Browse content similar to Day 2: Live and Highlights. Check below for episodes and series from the same categories and more!
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When can a player Coldplay, no question. When blur reformed and it | :00:00. | :00:13. | |
was lashing down with rain. When can you get Bohemian Rhapsody. Everyone | :00:14. | :00:19. | |
gave him a bit of jib. # Mamma #. | :00:20. | :00:24. | |
Lionel Richie was my favourite televisual moment. It's definitely | :00:25. | :00:30. | |
Dolly Parton. A very sensual woman. When Adele local boundaries and then | :00:31. | :00:35. | |
started walking amongst the audience. I've had the best | :00:36. | :00:39. | |
Glastonbury is watching from home on my sofa. | :00:40. | :00:56. | |
Hello, everybody and welcome to date two of the world's best Festival, | :00:57. | :01:02. | |
Glastonbury Festival, hearing quite glorious Somerset. Look at this | :01:03. | :01:07. | |
weather. Bathed in sunshine, it's beautiful, it's been a great day | :01:08. | :01:11. | |
here, is always running the full musical gamut from Thundercat right | :01:12. | :01:15. | |
through the Craig David who killed it on the Pyramid Stage. Closely | :01:16. | :01:21. | |
followed by Jeremy Corbyn. It's been quite a day and we're going to be | :01:22. | :01:25. | |
bringing you as much of the action as possible. Later on the night | :01:26. | :01:29. | |
you'll see Katy Perry and also the headline is on the Pyramid Stage, | :01:30. | :01:32. | |
Foo Fighters. But now, we have something quite lovely for you. Yes, | :01:33. | :01:38. | |
we do. We are going to check out some action from the Pyramid Stage | :01:39. | :01:41. | |
in a few minutes' time with Jools Holland and his orchestra but before | :01:42. | :01:46. | |
we go there, the story so far off Glastonbury 2017. | :01:47. | :01:54. | |
# I don't care if you're young or old | :01:55. | :02:24. | |
# You oughtta get together and let the good times roll | :02:25. | :02:30. | |
# You got to go out and spend some cash | :02:31. | :02:36. | |
# Well it makes no difference whether you're young or old | :02:37. | :02:46. | |
# All you got to do is get together | :02:47. | :02:48. | |
APPLAUSE That's why it's the best festival in | :02:49. | :03:21. | |
the world. Also, our predictions were right. I think it's going to be | :03:22. | :03:25. | |
a welly free Glastonbury. They two and I've not had sight of a welly | :03:26. | :03:30. | |
near my foot yet. It's been welly free so far, but I feel that's the | :03:31. | :03:34. | |
one area where I am superstitious. You need to bring your waterproofs, | :03:35. | :03:38. | |
just in case. I caught up with Jools Holland earlier today. He hadn't | :03:39. | :03:43. | |
brought any. It was slightly worried. The rain that was starting | :03:44. | :03:47. | |
at the beginning of his set, the clouds parted and it was sunshine | :03:48. | :03:51. | |
all round. This is Jools Holland and his orchestra and Ruby Turner and | :03:52. | :03:58. | |
let the good times roll. Are you ready? Please welcome Ruby Turner. | :03:59. | :04:20. | |
# I don't care if you're young or old | :04:21. | :04:36. | |
# You oughtta get together and let the good times roll | :04:37. | :04:42. | |
# You got to go out and spend some cash | :04:43. | :04:48. | |
# Well it makes no difference whether you're young or old | :04:49. | :05:01. | |
# All you got to do is get together | :05:02. | :05:03. | |
# Well it makes no difference whether you're young or old | :05:04. | :06:07. | |
# All you got to do is get together | :06:08. | :06:08. | |
# I got a dollar and a quarter and I'm just ringing the clock | :06:09. | :06:20. | |
# But don't let no female play me cheap | :06:21. | :06:25. | |
# He's got 50 cents more than I'm gonna keep | :06:26. | :06:27. | |
# I tell y'all I'm gonna let the good times roll now | :06:28. | :06:32. | |
# Well it don't make no difference if you're young or old | :06:33. | :06:34. | |
# All you got to do is get together and let the good times roll | :06:35. | :06:40. | |
# Hey no matter whether, rainy weather | :06:41. | :06:45. | |
# If you want to have a ball you got to get yourself together | :06:46. | :06:52. | |
CHEERING AND APPLAUSE Thank you. I'm going to leave you | :06:53. | :07:18. | |
with this. I hope you have a beautiful Glastonbury, a beautiful | :07:19. | :07:23. | |
place, beautiful time. # When I get tired | :07:24. | :07:32. | |
# But I know # But I long to belong | :07:33. | :07:59. | |
# # The night is as... | :08:00. | :08:18. | |
# No more sadness, no sorrow # No trouble I shall see | :08:19. | :08:33. | |
# There will be peace in the valley for me | :08:34. | :08:42. | |
# Well but there will be gentle # Under walls will be tame | :08:43. | :08:46. | |
# And the Lion shall lay down by the Lamb | :08:47. | :08:52. | |
# And the beasts from the wild # Shall be lit by a child | :08:53. | :08:56. | |
# And I'll be changed, changed from this creature that I am | :08:57. | :08:59. | |
# Oh yes # There will be peace in the valley | :09:00. | :09:05. | |
for me # Sunday | :09:06. | :09:11. | |
# There will be peace in the valley # For me, O Lord, I pray | :09:12. | :09:18. | |
# There will be no sadness, no sorrow | :09:19. | :09:20. | |
# No trouble I shall see # There will be peace in the valley | :09:21. | :09:27. | |
for me. # There will be peace in the valley | :09:28. | :09:33. | |
floor may someday # They'll be peace in the valley for | :09:34. | :09:48. | |
me, O Lord, I pray # There will be no sadness, no | :09:49. | :09:51. | |
trouble icy # There will be peace in the valley | :09:52. | :10:04. | |
for me # There will be peace in the valley | :10:05. | :10:11. | |
for me, someday # There will be no sadness, no | :10:12. | :10:16. | |
sorrow, no trouble icy # There will be peace in the valley | :10:17. | :10:26. | |
for me #. Peace on earth, in the valley, let | :10:27. | :10:31. | |
there be peace in the valley, Lord, let there be peace, let there be | :10:32. | :10:34. | |
peace, let there be peace! Amen. | :10:35. | :10:52. | |
CHEERING AND APPLAUSE I love that. So, so good. I kind of | :10:53. | :10:57. | |
want jewels to play every single year but it's the first time he's | :10:58. | :11:02. | |
been at Glastonbury since 2005. Where have you been? What a storming | :11:03. | :11:06. | |
set, fantastic crowd for them and we have some live music for you right | :11:07. | :11:10. | |
now, in our beautiful verdant cow filled garden. I'm delighted to | :11:11. | :11:14. | |
welcome Glenn Tilbrook and Chris Difford, overdue. -- over to you. | :11:15. | :11:26. | |
Oh... Yes, the Cabu. Houghton Mendis. Love that. Great work. Up | :11:27. | :14:17. | |
the Junction has always been a favourite, but I never knew it was | :14:18. | :14:21. | |
missing and orchestra and it's so obviously is. It was with as and | :14:22. | :14:31. | |
where did these guys come from? They are masters of the kazoo. They were | :14:32. | :14:35. | |
playing on the field, I said, look, would you fancy the end of up the | :14:36. | :14:42. | |
Junction withers and here they are. Amazing, extraordinary. Wonderful | :14:43. | :14:45. | |
stuff. Any plans to record with these guys in the future? We are | :14:46. | :14:50. | |
just finishing an album now. I'm really looking forward to it. | :14:51. | :14:54. | |
I think you have one more show to come. We are playing the acoustic | :14:55. | :15:01. | |
stage element -- any minute now. Are they going with you? Hopefully. It | :15:02. | :15:07. | |
is an acoustic instrument. Totally. We are going to hand over to the | :15:08. | :15:12. | |
Pyramid Stage, where earlier on, sadly without a kazoo, Craig David | :15:13. | :15:17. | |
was performing. It was he was missing, to be fair. -- you might | :15:18. | :15:21. | |
know this. # In front of me stood a beautiful | :15:22. | :16:02. | |
woman with a beautiful body # She asked me for the time | :16:03. | :16:06. | |
# She declined # Was it for real? Dam sure | :16:07. | :16:16. | |
# It felt pretty good # She couldn't wait | :16:17. | :16:25. | |
# She said she loved you # | :16:26. | :16:51. | |
And on Thursday Friday Saturday we chilled on Sunday -- | :16:52. | :17:04. | |
Ooh I loved the way she kicked it from the front to back she flipped | :17:05. | :17:09. | |
hope that she'd care cos I'm a man who'll always be there | :17:10. | :17:23. | |
From the first impression girl hmm you don't seem to be like that | :17:24. | :17:26. | |
Cos there's no need to chat for there'll be plenty for that | :17:27. | :17:29. | |
From the subway to my home endless ringing of my phone | :17:30. | :17:32. | |
When you feeling all alone all you gotta do | :17:33. | :17:34. | |
Monday took her for a drink on Tuesday | :17:35. | :17:46. | |
we were making love by Wednesday and on Thursday Friday Saturday | :17:47. | :17:49. | |
we chilled on Sunday I met this girl on Monday | :17:50. | :17:51. | |
took her for a drink on Tuesday we were making love by Wednesday | :17:52. | :17:54. | |
and on Thursday Friday Saturday we chilled on Sunday | :17:55. | :18:02. | |
Since I met this special lady ooh yeah | :18:03. | :18:13. | |
I can't get her of my mind She's one of a kind | :18:14. | :18:16. | |
It's a special kinda thing with you-oh | :18:17. | :18:33. | |
took her for a drink on Tuesday we were making love by Wednesday | :18:34. | :18:36. | |
and on Thursday Friday Saturday we chilled on Sunday | :18:37. | :18:38. | |
I met this girl on Monday took her for a drink on Tuesday | :18:39. | :18:41. | |
we were making love by Wednesday and on Thursday Friday Saturday | :18:42. | :18:45. | |
# Oh, girl, oh, girl # Monday, took her for a drink on | :18:46. | :19:06. | |
Tuesday # We were making love by Wednesday | :19:07. | :19:10. | |
# And on Thursday and Friday, yeah... | :19:11. | :19:21. | |
# Saturday, oh, on Saturday # Yeah, we chilled on Sunday. | :19:22. | :19:40. | |
# Took her for a drink on Tuesday # We were making love by Wednesday | :19:41. | :19:49. | |
# And on Thursday and Friday and Saturday, we chilled on Sunday | :19:50. | :20:13. | |
So I went in Then we sat down start kissing | :20:14. | :20:52. | |
Caressing Told me about Jacuzzi Sounded interesting | :20:53. | :20:54. | |
So we jumped right in All calls diverted to answer phone | :20:55. | :20:57. | |
Please leave a message after the tone | :20:58. | :21:01. | |
I mean me and her Her Parents were kinda cool | :21:02. | :21:04. | |
But they were the fine line between me and you | :21:05. | :21:08. | |
We were just doing things young people in love do | :21:09. | :21:11. | |
Parents trying to find out what we were up to | :21:12. | :21:14. | |
Saying parents trying to find out what we were up to, ooh yeah | :21:15. | :21:25. | |
# Saying why were you creeping around late last night | :21:26. | :21:28. | |
# Why did I see two shadows moving in your bedroom light | :21:29. | :21:39. | |
# Saying why were you creeping around late last night | :21:40. | :22:07. | |
I been doing this since I was 16 Been a few years let's call it 16 | :22:08. | :22:11. | |
A brand new flow for 2016 Seen it's like I'm living a dream | :22:12. | :22:14. | |
1999 when I first came on the scene Skinny young breh | :22:15. | :22:16. | |
from out of Southampton With a bunch of melodies for days, | :22:17. | :22:19. | |
Lean and mean, embodied the whole scene | :22:20. | :22:22. | |
Packing on muscle like bars of protein | :22:23. | :22:23. | |
Crushing every microphone that I be holding | :22:24. | :22:25. | |
'Cos you know I be training dirty but same time keeping it clean | :22:26. | :22:30. | |
# Glastonbury, can I break it down? # Let me break this down | :22:31. | :22:35. | |
# Can I break it on down? # Whenever the coast was clear | :22:36. | :22:41. | |
and she'd ask me to come out # I'd say, "Hey, girl, | :22:42. | :22:45. | |
come on right around" # I was standing with the keys | :22:46. | :22:47. | |
in my hand to the 4x4 # Jumped in my ride, | :22:48. | :22:52. | |
checkin' that nobody saw # We got down bounced | :22:53. | :22:54. | |
bounced to the rhythm # So I gave you my | :22:55. | :22:57. | |
jacket for you to hold # Told you to wear it | :22:58. | :23:03. | |
'cause you felt cold # I mean me and her didn't | :23:04. | :23:05. | |
mean to break the rules # I weren't trying to play your | :23:06. | :23:08. | |
mum and dad for fools # We were just doing things | :23:09. | :23:11. | |
young people in love do # Parents tryna find | :23:12. | :23:14. | |
out what we were up to # Saying why can't you keep | :23:15. | :23:16. | |
your promises no more # Why were you creeping round? | :23:17. | :23:35. | |
# Can you fill me in? # Why were you creeping, why were | :23:36. | :23:40. | |
you creeping round? # Ken Duke fill me in? | :23:41. | :23:42. | |
# Why, why were you creeping round? Craig David, and the Craig Davies | :23:43. | :24:34. | |
renaissance absolutely killing it on the pyramid stage to the biggest | :24:35. | :24:38. | |
crowd of the day. -- Craig David renaissance. Maybe even more than | :24:39. | :24:45. | |
Radiohead last night? Who knows. Smokers whos. You can't have | :24:46. | :24:54. | |
everything. -- but no Cazorlas. Next, a magical mystery tour of the | :24:55. | :24:55. | |
Glastonbury site. Two days before the gates open, we | :24:56. | :25:07. | |
have a number of tours going round the site that Michael Foster and I | :25:08. | :25:11. | |
help out for some of the more senior members of the community, so this | :25:12. | :25:16. | |
morning we've got the Happy Circle from Pilton. I've been in the | :25:17. | :25:22. | |
village for over 150 years, my family, so we are local people. We | :25:23. | :25:32. | |
were here in the first place. My name is Rodney. I've lived in the | :25:33. | :25:36. | |
village for over 40 years. I've been here since it started, but driving | :25:37. | :25:42. | |
the coach, I expect 22 years. Part of the scenery, really. It's almost | :25:43. | :25:51. | |
two and a half miles east to west and a mile north to south, but I | :25:52. | :25:56. | |
think what fascinates them is the scale of the organisation. I know | :25:57. | :26:01. | |
all of these people. That's good, isn't it? | :26:02. | :26:02. | |
LAUGHTER Oh, here we are again. Right-hand | :26:03. | :26:11. | |
side, campsites as far as you can see. The John Peel tent. It's all | :26:12. | :26:17. | |
trendy, and I'm not that trendy any more. Well, that is a matter of | :26:18. | :26:24. | |
opinion, I suppose! Driving down towards the main arena. Ed Sheeran, | :26:25. | :26:29. | |
the world number one star at the moment. Such history to all of this. | :26:30. | :26:37. | |
We don't see much of you any more, Phyllis. Are you all there? Are you | :26:38. | :26:48. | |
losing your brain? No, I'm not! Can I take your hand? Yes, but you need | :26:49. | :26:53. | |
to catch me. Are you all right, Cathy? Yes, see you later. Well | :26:54. | :27:05. | |
done, John. Hello, Frida. Hello! I don't know who you are, but... | :27:06. | :27:09. | |
LAUGHTER We had cupcakes. Ice cream. | :27:10. | :27:17. | |
Chocolate bars. Tea, coffee or a cold drink. It started with just a | :27:18. | :27:24. | |
minibus to get the villagers to see what it was like down here, and now | :27:25. | :27:27. | |
we've got 57 seats and every year it's getting more. They like to come | :27:28. | :27:32. | |
and have a look. They can't get about too often. | :27:33. | :27:42. | |
This is one field where nothing happens. People come and sit on the | :27:43. | :27:51. | |
grass. There was a tall, skinny, stark naked man hugging one of those | :27:52. | :27:55. | |
stones. You don't see that all of the time! We are thankful to Michael | :27:56. | :28:05. | |
for taking us on a trip today. Thank you, Michael. This is Michael's | :28:06. | :28:09. | |
family, home and village, and these are his friends. That's why it | :28:10. | :28:16. | |
started. Please join me in giving a big round of applause and a big | :28:17. | :28:21. | |
thank you. Lovely to see you all and to still be able to do it. | :28:22. | :28:33. | |
Oh, lovely Michael Eavis, giving those guys a tour of the site | :28:34. | :28:39. | |
earlier in the week, before the madness began. It all started with | :28:40. | :28:43. | |
tea and cakes and calmness, but I was out with quite a lot of them | :28:44. | :28:49. | |
last night in a lot of them are still at block nine. Absolutely | :28:50. | :28:51. | |
hard-core, you've got to respect that. We are going to head to the | :28:52. | :28:55. | |
west hold stage and the wonderful jazz odyssey that Thundercat was | :28:56. | :28:59. | |
bringing to the stage earlier. # Nobody move, there's | :29:00. | :29:13. | |
blood on the floor # So please give it back, | :29:14. | :29:38. | |
'cause it's not yours to take! # It must've fell | :29:39. | :29:55. | |
when I lost my mind # Deep in the cut, | :29:56. | :30:00. | |
drowning in a pain # Somebody help 'cause | :30:01. | :30:05. | |
I can't find my way Put your hands up, Glastonbury! | :30:06. | :30:33. | |
Yeah! Keep your hands up! Here we go! | :30:34. | :30:39. | |
# Somebody tell me how I'm supposed to feel | :30:40. | :30:43. | |
# When I'm sitting here knowing this ain't real | :30:44. | :30:48. | |
# Why in the world would I give my heart to you? | :30:49. | :30:53. | |
# Just to watch you throw it in the trash | :30:54. | :30:59. | |
# I've been traveling so long, I don't think I can hold on | :31:00. | :31:03. | |
# Where were you when I needed you the most? | :31:04. | :31:09. | |
# Now I'm sitting here with a black hole in my chest | :31:10. | :31:14. | |
# So please give it back, 'cause it's not yours to take! | :31:15. | :33:05. | |
# It must've fell when I lost my mind | :33:06. | :33:11. | |
# Deep in the cut, drowning in a pain | :33:12. | :33:15. | |
# Somebody help 'cause I can't find my way | :33:16. | :33:21. | |
Thundercat up at the stage earlier today. You can catch up on | :33:22. | :33:44. | |
performances on the iPlayer. The easiest way to do it as check out | :33:45. | :33:50. | |
the website. Bbc.co.uk/ Glastonbury, whether you want to look at the live | :33:51. | :33:54. | |
streams, or sets that have already been on. I've got to check it out, I | :33:55. | :33:58. | |
love that guy. Right now we're going to catch up with Yasser, who's been | :33:59. | :34:06. | |
experiencing some poetry here at Glastonbury. I'm here at the poetry | :34:07. | :34:10. | |
and word stage, a stage that started off other small yurt and now it's a | :34:11. | :34:15. | |
massive stage. Helen, one of the organisers, is here. This is cool, | :34:16. | :34:21. | |
isn't it? It's awesome. You've got poetry, world renowned poets coming | :34:22. | :34:25. | |
down? We have an international line-up. We've had poets from New | :34:26. | :34:31. | |
Zealand, Botswana, America, everyone from Carolann Duffy the Kate | :34:32. | :34:36. | |
Tempest. Incredible. One of your poets and residences here. Hello, | :34:37. | :34:42. | |
Dominic. Hello. Poet in residence is a cool title. It's great, I love it. | :34:43. | :34:48. | |
Can you give is a little something? Yes. | :34:49. | :34:52. | |
I can't change that and I've been dealt, it's limp as watercress. I | :34:53. | :35:06. | |
hate being Eddisbury, anything but that, and so Mike Weir desires -- | :35:07. | :35:13. | |
might queer desires I keep under lettuce wraps. But like any iceberg | :35:14. | :35:19. | |
most of me is still concealed. Prefer asparagus too real. The only | :35:20. | :35:23. | |
blood I suck is from Orange. It sends me to Nirvana. In my bedroom, | :35:24. | :35:28. | |
under quilt, I'm peeling my... Banana. It's time to pop my cherry. | :35:29. | :35:35. | |
It's time to dance and shout. Yes, I am a beacon! And I am coming out! -- | :35:36. | :35:48. | |
I am at vegan. I am coming out. Glastonbury is probably the most | :35:49. | :35:52. | |
vegan friendly place on the honest. I've had 47 De La Souls since I've | :35:53. | :35:58. | |
been here. A poet about being a vegan is very much Glastonbury. I -- | :35:59. | :36:04. | |
its spitting. I said don't wear wellies, you will need one. It's | :36:05. | :36:08. | |
spitting, it's spitting. It's all over. OK, we are going to experience | :36:09. | :36:13. | |
some more music now. We are heading over to the Other Stage and catch up | :36:14. | :36:14. | |
with the Kaiser Chiefs. # Do you wish you hadn't | :36:15. | :36:46. | |
stayed all night? # Do you wish you hadn't | :36:47. | :36:48. | |
gotten so high? # Do you wish | :36:49. | :36:49. | |
it wasn't half past gone? # Do you wish | :36:50. | :36:56. | |
you didn't last that long? # And we're dancing | :36:57. | :36:59. | |
on the finest line # Between the chance of | :37:00. | :37:58. | |
the time of our lives # And we're choosing not to | :37:59. | :38:00. | |
make that choice # But we have a lot of fun on the | :38:01. | :38:08. | |
way # So I'm standing beside you, | :38:09. | :38:16. | |
standing beside you # Then it all | :38:17. | :38:30. | |
comes flooding back to me # Like a forgotten melody | :38:31. | :39:20. | |
from a dream # Then it all comes | :39:21. | :39:24. | |
flooding back to me # Like a forgotten melody | :39:25. | :39:26. | |
from a dream # Then it all | :39:27. | :39:29. | |
comes flooding back to me # Walking through town | :39:30. | :39:33. | |
is quite scary # He looked the wrong way | :39:34. | :41:39. | |
at a policeman # Would never have happened | :41:40. | :41:48. | |
to Smeaton # Ah-ah-ah | :41:49. | :41:51. | |
la la la-la-la la # I predict a riot | :41:52. | :42:06. | |
I predict a riot # Girls run around | :42:07. | :42:20. | |
with no clothes on # If it wasn't for chip fat they'd b | :42:21. | :42:34. | |
frozen, they're not very sensible # I predict a riot | :42:35. | :42:45. | |
I predict a riot # And if there's anybody left | :42:46. | :43:08. | |
in here # Walking through town | :43:09. | :43:10. | |
is quite scary # I predict a riot | :43:11. | :43:53. | |
I predict a riot # And if there's anybody | :43:54. | :44:29. | |
left in here # I predict a riot | :44:30. | :44:32. | |
I predict a riot. # The Kaiser Chiefs battling the | :44:33. | :45:03. | |
elements on the other stage earlier, and absolutely bossing it. Normally | :45:04. | :45:07. | |
I make it a point of principle not to encourage coloured leather but on | :45:08. | :45:12. | |
this occasion... For Glastonbury we can bend the rules. We can do that a | :45:13. | :45:19. | |
bit. They did a great job. Now a highlight from yesterday, so many | :45:20. | :45:23. | |
people saying this was one of the highlights of the opening day. It | :45:24. | :45:26. | |
does contain flashing lights, so be careful when watching. This is the | :45:27. | :45:29. | |
awesome Lorde from yesterday. # Don't you think that it's boring | :45:30. | :45:37. | |
how people talk? # Making smart with their words | :45:38. | :45:40. | |
again, well, I'm bored # Because I'm doing this | :45:41. | :45:49. | |
for the thrill of it, killin' it # Never not chasing a million things | :45:50. | :45:52. | |
I want # And I am only as young | :45:53. | :45:59. | |
as the minute is, full of it # Getting pumped up from | :46:00. | :46:02. | |
the little bright things I bought # But I know they'll never own me | :46:03. | :46:08. | |
Yeah # Baby, be the class clown, | :46:09. | :46:11. | |
I'll be the beauty queen in tears # It's a new art form showing people | :46:12. | :46:17. | |
how little we care Yeah # We're so happy, even when | :46:18. | :46:21. | |
we're smilin' out of fear # Let's go down to the tennis court, | :46:22. | :46:27. | |
and talk it up like yeah Yeah # Pretty soon, | :46:28. | :46:33. | |
I'll be getting on my first plane # I'll see the veins of my city | :46:34. | :46:43. | |
like they do in space # But my head's filling up fast with | :46:44. | :46:53. | |
the wicked games, up in flames # How can I with the fun again, | :46:54. | :46:59. | |
when I'm known? # And my boys trip me up with their | :47:00. | :47:04. | |
heads again, loving them # Everything's cool when we're all | :47:05. | :47:07. | |
in line, for the throne # Baby, be the class clown, | :47:08. | :47:12. | |
I'll be the beauty queen in tears # It's a new art form showing people | :47:13. | :47:21. | |
how little we care Yeah # We're so happy, | :47:22. | :47:25. | |
even when we're smilin' out of fear # Let's go down to the tennis court, | :47:26. | :47:31. | |
and talk it up like yeah Yeah # It looked all right | :47:32. | :47:39. | |
in the pictures # Getting caught's half of the trip | :47:40. | :47:44. | |
though, isn't it? # Baby, be the class clown, | :47:45. | :47:50. | |
I'll be the beauty queen in tears # It's a new art form showing people | :47:51. | :48:09. | |
how little we care Yeah # We're so happy, even when | :48:10. | :48:13. | |
we're smilin' out of fear # And talk it up like Yeah | :48:14. | :48:19. | |
# And talk it up like Yeah # Let's go down to the tennis court, | :48:20. | :48:30. | |
and talk it up like Yeah # And talk it up like Yeah | :48:31. | :48:35. | |
# And talk it up like Yeah # Let's go down to the tennis court, | :48:36. | :48:41. | |
and talk it up like Yeah, yeah There we go, so many people talking | :48:42. | :49:06. | |
about that performance, and rightly so. She has grown into a proper pop | :49:07. | :49:14. | |
performer. She came in for session to see us on six music macro a few | :49:15. | :49:18. | |
years ago and she knew exactly what she wanted, really self-possessed. | :49:19. | :49:24. | |
And that is why her show looks like that. More wonderful music for you | :49:25. | :49:29. | |
now, a live performance from an artist who will be performing later | :49:30. | :49:30. | |
today. It is Ray Blk. # Sometimes I wear my | :49:31. | :49:42. | |
hair down to my back # Or I cut a bob and do | :49:43. | :49:44. | |
it into single plaits # And if it's the summertime | :49:45. | :49:47. | |
maybe do a weave # Always change my style | :49:48. | :49:49. | |
depending where my head is at # Sometimes I wear my V-neck | :49:50. | :49:52. | |
real low # If I'm feeling sexy then | :49:53. | :49:55. | |
expect some skin will show # Maybe wear a turtle | :49:56. | :49:57. | |
neck if I'm feeling cold # My dressing is expression so don't | :49:58. | :50:00. | |
judge me by my clothes # Some days I roll up | :50:01. | :50:04. | |
in the hood and a trackie # Turning up your nose cause | :50:05. | :50:06. | |
you think I look tacky # I go to a Michelin | :50:07. | :50:09. | |
meal in my Reeboks # Ain't gotta wear my | :50:10. | :50:12. | |
wares and be flashy # A short skirt doesn't | :50:13. | :50:15. | |
mean that I want it # My appearance doesn't | :50:16. | :50:17. | |
represent my wallet # This is for the ignorant | :50:18. | :50:20. | |
ones with opinions # Keep your two cents | :50:21. | :50:23. | |
inside your pocket # That's what you should do do do do | :50:24. | :50:26. | |
show ya, show ya # I see you following submission | :50:27. | :50:49. | |
I know you're wishing # That you could let you hair | :50:50. | :50:51. | |
down a mirror, my emission # So why you worrying | :50:52. | :50:54. | |
about being an outcast # Don't you know to do yourself | :50:55. | :50:57. | |
and never ask permission # My short shorts | :50:58. | :51:00. | |
accentuate my bumper # I hear the girls whisper | :51:01. | :51:03. | |
whenever I walk past # What she wearing? | :51:04. | :51:05. | |
But I paid them no attention # To satisfy them is never my | :51:06. | :51:08. | |
intention # Some days I roll up | :51:09. | :51:12. | |
in the hood and a trackie # Turning up your nose cause | :51:13. | :51:15. | |
you think I look tacky # I go to a Michelin | :51:16. | :51:18. | |
meal in my Reeboks # Ain't gotta wear my | :51:19. | :51:20. | |
wares and be flashy # A short skirt doesn't | :51:21. | :51:23. | |
mean that I want it # My appearance doesn't | :51:24. | :51:26. | |
represent my wallet # This is for the ignorant | :51:27. | :51:29. | |
ones with opinions # Keep your two cents | :51:30. | :51:32. | |
inside your pocket # I'd rather do me so you can do you | :51:33. | :51:37. | |
show ya, show ya # You're following the crowd, | :51:38. | :52:01. | |
I'd rather break rules # You're copying trends | :52:02. | :52:03. | |
I'd rather invent # I've got nothing to | :52:04. | :52:06. | |
prove but neither do you # Said I'd rather do | :52:07. | :52:09. | |
me so you can do you # You're following the crowd, | :52:10. | :52:12. | |
I'd rather break rules # And you're copying | :52:13. | :52:15. | |
trends I'd rather invent # I've got nothing to | :52:16. | :52:17. | |
prove but neither do you # I'm gonna show ya, | :52:18. | :52:23. | |
show ya, show ya APPLAUSE | :52:24. | :53:21. | |
Wonderful stuff. The awesome Ray Blk and Doing Me. That was great. You've | :53:22. | :53:28. | |
got to love a track you can get down to and get dressed too. Being | :53:29. | :53:31. | |
advised sartorially and for the mind. Here is another worry -- very | :53:32. | :53:37. | |
well-dressed from earlier. The Amazons. | :53:38. | :54:24. | |
# No, you can't reach me on my phone # I can't carry on | :54:25. | :54:32. | |
# What's going on? # It's not a question of what's | :54:33. | :55:19. | |
wrong It's not a question, girl I # I've led you on | :55:20. | :55:21. | |
If I'm afraid to be alone # When indecision comes to call, | :55:22. | :55:30. | |
I know we're done # Baby, in my mind | :55:31. | :55:36. | |
I've begun to realise # Baby, in my mind | :55:37. | :55:41. | |
You're not the one I need # Baby, in my mind | :55:42. | :55:47. | |
But you're everything I see # You've got me crawlin' back | :55:48. | :55:54. | |
forever baby # Baby, in my mind | :55:55. | :56:25. | |
I've begun to realise # Baby, in my mind | :56:26. | :56:30. | |
You're not the one I need # Baby, in my mind | :56:31. | :56:36. | |
But you're everything I see # You've got me crawlin' back | :56:37. | :56:57. | |
forever baby The Amazons. We've heard plenty of | :56:58. | :57:40. | |
sounds and we have seen a few sites and we have also had some smells, | :57:41. | :57:43. | |
but we are trying to give you the full experience. What a bad taste? | :57:44. | :57:49. | |
We are great to out. Glastonbury is the best bands but also the best | :57:50. | :57:56. | |
snacks. What has been your highlight? A Cornish woman gave me a | :57:57. | :58:00. | |
protein ball and, I must say, it kept me going. I enjoyed a cheese | :58:01. | :58:08. | |
toasty last night. A bit of pesto and a bit of ham. Here is James | :58:09. | :58:13. | |
finding out more about the food on offer. There is nothing quite like | :58:14. | :58:20. | |
getting your boogie on to work up an appetite but leading 200,000 | :58:21. | :58:22. | |
festivalgoers is massive, and the heart of it is behind this secret | :58:23. | :58:26. | |
gate. -- feeding 200,000 festivalgoers. Where are we? | :58:27. | :58:36. | |
Wholesale, where we supply all the traders and keep people happy. Shall | :58:37. | :58:43. | |
we have a look? Yeah. How is that courgette? It is firm. Feel the | :58:44. | :58:48. | |
weight on that! And a good girth. Flat leaf parsley. I have heard | :58:49. | :58:55. | |
there are a lot of herbs at Glastonbury. The range of produce is | :58:56. | :59:01. | |
incredible. You can have everything from across the world 24/7. It's a | :59:02. | :59:04. | |
city the size of Swindon and everybody needs to eat. Family | :59:05. | :59:11. | |
traders are on site? 514 food traders. What tips would you give? | :59:12. | :59:19. | |
We are looking for a nice product that is colourful and eye-catching | :59:20. | :59:21. | |
in keeping with the festival at a good price. What is the most unusual | :59:22. | :59:28. | |
application you've had from a trader? This year we've got vegan | :59:29. | :59:34. | |
jackfruit and the Mexican Brito stall. They also do a spin on fish | :59:35. | :59:39. | |
made from Hoffman. That is to spend thousands of people on site. It is a | :59:40. | :59:45. | |
side of the operation people maybe don't say. All of the food gets | :59:46. | :59:51. | |
eaten out here. Let's see what culinary delights Glastonbury has to | :59:52. | :00:01. | |
offer. Home fried tortilla chips with barbecue pulled jackfruit. A | :00:02. | :00:12. | |
big amount of jackfruit. It's good. This is the toadfish taco, tofu with | :00:13. | :00:19. | |
seaweed on it. This will blow your mind. It was called fresh this | :00:20. | :00:36. | |
morning! -- it was caught. Curries, stir-fries, salads. Not bad. In | :00:37. | :00:41. | |
English stir-fry with barley. It's meant to be a healthy dish. I've | :00:42. | :00:47. | |
been here 31 years. People know if they come to sell food they've got | :00:48. | :00:53. | |
to try and do something a bit different, or at least well, | :00:54. | :00:56. | |
home-made, locally produced. Those things are brownie points if you | :00:57. | :00:57. | |
want to get on at Glastonbury. Nice to meet you. What's happening | :00:58. | :01:10. | |
here, what are you making? Have you made this type of bread? As a first | :01:11. | :01:18. | |
time for everything. Do you use a lot of stuff from the wholesale | :01:19. | :01:23. | |
market? I every order everything in bulk. You need that back-up because | :01:24. | :01:27. | |
there's so much going on. So an operation like this can only really | :01:28. | :01:32. | |
happen at a festival like Glastonbury? Yes. Lets get our buns | :01:33. | :01:38. | |
in the oven. Look at those beauties, all sizzling. How organic does not | :01:39. | :01:43. | |
look? And all made in a field in Glastonbury. All made in a field, | :01:44. | :01:51. | |
good, honest food. I've had food that tastes like meat, a great | :01:52. | :01:56. | |
British stir-fry, and a bun in the oven. I still fancy a bit of desert. | :01:57. | :02:00. | |
An ice cream! Forget that. You know when you watch the Great | :02:01. | :02:12. | |
British Bake Off and you're like, I need a cake now. You bobbin | :02:13. | :02:17. | |
famished! I'm starving, I've never eaten food before. After watching | :02:18. | :02:21. | |
that, I need all of that right now, please. You are desperate for some | :02:22. | :02:28. | |
of that fish. Just gagging for it. Can we get some? While we do that | :02:29. | :02:32. | |
we're going to play use the music. This is British Sea Power earlier | :02:33. | :02:37. | |
today. A warning, this contains a filthy polar bear. | :02:38. | :02:42. | |
# If you must act like a beast of the field | :02:43. | :03:09. | |
# There's a hole in the atmosphere | :03:10. | :03:15. | |
# All your prayers your prayers, your prayers | :03:16. | :03:23. | |
# Your life lessons lessons, lessons | :03:24. | :03:34. | |
# Keep on trying, keep on trying, keep on trying will you | :03:35. | :03:44. | |
# Keep on trying, keep on trying keep on trying will you | :03:45. | :03:55. | |
# When the hawks of the city fall | :03:56. | :04:20. | |
# All your questions, questions, questions are on hold again | :04:21. | :04:28. | |
# Just keep on trying keep on trying | :04:29. | :04:32. | |
# Just keep on trying, keep on trying | :04:33. | :04:40. | |
# Just keep on trying, keep on trying, keep on trying, Rudy | :04:41. | :05:07. | |
# Can't we stay, can't we stay. | :05:08. | :05:33. | |
# 'Cause you're a product of your own dimensions now | :05:34. | :05:34. | |
# So keep on trying, keep on trying | :05:35. | :05:37. | |
# Just keep on trying, keep on trying | :05:38. | :06:07. | |
# Just keep on trying, keep on trying | :06:08. | :06:15. | |
# Just keep on trying, keep on trying | :06:16. | :06:22. | |
British Sea Power on the Other Stage with a very dirty polar bear. I do | :06:23. | :07:09. | |
think it's ever going to look natural. I don't think there's a | :07:10. | :07:14. | |
casual way to lean on it. We're going to throw thrillingly live, to | :07:15. | :07:22. | |
Yasser, experiencing some Glastonbury magic. We are here in | :07:23. | :07:25. | |
the theatre and circus feel. It's pretty manic at the moment. We have | :07:26. | :07:29. | |
pelicans, some other animals I've never seen before. We've also got | :07:30. | :07:34. | |
some butterflies. It's quite magical, I'm telling you that. I've | :07:35. | :07:38. | |
got Mr Magic Singh with me. Show with -- show me some magic, brother. | :07:39. | :07:45. | |
Let me try this. That's better, isn't it. Let's try something else, | :07:46. | :07:49. | |
really quickly. I've only got a few of these national lottery tickets. | :07:50. | :07:53. | |
These are the slightly older ones. These are not winning once. They are | :07:54. | :07:56. | |
tattered. I've found an amazing thing to do with these bits of | :07:57. | :08:01. | |
paper. One, two, you can change that into cash. Oh, my gosh! Can you do | :08:02. | :08:06. | |
that to my bank card and get rid of my overdraft? Place your hands up | :08:07. | :08:12. | |
for me nice and flat. Are you left or right handed? Make a fist. I'm | :08:13. | :08:18. | |
going to draw across. Nothing silly, just a simple cross. Everyone at | :08:19. | :08:23. | |
home can see that. It's not going to come off. Watch. We are going to | :08:24. | :08:30. | |
take this off. Oh, you are not, are you serious? ! | :08:31. | :08:34. | |
APPLAUSE What's going on? That's really | :08:35. | :08:38. | |
weird. That's really strange. Back to you guys, in the studio. | :08:39. | :08:46. | |
Yasser, quite literally in the field. Magic, magic. We are going to | :08:47. | :08:54. | |
check out another bit of magic, vocal magic, from Sigrid, who is | :08:55. | :08:58. | |
super talented. She is 19 years old and comes from that place that | :08:59. | :09:04. | |
cannot stop making great pop stars, Sweden. Here she is, performing on | :09:05. | :09:06. | |
the Park stage. # You shut me down, | :09:07. | :09:14. | |
you like the control # You speak to me | :09:15. | :09:16. | |
like I'm a child # Try to hold it down, | :09:17. | :09:21. | |
I know the answer # I can't shake it off | :09:22. | :09:26. | |
and you feel threatened by me # Don't kill my vibe | :09:27. | :09:32. | |
Oh-oh-oh, ooh, ooh # You think you're so | :09:33. | :09:42. | |
important to me, don't you? # But I wanted you to know | :09:43. | :09:50. | |
that you don't belong here # You think you're so important | :09:51. | :09:53. | |
to me, don't you? # You love to tear me down, | :09:54. | :09:55. | |
you pick me apart # Then build me up | :09:56. | :10:05. | |
like I depend on you # But I throw myself from heights | :10:06. | :10:11. | |
that used to scare me # I'm the puzzle | :10:12. | :10:17. | |
you can't figure out # Oh-oh-oh, ooh, ooh | :10:18. | :10:23. | |
Don't kill my vibe # Oh-oh-oh, ooh, ooh | :10:24. | :10:30. | |
Don't break my stride # You think you're so | :10:31. | :10:38. | |
important to me, don't you? # But I wanted you to know | :10:39. | :10:41. | |
that you don't belong here # You think you're so | :10:42. | :10:44. | |
important to me, don't you? # And oh-oh-oh-oh | :10:45. | :10:46. | |
I won't quit, no, no, no, ho # You're acting like you hurt me | :10:47. | :11:04. | |
but I'm not even listening # You're acting like you hurt me | :11:05. | :11:07. | |
but I'm not even listening # Don't kill | :11:08. | :11:13. | |
Don't kill my vibe # Don't kill my vibe | :11:14. | :11:29. | |
Oh-oh-oh, ooh, ooh # Don't break my stride | :11:30. | :11:38. | |
(I tried to play it nice but) # You think you're so | :11:39. | :11:42. | |
important to me, don't you? # But I wanted you to know | :11:43. | :11:45. | |
that you don't belong here # You think you're so | :11:46. | :11:48. | |
important to me, don't you? CHEERING AND APPLAUSE | :11:49. | :12:06. | |
Thank you so much, thank you. Wonderful Sigrid, performing on the | :12:07. | :12:09. | |
Park stage, which is just there, Lauren, look. Right behind us. I | :12:10. | :12:16. | |
like her a lot, she is a new one on me. Lots of breakthrough talent who | :12:17. | :12:19. | |
are really earning their stripes at this year's festival. Here's an | :12:20. | :12:24. | |
artist who I think could be a future headliner. Absolutely incredible | :12:25. | :12:27. | |
performance on the Park stage earlier today, from Nadia Rose. | :12:28. | :12:54. | |
# hey you, girl, in a a tight skirt Long-macro tight skirt, tight up | :12:55. | :13:02. | |
skirt # In a tight skirt, in a tight skirt | :13:03. | :13:16. | |
# Sitting up tight skirt # I can see your tight skirt | :13:17. | :13:26. | |
# Hey you girl in a tight skirt # Hey you girl in a tight skirt | :13:27. | :13:37. | |
# Hey you girl, in a tight up skirt # Tight up skirt | :13:38. | :13:54. | |
Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt | :13:55. | :14:15. | |
# Call the police and the marshals # Next one just reach in the parcel. | :14:16. | :14:23. | |
Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt | :14:24. | :14:29. | |
Hey you girl inna di tight up skirt Tight up, tight up, tight up | :14:30. | :14:54. | |
Oh, Jesus, someone call the seamstress | :14:55. | :14:56. | |
My skirt is too tight, I can't be all right | :14:57. | :14:57. | |
How am I still breathing? Oh, I can't believe this, the way | :14:58. | :14:59. | |
that it's squeezin' I enter the room, I don't say a | :15:00. | :15:00. | |
Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt | :15:01. | :15:40. | |
We are big fans. Nadia Rose. I saw her last year at the Glastonbury | :15:41. | :15:54. | |
pop. She was so good and even better this year. Next year, pyramid stage, | :15:55. | :16:02. | |
or the year after. It's got to be done. Now, some music from Marly. A | :16:03. | :16:13. | |
long history with Glastonbury. -- from the country of Mali. This year | :16:14. | :16:18. | |
is no exception, with an acoustic performance from the guitarist known | :16:19. | :16:21. | |
as the Hendrix of the Sahara, Vieux Farka Toure. | :16:22. | :17:06. | |
Vieux Farka Toure. Currently here at Glastonbury, supporting his new | :17:07. | :19:27. | |
album, samba, a brilliant blend of influences, including traditional | :19:28. | :19:30. | |
Mali and rhythms. Still to come tonight, we will bring you Katy | :19:31. | :19:37. | |
Perry and the headliners on the pyramid stage tonight, the Foo | :19:38. | :19:40. | |
Fighters. Right now, we are going to go and check out the other stage | :19:41. | :19:42. | |
earlier on. This was wild beasts. # I'm learning, I'm learning | :19:43. | :20:08. | |
# Alpha female # | :20:09. | :20:34. | |
I would not hold you back I would not hold you back | :20:35. | :20:36. | |
Simple as that, yeah Simple as that, oh | :20:37. | :20:37. | |
I would not hold you back I would not hold you back | :20:38. | :20:39. | |
Matter of fact, yeah Matter of fact, oh | :20:40. | :20:47. | |
Alpha female, I'll be right behind you | :20:48. | :20:53. | |
# I would not hold you back I would not hold you back | :20:54. | :21:23. | |
# Simple as that, yeah Simple as that, oh | :21:24. | :21:26. | |
# I would not hold you back I would not hold you back | :21:27. | :21:29. | |
# Matter of fact, yeah Matter of fact, oh | :21:30. | :21:35. | |
# Alpha female, I'll be right behind you | :21:36. | :21:47. | |
# Alpha female of the worlds inside you | :21:48. | :22:04. | |
# I would not hold you back I would not hold you back | :22:05. | :22:27. | |
# Simple as that, yeah Promise you that, oh | :22:28. | :22:46. | |
# Alpha female, I'll be right behind you | :22:47. | :22:58. | |
# Alpha female of the worlds inside you | :22:59. | :23:16. | |
It is Glastonbury 2017 and I enjoyed backstage before the deadline the | :23:17. | :23:44. | |
pyramid stage, Nate, Dave and Rufus, the Foo Fighters. How are you? Not | :23:45. | :23:52. | |
bad. Did you enjoy Katy Perry? I saw a couple of songs and it was pretty | :23:53. | :23:56. | |
awesome. Adolphe -- a diverse line-up with a lot of energy. | :23:57. | :24:01. | |
Driving through the crowd, you spot people you know. We saw Liam | :24:02. | :24:07. | |
Gallagher's last song. The last ten 's organs. What do you remember from | :24:08. | :24:15. | |
Glastonbury 1998? I think we went on as some sort of Euro cup final. | :24:16. | :24:19. | |
Right before that, I looked at the audience and thought, this will be | :24:20. | :24:23. | |
amazing, and then we went out for a drink and came back and nobody was | :24:24. | :24:26. | |
in front of the stage. Spacious. But what I remember is that it was kind | :24:27. | :24:33. | |
of training and may be cold, so the body heat created that weird sweat | :24:34. | :24:39. | |
above the audience. The atmosphere here is always incredible. You were | :24:40. | :24:43. | |
meant to headline two years ago and the leg happened. I'm sorry. But you | :24:44. | :24:51. | |
are here now. That's the main thing. We were excited to play and we | :24:52. | :24:54. | |
couldn't and we knew we'd come back at some point. When we found out we | :24:55. | :24:59. | |
were coming back for this one, we were excited. And Florence and the | :25:00. | :25:05. | |
machine stepped in. I was high on painkillers watching Florence to | :25:06. | :25:08. | |
headline the set and she did one of our songs and was in a wheelchair | :25:09. | :25:15. | |
crying. We owe her one. Of course. Have a brilliant time. Are you | :25:16. | :25:21. | |
looking forward to it? Absolutely, so much. Is going to be a good one, | :25:22. | :25:27. | |
I can feel it! When I walked out, Jeremy Corbyn was on stage and there | :25:28. | :25:31. | |
were 10 billion people out there and I was like, I would like this place | :25:32. | :25:36. | |
up. We can't wait for your set tonight at the Remit. | :25:37. | :25:42. | |
There is more festival, right? Yes, but we are now going to watch Run | :25:43. | :25:48. | |
The Jewels from earlier. Thank you, the Foo Fighters. Thank you. | :25:49. | :26:05. | |
We've got to go. We've got one more record. I'd like to dedicate this to | :26:06. | :26:09. | |
my mother, Denise. One time for the freedom of speeches | :26:10. | :26:18. | |
(speeches) two time for the right to hold | :26:19. | :26:54. | |
heaters (heaters) Just skip to the fifth if the cops | :26:55. | :26:55. | |
in your house Close your mouth and pray to your | :26:56. | :26:57. | |
Jesus My my, y'all | :26:58. | :27:13. | |
I coulda died, y'all A couple times I took my eyes off | :27:14. | :27:14. | |
the prize, y'all I know a few people pray for my | :27:15. | :27:17. | |
demise, y'all But like cream, I had to rise, I had | :27:18. | :27:21. | |
to rise, y'all Or maybe listen to the man that | :27:22. | :27:37. | |
barely dodged his own lobotomy Pop the tape in, baby, we got sort | :27:38. | :27:42. | |
we wrote for you (for you) Came from feeling what a pure | :27:43. | :27:44. | |
absence of hope can do Only to leap through flaming rings | :27:45. | :27:45. | |
and break the nose of crews Still in their wings'll be them | :27:46. | :27:48. | |
darlings, hope they've broken you Yeah, they better hope that | :27:49. | :27:51. | |
I'm a full force and a cold fact See the cold floor where I licked | :27:52. | :27:56. | |
dirt When the dough dried and the pride | :27:57. | :27:57. | |
died Had a dumb max, had to shop right | :27:58. | :27:59. | |
Gimme two meals and the lights on I'ma do right, get a new crew | :28:00. | :28:01. | |
Make a new life, never boo hoo Never lose sight, I'm a voodoo | :28:02. | :28:07. | |
With a burst heart from an old soul Better stop, drop when the squad's | :28:08. | :28:09. | |
hot, we don't stop a lot We don't talk a lot about it, we | :28:10. | :28:12. | |
just pop it off a lot Scream our noggins off | :28:13. | :28:14. | |
I promise y'all Who am I, y'all | :28:15. | :28:31. | |
I coulda died, y'all A couple times, I took my eyes off | :28:32. | :28:32. | |
the prize, y'all I know a couple people pray for my | :28:33. | :28:36. | |
demise, y'all But even birds with broken wings | :28:37. | :28:39. | |
want to fly, y'all Brexit means Brexit. | :28:40. | :28:48. | |
We did it! To pretend that it's going to be | :28:49. | :29:22. | |
plain sailing is such knuckle-headed lunacy. | :29:23. | :29:25. | |
Happy days are here. They have said one thing one day, | :29:26. | :29:28. | |
another thing the next day. think during the year | :29:29. | :29:30. | |
that changed British politics? | :29:31. | :29:35. |