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Shouldn't he doesn't comb his hair. Living genius. | :00:10. | :00:17. | |
A little geezer with a guitar. Loads of pedals. Ed Sheeran has a | :00:18. | :00:24. | |
similar album content to us. If it doesn't meet my daughter, I'm | :00:25. | :00:28. | |
going to be in trouble. That guy in front of 100,000 people. | :00:29. | :00:30. | |
Amazing. High, and welcome to our show, my | :00:31. | :00:53. | |
gosh, the most glorious day today, sun has come out. But the music has | :00:54. | :01:00. | |
been exceptional today, something for absolutely everyone. | :01:01. | :01:04. | |
An amazing day, we were saying on the way up here it is a shame it is | :01:05. | :01:08. | |
not happening next year. People are feeling bereft, the | :01:09. | :01:11. | |
melancholy has set in. It will be a magical night. Of | :01:12. | :01:20. | |
course, all roads lead to Ed Sheeran with one of the big gigs of his | :01:21. | :01:27. | |
career, in 45 minutes. 9:45pm on stage. Barry Gibb wanted | :01:28. | :01:32. | |
to meet one person today, that person was Ed Sheeran. That meeting | :01:33. | :01:37. | |
has happened. He thinks he is a huge talent as a songwriter. | :01:38. | :01:40. | |
Goodness knows what they were talking about. | :01:41. | :01:45. | |
The crowd is building, if it could get any bigger. | :01:46. | :01:49. | |
We will go down to Clara now for a feeling of what is going on. | :01:50. | :01:55. | |
Thank you. What is looking set to be a pretty special Sunday evening at | :01:56. | :02:01. | |
Worthy Farm. There is a lot of love around. I suspect wedding proposals | :02:02. | :02:08. | |
tonight. All because of one man. Yasser let us know what is going on | :02:09. | :02:13. | |
at the front. Yes, I am here outside the Pyramid | :02:14. | :02:16. | |
Stage. Ed Sheeran is on for a little while. | :02:17. | :02:24. | |
How long have you been waiting for Ed Sheeran? | :02:25. | :02:29. | |
Since 4pm. What is the plan? There are a lot of people behind you. | :02:30. | :02:35. | |
What is going on? We have had food, pizza, chips. We have sent our | :02:36. | :02:40. | |
friends away, we are waiting here. Which song are you waiting for? I | :02:41. | :02:47. | |
like the first album. That will be good. | :02:48. | :02:54. | |
Bloodstream. A lot of people are waiting for Ed Sheeran. The | :02:55. | :02:57. | |
excitement is building. Over to the studio. | :02:58. | :03:05. | |
Talking to some very excited Ed Sheeran fans in the pit. | :03:06. | :03:10. | |
Behind the Pyramid Stage is a massive bus painted in Ed Sheeran | :03:11. | :03:15. | |
artwork. What is in the bus at much he's only | :03:16. | :03:20. | |
got a guitar! He was bringing lots of friends and | :03:21. | :03:24. | |
family, I spoke to him the other day. His entire family on that bus. | :03:25. | :03:32. | |
Coming to him today. 9:45pm, headlining Glastonbury. Now, | :03:33. | :03:37. | |
Biffy Clyro had a brilliant time. This is what happened. | :03:38. | :04:16. | |
While, incredible, I hope you are having the same feelings as we are, | :04:17. | :08:20. | |
blown away by the performance. The way everything looks at the moment | :08:21. | :08:26. | |
here. We are counting down to the time to Ed Sheeran, giving you some | :08:27. | :08:28. | |
of the highlights. There was a piano at the front. | :08:29. | :08:42. | |
9:45pm is when Ed Sheeran is here. James got to meet US actor turned | :08:43. | :08:47. | |
musician Kiefer Sutherland. I always get his name wrong. Keith O | :08:48. | :08:52. | |
Sullivan! Say it again? | :08:53. | :09:00. | |
Kiefer Sutherland. Let us go to Kiefer Sutherland now. | :09:01. | :09:14. | |
Dolly Parton has played here, Kenny Rogers has played here, you are | :09:15. | :09:22. | |
following in that tradition of bringing country to Glastonbury. | :09:23. | :09:25. | |
I love the storytelling of country music so much. It is the conduit | :09:26. | :09:30. | |
between acting and music, for me. # Smart enough to know much better | :09:31. | :09:33. | |
Ain't tough enough to be alone You look the part at that, does it | :09:34. | :09:51. | |
help being an actor on stage? It is a really good question, I | :09:52. | :09:54. | |
thought it would, you would think 35 years of being on stage in front of | :09:55. | :09:58. | |
people would make you more comfortable. As an actor I have | :09:59. | :10:01. | |
always had a character to hide behind. | :10:02. | :10:13. | |
I am so aware of the stigma of an actor doing music, it required me to | :10:14. | :10:19. | |
open up in a way I wasn't so comfortable with at the beginning. | :10:20. | :10:23. | |
I finally got to a place where I like my songs enough and at a point | :10:24. | :10:28. | |
where someone says something not nice, go ahead, I don't care. | :10:29. | :10:37. | |
For people who haven't heard your music before... | :10:38. | :10:42. | |
You mean everybody! Maybe not that familiar with country, where does it | :10:43. | :10:44. | |
sit on the scale of Walk The Line to Achy | :10:45. | :11:02. | |
Breaky Heart? These are all people I aspire to. | :11:03. | :11:10. | |
Kiefer Sutherland, thank you for coming to the Avalon stage at | :11:11. | :11:13. | |
Glastonbury. Thank you so much fun having me, it | :11:14. | :11:24. | |
is an honour. -- thank you so much for having me. | :11:25. | :11:30. | |
Global superstar, Hollywood actor, Kiefer Sutherland bringing country | :11:31. | :11:39. | |
music to the Glastonbury Festival. Sorry about that, if you are | :11:40. | :11:42. | |
watching. Life now, we have Sampha. If you are | :11:43. | :11:50. | |
ready, take it away. # No one knows me like the piano | :11:51. | :12:20. | |
in my mother's home # You would show me I had something | :12:21. | :12:33. | |
some people call a soul # And you dropped out | :12:34. | :12:47. | |
the sky # Oh you arrived when | :12:48. | :12:50. | |
I was three years old # No one knows me like the piano | :12:51. | :13:02. | |
in my mother's home # And you know I'll be | :13:03. | :13:15. | |
back home # An angel by her side, all | :13:16. | :13:58. | |
of the times I knew we couldn't cope # They said that it's her time, | :13:59. | :14:13. | |
no tears in sight, # And you took hold of me and never, | :14:14. | :14:20. | |
never, never let me go # 'Cause no one knows me | :14:21. | :14:41. | |
like the piano in my mother's home CHEERING AND APPLAUSE | :14:42. | :15:19. | |
Starling, thank you so much. You played earlier today. It was | :15:20. | :15:26. | |
incredible for everyone watching. How was it? It was daunting but I | :15:27. | :15:30. | |
was super happy, to see the crowd. You are able to enjoy it? Yes. We | :15:31. | :15:36. | |
have a tradition on Sunday night will be dismantled the set, is there | :15:37. | :15:42. | |
anything you would like? Got the piano! You can take a toadstool! | :15:43. | :15:52. | |
Take it home! Thank you for coming. That was really special. We can head | :15:53. | :15:57. | |
of the Other Stage, Emeli Sande was playing just before the headliners. | :15:58. | :16:02. | |
Here we go, Emilie Sande at Glastonbury. | :16:03. | :16:24. | |
# Will you recognise me # In the flashing lights? | :16:25. | :16:50. | |
# I try to keep my heart beat # But I can't get it right # | :16:51. | :16:58. | |
Will you recognise me # When I'm lying on my back? | :16:59. | :17:05. | |
# Something's gone inside me # And I can't get it back # Oh, | :17:06. | :17:15. | |
heaven # Oh, heaven # I wait with good intentions # But the day | :17:16. | :17:21. | |
It always lasts too long # Then I'm gone # Oh, | :17:22. | :17:28. | |
heaven # Oh, heaven # I wait with good intentions # But the day | :17:29. | :17:38. | |
It always lasts too long # Then I'm gone # Then I'm gone # Then I'm | :17:39. | :17:53. | |
gone, then I'm gone # Then I'm gone # Then I'm gone # Then I'm gone, | :17:54. | :17:57. | |
then I'm gone # Will you recognise me # When I'm | :17:58. | :18:05. | |
# You're not gonna like me # I'm nothing like before # | :18:06. | :18:12. | |
Will you recognise me # When I lose another friend? | :18:13. | :18:19. | |
# Will you learn to leave me # Or give me one more try again? | :18:20. | :18:27. | |
# Oh, heaven # Oh, heaven # I wait with good intentions # But the day | :18:28. | :18:35. | |
It always lasts too long # Then I'm gone # Oh, heaven # Oh, | :18:36. | :18:43. | |
heaven # I wait with good intentions # But the day It always lasts too | :18:44. | :18:53. | |
then I'm gone # Then I'm gone # Then I'm gone # Then I'm gone, | :18:54. | :19:17. | |
then I'm gone # Oh, heaven # Oh, heaven # I wait with good intentions | :19:18. | :19:21. | |
# Oh, heaven # Oh, heaven # I wait with good intentions # Oh, | :19:22. | :19:31. | |
heaven # Oh, heaven # I wait with good intentions # You say that | :19:32. | :19:36. | |
you're away I try but always break # Cos the day always lasts too long # | :19:37. | :19:46. | |
Then I'm gone, then I'm gone # Then I'm gone Then I'm gone # | :19:47. | :19:50. | |
Then I'm gone # Then I'm go-o-o-one # Then I'm gone # Then I'm gone # | :19:51. | :19:56. | |
Then I'm gone # Then I'm gone, then I'm gone # Then I'm gone # | :19:57. | :20:09. | |
Glastonbury, this is my third time performing here and I am so honoured | :20:10. | :20:40. | |
to perform on the stage tonight, thank you for being here with me. | :20:41. | :20:42. | |
You are full of wonder! # I am full of wonder. # Oooh, I can | :20:43. | :21:14. | |
fall in wonder. Is macro I am full of wonder. Is macro no way we're | :21:15. | :21:29. | |
going to break, because we are full of wonder. # Oooh, we aren't falling | :21:30. | :21:42. | |
under. Is macro Oooh, we are full of wonder. # When everything feels | :21:43. | :21:55. | |
wrong and darkness falls upon you. Music macro just tried to sing | :21:56. | :22:01. | |
along, this is a message from cabana. # If your heart turns blue, | :22:02. | :22:09. | |
I want you to remember. # This song is for you, and you are full of | :22:10. | :22:10. | |
wonder. # Not many people want me at their | :22:11. | :23:55. | |
parties... # # Trying to find my way some way, all, I... See, whoa, c'est | :23:56. | :24:13. | |
la vie # Maybe something's wrong with me # But, whoa, at least I am | :24:14. | :24:21. | |
free, oh, oh, I am free music macro If you ask the church then I am no | :24:22. | :24:24. | |
believer Spend Sundays asleep I'm just another dreamer # Still tryna | :24:25. | :24:30. | |
find my home sweet home, oh I, oh I, oh I And I guess I ain't too good | :24:31. | :24:37. | |
for money neither I got two left feet, no, I'm no Jackson either Just | :24:38. | :24:41. | |
tryna find my way some way, oh I, oh I, oh I # See, whoa, c'est la vie | :24:42. | :24:56. | |
See, whoa, c'est la vie Maybe la vie something's wrong with me | :24:57. | :24:59. | |
But, whoa, at least I am free, oh, oh, I am free | :25:00. | :25:02. | |
Yeah, whoa, c'est la vie And maybe something's wrong with me | :25:03. | :25:08. | |
But, whoa, at least I am free, oh, oh, I am free | :25:09. | :25:30. | |
# One day you'll find the power is deep in you. | :25:31. | :25:44. | |
# Brother and sister, together, we can make it through. | :25:45. | :26:03. | |
# Because everybody free, feel good. # Yes, everybody's free, feel-good # | :26:04. | :26:16. | |
Glastonbury is free... , feel-good! Yeah, whoa, c'est la vie And maybe | :26:17. | :26:37. | |
something's wrong with me But, whoa, at least I am | :26:38. | :26:40. | |
free, oh, oh, I am free # Run fast, run fast | :26:41. | :27:20. | |
like the rivers run, God damn # Ah, took a minute till | :27:21. | :28:11. | |
the penny dropped, you know # When all that's | :28:12. | :28:21. | |
left to do is watch # Run fast, run fast | :28:22. | :28:37. | |
like the rivers run, God damn # Ah, took a minute till | :28:38. | :28:57. | |
the penny dropped, you know # Deep, deep, deep, deep, | :28:58. | :29:01. | |
deep, deep, deep # When all that's | :29:02. | :29:10. | |
left to do is watch # Oh baby, I'm not | :29:11. | :29:31. | |
made of stone # It hurts the way that | :29:32. | :29:40. | |
you pretend you don't remember # It hurts the way that | :29:41. | :29:56. | |
you forget our times together # Like the time laid in bed | :29:57. | :30:04. | |
when you said it's forever, baby # Oh, loving you the | :30:05. | :30:13. | |
way I do # When all that's | :30:14. | :30:35. | |
left to do is watch # Oh baby, I'm not | :30:36. | :30:43. | |
made of stone # We hold the future | :30:44. | :30:53. | |
in the palm of our hands # I'm talking 'bout | :30:54. | :31:29. | |
the forever, baby # And we've run out | :31:30. | :32:06. | |
of all the silver and gold # Will you still wanna | :32:07. | :32:25. | |
be my someone to hold? # See, I would | :32:26. | :32:33. | |
you, but you already know # It's bringing in my | :32:34. | :32:35. | |
heart like thunder Please make some know these for the | :32:36. | :33:38. | |
incredible -- some noise for the incredible Halos. | :33:39. | :34:08. | |
Sask don't you worry about a thing, don't you worry about a thing, Mama. | :34:09. | :34:17. | |
Because I'll be standing on the side. | :34:18. | :34:28. | |
# I'm talking 'bout the forever, baby | :34:29. | :34:39. | |
# I'm talking 'bout the forever, baby | :34:40. | :35:18. | |
# You won't find him trying to change the devil | :35:19. | :36:18. | |
# You will find him You'll find him next to me | :36:19. | :36:27. | |
# You will find him You'll find him next to me | :36:28. | :36:58. | |
# You will find him You'll find him next to me | :36:59. | :37:16. | |
# Next to me, ooh Next to me, ooh | :37:17. | :37:30. | |
# You will find him You'll find him next to me | :37:31. | :37:36. | |
Thank you very much. That was Emeli Sande performing earlier today. | :37:37. | :37:51. | |
Crowd participation, everyone singing along, certainly with Barry | :37:52. | :37:54. | |
Gibb and Chic. My favourite thing today has been | :37:55. | :37:59. | |
the site of Barry Gibb putting on the golden jacket, three guys in | :38:00. | :38:03. | |
front of him were dressed as Barry Gibb and he sportingly put on the | :38:04. | :38:06. | |
jacket. It was a little bit tight but he was a good sport. | :38:07. | :38:13. | |
Some people are chiding, Jo Wiley, that has been a theme. | :38:14. | :38:19. | |
Was that dancing -- was that you dancing on stage with Chic? | :38:20. | :38:25. | |
That is why I am not doing Strictly. Over two Yasser, it is nearly time | :38:26. | :38:31. | |
for Ed Sheeran and his headline set on the Pyramid Stage and Yasser is | :38:32. | :38:34. | |
in the middle of it. I am in the middle of it all. | :38:35. | :38:38. | |
Where have you come from? South Wales. | :38:39. | :38:45. | |
We are very excited. He is behind you! | :38:46. | :38:47. | |
He is not... How long have you been waiting? | :38:48. | :38:53. | |
Since 10am. It is fair to say they are really | :38:54. | :38:57. | |
excited. I can't even hear myself anymore. | :38:58. | :39:02. | |
It goes further and further back, everyone is extremely excited over | :39:03. | :39:05. | |
here. Hello, are you all right? | :39:06. | :39:13. | |
Exhausted but worth it. You have been constantly screaming. | :39:14. | :39:19. | |
Amazing. Clara, where are you? I am over here, the excitement is | :39:20. | :39:25. | |
clearly high, 200,000 people. And you guys at home getting ready to | :39:26. | :39:29. | |
see a guy who at one point couldn't even book a gig here at Glastonbury. | :39:30. | :39:36. | |
He is no stranger to the Pyramid Stage. He has performed here before | :39:37. | :39:40. | |
but tonight will be arguably one of the biggest of his career. Earlier | :39:41. | :39:47. | |
he told Annie Mac that he wanted to win over new fans. I suspect he will | :39:48. | :39:51. | |
do that tonight. Before we get ready for him, that us | :39:52. | :39:55. | |
look at why here's earned his place on that Pyramid Stage tonight. | :39:56. | :40:02. | |
-- why he has earned his place. I will be loving you till 70... | :40:03. | :40:10. | |
Headlining the Pyramid Stage is one man, his guitar and is song book | :40:11. | :40:14. | |
bursting with the common touch and global appeal, the red hot Ed | :40:15. | :40:17. | |
Sheeran. Independently releasing music since | :40:18. | :40:23. | |
13, he had his breakthrough in the naughties and the Spotlight soon | :40:24. | :40:27. | |
beckoned. A marvellous new artist, let us | :40:28. | :40:33. | |
welcome Ed Sheeran. They say she is in the class 18. | :40:34. | :40:40. | |
She is stuck in her daydream, being this way since 18. | :40:41. | :40:45. | |
After his debut single, he shot straight into the top three in 2011. | :40:46. | :40:50. | |
With his first solo album about to drop there was only one thing left | :40:51. | :40:53. | |
him to do. Pack his bags for Worthy Farm. | :40:54. | :41:00. | |
I only started paying attention to Glastonbury when my friends started | :41:01. | :41:04. | |
playing it. I always tried to get booked on the little stages and | :41:05. | :41:08. | |
couldn't. It wasn't until the BBC said they would book me. | :41:09. | :41:13. | |
Glastonbury, how are you doing. My name is Ed Sheeran, thank you for | :41:14. | :41:17. | |
coming out today. This city never sleeps, the people | :41:18. | :41:24. | |
walked by when it is late. For the lucky few able to catch him | :41:25. | :41:30. | |
on the rise, he played a series of even more intimate gigs around the | :41:31. | :41:32. | |
festival that same weekend. I got a set. | :41:33. | :41:43. | |
I think I did the Acoustic Stage. And then I played a late one in a | :41:44. | :41:53. | |
circus tent. Then I played a really small one | :41:54. | :41:59. | |
without any PA because it broke. I think I did 12 in the end. | :42:00. | :42:08. | |
It was a slog, it was a slog. As the sun set on Glastonbury 2011, | :42:09. | :42:13. | |
he looked to the future. I did make a promise to myself after | :42:14. | :42:16. | |
that I wouldn't go back to Glastonbury unless I was playing the | :42:17. | :42:22. | |
Pyramid Stage. Three years later in 2014, that | :42:23. | :42:27. | |
determination landed him a slot next to Dolly Parton. | :42:28. | :42:30. | |
I got asked to do the Sunday afternoon slot and I remember being, | :42:31. | :42:35. | |
I would rather play at night. It did end up being the best I could have | :42:36. | :42:39. | |
had. Parents and kids wanted to sing along. That is what I had to offer. | :42:40. | :42:51. | |
And now with four Brit awards, and a Grammy and his belt, the Suffolk | :42:52. | :42:55. | |
light has a lot more to offer. His latest album smashed records in | :42:56. | :43:01. | |
March when he became the first artist to have every song from an | :43:02. | :43:05. | |
album entered the top 20 singles chart, nine in the top ten. | :43:06. | :43:09. | |
Now a global phenomenon who has filled Wembley three times in a row, | :43:10. | :43:14. | |
this humble man with his guitar is more than ready to rock the Pyramid | :43:15. | :43:18. | |
Stage. The Pyramid Stage this time will be | :43:19. | :43:22. | |
definitely the biggest night time slot I have done. | :43:23. | :43:27. | |
The only way in Gatenby is to play songs people know. Even if you don't | :43:28. | :43:31. | |
buy my music you will have heard it on the radio and having a sing along | :43:32. | :43:38. | |
with your mates is always fun. Always so honest and ready to share | :43:39. | :43:42. | |
that with you tonight as he graces the Pyramid Stage to headline | :43:43. | :43:45. | |
Glastonbury on Sunday. Ed Sheeran. When we spoke my radio | :43:46. | :43:50. | |
show he has always said, I am who I am. He famously took a year of | :43:51. | :43:59. | |
social media, away from music. Just to live, doing everything from | :44:00. | :44:05. | |
white water rafting, to hanging out in Ghana. | :44:06. | :44:07. | |
He then made a song in my native language. | :44:08. | :44:13. | |
Just to show the journey he has had. A guy who has had ridiculous success | :44:14. | :44:17. | |
will stop it got too much to him, he took time out. He now has this | :44:18. | :44:19. | |
brand-new songs. I'll never forget the time when he | :44:20. | :44:31. | |
was dominating the charts and Greg James had to announce the one song | :44:32. | :44:37. | |
consecutively as number one for 14 weeks! It is going to go off | :44:38. | :44:41. | |
tonight! Yasser is still at the front... I am still in the middle of | :44:42. | :44:48. | |
the Pyramid Stage, a lot of Ed Sheeran fans. Who can be the | :44:49. | :44:51. | |
loudest? CHEERING AND APPLAUSE | :44:52. | :44:58. | |
That was good. This side? CHEERING AND APPLAUSE | :44:59. | :45:04. | |
And it just keeps going! So many of them! | :45:05. | :45:13. | |
CHEERING AND APPLAUSE There is a lot going on. There are | :45:14. | :45:24. | |
too many! CHEERING AND APPLAUSE | :45:25. | :45:37. | |
There is a lot of people who are! CHEERING. I have to say, the | :45:38. | :45:48. | |
atmosphere is electric ear, back over to you guys. Yasser must be | :45:49. | :45:59. | |
tired after that! That is his exercise routine! I must point out, | :46:00. | :46:03. | |
people are trying to claim parts of the set, the hare has already been | :46:04. | :46:16. | |
recovered -- claimed. Ed Sheeran is almost ready to get onto the Pyramid | :46:17. | :46:20. | |
Stage. I cannot think of another solo performer with his acoustic | :46:21. | :46:26. | |
guitar who has headlined the Pyramid Stage. I am probably wrong but we | :46:27. | :46:32. | |
are ready for this! As he heard from Ed Sheeran, he is ready for this, he | :46:33. | :46:37. | |
has history with this festival and his rise to stardom has been | :46:38. | :46:42. | |
phenomenal. I have never seen anybody so unfazed I doing a show | :46:43. | :46:47. | |
and when he was talking about Wembley, he was not daunted | :46:48. | :46:51. | |
whatsoever because he loves getting out there. The idea of being nervous | :46:52. | :46:56. | |
about doing this, not at all expect he cannot wait! And a lot of you | :46:57. | :47:01. | |
might never have seen Ed Sheeran live, he is about to step onto the | :47:02. | :47:06. | |
Pyramid Stage but we can look at this beautiful sight. Worthy Farm, | :47:07. | :47:11. | |
the last Glastonbury for two years, it will be back in 2019? Where | :47:12. | :47:17. | |
exactly, I am not sure. Look at that sky and the lights. This is the best | :47:18. | :47:23. | |
time of night at Glastonbury. We are in the park area, 200,000 people | :47:24. | :47:30. | |
here. At this incredible festival, which brings so many together every | :47:31. | :47:35. | |
year. Politics and ideas and every possible kind of culture. It meets | :47:36. | :47:40. | |
here every year. At the moment, when people are troubled, this has been | :47:41. | :47:46. | |
an escape and we hope it has been for you, wherever you are, lose | :47:47. | :47:50. | |
yourself in the music and see the effect user can have on people, so | :47:51. | :47:55. | |
many smiling faces and the line-up has been amazing, why is it so good? | :47:56. | :48:00. | |
Because the bands have been exceptional. Did you get to see The | :48:01. | :48:07. | |
Killers? No but we will show you some of them after Ed Sheeran later | :48:08. | :48:12. | |
on. It has been a brilliant year with grime, Stormzy had a great one. | :48:13. | :48:23. | |
Wylie, Kano is on the Park Stage and we can bring you some of that later | :48:24. | :48:27. | |
on after Ed Sheeran. What is Ed Sheeran doing right by? Apart from | :48:28. | :48:33. | |
keeping us hanging on. He can't be arguing with his band. Or inherent | :48:34. | :48:40. | |
make-up! Maybe it is his guitar strings? I think he is ready. Clara | :48:41. | :48:50. | |
is in front of the Pyramid Stage. As Worthy Farm is enjoying a singalong | :48:51. | :48:58. | |
to Green Day, Ed Sheeran is getting ready to join us for what definitely | :48:59. | :49:04. | |
will be the most important gig of his career. 17 acts have graced the | :49:05. | :49:13. | |
Pyramid Stage and there is only one left, get ready for Ed Sheeran! | :49:14. | :49:22. | |
CHEERING AND APPLAUSE # When I was six years | :49:23. | :50:04. | |
old I broke my leg # I was running from my brother and | :50:05. | :50:07. | |
his friends # And tasted the sweet perfume of | :50:08. | :50:17. | |
the mountain grass # Take me back to when I found my | :50:18. | :50:22. | |
heart broken # Made friends and lost | :50:23. | :50:34. | |
them through the years # And I've not seen the rolling | :50:35. | :50:38. | |
fields in so long # I can't wait to go | :50:39. | :50:42. | |
home # Driving at 90 down | :50:43. | :50:47. | |
those country lanes # And I miss the way you make me | :50:48. | :50:56. | |
feel # We watched the sunset over | :50:57. | :51:05. | |
the castle on the hill Glastonbury, how are you doing? | :51:06. | :51:19. | |
CHEERING AND APPLAUSE # 15 years old and smoking | :51:20. | :51:22. | |
hand-rolled cigarettes # Running from the law through the | :51:23. | :51:25. | |
back fields # And getting | :51:26. | :51:27. | |
drunk with my friends # And my first kiss | :51:28. | :51:31. | |
on a Friday night # Take me back to when | :51:32. | :51:34. | |
we found weekend jobs # When we got paid, we'd buy cheap | :51:35. | :51:46. | |
spirits and drink them straight # Me and my friends have not | :51:47. | :51:51. | |
thrown up in so long # Driving at 90 down those country | :51:52. | :51:55. | |
lanes # And I miss the way you make me | :51:56. | :52:10. | |
feel # We watched the sun set over | :52:11. | :52:18. | |
the castle on the hill # But these people raised me | :52:19. | :52:41. | |
and I can't wait to go home # I still remember these old country | :52:42. | :53:07. | |
lanes # And I miss the way | :53:08. | :53:17. | |
you make me feel # We watched the sunset over the | :53:18. | :53:25. | |
castle on their hill # We watched the sunset over | :53:26. | :53:45. | |
the castle on the hill Glastonbury, how are you doing? | :53:46. | :54:12. | |
I have to admit, I'm very nervous! But very excited! Very excited! | :54:13. | :54:19. | |
Those of you who have not seen my show before or do not know my songs, | :54:20. | :54:25. | |
please pretend that you do, but for the rest of you, please sing all the | :54:26. | :54:27. | |
words! # I was born inside a small town, | :54:28. | :55:04. | |
I lost that state of mind # Learned to sing | :55:05. | :55:07. | |
inside the Lord's house, # I forget when I get awards now the | :55:08. | :55:09. | |
wave I had to ride # So blame it on the pain that | :55:10. | :55:14. | |
blessed me with the life # Friends and family | :55:15. | :55:21. | |
filled with envy # When they should | :55:22. | :55:22. | |
be filled with pride # And when the world's against me | :55:23. | :55:24. | |
is when I really come alive # And every day that Satan tempts | :55:25. | :55:27. | |
me, I try to take it in my stride # You know that I've got | :55:28. | :55:31. | |
whisky with white lies # I need to get in the right mind | :55:32. | :55:34. | |
and clear myself up # Instead, | :55:35. | :55:42. | |
I look in the mirror # I guess it's a stereotypical | :55:43. | :55:44. | |
day for someone like me # Without a nine-to-five | :55:45. | :55:47. | |
job or an uni degree # To be caught | :55:48. | :55:50. | |
up in the trappings of the industry # Show me the locked doors, | :55:51. | :55:52. | |
I'll find another use for the key # I'm well aware | :55:53. | :55:55. | |
of certain things # But with that said | :55:56. | :55:58. | |
give me one more # Another one to take | :55:59. | :56:02. | |
the sting away # I am happy | :56:03. | :56:04. | |
on my own, so here I'll stay # Save your loving arms for a rainy | :56:05. | :56:07. | |
day # And I'll find | :56:08. | :56:10. | |
comfort in my pain eraser # I used to think that nothing | :56:11. | :56:15. | |
could be better than touring # I think that money | :56:16. | :56:18. | |
is the root of all evil # Relationships, and hearts | :56:19. | :56:25. | |
you fixed, they break as well # And ain't nobody wanna see | :56:26. | :56:29. | |
you down in the dumps # Because you're living your dream, | :56:30. | :56:31. | |
man, this shit should be fun # Please know that I'm not trying | :56:32. | :56:34. | |
to preach like I'm Reverend Run # I beg you, don't be disappointed | :56:35. | :56:37. | |
with the man I've become # Conversations with | :56:38. | :56:40. | |
my father on the A14 # Age 12 telling me I've | :56:41. | :56:42. | |
gotta chase those dreams # Now I'm playing for the people, | :56:43. | :56:45. | |
dad, and they know me # With my beaten small guitar, | :56:46. | :56:47. | |
wearing the same old jeans # I may have grown up, | :56:48. | :56:50. | |
but I hope that Damian's proud # And to the next generation, | :56:51. | :56:54. | |
inspiration's allowed # The world may be filled with hate, | :56:55. | :56:56. | |
but keep erasing it now # I'm well aware | :56:57. | :56:59. | |
of certain things that # But with that said | :57:00. | :57:02. | |
give me one more # Another one to take | :57:03. | :57:09. | |
the sting away # Oh, I am happy on my own, | :57:10. | :57:13. | |
so here I'll stay # Save your lovin' | :57:14. | :57:18. | |
arms for a rainy day # And I'll find comfort | :57:19. | :57:23. | |
in my pain eraser #. # And I'll find comfort | :57:24. | :57:43. | |
in my pain eraser Thank you so much for staying on a | :57:44. | :58:57. | |
Sunday night to watch me, I really appreciated! I played here for the | :58:58. | :59:08. | |
first time six years ago. To around 500 people, this is very different! | :59:09. | :59:14. | |
At that point I had just one song out and I want everyone who has a | :59:15. | :59:19. | |
light on their phone to hold it up so I can see how many people are out | :59:20. | :59:21. | |
there. # The worst things in | :59:22. | :59:24. | |
life come free to us # Cos we're just | :59:25. | :59:59. | |
under the upper hand # And go mad for a couple | :00:00. | :00:03. | |
grams # And she don't want | :00:04. | :00:06. | |
to go outside tonight # And in a pipe | :00:07. | :00:09. | |
she flies to the Motherland # The worst things in | :00:10. | :00:12. | |
life come free to us # Cos we're just | :00:13. | :01:12. | |
under the upper hand # And go mad for a couple | :01:13. | :01:16. | |
grams # And she don't want to go outside | :01:17. | :01:18. | |
tonight # And in a pipe she flies | :01:19. | :01:25. | |
to the Motherland # The worst things | :01:26. | :01:27. | |
in life come free to us # And we're | :01:28. | :02:20. | |
all under the upper hand # Go mad for a couple | :02:21. | :02:24. | |
grams # And we don't want | :02:25. | :02:27. | |
to go outside tonight # And in a pipe we fly | :02:28. | :02:32. | |
to the Motherland # Angels to fly | :02:33. | :02:35. | |
To fly, fly # For angels to fly, to fly, | :02:36. | :02:57. | |
to fly Has anyone had a good weekend so | :02:58. | :03:26. | |
far? The aim of the game tonight is to | :03:27. | :03:30. | |
lose our voices, I will lose mind with you. | :03:31. | :03:34. | |
We are going to do it not just from screaming but singing. Some of you | :03:35. | :03:38. | |
may not know the words, if you don't, make them up. | :03:39. | :04:19. | |
# She said, "Don't you worry if I disappear." | :04:20. | :04:42. | |
# I told her I'm not really looking for another mistake | :04:43. | :04:45. | |
# I called an old friend thinking that the trouble would wait | :04:46. | :04:48. | |
# But then I jump right in A week later returned | :04:49. | :04:51. | |
# I reckon she was only looking for a lover to burn | :04:52. | :04:53. | |
# But I gave her my time for two or three nights | :04:54. | :04:56. | |
# Then I put it on pause until the moment was right | :04:57. | :04:59. | |
# I went away for months until our paths crossed again | :05:00. | :05:02. | |
# She told me, "I was never looking for a friend. | :05:03. | :05:04. | |
# Maybe you could swing by my room around 10:00 | :05:05. | :05:07. | |
# Baby, bring a lemon and a bottle of gin | :05:08. | :05:09. | |
# We'll be in between the sheets til the late AM | :05:10. | :05:12. | |
# Baby, if you wanted me then you should've just said." | :05:13. | :05:15. | |
# I don't wanna know that, babe | :05:16. | :05:22. | |
# And for a couple weeks I only wanna see her | :05:23. | :05:34. | |
# We drink away the days with a take-away pizza | :05:35. | :05:37. | |
# Before a text message was the only way to reach her | :05:38. | :05:39. | |
# Now she's staying at my place and loves the way I treat her | :05:40. | :05:43. | |
# Singing out Aretha all over the track like a feature | :05:44. | :05:45. | |
# And never wants to sleep, I guess that I don't want to either | :05:46. | :05:49. | |
# But me and her we make money the same way | :05:50. | :05:51. | |
# Four cities, two planes the same day | :05:52. | :05:53. | |
# And those shows have never been what it's about | :05:54. | :05:56. | |
# But maybe we'll go together and just figure it out | :05:57. | :05:58. | |
# I'd rather put on a film with you and sit on a couch | :05:59. | :06:02. | |
# Now she should figure it out while I'm sat here singing | :06:03. | :06:14. | |
# I don't wanna know that, babe | :06:15. | :06:21. | |
# Knock, knock, knock on my hotel door | :06:22. | :06:30. | |
# I don't even know if she knows what for | :06:31. | :06:33. | |
# She was crying on my shoulder I already told ya | :06:34. | :06:36. | |
# Trust and respect is what we do this for | :06:37. | :06:38. | |
# I never intended to be next | :06:39. | :06:40. | |
# But you didn't need to take him to bed that's all | :06:41. | :06:42. | |
# Until you disappeared with him to have sex of course | :06:43. | :06:47. | |
# It's not like we were both on tour | :06:48. | :06:49. | |
# We were staying on the same hotel floor | :06:50. | :06:52. | |
# And I wasn't looking for a promise or commitment | :06:53. | :06:54. | |
# But it was never just fun and I thought you were different | :06:55. | :06:58. | |
# This is not the way you realise what you wanted | :06:59. | :07:02. | |
# It's a bit too much, too late if I'm honest | :07:03. | :07:03. | |
# And all this time God knows I'm singing | :07:04. | :07:05. | |
# I don't wanna know that, babe | :07:06. | :07:11. | |
I am going to give you something to sing back to me, sing it. | :07:12. | :07:50. | |
# I don't wanna know that, babe | :07:51. | :08:12. | |
# I don't wanna know that, babe | :08:13. | :08:28. | |
CHEERING. Thank you. | :08:29. | :08:59. | |
Glastonbury, I need your help on this next one. When I put my arm in | :09:00. | :09:06. | |
the air I want to see you put your arms in the air. And you are going | :09:07. | :09:11. | |
to bounce like this. Do not keep your arms up in the air the whole | :09:12. | :09:16. | |
time, it will look a bit weird. We will all bounce together. | :09:17. | :09:42. | |
# Oh, no, no, don't leave me alone lonely now | :09:43. | :10:29. | |
# If you loved me how'd you never learn? | :10:30. | :10:35. | |
# Oh, coloured crimson in my eyes # One or two could free my mind | :10:36. | :10:46. | |
# I feel the chemicals burn in my bloodstream | :10:47. | :10:55. | |
# I feel the chemicals burn in my bloodstream | :10:56. | :11:04. | |
# So tell me when it kicks in | :11:05. | :11:12. | |
# Well, tell me when it kicks in | :11:13. | :11:17. | |
# I'll be feeling this tomorrow | :11:18. | :11:37. | |
# Lord, forgive me for the things I've done | :11:38. | :11:40. | |
# I saw scars upon a broken-hearted lover | :11:41. | :11:47. | |
# Oh, no, no, don't leave me alone lonely now | :11:48. | :11:53. | |
# If you loved me how'd you never learn? | :11:54. | :11:57. | |
# I feel the chemicals burn in my bloodstream | :11:58. | :12:17. | |
# I feel the chemicals burn in my bloodstream | :12:18. | :12:25. | |
# Well, tell me when it kicks in | :12:26. | :12:53. | |
Thank you. This is a real honour to do, thank you for standing and | :12:54. | :16:01. | |
listening and singing. I want to play a song that you might not like | :16:02. | :16:06. | |
but I'm pretty sure you know the words tonight! | :16:07. | :16:27. | |
# You know, she played the fiddle in an Irish band | :16:28. | :17:14. | |
# But she fell in love with an English man | :17:15. | :17:17. | |
# Kissed her on the neck and then I took her by the hand | :17:18. | :17:20. | |
# I met her on Grafton street right outside of the bar | :17:21. | :17:23. | |
# She shared a cigarette with me while her brother played the guitar | :17:24. | :17:26. | |
# She asked me what does it mean, the Gaelic ink on your arm? | :17:27. | :17:29. | |
# Said it was one of my friend's songs, do you want to drink on? | :17:30. | :17:33. | |
# She took Jamie as a chaser, Jack for the fun | :17:34. | :17:36. | |
# She got Arthur on the table with Johnny riding a shotgun | :17:37. | :17:38. | |
# Chatted some more, one more drink at the bar | :17:39. | :17:41. | |
# Then put Van on the jukebox, got up to dance | :17:42. | :17:44. | |
# You know, she played the fiddle in an Irish band | :17:45. | :17:46. | |
# But she fell in love with an English man | :17:47. | :17:49. | |
# Kissed her on the neck and then I took her by the hand | :17:50. | :17:52. | |
# Said, "Baby, I just want to dance" with my pretty little Galway Girl | :17:53. | :17:56. | |
# You know she beat me at darts and then she beat me at pool | :17:57. | :17:59. | |
# Like there was nobody else in the room | :18:00. | :18:03. | |
# As last orders were called | :18:04. | :18:04. | |
# After dancing the ceili singing to trad tunes | :18:05. | :18:08. | |
# I never heard Carrickfergus ever sung so sweet | :18:09. | :18:10. | |
# Acapella in the bar using her feet for a beat | :18:11. | :18:13. | |
# Oh, I could have that voice playing | :18:14. | :18:15. | |
# And in this packed out room swear | :18:16. | :18:18. | |
# You know, she played the fiddle in an Irish band | :18:19. | :18:22. | |
# But she fell in love with an English man | :18:23. | :18:25. | |
# Kissed her on the neck and then I took her by the hand | :18:26. | :18:28. | |
# Said, "Baby, I just want to dance" | :18:29. | :18:30. | |
# My, my, my, my, my, my, my Galway Girl | :18:31. | :18:36. | |
# My, my, my, my, my, my, my Galway Girl | :18:37. | :18:39. | |
# And now we've outstayed our welcome | :18:40. | :18:40. | |
# I was holding her hand, her hand was holding mine | :18:41. | :18:44. | |
# Our coats both smell of smoke, whisky and wine | :18:45. | :18:46. | |
# As we fill up our lungs with the cold air of the night | :18:47. | :18:50. | |
# I walked her home then she took me inside | :18:51. | :18:52. | |
# To finish some Doritos and another bottle of wine | :18:53. | :18:55. | |
# I swear I'm gonna put you in a song that I write | :18:56. | :18:58. | |
# About a Galway Girl and a perfect night | :18:59. | :19:00. | |
# She played the fiddle in an Irish band | :19:01. | :19:02. | |
# But she fell in love with an English man | :19:03. | :19:05. | |
# Kissed her on the neck and then I took her by the hand | :19:06. | :19:08. | |
# Said, "Baby, I just want to dance" | :19:09. | :19:10. | |
# My, my, my, my, my, my, my Galway Girl | :19:11. | :19:21. | |
That was great fun! I am going to need your singing voices for this | :19:22. | :19:56. | |
one! Repeat after me... Oh oh! Oh oh! Oh oh! Oh oh! Oh oh! Oh oh! | :19:57. | :20:09. | |
# When things go wrong we can knock it down. | :20:10. | :20:19. | |
# There's one thing on my mind, it's all for you. | :20:20. | :20:30. | |
# And it's dark in a cold December, but I've got ya to keep me warm. | :20:31. | :20:33. | |
# And keep you sheltered from the storm that's raging on now. | :20:34. | :20:41. | |
# I'll pick you up when you're getting down. | :20:42. | :20:47. | |
# And out of all these things I've done I think I love you better now. | :20:48. | :20:52. | |
# And out of all these things I've done I think I love you better now. | :20:53. | :21:07. | |
Singh! # Oh oh! # Oh oh! # Oh oh! # Oh oh! # Oh oh! # Oh oh! | :21:08. | :21:28. | |
# I'm gonna paint you by numbers and color you in. | :21:29. | :21:33. | |
# If things go right we can frame it, and put you on a wall. | :21:34. | :21:38. | |
# And it's so hard to say it but I've been here before. | :21:39. | :21:44. | |
# And I'll surrender up my heart and swap it for yours. | :21:45. | :21:48. | |
# I'll pick you up when you're getting down. | :21:49. | :21:53. | |
# And out of all these things I've done I think I love you better now. | :21:54. | :21:58. | |
# I'm out of sight, I'm out of mind, I'll do it all for you in time. | :21:59. | :22:03. | |
# And out of all these things I've done I think I love you better now. | :22:04. | :22:09. | |
# I think my braces are breaking and it's more than I can take. | :22:10. | :22:21. | |
# And if it's dark in a cold December, but I've got | :22:22. | :22:24. | |
# And keep you sheltered from the storm that's raging on now. | :22:25. | :22:38. | |
# I'll pick you up when you're getting down. | :22:39. | :22:45. | |
# And out of all these things I've done I think I love you better now. | :22:46. | :22:49. | |
# And out of all these things I've done I think I love you better now. | :22:50. | :23:01. | |
# I'll pick you up when you're getting down. | :23:02. | :23:08. | |
# And out of all these things I've done, I'll love you better now. | :23:09. | :23:11. | |
CHEERING AND APPLAUSE Thank you very much. | :23:12. | :23:34. | |
I want to play a song I haven't actually played in two years. I have | :23:35. | :23:35. | |
just decided to play it. # Oh. # Oh. # Oh. # Ooooh. # Ooooh. | :23:36. | :25:01. | |
# Oh. # I'm not a rapper I'm | :25:02. | :25:29. | |
a singer with a flow. # I've got a habit for spitting | :25:30. | :25:43. | |
quicker lyrics you know. # You'll find me ripping the written | :25:44. | :25:46. | |
out of the pages they sit in. # But didn't listen | :25:47. | :25:49. | |
to any criticism. # I'll never try to win you over | :25:50. | :25:58. | |
like your stepfather. # For four years I never | :25:59. | :26:11. | |
had a place to stay. # But it's safe to say | :26:12. | :26:19. | |
that it kept me grounded. # At 16 years old yeah | :26:20. | :26:22. | |
I moved out of my home. # I was Macy Gray I tried | :26:23. | :26:26. | |
to say goodbye and I choked. # Went from sleeping | :26:27. | :26:29. | |
at a subway station. # Would it hurt your reputation | :26:30. | :26:31. | |
if I put it on wax? # Mmmm come on and | :26:32. | :26:39. | |
take it back love. # I take it back with | :26:40. | :26:43. | |
the rhythm and blues. # With my rap pack I'll | :26:44. | :26:50. | |
be singing the news. # Bringing the lyrics to prove. | :26:51. | :26:52. | |
# That I can fit in these shoes. # I give you the truth | :26:53. | :27:02. | |
through the vocal booth. # And stars burst out on the scene. | :27:03. | :27:05. | |
# Like an Opal Fruit. # They try to take aim like Beckham | :27:06. | :27:08. | |
when he goes to shoot. # But then again that's | :27:09. | :27:11. | |
what they're supposed to do. # And I'm supposed to be calm. | :27:12. | :27:13. | |
# I tattooed the lyrics onto my arm. # Whispering everything | :27:14. | :27:17. | |
that happens. # Since they are claiming | :27:18. | :27:18. | |
I handled it wrong. # Except the NME | :27:19. | :27:25. | |
but I'll be selling. # Twice as many copies | :27:26. | :27:29. | |
as their magazine will ever be. # And festival fees are healthier | :27:30. | :27:31. | |
than a Dalmatian on pedigree. # Singing for the masses | :27:32. | :27:36. | |
rubber dingied rapids. # I keep this rapping a habit | :27:37. | :27:38. | |
and keep on fashioning magic. # I'm battling for respect | :27:39. | :27:40. | |
and I don't know if I have it. # This song's from the heart | :27:41. | :27:43. | |
cover the planet. # Mmmm come on and | :27:44. | :27:46. | |
take it back love. # Cause I'm a singer that you never | :27:47. | :27:49. | |
wanna see shirtless. # And I accept the fact that | :27:50. | :28:00. | |
someone's got to win worst dressed. # Taken my first steps | :28:01. | :28:04. | |
into the scene giving me focus. # Putting on a brave face | :28:05. | :28:06. | |
like Timothy Dalton. # Considering a name change | :28:07. | :28:08. | |
thinking it was hopeless. # Rhyming over recordings, | :28:09. | :28:10. | |
avoiding tradition. # 'Cause every days some lyrics | :28:11. | :28:12. | |
and a melody can be written. # Now absence can | :28:13. | :28:15. | |
make your heart ache. # But drinking absinth can | :28:16. | :28:17. | |
change your mind state. # And I'll say it again | :28:18. | :28:19. | |
living life on the edge # Is good advice from the man that | :28:20. | :28:23. | |
took his life on the road with me. # And I hope to see him | :28:24. | :28:29. | |
blowing up globally. # 'Cause that how | :28:30. | :28:31. | |
it's supposed to be. # It might seem totally impossible | :28:32. | :28:33. | |
achieving life's dreams. # I'm never having a stylist | :28:34. | :28:36. | |
giving me tight jeans. # Madison Square Garden | :28:37. | :28:40. | |
is where I might be. # But more likely you find me | :28:41. | :28:43. | |
in the back room of a dive # Having a pint of McDaid | :28:44. | :28:46. | |
discussing records we made. # and every single second knowing | :28:47. | :28:49. | |
that we'll never betray. # The way we were raised | :28:50. | :28:52. | |
remembering our background sat down. # Mmmm come on and | :28:53. | :28:55. | |
take it back love. # Very superstitious, | :28:56. | :29:00. | |
writings on the wall. # Very superstitious, | :29:01. | :29:41. | |
ladders bout to fall. # Thirteen month old baby, | :29:42. | :29:46. | |
broke the lookin' glass. # Seven years of bad luck, | :29:47. | :29:55. | |
the good things in your past. # Believing things that | :29:56. | :30:05. | |
you don't understand. # Written in rhymes, | :30:06. | :30:09. | |
'til I deliver the hype. # With this you must know | :30:10. | :30:36. | |
that the number's just sold whoa. # Will keep me going through | :30:37. | :30:40. | |
the tough times, dream with me. # We forget 90 per cent | :30:41. | :30:43. | |
of it when we wake. # But the other 10 per | :30:44. | :30:46. | |
cent it never fades. # Stay awake loads, | :30:47. | :30:48. | |
try to make the cut like the. # Paper or razor blade, | :30:49. | :30:52. | |
oh, never give up. # And just remember | :30:53. | :30:55. | |
just to hold out more. # I couldn't just | :30:56. | :30:57. | |
control that thought. # You'd find me | :30:58. | :31:00. | |
buskin' on the street. # And now I'm sweating | :31:01. | :31:02. | |
on the stage of a sold out tour. # Writing love songs | :31:03. | :31:06. | |
for the sake of it. # You can't fake talent and work | :31:07. | :31:08. | |
ethic just to make it quick. # I'm not a rapper I'm a singer, | :31:09. | :31:13. | |
I just take the piss. # And most of these other guys | :31:14. | :31:16. | |
are kids with pulses. # Little sister has to babysit, | :31:17. | :31:19. | |
that's just the way it is. # Dreams you own, | :31:20. | :31:22. | |
just set your goals. # And have the utmost faith in it; | :31:23. | :31:23. | |
tread your own path. # Cause ain't no sunshine | :31:24. | :31:26. | |
when she's gone. # Cause ain't no sunshine | :31:27. | :31:57. | |
when she's gone. # I wonder this time | :31:58. | :32:02. | |
where she's gone. # Cause ain't no sunshine | :32:03. | :32:13. | |
when she's gone. # I know, I know, | :32:14. | :32:20. | |
I know, I know, I know. # I know, I know, | :32:21. | :32:42. | |
know, I know, I know. # Hey, I oughta leave | :32:43. | :32:47. | |
young thing alone. # But ain't no sunshine | :32:48. | :32:49. | |
when she's gone. Thank you, guys. | :32:50. | :32:58. | |
I love you! # And oh, I've known it | :32:59. | :33:37. | |
for the longest time. # All my words are all over | :33:38. | :34:06. | |
written on the signs. # When you're on my | :34:07. | :34:11. | |
road walking me home. # It burns so bright | :34:12. | :34:15. | |
I wanna feel your love. # But for tonight | :34:16. | :34:24. | |
I wanna fall in love. # And oh, I've only caused | :34:25. | :34:35. | |
you pain, you know. # With all of my words, | :34:36. | :35:26. | |
always beloved. # When you're on my | :35:27. | :35:31. | |
road walking me home. # It burns so bright | :35:32. | :35:35. | |
I wanna feel your love. # But for tonight | :35:36. | :35:51. | |
I wanna fall in love. # Now, now, for how long, | :35:52. | :36:02. | |
long I love my lover. # For how long, long | :36:03. | :37:22. | |
I love my lover now. # Feel it all over now, | :37:23. | :37:31. | |
now, and I feel love. # For how long, long | :37:32. | :37:34. | |
I love my lover now. # Feel it all over now, | :37:35. | :37:38. | |
now, and I feel love. # For how long, long | :37:39. | :37:41. | |
I love my lover now. # Feel it all over now, | :37:42. | :37:43. | |
now, and I feel love. # For how long, long | :37:44. | :37:47. | |
I love my lover now. # Feel it all over now, | :37:48. | :37:49. | |
now, and I feel love. # For how long, long | :37:50. | :37:52. | |
I love my lover now. # Feel it all over now, | :37:53. | :37:55. | |
now, and I feel love. # For how long, long | :37:56. | :37:59. | |
I love my lover now, now. # For how long, long | :38:00. | :38:06. | |
I love my lover. # For how long, long | :38:07. | :38:12. | |
I love my lover now, now. CHEERING. | :38:13. | :38:19. | |
I love my lover. Glastonbury, I want you to get your | :38:20. | :38:40. | |
singing voices out again. # But it's the only thing that | :38:41. | :39:23. | |
I know # It is the only thing | :39:24. | :39:41. | |
that makes us feel alive # We keep | :39:42. | :40:01. | |
this love in a photograph # We made these memories | :40:02. | :40:04. | |
for ourselves # And it's the only | :40:05. | :40:09. | |
thing that I know # Remember that with | :40:10. | :40:56. | |
every piece of ya # And it's the only thing | :40:57. | :41:04. | |
we take with us when we die # We keep this love in this | :41:05. | :41:08. | |
photograph # We made these | :41:09. | :41:20. | |
memories for ourselves # Inside these pages you just | :41:21. | :41:28. | |
hold me # When I'm away I will | :41:29. | :42:03. | |
remember how you kissed me # Hearing you whisper | :42:04. | :42:44. | |
through the phone # Hearing you whisper | :42:45. | :42:48. | |
through the phone # Hearing you whisper | :42:49. | :42:55. | |
through the phone # Hearing you whisper | :42:56. | :43:02. | |
through the phone # Hearing you whisper | :43:03. | :43:10. | |
through the phone # Hearing you whisper | :43:11. | :43:21. | |
through the phone # Hearing you whisper | :43:22. | :43:28. | |
through the phone # Hearing you whisper | :43:29. | :43:38. | |
through the phone # Hearing you whisper | :43:39. | :43:46. | |
through the phone # Hearing you whisper | :43:47. | :43:56. | |
through the phone # Hearing you whisper | :43:57. | :44:05. | |
through the phone # Hearing you whisper | :44:06. | :44:14. | |
through the phone # Hearing you whisper | :44:15. | :44:23. | |
through the phone # Hearing you whisper | :44:24. | :44:31. | |
through the phone # Hearing you whisper | :44:32. | :44:40. | |
through the phone # Hearing you whisper | :44:41. | :44:48. | |
through the phone # Hearing you whisper | :44:49. | :44:57. | |
through the phone # Well, that's OK, | :44:58. | :45:07. | |
baby, only words bleed # Inside these pages you just | :45:08. | :45:34. | |
hold me # When I'm away I will | :45:35. | :45:39. | |
remember how you kissed me # Hearing you whisper | :45:40. | :45:54. | |
through the phone Thank you very much, Glastonbury. | :45:55. | :46:28. | |
CHEERING AND APPLAUSE My grandfather has come to this | :46:29. | :46:36. | |
show, his very first festival ever! Are you enjoying it? I wrote a song | :46:37. | :46:45. | |
about my grandmother on my father's side. And I use this traditional | :46:46. | :46:54. | |
band, some of the nicest people I have met and some of the most | :46:55. | :46:59. | |
talented, please make some noise for them! | :47:00. | :47:00. | |
CHEERING AND APPLAUSE Were going to sing a song and this | :47:01. | :47:29. | |
is my favourite one to perform. I hope you enjoy it. There is a | :47:30. | :47:35. | |
singalong part in it which will not take much to learn. | :47:36. | :48:25. | |
# When I met the woman I would call my own | :48:26. | :48:28. | |
# In the house that your brother bought ya | :48:29. | :48:36. | |
# I made that wedding ring from dentist gold | :48:37. | :48:40. | |
# And I asked her father but her daddy said, | :48:41. | :48:42. | |
# She took my name and then we were one | :48:43. | :48:59. | |
# Well, I met her at Guy's in the Second World War | :49:00. | :49:13. | |
# And she was working on a soldier's ward | :49:14. | :49:14. | |
# Never had I seen such beauty before | :49:15. | :49:17. | |
# Nancy was my yellow rose | :49:18. | :49:21. | |
# And we got married wearing borrowed clothes | :49:22. | :49:23. | |
# We got eight children now growing old | :49:24. | :49:25. | |
# She took my name and then we were one | :49:26. | :49:42. | |
# From her snow white streak in her jet black hair | :49:43. | :50:05. | |
# Over 60 years I've been loving her | :50:06. | :50:08. | |
# Now we're sat by the fire, in our old armchairs | :50:09. | :50:10. | |
# You know, Nancy, I adore ya | :50:11. | :50:11. | |
# From a farm boy born near Belfast town | :50:12. | :50:12. | |
# I never worried about the king and crown | :50:13. | :50:16. | |
# Cos I found my heart upon the southern ground | :50:17. | :50:17. | |
# She took my name and then we were one | :50:18. | :50:37. | |
Sing it! # Li-la-li-da-li-la-da. # Li-la-li-da-li-la-da. Glastonbury, | :50:38. | :50:55. | |
saying! # Li-la-li-da-li-la-da. CHEERING AND APPLAUSE | :50:56. | :51:05. | |
Glastonbury, make some noise! Remember I said we were going to | :51:06. | :51:44. | |
lose our voices? This is the next song you can really scream two. | :51:45. | :51:48. | |
# When your legs don't work like they used to before | :51:49. | :51:51. | |
# And I can't sweep you off of your feet | :51:52. | :51:58. | |
# Will your mouth still remember the taste of my love? | :51:59. | :52:03. | |
# Will your eyes still smile from your cheeks? | :52:04. | :52:07. | |
# And, darling, I will be loving you til we're 70 | :52:08. | :52:18. | |
# And, baby, my heart could still fall as hard at 23 | :52:19. | :52:29. | |
# And I'm thinking 'bout how people fall in love in mysterious ways | :52:30. | :52:37. | |
# Well, me - I fall in love with you every single day | :52:38. | :52:47. | |
# Kiss me under the light of a thousand stars | :52:48. | :53:07. | |
# Place your head on my beating heart | :53:08. | :53:11. | |
# Maybe we found love right where we are | :53:12. | :53:22. | |
# When my hair's all but gone and my memory fades | :53:23. | :53:27. | |
# And the crowds don't remember my name | :53:28. | :53:32. | |
# When my hands don't play the strings the same way | :53:33. | :53:38. | |
# I know you will still love me the same | :53:39. | :53:42. | |
# Cos honey, your soul could never grow old, it's evergreen | :53:43. | :53:52. | |
# And, baby, your smile's forever in my mind and memory | :53:53. | :54:03. | |
# I'm thinking 'bout how people fall in love in mysterious ways | :54:04. | :54:10. | |
# Well, I'll just keep on making the same mistakes | :54:11. | :54:21. | |
# Hoping that you'll understand | :54:22. | :54:26. | |
# Kiss me under the light of a thousand stars | :54:27. | :54:42. | |
# Place your head on my beating heart | :54:43. | :54:46. | |
# Maybe we found love right where we are | :54:47. | :55:00. | |
Saying this for me. # Oh. # Oh. . # Sha la la... # Sha la la... | :55:01. | :55:23. | |
# Kiss me under the light of a thousand stars | :55:24. | :55:31. | |
# Place your head on my beating heart | :55:32. | :55:35. | |
# Maybe we found love right where we are | :55:36. | :55:44. | |
# Kiss me under the light of a thousand stars | :55:45. | :55:59. | |
# Oh, darling, place your head on my beating heart | :56:00. | :56:03. | |
# Oh, baby, we found love right where we are | :56:04. | :56:17. | |
# And we found love right where we are #. | :56:18. | :56:25. | |
Glastonbury, but your hands in the air! Clap! What did I say about | :56:26. | :57:29. | |
losing our voices? Sing! Louder than that! Sing! | :57:30. | :57:34. | |
# I've been sat with you For most of the night | :57:35. | :57:39. | |
# So maybe we could get down now I don't wanna know | :57:40. | :57:50. | |
# If you're getting ahead of the programme | :57:51. | :57:52. | |
# I want you to be mine, lady | :57:53. | :57:54. | |
# Take another step into the no-man's land | :57:55. | :57:59. | |
# For the longest time, lady | :58:00. | :58:02. | |
# Won't you let me know | :58:03. | :58:09. | |
# Feel it rushing through you | :58:10. | :58:23. | |
# I saw flames from the side of the stage | :58:24. | :58:49. | |
# And the fire brigade comes in a couple of days | :58:50. | :58:50. | |
# Until then we got nothing to say and nothing to know | :58:51. | :58:52. | |
# But something to drink and maybe something to smoke | :58:53. | :58:54. | |
# Let it go until our roads are changed | :58:55. | :58:56. | |
# Singing we found love in a local rave | :58:57. | :58:57. | |
# No, I don't really know what I'm supposed to say | :58:58. | :58:59. | |
# But I can just figure it out and hope and pray | :59:00. | :59:01. | |
# I told her my name and said, "It's nice to meet ya." | :59:02. | :59:03. | |
# Then she handed me a bottle of water filled with tequila. | :59:04. | :59:05. | |
# Just from this one small act of kindness | :59:06. | :59:09. | |
# I'm in deep shit if anybody finds out | :59:10. | :59:10. | |
# I'm meant to drive home but I've drunk all of it now, not | :59:11. | :59:12. | |
# Sobering up we just sit on the couch | :59:13. | :59:14. | |
# Now she's kissing my mouth I need you darling | :59:15. | :59:17. | |
# Won't you let me know | :59:18. | :59:23. | |
# Feel it rushing through you | :59:24. | :59:37. | |
# All the guys in here don't even wanna dance | :59:38. | :00:06. | |
# All that I can hear is music from the back | :00:07. | :00:08. | |
# Found you hiding here so won't you take my hand darling | :00:09. | :00:13. | |
# Before the beat kicks in again | :00:14. | :00:16. | |
Glastonbury, are you having a good time? I need three things. The first | :00:17. | :00:48. | |
is when the beta comes back, I want everybody jumping up and down like. | :00:49. | :00:53. | |
Until then, but your hands in the air. Sing! | :00:54. | :00:58. | |
# If you love me come on get involved | :00:59. | :01:28. | |
# Feel it rushing through you from your head to toe | :01:29. | :01:32. | |
Have thank you. Glastonbury, I've got two more songs | :01:33. | :02:19. | |
for the evening. I want a say in massive thank you | :02:20. | :02:24. | |
for having me here to play, thanked you for watching a thank you to all | :02:25. | :02:30. | |
the other amazing acts at the weekend. I would like to say it was | :02:31. | :02:35. | |
a dream of mine, I never thought I would be headlining this. Thank you | :02:36. | :02:36. | |
very much. Because we have the two all that, I | :02:37. | :03:03. | |
want you to use all your energies up, your legs and arms, we are going | :03:04. | :03:05. | |
to go mental. # The club isn't the best | :03:06. | :03:42. | |
place to find a lover # Me and my friends | :03:43. | :03:52. | |
at the table doing shots # Drinking fast | :03:53. | :03:57. | |
and then we talk slow # And you come over and start up | :03:58. | :04:00. | |
a conversation with just me # And trust me I'll | :04:01. | :04:03. | |
give it a chance now # Take my hand, stop, | :04:04. | :04:05. | |
put Van the Man on the jukebox # And then we start to dance, | :04:06. | :04:08. | |
and now I'm singing like # Your love was handmade | :04:09. | :04:11. | |
for somebody like me # Grab on my waist | :04:12. | :04:15. | |
and put that body on me # And now my bed | :04:16. | :04:24. | |
sheets smell like you # Every day discovering | :04:25. | :04:44. | |
something brand new # Every day discovering | :04:45. | :04:46. | |
something brand new # You and me are thrifty, | :04:47. | :05:05. | |
so go all you can eat # Fill up your bag | :05:06. | :05:15. | |
and I fill up a plate # We talk for hours and hours | :05:16. | :05:17. | |
about the sweet and the sour # Leave and get in a taxi | :05:18. | :05:20. | |
then kiss in the back-seat # Tell the driver make the radio | :05:21. | :05:25. | |
play, and I'm singing like # Your love was handmade | :05:26. | :05:28. | |
for somebody like me # Grab on my waist | :05:29. | :05:32. | |
and put that body on me # And now my bed | :05:33. | :05:41. | |
sheets smell like you # Every day discovering | :05:42. | :06:00. | |
something brand new # Every day discovering | :06:01. | :06:02. | |
something brand new # I'm in love with | :06:03. | :06:22. | |
the shape of you # Come on, be my baby, | :06:23. | :06:33. | |
# And now my bed sheets smell like you | :06:34. | :06:58. | |
# Every day discovering something brand new | :06:59. | :07:01. | |
# Every day discovering something brand new | :07:02. | :07:21. | |
Glastonbury, thank you so much, I don't know what to say. | :07:22. | :07:50. | |
This is my final song of the evening. | :07:51. | :07:53. | |
Please go off into the night, have a good time. | :07:54. | :07:59. | |
I wasn't going to end with this song but I wrote this song when I was 15 | :08:00. | :08:05. | |
years old. And, probably should have stopped playing it a long time ago. | :08:06. | :08:10. | |
I kind of want to give it a chance tonight. | :08:11. | :08:11. | |
Thank you so much for having me. # Now I'm in town, break it down, | :08:12. | :08:56. | |
thinking of making a new sound # Playing a different show every | :08:57. | :08:59. | |
night in front of a new crowd # That's you now, ciao, | :09:00. | :09:02. | |
seems that life is great now # See me lose focus, | :09:03. | :09:05. | |
as I sing to you loud # I'll say the words | :09:06. | :09:08. | |
that make you blush # See, I'm true, my songs | :09:09. | :09:12. | |
are where my heart is # I'm like glue, | :09:13. | :09:17. | |
I stick to other artists # I'm not you, now that | :09:18. | :09:19. | |
would be disastrous # Let me sing and do my thing | :09:20. | :09:21. | |
and move to greener pastures # See, I'm real, I do | :09:22. | :09:24. | |
it all, it's all me # I'm not fake, don't | :09:25. | :09:27. | |
ever call me lazy # I won't stay put, give me | :09:28. | :09:29. | |
the chance to be free # Suffolk sadly seems | :09:30. | :09:32. | |
to sort of suffocate me # Cos you need me, | :09:33. | :09:34. | |
man, I don?t need you # I sing and write my own tune | :09:35. | :09:37. | |
and I write my own verse # Hell, don't need another wordsmith | :09:38. | :09:52. | |
to make my tune sell # Call yourself a singer-writer - | :09:53. | :09:55. | |
you're just bluffing # Your name's on the credits | :09:56. | :09:57. | |
and you didn't write nothing # I sing fast, I know | :09:58. | :10:00. | |
that all my shit's cool # I will blast and I | :10:01. | :10:02. | |
didn't go to Brit School # I came fast with | :10:03. | :10:05. | |
the way I act, right # I can't last if I'm | :10:06. | :10:08. | |
smoking on a crack pipe # And I won't be | :10:09. | :10:10. | |
a product of my genre # My mind will always be | :10:11. | :10:13. | |
stronger than my songs are # Never believe the bullshit that | :10:14. | :10:15. | |
fake guys feed to ya # Always read the stories that | :10:16. | :10:18. | |
you hear on Wikipedia # When I perform live, feels like I | :10:19. | :10:20. | |
am meditating # Times at the Enterprise | :10:21. | :10:24. | |
when some fella filmed me # "A young singer-writer | :10:25. | :10:26. | |
like Gabriella Cilmi" # Cos you need me, | :10:27. | :10:30. | |
# You need me, man, I don't need you at all | :10:31. | :10:35. | |
# You need me, man, I don't need you at all | :10:36. | :10:44. | |
# You need me, man, I don't need you | :10:45. | :10:46. | |
# You need me, man, I don't need you | :10:47. | :10:50. | |
# You need me, man, I don't need you | :10:51. | :11:58. | |
# Cos with the lyrics I'll be aiming it right | :11:59. | :12:58. | |
# I won't stop til my name's in lights | :12:59. | :13:00. | |
# At stadium heights with Damien Rice | :13:01. | :13:02. | |
# On red carpets, now I'm on Arabian Nights | :13:03. | :13:04. | |
# I know my brother's gonna give me advice | :13:05. | :13:07. | |
# Short height and I gone hyper | :13:08. | :13:10. | |
# Never be anything but a singer-songwriter, yeah | :13:11. | :13:12. | |
# The game's over but now I'm on a new level | :13:13. | :13:15. | |
# Watch how I step on the track without a loop pedal | :13:16. | :13:17. | |
# People think that I'm bound to blow up | :13:18. | :13:20. | |
# I've done around about a thousand shows | :13:21. | :13:22. | |
# But I haven't got a house plus I live on a couch | :13:23. | :13:25. | |
# So you believe the lyrics when I'm singing them out, wow | :13:26. | :13:27. | |
# From day one, I've been prepared With Vo5 wax for my ginger hair | :13:28. | :13:31. | |
# So now I'm back to the sofa, giving a dose | :13:32. | :13:40. | |
# You need me, man, I don't need you | :13:41. | :14:32. | |
# You can't fake talent and work ethic just to make it quick. | :14:33. | :15:48. | |
# I'm not a rapper I'm a singer, I just take the piss. | :15:49. | :15:51. | |
# And most of these other guys are kids with pulses. | :15:52. | :15:54. | |
# Little sister has to babysit, that's just the way it is. | :15:55. | :15:57. | |
# Dreams you own, just set your goals. | :15:58. | :15:59. | |
# And have the utmost faith in it; tread your own path. | :16:00. | :16:01. | |
# You'll never make it as a follower, you'll never know. | :16:02. | :16:04. | |
# Plus I'll keep my last name forever | :16:05. | :16:06. | |
# Gonna be breaking into other people's tunes when I chase it | :16:07. | :16:10. | |
# And replace it with the elephant in the room with a face-lift | :16:11. | :16:23. | |
# According to the MySpace and YouTube videos | :16:24. | :16:25. | |
# I'm always doing shows if I'm not I'm in the studio | :16:26. | :16:27. | |
# Truly broke, never growing up call me Rufio | :16:28. | :16:30. | |
# They say I'm up and coming like I'm in an elevator | :16:31. | :16:35. | |
# Cos you need me, man, I don't need you | :16:36. | :16:37. | |
# You need me, man, I don't need you | :16:38. | :16:39. | |
# You need me, man, I don't need you | :16:40. | :16:43. | |
# You need me, man, I don't need have you | :16:44. | :16:46. | |
# You need me, man, I don't need have you | :16:47. | :16:54. | |
# You need me, man, I don't need you | :16:55. | :17:00. | |
Glastonbury, thank you so much. Have an amazing weekend. | :17:01. | :17:24. | |
CROWD: "ONE MORE SONG..." CHEERING AND APPLAUSE | :17:25. | :18:06. | |
Ed Sheeran, your Sunday night headliner. He did all right for one | :18:07. | :18:13. | |
man standing on stage for that amount of time, I can only imagine | :18:14. | :18:17. | |
how daunting that was. I knew my family were out there and my | :18:18. | :18:22. | |
eight-year-old was in her element, so many kids. Very young audience. | :18:23. | :18:29. | |
That is one of the lovely things, with Radiohead and Foo Fighters, the | :18:30. | :18:33. | |
demographic of the headliner has become younger through the weekend. | :18:34. | :18:38. | |
Apart from the afternoon! It was for everybody! I want to know who Ed | :18:39. | :18:48. | |
Sheeran goes to hug afterwards. I hope you have somebody. He is not | :18:49. | :18:59. | |
crying on his own. He has been a big champion and supporter with a lot of | :19:00. | :19:05. | |
grime artists and headlining the Other Stage, we will see some of | :19:06. | :19:08. | |
this set. The girls on the High Street... I'm | :19:09. | :21:06. | |
looking for a girl with the X Factor. We say... Hit the jackpot. | :21:07. | :21:42. | |
What's happening? Wylie. I've got you. | :21:43. | :22:38. | |
When it straight from the heart, you can't go wrong. | :22:39. | :23:00. | |
My team's got a lot of dons And we're doing this ting, go check out | :23:01. | :23:06. | |
the songs "Man don't care", we shut down the park You can see us onstage | :23:07. | :23:12. | |
like "what's going on?" BBK got a lot going on Skepta, that's my | :23:13. | :23:14. | |
brudda, that's my don They could never control how man are doing it | :23:15. | :23:19. | |
It's authentic, can't go wrong Can't go wrong Can't go wrong, when it's | :23:20. | :23:22. | |
straight from the heart, you can't go wrong Yo, I wanna MC, bruv Step | :23:23. | :23:37. | |
in the place and I MC, bruv Bruv, I wanna MC, bruv Pass me the mic, I'ma | :23:38. | :23:40. | |
MC, bruv No question, top flight MC, bruv Full clip, never on empty, bruv | :23:41. | :23:48. | |
My team's got a lot of dons And we're doing this ting, go check out | :23:49. | :23:49. | |
the Fresh out the oven | :23:50. | :24:10. | |
like a Sunday roast You can find me | :24:11. | :24:13. | |
swimming in the ocean Sunset, I might drive | :24:14. | :24:14. | |
round the coast When it's showtime, jump | :24:15. | :24:15. | |
on a plane and take time I stand out like one | :24:16. | :24:16. | |
brake light Everybody wants their team to be sick | :24:17. | :24:18. | |
But you and your crew are just one great hype My | :24:19. | :24:20. | |
team's got a lot of dons And we're doing this ting, | :24:21. | :24:22. | |
go check out the songs "Man Don't Care", | :24:23. | :24:23. | |
we shut down the park You can see us onstage | :24:24. | :24:24. | |
like "what's going on?" It's authentic, can't go | :24:25. | :24:32. | |
wrong Can't go wrong Can't go wrong When it's straight | :24:33. | :24:33. | |
from the heart, you can't go wrong If it's a real vibe | :24:34. | :24:35. | |
then you can't go wrong When it's straight | :24:36. | :24:39. | |
from the heart, you can't go wrong Wylie making the Other Stage their | :24:40. | :25:11. | |
home. Ed is probably gutted that he was | :25:12. | :25:16. | |
headlining at the same time because he would be watching them. We have | :25:17. | :25:20. | |
this thing called the iPlayer and it is fantastic because if you have | :25:21. | :25:25. | |
missed any performances, this is my audition for a certain shopping | :25:26. | :25:30. | |
channel! You can just scrolled through over 100 performances from | :25:31. | :25:33. | |
the different stages, Rag'n'Bone Man, Craig David, just click on | :25:34. | :25:42. | |
those and watched the performances. We have some Metronomy and London | :25:43. | :25:46. | |
Grammar coming up but we now have a band who have the honour to be | :25:47. | :25:51. | |
introduced by you. Live on radio one this afternoon, they came up through | :25:52. | :25:56. | |
the BBC Introducing in Kent, very proud of being from the garden of | :25:57. | :25:58. | |
England. Let's check out slaves. Hello and hi, how's Amelia? | :25:59. | :27:58. | |
Is she still ugly? Hold my drink please... | :27:59. | :28:00. | |
And then fuck me! CHEERING AND APPLAUSE | :28:01. | :28:24. | |
Slaves in fine form, as Isaac used gaffer tape on his shoulder? He had | :28:25. | :28:29. | |
a tumble this morning. Sports injury! Do we look like the three | :28:30. | :28:39. | |
Stooges? I think we look like reminders! I look like Pat Butcher! | :28:40. | :28:44. | |
We have London Grammar to come and Metronomy but we have some live | :28:45. | :28:50. | |
music and we are thrilled that Jain is here from Paris. | :28:51. | :29:32. | |
# Makeba, makes my body dance for you | :29:33. | :29:40. | |
# Makeba, makeba ma che bella | :29:41. | :29:44. | |
# Makeba, makes my body dance for you | :29:45. | :29:48. | |
# Makeba, makeba ma che bella | :29:49. | :29:50. | |
# Makeba, makes my body dance for you | :29:51. | :29:56. | |
# I wanna hear your breath just next to my soul | :29:57. | :30:02. | |
# I wanna feel your breasts without any rests | :30:03. | :30:05. | |
# I wanna see you sing, I wanna see you fight | :30:06. | :30:17. | |
# 'Cause you are the real beauty of human rights | :30:18. | :30:20. | |
# Makeba, makes my body dance for you | :30:21. | :30:26. | |
# Makeba, makeba ma che bella | :30:27. | :30:28. | |
# Makeba, makes my body dance for you | :30:29. | :30:32. | |
# Nobody can beat the mama Africa | :30:33. | :30:35. | |
# You follow the beat that she's gonna give you | :30:36. | :30:38. | |
# Make it go, the sufferation of a thousand more | :30:39. | :30:47. | |
# Can I get a ooohe Makeba, makes my body dance for you | :30:48. | :30:54. | |
# Makeba, makeba ma che bella | :30:55. | :30:58. | |
# Makeba, makes my body dance for you | :30:59. | :31:03. | |
# Makeba, makeba ma che bella | :31:04. | :31:07. | |
# Makeba, makes my body dance for you | :31:08. | :31:11. | |
# Makeba, makeba ma che bella | :31:12. | :31:23. | |
# Makeba, makes my body dance for you | :31:24. | :31:29. | |
# Makeba, makeba ma che bella | :31:30. | :31:32. | |
# Makeba, makes my body dance for you | :31:33. | :31:37. | |
# Makeba, makeba ma che bella | :31:38. | :31:41. | |
# Makeba, makes my body dance for you | :31:42. | :31:53. | |
That was excellent. Is that one of the most surreal things you've done | :31:54. | :32:00. | |
performing here on the grass? How did it feel? It feels good, | :32:01. | :32:05. | |
actually, I've had a long day but a wonderful day. | :32:06. | :32:07. | |
I am really happy. So good to see you. | :32:08. | :32:12. | |
Tell us about the history of that song? | :32:13. | :32:17. | |
Who is that for? She was a singer activist from South Africa. The me, | :32:18. | :32:22. | |
she was the strongest woman I heard about. | :32:23. | :32:28. | |
I wanted everyone to know about her. Thank you very much, Jain. | :32:29. | :32:32. | |
Live in our compound were already the festival is being demolished | :32:33. | :32:37. | |
around us, it has an end of the world feeling. We are planned on | :32:38. | :32:40. | |
because we are professionals. We continue with Metronomy. | :32:41. | :35:11. | |
# And if you're going out tonight, girl | :35:12. | :35:22. | |
# You're up and you'll get down You never running from this town | :35:23. | :38:05. | |
# You'll never get anything better than this | :38:06. | :38:11. | |
# 'Cause you're going round in circles | :38:12. | :38:17. | |
# And now you giving me the look look | :38:18. | :38:33. | |
# But just remember how we shook shook | :38:34. | :38:39. | |
# This town's the oldest friend of mine | :38:40. | :39:17. | |
# We're always running round this town | :39:18. | :39:23. | |
# We'd never make anything better than this | :39:24. | :39:30. | |
# 'Cause we're always in small circles | :39:31. | :39:36. | |
# We didn't read it in the big book | :39:37. | :39:46. | |
# And now we're giving you the look look | :39:47. | :39:52. | |
# Just remember how we shook shook | :39:53. | :39:58. | |
# And all the things we took took | :39:59. | :40:06. | |
# This town's the oldest friend of mine | :40:07. | :40:31. | |
That was on the John Peel Stage. As well as the festival being | :40:32. | :42:06. | |
demolished around us, it is the middle of a meal break, if you look | :42:07. | :42:10. | |
around here, people are enjoying pizza over there while we are trying | :42:11. | :42:15. | |
to work, we haven't had any! They didn't ask us at any point, no | :42:16. | :42:24. | |
regard whether we were starving! You will see there was nothing left | :42:25. | :42:27. | |
here. Someone tweeted earlier about this. | :42:28. | :42:35. | |
I will have a permit. In the meantime, we will find out | :42:36. | :42:37. | |
what Yasser has got up to. What is going on, what is this | :42:38. | :42:51. | |
place? This began eight years ago, | :42:52. | :42:58. | |
essentially, imagination. They can't deny the liberty of imagination, you | :42:59. | :43:03. | |
can make it, build it, and no one can say anything about it. | :43:04. | :43:07. | |
Every year, there is a different take on creative direction. | :43:08. | :43:13. | |
This year... In key from Bristol, a good friend. | :43:14. | :43:17. | |
We normally have a few walls where they can do anything they want on | :43:18. | :43:22. | |
it, on a large scale. Come in here in the daytime, some of | :43:23. | :43:27. | |
these are quite creepy! My imagination can only guess what | :43:28. | :43:30. | |
it is like... The children love it! | :43:31. | :43:37. | |
What happens at night? This is the daytime. | :43:38. | :43:46. | |
We all turn into the devil! Now it is night-time, it is a | :43:47. | :43:49. | |
different crowd. It is full of chaos. We try to find | :43:50. | :43:57. | |
it -- focus on the sinister edge of life. | :43:58. | :44:04. | |
The girls are in, say hello! The acid lounge, side shows. | :44:05. | :44:13. | |
Everything goes down here. What is this? A rubber glove, you | :44:14. | :44:18. | |
have two pump it up with your foot. The first person to pop the balloon | :44:19. | :44:21. | |
wins. You have also got the freak show. | :44:22. | :44:27. | |
A mix of different things, circus, burlesque, old stuff, lots of | :44:28. | :44:33. | |
different performers. Getting the crowd excited. | :44:34. | :44:40. | |
Generally confusing the public. And that attracts the crowds? That | :44:41. | :44:51. | |
attracts the crowds. But I thought life could not get anywhere and I | :44:52. | :44:56. | |
find myself here, 360 Air degrees of weird and freaky. I am fully | :44:57. | :45:00. | |
enjoying this! If you manage to spot market in | :45:01. | :45:15. | |
there, he was caught on camera, you will get a prize if you spotted him! | :45:16. | :45:20. | |
You saw some weird performance art? My choice for the show was a bloke I | :45:21. | :45:27. | |
came across and his act was letting himself in the face with a frying | :45:28. | :45:32. | |
pan and eating and spitting out toilet paper but the mandarins | :45:33. | :45:35. | |
upstairs said that was considerable! We will head to the Other Stage and | :45:36. | :45:42. | |
watch Kano, who had an amazing band onstage. | :45:43. | :47:26. | |
# Pussy violate my family, then Im killen em | :47:27. | :49:14. | |
And just Joe Pesci man with it Cash rules everything around me | :49:15. | :49:16. | |
That's word to a Method Man lyric Yeah, I roll deep in the East | :49:17. | :49:18. | |
But I still might Mega Man with it Yeah, I said it, | :49:19. | :49:19. | |
yeah, yeah, I said it Cheques, we get it, cash and collec' it | :49:20. | :49:21. | |
That likkle pellet, that nah gon' mek it | :49:22. | :49:22. | |
Rest his head in that man's spaghetti | :49:23. | :49:23. | |
Yout dem are menace, nuttin' like Dennis | :49:24. | :49:24. | |
Man got straps, ain't even got credit | :49:25. | :49:25. | |
Kids push prams to Westfield to lick it | :49:26. | :49:26. | |
And run from pigs, don't even watch Peppa | :49:27. | :49:27. | |
Real go-getter, geezers know better But geezers need | :49:28. | :49:28. | |
excitement, says Skinner Don't resort to violence, no, never | :49:29. | :49:29. | |
Man just start with violence, go figure | :49:30. | :49:30. | |
Eat man's food before man eat dinner Buss that booze, | :49:31. | :49:33. | |
I roll and drink liquor Left that Giggsy gat for my knitter | :49:34. | :49:37. | |
Three wheel-ups in a row | :49:38. | :49:39. | |
That means I'm a direct rudeboy two two yats of my own | :49:40. | :49:41. | |
That means I'm a direct rudeboy Man can't call up my phone | :49:42. | :49:45. | |
Then gwan like a direct rudeboy One side bag and a stoney | :49:46. | :49:51. | |
Don't make you a direct rudeboy | :49:52. | :49:52. | |
Can't tell me nuttin' Cook down mutton then pass through the gutter | :49:53. | :49:54. | |
Link Jus D red cups out the cupboard In the jungle, | :49:55. | :49:57. | |
I move with original nuttahs And the same madman | :49:58. | :49:58. | |
fly out for the summer Lick two blocks? | :49:59. | :50:00. | |
Shottas Couple wheel-ups at Butterz, that's nuttin' | :50:01. | :50:06. | |
Sweet! Kano doing his thing. I'm glad to see you have your coat back. | :50:07. | :50:52. | |
I have to tell you, we are running short of time so in the interest of | :50:53. | :50:56. | |
brevity I am not going to say anything in this link. That's | :50:57. | :50:57. | |
sorted. London Grammar, shall why? # My only hope is to let life | :50:58. | :51:14. | |
stretch out before me # I'm made of many things, | :51:15. | :51:25. | |
but I'm not what you are made of # But I swear that | :51:26. | :51:44. | |
these scars are fine # Only you could've hurt me | :51:45. | :51:53. | |
in this perfect way tonight # I might be blind, but you've | :51:54. | :52:01. | |
told me the difference # Between mistakes and what | :52:02. | :52:08. | |
you just meant for me # Have you forgotten all the lies | :52:09. | :52:14. | |
you left there so fresh # You can try to get | :52:15. | :52:36. | |
close to those I love # Do you really think they don't | :52:37. | :52:54. | |
know what you're made of # But I swear that | :52:55. | :53:00. | |
these scars are fine # Only you could've hurt me | :53:01. | :53:10. | |
in this perfect way tonight # I might be blind but you've | :53:11. | :53:17. | |
told me the difference # Between mistakes and what | :53:18. | :53:22. | |
you just meant for me On the John Peel Stage earlier, that | :53:23. | :55:13. | |
was London Grammar. Hannah is extraordinary. I just want to say | :55:14. | :55:17. | |
thank you to all of the BBC team who worked incredibly hard here at | :55:18. | :55:21. | |
Glastonbury, Michael and Emily and everybody who worked. Shall we do | :55:22. | :55:28. | |
the highlights? Stormzy on the Other Stage was absolutely fantastic, one | :55:29. | :55:33. | |
of the highlights for me. Ruse and shake and drinking beer in the | :55:34. | :55:39. | |
Avalon Inn. For me, Rag'n'Bone Man and the Foo Fighters were pretty | :55:40. | :55:46. | |
good. And brilliant Glastonbury. Catch up on the iPlayer, what a | :55:47. | :55:51. | |
year! None of us have needed Wellington boots. We will see you in | :55:52. | :55:57. | |
2019. Thank you for watching. Thanks. | :55:58. | :56:38. | |
# You're stayin' alive, stayin' alive | :56:39. | :58:30. |