :31:09. | |
glitter bug. The Messerschmitt over here. And | :31:10. | :31:25. | |
this is one of my favourites. This is just a car in a hole. Settled | :31:26. | :31:35. | |
down here, get your headphones. , As does the seats? Adjust them, turn on | :31:36. | :31:40. | |
the air conditioning. This is one of my favourite places in the whole of | :31:41. | :31:44. | |
Glastonbury. We are going to carry on and watch this film. Over to you | :31:45. | :31:46. | |
guys back in the studio. That was Yasser at the | :31:47. | :31:59. | |
Cineramageddon. Talking about having a choice of viewing, I spoke to my | :32:00. | :32:06. | |
family today. My wife said, we haven't seen it so far. We sat and | :32:07. | :32:11. | |
watched it last month, but the kid said, shall we watch love Island | :32:12. | :32:16. | |
instead? So thanks, that is where I am in the pecking order. Well, we | :32:17. | :32:21. | |
are here at Glastonbury and having a wonderful time. Well going to enjoy | :32:22. | :32:25. | |
some music now a guy who it is safe to say the whole of the scene is | :32:26. | :32:29. | |
rooting for and you will hear why. And with a heads up for some strong | :32:30. | :32:33. | |
language and strobe lighting, this is the incredible Stormzy. | :32:34. | :32:39. | |
Glastonbury, this is the upper stage. My name is Stormzy. You lot | :32:40. | :32:43. | |
have been fucking legendary. Let's go, man! Energy. I need way more | :32:44. | :32:58. | |
energy. I said Glastonbury, energy! One, two, one, two, three! | :32:59. | :33:20. | |
# Energy crew # Energy crew. | :33:21. | :33:21. | |
# You're getting way too big for your boots | :33:22. | :33:22. | |
# I've got the big size twelves on my feet | :33:23. | :33:24. | |
# Dem boy dere tried twist up the truth | :33:25. | :33:30. | |
# How dare you twist up the truth, look | :33:31. | :33:31. | |
# You're getting way too big for your boots | :33:32. | :33:32. | |
# I've got the big size twelves on my feet | :33:33. | :33:34. | |
# Dem boy dere tried twist up the truth | :33:35. | :33:38. | |
# Wanna come round here like a badboy? | :33:39. | :33:40. | |
# Bun all the talking, go on then, do it | :33:41. | :33:43. | |
# Running through the party, bottle of Bacardi | :33:44. | :33:44. | |
# Bro's in my ear saying "Stormz, don't do it" | :33:45. | :33:45. | |
# Devil on my shoulder, I don't lack | :33:46. | :33:46. | |
# Hit 'em with a crowbar, I don't scrap | :33:47. | :33:47. | |
# Even when I'm sober, I'm so gassed | :33:48. | :33:48. | |
# Say you ride but there's no car and no mash (what | :33:49. | :33:49. | |
# Never had a MAC-10 or a trey pound | :33:50. | :33:52. | |
# You were never bad then, you ain't bad now | :33:53. | :33:54. | |
# Never had the MAC then, little..., back down | :33:55. | :33:55. | |
# Wait, I saw bare kicks, saw bare clothes | :33:56. | :33:56. | |
# I don't like them, they're not my ting | :33:57. | :33:58. | |
# They went silent, they're all weirdos | :33:59. | :33:59. | |
# Mandem are calm, but you see my don there? | :34:00. | :34:02. | |
# Don't care who you know from my block | :34:03. | :34:04. | |
# You're not Al Capone, you'll get boxed | :34:05. | :34:05. | |
# I'll still do the road in my socks | :34:06. | :34:07. | |
# You're by yourself, go and group up | :34:08. | :34:15. | |
# And when Krept went States for the BETs | :34:16. | :34:17. | |
# I was covering Krept like a bootcut | :34:18. | :34:20. | |
# It's mad, that's a family ting, straight family ting | :34:21. | :34:21. | |
# Telling me to come round hers on a Valerie ting | :34:22. | :34:28. | |
# You're getting way too big for your boots | :34:29. | :34:38. | |
# I've got the big size twelves on my feet | :34:39. | :34:40. | |
# Dem boy dere tried twist up the truth | :34:41. | :34:46. | |
# How dare you twist up the truth, look | :34:47. | :34:53. | |
# I'm the man of the house and my shows sold out | :34:54. | :34:57. | |
# Like the brudda from the Boondocks | :34:58. | :34:58. | |
# Still steal meat from the stew pot | :34:59. | :35:00. | |
# Little man, that's a Hublot, not a Hublot | :35:01. | :35:02. | |
# I go mad, yeah, I'm down to die for this | :35:03. | :35:07. | |
# I don't care, bro, I'm down to pipe your chick | :35:08. | :35:09. | |
# Mad stressed so I'm bound to light my spliffs | :35:10. | :35:11. | |
# Man, I've got no time to write a diss | :35:12. | :35:15. | |
# I never left my 9 to 5 for this Wasteman ting | :35:16. | :35:16. | |
# I came here to relax but if it gets mad | :35:17. | :35:19. | |
Good news from Glastonbury. We can go back there and bring you Stormzy. | :35:20. | :36:20. | |
# Dem boy dere tried twist up the truth | :36:21. | :36:23. | |
# How dare you twist up the truth, look | :36:24. | :36:29. | |
Glastonbury, energy! Glasto, don't let me down, please, man. | :36:30. | :38:21. | |
# Duh, all of you MCs sound so bitter | :38:22. | :38:38. | |
# Shut down Wireless, shut down Twitter | :38:39. | :38:39. | |
# Anyone else wanna pay their dues? me, shame on you | :38:40. | :38:51. | |
# Imposters wanna take my tunes, check it | :38:52. | :38:53. | |
# Stiff Chocolate, yeah, my face so smooth | :38:54. | :38:54. | |
# Don't even talk too much, you're a talker | :38:55. | :38:56. | |
# Dem man still go halves on a quarter | :38:57. | :38:58. | |
# See me turn from a prince to a pauper | :38:59. | :39:00. | |
# Two cigarettes and a bottle of water | :39:01. | :39:03. | |
# Told the bouncers get the bottles in order | :39:04. | :39:04. | |
# Man in the kitchen putting in orders | :39:05. | :39:05. | |
# Stiff Chocolate, skin clear like water | :39:06. | :39:07. | |
# Smooth on this ting, start locking up daughters | :39:08. | :39:26. | |
The peoples champ, that was Stormzy on BBC Two. Apologies if you lost us | :39:27. | :40:03. | |
for a second. We are very much alive. Had a technical issue but | :40:04. | :40:07. | |
it's all good now. So the satellite went down during Stormzy, but we got | :40:08. | :40:11. | |
an engineer out equipped with a monkey wrench. That was a song by | :40:12. | :40:16. | |
someone, wasn't it? Was it the Foo Fighters? This is a well constructed | :40:17. | :40:20. | |
link that throws us to Jo Whiley in the pit. Let's see how the mood is | :40:21. | :40:22. | |
fermenting down there. The mood is ridiculous down here at | :40:23. | :40:43. | |
the moment. There is a lot of chanting and singing going along. | :40:44. | :40:45. | |
People are desperate for the band to come on stage. And they are very | :40:46. | :40:48. | |
excited. Let's hear the story of the Foo Fighters. It's been almost 20 | :40:49. | :40:50. | |
years since the Foo Fighters took to the stage at Worthy Farm. The last | :40:51. | :40:55. | |
Glastonbury appearance was way back in 1998. We are on the Main Stage, | :40:56. | :40:59. | |
but there was some Euro cup final soccer thing happening, so we played | :41:00. | :41:04. | |
in the pouring rain to not a lot of people. To each other. But over the | :41:05. | :41:09. | |
last two decades, the band have established themselves as the | :41:10. | :41:16. | |
princes of alternative rock. The Foos began life as Nirvana drummer | :41:17. | :41:21. | |
Dave Grohl's solo project of self penned songs. Stepping out from | :41:22. | :41:25. | |
behind the skin 's comedy played every instrument on their celebrated | :41:26. | :41:35. | |
self titled debut. # Tricky second album the colour and | :41:36. | :41:42. | |
shape spawned a rock outs... And singalong stadium anthems. Donatella | :41:43. | :41:51. | |
Hawkins was installed as the New Statesman. Taylor, the new drummer, | :41:52. | :41:59. | |
has given everything a new spot. And the Foos continued their journey to | :42:00. | :42:04. | |
sky-high stardom. They topped the UK charts in 2002 with fourth album one | :42:05. | :42:13. | |
by one. The band have bagged 11 Grammys. They have clocked up eight | :42:14. | :42:26. | |
studio albums. And have sold out stadiums across the globe. In 2015, | :42:27. | :42:34. | |
they were all set to headline the Pyramid Stage. But at a gig in | :42:35. | :42:40. | |
Sweden, Dave's online sat-nav had a blip, resulting in a lower limb | :42:41. | :42:46. | |
disaster. I think I just broke my leg. Nonetheless, he rocks on and | :42:47. | :42:52. | |
finished the show. We were looking forward to playing Glastonbury, and | :42:53. | :42:55. | |
I guess it was just a few days before that I broke my leg. So they | :42:56. | :43:01. | |
moved Florence to the headliner. And they did a version of times like | :43:02. | :43:09. | |
these. I remember I was in my wheelchair with my leg up, and I | :43:10. | :43:17. | |
heard it online and went, she is singing! Florence And The Machine | :43:18. | :43:21. | |
wowed the Somerset crowd, but the Foos promised to return. That the | :43:22. | :43:29. | |
festival. That's the one. Sa tonight, the stars have aligned and | :43:30. | :43:34. | |
finally, the Foo Fighters are rocking the Pyramid Stage. What it | :43:35. | :43:44. | |
meant to be? Of course it was. I think it's safe to say the Foos are | :43:45. | :43:48. | |
going to make a lot of people very happy tonight. It's kind of | :43:49. | :43:52. | |
emotional for him to get here finally. So here we go. Here is Jo | :43:53. | :43:59. | |
to set it all in motion. They are quite a rowdy bunch. The people down | :44:00. | :44:03. | |
here are waiting for Foo Fighters. But they are behaving themselves now | :44:04. | :44:07. | |
because they know Foo Fighters will be here imminently. Dave Grohl has | :44:08. | :44:12. | |
said this gig tonight has immense meaning. He said this one has more | :44:13. | :44:16. | |
meaning than any gig Foo Fighters have done before, that this is more | :44:17. | :44:19. | |
than a gig, this is personal. He said he was moved to tears when he | :44:20. | :44:23. | |
watched Florence And The Machine perform times like these when he had | :44:24. | :44:26. | |
a broken leg and could not be here to play on the Pyramid Stage. So he | :44:27. | :44:32. | |
has waited for two years to get back on two feat to be able to walk out | :44:33. | :44:36. | |
on this date and be able to perform and give Glastonbury the kind of | :44:37. | :44:41. | |
show they want. Of course, the band have been saying they have a lot of | :44:42. | :44:45. | |
friends, so we are excited to see what will be happening on stage. | :44:46. | :44:49. | |
There might be some colourful fireworks in the sky towards the end | :44:50. | :44:53. | |
of the set. And there will certainly be hit after hit. You have probably | :44:54. | :44:57. | |
heard that everybody here is in fine voice, so they will be singing along | :44:58. | :45:00. | |
to every song they know. The band are about to walk out on stage, so, | :45:01. | :45:06. | |
Saturday night, Glastonbury Festival, your Pyramid Stage | :45:07. | :45:08. | |
headliners. There might be some swearing. Of course there will be. | :45:09. | :45:13. | |
It is the Foo Fighters! They will be walking out now. Enjoy the whole set | :45:14. | :45:22. | |
and sing along wherever you are at home. This is going to be a lot of | :45:23. | :45:24. | |
fun. I'm about two years late tonight... | :45:25. | :46:24. | |
I'm sorry. CHEERING | :46:25. | :46:27. | |
Traffic was a bitch. Let me tell you something, for all | :46:28. | :46:41. | |
of you that were here in 2015... CHEERING | :46:42. | :46:54. | |
... I'm sorry I missed you. But I watched that show on my laptop, as I | :46:55. | :47:00. | |
was sitting in a wheelchair with a broken leg and it looked beautiful. | :47:01. | :47:05. | |
And my friend, Florence... CHEERING | :47:06. | :47:11. | |
... Got to headline that year, and I'm very happy that happened because | :47:12. | :47:20. | |
you know what, I thought she should have been headlining any way. | :47:21. | :47:32. | |
As I was sitting in my wheelchair, watching this show on TV, all of a | :47:33. | :47:42. | |
sudden she played a fucking Foo Fighters' song, man. Way better than | :47:43. | :47:51. | |
we've ever played a Foo Fighters' song, let me tell you! So I thought | :47:52. | :48:00. | |
I'd come out here and start the show tonight... Singing that song back to | :48:01. | :48:06. | |
Florence tonight. That's what I want to do. | :48:07. | :48:16. | |
# It's times like these you learn to live again | :48:17. | :49:10. | |
# It's times like these you give and give again | :49:11. | :49:16. | |
# It's times like these you learn to love again | :49:17. | :49:22. | |
# It's times like these, time and time again | :49:23. | :49:36. | |
# I'm a brand new sky to hang the stars upon tonight | :49:37. | :49:46. | |
# Do I stay or run away and leave it all behind? | :49:47. | :50:07. | |
# It's times like these you learn to live again | :50:08. | :50:18. | |
# It's times like these you give and give again | :50:19. | :50:24. | |
# It's times like these you learn to love again | :50:25. | :50:31. | |
# It's times like these, time and time again | :50:32. | :51:23. | |
# It's times like these you learn to live again | :51:24. | :51:39. | |
# It's times like these you give and give again | :51:40. | :51:42. | |
# It's times like these you learn to love again | :51:43. | :51:47. | |
# It's times like these, time and time again | :51:48. | :51:52. | |
# It's times like these you learn to live again | :51:53. | :51:56. | |
# It's times like these you give and give again | :51:57. | :52:02. | |
# It's times like these you learn to love again | :52:03. | :52:06. | |
# It's times like these, time and time again | :52:07. | :52:47. | |
Light them up. I want to see everybody! You ready? You ready? | :52:48. | :55:41. | |
It's going to be a long night, you know that! I think tonight we should | :55:42. | :02:10. | |
just play until they kick us off the stage. What do you think? | :02:11. | :02:12. | |
CHEERING We can do it! You know we can do it. | :02:13. | :02:19. | |
So now we're going to play some old songs. Songs from the first record. | :02:20. | :02:27. | |
CHEERING Songs from the second record. | :02:28. | :02:33. | |
CHEERING Songs from the third record. I like | :02:34. | :02:35. | |
that one. CHEERING | :02:36. | :02:38. | |
And the fourth record. CHEERING | :02:39. | :02:44. | |
How about the fifth one? CHEERING | :02:45. | :02:45. | |
How about the sixth one? CHEERING | :02:46. | :02:48. | |
What about the seventh one? CHEERING | :02:49. | :02:53. | |
Maybe we'll do something from the eighth one. | :02:54. | :02:57. | |
CHEERING Maybe we'll do something from the | :02:58. | :03:02. | |
ninth one, but you've not even fucking heard it yet. Let's shut it | :03:03. | :03:06. | |
up. # Oh, sweet ignition | :03:07. | :03:18. | |
be my fuse # You have no | :03:19. | :04:37. | |
choice you have to choose # You have no choice, | :04:38. | :04:39. | |
you have to choose # These rattled bones | :04:40. | :05:15. | |
and rubber bands # Looking for a dime | :05:16. | :05:35. | |
and found a quarter # But you can't | :05:36. | :05:41. | |
make me change my name # You'll never make | :05:42. | :05:43. | |
me change my name # Pay no mind now | :05:44. | :05:45. | |
ain't that something # You'll never make | :05:46. | :05:48. | |
me change my name # Pay no mind now | :05:49. | :07:18. | |
ain't that something You like rock and roll? | :07:19. | :10:56. | |
CHEERING You like rock and roll? | :10:57. | :11:06. | |
LOUD CHEERING. Me, too. Let's play some rock and | :11:07. | :11:10. | |
roll. Let's play some real rock and roll. Let's play some rock and roll | :11:11. | :11:17. | |
you can dance to. You want to dance with me? Come on and dance! I can | :11:18. | :11:22. | |
walk now! We can dance. I was just checking to make sure you | :11:23. | :13:51. | |
like to rock and roll. If you want to fucking Singh, you want to sing | :13:52. | :13:59. | |
with me, do both hands. We can do that. Who's got the backbeat? | :14:00. | :14:03. | |
Listen. CHEERING AND APPLAUSE | :14:04. | :16:29. | |
Hey! Hey! Hey! Hi. Ladies and gentlemen, I am going to say oh | :16:30. | :16:37. | |
yeah. I can see you. I have a question. How you doing, you doing | :16:38. | :16:47. | |
all right, all right? How many people seen the Foo Fighters play | :16:48. | :16:59. | |
before? Let me see. Not bad. It's more than Lithuania. How many people | :17:00. | :17:03. | |
have never seen the Foo Fighters play before? Let me see you, come | :17:04. | :17:11. | |
on. That's a lot of people. Let me introduce you to to Foo Fighters. | :17:12. | :17:15. | |
That is Chris on lead guitar, that guy right there. | :17:16. | :17:37. | |
I don't think Ted Nugent is very popular here, you, I know he is | :17:38. | :17:44. | |
popular in your heart, but give them something real. Give them like a... | :17:45. | :18:13. | |
Fucking show off! On the bass is Mr NateSt Mendell. A handsome man. You | :18:14. | :18:29. | |
going to give them something Nate? He's going to give you some of that. | :18:30. | :18:36. | |
He put the fun income the trunk. That is Nate right there. You can | :18:37. | :19:11. | |
feel it in your bones. That is Rami on keyboards right there. | :19:12. | :19:19. | |
It's a difficult solo to take, I have to be honest. | :19:20. | :19:21. | |
Unless... Oh, shit, come on. | :19:22. | :20:04. | |
You can see why he is in this band! Look at that, Pat Smear. You know | :20:05. | :20:10. | |
Pat. Pat. That's fucking Glastonbury right there, look at those people. | :20:11. | :20:20. | |
That is Glastonbury. They love ya. Pat doesn't do solos. | :20:21. | :20:47. | |
OK that's all he gets. That is all he's going to get. There's more | :20:48. | :21:01. | |
coming, don't worry. Last but not fucking least... | :21:02. | :21:12. | |
I know, he hates the attention, he's so modest and shy. That's Taylor | :21:13. | :21:26. | |
Hawkins on the drums right there. Howdy. How you all doing? This place | :21:27. | :21:35. | |
is fucking insane. That's a big show. That's a big one. Warm them up | :21:36. | :21:42. | |
Hawkin, give it to them right now, hit them hard. Ay-oh! Day-oh. That's | :21:43. | :22:03. | |
two Queen things already. We obviously love Queen. I mean, you | :22:04. | :22:07. | |
know, why not? The great thing about Taylor Hawkins is he has a really | :22:08. | :22:13. | |
tanned chest and he sings a song called Day in the Sun. You have to | :22:14. | :22:15. | |
hear that right now. # You just might | :22:16. | :23:08. | |
wear your welcome out # There's nothing | :23:09. | :23:11. | |
that you couldn't say # I think it's time | :23:12. | :23:13. | |
you walked this lonely road # You get so lost inside | :23:14. | :23:15. | |
your head # Are you looking | :23:16. | :23:23. | |
for someone to blame? # Looks like your bleeding | :23:24. | :23:25. | |
heart has already won # You're so afraid that | :23:26. | :23:44. | |
you are the only one # Don't be afraid cos | :23:45. | :23:50. | |
you're not the only one # Looks like your bleeding | :23:51. | :24:07. | |
heart has already won # Looks like your bleeding | :24:08. | :24:49. | |
heart has already won Taylor Hawkins on the drums. | :24:50. | :25:31. | |
CHEERING AND APPLAUSE # The day he heard | :25:32. | :26:10. | |
the lighting in the field # That night the Tallahatchie | :26:11. | :26:13. | |
took the wheel # And they're singing | :26:14. | :26:31. | |
like a bluebird in the round # That are tangled deep beneath | :26:32. | :27:11. | |
this southern ground # And you need blind | :27:12. | :27:27. | |
faith # Open your eyes, | :27:28. | :29:12. | |
step into the light # Can't you see | :29:13. | :29:56. | |
I've waited long enough # Can't you see | :29:57. | :31:54. | |
I've waited long enough # But still inside | :31:55. | :32:54. | |
a whisper to a liar # To sacrifice | :32:55. | :33:25. | |
but knowing to survive # The first to find | :33:26. | :33:28. | |
another state of mind # I'm on my knees | :33:29. | :33:32. | |
I'm waiting for a sign # Can't you see | :33:33. | :33:35. | |
I've waited long enough # Can't you see | :33:36. | :34:51. | |
I've waited long enough? I'd like to dedicate that last song | :34:52. | :36:03. | |
to my surgeon. CHEERING | :36:04. | :36:17. | |
Plastic surgeon. His name's James. I went to him and I said, I know I | :36:18. | :36:26. | |
have a broken leg, but could you make me look older? Voila! | :36:27. | :36:38. | |
This one's for you, James, and the last one. It's called These Days. | :36:39. | :36:48. | |
# The ground will drop out from beneath your feet | :36:49. | :37:00. | |
# Your heart will stop and play its final beat | :37:01. | :37:23. | |
# The clocks will stop and time won't mean a thing | :37:24. | :37:37. | |
# I'll bet, I'll bet I'll bet, I'll bet | :37:38. | :38:31. | |
# Your eyes will close and pray you'll disappear | :38:32. | :38:52. | |
# You will forget to hope and learn to fear | :38:53. | :39:07. | |
# I'll bet, I'll bet I'll bet, I'll bet | :39:08. | :39:45. | |
# Your heart will stop and play its final beat | :39:46. | :40:50. | |
CLACKING OF INCREASING VOLUME. Leave it to Glastonbury to have a | :40:51. | :42:14. | |
singalong in a place that never had a fucking singalong before! That's | :42:15. | :42:26. | |
not the next part. The next part... Is a bit like this. | :42:27. | :42:28. | |
# I'll bet, I'll bet I'll bet, I'll bet | :42:29. | :42:53. | |
It's time to get going. This 1's for the naked guy. | :42:54. | :44:11. | |
# Take those pictures down and shake it out | :44:12. | :44:13. | |
# Don't the best of them bleed it out | :44:14. | :44:51. | |
Do it for Emily. Let's hear it fucking loud. | :44:52. | :48:03. | |
CHEERING AND APPLAUSE All right. | :48:04. | :50:08. | |
I might change things up a little bit. | :50:09. | :50:24. | |
Let's hear my guitar. Hold on. You know you're at a Foo Fighters show | :50:25. | :50:32. | |
when it sounds like that. That's very good. OK. Ladies and | :50:33. | :50:39. | |
gentlemen, Dan, line them up, I have to see the people, you know I like | :50:40. | :50:48. | |
see the people. You guys doing all right? You doing | :50:49. | :50:59. | |
all right? We got lucky, man. That's a beautiful night. It's not so bad. | :51:00. | :51:12. | |
You know we like to work this like a roller coaster. We've got to hit you | :51:13. | :51:21. | |
hard for a little bit, then we got to bring you back, because if you | :51:22. | :51:30. | |
want, we could play all fucking night, I don't know. | :51:31. | :51:33. | |
CHEERING . What's the curfew? What is it? 12? | :51:34. | :51:46. | |
I don't know what it is. I'm not really asking permission for | :51:47. | :51:55. | |
anything right now. How about this? You all can stay and dance and have | :51:56. | :52:05. | |
a good time. We'll keep playing. You all can take a break. Come back, we | :52:06. | :52:12. | |
might still be playing. If you want one of those parties, | :52:13. | :52:18. | |
because... Ain't no party like a Foo Fighters party, that's the way I | :52:19. | :52:20. | |
like look at it. For the last month, everyone's been | :52:21. | :52:36. | |
asking, how's it feel? You going to headline Glastonbury, how's that | :52:37. | :52:39. | |
feel? This is it, you're going to headline Glastonbury, how does that | :52:40. | :52:43. | |
feel, you're going to do it. It's going to to be the big one, it's the | :52:44. | :52:47. | |
big one. This is it! And we got here tonight, | :52:48. | :52:59. | |
I walked in, walked in the side of the stage, I looked out at the | :53:00. | :53:04. | |
Glastonbury, how's that feel? This is it, you're going to headline | :53:05. | :53:06. | |
Glastonbury, how does that feel, you're going to do it. It's going to | :53:07. | :53:10. | |
to be the big one, it's the big one. This is it! And we got here tonight, | :53:11. | :53:13. | |
I walked in, walked in the side of the stage, I looked out at the | :53:14. | :53:15. | |
audience, Glastonbury, how's that feel? This is it, you're going to | :53:16. | :53:18. | |
headline Glastonbury, how does that feel, you're going to do it. It's | :53:19. | :53:21. | |
going to to be the big one, it's the big one. | :53:22. | :53:23. | |
This is it! And we got here tonight, I walked in, walked in the side of | :53:24. | :53:26. | |
the stage, I looked out at the audience, and I said, "We're going | :53:27. | :53:28. | |
to light that mother fucker up tonight." And, it look like a party | :53:29. | :53:31. | |
to me, right? So this is the slow dance. This is a couple's dance. | :53:32. | :53:34. | |
It's an old song we don't play very often. Because no-one likes it. | :53:35. | :53:38. | |
We'll see what happens. A song called wheels. | :53:39. | :53:45. | |
# Well I wanted something better, man | :53:46. | :54:46. | |
# Well you wanted something beautiful | :54:47. | :57:14. | |
Let me sing this one. I'm going to sing this one just with you. Are you | :57:15. | :58:19. | |
ready? Singalong. CHEERING | :58:20. | :59:53. | |
Ladies and gentlemen, we have a new record that nobody's fucking heard | :59:54. | :59:58. | |
yet. But we do have a song that maybe you heard. Want to play that | :59:59. | :00:08. | |
song, Chris? Let's do it. It's a new song. It's called Run. It sounds | :00:09. | :00:10. | |
like this. # Seems that all they ever wanted | :00:11. | :00:22. | |
was a brother # Even all the ever wanting | :00:23. | :05:52. | |
had a problem # Seems that all they ever wanted | :05:53. | :06:04. | |
was a marking # This is a call | :06:05. | :06:26. | |
to all my past resignations # Seems that all the cysts and | :06:27. | :06:44. | |
molluscs tend to barter # Even all the ones | :06:45. | :07:25. | |
who watered down the daughter # Seems that all they ever wanted | :07:26. | :07:32. | |
was a marking # This is a call | :07:33. | :08:38. | |
to all my past resignations # Ain't that the way | :08:39. | :08:55. | |
it always starts # Hey don't go | :08:56. | :10:43. | |
and turn the other way # Don't say there's | :10:44. | :11:03. | |
nothin more to say # You used to say | :11:04. | :11:08. | |
I couldn't save you enough # So I've been savin it up | :11:09. | :11:21. | |
I started savin it up # And when you said | :11:22. | :11:25. | |
I couldn't give you enough # I started given you up | :11:26. | :11:28. | |
I started given you up # You and what army | :11:29. | :11:34. | |
Arlandria, Arlandria? # Don't you remember | :11:35. | :12:01. | |
it was raining down you # Fame, fame, go away | :12:02. | :12:13. | |
come again so other day # You used to say | :12:14. | :12:33. | |
I couldn't save you enough # So I've been savin it up | :12:34. | :12:36. | |
I started savin it up # And when I said | :12:37. | :12:41. | |
I couldn't give you enough # I started given you up | :12:42. | :12:44. | |
I started given you up # You and what army | :12:45. | :12:49. | |
Arlandria, Arlandria? # My sweet Virginia | :12:50. | :13:04. | |
I'm the same as I was in your world # Fame, fame, go away, | :13:05. | :14:42. | |
come again some other day # You used to say | :14:43. | :15:17. | |
I couldn't save you enough # So I've been savin it up | :15:18. | :15:18. | |
I started savin it up # And when you said | :15:19. | :15:22. | |
I couldn't give you enough # I started giving you up | :15:23. | :15:25. | |
I started giving you up # You are not me | :15:26. | :15:30. | |
Arlandria, Arlandria CHEERING AND APPLAUSE | :15:31. | :16:19. | |
OK. I have a question, hold on, there's the peoples. | :16:20. | :16:24. | |
You guys need a break or you want to fucking keep it up? You want to keep | :16:25. | :16:30. | |
it up? You want to keep it up. I see you. You people want to keep it up | :16:31. | :16:35. | |
over there, right? You people want to keep it up over there right? Give | :16:36. | :16:41. | |
me one of those Ds. I need a D guitar. So here's what happens at | :16:42. | :16:49. | |
our show, we usually after an hour or two, we start looking at you, to | :16:50. | :16:54. | |
see what you want, so you want to keep it up? You want to keep it up. | :16:55. | :17:04. | |
Taylor, you want to keep it up? Rami you want to keep it up? Oh. Another | :17:05. | :17:17. | |
fucking chant. All right. Let's keep it up. This sausage's called Monkey | :17:18. | :17:23. | |
Wrench. # Don't want to be your monkey | :17:24. | :17:35. | |
wrench # Don't want to be your monkey | :17:36. | :18:09. | |
wrench Ong's called Monkey Wrench. | :18:10. | :22:55. | |
Let's bring that shit down. Take it down. Dan, turn out the fucking | :22:56. | :23:04. | |
lights. Don't like these lights. Let me see what you got. Give me | :23:05. | :23:09. | |
your lights. Come on, let me see it. Bring it on. | :23:10. | :23:21. | |
Fucking Emerson lake and Palmer over there, a green Laser. | :23:22. | :23:31. | |
I think I like it. All right. Let's do it like that. Do it like that? | :23:32. | :23:47. | |
Shake 'em. I want to see them. Shake them up. Shake it up. | :23:48. | :24:26. | |
Shake them. Come on. On. Let me see them. | :24:27. | :24:31. | |
Show them to me. Come on. All the way at back. Let me see them. Shake | :24:32. | :24:33. | |
them. Come on. | :24:34. | :24:35. | |
Woo. Keep going. Keep it going. Keep it | :24:36. | :25:06. | |
going. Come on, keep it going. Do it. Don't stop. Do it. You got | :25:07. | :25:14. | |
it. Yeah. Come on. I like it. | :25:15. | :25:39. | |
Don't turn those lights on, Dan. Here goes. | :25:40. | :25:47. | |
# Don't want to be your monkey wrench | :25:48. | :26:20. | |
# Don't want to be your monkey wrench | :26:21. | :27:32. | |
That was nice... You got a couple more songs, you want, you got a | :27:33. | :28:02. | |
couple more songs in you, I know you do. Let them out, I want to see you. | :28:03. | :28:10. | |
All right. You got one more, you got one more | :28:11. | :28:21. | |
in you, right? That's it? You fucking lightweights. One more | :28:22. | :28:30. | |
fucking song. You got two more fucking songs in you? You got three | :28:31. | :28:37. | |
more songs? I don't know. What you got? | :28:38. | :28:50. | |
Do we have ten more songs? All right. You know what, we will do it | :28:51. | :28:59. | |
if you fucking want us to do it, we'll do it. | :29:00. | :29:11. | |
Ten more songs? OK, ready. Happy Beth day to you... There's one. | :29:12. | :29:19. | |
-- birthday. OK, let's start here. How about | :29:20. | :29:38. | |
this? We'll see if we get ten. That's a long one. What have we got? | :29:39. | :29:44. | |
OK. How about this? I'm just going to play until they tell us to | :29:45. | :29:53. | |
fucking stop. How about that? Any of you ever Foo Fighters show? You know | :29:54. | :29:59. | |
that this shit could go on for a long fucking time. I understand that | :30:00. | :30:13. | |
the fucking EDM tent is going to be full by the time you get there. It's | :30:14. | :30:19. | |
OK. But right now, it's all about this and you and this and us. Let's | :30:20. | :30:32. | |
do and us think. How about we do something together? You want to | :30:33. | :30:39. | |
that? Let's do and thing. Remember that time we sang a song together? | :30:40. | :30:41. | |
You fucking will later. # I've got another | :30:42. | :30:49. | |
confession to make # Everyone's got their chains | :30:50. | :30:50. | |
to break # The best, the best | :30:51. | :30:53. | |
the best of you? # The best, the best | :30:54. | :31:10. | |
the best of you? # You gave me something | :31:11. | :31:20. | |
that I didn't have # Is someone getting the best | :31:21. | :31:37. | |
the best, the best, the best of you? # Is someone getting the best | :31:38. | :32:25. | |
the best, the best, the best of you? # The life, the love | :32:26. | :33:10. | |
you'd die to heal # The hope that starts | :33:11. | :33:18. | |
the broken hearts # Is someone getting the best | :33:19. | :33:21. | |
the best, the best, the best of you? # The best, the best | :33:22. | :33:34. | |
the best of you? OK. Guess what? This is exactly what | :33:35. | :37:45. | |
I fucking hoped would happen. Daniel, line them up. -- like them | :37:46. | :37:54. | |
up. Hey, Glastonbury. Thank you so much, you guys. It's been a | :37:55. | :38:02. | |
beautiful evening. Everybody tried to make us feel like this is the | :38:03. | :38:12. | |
most nerve-racking, biggest night of our entire lives. I'm not saying | :38:13. | :38:20. | |
goodbye, mother fucker, just so you know. Oh, shit. Never going to get | :38:21. | :38:38. | |
out of here! CROWD SINGING ALONG AGAIN. | :38:39. | :38:52. | |
If you guys seem that much, ten more songs will take three more hours. | :38:53. | :39:23. | |
You know that shit, right? All right. | :39:24. | :39:34. | |
CROWD CHANTING: Three more hours! Three more hours! | :39:35. | :39:41. | |
I mean, we can fucking do it? Get me that Yegor Meister, large. Can we at | :39:42. | :39:54. | |
least finish this fucking song, please? Jesus fucking come on! | :39:55. | :40:13. | |
# Well, I've got another confession my friend | :40:14. | :40:25. | |
# I'm getting tired of starting again | :40:26. | :40:33. | |
# Were you born to resist or be abused? | :40:34. | :40:44. | |
# Is someone getting the best the best, the best, the best of you? | :40:45. | :41:07. | |
# Has someone taken your faith? It's real, the pain you feel | :41:08. | :41:11. | |
# Is someone getting the best the best, the best, the best of you? | :41:12. | :41:43. | |
CROWD CONTINUES TO SING ALONG TO LAST SONG. | :41:44. | :42:15. | |
All right, all right, all right! Let's break this shit down for a | :42:16. | :42:26. | |
minute. Let me tell you, you are all crazy! | :42:27. | :42:32. | |
CHEERING You want to do a little dance with | :42:33. | :42:37. | |
me? Just, you know, check it out a little. -- shake it out a little. | :42:38. | :42:46. | |
Don't start counting, you fucking Foo Fighters people! Oh, and let me | :42:47. | :42:52. | |
tell you something. Yesterday, the day before yesterday, we were doing | :42:53. | :42:57. | |
an interview and someone said, you know you're not supposed to swear. | :42:58. | :43:07. | |
There is no swearing on Glastonbury. I was like, what the fuck is that | :43:08. | :43:13. | |
supposed to fucking mean? ! And then, I guess, Adele holds the | :43:14. | :43:20. | |
record for the most fucks in a Glastonbury. Now, I love Adele. But, | :43:21. | :43:32. | |
guess what. Fuck, fuck, fuck, fuck, fuck, fuck... | :43:33. | :43:43. | |
# Fuck, fuck, fuck, fuck, fuck, fuck # Fuck, fuck, fuck... OK, I think we | :43:44. | :43:51. | |
broke a record. I think it was 33. Fuck, shut -- dude, shut the fuck | :43:52. | :44:15. | |
up! This one is for the Foo Fighters bands. It's called Skin And Bones. | :44:16. | :44:25. | |
# Wind me up and watch me spin | :44:26. | :44:44. | |
# All worn out and nothing fits | :44:45. | :45:35. | |
Hey! I got a clock, I know the time. I'm fucking counting. Shut up! No | :45:36. | :51:07. | |
thank you. LAUGHTER | :51:08. | :51:14. | |
Taylor? Yes, do you want to sing a song? Sure. You want to sing a song | :51:15. | :51:20. | |
out from. Yes, come back here. I'm going to go back there, he's going | :51:21. | :51:27. | |
to come out here P We're going to lay down, we did this once before at | :51:28. | :51:30. | |
a nightclub, with 50 people there. How about some more Queen? We | :51:31. | :51:54. | |
obviously love Queen, you know that. I don't know how this mic works. | :51:55. | :52:02. | |
We're going do a song called under pressure. | :52:03. | :52:07. | |
When was the last time you saw Dave Grohl play the drums. | :52:08. | :52:23. | |
# Pressure, # Pressing down on me | :52:24. | :52:31. | |
# ming down on S you # Under pressure | :52:32. | :52:33. | |
# To bring the feeling down # Terror of knowing | :52:34. | :52:52. | |
# What this world is about # Watching your good friend | :52:53. | :52:54. | |
screaming # Let me out | :52:55. | :52:59. | |
# Tomorrow, | :53:00. | :53:17. | |
# Go Dave # These are the days | :53:18. | :53:32. | |
# People on the streets # People on the streets | :53:33. | :53:38. | |
# It's the terror of knowing what this world is about | :53:39. | :53:43. | |
# Watching some good friends scream let me out | :53:44. | :53:46. | |
# Tomorrow, | :53:47. | :53:59. | |
# One, two three # Turneded away from it all like a | :54:00. | :54:04. | |
blind man # Sat on a fence but it don't work | :54:05. | :54:10. | |
had been keep coming up with love # But it's so slashed and torn | :54:11. | :54:23. | |
# Oh, no # | :54:24. | :54:35. | |
Love, # | :54:36. | :54:40. | |
Give love one more chance, why don't you give love, give love give love | :54:41. | :54:54. | |
# Give love # Cause love's such an old fashioned | :54:55. | :54:57. | |
word # And lover dares you to care for | :54:58. | :55:00. | |
the people # On the edge of the night | :55:01. | :55:08. | |
# And love dares you to change our way | :55:09. | :55:11. | |
# Of caring about ourselves # This is our last dance | :55:12. | :55:20. | |
# This is our ourself | :55:21. | :55:39. | |
# Under pressure # Pressure. # | :55:40. | :55:58. | |
That's for your kids Rog. Yeah, yeah, yes. | :55:59. | :56:10. | |
I mean... Taylor. Yes. We got all these people we got all this time. | :56:11. | :56:30. | |
How about this? I know how much time we have. You know the Foo Fighters, | :56:31. | :56:44. | |
we always come back. You know that, right? Let me say, that tonight | :56:45. | :56:57. | |
everybody said this is the big one man, this is it. And I'm like, no, | :56:58. | :57:04. | |
that's not the big one. And I feel loose, I feel good and I feel like | :57:05. | :57:09. | |
this is the fucking big one, man, I'm into it. I feel like it's just | :57:10. | :57:19. | |
the way it should be. Are you telling me to stop? No, no, no. | :57:20. | :57:34. | |
What? I got one, right. I'd like to dedicate this song to someone named | :57:35. | :57:41. | |
Laura, who couldn't be here tonight. But we should all dance this one for | :57:42. | :57:46. | |
her, that's what I think. Thank you all for sticking round with our band | :57:47. | :57:52. | |
for 22 years. People that seen us play before, it's very nice of you, | :57:53. | :57:55. | |
thank you. And for all the people that have | :57:56. | :58:00. | |
never seen us play before, I hope you see us for the next 22 years | :58:01. | :58:08. | |
because we might be coming back. But this country has always been so good | :58:09. | :58:12. | |
to us this is where we cut our teeth, this is where we became a | :58:13. | :58:16. | |
band and if it weren't for you people in this place, we wouldn't be | :58:17. | :58:21. | |
here right now, so, thank you, all of our love to you, thank you so | :58:22. | :58:30. | |
much. It really is the best fucking job in the world. I worked in | :58:31. | :58:39. | |
Shaky's pizza, you don't want to do that. So we never really say | :58:40. | :58:41. | |
goodbye, we just say think. # I'm over my head | :58:42. | :59:14. | |
Out of her head she sang # If everything could ever feel | :59:15. | :00:10. | |
this real forever # If anything could ever be | :00:11. | :00:24. | |
this good again # The only thing | :00:25. | :00:30. | |
I'll ever ask of you # You've got to promise not to stop | :00:31. | :00:33. | |
when I say when, she sang... # Out of your head | :00:34. | :00:50. | |
Out of my head, I sang... # And I wonder | :00:51. | :01:15. | |
When I sing along with you # If everything could ever feel | :01:16. | :01:23. | |
this real forever # If anything could ever be | :01:24. | :01:29. | |
this good again # The only thing | :01:30. | :01:35. | |
I'll ever ask of you # You've got to promise not to stop | :01:36. | :01:37. | |
when I say when, she sang... # # If everything could ever feel | :01:38. | :01:51. | |
this real forever # If anything could ever be | :01:52. | :02:25. | |
this good again # The only thing | :02:26. | :02:31. | |
I'll ever ask of you # You've got to promise not to stop | :02:32. | :02:34. | |
when I say when, she sang... # Thank you so much! That was a | :02:35. | :02:57. | |
fucking beautiful night! Thank you! FEEDBACK FROM GUITAR AMPLIFIERS. | :02:58. | :05:00. | |
CROWD SING ALONG TO EARLIER SONG. Well, my word, the Pyramid Stage | :05:01. | :05:31. | |
falling silent after an epic set from the Foo Fighters. You can't say | :05:32. | :05:35. | |
they didn't give it their all. A long road to get here, but they had | :05:36. | :05:39. | |
everything there, even an accordion solo. Who was expecting that? The | :05:40. | :05:46. | |
full kit. Dave Grohl having the time of his life. What a bandes after the | :05:47. | :05:52. | |
disappointment two years ago when Florence stepped in, I'm sure they | :05:53. | :05:55. | |
were delighted with that, and a lovely tribute to Florence at the | :05:56. | :06:01. | |
start. Dedicating the first tractor was a nice touch. Be online for a | :06:02. | :06:06. | |
little while so, if you want to relive the set and the fireworks for | :06:07. | :06:10. | |
a little while, beautiful things from the Foo Fighters. Now we're | :06:11. | :06:16. | |
going over to the Other Stage, where Alt-J were headlining tonight, and | :06:17. | :06:20. | |
who would have thought that the understated sound of Alt-J would | :06:21. | :06:24. | |
headline the Other Stage at Glastonbury? Absolutely, but here | :06:25. | :06:27. | |
they are, bringing it to the Other Stage. We are Alt-J. | :06:28. | :06:34. | |
# Pool, summer, summer, pool, pool summer | :06:35. | :06:41. | |
# Hair the way the sun really wants it to be | :06:42. | :06:53. | |
# Whiskey soda, please, your G is empty | :06:54. | :06:56. | |
# Chairs, inflatables have sunk to the bottom | :06:57. | :07:00. | |
# Pool, summer, summer, pool, pool summer | :07:01. | :07:03. | |
# To the pool's bottom where we belong | :07:04. | :07:32. | |
# Callie, we're sinking like a bleeding stone | :07:33. | :07:39. | |
# All above crowd around so very loud | :07:40. | :07:45. | |
# My pool summer, summer, pool, summer vibes killed | :07:46. | :08:04. | |
# Lifeless back slaps the surface of the pool | :08:05. | :08:15. | |
# Pool killer, killer, pool, pool killer | :08:16. | :08:19. | |
# My pool summer, summer, pool, summer vibes killed | :08:20. | :08:45. | |
# She may contain the urge to run away | :08:46. | :10:08. | |
# But hold her down with soggy clothes and breezeblocks | :10:09. | :10:09. | |
# Cetirizine your fever?s gripped me again | :10:10. | :10:11. | |
# Never kisses all you ever send are full stops La la la la | :10:12. | :10:13. | |
# Do you know where the wild things go? | :10:14. | :10:14. | |
# They go along to take your honey La la la la | :10:15. | :10:17. | |
# Break down now, weep Build up breakfast now | :10:18. | :10:23. | |
# Let's eat, my love my Love love love La la la la | :10:24. | :10:25. | |
# The fear has gripped me but here I go | :10:26. | :10:30. | |
# Your hand grips hand as my eyes shut | :10:31. | :10:37. | |
# Ahhh ahhh ahhh ah ah Ahhh ahhh ahhh ah ah | :10:38. | :10:50. | |
# Do you know where the wild things go? | :10:51. | :10:52. | |
# They go along to take your honey La la la la | :10:53. | :10:56. | |
# Break down now, sleep Build up breakfast now | :10:57. | :11:01. | |
# Let's eat my love my Love love love La la la la | :11:02. | :11:03. | |
# She bruises coughs She splutters pistol shots | :11:04. | :11:05. | |
# But hold her down with soggy clothes and breezeblocks | :11:06. | :11:10. | |
My love, my love Love, love, la la la la | :11:11. | :11:15. | |
# The fear has gripped me but here I go | :11:16. | :11:21. | |
# Your hand grips hand as my eyes shut | :11:22. | :11:28. | |
# Ahhh ahhh ahhh ah ah Ahhh ahhh ahhh ah ah | :11:29. | :11:55. | |
# She may contain the urge to run away | :11:56. | :11:57. | |
# But hold her down with soggy clothes and breezeblocks | :11:58. | :12:01. | |
# Germolene disinfect the scene My love, my love, love, love | :12:02. | :12:07. | |
# Please don't go, I love you so My lovely | :12:08. | :12:18. | |
# Please don't go I'll eat you whole | :12:19. | :12:47. | |
# I love you so, I love you so I love you so | :12:48. | :12:50. | |
# Please don't go I'll eat you whole | :12:51. | :12:53. | |
# I love you so, I love you so I love you so, I love you so | :12:54. | :12:57. | |
# Please don't go I'll eat you whole | :12:58. | :12:59. | |
# I love you so, I love you so I love you so | :13:00. | :13:03. | |
# Please don't go I'll eat you whole | :13:04. | :13:06. | |
# I love you so, I love you so I love you so, I love you so | :13:07. | :13:10. | |
# Please don't go I'll eat you whole | :13:11. | :13:13. | |
# I love you so, I love you so I love you so | :13:14. | :13:15. | |
# Please don't go I'll eat you whole | :13:16. | :13:18. | |
# I love you so, I love you so I love you so, I love you so | :13:19. | :13:22. | |
# Please don't go I'll eat you whole | :13:23. | :13:25. | |
# I love you so, I love you so I love you so | :13:26. | :13:28. | |
# Please don't go I'll eat you whole | :13:29. | :13:32. | |
# I love you so, I love you so I love you so, I love you so. # | :13:33. | :13:41. | |
The adorably nerdy Alt-J, doing a brilliant job headlining the Other | :13:42. | :14:04. | |
Stage. I know what you mean, not every band can have a binary solo in | :14:05. | :14:11. | |
one of their recent songs, which they do, and also bust out a | :14:12. | :14:15. | |
glockenspiel in the middle of the set and do it confidently as a | :14:16. | :14:19. | |
headliner but why not. Add up against Foo Fighters as well. A | :14:20. | :14:25. | |
tough gig. Some live music now from Manchester. He bought a ticket for | :14:26. | :14:30. | |
Glastonbury, he is therefore a lovely time and he's been booked for | :14:31. | :14:34. | |
a couple of gigs, including one right now. This is Tom Walker. | :14:35. | :14:52. | |
# I'm going out tonight # You could come to mine, | :14:53. | :15:02. | |
# Probably get enough for the bus, # By what a time to be alive | :15:03. | :15:08. | |
# Four bottles down my neck, I'm feeling them fine | :15:09. | :15:14. | |
# Let's hear it for the good times # Been counting down | :15:15. | :15:20. | |
# Don't take us too long # Because our lives ain't like a | :15:21. | :15:25. | |
movie, # Of a song | :15:26. | :15:29. | |
# Counting our blessings # Because we got friends to lean on | :15:30. | :15:37. | |
# Got no money in our pockets # We're too busy getting drunk | :15:38. | :15:45. | |
# We just counting our blessings # | :15:46. | :15:47. | |
Just counting our blessings | :15:48. | :16:02. | |
# I'm busy playing five the, | :16:03. | :16:14. | |
# What a time to be alive # Fat Freddie's on the drop on | :16:15. | :16:17. | |
Spotify # So let's hear it for the good | :16:18. | :16:19. | |
times # Let's hear it for the good times | :16:20. | :16:25. | |
# And counting our blessings, # But I don't take us too long | :16:26. | :16:30. | |
# Because our lives ain't like a movie | :16:31. | :16:33. | |
# Of a Katy Perry song # And counting our blessings | :16:34. | :16:40. | |
# Because we got friend to lean on # | :16:41. | :16:44. | |
Got no money in our pockets # We're too busy getting drunk had | :16:45. | :16:48. | |
been we're counting our # And when the night is over | :16:49. | :16:54. | |
# Lay your head on purr shoulders # Glad I'm coming down with you | :16:55. | :17:04. | |
# Because nothing really matters # As long adds you're right here | :17:05. | :17:08. | |
here # Been counting our blessings | :17:09. | :17:15. | |
# Our lives ain't like a movie # Of a Katy Perry song | :17:16. | :17:18. | |
# Counting our blessings # Cause we got friends to lean on | :17:19. | :17:22. | |
# Got to Michelle Obama in our pockets | :17:23. | :17:32. | |
# We're too busy getting drunk # Just counting our blessings | :17:33. | :17:37. | |
# Just counting our, we're counting our blessings | :17:38. | :17:43. | |
# We're counting our blessings # Just counting our blessings | :17:44. | :17:50. | |
# Counting our, counting our blessings | :17:51. | :17:59. | |
# We're counting our blessings. # APPLAUSE | :18:00. | :18:06. | |
Thank you very much Tom for coming to play for us, Blessings, he is a | :18:07. | :18:10. | |
number one Foo Fighters fan. A massive Foo Fighters fan but you | :18:11. | :18:15. | |
have to watch a bit of it with us, thank you for coming. Really | :18:16. | :18:20. | |
appreciate it. We are up here at the park. You can see the ribbon tower, | :18:21. | :18:25. | |
this is a special part, this area was created by Emily ten years ago, | :18:26. | :18:29. | |
it is ten years old this year and this is a really cool part of the | :18:30. | :18:33. | |
site. All sorts of interesting stuff going on and we will check out the | :18:34. | :18:37. | |
headliners from the park stage, just behind us here, right now. This is | :18:38. | :18:40. | |
war paint headlining at the park tonight. | :18:41. | :19:49. | |
# Why you want to blame me for your troubles | :19:50. | :19:54. | |
# You better learn your lesson yourself | :19:55. | :20:00. | |
# Nobody ever has to find what's in my mind | :20:01. | :20:11. | |
tonight # Let tonight pass us by | :20:12. | :20:19. | |
# Do you really want to be the one to fight? | :20:20. | :20:21. | |
# # You better learn your lesson | :20:22. | :20:22. | |
yourself # Nobody ever has to find what's in | :20:23. | :20:24. | |
my mind tonight # Let tonight pass us by | :20:25. | :20:27. | |
# Do you really want to be the one to fight? | :20:28. | :20:30. | |
# And I said "You're better not to light that fire | :20:31. | :20:32. | |
# It will take you to the darkest part of the weather" | :20:33. | :20:34. | |
# What's matter # You hurt yourself? | :20:35. | :20:38. | |
# Open your eyes and there was someone else? | :20:39. | :20:44. | |
# No I've got you in the undertow # Now I've got you in the undertow | :20:45. | :20:55. | |
# Why you want to blame me for your troubles? | :20:56. | :20:57. | |
# You better learn your lesson yourself | :20:58. | :21:02. | |
# Nobody ever has to find out what's in my mind tonight | :21:03. | :21:08. | |
# Nobody ever has to find out | :21:09. | :21:17. | |
# What's in my mind tonight # Nobody in my mind | :21:18. | :21:31. | |
# I feel it in my heart tonight | :21:32. | :22:01. | |
# I lay on the floor # Pressing in my eyes | :22:02. | :22:07. | |
# Seeing little lights # Please light these decisions that | :22:08. | :22:10. | |
only one could make # I wanted to stay home but I went | :22:11. | :22:19. | |
# Running running running running from the troubles | :22:20. | :22:33. | |
# Running, running running from the troubles | :22:34. | :22:49. | |
# What's the matter? You hurt yourself? | :22:50. | :22:55. | |
# Opened your eyes and there was someone else? | :22:56. | :23:01. | |
# No I've got you in the undertow # No I've got you so | :23:02. | :23:08. | |
# Why you want to blame me for your troubles? | :23:09. | :23:14. | |
# Ah, ah, you better learn your lesson yourself had been nobody ever | :23:15. | :23:18. | |
has to find out what's in my mind tonight | :23:19. | :23:47. | |
# I went running running running from | :23:48. | :23:50. | |
the troubles # Running running running from the | :23:51. | :23:55. | |
troubles # Running running running from the | :23:56. | :23:59. | |
troubles # Running running running running | :24:00. | :24:04. | |
running running # Running running running | :24:05. | :24:06. | |
# Running running running... CHEERING AND APPLAUSE | :24:07. | :25:33. | |
Tonight's Parkhead liners war paint, playing here earlier this 've neck, | :25:34. | :25:38. | |
if you are unfamiliar with the Glastonbury experience, just behind | :25:39. | :25:42. | |
us you see flame, don't by a alarmed for those of you who haven't watched | :25:43. | :25:46. | |
before, that is the spider in Arcadia, it is just a giant scrap | :25:47. | :25:52. | |
metal arachnid that be strides the festival and belches flames into the | :25:53. | :25:56. | |
sky. I like that, a belch of flame. I like that. Who doesn't. We are | :25:57. | :26:02. | |
going to head over to the John Peel Stage, the headliners are the | :26:03. | :26:05. | |
wonderful Phoenix from France that, I have just released their new | :26:06. | :26:08. | |
album, and this is what they looked and sounded like tonight. | :26:09. | :26:51. | |
# Why you keep pretending that you wanna let go? | :26:52. | :26:55. | |
# Loud volume turn to low low low low low low | :26:56. | :27:07. | |
# What you want and what you do to me | :27:08. | :27:14. | |
# I'll take the trouble that you have in mind | :27:15. | :27:17. | |
# Once upon a time would take too long, long, long, long, long, long | :27:18. | :28:26. | |
# What you want and what you do to me | :28:27. | :28:32. | |
# I'll take the trouble let you have my mind | :28:33. | :28:38. | |
CHEERING French pop heroes Phoenix headlining | :28:39. | :30:27. | |
the John Peel tent tonight. Brilliant line up there actually. | :30:28. | :30:30. | |
You can check out anything you missed on the website. That's the | :30:31. | :30:36. | |
best place to go and catch up with anything that you might have missed. | :30:37. | :30:40. | |
If you are looking at us and wondering, why is there a beautiful | :30:41. | :30:46. | |
bearded gentleman betwixt you? Thanks, Lauren! There are now two. | :30:47. | :30:51. | |
Also, a pile of broken glass in front of you. Well, it will be clear | :30:52. | :30:56. | |
that we have reached the upsetting point of the evening when cabaret is | :30:57. | :31:01. | |
about to happen. People are visibly blanching around the studio at what | :31:02. | :31:07. | |
is about to occur. It is Mr Logan from Belfast. Where are you based? | :31:08. | :31:14. | |
Circus and theatre tents. What is happening next, Logi? I'm going to | :31:15. | :31:24. | |
show you a trick using the glass. Are you sure? I've seen this done | :31:25. | :31:29. | |
before. ... Right. OK, it's Glastonbury, it's fine. You know | :31:30. | :31:38. | |
what you're doing, right? We are ready, Logi, if you are. We are | :31:39. | :31:41. | |
going to do a single trip and need a volunteer. I'm up for it. First, the | :31:42. | :31:50. | |
glass. One of the things about the glass is you have to be very careful | :31:51. | :31:53. | |
on it. You can't just jump about or walk in and around. To start, you | :31:54. | :32:02. | |
want to be nice and slow. Evenly spreading your weight. If you start | :32:03. | :32:09. | |
jumping up and down and things like that, it can really damage your | :32:10. | :32:12. | |
feet, so nice and gentle. The trick with going to try and show off is | :32:13. | :32:18. | |
where I'm going to lie down on the glass and you're going to stand on | :32:19. | :32:27. | |
top of me. Are you sure? Yes. I am really upset. I am really upset | :32:28. | :32:35. | |
right now. And this is proper glass. This is all the glass that was | :32:36. | :32:40. | |
confiscated on the way in. At least it's gone to some good use. | :32:41. | :32:44. | |
Recycling, part of the Glastonbury ethos. Yes, you preserve your | :32:45. | :32:49. | |
modesty! He's all right. Be very careful in that whole area. | :32:50. | :33:00. | |
Oh, my goodness. I dislike this. What I'm going to get you to do, | :33:01. | :33:09. | |
you're going to stand up... Can I hold your beard? We can't hear you | :33:10. | :33:15. | |
with your beard there. I was saying... | :33:16. | :33:25. | |
UNCLEAR SPEECH. Are you sure you want me to stand on you? I'm a big | :33:26. | :33:32. | |
boy. Will you hold me, Lauren? Can I hold your hand? It's quite springy, | :33:33. | :33:42. | |
isn't it? Oh, that's nice. Perfect. You sure? Yeah. Oh! You all right? | :33:43. | :33:56. | |
I'm good. I don't like it! You are really wobbly, weirdly! Can we go to | :33:57. | :34:03. | |
storm the edge Stormzy? I think we should. OK, I'm going to come down | :34:04. | :34:13. | |
now, Logi. All right, let's go and check out Stormzy. He was on the | :34:14. | :34:14. | |
Other Stage earlier. I'm upset. In the way more energy. One, two, | :34:15. | :34:37. | |
three. # I've got the big size | :34:38. | :34:46. | |
twelves on my feet # Dem boy dere tried | :34:47. | :34:47. | |
twist up the truth # How dare you twist | :34:48. | :34:52. | |
up the truth, look # You're getting way | :34:53. | :34:53. | |
too big for your boots # I've got the big size | :34:54. | :34:55. | |
twelves on my feet # Dem boy dere tried | :34:56. | :35:02. | |
# Wanna come round here like a badboy? | :35:03. | :35:05. | |
# Bun all the talking, go on then, do it | :35:06. | :35:07. | |
# Running through the party, bottle of Bacardi | :35:08. | :35:08. | |
# Bro's in my ear saying "Stormz, don't do it" | :35:09. | :35:10. | |
# Devil on my shoulder, I don't lack | :35:11. | :35:11. | |
# Hit 'em with a crowbar, I don't scrap | :35:12. | :35:13. | |
# Even when I'm sober, I'm so gassed | :35:14. | :35:14. | |
# Say you ride but there's no car and no mash (what | :35:15. | :35:15. | |
# Never had a MAC-10 or a trey pound | :35:16. | :35:19. | |
# You were never bad then, you ain't bad now | :35:20. | :35:20. | |
# Never had the MAC then, little nigga, back down | :35:21. | :35:22. | |
# Wait, I saw bare kicks, saw bare clothes | :35:23. | :35:24. | |
# I don't like them, they're not my ting | :35:25. | :35:27. | |
# They went silent, they're all weirdos | :35:28. | :35:29. | |
# Mandem are calm, but you see my don there? | :35:30. | :35:34. | |
# Don't care who you know from my block | :35:35. | :35:37. | |
# You're not Al Capone, you'll get boxed | :35:38. | :35:39. | |
# I'll still do the road in my socks | :35:40. | :35:43. | |
# You're by yourself, go and group up | :35:44. | :35:52. | |
# And when Krept went States for the BETs | :35:53. | :35:54. | |
# I was covering Krept like a bootcut | :35:55. | :35:56. | |
# Ith mad, that's a family ting, straight family ting | :35:57. | :35:58. | |
# Telling me to come round hers on a Valerie ting | :35:59. | :36:03. | |
# Dem boy dere wanna chat about bars | :36:04. | :36:11. | |
# Wanna chat about crud but, but, but | :36:12. | :36:12. | |
# You're getting way too big for your boots | :36:13. | :36:14. | |
# I've got the big size twelves on my feet | :36:15. | :36:16. | |
# Dem boy dere tried twist up the truth | :36:17. | :36:22. | |
# How dare you twist up the truth, look | :36:23. | :36:24. | |
# You're getting way too big for your boots | :36:25. | :36:30. | |
# I'm the man of the house and my shows sold out | :36:31. | :36:36. | |
# Like the brudda from the Boondocks | :36:37. | :36:37. | |
# Still steal meat from the stew pot | :36:38. | :36:39. | |
# Little man, that's a Hublot, not a Hublot | :36:40. | :36:41. | |
# I go mad, yeah, I'm down to die for this | :36:42. | :36:45. | |
# I don't care, bro, I'm down to pipe your chick | :36:46. | :36:47. | |
# Mad stressed so I'm bound to light my spliffs | :36:48. | :36:48. | |
# Man, I've got no time to write a diss | :36:49. | :36:52. | |
# I never left my 9 to 5 for this Wasteman ting | :36:53. | :36:54. | |
# I came here to relax but if it gets mad | :36:55. | :36:57. | |
# Try tell me I'm way too big to rebel? | :36:58. | :36:59. | |
# Nah, man, you're never too big to rebel | :37:00. | :37:01. | |
# I was in the O2 singing my lungs out | :37:02. | :37:02. | |
# Rudeboy, you're never too big for Adele | :37:03. | :37:05. | |
# Leave my yard, blow a kiss to my girl | :37:06. | :37:07. | |
# Gotta keep trophies down at my mum's bit | :37:08. | :37:10. | |
# Man, I'm getting way too big for my shelf | :37:11. | :37:11. | |
# Man, I see bare MCs wanna sideline | :37:12. | :37:13. | |
# But I still got a couple bangers in the pipeline | :37:14. | :37:15. | |
# Man, I've got grown men @ing me bullshit | :37:16. | :37:17. | |
# You're getting way too old for the timeline | :37:18. | :37:19. | |
# You're getting way too old for a diss | :37:20. | :37:20. | |
# Get out the booth, go home to your son | :37:21. | :37:23. | |
# It's like man love put my name in a bar | :37:24. | :37:27. | |
# Random flight, get a plane to Qatar | :37:28. | :37:29. | |
# This year, I learnt how to take care of business | :37:30. | :37:31. | |
# Next year, I'll learn how to play the guitar | :37:32. | :37:33. | |
# You're getting way too big for your boots | :37:34. | :37:35. | |
# I've got the big size twelves on my feet | :37:36. | :37:37. | |
# Dem boy dere tried twist up the truth | :37:38. | :37:44. | |
# How dare you twist up the truth, look | :37:45. | :37:47. | |
# You're getting way too big for your boots | :37:48. | :37:48. | |
# I've got the big size twelves on my feet | :37:49. | :37:51. | |
# Dem boy dere tried twist up the truth | :37:52. | :37:58. | |
Have we all still got energy though, Glastonbury? | :37:59. | :38:26. | |
It was such a brilliant set. I was lucky enough to sneak out and watch | :38:27. | :38:33. | |
it from the front, Stormzy on the Other Stage earlier. If you're | :38:34. | :38:37. | |
watching earlier, there was a lot of talk on Twitter about how he broke | :38:38. | :38:41. | |
BBC Two with some technical difficulties, so we were reassuring | :38:42. | :38:46. | |
part of the set. Just a reminder that you can catch up with | :38:47. | :38:51. | |
everything on the website. Look, Logi is there and his back is | :38:52. | :38:56. | |
remarkably intact, but I just found a shard. We are glad you are OK. | :38:57. | :39:03. | |
Don't try this at home, because Logi is a professional, aren't you? Yes. | :39:04. | :39:08. | |
As professional as you can be when it comes to lying on glass so, if | :39:09. | :39:11. | |
you haven't done the training, don't do it. More music now, I think, and | :39:12. | :39:17. | |
it's actually music and an interesting part of the festival. | :39:18. | :39:22. | |
This is the fairground. Yasser is there filming kind of nocturnal | :39:23. | :39:28. | |
spectacular for us, which will be on TV for you tomorrow, but he popped | :39:29. | :39:32. | |
down earlier to check it out before the action kicks off. We are at the | :39:33. | :39:43. | |
un-fairground. What's going on? What is this? It began about eight years | :39:44. | :39:48. | |
ago, I suppose. Essentially, it's imagination. You can't deny the | :39:49. | :39:55. | |
liberty of imagination. You make it, build it and do it and nobody can | :39:56. | :40:00. | |
say anything about it. Every year, there is a different take on the | :40:01. | :40:03. | |
creative direction. What was it this year? This year we have Inky from | :40:04. | :40:12. | |
Bristol, a friend of ours. And they can do what they want on a large | :40:13. | :40:17. | |
scale. ... Coming here in the daytime, I've got to say that some | :40:18. | :40:22. | |
of these are quite creepy. My imagination can only guess what it's | :40:23. | :40:29. | |
like. Children love it! But what happens at night? This is like this | :40:30. | :40:36. | |
in the daytime. I think that lying bastards will be something to look | :40:37. | :40:41. | |
at. Drag the hippies out of the crowd and send them to heaven. -- | :40:42. | :40:49. | |
the flying busts will be something to look at. Thank you to Yasser, | :40:50. | :41:00. | |
having a lovely time while we are here. Eat out and about seeing what | :41:01. | :41:05. | |
is going on and we will hear from him later in the show. And more from | :41:06. | :41:10. | |
the un-fairground tomorrow. Time now for music from an artist making her | :41:11. | :41:12. | |
debut at Glastonbury. APPLAUSE | :41:13. | :45:01. | |
The fabulous sound there, her new album is out now. You play her or | :45:02. | :45:07. | |
your radio show? I haven't. It's a brand-new discovery I should have | :45:08. | :45:10. | |
caught her on later. Thank you for coming to play. We will head over to | :45:11. | :45:18. | |
the West Holt stage. A dumb of years ago her sister Beyonce headlined | :45:19. | :45:23. | |
Glastonbury but today it was about Solange. | :45:24. | :46:22. | |
# We used to kiss all night but now | :46:23. | :46:35. | |
it's just no use # | :46:36. | :46:39. | |
I'm # Tell me the truth boy | :46:40. | :46:47. | |
# Am I losing you for good # | :46:48. | :46:51. | |
I knew you waiting for the rest # That you can't J Paul Getty Museum | :46:52. | :46:54. | |
from me # Just treat me good and baby had | :46:55. | :46:58. | |
been I'll give you the rest of me # I'm not the one that you should be | :46:59. | :47:03. | |
be # Making your enemy. | :47:04. | :47:07. | |
# Tell me the truth boy # Am I losing you for good | :47:08. | :47:13. | |
# We used to kiss all night # But now it's just no use | :47:14. | :47:22. | |
# I don't know why I fight it | :47:23. | :47:28. | |
# Clearly we are through # Tell me the truth boy | :47:29. | :47:38. | |
# Am I losing you for good # | :47:39. | :47:40. | |
There's something and I know you taking it away from me | :47:41. | :47:43. | |
# I gave you everything # And now there's nothing left for | :47:44. | :47:45. | |
me # I'm not the one that | :47:46. | :47:49. | |
# You should be making your enemy # I'm not the one that you should be | :47:50. | :47:55. | |
# Be making your enemy push tell me the truth boy | :47:56. | :48:02. | |
# Am I losing you for good # We used to kiss all night | :48:03. | :48:10. | |
# But now it's just no use # I don't know why I fight it | :48:11. | :48:15. | |
# Clearly we are through # Tell me the truth boy | :48:16. | :48:19. | |
# Am I losing you for good # All right Glastonbury. I want to | :48:20. | :48:27. | |
see every able body with the drops. Everybody fucking dance. | :48:28. | :48:32. | |
# Tell me the truth boy # Am I lose you for good | :48:33. | :48:39. | |
# We used to kiss all night | :48:40. | :48:45. | |
# But now it's just no use # I don't know why I fight it | :48:46. | :48:52. | |
# Clearly we are through # Tell me the truth boy | :48:53. | :48:55. | |
# Am I Good # | :48:56. | :49:19. | |
We used to kiss all night # But now it's just no use | :49:20. | :49:22. | |
# I don't know why I fight it # Clearly we are | :49:23. | :49:36. | |
Thank you! Absolutely amazing, at the West Holt stage, such a | :49:37. | :49:48. | |
fantastic line up there, if I had to pick one stage to hang out at it | :49:49. | :49:51. | |
would be that one, don't forget anything you have missed you can | :49:52. | :49:56. | |
catch up with on the iPlayer and the website. And Foo Fighters did a | :49:57. | :50:03. | |
brilliant job tonight. Tomorrow it is about Ed Sheeran and Barry Gibb | :50:04. | :50:08. | |
son. We are back 6pm on BBC Two, tomorrow with Barry Gibb and a lot | :50:09. | :50:12. | |
of Chic. See you then. Let's get the party started. Come | :50:13. | :50:43. | |
# I said you wanna be startin' somethin' | :50:44. | :50:45. | |
# I said you wanna be startin' somethin' | :50:46. | :50:49. | |
# It's too high to get over Yeah-yeah | :50:50. | :50:52. | |
# It's too low to get under Yeah-yeah | :50:53. | :50:54. | |
# You're stuck in the middle Yeah-yeah | :50:55. | :50:57. | |
# It's too high to get over Yeah-yeah | :50:58. | :51:00. | |
# It's too low to get under Yeah-yeah | :51:01. | :51:01. | |
# You're stuck in the middle Yeah-yeah | :51:02. | :51:04. | |
# Someone's always trying to start my baby crying | :51:05. | :51:18. | |
# Saying you just wanna be startin' somethin' | :51:19. | :51:21. | |
# I said you wanna be startin' somethin' | :51:22. | :51:23. | |
# I said you wanna be startin' somethin' | :51:24. | :51:27. | |
# It's too high to get over Yeah-yeah | :51:28. | :51:31. | |
# It's too low to get under Yeah-yeah | :51:32. | :51:33. | |
# You're stuck in the middle Yeah-yeah | :51:34. | :51:35. | |
# It's too high to get over Yeah-yeah | :51:36. | :51:39. | |
# It's too low to get under Yeah-yeah | :51:40. | :51:40. | |
# You're stuck in the middle Yeah-yeah | :51:41. | :51:42. | |
# You love to pretend that you're good | :51:43. | :52:50. | |
# Someone's always trying to keep my baby crying | :52:51. | :52:50. | |
# I said you wanna be startin' somethin' | :52:51. | :52:54. | |
# I said you wanna be startin' somethin' | :52:55. | :52:58. | |
# I don't know what's going to happen to you, baby | :52:59. | :54:52. | |
# You walk around this town with your head all up in the sky | :54:53. | :54:57. | |
# You walk around this town with your head all up in the sky | :54:58. | :55:17. | |
# Chic your body down # You're the spark that lit | :55:18. | :56:22. | |
the fire inside of me # I need to do just something | :56:23. | :56:24. | |
to get closer to your soul # Down, down, down | :56:25. | :56:57. | |
# Way down # Shake it down | :56:58. | :57:02. | |
say yeah. Say yeah. I want everybody, and I mean everybody, to | :57:03. | :58:14. | |
put one hand like this, come on, come on. Everybody. Everybody. Like | :58:15. | :58:21. | |
this. Yeah, everybody. Let's do it like this. Come on. Come on. Come | :58:22. | :58:27. | |
on. Move your arms. Come on. # Shake your body | :58:28. | :58:58. | |
# Shake your body # Shake your body | :58:59. | :59:20. | |
# Your lovely body # Shake your body | :59:21. | :59:26. | |
# Your lovely body. # Shake your booty, your lovely | :59:27. | :59:40. | |
booty CHEERING AND APPLAUSE | :59:41. | :59:42. |