Browse content similar to Florence + the Machine & Tinie Tempah. Check below for episodes and series from the same categories and more!
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Welcome back to our Hackney weekend. We are live and we have loads of | :00:20. | :00:26. | |
lovely things for you to come today. Welcome back football-haters. It is | :00:26. | :00:36. | |
sun-drenched. Dizsy rasal is on the Main Stage -- Dizzee Rasal is on | :00:36. | :00:45. | |
the Main Stage. You can Tweet us or go on the Facebook page. | :00:45. | :00:48. | |
I saw Tinie Tempah today on the stage - it was a highlight for me. | :00:48. | :00:54. | |
He's been away for a while. He was back for us today. He was wearing | :00:54. | :01:00. | |
new trainers. He was wearing disturbing London trainers - very | :01:00. | :01:10. | |
:01:10. | :01:11. | ||
cool indeed. Put your W up.... in this? This was Wonder Man | :01:11. | :01:21. | |
:01:21. | :01:29. | ||
A W in the sky like this. You are looking mightty fine | :01:29. | :01:39. | |
:01:39. | :01:41. | ||
# Uh, my uncle used to drink # Uh, what kinda person | :01:41. | :01:51. | |
:01:51. | :01:51. | ||
Apology for the loss of subtitles for 48 seconds | :01:51. | :02:40. | |
# Yeah, and I went from the kid # And can't afford | :02:40. | :02:50. | |
:02:50. | :03:02. | ||
# Imagine satisfaction # And when the fans | :03:02. | :03:12. | |
:03:12. | :03:12. | ||
Apology for the loss of subtitles for 48 seconds | :03:12. | :04:31. | |
That's what we're talking about, Hackney! | :04:31. | :04:38. | |
All right. Now, ladies and gentlemen, I've | :04:38. | :04:43. | |
brought out one album called The Discovery. | :04:43. | :04:48. | |
I didn't know it was going to change my life. It's because of you | :04:48. | :04:52. | |
guys as well. Make some noise for yourselves. You've been absolutely | :04:52. | :04:59. | |
amazing. I just want to let you guys now, as we're standing on the | :04:59. | :05:02. | |
Hackney Marshes tonight, I saw that down the road, I was like, listen, | :05:02. | :05:11. | |
I think I can do this rap thing, man. I see Dissee, if I have a -- | :05:11. | :05:16. | |
Dizzee, if I have a go, if I focus. I can see faces out there tonight | :05:16. | :05:20. | |
of people who want to do things. All you people in the front row | :05:20. | :05:24. | |
who've come to see me - thank you so much. You guys have been rocking | :05:24. | :05:28. | |
me tonight. Thank you so much. Now, ladies and gentlemen f you know | :05:28. | :05:32. | |
this next song and believe in your dreams, sing as loud as you can for | :05:33. | :05:42. | |
:05:43. | :06:08. | ||
# Oh, written in the stars # Seasons come and go | :06:08. | :06:17. | |
# Let's go, yeah # They say they ain't heard | :06:17. | :06:20. | |
# That's why they play my song on so many different dials | :06:20. | :06:25. | |
# So when they see me Everybody brrrap, brrraps | :06:25. | :06:28. | |
# Man I'm like a young gun fully black Barack | :06:28. | :06:31. | |
# I cried teardrops over the massive attack | :06:31. | :06:33. | |
# I only make hits like I work with the racket and bat | :06:33. | :06:36. | |
# Look at my jacket and hat | :06:36. | :06:37. | |
# So damn berserk, so down to earth I'm bringing gravity back | :06:37. | :06:41. | |
# Adopted by the major I want my family back | :06:41. | :06:44. | |
# People work hard just to get all their salary taxed | :06:44. | :06:46. | |
# Look I'm just a writer from the ghetto like Malory Blackman | :06:46. | :06:50. | |
# Where the hell's all the sanity at? | :06:50. | :06:55. | |
# Damn I used to be the kid that no-one cared about | :06:55. | :06:56. | |
# That's why you have to keep screaming till they hear you out | :06:56. | :06:58. | |
# Oh, written in the stars A million miles away | :06:58. | :07:04. | |
# A message to the main, oh | :07:04. | :07:09. | |
# Seasons come and go but I will never change | :07:09. | :07:14. | |
# And I'm on my way | :07:14. | :07:24. | |
# Yeah, I needed a change When we ate we never tip | :07:24. | :07:33. | |
# Yeah, I needed a change When we ate we never tip | :07:33. | :07:38. | |
# For a sec' I even gave up Believing and praying | :07:38. | :07:39. | |
# I even done the legal stuff and was leaded astray | :07:39. | :07:42. | |
# They say the money is the route to the evillest ways | :07:42. | :07:45. | |
# But have you ever been so hungry it keeps you awake? | :07:45. | :07:47. | |
# Mate, now my hunger would leave 'em amazed, great | :07:47. | :07:51. | |
# It feels like a long time coming, fam | :07:51. | :07:54. | |
# Since the day I thought of that cunning plan | :07:54. | :07:56. | |
# One day I had a dream I tried to chase it | :07:56. | :07:58. | |
# But I wasn't going nowhere Running man | :07:58. | :08:01. | |
# I knew that maybe someday I would understand | :08:02. | :08:04. | |
# Trying to change a tenner to a hundred grand | :08:04. | :08:07. | |
# Everyone's a kid that no-one cares about | :08:07. | :08:09. | |
# You just gotta keep screaming till they hear you out | :08:09. | :08:12. | |
# Oh, written in the stars a million miles away | :08:12. | :08:17. | |
# A message to the main, oh | :08:17. | :08:23. | |
# Seasons come and go but I will never change | :08:23. | :08:28. | |
# And I'm on my way | :08:28. | :08:33. | |
# Oh-oh-oh-oh! | :08:33. | :08:35. | |
# Oh-oh-oh-oh! | :08:35. | :08:38. | |
# Oh-oh-oh-oh! | :08:38. | :08:48. | |
:08:48. | :09:05. | ||
# Oh, written in the stars # Seasons come and go | :09:05. | :09:15. | |
:09:15. | :09:15. | ||
Apology for the loss of subtitles for 48 seconds | :09:15. | :09:58. | |
If you've been to i bit ta make some noise. That's -- Ibiza make | :09:58. | :10:08. | |
:10:08. | :10:08. | ||
Apology for the loss of subtitles for 48 seconds | :10:08. | :11:03. | |
some noise. If you haven't been to # And that's standard prcedure | :11:03. | :11:13. | |
:11:13. | :11:26. | ||
# And she stay up all hours watching QVC | :11:26. | :11:29. | |
# She said she loves my songs She bought my MP3 | :11:29. | :11:32. | |
# And so I put her number in my Bold BB | :11:32. | :11:36. | |
# I got a black BM She got a white TT | :11:36. | :11:40. | |
# She wanna see what's hiding in my CK briefs | :11:40. | :11:44. | |
# I tell her wear suspenders and some PVC | :11:44. | :11:48. | |
# And then I'll film it all up on my JVC | :11:48. | :11:52. | |
# Uhh, scene one | :11:52. | :11:54. | |
# Everybody get in your positions Pay attention, and listen | :11:54. | :11:59. | |
# We're tryna get this in one take So let's try and make that happen | :11:59. | :12:05. | |
# Take one, action! | :12:05. | :12:15. | |
:12:15. | :12:23. | ||
# Put your hands up in the air! | :12:23. | :12:28. | |
# Put your hands up in the air! | :12:28. | :12:30. | |
# Put your hands up in the air! | :12:30. | :12:40. | |
:12:40. | :12:57. | ||
# She pose for FHM # I got my Visa and my Visa | :12:57. | :13:05. | |
# You can find me on a table Full of vodka and tequila | :13:05. | :13:13. | |
# I wake up in the morning With a mild case of amnesia | :13:13. | :13:16. | |
# With a girl that like a girl Like Lindsey Lohan, Queen Latifah | :13:16. | :13:24. | |
# It must be fever | :13:24. | :13:26. | |
# And that's standard procedure from Miami 2 Ibiza. # | :13:26. | :13:36. | |
:13:36. | :13:45. | ||
# Put your hands in the air! | :13:45. | :13:47. | |
# Put your hands in the air! | :13:47. | :13:49. | |
# Put your hands in the air! | :13:49. | :13:59. | |
:13:59. | :14:11. | ||
# And that's standard procedure Thank you very much. Ladies and | :14:11. | :14:16. | |
gentlemen, are you having a good day today? Yeah? | :14:16. | :14:21. | |
Something you may have seen me do before when I give you the cue I | :14:21. | :14:26. | |
want everybody to go down as low as you can. When I say "action" jump | :14:26. | :14:36. | |
as high as you can. Everybody, let's go. Go low, go low, go low, | :14:36. | :14:46. | |
:14:46. | :14:52. | ||
go low, go low, go low, go low, go low and listen, go low, go low, go | :14:52. | :15:00. | |
low take one... Everybody get in position. Stay down and listen. | :15:01. | :15:10. | |
:15:11. | :15:28. | ||
Stay down. Hackney, take one, Put your hands up in | :15:28. | :15:38. | |
:15:38. | :15:45. | ||
# And that's standard procedure Just one of my favourite performers | :15:45. | :15:50. | |
to watch. A get set. One of my favourites. Dizzee Rascal has just | :15:50. | :15:54. | |
come off the Main Stage over there. We will chat to him later on. If | :15:54. | :16:00. | |
you want to ask any questions get on Twitter or Facebook. His show | :16:00. | :16:06. | |
was insane. It was like guy work's night - so many fireworks going off. | :16:06. | :16:10. | |
Don't forget, if you are gutted you couldn't make it today, because | :16:10. | :16:18. | |
Rihanna is headlining, we will show you that set on BBC Three at about | :16:18. | :16:22. | |
10pm tonight. That is after the football, just to reiterate. | :16:22. | :16:29. | |
Perfect. How handy. Labrinth was in our studio yesterday. We have | :16:29. | :16:33. | |
followed him around - not in a creepy way. Let's look at | :16:34. | :16:43. | |
:16:44. | :16:49. | ||
Labrinth's Hackney. A new way to travel. Getting a | :16:49. | :16:59. | |
:16:59. | :17:00. | ||
helicopter. I can't wait for this. Let's go. Labrinth, come in. | :17:00. | :17:04. | |
We're on our way to Hackney, my home town. It's nice to finally | :17:04. | :17:14. | |
:17:14. | :17:17. | ||
have some big event going on in Once again I've got to breathe in | :17:18. | :17:22. | |
this festival air. Smelling good out here! Let's go! | :17:22. | :17:28. | |
Can you turn it down, please? We're trying to rehearse. We're trying to | :17:28. | :17:37. | |
sound-check. Never have I seen Hackney like this - this is crazy! | :17:37. | :17:44. | |
I'm having some jerk chicken and rice. You have to have something | :17:44. | :17:50. | |
close to mum's home-cooked, home cooking. It is a pleasure to | :17:50. | :17:53. | |
welcome one of the best new artists around. Labrinth e eexpress | :17:53. | :18:00. | |
yourself. # Express yourself | :18:00. | :18:10. | |
:18:10. | :18:14. | ||
It was fun. It's like show after show. How you doing, my mate? Nice | :18:14. | :18:24. | |
:18:24. | :18:27. | ||
to see you. The one, the only Labrinth. | :18:27. | :18:37. | |
:18:37. | :18:47. | ||
# Say yeah! I predict an earthquake I had a mad time. I didn't expect | :18:47. | :18:52. | |
to get on the stage with Lost Prophets and get that kind of love. | :18:52. | :19:02. | |
They smashed it. Can I come to another show? Yeah. | :19:02. | :19:09. | |
All right then, guys, that's it pr me now. I saw Jack,he's about to go | :19:09. | :19:19. | |
:19:19. | :19:26. | ||
on. That is Rissel Kicks right What's up? Come in, come in! It's | :19:26. | :19:33. | |
day two, guys. I'm here dressed up in my Paisley tie. I've got to go | :19:33. | :19:43. | |
:19:43. | :19:51. | ||
and get ready for this show. We're Ladies and gentlemen - hands in the | :19:51. | :20:01. | |
:20:01. | :20:01. | ||
Apology for the loss of subtitles for 48 seconds | :20:01. | :20:56. | |
# This is something they call # For your makeup | :20:56. | :21:04. | |
# As soon as it drops # Before you know it | :21:04. | :21:10. | |
# Yeah! I predict an earthquake up in here | :21:10. | :21:16. | |
# Say yeah! I predict an earthquake up in here | :21:16. | :21:22. | |
# Cos we throw bombs on it Throw bombs on it | :21:22. | :21:26. | |
# Just smash something, yeah Mosh for me, hey yeah | :21:26. | :21:32. | |
# We can make an earthquake up in here | :21:32. | :21:34. | |
# So here we go, we go | :21:34. | :21:44. | |
:21:44. | :21:53. | ||
# Everybody rock, let's bring the house down to rubble and dust | :21:53. | :21:57. | |
# Cos we be crashing it up Somebody say you better run | :21:57. | :22:01. | |
# Yeah! I predict an earthquake up in here | :22:01. | :22:06. | |
# Say yeah! I predict an earthquake up in here | :22:06. | :22:12. | |
# Cos we throw bombs on it Throw bombs on it | :22:12. | :22:16. | |
# Just smash something, yeah Mosh for me, hey yeah! | :22:16. | :22:21. | |
# We can make an earthquake up in here | :22:21. | :22:24. | |
# So here we go, we go | :22:24. | :22:28. | |
# I predict an earthquake up in here | :22:28. | :22:35. | |
# I predict an earthquake up in here | :22:36. | :22:37. | |
# Cos we throw bombs on it Throw bombs on it | :22:37. | :22:41. | |
# Just smash something Yes, mosh for me, yeah | :22:41. | :22:51. | |
:22:51. | :22:51. | ||
Apology for the loss of subtitles for 48 seconds | :22:51. | :23:36. | |
# I predict an earthquake up in here | :23:37. | :23:42. | |
# Cos we throw bombs on it Throw bombs on it | :23:42. | :23:44. | |
# Just smash something Yes, mosh for me, yeah | :23:44. | :23:47. | |
# We can make an earthquake up in here | :23:47. | :23:52. | |
# So here we go, we go | :23:52. | :24:02. | |
:24:02. | :24:21. | ||
It | :24:22. | :24:22. | |
It is | :24:22. | :24:22. | |
It is brilliant. | :24:22. | :24:28. | |
It is brilliant. You can see why his fan-base is growing. He writes | :24:28. | :24:34. | |
it, performs it - people watching will go, oh, he's playing an | :24:34. | :24:40. | |
electric guitar as well. Great to see him with Lost Prophets. They | :24:40. | :24:50. | |
:24:50. | :24:53. | ||
were meant to be on Earth Quake. It's too good for you - I'll keep | :24:53. | :25:00. | |
it for myself. We have loads of music - of course the whole Rihanna | :25:00. | :25:10. | |
:25:10. | :25:12. | ||
set. Shall we get more live music from the Tree House. We have some | :25:12. | :25:22. | |
:25:22. | :25:27. | ||
# No pity # Where I know I seem | :25:27. | :25:29. | |
# Lost in a city # Walk with me | :25:29. | :25:39. | |
:25:39. | :25:41. | ||
# No-one seems to see your face # And these days how I've been | :25:41. | :25:51. | |
:25:51. | :25:56. | ||
# I've been lost for days # Where do we turn if there's | :25:56. | :26:06. | |
:26:06. | :26:08. | ||
# No, no, I need you here # Where do we turn | :26:08. | :26:18. | |
:26:18. | :26:32. | ||
# No, no these days these years # It's funny | :26:32. | :26:42. | |
# I've been fighting # And I just don't get it | :26:42. | :26:46. | |
# I've been lost for days in hopeless, broken places | :26:46. | :26:52. | |
# But we never hide, so long | :26:52. | :26:56. | |
# Where do we go from here? | :26:56. | :26:58. | |
# Where do we go if there's no-one? | :26:58. | :27:00. | |
# Where do we turn if there's no-one? | :27:00. | :27:02. | |
# What are we going for? | :27:02. | :27:05. | |
# I need you here to tell me no | :27:05. | :27:07. | |
# Where do we go if there's no-one | :27:07. | :27:10. | |
# Where do we go if there's no-one | :27:10. | :27:19. | |
# This lonely place feels so dark now | :27:19. | :27:22. | |
# All we can do is fight these things | :27:22. | :27:24. | |
# Even when we don't want to | :27:24. | :27:27. | |
# All we can do is fight these things | :27:27. | :27:29. | |
# Even when they all come true | :27:29. | :27:32. | |
# I don't want to be your dog | :27:32. | :27:42. | |
# Where do we go if there's no-one | :27:42. | :27:44. | |
# Where do we turn if there's no-one | :27:44. | :27:54. | |
:27:54. | :27:56. | ||
# Where do we turn if there's no-one | :27:56. | :28:00. | |
# Where do we turn if there's no-one | :28:00. | :28:01. | |
# What are we going for? | :28:01. | :28:09. | |
# No, tell me | :28:09. | :28:12. | |
# No, tell me | :28:12. | :28:22. | |
:28:22. | :28:29. | ||
With me. Maverick | :28:29. | :28:29. | |
With me. Maverick Sabra. | :28:29. | :28:30. | |
With me. Maverick Sabra. That | :28:30. | :28:33. | |
With me. Maverick Sabra. That was gorgeous. Your voice - it's so | :28:33. | :28:40. | |
effortless. Somehow you have managed to wear these trainers? | :28:40. | :28:48. | |
Kept them clean. Wore two plastic bags earlier on. You did that gang | :28:48. | :28:54. | |
sta thing? Black tape and kept them clean. Couldn't mess them up. | :28:55. | :29:00. | |
has your Hackney weekend been? Fantastic. We were at the festival | :29:00. | :29:04. | |
yesterday. We have flown here. It is like a home-coming gig for me. I | :29:04. | :29:13. | |
was born down the road in Stoke Newington. You sound like a local. | :29:13. | :29:22. | |
Hello. I was born in soak newing on the and moved to Ireland. 50/50 | :29:22. | :29:27. | |
between the two. We had a fantastic turnout even when it got sunny and | :29:27. | :29:33. | |
I played at 3.30pm, one tent was packed. It was emotional for me. It | :29:33. | :29:38. | |
was nice to see people in Hackney come out and support. We have been | :29:38. | :29:42. | |
playing your records for a long time on Radio One. It has taken off. | :29:42. | :29:47. | |
It is building nicely, I would say, isn't it. I remember the first time | :29:47. | :29:52. | |
it got played on Radio One. It feels like a natural bill. | :29:53. | :29:56. | |
Everybody is building with me. Everybody is building and joining | :29:56. | :30:01. | |
me. It feels really nice. The energy that I've been getting | :30:01. | :30:03. | |
back from people and the progress over the last couple of years is | :30:03. | :30:07. | |
very humbling for me. It's nice to see people warming to the record | :30:07. | :30:12. | |
and coming out and supporting the music. It's been good. Are you | :30:12. | :30:16. | |
sticking around to see Rihanna later? I will be sticking around. | :30:16. | :30:22. | |
This is the last thing of my day. This is my relaxation period. I | :30:22. | :30:26. | |
will enjoy Hackney weekender for the last night. You can chill now. | :30:26. | :30:34. | |
It is done. Get the black flas tick bags on. Actually -- plastic bags | :30:34. | :30:40. | |
on. Actually the sun came out when Florence was on. This is Shake It | :30:40. | :30:50. | |
:30:50. | :30:56. | ||
# Here to relive # And all of the ghouls | :30:56. | :31:05. | |
# But I like to keep some things to myself | :31:05. | :31:10. | |
# I like to keep my issues drawn | :31:10. | :31:14. | |
# It's always darkest before the dawn | :31:14. | :31:19. | |
# And I've been a fool and I've been blind | :31:19. | :31:23. | |
# I can never leave the past behind | :31:23. | :31:27. | |
# I can see no way, I can see no way | :31:27. | :31:30. | |
# I'm always dragging that horse around | :31:30. | :31:37. | |
# All of these questions Such a mournful sound | :31:37. | :31:42. | |
# Tonight I'm gonna bury that horse in the ground | :31:42. | :31:45. | |
# Cos I like to keep my issues drawn | :31:45. | :31:50. | |
# It's always darkest before the dawn | :31:50. | :31:54. | |
# Shake it out, shake it out | :31:54. | :31:56. | |
# Shake it out, shake it out Oh, woah! | :31:56. | :31:58. | |
# Shake it out, shake it out | :31:58. | :32:00. | |
# Shake it out, shake it out Oh, woah! | :32:00. | :32:03. | |
# And it's hard to dance with a devil on your back | :32:03. | :32:06. | |
# So shake him off, oh, woah! | :32:06. | :32:12. | |
# And I am done with my graceless heart | :32:12. | :32:16. | |
# So tonight I'm gonna cut it out and then restart | :32:17. | :32:22. | |
# I like to keep my issues drawn | :32:22. | :32:26. | |
# It's always darkest before the dawn | :32:26. | :32:30. | |
# Shake it out, shake it out | :32:30. | :32:32. | |
# Shake it out, shake it out Oh, woah! | :32:32. | :32:34. | |
# Shake it out, shake it out | :32:34. | :32:36. | |
# Shake it out, shake it out Oh, woah! | :32:36. | :32:39. | |
# And it's hard to dance with a devil on your back | :32:39. | :32:42. | |
# So shake him off, oh, woah | :32:42. | :32:48. | |
# Shake it out | :32:48. | :32:51. | |
# And it's hard to dance with the devil on your back | :32:52. | :32:55. | |
# Given half the chance would I take any of it back? | :32:55. | :32:58. | |
# It's a fine romance but it's left me so undone | :32:58. | :33:00. | |
# Shake it out | :33:00. | :33:02. | |
# It's always darkest before the dawn | :33:02. | :33:08. | |
# Oh, woah, oh, woah... | :33:08. | :33:11. | |
# Oh, woah, oh, woah... | :33:11. | :33:14. | |
# And I'm damned if I do and I'm damned if I don't | :33:14. | :33:19. | |
# So here's to drinks in the dark at the end of my rope | :33:19. | :33:23. | |
# And I'm ready to suffer and I'm ready to hope | :33:23. | :33:27. | |
# It's a shot in the dark aimed right at my throat | :33:27. | :33:32. | |
# Cos looking for heaven Found a devil in me | :33:32. | :33:36. | |
# Looking for heaven Found a devil in me | :33:36. | :33:41. | |
# But what the hell I'm gonna let it happen to me | :33:41. | :33:51. | |
:33:51. | :34:10. | ||
# But what the hell I'm gonna let it happen to me | :34:11. | :34:20. | |
:34:21. | :34:25. | ||
# Shake it out, shake it out | :34:25. | :34:26. | |
# Shake it out, shake it out Oh, woah! | :34:26. | :34:28. | |
# Shake it out, shake it out | :34:28. | :34:30. | |
# Shake it out, shake it out Oh, woah! | :34:30. | :34:33. | |
# Shake it out, shake it out | :34:33. | :34:35. | |
# Shake it out, shake it out | :34:36. | :34:37. | |
# Shake it out, shake it out | :34:38. | :34:47. | |
:34:48. | :34:50. | ||
# And it's hard to dance # Shake it out, shake it out | :34:50. | :35:00. | |
:35:00. | :35:06. | ||
# And it's hard to dance # And it's hard to dance | :35:06. | :35:16. | |
:35:16. | :35:19. | ||
# Shake it out, shake it out # And it's hard to dance | :35:19. | :35:29. | |
:35:29. | :35:29. | ||
Apology for the loss of subtitles for 48 seconds | :35:29. | :36:12. | |
# Sometimes I feel like # But you've got the love | :36:12. | :36:20. | |
# And things go wrong no matter what I do | :36:20. | :36:24. | |
# Now and then it seems that life is just too much | :36:25. | :36:29. | |
# But you've got the love I need to see me through | :36:29. | :36:34. | |
# When food is gone you are my daily meal | :36:34. | :36:43. | |
# When friends are gone | :36:43. | :36:45. | |
# I know my saviour's love is real | :36:45. | :36:48. | |
# You know it's real | :36:48. | :36:52. | |
# You got the love | :36:52. | :36:54. | |
# You got the love | :36:54. | :36:55. | |
# Yo-o-u got the love | :36:55. | :37:00. | |
# You got the love | :37:00. | :37:02. | |
# You got the love | :37:02. | :37:05. | |
# Yo-o-u got the love | :37:05. | :37:10. | |
# Time after time I think | :37:10. | :37:12. | |
# "Oh Lord, what's the use?" | :37:12. | :37:14. | |
# Time after time I think it's just no good | :37:14. | :37:19. | |
# Cos sooner or later in life | :37:19. | :37:20. | |
# The things you love you lose | :37:20. | :37:23. | |
# But you got the love I need to see me through | :37:23. | :37:28. | |
# You've got the love Whoa... | :37:28. | :37:30. | |
# You've got the love | :37:30. | :37:32. | |
# You've got the love | :37:32. | :37:36. | |
# You've got the love | :37:37. | :37:46. | |
:37:47. | :37:47. | ||
Apology for the loss of subtitles for 48 seconds | :37:47. | :38:34. | |
# Sometimes I feel like # But you've got the love | :38:34. | :38:44. | |
:38:44. | :38:44. | ||
Apology for the loss of subtitles for 48 seconds | :38:44. | :40:02. | |
# Sometimes I feel like # But you've got the love | :40:02. | :40:12. | |
:40:12. | :40:20. | ||
And that is it. When you see Florence's harp, the festival | :40:20. | :40:26. | |
season has begun. It brought the sun out. We have a special guest, | :40:26. | :40:32. | |
Dizzee Rascal. Hello. You all right, baby? I've not seen you for such a | :40:32. | :40:38. | |
long time. Look so good. We watched your set up here - your surprise | :40:38. | :40:43. | |
set. It was incredible. How did you keep a secret? No-one knew you were | :40:43. | :40:52. | |
going to turn up today? I kept my mouth shut. Did you enjoy it? | :40:52. | :40:56. | |
to work the crowd. They weren't expecting me to come, - they were | :40:56. | :41:05. | |
not all my fans. I had to win them over. Bonkers was mad. It is the | :41:05. | :41:09. | |
perfect festival song. You don't have to know me. Just jump around | :41:09. | :41:17. | |
if you hear it. Even that ice cream crowd were jumping. Yeah! I'm | :41:17. | :41:22. | |
feeling the love. You've got a lot of love. Why does | :41:22. | :41:27. | |
this part of London deserve a festival like this? You are an East | :41:27. | :41:31. | |
London boy - why here? It is one of the most deprived parts of London. | :41:31. | :41:35. | |
I have been saying all night, I wish this kind of stuff was | :41:35. | :41:39. | |
happening when I grew up around here. Then to be a part of it, I | :41:39. | :41:43. | |
get it is better, to be on the inside looking out. It's nice to | :41:43. | :41:47. | |
have people out here having a nice time. The sun came out. That's the | :41:47. | :41:53. | |
main thing. And the Olympics. So much going on. | :41:53. | :42:00. | |
2012 is the year the world is supposed to end. It's all popping | :42:00. | :42:06. | |
off in East London. What is going on with your music? I just came | :42:06. | :42:11. | |
back from America like three/four weeks ago. It's starting to sound | :42:11. | :42:18. | |
like an album now. I have a few big singles. I want to get a few more, | :42:18. | :42:23. | |
interesting stuff. I've got my label, artist Pepper. We're all | :42:23. | :42:26. | |
working trying to get the good stuff out. Before we release it, | :42:26. | :42:32. | |
making sure everything is there. You are a perfectionist. We have a | :42:32. | :42:36. | |
date for the England song for shout. I know England are on right now. I | :42:36. | :42:43. | |
hope they win. The proceeds go to charity, to Great Ormond Street. We | :42:43. | :42:49. | |
raised �85,000. Even if you aren't feeling the song go out and save a | :42:49. | :42:56. | |
child's life. Is it 0-0? We were watching Maverick Sabar as well. | :42:56. | :43:01. | |
One eye on the stage, one eye on the football. We're professionals. | :43:01. | :43:04. | |
You're not. You were there with your face in the monitor a moment | :43:04. | :43:12. | |
ago! Thank you. Will you stick around for Rihanna? Yeah. It's | :43:12. | :43:16. | |
gathering up now. I've got some nice questions on Twitter and | :43:16. | :43:20. | |
Facebook. Jessie says, how does it feel to perform on a stage in front | :43:20. | :43:25. | |
of all your fans? It's amazing. The best thing. You make the music and | :43:25. | :43:30. | |
then you get to bring it to life to people. I think of the people who | :43:30. | :43:35. | |
sat there and sung those songs so many times. To come to live | :43:35. | :43:45. | |
basically. It's a -- it's great. feels like we're ready to have you | :43:45. | :43:50. | |
back. We're ready for a new Dizzee Rascal album. I'm trying to get a | :43:50. | :43:54. | |
new body of work. This time when it's a singles market but I still | :43:54. | :43:58. | |
like to make an all bum. Sipbgsles are important, definitely. The -- | :43:59. | :44:02. | |
singles are important, definitely. I need to make shuerpvy the big | :44:02. | :44:08. | |
ones. I am looking forward for people hearing a body of work and | :44:08. | :44:18. | |
not going to hear anything from anybody else. We will check out | :44:18. | :44:28. | |
:44:28. | :44:46. | ||
Say Oi! Don't make me | :44:46. | :44:55. | |
Hear the bang Don't make me bring | :44:55. | :45:05. | |
:45:05. | :45:22. | ||
I've heard the gossip They're tryin' to see if Dizzee | :45:22. | :45:28. | |
Because they're talking 'bout rushin' | :45:28. | :45:31. | |
Talk behind my back but to my face they say nothin' | :45:32. | :45:34. | |
Stand up in the parks, keep a firm, steady stance | :45:34. | :45:36. | |
Keep the bodies touchin' Keep the beanies hot flushin' | :45:36. | :45:38. | |
Flushin' MCs down the loo | :45:39. | :45:41. | |
If you don't believe me, bring the posse, bring the crew | :45:41. | :45:43. | |
Feel free to hate cos I ain't tryin' to be your mate | :45:43. | :45:45. | |
Be serious, you wouldn't last a hour in my shoe | :45:45. | :45:51. | |
# Trainers by the ton | :45:51. | :45:53. | |
Don't be dazed when I catch you by your Js | :45:53. | :45:55. | |
Chump, best to act like Forrest Gump Best to run | :45:55. | :45:57. | |
So fix up, look sharp | :45:57. | :45:59. | |
Don't make me get my blitzer and get dark | :45:59. | :46:02. | |
Hear the bang See the spark | :46:02. | :46:04. | |
Duck down, lay down, just | :46:04. | :46:06. | |
Fix up, look sharp | :46:06. | :46:09. | |
Don't make me bring the blitzer and get dark | :46:09. | :46:11. | |
Hear the bang See the spark | :46:11. | :46:13. | |
Duck down, lay down, just | :46:13. | :46:16. | |
# I got the big beat | :46:16. | :46:20. | |
# I hear the sound | :46:20. | :46:24. | |
# I got the big beat | :46:24. | :46:29. | |
# I get on down | :46:29. | :46:32. | |
Check it, yo | :46:32. | :46:33. | |
Stay sweet as a nut Sweet like Tropicana | :46:34. | :46:35. | |
When the hammer hits Your head splits like banana | :46:35. | :46:39. | |
You're not ready for this You better send your best soldiers | :46:39. | :46:41. | |
This is Captain Rosco | :46:41. | :46:43. | |
More destructive and troublesome than ever | :46:43. | :46:45. | |
I'll probably be doing this probably forever | :46:45. | :46:47. | |
Fellas wanna stop me They'll probably come together | :46:47. | :46:49. | |
It's probable they'll stop me Probably never | :46:49. | :46:52. | |
Top boy, top man, or toppa-toppa | :46:52. | :46:54. | |
Come to me with an attitude Come a copper | :46:54. | :46:56. | |
I'm old school like Happy Shopper I fight old school | :46:56. | :46:59. | |
Bring your bat and your chopper And a first aid kit | :46:59. | :47:03. | |
And some antiseptic This could get hectic | :47:03. | :47:06. | |
I'm done, accept it You got a bright future | :47:06. | :47:08. | |
Don't let me affect it So fix up, look sharp | :47:09. | :47:13. | |
Don't make me bring a blitzer and get dark | :47:13. | :47:15. | |
Hear the bang See the spark | :47:15. | :47:17. | |
Duck down, lay down just | :47:17. | :47:19. | |
Fix up, look sharp | :47:19. | :47:21. | |
Don't make me bring a blitzer and get dark | :47:21. | :47:24. | |
Hear the bang See the spark | :47:24. | :47:26. | |
Duck down, lay down, just | :47:26. | :47:29. | |
# I got the big beat | :47:30. | :47:33. | |
OK | :47:33. | :47:38. | |
# I got the big beat | :47:38. | :47:43. | |
# I get on down. # | :47:43. | :47:53. | |
:47:53. | :48:13. | ||
As | :48:13. | :48:13. | |
As the | :48:13. | :48:14. | |
As the sun | :48:14. | :48:18. | |
As the sun was setting, the lovely Dizzee Rascal, our surprise guest | :48:18. | :48:28. | |
:48:28. | :48:29. | ||
tonight. What a guy! If you want to press red, you can. You can see | :48:29. | :48:34. | |
some Boo. B as well. You can see the whole of Rihanna's performance. | :48:34. | :48:39. | |
It seems like the perfect evening. The sun is setting over there. In a | :48:39. | :48:48. | |
bit she'll be on the Main Stage. We'll see it from 10pm. We have | :48:48. | :48:53. | |
asked people why is Rihanna so flipping good? | :48:53. | :48:58. | |
She is beautiful. She's talented. I want to see her live. She's amazing. | :48:58. | :49:04. | |
She's the number one artist on the planet. I love her style. I like | :49:04. | :49:09. | |
her umbrella. I am really excited that she's in Hackney. Rihanna! | :49:09. | :49:13. | |
She started out in the music industry very young. She's been a | :49:13. | :49:20. | |
powerhouse. I love how she came out. She turned into a phenomenal world | :49:20. | :49:25. | |
superstar. She's a major pop artist. You can feel those roots inside of | :49:25. | :49:30. | |
her. She's not like another artist. She's always down to earth. She | :49:30. | :49:36. | |
says hi to all her fans. I hope she says hi to me. She's honest. She's | :49:36. | :49:42. | |
straightforward. That's how things are. She goes partying, gets drunk. | :49:42. | :49:47. | |
Just seems like one of the girls. You see her on the Tube. It's like, | :49:47. | :49:52. | |
we're on the Tube. She has an aura. You know when she walks in the room, | :49:52. | :49:58. | |
she has that star quality. She's so cool. So sexy. So great. Very | :49:58. | :50:01. | |
naturally beautiful as well. Which obviously is a very big attraction | :50:01. | :50:06. | |
for some people. She's just a star. She knows what she wants to say. | :50:06. | :50:14. | |
She has no fear. Everything she brings out is: It's Rihanna. | :50:14. | :50:19. | |
As I said earlier, you will see Rihanna's set at 10pm on BBC Three. | :50:19. | :50:25. | |
You saw in that little package then David Guetta. What a guy. | :50:25. | :50:33. | |
favourite French person. Fearne did tell me an neck dot earlier. | :50:33. | :50:37. | |
Basically I interviewed him on Radio One. He's very funny without | :50:37. | :50:42. | |
knowing it. I had to describe an Oyster card to him. It took half an | :50:42. | :50:46. | |
hour because he thought I was talking about the food. See, I told | :50:46. | :50:53. | |
you it was brilliant! A great story! David Guetta was on the | :50:53. | :51:03. | |
:51:03. | :51:05. | ||
Dance Stage earlier. This is # You shout it out loud | :51:05. | :51:15. | |
:51:15. | :51:42. | ||
# I'm criticised # Fire away, fire away | :51:42. | :51:52. | |
:51:52. | :51:52. | ||
Apology for the loss of subtitles for 48 seconds | :51:52. | :53:09. | |
# Fire away, fire away # But it's you who have | :53:09. | :53:19. | |
:53:19. | :53:36. | ||
# Raise your voice # I'm bulletproof, nothing to lose | :53:36. | :53:46. | |
:53:46. | :53:51. | ||
# You shoot me down but I won't fall I am titanium | :53:51. | :53:58. | |
# You shoot me down but I won't fall I am titanium | :53:58. | :54:08. | |
:54:08. | :54:08. | ||
Apology for the loss of subtitles for 48 seconds | :54:08. | :55:22. | |
David | :55:22. | :55:24. | |
David Guetta | :55:24. | :55:25. | |
David Guetta headlining | :55:25. | :55:31. | |
David Guetta headlining earlier. Earlier on he had a cardian on | :55:31. | :55:37. | |
which said "David", which I quite liked. | :55:37. | :55:45. | |
See you in 90 minutes, --... have so many lovely performances to | :55:45. | :55:52. | |
show you. So much has happened. Of course you'll get Rihanna later, at | :55:53. | :55:59. | |
10pm. I might need to strap you down. You are obsessed with her. | :55:59. | :56:04. | |
find her music emotional. It makes me cry. Did see you her set | :56:04. | :56:11. | |
earlier? I couldn't see her. I will watch this though. Plus some Dizzee | :56:11. | :56:21. | |
:56:21. | :56:24. | ||
Rascal. You'll get more of Dizzee Rascal. We heard that Tinie Tempah | :56:24. | :56:30. |