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More than a woman. Why would I be without my woman? I can go without. | :00:16. | :00:25. | |
It has got to be how deep is your Love? Crewe how can you choose? That | :00:26. | :00:34. | |
Massachusetts on. Early Bee Gees are mega, they are up there with the | :00:35. | :00:35. | |
Beatles. Hello and welcome back to glorious | :00:36. | :00:56. | |
Glastonbury, day three, and as you can see, the sun is shining on site. | :00:57. | :01:00. | |
It is looking as beautiful as it sounds right here on Worthy farm. | :01:01. | :01:05. | |
Lovely to be back with you, I hope you are ready for some fantastic | :01:06. | :01:10. | |
music, we have plenty of it. We certainly have, a marvellous | :01:11. | :01:14. | |
afternoon, the sun has shone on the legends. As you know, Sunday | :01:15. | :01:17. | |
afternoon, Sunday tea-time is the legend slot. This year, Barry Gibb, | :01:18. | :01:22. | |
that art guests have just been mentioning. They did not mention | :01:23. | :01:30. | |
Tragedy. Trafalgar, what a gem. We have two legends in the show, | :01:31. | :01:34. | |
back-to-back. If you haven't slept your disco pants on yet, please do, | :01:35. | :01:38. | |
you will need them today, it is Barry Gibb followed by Chic, I | :01:39. | :01:44. | |
repeat, Barry Gibb followed by Chic on the programme. Later on you will | :01:45. | :01:50. | |
be able to check out Pyramid Stage headliner, Ed Sheeran, but we are | :01:51. | :01:55. | |
going to be dancing. It has been a dry Glastonbury, which is always a | :01:56. | :01:57. | |
joy, here is the story so far. CHEERING and APPLAUSE there you go, | :01:58. | :03:09. | |
a flavour of what has been going on, it has been dry, we haven't needed | :03:10. | :03:13. | |
our wellies. I have talked to a couple people who say, do you know | :03:14. | :03:19. | |
what, I sort of miss the mud. You massive idiots, it has been | :03:20. | :03:22. | |
brilliant to walk around the site and enjoy it all. People get | :03:23. | :03:25. | |
superstitious about the weather, they say we just want a bit of | :03:26. | :03:31. | |
spitting, just to get the dust down. No, none of that, sunshine all the | :03:32. | :03:35. | |
way, please. Don't forget, BBC Four is also covering the action here at | :03:36. | :03:41. | |
Glastonbury Festival, you can check out Rag N Bone Man and Shaggy. I | :03:42. | :03:46. | |
think we are going to have Rag N Bone Man now. Let's have a little | :03:47. | :03:52. | |
taste of his set which you can catch later in full on BBC Four. | :03:53. | :04:17. | |
# Maybe I'm foolish, maybe I'm blind | :04:18. | :04:19. | |
# Thinking I can see through this and see what's behind | :04:20. | :04:21. | |
# Got no way to prove it so maybe I'm blind | :04:22. | :04:23. | |
# But I'm only human after all, I'm only human after all | :04:24. | :04:33. | |
# Take a look in the mirror and what do you see | :04:34. | :04:45. | |
# Do you see it clearer or are you deceived | :04:46. | :04:50. | |
# Cos I'm only human after all, you're only human after all | :04:51. | :04:59. | |
# Some people got the real problems | :05:00. | :05:11. | |
# Some people think I can solve them | :05:12. | :05:19. | |
# I'm only human after all, I'm only human after all | :05:20. | :05:27. | |
# Don't ask my opinion, don't ask me to lie | :05:28. | :05:39. | |
# For making you cry, making you cry | :05:40. | :05:48. | |
# Cos I'm only human after all, I'm only human after all | :05:49. | :05:52. | |
# Don't put your blame on me, don't put the blame on me | :05:53. | :06:03. | |
# Some people got the real problems | :06:04. | :06:06. | |
# Some people think I can solve them | :06:07. | :06:12. | |
# I'm only human after all, I'm only human after all. | :06:13. | :06:21. | |
# That's all it takes to put the blame on me | :06:22. | :06:38. | |
# Should go looking somewhere higher | :06:39. | :07:05. | |
# I'm only human after all, I'm only human after all | :07:06. | :07:15. | |
# Don't put the blame on me, don't put the blame on me | :07:16. | :07:22. | |
# I'm just a man, I do what I can | :07:23. | :07:28. | |
Thank you so much for your love, Glastonbury. | :07:29. | :07:57. | |
That's Rag N Bone Man come you don't see many of them nowadays. It is so | :07:58. | :08:03. | |
much more soulful, not what I was expecting when I first heard him, | :08:04. | :08:08. | |
but now a stall of the pop charts. When I was growing up in Bolton, I | :08:09. | :08:14. | |
am sure it was the same to you, Rag N Bone Man. And here he is, having | :08:15. | :08:21. | |
brought his horse and cart to Glastonbury. Steptoe and son, he is | :08:22. | :08:26. | |
about the most famous one. Time for some music, and who better to give | :08:27. | :08:31. | |
that to stand this year's emerging talent winner. Glastonbury Festival | :08:32. | :08:34. | |
every year holds a competition to find the hottest new act around and | :08:35. | :08:38. | |
we have this year's when a committee has been working very hard on site | :08:39. | :08:41. | |
doing lots of different shows, but delighted he has found time to | :08:42. | :08:44. | |
perform here, please welcome, Josh Barry. | :08:45. | :08:47. | |
# People running, always running, where they go, scared of stopping | :08:48. | :09:08. | |
# Can't even escape my mind, I'm just trying to stabilise, oh no, no. | :09:09. | :09:22. | |
# Nothing left to take away, all my faith. | :09:23. | :09:24. | |
# When I'm grown, maybe I will understand a little more. | :09:25. | :09:36. | |
# When I'm old, will you tell me when my judgment's going to come? | :09:37. | :09:51. | |
# Bruising, burning, ever earning, I shall learn. | :09:52. | :09:58. | |
# Never listen, in my prison, why's it so? | :09:59. | :10:09. | |
Erik everything that I've been hearing slowly is disappearing. | :10:10. | :10:14. | |
# When I'm grown, maybe I will understand a little more. | :10:15. | :10:21. | |
# When I'm old, won't you tell me when my judgment's going to come? | :10:22. | :10:28. | |
# When I'm grown, maybe I will understand. | :10:29. | :10:31. | |
# When I'm old, won't you tell me when my judgment's going to come? | :10:32. | :10:52. | |
# Nothing at all, nothing at all, no, no. | :10:53. | :11:13. | |
# Always wishing, something missing # | :11:14. | :11:40. | |
CHEERING and APPLAUSE. There you go, that is Josh Barry, how has it been | :11:41. | :11:53. | |
going, how has your Glastonbury bean? Very busy, show number seven. | :11:54. | :11:58. | |
Amazing though, thank you for having me. Had you been before a queue | :11:59. | :12:03. | |
times? Yes, I did it with Corgan city two years back, that was just | :12:04. | :12:11. | |
one show. A bit easier. Was the final in Filton working men 's club? | :12:12. | :12:16. | |
Yes, that is an interesting place. So going from there to playing seven | :12:17. | :12:21. | |
shows at last a break incredible. Yes, the manic, my manager and | :12:22. | :12:26. | |
everyone around me, these guys especially, seven shows is a lot. | :12:27. | :12:30. | |
You need a lot of sleep, put it that way. Catch up next week. We will see | :12:31. | :12:39. | |
you in the charts in the next few days. Thank you. | :12:40. | :12:43. | |
So here we go, perhaps one day in the legend spot will be Josh Barry, | :12:44. | :12:50. | |
aged 60 or 70, it is possible. Anything is possible, absolutely. | :12:51. | :12:55. | |
And we have another Barry in the legend spot this year, it is all | :12:56. | :12:58. | |
about Barry Gibb on the Pyramid Stage this afternoon. It has been a | :12:59. | :13:02. | |
fantastic set, and we bring it to you right now. | :13:03. | :13:05. | |
His match domain, glimmering smile and strides are synonymous with 70s | :13:06. | :13:17. | |
six appeal. But Barry Gibb is not just a master of high-pitched | :13:18. | :13:21. | |
perfection. One third of band of brothers, the Bee Gees, he is also | :13:22. | :13:24. | |
one of the great songwriters in history. You couldn't stay out of | :13:25. | :13:32. | |
the studio, and we didn't know whether what we were doing was going | :13:33. | :13:35. | |
to be successful or not, but we have to keep doing it. The brothers Gibb | :13:36. | :13:40. | |
had a marked resemblance to the Fab four when they made their top 20 | :13:41. | :13:49. | |
debut in 1967. And later that year, they scored their first UK number | :13:50. | :13:51. | |
one with Massachusetts. # Analytes all went out in | :13:52. | :13:57. | |
Massachusetts... The 70s got off to a slow start for | :13:58. | :14:08. | |
the ban. But as disco dawned, the trio were back on form, with an | :14:09. | :14:14. | |
endless flow of funky floor fillers. Their songs for the film Saturday | :14:15. | :14:16. | |
Night Fever soundtrack the late 70s. And in four years, the Bee Gees | :14:17. | :14:34. | |
racked up eight US number ones. As the disco era faded, Barry and the | :14:35. | :14:40. | |
boys turned to penning hits for the likes of Diana Ross, Dionne Warwick | :14:41. | :14:48. | |
and Kenny Rogers. They staged a smooth synth comeback in the 80s. | :14:49. | :14:56. | |
And 60s single, to love somebody, became one of the most covered songs | :14:57. | :15:00. | |
of all time. Losing brother Morris in 2003 and | :15:01. | :15:15. | |
Robin in 2012, Barry is the last surviving BG. I had very vivid | :15:16. | :15:20. | |
dreams of my brother. You see your brother and he is talking to the way | :15:21. | :15:24. | |
he always is, you want to go on stage, I was up for it and that was | :15:25. | :15:33. | |
the dream. Barry made a brief appearance last year at Worthy Farm | :15:34. | :15:39. | |
with Chris Martin and chums. But today he's back for a full Sunday | :15:40. | :15:46. | |
afternoon singalong. You don't consider doing the legend spot, they | :15:47. | :15:49. | |
ask you to do it, and if they ask you to do it, that is too much of an | :15:50. | :15:54. | |
honour, you cannot not do it. So pull out your flares, dust off that | :15:55. | :15:58. | |
medallion and show me some chest hair. Bee Gees's Barry Gibb on the | :15:59. | :16:04. | |
Pyramid Stage. I have got a couple of songs I am thinking of doing. | :16:05. | :16:28. | |
Thank you all very, very much, and good afternoon, | :16:29. | :25:04. | |
You don't know how beautiful you all look from here. | :25:05. | :25:10. | |
And it's a pleasure to be here, and an honour to be here | :25:11. | :25:13. | |
The last time was with Chris Martin and Coldplay, | :25:14. | :25:25. | |
and that was just a glimpse, for me, but a great honour, | :25:26. | :25:29. | |
OK, let's get it to the time, what do we call it, time | :25:30. | :25:37. | |
# Good morning Mr Sunshine, you brighten up my day | :25:38. | :26:06. | |
# I see you every morning, outside the restaurants | :26:07. | :26:30. | |
# Good morning Mr Sunshine, you brighten up my day | :26:31. | :28:04. | |
Let us do something nice and romantic. | :28:05. | :30:44. | |
# I can think of younger days when living for my life | :30:45. | :30:47. | |
# Was everything a man could want to do | :30:48. | :30:49. | |
# But I was never told about the sorrows | :30:50. | :31:01. | |
# How can you stop the rain from falling down? | :31:02. | :31:13. | |
# How can you stop the sun from shining? | :31:14. | :31:22. | |
# Please help me mend my broken heart and let me live again | :31:23. | :31:55. | |
# I can still feel the breeze that rustles through the trees | :31:56. | :32:01. | |
# No-one said a word about the sorrow | :32:02. | :32:23. | |
# And how can you mend a broken heart? | :32:24. | :32:28. | |
# How can you stop the rain from falling down? | :32:29. | :32:36. | |
# How can you stop the sun from shining? | :32:37. | :32:42. | |
# And how can you mend this broken man? | :32:43. | :32:54. | |
# Please help me mend my broken heart and let me live again | :32:55. | :33:15. | |
# Please help me mend my broken heart and let me live again | :33:16. | :33:39. | |
# I want my life to be lived with you | :33:40. | :34:51. | |
# You don't know what it's like, baby | :34:52. | :35:30. | |
# And I'm blind, so so sorrily blind | :35:31. | :36:28. | |
# You don't know what it's like, baby | :36:29. | :37:01. | |
It's been a good few months since I've heard an audience at all, | :37:02. | :38:55. | |
that's remarkable, thank you very, very much. | :38:56. | :38:59. | |
So I don't know if you're aware of it or not, but this | :39:00. | :39:02. | |
is the 40th anniversary of a certain movie. | :39:03. | :39:06. | |
And we sort of have to perform some of that stuff, and this song | :39:07. | :39:22. | |
is probably the most remembered, because it became some kind | :39:23. | :39:30. | |
of an anthem for CPR, and it's just maybe about the tempo, | :39:31. | :39:32. | |
I've got a couple of Sgt Pepper jackets, OK, but that's about it. | :39:33. | :39:49. | |
OK, let's get on with this, hope you enjoy it. | :39:50. | :40:09. | |
OK, I'd like to bring my eldest son to the stage now, | :40:10. | :44:19. | |
OK, I'd like to bring my eldest son to the stage now, | :44:20. | :44:35. | |
this is my eldest son over here, Stephen. | :44:36. | :44:41. | |
And we're going to do a song that my brother, Robin, | :44:42. | :44:44. | |
but we always enjoy playing it, it's called I've Gotta | :44:45. | :44:54. | |
# The preacher talked with me and he smiled, | :44:55. | :45:14. | |
# Said, "Come and walk with me, come and walk one more mile. | :45:15. | :45:20. | |
# Now for once in your life you're alone, | :45:21. | :45:26. | |
# But you ain't got a dime, there's no time for the phone." | :45:27. | :45:32. | |
# I've just got to get a message to you, hold on, hold on. | :45:33. | :45:43. | |
# One more hour and my life will be through, hold on, hold on. | :45:44. | :45:59. | |
# But if I broke her heart, won't you tell her I'm sorry. | :46:00. | :46:10. | |
# And for once in my life I'm alone, | :46:11. | :46:17. | |
# And I've got to let her know just in time before I go. | :46:18. | :46:22. | |
# I've just go to get a message to you, hold on, hold on. | :46:23. | :46:33. | |
# One more hour and my life will be through, hold on, hold on. | :46:34. | :46:48. | |
# Well, I laughed but that didn't hurt, | :46:49. | :46:54. | |
# And it's only her love that keeps me wearing this dirt. | :46:55. | :47:00. | |
# Now I'm crying but deep down inside, | :47:01. | :47:06. | |
# Well I did it to him, now it's my turn to die. | :47:07. | :47:12. | |
# I've just got to get a message to you, hold on, hold on. | :47:13. | :47:23. | |
# One more hour and my life will be through, hold on, hold on. | :47:24. | :47:44. | |
OK, time to go back to that film again. | :47:45. | :47:48. | |
OK, time to go back to that film again. | :47:49. | :48:05. | |
By the way, it was called Saturday Night Fever, | :48:06. | :48:08. | |
OK, this is my favourite song from that film. | :48:09. | :48:17. | |
# I know your eyes in the morning sun | :48:18. | :48:45. | |
# I feel you touch me in the pouring rain | :48:46. | :48:50. | |
# And the moment that you wander far from me | :48:51. | :48:55. | |
# And you come to me on a summer breeze | :48:56. | :49:04. | |
# Keep me warm in your love then you softly leave | :49:05. | :49:09. | |
# 'Cause we're living in a world of fools | :49:10. | :49:27. | |
# You're the light in my deepest darkest hour | :49:28. | :49:51. | |
# 'Cause we're living in a world of fools | :49:52. | :50:22. | |
# Da, da, da, da, da, da, da, da, da, da, da, da, da, da, da | :50:23. | :50:52. | |
# And you come to me on a summer breeze | :50:53. | :50:57. | |
# Keep me warm in your love then you softly leave | :50:58. | :51:01. | |
# 'Cause we're living in a world of fools | :51:02. | :51:19. | |
# 'Cause we're living in a world of fools | :51:20. | :51:49. | |
This is the song, this was the first song that we ever heard | :51:50. | :52:38. | |
Not so sure you're familiar with it, but I certainly am, | :52:39. | :52:43. | |
so let's give it a shot, it's called Spicks and Specks. | :52:44. | :52:47. | |
And I want to bring Beth to the stage, so we can pay tribute | :52:48. | :56:19. | |
to a couple of wonderful female artists that I've had | :56:20. | :56:23. | |
the opportunity of working with, and there's nobody better than Beth | :56:24. | :56:25. | |
Hang on a minute, I always have trouble pulling these things out. | :56:26. | :56:32. | |
# Shadows falling, baby, we stand alone | :56:33. | :57:09. | |
# Out on the street, anybody you meet got | :57:10. | :57:14. | |
# Make it a crime to be lonely or sad | :57:15. | :57:22. | |
# You battle on with the love you're living on | :57:23. | :57:32. | |
# Our love will climb any mountain near or far | :57:33. | :57:54. | |
# Eyes can see that we got a highway to the sky | :57:55. | :58:18. | |
# I don't want to hear your goodbye. | :58:19. | :58:36. | |
# Little by little we meet in the middle | :58:37. | :58:45. | |
# Make it a crime to be out in the cold | :58:46. | :58:54. | |
# You battle on with the love you're building on | :58:55. | :59:05. | |
# Eyes can see that we got a highway to the sky | :59:06. | :59:52. | |
# Eyes can see that we got a highway to the sky | :59:53. | :00:45. | |
OK, here's a song that Kenny sang on his own a couple of years back, | :00:46. | :01:27. | |
and I don't think Dolly sang it, but I know that Kenny did. | :01:28. | :01:31. | |
# Baby, when I met you there was peace unknown | :01:32. | :01:43. | |
# I set out to get you with a fine tooth comb | :01:44. | :01:48. | |
# I was soft inside, there was somethin' going on | :01:49. | :01:59. | |
# You do something to me that I can't explain | :02:00. | :02:03. | |
# Makin' love with each other, ah-ah | :02:04. | :02:34. | |
# Sail away with me to another world | :02:35. | :02:48. | |
# I can't live without you if the love was gone | :02:49. | :03:06. | |
# Everything is nothin' if you got no one | :03:07. | :03:11. | |
# Slowly losing sight of the real thing | :03:12. | :03:19. | |
# But that won't happen to us and we got no doubt | :03:20. | :03:23. | |
# Too deep in love and we got no way out | :03:24. | :03:26. | |
# This could be the year for the real thing | :03:27. | :03:35. | |
# We start and end as one, in love forever | :03:36. | :03:44. | |
# Makin' love with each other, ah-ah | :03:45. | :03:55. | |
# Sail away with me to another world | :03:56. | :04:06. | |
# Sail away with me to another world | :04:07. | :04:49. | |
Here's a couple you will never remember, OK? | :04:50. | :06:07. | |
# There is something goin' down And I can feel it | :06:08. | :06:16. | |
# Gimme that night fever Night fever | :06:17. | :06:45. | |
# Gimme that night fever Night fever | :06:46. | :07:20. | |
# We can take forever just a minute at a time | :07:21. | :08:14. | |
# Do do do do More than a woman | :08:15. | :08:17. | |
# More than a woman More than a woman | :08:18. | :08:39. | |
# Do do do do More than a woman | :08:40. | :08:59. | |
# Here we are in the room full of strangers | :09:00. | :10:15. | |
# Standing in the dark where your eyes couldn't see me | :10:16. | :10:25. | |
# Blaming it all on the nights on Broadway | :10:26. | :10:49. | |
# Singin' them straight to the heart songs | :10:50. | :10:55. | |
# Blamin' it all on the nights on Broadway | :10:56. | :10:59. | |
# How long will they stand between us? | :11:00. | :11:25. | |
# Blaming it all on the nights on Broadway | :11:26. | :11:46. | |
# Singin' them straight to the heart songs | :11:47. | :11:57. | |
# Blamin' it all on the nights on Broadway | :11:58. | :11:59. | |
# Even if it takes a life time, takes a life time | :12:00. | :13:04. | |
# Blaming it all on the nights on Broadway | :13:05. | :13:09. | |
# Singin' them straight to the heart songs | :13:10. | :13:13. | |
# Blamin' it all on the nights on Broadway | :13:14. | :13:20. | |
# Blaming it all on the nights on Broadway | :13:21. | :13:32. | |
# Singin' them straight to the heart songs | :13:33. | :13:35. | |
# Blamin' it all on the nights on Broadway | :13:36. | :13:37. | |
Let me introduce you to my guys, my gang. | :13:38. | :14:12. | |
Our three ladies, Charlotte, Lisa and Beth. | :14:13. | :14:33. | |
That's my gang, John Merchant, thank you so much. | :14:34. | :14:49. | |
And my daughter, Ali, who's actually on the videos, | :14:50. | :14:53. | |
gives me little cues, here and there. | :14:54. | :14:58. | |
She is wonderful and I love her, and I love them all, my family. | :14:59. | :15:01. | |
OK, shall I take this thing off? | :15:02. | :15:27. | |
I hope you've enjoyed all of this as much as we have playing it, | :15:28. | :15:36. | |
This song, I'd like to dedicate, always, to my wife, Linda. | :15:37. | :15:53. | |
But also I'd like to dedicate this to the people of Manchester, | :15:54. | :16:05. | |
the people of London, and just, you know, this | :16:06. | :16:09. | |
# 'Cause that would bring a tear to me | :16:10. | :16:45. | |
# Now, my love, right now there'll be | :16:46. | :16:59. | |
# It's only words, and words are all | :17:00. | :17:54. | |
# And you think that I don't even mean | :17:55. | :18:33. | |
# It's only words, and words are all I have | :18:34. | :18:46. | |
# It's only words, and words are all I have | :18:47. | :18:53. | |
# It's only words, and words are all I have | :18:54. | :19:10. | |
# It's only words, and words are all I have | :19:11. | :19:35. | |
Thank you, thank you for the life experience, just amazing. | :19:36. | :19:46. | |
CHANTING: "BARRY, WEAR THE JACKET, LA LA LA LA!" | :19:47. | :20:33. | |
Someone give it to me, it'd be a pleasure to put it on. | :20:34. | :20:43. | |
# In a world of tears I slowly drown | :20:44. | :22:32. | |
# When the feeling's gone and you can't go on | :22:33. | :22:53. | |
# When the morning cries and you don't know why | :22:54. | :23:00. | |
# When you lose control and you got no soul | :23:01. | :23:10. | |
# When the morning cries and you don't know why | :23:11. | :23:13. | |
# There's a burning down inside of me | :23:14. | :23:56. | |
# With a yearning that won't let me be | :23:57. | :24:04. | |
# And I just can't take it all alone | :24:05. | :24:09. | |
# When the feeling's gone and you can't go on | :24:10. | :24:27. | |
# When the morning cries and you don't know why | :24:28. | :24:31. | |
# When you lose control and you got no soul | :24:32. | :24:43. | |
# When the morning cries and you don't know why | :24:44. | :24:46. | |
# When the morning cries and you don't know why | :24:47. | :25:23. | |
# When you lose control and you got no soul | :25:24. | :25:36. | |
# When the morning cries and you don't know why | :25:37. | :25:39. | |
You guys have been the best, thank you | :25:40. | :26:27. | |
for the experience of a lifetime, and I hope to see you again soon. | :26:28. | :26:31. | |
Amazing. Magical. You can't ask for much more than that. Beautiful | :26:32. | :27:10. | |
weather, a quality band, a song book, almost beyond, you know equal | :27:11. | :27:16. | |
and a lovely personality, I mean genuinely moved by being here. The | :27:17. | :27:21. | |
lads in the audience handing the jacket up and him putting it on. | :27:22. | :27:29. | |
What a touch, it was magical. Fantastic set and Jo Whiley got to | :27:30. | :27:33. | |
catch up with him. And everybody gets involved and like the security | :27:34. | :27:38. | |
guards in the pit doing that dance. I saw them rehearsing that round the | :27:39. | :27:41. | |
side of the Pyramid Stage, I saw them doing the Tragedy dance. I | :27:42. | :27:44. | |
thought this is going to be excellent. And it was just a | :27:45. | :27:48. | |
wonderful atmosphere, genuinely it was, I saw the Jacksons last night | :27:49. | :27:51. | |
with a quality song book and this today, we still have Chic to come. | :27:52. | :27:56. | |
Jo has been catching up with him as he came off stage. | :27:57. | :28:00. | |
Barry Gibb, you have played on the Pyramid Stage, and that was a | :28:01. | :28:04. | |
triumph, a triumph. Thank you. How was it for you? Shocking, because | :28:05. | :28:09. | |
they were completely in the spirit of it, and you know, watching young | :28:10. | :28:13. | |
kids singing those songs after all these year, that is a great feeling | :28:14. | :28:20. | |
too. OK, I remember interviewing Lionel Richie when he came off, he | :28:21. | :28:23. | |
was almost speechless and couldn't believe the size of the crowd. Same | :28:24. | :28:27. | |
thing, it has been about three or four Mondays since I have had the | :28:28. | :28:31. | |
opportunity to go on stage, you know, so, so the band is wonderful, | :28:32. | :28:36. | |
and, we are looking to do another gig. How does it compare going out | :28:37. | :28:42. | |
on your own? Do you get nervous? Of course, every show is a terrifying | :28:43. | :28:46. | |
experience until that first song. And when you know that first song, | :28:47. | :28:51. | |
it is working, and the crowd is smiling, and you just know, so it is | :28:52. | :28:55. | |
like, you know, we have been doing this, or I have for 50 year, you | :28:56. | :29:01. | |
know, so, yeah, I look round and I don't see my brothers and you have | :29:02. | :29:05. | |
to deal with all of that. But I have done, and you can't live on that, | :29:06. | :29:08. | |
you know. But I never stop thinking they are standing next to me, that | :29:09. | :29:11. | |
is always there. Particularly on a day like today, which is a very | :29:12. | :29:17. | |
emotional day. It is a mixture of feelings, bitter-sweet, you know. | :29:18. | :29:21. | |
Great moments, I think of the times when we wrote those songs, the | :29:22. | :29:26. | |
collaboration, the conflict, of coming up with lyric, those moments | :29:27. | :29:31. | |
never go away. They would have loved it. Of course they would. It is | :29:32. | :29:34. | |
something they would have dreamed of doing too. How you feeling? Ready. | :29:35. | :29:41. | |
But I don't know what for. Ready for a sit down, a drink. Ready for | :29:42. | :29:45. | |
something. Did you hear from Chris Martin this morn something No. I | :29:46. | :29:51. | |
wondered whether he had made conxxxx contact. We haven't spoken since | :29:52. | :29:55. | |
that night. This is the never ending tour. But I look forward to speaking | :29:56. | :30:00. | |
to him at some point. Maybe you will get a call, a gig review after. I | :30:01. | :30:03. | |
don't know. I don't know, I think they are very busy. It is all about | :30:04. | :30:09. | |
you. Yes, but I am a fan, so it's all right. Congratulations, well | :30:10. | :30:13. | |
done, it was wonderful today, great sight. Thank you. Thank you so much. | :30:14. | :30:20. | |
So touching, how poignant is that. It will be interesting to see, what | :30:21. | :30:24. | |
happens in the chart, because often after the legends slot, you see | :30:25. | :30:29. | |
people's back catalogue rocketing, lie Nel Richie hat his first number | :30:30. | :30:34. | |
one in 25 careers in Britain after his performance, after that, today, | :30:35. | :30:40. | |
who knows. Just memories of his brothers, and you were saying after | :30:41. | :30:44. | |
the festival. Not only is he nice but everybody who came with him is | :30:45. | :30:48. | |
amazing. That is what I heard from the team. He is one of the loveliest | :30:49. | :30:53. | |
artists to work with. And big on family, clearly. While we are | :30:54. | :30:57. | |
talking about family, can I say hello to my grandchildren, who have | :30:58. | :31:02. | |
been watching, sent us a photo of watching grandad on the telly. We | :31:03. | :31:07. | |
will head up to the west holds stage and check out Shaggy. It was | :31:08. | :31:08. | |
definitely him. # Honey came in and she caught me | :31:09. | :31:34. | |
red-handed # Picture this we were both | :31:35. | :31:37. | |
butt-naked # How could I forget | :31:38. | :31:42. | |
that I had given her an extra key? # All this time she was standing | :31:43. | :31:46. | |
there she never took her eyes off me # How you can grant the woman access | :31:47. | :31:48. | |
to your villa? # Trespasser and a witness | :31:49. | :31:50. | |
while you cling on your pillow # You better watch your back before | :31:51. | :31:52. | |
she turn into a killer # Best for you and the situation not | :31:53. | :31:54. | |
to call the beaner # To be a true player | :31:55. | :31:56. | |
you have to know how to play # If she say you're not, | :31:57. | :31:58. | |
convince her, say you're gay # Makes a claim and you tell her, | :31:59. | :32:00. | |
baby, no way # Heard the screams getting louder | :32:01. | :32:03. | |
It wasn't me # Honey came in | :32:04. | :32:20. | |
and she caught me red-handed # Picture this we were both | :32:21. | :32:26. | |
butt-naked # I had tried to keep her from | :32:27. | :32:30. | |
what she was about to see # Why should she believe me | :32:31. | :32:38. | |
when I told her it wasn't me? # Make she know say that she really | :32:39. | :32:43. | |
know no right prefix # Whenever you should see her make | :32:44. | :32:45. | |
da gigolo flex # As funny as it be by you | :32:46. | :32:48. | |
it not that complex # Seein' is believin' so you better | :32:49. | :32:50. | |
change your specs # You know she not gonna be worrying | :32:51. | :32:54. | |
about things from the past # Hardly recollecting and then | :32:55. | :32:55. | |
she'll go to noontime mass # But if she pack a gun | :32:56. | :33:00. | |
you know you better run fast # Heard the screams getting louder | :33:01. | :33:04. | |
It wasn't me # Honey came in and she caught me | :33:05. | :33:22. | |
red-handed # Picture this we were | :33:23. | :33:26. | |
both butt-naked # How could I forget | :33:27. | :33:32. | |
that I had given her an extra key? # All this time she was standing | :33:33. | :33:42. | |
there she never took her eyes off me Glastonbury. If you get caught | :33:43. | :33:56. | |
red-handed, you should look her in the eye and you say, you say... You | :33:57. | :34:08. | |
say Crowd chants: It wasn't me. It wasn't me. What you say? It wasn't | :34:09. | :34:20. | |
me. Never fear. And if you do that and your ass gets kicked out and you | :34:21. | :34:26. | |
are sleeping on the couch, don't blame it on me, it wasn't me. You go | :34:27. | :34:38. | |
on your knee and you look her in the eye and you beg. You look her in the | :34:39. | :34:41. | |
eye and you say something like - # Honey came in and she caught me | :34:42. | :35:18. | |
red-handed # Picture this we were both | :35:19. | :35:20. | |
butt-naked # How could I forget | :35:21. | :35:23. | |
that I had given her an extra key? # All this time she was standing | :35:24. | :35:27. | |
there she never took her eyes off me # It wasn't me force It wasn't me It | :35:28. | :35:45. | |
wasn't me # It wasn't me, | :35:46. | :35:49. | |
# It wasn't me # | :35:50. | :35:55. | |
Glastonbury. Shaggy, sounding sensational in the | :35:56. | :36:00. | |
sunshine up on the West Holts stage who've had the most fantastic | :36:01. | :36:04. | |
line-up. I think if I had to pick one stage I would stick at, it | :36:05. | :36:10. | |
would've been West Holts for me this year. If you want to check out | :36:11. | :36:14. | |
anything you might have missed, there are over 100 performances you | :36:15. | :36:17. | |
can watch online at bbc.co.uk/Glastonbury. I was there | :36:18. | :36:21. | |
last night and watched the Jacksons. Another classic song catalogue. | :36:22. | :36:29. | |
Another legends slot. And we had English National Opera opening up | :36:30. | :36:33. | |
the other year And we had ear Ache but how about a bit of brass band | :36:34. | :36:37. | |
music? LAND OF HOPE AND GLORY PLAYS Welcome | :36:38. | :37:01. | |
to Queensberry the home of the Black Dyke Band. This has been the home of | :37:02. | :37:08. | |
the band since 1855. It was here in the North that blahs bands began in | :37:09. | :37:11. | |
the early 19th century. The mill owners and pit bosses realise the | :37:12. | :37:14. | |
that workers' morale was boosted by music after a hard day's work. Into | :37:15. | :37:24. | |
these are all amateurs. We are all amateur musicians. | :37:25. | :37:25. | |
these are all amateurs. We are all amateur musicians. We have normal | :37:26. | :37:30. | |
jobs. We are amateurs but like Olympicians. Because these are the | :37:31. | :37:35. | |
very best. We've had many association was famous people over | :37:36. | :37:42. | |
the years. Perhaps the most famous was Paul McCartney when he was with | :37:43. | :37:58. | |
The Beatles. We recorded Yellow Sub marine and Thingy Me Bob. The band | :37:59. | :38:02. | |
have typical concerts throughout the year. Glastonbury is fantastic for | :38:03. | :38:07. | |
us. Something unique. We have not done a festival such as this. I'm | :38:08. | :38:15. | |
looking forward to waking up all the hungover people from the night | :38:16. | :38:19. | |
before with brass banding. Maybe that no-one has heard before and | :38:20. | :38:22. | |
probably think is boring and we're going to show them it is not as | :38:23. | :38:26. | |
boring as they think, it is quite exciting. Just to play on the stage | :38:27. | :38:30. | |
will be phenomenal. Can't wait. We are a brass band, we're from | :38:31. | :38:34. | |
Yorkshire, it is one of the things that Yorkshire does best. Morning. | :38:35. | :38:45. | |
We'll get warmed up and psyched up and go on stage and smash it. | :38:46. | :38:57. | |
When we walk on stage with our uniforms, golden lapels bow ties, I | :38:58. | :39:06. | |
think there will be a few eyebrows raised. Good morning Glastonbury. | :39:07. | :39:59. | |
APPLAUSE That was awesome, amazing I couldn't | :40:00. | :40:39. | |
believe how the day went. They got me more excited. We'll probably have | :40:40. | :40:45. | |
a well-deserved beer A great festival for music and performing a | :40:46. | :40:49. | |
arts everywhere. We'll just go out and soak it all up. | :40:50. | :40:57. | |
Just something about that sound that makes me want to join in. Whether it | :40:58. | :41:06. | |
is a brass band or New Orleans Hot Air who were with us. It is like | :41:07. | :41:10. | |
everybody, something is happening, join in and march. If I hear a brass | :41:11. | :41:16. | |
band I have to walk in time. I liked she said - we're going to smash T | :41:17. | :41:22. | |
why wouldn't they say it? Like any band on the Introducing Stage. We're | :41:23. | :41:27. | |
going to have an acoustic. This was someone singing up a storm in | :41:28. | :41:31. | |
rehearsal. Astonishing stuff. The most recent album is My Wild West. | :41:32. | :41:37. | |
Originally from Illinois, this is Lissie. | :41:38. | :41:47. | |
# I've got a feeling like I'm almost there | :41:48. | :41:54. | |
# And I think I might belong somewhere | :41:55. | :42:04. | |
# I've been disbelieving in my own heart | :42:05. | :42:15. | |
# And the deceiving is the hardest part | :42:16. | :42:22. | |
# And I feel the knowing that I must be going | :42:23. | :42:29. | |
# Ojai, I don't wanna leave you behind | :42:30. | :42:40. | |
# But you know that I made up my mind | :42:41. | :42:46. | |
# So goodbye, I know I'm gonna see you again | :42:47. | :42:56. | |
# And I'll be thinking of you until then, Ojai | :42:57. | :43:07. | |
# I miss the seasons, I miss the land | :43:08. | :43:16. | |
# I miss them for reasons I don't understand | :43:17. | :43:18. | |
# Ojai, I don't wanna leave you behind | :43:19. | :43:40. | |
# But you know that I made up my mind | :43:41. | :43:45. | |
# So goodbye; I know I'm gonna see you again | :43:46. | :43:58. | |
# And I'll be thinking of you until then, Ojai | :43:59. | :44:08. | |
# Ojai, I don't wanna leave you behind | :44:09. | :44:31. | |
# Ojai, I don't wanna leave you behind | :44:32. | :44:37. | |
# But you know that I made up my mind | :44:38. | :44:43. | |
# So goodbye, I know I'm gonna see you again | :44:44. | :44:58. | |
# And I'll be thinking of you until then, Ojai # | :44:59. | :45:03. | |
APPLAUSE Fantastic stuff from Lissie. How has | :45:04. | :45:13. | |
your Glastonbury been? Awesome, short. I just got here yesterday but | :45:14. | :45:19. | |
so much fun, magical. You live in Iowa? I bought a farm there noshgts | :45:20. | :45:26. | |
eastern, it is great to be back on auto farm. You were in California? | :45:27. | :45:32. | |
Yes and the move prompted me to write my Wild West. It is all about | :45:33. | :45:37. | |
leaving California to go back to the Midwest where I'm from? You are | :45:38. | :45:43. | |
happy there? Yes, close to family, learning about bee-keeping and | :45:44. | :45:46. | |
gardening a lot. And learning more about the land and all that stuff | :45:47. | :45:53. | |
so... Good, lovely to see you. Enjoy the rest of your week. Sensational, | :45:54. | :46:02. | |
the pipes and the background there. We are minutes away, ladies and | :46:03. | :46:05. | |
gentlemen, from Chic Chic who are coming up, but first, today's secret | :46:06. | :46:11. | |
guests. Jo Whiley is with them in the Dome, back stage. | :46:12. | :46:20. | |
How was it for you? It was a ruckus, it was good. We have good memories | :46:21. | :46:30. | |
of that tent. So it was a bit nostalgic but it felt fresh. I feel | :46:31. | :46:34. | |
good about it. Tell us about the memories? The first time we played | :46:35. | :46:39. | |
there was about 13 years ago, and we, some kind of switch had been | :46:40. | :46:44. | |
flipped we weren't aware of. When we came out the crowd was different and | :46:45. | :46:49. | |
it has never been the same, it has always been that way since. Before | :46:50. | :46:53. | |
then we we are earning it. Earning it, and now we are just spoiled I | :46:54. | :46:58. | |
guess. In 2007 you said it would be the last time you would come to | :46:59. | :47:03. | |
Glastonbury. I did not say that. You might have done. We had issues with | :47:04. | :47:07. | |
the sound, it wasn't our fault. You chose that. We will be back next | :47:08. | :47:12. | |
year. Headlining? I don't know. Playing the tent again. How does it | :47:13. | :47:16. | |
feel to be together again, last time I saw you it was solo stuff and now | :47:17. | :47:22. | |
all together? It feels good. Reading -- riding a bike. It feels natural | :47:23. | :47:28. | |
As natural as slot machines in the laundry. If that makes any sense. It | :47:29. | :47:34. | |
makes no sense. Have you ever done a festival and gone out in disguise. I | :47:35. | :47:38. | |
have seen people who wear the bucket hats. You weren't Lord bucket head. | :47:39. | :47:46. | |
I don't mind taking couple of hundred selfies. It probably makes | :47:47. | :47:50. | |
you happy. We don't mind it. You used to talk a lot, you know. You | :47:51. | :47:56. | |
have changed. I'm tired. I am on two hours sleep. Sum up what it was like | :47:57. | :48:02. | |
today. Well, it was, it was daunting to walk out to what we walked out | :48:03. | :48:08. | |
to. It was an impressive thing. It felt great. We have played Mr Bright | :48:09. | :48:14. | |
side probably 1500 time, live, and I think that was the craziest it has | :48:15. | :48:19. | |
ever been. It is... It must have been emotional. There is a thing | :48:20. | :48:23. | |
that happens when you walk out on a stage like that, where, you are not | :48:24. | :48:26. | |
in control of your own body, you feel yourself hitting things but you | :48:27. | :48:30. | |
are not sure if you are the one doing it. It was that kind of... | :48:31. | :48:35. | |
Experience. Well done on keeping it a secret. I don't think it was a | :48:36. | :48:42. | |
secret. Car 1900. Here they are. These are the killers on John Peel | :48:43. | :48:45. | |
and flashing images here, just to warn you. | :48:46. | :48:49. | |
We're the killers. # Now I'm falling asleep | :48:50. | :49:28. | |
And she's calling a cab # While he's having a smoke | :49:29. | :49:32. | |
And she's taking a drag # And she's taking a drag | :49:33. | :49:34. | |
And I've been doing just fine # Now they're going to bed | :49:35. | :50:51. | |
And my stomach is sick CHEERING AND APPLAUSE | :50:52. | :52:54. | |
Lad alive, it has been all the hits today and if you want More Killers | :52:55. | :53:02. | |
8pm BBC Four in full on your telly. But, do you really want do that is | :53:03. | :53:06. | |
this we have the party started with Barry Gibb, and some disco classics | :53:07. | :53:09. | |
and ballads to put you in the mood. But we can take you to the party to | :53:10. | :53:16. | |
a hiring level, can't we. I have my disco pans on, let's do it. Nile | :53:17. | :53:22. | |
Roger, Chic. What can you say. Put your hands together, everybody. | :53:23. | :55:09. | |
Come on. # Everybody dance | :55:10. | :55:15. | |
# Everybody dance | :55:16. | :55:40. | |
# Bop-shoo-wa, bop-shoo-wa, bop-shoo-wa | :55:41. | :56:25. | |
# Come on everybody, get on your feet | :56:26. | :57:03. | |
# Everybody dance # Everybody dance | :57:04. | :57:53. | |
thank you. I Want Your Love. Come on, everybody sing it with us. | :57:54. | :59:35. | |
# To try my love and see how well it fits? | :59:36. | :59:58. | |
# Baby, can't you see, when you look at me | :59:59. | :00:01. | |
# I can't kick this feelin' when it hits | :00:02. | :00:04. | |
# I grab my pillow and squeeze it tight | :00:05. | :00:14. | |
# I think of you and I dream of you all the time | :00:15. | :00:18. | |
# Sometime, don't you feel like you I want your love | :00:19. | :00:42. | |
# Never really had a love that's real? | :00:43. | :00:46. | |
# A better love you won't find today? | :00:47. | :00:54. | |
# Just one chance and I will show you love | :00:55. | :00:58. | |
# I want your lovin', please don't make me beg | :00:59. | :01:12. | |
# I want your love, I want your love | :01:13. | :02:05. | |
# Your lovely need # | :02:06. | :02:20. | |
Woo # Yeah, yeah, yeah | :02:21. | :02:47. | |
# You know what, it's time to get funky | :02:48. | :02:47. | |
# It's time to get funky, yeah # I want your love, | :02:48. | :04:32. | |
I want your love Yeah | :04:33. | :04:37. | |
# I want your love# # Right now | :04:38. | :05:42. | |
# Oh, yeah, yeah Give it up for the trumpet player | :05:43. | :06:13. | |
and Miss Kimberly Davis on vocals. So, before we go on, I just got to | :06:14. | :06:19. | |
say a little something. I've been here in London, in England for about | :06:20. | :06:25. | |
ten days now and I got to be honest with you, it's been the most | :06:26. | :06:29. | |
inspirational period of my life. I got here, I arrived the day after | :06:30. | :06:38. | |
the horrible fire. A friend of mine called me up and he told me to come | :06:39. | :06:43. | |
down andville tier. I have to be honest with you, I never saw such | :06:44. | :06:48. | |
spirit as the spirit I saw with those volunteers. It was unreal, | :06:49. | :06:53. | |
man. It was unreal. We packed clothing, we shipped clothing. I | :06:54. | :06:56. | |
mean people's spirit, instead of what I was seeing on the television | :06:57. | :07:01. | |
when I was flying over, seeing a bunch of people being angry and | :07:02. | :07:04. | |
stuff, I saw a bunch of people who were full of love. They were filled | :07:05. | :07:13. | |
with hope and I got to be honest with you, the pay that they treated | :07:14. | :07:21. | |
me, I walked into the centre and the woman said to me - now Roger, I'm | :07:22. | :07:28. | |
happy you are here, here's a pair of gloves, do some work! It was | :07:29. | :07:34. | |
unbelievable. She had me packing clothing, doing clothing all sorts | :07:35. | :07:37. | |
of things. I've got to be honest with you, her spir and the all of | :07:38. | :07:42. | |
those volunteers d her spirit and all of those volunteers, brought a | :07:43. | :07:47. | |
tear to my eye. It was like we were here last time, you guys made us all | :07:48. | :07:53. | |
feel so welcome. I just want to thank you. You are a great country, | :07:54. | :08:00. | |
great people, thank you so much. So, I don't want to be corny and bring | :08:01. | :08:06. | |
you down, so I just want to say that I feel like a really, really happy | :08:07. | :08:11. | |
man because I have, like the best job in the world. I get to write and | :08:12. | :08:17. | |
produce songs for lots of really big stars and every now and then, some | :08:18. | :08:24. | |
of those records go number one. Now I'm going ego trip and just play my | :08:25. | :08:41. | |
number one records. I'm going to start off, we'll do a medley of some | :08:42. | :08:49. | |
of my number ones. This is a song I did for Diana Ross. It's called I'm | :08:50. | :08:54. | |
Coming Out. Here is the deal. When we get to the chore chorus, you guys | :08:55. | :09:03. | |
have to sing with us. The lyrics are simple. "I'm coming out." You got | :09:04. | :09:10. | |
it. Here we go you all, let's do this. One, two, one, two, three, | :09:11. | :09:12. | |
and... # I'm coming out, I want | :09:13. | :09:19. | |
the world to know # I'm coming out, I want | :09:20. | :09:48. | |
the world to know # I'm coming out, I want | :09:49. | :10:09. | |
the world to know # I got to let it | :10:10. | :10:16. | |
show # There's a new me coming out, | :10:17. | :10:22. | |
I just have to live # And I wanna give, I'm | :10:23. | :10:25. | |
completely positive # I think this time around, I am | :10:26. | :10:32. | |
gonna do it # The time has come for me | :10:33. | :10:36. | |
to break out of the shell # I have to shout, "I am coming | :10:37. | :10:46. | |
out" I'm coming out, # I want the world to know I got | :10:47. | :10:48. | |
to let it show # I'm coming out, I want | :10:49. | :10:54. | |
the world to know # I'm coming out, I want | :10:55. | :10:59. | |
the world to know # I've got to show the world | :11:00. | :11:02. | |
all that I wanna be # And all my abillities, | :11:03. | :11:11. | |
there's so much more to me # Somehow, I have to make | :11:12. | :11:13. | |
them just understand # I've got it well in hand and, | :11:14. | :11:15. | |
oh, how I've planned # I'm spreading love, | :11:16. | :11:17. | |
there is no need to fear # And I just feel so good | :11:18. | :11:22. | |
every time I hear # I'm coming out, I want | :11:23. | :11:26. | |
the world to know # I'm coming out, I want | :11:27. | :11:30. | |
the world to know # Around and round | :11:31. | :11:41. | |
you're turning me # Respectfully I see to thee I'm | :11:42. | :12:51. | |
aware that you're cheating # When no one makes | :12:52. | :13:28. | |
me feel like you do # As long as the sun | :13:29. | :13:29. | |
continues to shine # There's a place in my heart | :13:30. | :13:54. | |
for you that's the bottom line # Nah, nah, nah, nah, nah, nah | :13:55. | :13:56. | |
# Nah, nah, nah, nah, nah # One night in a disco | :13:57. | :14:51. | |
on the outskirts of Frisco # I was cruisin' | :14:52. | :15:06. | |
with my favourite gang # The place was so borin', | :15:07. | :15:10. | |
filled with out-of-towners tourin' # I really wasn't carin' | :15:11. | :15:14. | |
but I felt my eyes starin' # At a guy who stuck out | :15:15. | :15:21. | |
in the crowd # He had the kind of body | :15:22. | :15:26. | |
that would shame Adonis # And a face | :15:27. | :15:31. | |
that would make any man proud # He's the greatest | :15:32. | :15:35. | |
dancer # The champion of dance, | :15:36. | :15:48. | |
his moves would put you in a trance # And he never leaves | :15:49. | :15:56. | |
the disco alone # Arrogance but not conceit | :15:57. | :16:00. | |
as a man he is complete # My creme de la creme, | :16:01. | :16:04. | |
please take me home # He wears the finest clothes, | :16:05. | :16:08. | |
the best designers, heaven knows # Ooo, from his head down | :16:09. | :16:12. | |
to his toes # Hey, and we flock just | :16:13. | :16:16. | |
like birds of a feather # All of the people | :16:17. | :17:51. | |
around us they say # We're giving love | :17:52. | :17:59. | |
in a family dose # I got all my sisters | :18:00. | :18:05. | |
with me # Living life is fun | :18:06. | :18:17. | |
and we've just begun # To get our share of | :18:18. | :18:41. | |
the world's delights # Cause here's what we | :18:42. | :18:47. | |
call our golden rule # Have faith in you | :18:48. | :19:03. | |
and the things you do # Hey, hey we fry together | :19:04. | :20:10. | |
# Like Birds of a Feather # Hey | :20:11. | :20:18. | |
# Oh yeah # Hey | :20:19. | :21:10. | |
Glastonbury make some noise. I said make some noise! Noise! | :21:11. | :21:24. | |
CHEERING Kimberley... | :21:25. | :21:58. | |
# Hey, yeah # Whoa... | :21:59. | :22:26. | |
# Oh yeah # Oh yeah | :22:27. | :22:32. | |
# We are family # We are family | :22:33. | :22:39. | |
# Yes # We are family | :22:40. | :22:46. | |
# Yes we are family # We are family | :22:47. | :22:55. | |
# Oh yeah. # Thank you! Kimberley Davis, give it | :22:56. | :23:05. | |
up for her y'all. We want do a song that we never ever | :23:06. | :23:11. | |
get a chance to play, but the last time we were here you guys were so | :23:12. | :23:16. | |
awesome it feels like we just do any old song we wan. This is a song from | :23:17. | :23:23. | |
our third album. It's called My Feet Keep Dancing. I said it's called My | :23:24. | :23:27. | |
Feet Keep Dancing. Dancing. CHEERING AND APPLAUSE | :23:28. | :23:29. | |
Let's do it. # My feet keep dancing, | :23:30. | :23:56. | |
dancing, dancing # I need some help, | :23:57. | :24:07. | |
I get beside myself # And I got so many | :24:08. | :24:09. | |
things in life to do # Like, reach for a star or maybe | :24:10. | :24:16. | |
shoot ten under par # I'd like to do it | :24:17. | :24:19. | |
all before I'm through # Fly into space or maybe | :24:20. | :24:23. | |
save the human race # All these things | :24:24. | :24:25. | |
seem so appealing # But I'll never get the chance, | :24:26. | :24:31. | |
'cause all I do is dance # My mama said my | :24:32. | :24:37. | |
brains are in my feet # My feet keep dancing, | :24:38. | :24:48. | |
dancing, dancing # Papa told me, every night | :24:49. | :25:03. | |
when he would scold me # He knew I'd never | :25:04. | :25:04. | |
make him very proud # So I ran away from | :25:05. | :25:07. | |
home to live all alone # And make myself | :25:08. | :25:09. | |
a standout in the crowd # Then it hit, my | :25:10. | :25:14. | |
ideas began to fit # I had to be what I | :25:15. | :25:22. | |
was meant to be # Now my name is up in lights | :25:23. | :25:24. | |
and I hoof here every night # They were right my | :25:25. | :25:27. | |
brains are in my feet # My feet keep dancing, | :25:28. | :25:57. | |
dancing, dancing # My feet keep dancing, | :25:58. | :26:06. | |
dancing, dancing # Dancing, dancing | :26:07. | :26:51. | |
dancing, dancing CHEERING AND APPLAUSE | :26:52. | :27:15. | |
Thank you. So, the last time we played here, was about four years | :27:16. | :27:22. | |
ago. And at that time, I didn't share this with you, but a couple of | :27:23. | :27:28. | |
years before that, my doctors had told me that I was suffering from | :27:29. | :27:32. | |
extremely aggressive cancer, and that I needed to go home and get my | :27:33. | :27:40. | |
affairs in order. So, I went home and I did a little thinking and I | :27:41. | :27:44. | |
thought to myself, well I'm a musician, if I'm going to get my | :27:45. | :27:48. | |
affairs in order what would that mean to me? Well, I happened to get | :27:49. | :27:58. | |
a phone call from two French guys called Daft Punk and a gentleman | :27:59. | :28:03. | |
named Pharrell Williams. And we got together, and we wrote | :28:04. | :28:11. | |
this song called Get Lucky. And I feel like the luckiest man in the | :28:12. | :28:15. | |
world tonight, because six years after that doctor told me to go home | :28:16. | :28:22. | |
and get my affairs in order, today, six years later, I am cancer free! | :28:23. | :28:34. | |
CHEERING So, as I said to you a little | :28:35. | :28:39. | |
earlier, I got the best job in the world, because I get to write and | :28:40. | :28:44. | |
produce songs for a lot of really big stars. So I did this song with | :28:45. | :28:49. | |
Daft Punk and Farrell William, but you know Chic we are a disco band, | :28:50. | :28:56. | |
we are an R B band, a funk band so every time we do a song we have to | :28:57. | :29:00. | |
put a little bit of extra soul into it. | :29:01. | :29:07. | |
Because that is who we are. So... I want to show you the way I | :29:08. | :29:23. | |
feel today. Kimberley. # Ooh | :29:24. | :29:28. | |
# Yeah All right. You want it take this | :29:29. | :34:17. | |
party to a whole another level? I said do you want to take this part | :34:18. | :34:21. | |
to a whole another level? So I'm going to turn it over to my man on | :34:22. | :34:28. | |
drums, the crazy Ralph. A funk party getting ready to go down. OK. | :34:29. | :34:42. | |
Glastonbury. Glastonbury. Glastonbury. | :34:43. | :34:53. | |
I don't know, I don't know, Glastonbury. That's a little better. | :34:54. | :35:00. | |
One more time I'm saying, Glastonbury. CHEERS | :35:01. | :35:08. | |
I tell you one thing for sure, there's a party in the house | :35:09. | :35:18. | |
tonight. And man you guys are on fire right now. This is so great. | :35:19. | :35:24. | |
You are all 100%. You are 100 proof. You'll all have to bane done ship. | :35:25. | :35:30. | |
As we say in the States - for right now this band you are seeing right | :35:31. | :35:34. | |
here has been on tour, for three years, just having a good time and | :35:35. | :35:39. | |
the band is tight and the band is tight and we're about to show you | :35:40. | :35:43. | |
how tight and right the band is tonight. Are you all right for this? | :35:44. | :35:48. | |
Are you all right for this? I said, ladies, are you all ready for this? | :35:49. | :36:02. | |
Aha. Ladies in the audience, are you already for this? Aha. Ladies in the | :36:03. | :36:08. | |
audience. Yeah. Are you all ready for this? Fella, whoo, whoo, whoo. | :36:09. | :36:22. | |
OK, OK, five or six Chihuahuas. I want the big dogs and only the big | :36:23. | :36:29. | |
dogs. Come on, let me hear, whoo, whoo, whoo. | :36:30. | :36:33. | |
Let me hear you say, one, One. Two. Two. One, two, one two, three... | :36:34. | :36:56. | |
Glastonbury, let me hear you say yeah. Say yeah. Somebody, please. | :36:57. | :37:06. | |
# Put on your red shoes and dance the blues | :37:07. | :37:11. | |
# To the song they're playing on the radio | :37:12. | :37:20. | |
# Sway through the crowd to an empty space | :37:21. | :37:50. | |
# Because my love for you would break my heart in two | :37:51. | :38:03. | |
# For fear your grace should fall | :38:04. | :38:29. | |
# Let's sway you could look into my eyes | :38:30. | :38:49. | |
# Under the moonlight this serious moonlight | :38:50. | :39:03. | |
# And if you say run, I'll run with you | :39:04. | :39:06. | |
# And if you say hide, we'll hide | :39:07. | :39:12. | |
# Because my love for you would break my heart in two | :39:13. | :39:20. | |
I want everybody, everybody at the side, everybody at the back, | :39:21. | :39:42. | |
everybody that can hear me, put your hands in the air right now, let me | :39:43. | :39:48. | |
see, you, jump, jump, come on, jump, jump, come on, everybody, jump, | :39:49. | :39:54. | |
jump, jump, come on, jump, jump, now somebody sing force | :39:55. | :40:01. | |
# Put on your red shoes and dance the blues | :40:02. | :40:06. | |
# To the song they're playing on the radio | :40:07. | :40:19. | |
One for time Glastonbury, put your hands in the air, come on, come on, | :40:20. | :40:48. | |
jump, jump, jump, jump, jump. Come on. | :40:49. | :40:51. | |
# Let's dance. Oh, oh. # Let's dance. | :40:52. | :41:07. | |
# Now somebody scream... # Dance# | :41:08. | :41:09. | |
Thank you. Are you ready to freak out? I said - | :41:10. | :41:38. | |
are you ready to freak out? CROWD CHEERS | :41:39. | :41:56. | |
# Have you heard about the new dance craze? | :41:57. | :42:33. | |
# Listen to us, I'm sure you'll be amazed | :42:34. | :42:35. | |
# Young and old are doing it, I'm told | :42:36. | :42:47. | |
# Just one try, and you too will be sold | :42:48. | :42:49. | |
# Come on along and have a real good time | :42:50. | :43:47. | |
# Like the days of stomping at the Savoy | :43:48. | :43:50. | |
# Come on along and have a real good time | :43:51. | :45:55. | |
# Like the days of stomping at the Savoy | :45:56. | :46:03. | |
# Find a spot out on the floor | :46:04. | :46:11. | |
Everybody one time. Freak out. Thank you, thank you. Before we get out of | :46:12. | :46:51. | |
here tonight I want to take a couple of minutes to introduce you to the | :46:52. | :46:57. | |
members of the band. Over on keyboards and vocals, Mr Richard | :46:58. | :47:03. | |
Hilton give it up for him. And on trumpet, Mr Curt Grant. you can | :47:04. | :47:18. | |
co-better than that, Curt Grant on trumpet. On saxophone Mr Dan | :47:19. | :47:27. | |
Moretti, and on drums, the one and only Ralph Roe. On funky funky bass | :47:28. | :47:38. | |
Mr Gerry Bonds, the newest member of the Chic organisation on vocals Mr | :47:39. | :47:45. | |
Russell Gramm and on vocals stage left if one and only Felamy. On | :47:46. | :47:55. | |
stage right Kimberley Davis. Give us up for this man right here, this man | :47:56. | :48:01. | |
has sold over 400 million records round the world. That man right | :48:02. | :48:07. | |
there. He has three Grammy Awards, he has a Brit music award, a | :48:08. | :48:12. | |
Canadian music award, he was GQ Man of the Year twice, because he is | :48:13. | :48:18. | |
just that cool. That man right there. There. 2 the Captain of cool | :48:19. | :48:23. | |
Mr Nile Rodgers. CHEERING AND APPLAUSE | :48:24. | :48:35. | |
Captain cool. That is what we call him. Captain Cool how you doing? I'm | :48:36. | :48:41. | |
all right Ralph. So we have one more song we want to do for you, now | :48:42. | :48:47. | |
somehow every time we play this song, a disco party magically breaks | :48:48. | :48:54. | |
out on the stage. This song is called Good Times this is what Chic | :48:55. | :49:45. | |
# Good times, these are the good times | :49:46. | :49:51. | |
# Good times, these are the good times | :49:52. | :50:09. | |
# The time is right for makin' friends | :50:10. | :50:30. | |
# Let's get together, how 'bout a quarter to ten | :50:31. | :50:37. | |
# Come tomorrow, let's all do it again | :50:38. | :50:37. | |
# Boys will be boys, better let them have their toys | :50:38. | :50:39. | |
# Girls will be girls, cute pony tails and curls | :50:40. | :50:45. | |
# Must put an end to this stress and strife | :50:46. | :50:48. | |
# I think I want to live the sporting life | :50:49. | :50:55. | |
# Our new state of mind, these are the good times | :50:56. | :51:28. | |
# A rumour has it that it's getting late | :51:29. | :51:31. | |
# The clock keeps turning, why hesitate | :51:32. | :51:40. | |
# You silly fool, you can't change your fate | :51:41. | :51:44. | |
# Let's cut the rug, little jive and jitterbug | :51:45. | :51:49. | |
# We want the best, we won't settle for less | :51:50. | :51:53. | |
# Clams on the half shell and roller skates, roller skates | :51:54. | :52:01. | |
# Leave your cares behind, these are the good times | :52:02. | :52:11. | |
# Our new state of mind, these are the good times | :52:12. | :52:32. | |
All right Glastonbury. Are you ready to have an old school funk party? | :52:33. | :52:48. | |
Yeah. I feel it. Come on, come on. # Ooh yeah | :52:49. | :53:43. | |
# Yeah # Ooh | :53:44. | :53:54. | |
# Yeah # Oh yeah | :53:55. | :54:05. | |
# Whoa. # Oh, oh, oh... Gerry, Gerry, Gerry, | :54:06. | :54:34. | |
let's go, let's go. Go. ? He want to take you back to the old school. | :54:35. | :54:46. | |
Everybody say Ho. Hoho. Now scream. Say Woo, Woo. Say Woo, Woo. Say Woo, | :54:47. | :54:54. | |
Woo. Say Woo, Woo. Say Woo, Woo. Say Woo, | :54:55. | :55:05. | |
Woo. Check it out. This is a hip-hop, hip, hop we don't stop. | :55:06. | :55:20. | |
# We would like to say hello for to the black, to white, to the red and | :55:21. | :55:29. | |
the brown, the purple # I got bang, bang | :55:30. | :55:32. | |
# Boogie to the bang, bang, we don't stop | :55:33. | :55:36. | |
# Rock the rhythm that makes your body rock | :55:37. | :55:44. | |
# What you going to do today? # Everybody go hotel, motel Holiday | :55:45. | :55:47. | |
Inn # Said if your girl starts acting up | :55:48. | :55:52. | |
# Then you take her friend # Lift all your hands high in the | :55:53. | :55:55. | |
air # And party high like you don't care | :55:56. | :55:58. | |
# This # A rumour has it | :55:59. | :56:09. | |
that it's getting late # The clock keeps | :56:10. | :56:34. | |
turning, why hesitate # You silly fool, you | :56:35. | :56:42. | |
can't change your fate # Let's cut the rug, | :56:43. | :56:47. | |
little jive and jitterbug # We want the best, | :56:48. | :56:50. | |
we won't settle for less # Clams on the half shell and roller | :56:51. | :56:56. | |
skates, roller skates # Leave your cares behind, | :56:57. | :57:07. | |
these are the good times # Our new state of mind, | :57:08. | :57:14. | |
these are the good times everybody throw your hands up and | :57:15. | :57:47. | |
say Chic-Chic. Come on Chic-Chic. Chic-Chic. Chic-Chic, come on. | :57:48. | :58:00. | |
Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic. | :58:01. | :58:12. | |
Chic-Chic. # Good times. # | :58:13. | :58:59. | |
CHEERING AND APPLAUSE Woo! | :59:00. | :59:29. | |
I mean what? What? Mine honestly, I would have bought a ticket to | :59:30. | :59:36. | |
Glastonbury just the see that guy play the bass. Unbelievable. | :59:37. | :59:40. | |
Extraordinary scenes on the pyramid stage from Chic, not just the | :59:41. | :59:44. | |
greatest dancers but the greatest song writers. Have we ever had a | :59:45. | :59:49. | |
better afternoon at Glastonbury. I don't think we have. Jo and Huw are | :59:50. | :59:56. | |
back shortly with music from Emeli Sande and Ed Sheeran. For now, that | :59:57. | :59:59. | |
is us, Laverne and Radcliffe out. MUSIC: Fight For Your Right | :00:00. | :00:04. | |
by Beastie Boys I want to, like, hang out with | :00:05. | :00:06. | |
you guys. You put on a show. MUSIC: Let's Get This Party Started | :00:07. | :00:10. | |
by Pink | :00:11. | :00:12. |