Browse content similar to Radiohead. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme may contain some strong language | :00:00. | :00:00. | |
Earthy. Patchoulie. The fragrance of humanity. Cows. Very good. Depending | :00:00. | :00:21. | |
on where you are it smells like... Joy. You don't want to know. The | :00:22. | :00:31. | |
smell of funk. What does Glastonbury smell of? Beautiful people covered | :00:32. | :00:32. | |
in... Welcome back to the first night of | :00:33. | :00:53. | |
our Glastonbury coverage and as you join us to paraphrase the Specials | :00:54. | :00:57. | |
this festival is coming like a Ghost Town. It's quite quiet behind us. | :00:58. | :01:11. | |
It's only one place that people are? A quiet scene at the park. Everybody | :01:12. | :01:17. | |
is at the Pyramid Stage. Sometimes you get one performance that gets | :01:18. | :01:20. | |
the attention. You focus in on it. 20 years since we were here for a | :01:21. | :01:23. | |
wet one with Radiohead, they're back. The opposite of this year | :01:24. | :01:26. | |
weather wise. They certainly are. This set has been going for a little | :01:27. | :01:31. | |
while. We're going to be rewinding time and bringing it to you from the | :01:32. | :01:34. | |
beginning. Before we get, there let's turn back the clock again. | :01:35. | :01:38. | |
They went on half an hour ago, before we see that, the full | :01:39. | :01:43. | |
performance, let's look at a potted history of thissess teemed | :01:44. | :01:51. | |
Oxfordshire band. From pop grunge perfection to | :01:52. | :01:56. | |
sublime electrosound escapes, since getting together in 1985, Radiohead | :01:57. | :02:00. | |
have become one of the most extraordinary live bands on the | :02:01. | :02:09. | |
planet.? -- planet. Tonight they're headlining for the third time. The | :02:10. | :02:14. | |
Quinn Ted have a unique history at Worthy Farm. It's the mother of all | :02:15. | :02:18. | |
festivals really, Glastonbury. We've grown up with it. We grew up going | :02:19. | :02:23. | |
to it. It was and is still the biggest show you'll do. Their first | :02:24. | :02:35. | |
appearance was back in 1994. Sandwiched between I think oasis and | :02:36. | :02:41. | |
Blur. What happened this them? Did they do anything after that? Yeah. | :02:42. | :02:48. | |
Yeah. The undeniable power of that first show was just a prelude to | :02:49. | :02:54. | |
their headline set three years later, shortly after the release of | :02:55. | :03:06. | |
album OK Computer. We were bricking. It Yeah, yeah, | :03:07. | :03:10. | |
that's my memory. That would be probably the right term technology. | :03:11. | :03:18. | |
I do remember just that real sense of impoter syndrome, they can't be | :03:19. | :03:23. | |
serious, us doing the Saturday night? It was very wet, muddy. | :03:24. | :03:38. | |
Rain-o-head. On top of the wrath of Mother Nature, band be we set by | :03:39. | :03:43. | |
technical difficulties. Neck nickically it was a -- technically | :03:44. | :03:48. | |
it was a disaster. Tom came over me and said, "I'm going off after the | :03:49. | :03:53. | |
next song." I remember coming off and thinking we probably had done | :03:54. | :04:00. | |
one of our worst shows ever. Thankfully Tom stuck around. It | :04:01. | :04:05. | |
turned out to be one of the greatest nights in Glastonbury history. | :04:06. | :04:10. | |
Radiohead played the top slot again in 2003. And did a secret gig at the | :04:11. | :04:21. | |
park in to 11. But 20 years since their water shed 1997 show, they're | :04:22. | :04:26. | |
back to headline the Pyramid Stage. It's the greatest festival. It's the | :04:27. | :04:31. | |
one where you leave on a Monday and you have your faith restored in | :04:32. | :04:33. | |
humanity. # If you could take it all back | :04:34. | :04:45. | |
again # Why should I be good | :04:46. | :17:29. | |
if you're not? # Truth will mess you up, | :17:30. | :17:48. | |
truth will mess you up # Truth will mess you up | :17:49. | :18:39. | |
All the good times # Truth will mess you up | :18:40. | :18:42. | |
All the good times # Truth will mess you up | :18:43. | :18:46. | |
All the good times # Truth will mess you up | :18:47. | :18:50. | |
All the good times # Truth will mess you up | :18:51. | :18:54. | |
All the good times # Truth will mess you up | :18:55. | :19:00. | |
All the good times # Truth will mess you up | :19:01. | :19:04. | |
All the good times # Truth will mess you up | :19:05. | :19:08. | |
All the good times # How come I end up | :19:09. | :19:14. | |
where I went wrong? # Won't take my eyes off the ball | :19:15. | :26:25. | |
again # You reel me out | :26:26. | :26:27. | |
then you cut the string # How come I end up | :26:28. | :26:37. | |
where I went wrong? # Won't take my eyes off the ball | :26:38. | :26:43. | |
again # First you reel me out | :26:44. | :26:46. | |
and then you cut the string # How come I end up | :26:47. | :27:00. | |
where I went wrong? # Won't take my eyes off the ball | :27:01. | :29:20. | |
again # You reel me out | :29:21. | :29:25. | |
then you cut the string # But now I don't know why | :29:26. | :29:45. | |
I feel so tongue-tied # Twitching and salivating | :29:46. | :31:23. | |
like with myxomatosis # Buried in a burning black hole | :31:24. | :32:00. | |
in Devon # And I don't know why | :32:01. | :32:19. | |
I feel so tongue-tied # Don't know why I feel | :32:20. | :32:30. | |
so skinned alive # My thoughts are misguided | :32:31. | :32:38. | |
and a little naive # I twitch and I salivate | :32:39. | :32:42. | |
like with myxomatosis # You should put me in a home | :32:43. | :32:47. | |
or you should put me down # I got myxomatosis, | :32:48. | :32:52. | |
I got myxomatosis # Yeah, no one likes a smart-ass | :32:53. | :32:57. | |
but we all like stars # Wait, that wasn't my intention, | :32:58. | :33:01. | |
I did it for a reason # But now I don't know why | :33:02. | :33:08. | |
I feel so tongue-tied # We hope your rules and wisdom | :33:09. | :33:53. | |
choke you # Now we are one | :33:54. | :37:35. | |
in everlasting peace # We hope that you choke, | :37:36. | :37:48. | |
that you choke # We hope that you choke, | :37:49. | :38:20. | |
that you choke # I jumped in the river | :38:21. | :38:23. | |
What did I see? # And we all went to heaven | :38:24. | :39:57. | |
in a little row boat # There was nothing to fear | :39:58. | :40:51. | |
and nothing to doubt # And we all went to heaven | :40:52. | :41:01. | |
in a little row boat # There was nothing to fear | :41:02. | :42:35. | |
and nothing to doubt Thank you. Ladies and gentleman of | :42:36. | :43:47. | |
Glastonbury... CHEERING | :43:48. | :43:51. | |
Good evening. Do you know, right, do you know good | :43:52. | :44:18. | |
people of Glastonbury... CHEERING | :44:19. | :44:21. | |
I was told today by someone over here that this is on the lay line. I | :44:22. | :44:26. | |
don't know if you give a shit about that, but I think it's quite | :44:27. | :44:28. | |
significant. Being a hippie. Everybody stay calm. Everything's | :44:29. | :44:45. | |
fine. # Yesterday I woke up | :44:46. | :45:34. | |
sucking a lemon # Yesterday I woke up | :45:35. | :46:30. | |
sucking a lemon # Yesterday I woke up sucking | :46:31. | :46:39. | |
a lemon # What, what was that | :46:40. | :46:48. | |
you tried to say? # Disappointed people | :46:49. | :47:42. | |
clinging on to bottles # And when it comes | :47:43. | :51:09. | |
it's so, so disappointing # You know, you know where | :51:10. | :53:55. | |
# Turning in somersaults Turning in somersaults | :53:56. | :00:07. | |
# A giant turtle's eyes A giant turtle's eyes | :00:08. | :00:15. | |
# As jellyfish float by As jellyfish float by | :00:16. | :00:49. | |
To the Evises, thank you for having us at your lovely farm today, what a | :00:50. | :01:55. | |
fucking great place this is. Ain't nothing else like it on earth. | :01:56. | :03:06. | |
# Who's in the bunker? Who's in the bunker? | :03:07. | :08:34. | |
# Women and children first, and the children first, and the children | :08:35. | :08:39. | |
# I'll swallow until I burst, until I burst, until I | :08:40. | :08:46. | |
# Who's in the bunker? Who's in the bunker? | :08:47. | :08:49. | |
# I haven't seen enough, you haven't seen it | :08:50. | :08:53. | |
# Women and children first and children first and children | :08:54. | :09:01. | |
# Let me hear both sides, let me hear both sides, let me hear both | :09:02. | :09:25. | |
# Throw it on the fire, throw it on the fire, throw it on the | :09:26. | :09:32. | |
# This is really happening, happening | :09:33. | :09:40. | |
# This is really happening, happening | :09:41. | :09:48. | |
# Mobiles skwerking, mobiles chirping | :09:49. | :09:51. | |
# Take the money and run, take the money and run | :09:52. | :09:54. | |
# And first, and the children, and first, and the children | :09:55. | :10:53. | |
# And first, and first, and the children | :10:54. | :10:55. | |
# And first, and the children, and first, and the children | :10:56. | :11:02. | |
APPLAUSE AND CHEERING and first, and the children | :11:03. | :11:36. | |
For our children. For our fucking future, worth having, not one | :11:37. | :11:45. | |
decided by useless politicians. CHEERING | :11:46. | :11:52. | |
Hope. # Someone on your shoulder, | :11:53. | :12:18. | |
someone on your shoulder # Someone on your shoulder, | :12:19. | :18:35. | |
someone on your shoulder # I have no idea | :18:36. | :18:49. | |
what I am talking about # I'm trapped in this body | :18:50. | :22:31. | |
and can't get out # I have no idea | :22:32. | :23:00. | |
what you are talking about # Your mouth moves only with | :23:01. | :23:33. | |
someone's hand up your ass # Because the light's gone out | :23:34. | :24:00. | |
for me # All the lines | :24:01. | :24:06. | |
wrapped round my face # All the lines wrapped round | :24:07. | :24:27. | |
my face # Oh no no no no | :24:28. | :24:29. | |
no no no no no no no # Rows of houses, | :24:30. | :25:37. | |
all bearing down on me # I can feel their blue | :25:38. | :26:25. | |
hands touching me # All these things we'll | :26:26. | :26:32. | |
one day swallow whole # This machine will, | :26:33. | :26:46. | |
will not communicate # These thoughts and | :26:47. | :27:14. | |
the strain I am under # I can feel death, | :27:15. | :27:21. | |
can see its beady eyes # All these things we'll | :27:22. | :28:39. | |
one day swallow whole # A heart that's full | :28:40. | :28:53. | |
up like a landfill # They don't, they | :28:54. | :32:19. | |
don't speak for us # No alarms and no | :32:20. | :32:59. | |
surprises, please. # See you later, Theresa, just shut | :33:00. | :35:49. | |
the door on the way out. CHEERING | :35:50. | :36:28. | |
# But there'll be something missing | :36:29. | :37:22. | |
# Now that you've found it, it's gone | :37:23. | :37:32. | |
# You'll go to hell for what your dirty mind is thinking | :37:33. | :39:55. | |
# Where two and two always makes a five | :39:56. | :41:08. | |
# And two and two always makes a five | :41:09. | :41:31. | |
# Paying attention Paying attention | :41:32. | :42:12. | |
# Paying attention Paying attention | :42:13. | :42:20. | |
# Paying attention Paying attention | :42:21. | :42:27. | |
# Paying attention Paying attention | :42:28. | :42:35. | |
# Don't question my authority or put me in a box | :42:36. | :43:26. | |
# Oh, go and tell the king that the sky is falling in | :43:27. | :43:31. | |
# But it's not, but it's not, but it's not | :43:32. | :43:33. | |
# Please could you stop the noise? I'm trying to get some rest | :43:34. | :44:35. | |
# From all the unborn chicken voices in my head | :44:36. | :44:47. | |
# I may be paranoid, but not an android | :44:48. | :44:57. | |
# When I am king, you will be first against the wall | :44:58. | :45:25. | |
# With your opinion which is of no consequence at all | :45:26. | :45:38. | |
# Ambition makes you look pretty ugly | :45:39. | :46:23. | |
# Kicking, squealing Gucci little piggy | :46:24. | :46:39. | |
One moment, I need a drink. OK. Here's another cheery fuck. | :46:40. | :50:59. | |
Thank you, everyone. Thank you for listening. | :51:00. | :56:17. | |
Oh, yes, thank you. We hope the rest of your weekend is most excellent. | :56:18. | :01:35. | |
We thank you for coming to this field to listen to us this evening. | :01:36. | :01:38. | |
CHEERING AND APPLAUSE . Hopefully we'll see you in some | :01:39. | :01:47. | |
other fields over the weekend. We appreciate it. I don't really have | :01:48. | :01:51. | |
any words. I'm useless at this stuff. | :01:52. | :02:26. | |
Thank you again, everybody. Have a really great night. | :02:27. | :06:53. | |
CHEERING AND APPLAUSE Enjoy yourselves. Good night. | :06:54. | :07:27. | |
# He buzzes like a fridge, he's like a detuned radio | :07:28. | :07:50. | |
# Arrest this girl, her Hitler hairdo | :07:51. | :08:02. | |
# Is making me feel ill and we have crashed her party | :08:03. | :08:15. | |
# I've given all I can, it's not enough | :08:16. | :08:50. | |
# I've given all I can, but we're still on the payroll | :08:51. | :09:05. | |
CROWD: # For a minute there, I lost myself | :09:06. | :11:36. | |
# I lost myself... CROWD CONTINUE TO SING They didn't | :11:37. | :13:00. | |
play for long, did they? I thought they could have done a few songs | :13:01. | :13:05. | |
more. Could have tried a bit harder. I thought they were amazing. | :13:06. | :13:10. | |
Incredibly impressive. Didn't you? Yeah, no, absolutely loved it. I | :13:11. | :13:14. | |
know there will be conjecture and debate, people saying we just wanted | :13:15. | :13:17. | |
all the hits and nothing else. Oh, my God, they are so impressive. When | :13:18. | :13:21. | |
they play and those songs. I could not fault that prnks. It meant the | :13:22. | :13:25. | |
-- performance. It meant the most to them as well. They constructed how | :13:26. | :13:28. | |
that went together. You could see how much it meant to them. Loved it. | :13:29. | :13:33. | |
I don't care about people who didn't. I think that Radiohead at | :13:34. | :13:38. | |
Glastonbury, if they had just done the hits, I would have been | :13:39. | :13:41. | |
disappointed with that. You want a surprise in the set list. My | :13:42. | :13:45. | |
favourite song tonight was Nude. It was stew pen does. It isn't one of | :13:46. | :13:52. | |
the biggest songs. If you don't like Radiohead, you will see something | :13:53. | :13:55. | |
else. Which is what my children did in the end. Getting some reviews | :13:56. | :13:59. | |
coming through. We're doing the late shift tonight. It's Joe and Mark and | :14:00. | :14:03. | |
we're bringing you lots of things. Lots of the highlights of the day. | :14:04. | :14:09. | |
Flaming Lips are still here on the Park stage. Outplaying Radiohead! | :14:10. | :14:15. | |
We're going to big alternative to Radiohead tonight and watch a bit of | :14:16. | :14:26. | |
Major Laser. Make some noise! | :14:27. | :14:48. | |
# You're here but you've been missing for some time now | :14:49. | :14:51. | |
# Every time I see you it's a # My love | :14:52. | :15:10. | |
# Don't mess me up. You might recognise Dua Lipa, who | :15:11. | :17:47. | |
was here earlier when I was doing the show with Huw. She joined Major | :17:48. | :17:51. | |
Lazer on the other stayed a while ago. That was a very different | :17:52. | :17:56. | |
flavour to Radiohead. That is the beauty of Glastonbury. You can watch | :17:57. | :18:01. | |
Radiohead, Major Lazer or go elsewhere. Flaming lips had an | :18:02. | :18:05. | |
extraordinary show. I watched a bit of that. I just missed a couple of | :18:06. | :18:14. | |
Radiohead songs. Call yourself a Radiohead fan? We have a performance | :18:15. | :18:21. | |
in our studio area. These two are going to play for us now. This is | :18:22. | :18:24. | |
Nadia Rose. Big up my mum and dad. Guess who? | :18:25. | :18:48. | |
Like you never left. I rose from the dead. I'm your worst nightmare. | :18:49. | :19:05. | |
Wow, she's sick and she's bad. She sings and she wraps. And I'm with my | :19:06. | :19:25. | |
team. I'm rolling ten girl up in that skwod. That's what? That skwod. | :19:26. | :19:42. | |
We always go green so we pretty much peas in a pod. I was at the scene, | :19:43. | :19:48. | |
had to flee from the cops. I go inside with no keys for the locks. | :19:49. | :20:01. | |
Nobody bad like us. Let me see you brush your guns. | :20:02. | :20:13. | |
I'm rollin' ten girl up in that skwod | :20:14. | :20:15. | |
I'm rollin' ten girl up in that skwod | :20:16. | :20:21. | |
I'm rolling ten girl up in that skwody | :20:22. | :20:41. | |
Came tru with the clan, came tru with the posse | :20:42. | :20:44. | |
I came with Mary Jane, some came in here with Molly | :20:45. | :20:46. | |
Nuff' girl in it, that's the way you roll skwody | :20:47. | :20:49. | |
Nuff' girl in it, that's the way you roll out | :20:50. | :20:51. | |
If the lighting's good, you have to get your phone out | :20:52. | :20:54. | |
Bare skin, teeth when we pose for the photos | :20:55. | :20:56. | |
Some girl are braided, some girl are in cornrows | :20:57. | :20:58. | |
But still gwan dread if we have to The heart is built like a statue | :20:59. | :21:01. | |
Been on my grind like my back tooth, yeah | :21:02. | :21:04. | |
Take out the time with a fat zoot Step on the gas hit | :21:05. | :21:07. | |
I'm rollin' ten girl up in that skwod | :21:08. | :21:17. | |
Thank you very much! That was Nadia Rose. Coming up in the next however | :21:18. | :21:42. | |
long we have to spend together this evening, we will bring you some | :21:43. | :21:45. | |
Clean Bandit and also Lorde, who was playing earlier on the other state | :21:46. | :21:49. | |
and lots more. We have more acoustics as well. From darling side | :21:50. | :21:51. | |
as well. So, the Flaming Lips did an | :21:52. | :22:05. | |
incredible show, just drawing to a close on the Park Stage. Here they | :22:06. | :22:10. | |
are from earlier with a version of Space Oddity. | :22:11. | :23:10. | |
# Take your protein pills and put your helmet on | :23:11. | :24:03. | |
# Check ignition and may God's love be with you | :24:04. | :24:38. | |
# This is Ground Control to Major Tom | :24:39. | :24:41. | |
# And the papers want to know whose shirts you wear | :24:42. | :24:53. | |
# Now it's time to leave the capsule if you dare | :24:54. | :25:04. | |
# This is Major Tom to Ground Control | :25:05. | :25:06. | |
# And I'm floating in a most peculiar way | :25:07. | :25:19. | |
# And the stars look very different today | :25:20. | :25:26. | |
# Planet Earth is blue And there's nothing I can do | :25:27. | :26:20. | |
# Though I'm past 100,000 miles I'm feeling very still | :26:21. | :26:27. | |
# And I think my spaceship knows which way to go | :26:28. | :26:34. | |
# Tell my wife I love her very much, she knows | :26:35. | :26:43. | |
# Ground Control to Major Tom | :26:44. | :26:46. | |
# Your circuit's dead, there's something wrong | :26:47. | :26:49. | |
# Here am I floating round my tin can | :26:50. | :27:07. | |
# Planet Earth is blue And there's nothing I can do. | :27:08. | :28:21. | |
It just never gets boring, watching him do that thing. The first time I | :28:22. | :28:28. | |
saw it was at Glastonbury festival, just spellbound. And still to this | :28:29. | :28:32. | |
day, Flaming Lips, and that was their version of Space Oddity. We | :28:33. | :28:37. | |
are not far from some Anderson pack. Sleaford Mods as well. | :28:38. | :28:49. | |
Didn't you share a car with when Coyle as well? So there is loads of | :28:50. | :28:55. | |
stuff happening here apart from the bands on the main stages. Our friend | :28:56. | :29:00. | |
Yasser has been out and about, investigating ten years of Glasto | :29:01. | :29:01. | |
Latino. I've been to the Glade and now I'm | :29:02. | :29:11. | |
in Glasto Latino. Alison is with me. What is going on? What is happening? | :29:12. | :29:19. | |
This is Glasto Latino, one of the hottest spots on site. This is where | :29:20. | :29:23. | |
you get Latin music at its best. It's one thing that we can add to | :29:24. | :29:28. | |
the festival that adds spice, passion and flavour. I love it. The | :29:29. | :29:33. | |
energy is electric in here. How long have you been going for? This is our | :29:34. | :29:38. | |
tenth anniversary. We've got the best bands ever. These guys are from | :29:39. | :29:47. | |
Panama. They play Cuban music. Wow. You had to bring themming over to | :29:48. | :29:53. | |
Glastonbury -- them. What has the reception been from people over ten | :29:54. | :30:00. | |
years? Fantastic. Listen, I can't help but move my hips. I think we | :30:01. | :30:03. | |
have to dance. It's the only way now. Shall we go in? OK. | :30:04. | :30:12. | |
That's the great thing. There are so many things happening. People are | :30:13. | :30:16. | |
having their own little festival without going near Radiohead or | :30:17. | :30:22. | |
anything else. There's a club down here calling funkingham Palace, | :30:23. | :30:25. | |
where people have to go in on their hands and knees. We should go in | :30:26. | :30:29. | |
there. That's a date. Can you see here, a lot of the stages have | :30:30. | :30:34. | |
closed down, the party - not a party, people are still having fun. | :30:35. | :30:38. | |
You can see all the dramatics over there. The flames. Yes. If you want | :30:39. | :30:44. | |
to look at the stages, we're covering over 100 stages across this | :30:45. | :30:47. | |
weekend. All you have to do is go and check it out at | :30:48. | :30:52. | |
bbc.co.uk/Glastonbury. Tons for you to go and see. Next we're going over | :30:53. | :30:59. | |
to Anderson Paak, this guy is amazing live as hopefully we have | :31:00. | :31:02. | |
captured one of his best bits. See what you think. | :31:03. | :31:22. | |
Any sexy ladies want to slow dance to this. | :31:23. | :31:34. | |
# I want you by my lonesome in this crowded space. | :31:35. | :31:40. | |
# It's easier to hold some, when no-one's in the way | :31:41. | :31:44. | |
# Well, if no-one's in the running for the part | :31:45. | :31:47. | |
# I'd love to pick a day # To show you the main room. | :31:48. | :31:52. | |
# I don't need a bouquet # I just need a proper space | :31:53. | :31:56. | |
# Homey three blocks away # I got bottles for days | :31:57. | :32:00. | |
# I got tropical haze # Go ahead and wave bye. | :32:01. | :32:07. | |
# Baby there's room in here # Just enough for two in here | :32:08. | :32:12. | |
# Ain't nobody but you and me in here | :32:13. | :32:14. | |
# Yeah, what can we do in here? # What can we do? | :32:15. | :32:20. | |
# As crazy as it may seem, it's not too hard to read | :32:21. | :32:25. | |
# It's too many ifs and maybes, and not enough certainty | :32:26. | :32:27. | |
# Well, if no-one's putting numbers on the board | :32:28. | :32:30. | |
# I'd love to take a swing # Might even graze you | :32:31. | :32:35. | |
# But I don't mean any harm # I'm just speaking my mind | :32:36. | :32:39. | |
# Take a look at that moon # About as bright as your eyes | :32:40. | :32:42. | |
# We got plenty of space # Go ahead and recline | :32:43. | :32:47. | |
# Take a puff of that # Get a sip of this wine | :32:48. | :32:51. | |
# Glastonbury! # Can yous baby there's room in here | :32:52. | :32:57. | |
# Just enough for two in here # Ain't nobody but you and me in | :32:58. | :33:02. | |
here # Yeah, what can we do in here? | :33:03. | :33:05. | |
# What can we do? # Baby it's you and me here tonight | :33:06. | :33:43. | |
# Tonight, tonight, tonight CHEERING AND APPLAUSE | :33:44. | :35:21. | |
So this song is on our album Malibu. It's dedicated to those party people | :35:22. | :35:23. | |
out there. Lets Dee it. -- let's do it. | :35:24. | :35:41. | |
# I'm only coming out to play # Nothing more than I hate in this | :35:42. | :35:44. | |
life # The wrong impression, I only have | :35:45. | :35:48. | |
one to make # You can open your palm, waiting to | :35:49. | :35:51. | |
catch a break # The cards will fall where they may | :35:52. | :35:57. | |
# And what about me? # I believe in fate | :35:58. | :36:04. | |
# They wanna know where I'll anybody five | :36:05. | :36:06. | |
# What about today? # What about tonight? | :36:07. | :36:11. | |
# Only one at a time # So precious, is yours, is mine. | :36:12. | :36:21. | |
# Only one at a time. # My life, my life. | :36:22. | :36:28. | |
# Am I wrong to assume # If she can't dance, then she can't | :36:29. | :36:33. | |
ooh? # Am I wrong to say | :36:34. | :36:40. | |
# If she can't dance, then she can't ooh? | :36:41. | :36:46. | |
# Hey, I never wanna waste your time, my life | :36:47. | :36:49. | |
# So precious is yours, is mine. # Look at the time. My God. | :36:50. | :36:57. | |
# So precious, is yours, is mine. # Only one at a time. | :36:58. | :37:06. | |
# So precious, is yours, is mine. # Only one at a time. | :37:07. | :37:14. | |
# My life, if you're loving your life, make Shh... Noise. -- make | :37:15. | :37:19. | |
some noise. Glastonbury make some noise for Andy | :37:20. | :38:13. | |
on the drums, baby. Glastonbury you've been amazing. | :38:14. | :38:19. | |
STUDIO: He's pretty special isn't he. Really special. How the hell did | :38:20. | :38:25. | |
he get his hands on your onesie? I know! Then he gets on the drums. | :38:26. | :38:30. | |
Apologies if that link started slightly oddly. We were distracted | :38:31. | :38:33. | |
by someone throwing themselves across the floor here in a desperate | :38:34. | :38:37. | |
attempt to get close and touch the hem of our barments. I left my | :38:38. | :38:40. | |
jacket on the ground. He had been told to get it out of shot, yeah. | :38:41. | :38:45. | |
That's the flavour of the West Holts. Toot and the may tolds are | :38:46. | :38:51. | |
on. Tomorrow night you have to see the Jacksons, without Michael, it is | :38:52. | :38:55. | |
still the four of the Jackson Five. Is that not a clash with the Foo | :38:56. | :39:00. | |
Fighters? Oh, my gosh. What are we going to do. While we think about | :39:01. | :39:07. | |
that, how about a bit of Sleford Mods? | :39:08. | :39:48. | |
# It's a night when they come # When I'm alone and not with anyone | :39:49. | :39:54. | |
# Through the shouts and music # Of the crowd down the road boozing | :39:55. | :39:58. | |
# Near the free car park # The bins and the alleyway of the | :39:59. | :40:01. | |
Chinese restaurant # Number three for two and number | :40:02. | :40:06. | |
four for one # We're going down like BHS | :40:07. | :40:10. | |
# While the abled aboutied vultures monitor and pick at us | :40:11. | :40:13. | |
# We're going down and it's no stress | :40:14. | :40:19. | |
# I lay in hope for the knuckle dragging exoduser we're going down | :40:20. | :40:23. | |
like BHS # While the able-bodied vultures | :40:24. | :40:25. | |
monitor and pick at us # We're going down and it's no | :40:26. | :40:28. | |
stress # We're going down like BHS. | :40:29. | :40:41. | |
# Aye aye. # I think about the heat. | :40:42. | :40:49. | |
# As it lowers itself on me. # Past the closing hour, | :40:50. | :40:54. | |
# When the light in my phone starts to lose power | :40:55. | :40:59. | |
# Through the karaoke machine, it plays you can't blame the betrayed | :41:00. | :41:04. | |
# In the snakes and ladders # We are the Baldrics son and black | :41:05. | :41:08. | |
adders. # We're going down like BHS | :41:09. | :41:13. | |
# While the able-bodied vultures monitor and pick at us | :41:14. | :41:16. | |
# We're going down and it's no stress | :41:17. | :41:19. | |
# I lay and hope for the knuckle dragging exodus | :41:20. | :41:23. | |
# We're going down like BHS # While the able-bodied vultures | :41:24. | :41:27. | |
monitor and pick at us # We're going down and it's no | :41:28. | :41:29. | |
stress # We're going down like BHS. | :41:30. | :41:39. | |
# Laying on a boat, well, what do you do? | :41:40. | :41:43. | |
# Laying on a boat, mate, look at you. | :41:44. | :41:50. | |
# Laying on a boat, well, what do you do? | :41:51. | :41:56. | |
# Laying on a boat, mate, look at you. | :41:57. | :42:01. | |
# Look at you. # Hey, hey, hey, hey, hey | :42:02. | :42:12. | |
# We're going down like BHS # While the able-bodied volumures | :42:13. | :42:18. | |
monitor and pick at us # We're going down and it's no | :42:19. | :42:20. | |
stress # I lay and hope for the knuckle | :42:21. | :42:24. | |
dragging exodus # We're going down like BHS | :42:25. | :42:30. | |
# While the able-bodied vultures monitor and pick at us | :42:31. | :42:33. | |
# We're going down and it's no stress | :42:34. | :42:40. | |
# We're going down like BHS. # You sick bastard | :42:41. | :42:47. | |
# You thick bastard # You thick bastard. # | :42:48. | :42:59. | |
APPLAUSE STUDIO: What a showman, hey. The | :43:00. | :43:03. | |
funny thing with them was if you can imagine this, we had Elbow as the | :43:04. | :43:08. | |
surprise guests earlier on. It was beautiful and the mood was magical | :43:09. | :43:12. | |
and it was gorgeous. Flaming Lips were going to come on and then | :43:13. | :43:18. | |
Sleaford MoDs came on, great. They cast their own spell. Introduced by | :43:19. | :43:24. | |
Lord bucket head who stood against Theresa May in the Maidenhead | :43:25. | :43:27. | |
election. Great. So much going on. I went across to see a bit of Flaming | :43:28. | :43:32. | |
Lips. I was distracted into a little stage I didn't know existed. There | :43:33. | :43:37. | |
was a great band from Northern Ireland. They were new to me called | :43:38. | :43:40. | |
Ruse. Rews. They Ireland. They were new to me called | :43:41. | :43:54. | |
Ruse. Rews. ewanted to call them fuse and troos, but Rews. James went | :43:55. | :44:00. | |
out to this magical area called the common and he met with Victoria clip | :44:01. | :44:08. | |
slayer. -- Sinclair. They're exploring the link between rave | :44:09. | :44:11. | |
culture and chezmanism. Creator Bob, give us strength. Use | :44:12. | :44:38. | |
this medicine to help unify us and see things to enlighten us. If we | :44:39. | :44:44. | |
all just take a sip together, invite the medicine into your body, into | :44:45. | :44:52. | |
your spirit. It is surprisingly chunky, but I am feeling a little | :44:53. | :44:57. | |
pepped up. What is in it? There are ceremonial Krakow from the Amazon, | :44:58. | :45:06. | |
then some medicines and summer mead, a ancient drink. Whenever I drink | :45:07. | :45:13. | |
this medicine, I definitely felt a connection to my ancestors back | :45:14. | :45:27. | |
home. I think the cacao is kicking in. Where are we going now? To the | :45:28. | :45:35. | |
temple. What do you do, Sue? I'm a razor. We need the vibes. We are a | :45:36. | :45:41. | |
massive family. What can we expect from this place behind me? This is a | :45:42. | :45:47. | |
techno- shaman paradise. There is a thing about repetitive beats that | :45:48. | :45:51. | |
the rave culture has, and the shamanic drumming of the journeying | :45:52. | :45:54. | |
is very similar. The beats per minute are very similar. The spirit | :45:55. | :46:01. | |
that the tribal elders get into, where they commune with nature, is | :46:02. | :46:05. | |
similar to these trancelike state that people have been evolving into | :46:06. | :46:10. | |
at raves. When you're in the rave and the crescendo is coming up, | :46:11. | :46:16. | |
described that to me. Orgasm! Let's get in there. | :46:17. | :46:26. | |
There is a lot of energy this year. I have definitely found my spiritual | :46:27. | :46:48. | |
side. Now I am just going to get lost in the beat. | :46:49. | :46:57. | |
So there you go, all explained, the hitherto unsuspected link between | :46:58. | :47:00. | |
ancient shaman is and rave culture. So now we know. You know those | :47:01. | :47:05. | |
shopping channels you watch late into the night? That is what this is | :47:06. | :47:12. | |
now. So we are showing over 100, although you can choose from 100 | :47:13. | :47:18. | |
different performances. All you have to do is go to BBC .co .uk/ | :47:19. | :47:22. | |
Glastonbury and when you are there, you can choose any stage. There are | :47:23. | :47:28. | |
six stages. There is the Pyramid Stage, The Other Stage, the BBC | :47:29. | :47:32. | |
Introducing stage, the West Holts Stage, the Park Stage, which is | :47:33. | :47:42. | |
where we are. Anyway, get your device or your tablet and choose | :47:43. | :47:46. | |
your stage, click on it and then you can stream the performance as it is | :47:47. | :47:51. | |
going out live. We are also selling these tablets. Villa and the clothes | :47:52. | :47:54. | |
on our back. We are taking orders. Anyway, one of | :47:55. | :48:06. | |
the performances this afternoon was when Lorde was playing on The Other | :48:07. | :48:09. | |
Stage. Quite an interesting performance. I don't know whether we | :48:10. | :48:12. | |
have captured the dancers. Hopefully, we have. | :48:13. | :48:48. | |
# I've never seen a diamond in the flesh | :48:49. | :48:50. | |
# I cut my teeth on wedding rings in the movies | :48:51. | :48:52. | |
# In the torn-up town, no postcode envy | :48:53. | :48:58. | |
# But every song's like gold teeth, Grey Goose, trippin' in the bathroom | :48:59. | :49:01. | |
# Bloodstains, ball gowns, trashin' the hotel room | :49:02. | :49:04. | |
# We don't care; we're driving Cadillacs in our dreams | :49:05. | :49:08. | |
# But everybody's like Cristal, Maybach, diamonds on your timepiece | :49:09. | :49:12. | |
# Jet planes, islands, tigers on a gold leash | :49:13. | :49:15. | |
# We don't care, we aren't caught up in your love affair | :49:16. | :49:20. | |
# That kind of luxe just ain't for us | :49:21. | :49:29. | |
# Let me be your ruler Ruler You can call me Queen Bee | :49:30. | :49:37. | |
# And baby I'll rule I'll rule I'll rule I'll rule... | :49:38. | :49:42. | |
# My friends and I We've cracked the code | :49:43. | :49:54. | |
# We count our dollars on the train to the party | :49:55. | :50:00. | |
# That we're fine with this, we didn't come from money | :50:01. | :50:11. | |
# But every song's like gold teeth, Grey Goose, trippin' in the bathroom | :50:12. | :50:15. | |
# Bloodstains, ball gowns, trashin' the hotel room | :50:16. | :50:17. | |
# We don't care, we're driving Cadillacs in our dreams | :50:18. | :50:22. | |
# But everybody's like Cristal, Maybach, diamonds on your timepiece | :50:23. | :50:26. | |
# Jet planes, islands, tigers on a gold leash | :50:27. | :50:29. | |
# We don't care, we aren't caught up in your love affair | :50:30. | :50:33. | |
# And we'll never be royals Royals | :50:34. | :50:37. | |
# That kind of luxe just ain't for us | :50:38. | :50:42. | |
# Let me be your ruler Ruler you can call me Queen Bee | :50:43. | :50:51. | |
# And baby I'll rule I'll rule I'll rule I'll rule... | :50:52. | :50:55. | |
# We aren't caught up in your love affair | :50:56. | :51:18. | |
# That kind of luxe just ain't for us | :51:19. | :51:28. | |
# Let me be your ruler Ruler You can call me Queen Bee | :51:29. | :51:37. | |
# And baby I'll rule I'll rule I'll rule I'll rule... | :51:38. | :51:39. | |
# That kind of luxe just ain't for us | :51:40. | :51:52. | |
# Let me be your ruler Ruler You can call me Queen Bee | :51:53. | :51:58. | |
# And baby I'll rule I'll rule I'll rule I'll rule... | :51:59. | :52:06. | |
# I do my makeup in somebody else's car | :52:07. | :52:38. | |
# We order different drinks at the same bars | :52:39. | :52:41. | |
# I know about what you did and I wanna scream the truth | :52:42. | :52:44. | |
# She thinks you love the beach, you're such a damn liar | :52:45. | :52:52. | |
# Those great whites, they have big teeth | :52:53. | :52:56. | |
# Thought you said that you would always be in love | :52:57. | :53:00. | |
# But you're not in love no more | :53:01. | :53:03. | |
# How we kissed when we danced on the light up floor | :53:04. | :53:08. | |
# Brand new sounds in my mind | :53:09. | :53:24. | |
# But honey I'll be seein' you 'ever I go | :53:25. | :53:31. | |
# But honey I'll be seein' you down every road | :53:32. | :53:37. | |
# I'm waiting for it, that green light, I want it | :53:38. | :53:40. | |
# Cause honey I'll come get my things, but I can't let go | :53:41. | :53:44. | |
# I'm waiting for it, that green light, I want it | :53:45. | :53:47. | |
# Oh, I wish I could get my things and just let go | :53:48. | :53:52. | |
# I'm waiting for it, that green light, I want it | :53:53. | :53:55. | |
# Sometimes I wake up in a different bedroom | :53:56. | :54:02. | |
# I whisper things, the city sings 'em back to you | :54:03. | :54:10. | |
# All those rumours, they have big teeth | :54:11. | :54:14. | |
# Thought you said that you would always be in love | :54:15. | :54:18. | |
# But you're not in love no more | :54:19. | :54:21. | |
# How we kissed when we danced on the light up floor | :54:22. | :54:26. | |
# But honey I'll be seein' you 'ever I go | :54:27. | :54:50. | |
# But honey I'll be seein' you down every road | :54:51. | :54:55. | |
# I'm waiting for it, that green light, I want it | :54:56. | :54:57. | |
# Cause honey I'll come get my things, but I can't let go | :54:58. | :55:02. | |
# I'm waiting for it, that green light, I want it | :55:03. | :55:05. | |
# Oh, honey I'll come get my things, but I can't let go | :55:06. | :55:10. | |
# I'm waiting for it, that green light, I want it | :55:11. | :55:12. | |
# Yes, honey I'll come get my things, but I can't let go | :55:13. | :55:17. | |
# I'm waiting for it, that green light, I want it | :55:18. | :55:20. | |
# Oh, I wish I could get my things and just let go | :55:21. | :55:24. | |
# I'm waiting for it, that green light, I want it. # | :55:25. | :56:19. | |
CHEERING AND APPLAUSE. Thank you so much! | :56:20. | :56:34. | |
And there were the dance verse, as I said, captured in those boxes. She | :56:35. | :56:39. | |
is so good. Her album is out now. This is her first Glastonbury. What | :56:40. | :56:44. | |
a great talent. Very charismatic performer. A smart woman. That was | :56:45. | :56:51. | |
Lorde. It is the year of the onesie, isn't it? I know. People are | :56:52. | :56:57. | |
singalong passionately. There is a lot of joy in the crowds, and it is | :56:58. | :57:01. | |
a very bouncy atmosphere. Everybody has been dealing with a lot of dark | :57:02. | :57:05. | |
stuff, and that is the joy of Glastonbury. You leave the world | :57:06. | :57:10. | |
behind. Hopefully, you can enter our bubble for this weekend and enjoy | :57:11. | :57:15. | |
the music. I think you will enjoy this. These guys are amazing. We | :57:16. | :57:19. | |
Apple lead singers in the same band. They are from Boston. Go see them. | :57:20. | :57:27. | |
They have a few dates coming up in London shortly. They are darling | :57:28. | :57:28. | |
side. # we were always on our way. | :57:29. | :57:44. | |
# rolling up our sleeves. # ever moving forward. | :57:45. | :57:52. | |
# in the tracks where we lived our simple lives. | :57:53. | :57:56. | |
# eyes to the horizon. I know I'm no doctor but I know | :57:57. | :58:06. | |
You can't live in the past But the only way to go is to go | :58:07. | :58:09. | |
back Before | :58:10. | :58:19. | |
we disappeared Into the thick of big | :58:20. | :58:25. | |
ideas Now we can see the sweeping | :58:26. | :58:29. | |
view I know I'm no doctor but I know | :58:30. | :58:31. | |
You can't live in the past Into everglades, greener yesterdays, | :58:32. | :58:47. | |
skip the stones away Go back to the start, | :58:48. | :59:14. | |
photos in the darkroom Beyond our furthest | :59:15. | :59:25. | |
edges To a world full of strange | :59:26. | :59:43. | |
and towering skies And a chance | :59:44. | :59:45. | |
to choose in time To set out | :59:46. | :59:50. | |
on our own way You can't live | :59:51. | :59:54. | |
in the past But the only way | :59:55. | :00:11. | |
to go is to go back. APPLAUSE | :00:12. | :00:31. | |
The marvellous Darling Side. They are working on a record. A few gigs | :00:32. | :00:35. | |
in the next few days. See them for a whole evening of that. Really good. | :00:36. | :00:39. | |
Thank you. They sing like angels. In the rain as well. You will be | :00:40. | :00:43. | |
delighted to know the rain has started as Glastonbury. We've been | :00:44. | :00:46. | |
praying for, it it's been a long time coming. It wouldn't be | :00:47. | :00:49. | |
Glastonbury without. It the wellies will be out in force tomorrow. I | :00:50. | :00:53. | |
think so. Probably. Let's go back to something earlier, this was the band | :00:54. | :00:58. | |
who played on the main stage ahead of Radiohead. This is such a spell | :00:59. | :01:02. | |
binding, wonderful performance, it is the XX, I'm sure you're going to | :01:03. | :01:08. | |
love this. In front of people watching this, I was, they said, I | :01:09. | :01:12. | |
love these guys. They're one of my favourite bands are. They called the | :01:13. | :01:16. | |
XX or double X. I think they're called the XX. We've checked, | :01:17. | :01:18. | |
they're called the XX. From the inside I can feel that you | :01:19. | :01:37. | |
want to# # From the inside I can | :01:38. | :01:53. | |
feel that you want to # Way up in the sky | :01:54. | :01:57. | |
I can see that you want to # Now I'm deep in it, | :01:58. | :02:04. | |
infatuated # Side by side, and I | :02:05. | :03:04. | |
know that you want to # I can hear it now | :03:05. | :03:10. | |
like I heard it then # I can hear it now | :03:11. | :03:42. | |
like I heard it then # I can hear it now | :03:43. | :04:01. | |
like I heard it then # Now you've found | :04:02. | :04:11. | |
a new star to orbit # I think you're too soon | :04:12. | :05:39. | |
to call us old # Where does it stop, | :05:40. | :05:49. | |
where does it stop # You've got the body, | :05:50. | :06:09. | |
you've got the body # Where does it stop, | :06:10. | :06:13. | |
where does it stop # I thought I had you on hold | :06:14. | :06:17. | |
you've got the body # Where does it stop, | :06:18. | :06:25. | |
where does it stop # You've got the body, | :06:26. | :06:27. | |
you've got the body # Where does it stop, | :06:28. | :06:31. | |
where does it stop # You've got the body, | :06:32. | :06:35. | |
you've got the body # It could be love | :06:36. | :07:18. | |
# I think you're too soon to call us off | :07:19. | :07:19. | |
# When and where did we go cold? # Where does it stop, | :07:20. | :07:27. | |
where does it stop # You've got the body, | :07:28. | :07:55. | |
you've got the body # Where does it stop, | :07:56. | :07:59. | |
where does it stop # You've got the body, | :08:00. | :08:03. | |
you've got the body # Where does it stop, | :08:04. | :08:11. | |
where does it stop # You've got the body, | :08:12. | :08:13. | |
you've got the body # Where does it stop, | :08:14. | :08:18. | |
where does it stop # You've got the body, | :08:19. | :08:20. | |
you've got the body CHEERING AND APPLAUSE | :08:21. | :09:00. | |
STUDIO: I thought that was a moment for them today. I mean, there is | :09:01. | :09:05. | |
something about the XX, they just feel so now - they feel what is a | :09:06. | :09:11. | |
band should look and sound like right now. I think they're | :09:12. | :09:13. | |
brilliant. They're one of the best bands in the UK that. Was such a | :09:14. | :09:17. | |
great set from them. They've grown in confidence. They have and learned | :09:18. | :09:22. | |
to enjoy it I think. They've been friends since they were at school. | :09:23. | :09:24. | |
There's something about that connection between them that you | :09:25. | :09:28. | |
really feel. They write such heart breaking songs. Those songs are so | :09:29. | :09:32. | |
painful to listen to. I loved them today. Yeah, that was good. I'm | :09:33. | :09:36. | |
going to have nothing else to wear tomorrow. I'm wearing everything in | :09:37. | :09:41. | |
one day because the rain. This is multilayering. Over now to the John | :09:42. | :09:46. | |
Peel Stage where you will now enjoy Clean Bandit | :09:47. | :10:01. | |
For the single mums out there going through frustration, clean bandit. | :10:02. | :10:15. | |
# She's gone astray, so far away from her father's daughter | :10:16. | :10:20. | |
# She just wants a life for a baby # All on her own | :10:21. | :10:23. | |
# She's got to save her. # She tells him, oh, love, | :10:24. | :10:30. | |
no one's ever gonna hurt you, love # She tells him, your life ain't | :10:31. | :10:33. | |
gonna be nothing like my life # You're gonna grow | :10:34. | :10:42. | |
and have a good life love way too early | :10:43. | :10:44. | |
# # I'm gonna give you all of my love | :10:45. | :11:47. | |
Nobody matters like you." # (Oh-badda-bang-bang-bang, | :11:48. | :11:52. | |
all right then) # Lift up your head, | :11:53. | :12:08. | |
lift it up to the sky # Angels surround you, | :12:09. | :12:23. | |
just dry your eye # He don't know he is | :12:24. | :12:27. | |
safe when she says # No one's ever gonna | :12:28. | :12:38. | |
hurt you, love "# Your life ain't gonna be | :12:39. | :12:41. | |
Nothing like my life (stay) You're gonna grow | :12:42. | :12:52. | |
And have a good life # (Oh-badda-bang-bang-bang, | :12:53. | :12:53. | |
all right then) # Lift up your head, | :12:54. | :13:16. | |
lift it up to the sky Make some noise, Glastonbury! That | :13:17. | :14:02. | |
was Clean Bandit doing Rockabye. Really good song. It is not just | :14:03. | :14:07. | |
raining here, it is sheeting down. There are torrents of water outside. | :14:08. | :14:12. | |
That is why we have moved inside. Cosy in here. Legend is an obvious | :14:13. | :14:18. | |
work, but Kris Kristofferson could be described as one. I played him on | :14:19. | :14:24. | |
my radio show last night as the last song. He is a legend. He was 81 | :14:25. | :14:30. | |
yesterday. This is his Glastonbury debut. There are a couple of other | :14:31. | :14:33. | |
legends knocking around. Johnny Depp will be in evidence during this, and | :14:34. | :14:38. | |
Brad Pitt is also here. He watched a bit of Kris Kristofferson and he is | :14:39. | :14:42. | |
having an amazing festival because he fulfilled the ambition of meeting | :14:43. | :14:49. | |
Jo Whiley. Imagine how lucky he was feeling. Here is Kris Kristofferson, | :14:50. | :14:52. | |
not Brad Pitt. # With no way to hold my head | :14:53. | :15:45. | |
that didn't hurt # And the beer I had for breakfast | :15:46. | :15:49. | |
wasn't bad # Then I fumbled in my closet | :15:50. | :15:51. | |
through my clothes # Then I washed my face | :15:52. | :15:56. | |
and combed my hair # Stumbled down the stairs | :15:57. | :16:02. | |
to meet the day # I'd smoked my mind | :16:03. | :16:04. | |
the night before # With cigarettes and songs | :16:05. | :16:06. | |
that I'd been pickin' # But I lit my first | :16:07. | :16:08. | |
and watched a small kid # Playing with a can | :16:09. | :16:11. | |
that he was kicking # And caught the Sunday smell of | :16:12. | :16:13. | |
someone fryin' chicken # And oh, it took me back | :16:14. | :16:19. | |
to somethin' # That I'd lost somewhere, somehow | :16:20. | :16:21. | |
along the way # I'm wishing, Lord, | :16:22. | :16:29. | |
that I was stoned # And there ain't nothin' | :16:30. | :16:40. | |
short of dyin' I can't think what song I'm going to | :16:41. | :17:52. | |
do. What did I just do? Hey, welcome Johnny Depp. | :17:53. | :17:57. | |
Oh, man, what an honour to be on the same stage as you. | :17:58. | :18:33. | |
# I took myself down to the Tally Ho Tavern | :18:34. | :18:35. | |
# And I sat me down by a tender young maiden | :18:36. | :18:40. | |
# Whose eyes were as dark as her hair | :18:41. | :18:42. | |
# And as I was searching from bottle to bottle | :18:43. | :18:44. | |
# That silver tongued devil just slipped from the shadows | :18:45. | :18:48. | |
# I said hey, little girl, don't you know he's the devil | :18:49. | :18:52. | |
# He's everything that I ain't Hiding intentions of evil | :18:53. | :18:55. | |
# All he's good for is getting in trouble | :18:56. | :19:09. | |
# And shiftin' his share of the blame | :19:10. | :19:13. | |
# And some people swear he's my double | :19:14. | :19:19. | |
# But the silver-tongued devil's go nothing to lose | :19:20. | :19:29. | |
# We take our own chances and pay our own dues | :19:30. | :19:41. | |
Thank you! My hero! I can't be sure, but it looked like | :19:42. | :20:16. | |
Johnny Depp came on as a surprise to Kris Kristofferson. Very much taken | :20:17. | :20:23. | |
by surprise. Oh, Johnny Depp! Now, we are going back to the John Peel | :20:24. | :20:27. | |
Stage for a band that I love. We have had them on our radio show on 6 | :20:28. | :20:33. | |
Music. They are so young! Precociously talented. | :20:34. | :21:12. | |
# why do I have to follow you to know just who I am? | :21:13. | :21:25. | |
# I have enough previous worlds to know which one I'm in. | :21:26. | :21:40. | |
These words, these words Mean nothing to my soul | :21:41. | :21:45. | |
These words, these words Save only to fill up a hole | :21:46. | :22:00. | |
# Why can't I flow softly downstream Without the violent surf? | :22:01. | :22:13. | |
# These words, these words Mean nothing to my soul | :22:14. | :22:31. | |
I mean, stupidly talented. They make a lot of sense when you see them | :22:32. | :24:30. | |
live. That was the Lemon Twigs. That is almost it from us. We will be | :24:31. | :24:35. | |
back tomorrow with Lauren love-in and Nick Grimshaw. They will be here | :24:36. | :24:41. | |
from 5.30. I will turn up for the odd link. We have all sorts tomorrow | :24:42. | :24:46. | |
including Foo Fighters and Katy Perry. They are great bedfellows. I | :24:47. | :24:51. | |
will be on the radio between four and seven o'clock tomorrow with Liam | :24:52. | :24:54. | |
Gallagher. Hope you enjoyed everything you watched tonight and | :24:55. | :25:01. | |
have a good day. Go to our website for limitless highlights. The route | :25:02. | :25:06. | |
tomorrow. And go to bed. This is Dizzee Rascal. | :25:07. | :25:43. | |
Fix up look sharp, don't make me paint a ... something get dark | :25:44. | :25:46. | |
Hear the bang, see the spark duck down, lay down just | :25:47. | :25:49. | |
I've heard the gossip from the street to the slammer | :25:50. | :26:09. | |
They're trying to see if Dizzee stays true to his grammar | :26:10. | :26:16. | |
Being a celebrity don't mean shit to me | :26:17. | :26:20. | |
Fuck the glitz and glamour Hey, I'm with the Blicks and Gamma | :26:21. | :26:23. | |
Because they're talking 'bout rushing | :26:24. | :26:25. | |
Talk behind my back, but to my face they say nothin' | :26:26. | :26:27. | |
Stand up in the Parks, keep a firm, steady stance | :26:28. | :26:30. | |
Keep the beanies touching, keep the beanies hot flushin' | :26:31. | :26:32. | |
If you don't believe me bring your posse, bring your crew | :26:33. | :26:36. | |
Feel free to hate cos I ain't trying-a be your mate | :26:37. | :26:41. | |
Be serious you wouldn't last an hour in my shoes | :26:42. | :26:43. | |
It's an Air Force One, Trainers by the truck load | :26:44. | :26:46. | |
Don't feel dazed when I catch you by your jays | :26:47. | :26:49. | |
Chump, best to act like Forrest Gump, best to run! | :26:50. | :26:52. | |
Fix up look sharp Don't make me paint a ... | :26:53. | :26:58. | |
Something get dark hear the bang, see the spark duck down | :26:59. | :27:01. | |
I stay sweet as a nut, sweet like Tropicana, | :27:02. | :27:24. | |
When the hammer hits, your head splits like banana | :27:25. | :27:26. | |
You better send your best soldiers, 'cos this is Captain Rascal! | :27:27. | :27:31. | |
More destructive and troublesome than ever | :27:32. | :27:32. | |
I'll probably be doing this, probably forever, | :27:33. | :27:34. | |
Fellas wanna stop me don't probably come together | :27:35. | :27:37. | |
It's probable they'll stop me, probably never | :27:38. | :27:39. | |
You Topman, Topman, hard toppa toppa Come to me with an attitude | :27:40. | :27:42. | |
Come a cropper, I'm old school like Happy Shopper | :27:43. | :27:45. | |
I fight old school, bring your bat and your chopper | :27:46. | :27:48. | |
And a First Aid kit and some antiseptic | :27:49. | :27:52. | |
This could get hectic, I'm a done accept it, you got a bright future | :27:53. | :27:58. | |
Fix up look sharp Don't make me paint a ... | :27:59. | :28:03. | |
Something get dark hear the bang, see the spark duck down | :28:04. | :28:05. | |
Fix up look sharp Don't make me paint a ... | :28:06. | :28:10. | |
Something get dark hear the bang, see the spark duck down | :28:11. | :28:14. |