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language and scenes of Hello there. Welcome back to the | :00:15. | :00:22. | |
Hackney Weekend, Live on BBC Three. How good were Kasabian a moment | :00:22. | :00:27. | |
ago? I know. We will chat to the boys, but let's get back to the | :00:28. | :00:36. | |
main stage with one of their songs from earlier. This is Velociraptor. | :00:36. | :00:46. | |
:00:46. | :01:06. | ||
# He's gonna kill ya # You're on the outskirts of his | :01:06. | :01:15. | |
# Cos there's an air raid # But he is closing | :01:15. | :01:25. | |
:01:25. | :01:25. | ||
# He's gonna kill ya # You're on the outskirts | :01:25. | :01:35. | |
:01:35. | :01:39. | ||
# Oh-h, there's nothing to it # Oh-h, there's nothing to it | :01:39. | :01:49. | |
:01:49. | :02:04. | ||
# And now you're lying there # Unavoidable collision | :02:04. | :02:14. | |
:02:14. | :02:18. | ||
# The voodoo, the vaccine # Dictating your movements | :02:18. | :02:22. | |
# For the addicts, the manics the papers, the vapour | :02:22. | :02:25. | |
# The pressure of so-called normal behaviour | :02:25. | :02:29. | |
# Oh-h, there's nothing to it There's nothing to it, man | :02:29. | :02:35. | |
# Oh-h, there's nothing to it There's nothing to it, man | :02:35. | :02:42. | |
# Meanwhile, in city streets as everyone's asleep | :02:42. | :02:48. | |
# He just wanna suck your blood | :02:48. | :02:58. | |
:02:58. | :02:58. | ||
# Velociraptor, he's gonna find ya | :02:58. | :03:01. | |
# He's gonna kill ya he's gonna eat ya | :03:01. | :03:04. | |
# You're on the outskirts of his kingdom | :03:04. | :03:07. | |
# So keep your head down | :03:07. | :03:09. | |
# Veloci... Velociraptor. # | :03:09. | :03:19. | |
:03:19. | :03:33. | ||
THIS | :03:33. | :03:34. | |
THIS PROGRAMME | :03:34. | :03:34. | |
THIS PROGRAMME CONTAINS | :03:34. | :03:35. | |
THIS PROGRAMME CONTAINS STRONG LANGUAGE AND REPEATING FLASHING | :03:35. | :03:38. | |
IMAGES. Brilliant from the main stage. | :03:38. | :03:41. | |
Kasabian and the boys are here. Hello. | :03:41. | :03:46. | |
Guys this is your fourth Radio 1 weekend, I have worked out. | :03:46. | :03:52. | |
I remember Preston and Sunderland, but what is the fourth? Was it | :03:52. | :03:57. | |
Carlisle, maybe? Swindon? Or is it a blur? Welcome to the tree house. | :03:57. | :04:01. | |
We were watching it. We were desperate to get down the front, | :04:02. | :04:11. | |
but it looked wicked from down here and Vlad The Impaler. | :04:11. | :04:18. | |
How has the vibe been back stage? We are next to Nicki Minaj's 15 | :04:18. | :04:24. | |
changing rooms. We have been given a cabin, she has 15 rooms. What is | :04:24. | :04:29. | |
that all about. She is on in a moment. We will ask | :04:29. | :04:32. | |
her. There is an ironing board in there, | :04:32. | :04:39. | |
what is that all about? She has a lot of outfits, did you meet her? | :04:39. | :04:47. | |
You were not allowed in her sittingroom? Of course, the | :04:47. | :04:49. | |
President turns up, what do you expect. | :04:49. | :04:54. | |
We heard that Jay-Z demanded to have a TV in his dressing room to | :04:54. | :05:01. | |
watch the main stage beforehand. think he was watching Antique's | :05:01. | :05:06. | |
Roadshow, really. Do you know if he likes you guys or | :05:06. | :05:12. | |
knows what you do? I have no idea. I hope he does. He must be liking | :05:12. | :05:16. | |
good music. Yeah, I reckon he would dig you | :05:16. | :05:19. | |
both. Were you chuffed you were on today | :05:19. | :05:23. | |
and not tomorrow so you don't miss the football? Not at all. | :05:23. | :05:30. | |
You are not bothered? No, not at all. | :05:30. | :05:36. | |
Serge, you are a football fan, right? Well, I was happy. Italy are | :05:36. | :05:41. | |
playing England tomorrow. You like England, don't you? Yeah, | :05:41. | :05:51. | |
:05:51. | :05:52. | ||
I do. So do you! There was an incredible goal, you were at kch | :05:52. | :05:57. | |
Soccer Aid, that was that like? was incredible. If you look at my | :05:57. | :06:03. | |
face I was rushing. That was the best goal I have seen in my life. | :06:03. | :06:08. | |
The first touch. Bang. It was like the Ultimate Warrior. | :06:08. | :06:13. | |
Are you shooting off or sticking around? I think so, I think we are | :06:13. | :06:17. | |
going to Greece. That country is great, ain't it? | :06:17. | :06:23. | |
You are off there? Yeah. Have you got a busy summer, what is | :06:23. | :06:27. | |
going on? We don't stop. Leeds is the last gig of the summer. | :06:27. | :06:35. | |
So you are non-stop now, all over Europe? Are you ready for it? | :06:35. | :06:40. | |
ready! Are you getting a good reaction from the new album? You | :06:40. | :06:45. | |
are playing it so well live. Yeah, huge. Compliments, the tunes | :06:45. | :06:50. | |
are selling well. So it is good. Thank you very much for coming back | :06:50. | :06:53. | |
stage today. So, one of your favourites, we are | :06:54. | :06:59. | |
going to her now, this is from the main stage it is Nicki Minaj. | :06:59. | :07:09. | |
:07:09. | :07:14. | ||
I hope she's worth it. # Let's go to the beach, each | :07:14. | :07:19. | |
# Have a drink, clink # Bad ... like me | :07:19. | :07:24. | |
# I'ma blow off my money # I'm on the floor, floor | :07:24. | :07:26. | |
# So give me more, more till I can't stand | :07:26. | :07:28. | |
# Get on the floor, floor Like it's your last chance | :07:28. | :07:30. | |
# If you want more, more than Here I am | :07:30. | :07:34. | |
# Starships were meant to fly Hands up and touch the sky | :07:34. | :07:42. | |
# Can't stop cos we're so high Let's do this one more time | :07:42. | :07:52. | |
:07:52. | :07:57. | ||
# Starships were meant to fly Hands up and touch the sky | :07:57. | :08:00. | |
# Let's do this one last time | :08:00. | :08:03. | |
# Hands up, we're higher than a ... | :08:03. | :08:13. | |
:08:13. | :08:22. | ||
# Bump in my hoopty-hoopty-hoop I own that | :08:22. | :08:24. | |
# And I ain't paying my rent this month, I owe that | :08:24. | :08:28. | |
# But ... who you want and ... who you like | :08:28. | :08:30. | |
# Dance all your life There's no end in sight | :08:30. | :08:33. | |
# Twinkle, twinkle, little star | :08:34. | :08:35. | |
# Now everybody let me hear you say Ray, ray, ray | :08:35. | :08:37. | |
# Now spend all your money cos today pay day | :08:37. | :08:39. | |
# And if you're a G, you a G-G-G | :08:39. | :08:42. | |
# My name is Onika You can call me Nicki | :08:42. | :08:43. | |
# Get on the floor, floor Like it's your last chance | :08:43. | :08:47. | |
# If you want more, more Then here I am | :08:47. | :08:52. | |
# Starships were meant to fly Hands up and touch the sky | :08:52. | :08:59. | |
# Can't stop cos we're so high Let's do this one more time | :08:59. | :09:07. | |
# Starships were meant to fly Hands up and touch the sky | :09:07. | :09:15. | |
# Let's do this one last time | :09:15. | :09:20. | |
# Hands up We're higher than a ... | :09:20. | :09:21. | |
# We're higher than a ... | :09:21. | :09:31. | |
:09:31. | :09:41. | ||
# Starships were meant to fly Hands up and touch the sky | :09:41. | :09:46. | |
# Let's do this one last time | :09:46. | :09:56. | |
:09:56. | :09:56. | ||
# Starships were meant to fly Hands up and touch the sky | :09:56. | :10:01. | |
# Let's do this one last time | :10:01. | :10:07. | |
# Hands up We're higher than a ... | :10:07. | :10:17. | |
:10:17. | :10:18. | ||
# We're higher than a ... | :10:18. | :10:22. | |
# We're higher than a ... # | :10:22. | :10:32. | |
:10:32. | :10:35. | ||
Just | :10:35. | :10:35. | |
Just hanging | :10:35. | :10:36. | |
Just hanging out | :10:36. | :10:40. | |
Just hanging out on the side of a very important person's dressing | :10:40. | :10:45. | |
room, this is like a little area of the chill out room of Nicki Minaj's | :10:45. | :10:51. | |
place. This is your zone. Your place on Radio 1 Hackney Weekend. | :10:51. | :10:56. | |
How are you? I'm very, very fine. Blessed and happy to be here. | :10:56. | :11:01. | |
That was such a fierce start. It was wicked! Thank you. I thought it | :11:01. | :11:05. | |
went good. I never like my shows until I watch it back. I watched it | :11:05. | :11:10. | |
back in the dressing room, it was really, really good. I'm excited | :11:10. | :11:14. | |
about it. It's my first performance in London. | :11:14. | :11:20. | |
Whats with your favourite part of the performance? When I took the | :11:20. | :11:26. | |
reing jay joint. I put on the -- the reggae joint. I have not | :11:26. | :11:32. | |
performed the Egyptian song, I thought that I know London would go | :11:32. | :11:35. | |
crazy for reggae, sure enough, they loved it. | :11:35. | :11:40. | |
What do you think of the London vibe? It is quite difficult with | :11:41. | :11:47. | |
the weather, it gets muddy in the festival, but everyone is like | :11:47. | :11:53. | |
let's go for it? I don't care. I could have this festival in an | :11:53. | :11:58. | |
alley, but it is like London. I was hanging out in Queens, and people | :11:58. | :12:02. | |
would ask when I would be performing in London. So I don't | :12:02. | :12:06. | |
carement the atmosphere is great. I always get a great reception when I | :12:06. | :12:11. | |
visit London. I'm not going to lie, I'm always a little afraid, a | :12:11. | :12:15. | |
little nervous. So I do have my fair share of the butterflies | :12:15. | :12:21. | |
before going on, but I was OK. So, let's talk about the outfit, | :12:21. | :12:27. | |
the reveal. Once the cape was off, I was like, wow! What was that | :12:27. | :12:34. | |
thing? I didn't plan an outfit. So I'm on tour. I've been wearing the | :12:34. | :12:38. | |
outfits, then at the last minute I thought I don want to wear that. So | :12:38. | :12:44. | |
I thought I was in a black mood. It felt cold and windy today, so I | :12:44. | :12:50. | |
thought let's put black on. I had no sexy shoes to wear, so I had to | :12:50. | :12:55. | |
go with the pink boots. And the outfit, did it hurt taking | :12:55. | :13:00. | |
it off, there was that zip? OK. Well, before we say goodbye, it | :13:00. | :13:07. | |
has been a pleasure to meet you. Your performance was epic. I know | :13:07. | :13:12. | |
that your fans will be rocking you with the pink wig. | :13:12. | :13:17. | |
You liked that? Not everyone can rock that, but I love it. | :13:17. | :13:22. | |
Have you any rhyming slang for us before we end? What is cockney | :13:22. | :13:27. | |
rhyming slang? I don't know, can you teach me something? I don't | :13:27. | :13:33. | |
know, that is hard. I could say one particular word | :13:33. | :13:39. | |
could I, James Blunt? I don't know. It's been amazing, thank you very | :13:39. | :13:42. | |
much. Nicki Minaj! Thank you, my darling. | :13:42. | :13:48. | |
Love you, Barbs, goodbye. There she is, the lovely Nicki | :13:48. | :13:51. | |
Minaj. Now, the excitement is building, | :13:51. | :13:55. | |
Jay-Z will be on that main stage a little bit later on. | :13:55. | :14:00. | |
People are gathering to get ready for that, but in the mean time a | :14:00. | :14:10. | |
:14:10. | :14:10. | ||
Apology for the loss of subtitles for 47 seconds | :14:10. | :14:58. | |
lovely set from the gorgeous, Rita # You fill my heart | :14:58. | :15:08. | |
:15:08. | :15:27. | ||
# R.I.P to the girl you used to see # Her days are over | :15:27. | :15:30. | |
# Nothing on # I strut around | :15:30. | :15:33. | |
# We do our bit # We shut it down | :15:34. | :15:37. | |
# I wonder if you know the handle on me | :15:37. | :15:40. | |
# No, please # You can feel | :15:40. | :15:49. | |
# My heart is beating # If you feel my heart is beating | :15:49. | :15:59. | |
:15:59. | :16:01. | ||
# R.I.P st to the girl you used to # Her day are over | :16:01. | :16:06. | |
# Baby she's over # I'm ready for you | :16:06. | :16:14. | |
# I decided to give you all of me # Baby come closer | :16:14. | :16:23. | |
# Baby come, baby come # Don't know who you trying to | :16:23. | :16:24. | |
flatter # Got my mind made up | :16:24. | :16:27. | |
# I'm ready for you # I'm in control | :16:27. | :16:32. | |
# But would you be in a minute # You don't seem to understand | :16:32. | :16:40. | |
# I'm ready for you # I, I, I, I'm ready for you | :16:40. | :16:47. | |
# So keep thinking you the man # Cos it's all part of my plan | :16:47. | :16:52. | |
# One more time # If you feel my heart is beating | :16:52. | :17:02. | |
:17:02. | :17:08. | ||
# R.I.P to the girl you used to see # Her days are over | :17:08. | :17:16. | |
# Baby she's, Radio 1, hey # I'm ready for you | :17:16. | :17:24. | |
# I decided to give you all to me # Baby come closer | :17:24. | :17:34. | |
:17:34. | :17:38. | ||
# Baby come, baby come # R.I.P to the girl you used to see | :17:38. | :17:48. | |
:17:48. | :17:51. | ||
# Her days are over. # Thank you, Rita Ora! Awesome. | :17:51. | :17:56. | |
Come join us. Over here. We have a mic for you. | :17:56. | :18:06. | |
:18:06. | :18:07. | ||
We have loads of mics now. How is it going? Awesome. | :18:07. | :18:13. | |
So, how is your Hackney Weekend so far? It's been incredible. I have | :18:13. | :18:17. | |
been going crazy with all of the stages, doing the performances, | :18:17. | :18:21. | |
seeing you guys. It's been incredible. Good fun. Good fun. | :18:21. | :18:28. | |
How was the set earlier? Yes, we did Face Felt. We did a cover. We | :18:28. | :18:33. | |
have had fun. Everyone jumping. Is this the biggest show you have | :18:33. | :18:38. | |
done so far, would you say? Yes, and no. | :18:38. | :18:43. | |
Does that make sense? Well, what is the answer? Well, I supported | :18:43. | :18:47. | |
Coldplay, so that was a really big stadium. | :18:47. | :18:52. | |
That was insane? Yes, I didn't know what was going on. I was going with | :18:52. | :18:58. | |
the flow, but an amazing experience. Brilliant. Now, obviously your boss | :18:58. | :19:03. | |
is here tonight. Mr Jay-Z? Yes. I'm hoping when we do this, I can run | :19:03. | :19:09. | |
and watch him. Have you seen him today? I have, I | :19:09. | :19:18. | |
went to see Geoff White. Is he? Sorry, Jack White. | :19:18. | :19:23. | |
We heard that Jay-Z requested a TV in his dressing room to watch the | :19:23. | :19:26. | |
main stage to get involved in what has been going on. | :19:26. | :19:31. | |
Oh, really. I don't know. I've not been in the dressing room. | :19:31. | :19:36. | |
Who have you seen? I have caught Kasabian, that is all I have had | :19:36. | :19:40. | |
time to see. And a bit of nick Nicki. | :19:40. | :19:44. | |
She is crazy. I think she was wearing a brace | :19:44. | :19:50. | |
around her body?! It looked uncomfortable, but emphasising the | :19:50. | :19:56. | |
curves! Of course, you would notice that, Greg. | :19:56. | :20:02. | |
It was a prefl wedgie. Have you got a busy summer, what | :20:02. | :20:08. | |
are you up to? I go back to America. I came back to do this. | :20:08. | :20:12. | |
You came back to do this for Hackney? Yes, of course. | :20:12. | :20:22. | |
:20:22. | :20:22. | ||
And the guy with the boxes, who are they? He is my box man. | :20:22. | :20:27. | |
You are travelling crazy this summer? Yes, it is good now, I have | :20:27. | :20:31. | |
been doing the album for three years, so it is time to do the | :20:31. | :20:34. | |
physical work. Good for you. Good to see you. | :20:34. | :20:39. | |
Speaking of Jay-Z, we have an amazing headline show, but just to | :20:39. | :20:46. | |
get you in the mood, here is the story of Jay-Z. | :20:46. | :20:52. | |
Sean Connor was born December 4th. Weighing in at 10lbs, eight ounces. | :20:52. | :20:57. | |
The last of my four children, the only one who did not give me pain | :20:57. | :21:07. | |
:21:07. | :21:07. | ||
when I gave birth to him. That is how I knew he was a special child. | :21:07. | :21:12. | |
From Bedsty, Jay-Z is one of Brooklyn's finest. The rags to | :21:12. | :21:17. | |
riches story has taken him from the corners of New York to one of the | :21:17. | :21:19. | |
most powerful music men in the world. | :21:19. | :21:26. | |
I just do a good job. When no label would give him a deal, | :21:27. | :21:36. | |
he met up with friends to produce Roc-Fella-Records. | :21:36. | :21:42. | |
He released his first top ten hit with an unlikely sample. | :21:42. | :21:48. | |
MUSIC: Hard Knock Life. What is this fascination that you | :21:48. | :21:58. | |
:21:58. | :21:58. | ||
have with musicals? I just love them. You ready, B? Le -- let's go | :21:58. | :22:06. | |
get them. In 2003, saw Jay-Z collaborating with Destiny's Child, | :22:06. | :22:12. | |
and bonesaway, the pair soon got together. While his personal life | :22:12. | :22:17. | |
was hotting up, Jay-Z shocked the world by announcing his retirement. | :22:17. | :22:21. | |
With the release of The Black Album, there was to be no more, hip-hop | :22:21. | :22:31. | |
:22:31. | :22:37. | ||
was dead. Going from superstar to suit, Jay-Z | :22:37. | :22:40. | |
continued his domination with the music industry, becoming the | :22:40. | :22:46. | |
President of Deaf Jam Records. The first signing with Rihanna. | :22:46. | :22:53. | |
The artists boost the likes of will.i.am, and our very own, Rita | :22:53. | :23:00. | |
Ora. With the hottest chick in the game, Jay-Z finally wed bonesaway, | :23:00. | :23:07. | |
becoming one of the world's most powerful music couple. Going from | :23:07. | :23:12. | |
strens to strength and out of retirement, Jay-Z hit glazon by, | :23:12. | :23:16. | |
but his hip-hop beat was never far away. | :23:16. | :23:22. | |
I'm not having hip-hop at Glastonbury... No chance. Noel | :23:22. | :23:27. | |
gagging a her saw me perform. I understand what he is saying but | :23:27. | :23:35. | |
when he seas me perform, we will see. | :23:35. | :23:45. | |
:23:45. | :23:53. | ||
We will see what happens after... Jay-Z continued to dominate the | :23:53. | :23:59. | |
main stream with the release of The Blueprint, talking a lot about his | :23:59. | :24:04. | |
native New York. # New York concrete jungle where | :24:04. | :24:10. | |
dreams are made up # There's nothing you can't do... # | :24:10. | :24:17. | |
He then set up with west we west, hip-hop royaltyy visited the UK. | :24:17. | :24:23. | |
All eyes were watching. -- Kanye West. | :24:23. | :24:30. | |
Superstar Jay-Z is truly one of the goats, that is the greatest of all | :24:30. | :24:33. | |
time. Take a good look, this is what it | :24:33. | :24:36. | |
looks like. So, put your diamonds in the sky | :24:36. | :24:45. | |
and prepare to go ham, Jay-Z is coming to Hackney Weekend. | :24:45. | :24:50. | |
I am on official Jay-Z-watch. Apparently he is coming on in ten | :24:50. | :24:55. | |
minutes. I'm in the pit area. It has started to rain but who cares. | :24:55. | :25:00. | |
There may abbit of strobing, if it does not go well with you I | :25:00. | :25:05. | |
apologise. Stand back a bit. There are lots of other ways to | :25:05. | :25:09. | |
wash it -- watch it or perhaps hear it on the radio. | :25:09. | :25:11. | |
THIS PROGRAMME CONTAINS STRONG LANGUAGE AND REPEATING FLASHING | :25:11. | :25:17. | |
IMAGES how excited are you for Jay- Z? My knees are knocking. I am on a | :25:17. | :25:23. | |
hunt. Apparently Jay-Z has really soft hands and can you see behind | :25:23. | :25:30. | |
me, all sorts is going on. Smoke... I luminous numbers... I'm hearing | :25:30. | :25:35. | |
rumours of maybe friends... I don't know what is going on, this is all | :25:35. | :25:39. | |
too much for meefplt oh, man. At least it is getting dark. | :25:39. | :25:44. | |
I think we are ready for a serious party right here. I think we need | :25:44. | :25:48. | |
one more, come on, Jay-Z! CHEERING AND APPLAUSE. | :25:48. | :25:57. | |
Bring it on. I'm going to go and find him. Come on! Gemma is | :25:57. | :26:01. | |
excited! Why do people always talk about Jay-Z's soft hands. What is | :26:01. | :26:07. | |
with this? I have never touched him. I have no idea. With a big artist | :26:08. | :26:12. | |
like Jay-Z head lining, there is so much speculation, where he is is | :26:12. | :26:18. | |
who is with him. You will find out very, very soon. You never know | :26:18. | :26:24. | |
with Jay-Z. You can see the set, the whole set in about ten minutes. | :26:24. | :26:27. | |
You never know with the Jigga man, you never know. | :26:27. | :26:33. | |
Well, in the meantime, we know what he has been doing. Rita Ora said he | :26:33. | :26:36. | |
was off-stage watching the glorious Jack White. There is strobing as a | :26:37. | :26:46. | |
:26:47. | :26:47. | ||
Apology for the loss of subtitles for 47 seconds | :26:47. | :32:28. | |
You alive and well, London? You are One of the richest dudes out there. | :32:28. | :32:35. | |
That's why I came today. Jay-Z! Jay-Z! Hopefully, Gemma should be | :32:35. | :32:41. | |
near the stage? Gemma, where are you? Oh, my goodness. There is a | :32:41. | :32:48. | |
storm brewing in the sky. There is is a storm brewing in hi heart. | :32:49. | :32:53. | |
Jay-Z- watch. So, apparently he is in there, but I have not seen him | :32:53. | :32:59. | |
yet! We reckon this could be his car. It is very shiny. I've been | :32:59. | :33:03. | |
checking out my do in there so it looks good when I meet him. There | :33:03. | :33:07. | |
are literally minutes until he takes the stage. I don't know what | :33:07. | :33:14. | |
to do with myself. Have you seen Jay-Z? Yes. What was he like? | :33:14. | :33:21. | |
Was he amazing? Yes. Oh, my goodness, is this him? No, | :33:21. | :33:29. | |
it's not him. Have you seen... No, I'm going over here... Have any of | :33:29. | :33:35. | |
you, no. They don't want to speak it me. The storm is most definitely | :33:35. | :33:39. | |
brewing. In the best possible way. I know he will put a good set on. I | :33:39. | :33:43. | |
keep hearing rumours. I think I need a breather, back to you. | :33:43. | :33:49. | |
Thank you, Gemma. Doing a light bit of stalking there. It reminds me of | :33:49. | :33:55. | |
this time last year, at the big weekend when Lady Gaga was there | :33:55. | :34:01. | |
and not coming on for hours. I was hanging around like a right moron, | :34:01. | :34:07. | |
not doing anything. You ate a banana live on TV? Yes, | :34:07. | :34:13. | |
and I read out the set-list. I have learned that is a horrible mistake. | :34:13. | :34:19. | |
So, get ready. You will see the Jay-Z performance. You can always | :34:19. | :34:23. | |
press the red button and tweet at BBC Three and say anything you like. | :34:23. | :34:29. | |
Anything you like?! Anything at all! I think what we are going to | :34:29. | :34:39. | |
:34:39. | :34:39. | ||
Apology for the loss of subtitles for 47 seconds | :34:39. | :37:21. | |
do now is watch Sean Paul. There is, Everybody had the same thought at | :37:21. | :37:26. | |
the same time. The hair. The hair was an interesting concept. | :37:26. | :37:32. | |
As soon as the head appeared, it was like... What? Also, we warned | :37:32. | :37:36. | |
you about the strobing, but we should have warned you about the | :37:36. | :37:42. | |
exposed booty. There should be an ass warning. | :37:42. | :37:47. | |
Now, I'm no Gok Wan, but one of the tights had laddered. | :37:47. | :37:52. | |
I think that is a fashion statement. Oh, it was deliberate? You could do | :37:52. | :37:57. | |
that bum dance, if we really have to fill, Greg will do the bum dance. | :37:58. | :38:02. | |
Jay-Z if you are watching, listening, I will do the bomb dance | :38:02. | :38:06. | |
like the girls there, so, please, hurry up. | :38:06. | :38:13. | |
Let's see what Gemma is up to. Gemma? I'm on the side of the stage, | :38:13. | :38:17. | |
apparently five minutes until it is dressed. What that means I don't | :38:18. | :38:22. | |
know. I have not seen clothes anywhere, just lots of serious | :38:22. | :38:27. | |
people. Big boxes, and I almost feel like I am in the way. My eye | :38:27. | :38:37. | |
:38:37. | :38:37. | ||
Apology for the loss of subtitles for 47 seconds | :38:37. | :52:26. | |
There he is, the headliner. I have to go people. It's been too good. I | :52:26. | :52:31. | |
can't carry on talking to you, I have to watch Jay-Z! | :52:31. | :52:36. | |
It went well there. A good spotting. Apart from the cameraman who said | :52:36. | :52:40. | |
no, it's the wrong one, it's it's other guy! Jay stkafplt has walked | :52:40. | :52:43. | |
up the side of the stage, he will be preparing to do his thing. We | :52:43. | :52:48. | |
apologise if there might be fruity language hip hop language during | :52:48. | :52:55. | |
the set. Pre-warning, pre-apology about that, if he does. This will | :52:55. | :53:00. | |
be it. I didn't see the tour. I have seen Jay-Z on his own before, | :53:00. | :53:03. | |
but did not see that. It was incredible. He doesn't need | :53:03. | :53:07. | |
anything. It was just him, and a mic, no band, no dancers. A few | :53:07. | :53:10. | |
flame throwers and stuff, but that's all it was. It was such a | :53:10. | :53:14. | |
good thing. One exciting thing about today we have heard a lot of | :53:14. | :53:17. | |
rumours, if you have just tuned in, that there could be a couple of | :53:18. | :53:21. | |
special guests tonight. We don't know who. There has been word that | :53:21. | :53:26. | |
some have been spotted back stage. But that might happen. Watch out | :53:26. | :53:31. | |
for that. I think Jay-Z is quite clever, well he is clever anyway, | :53:31. | :53:36. | |
but he's waited until Jack White's finished. I reckon he's been | :53:36. | :53:38. | |
watching, you know what, I am going to wait. Because we can see | :53:39. | :53:43. | |
everyone here is coming from that stage and they're just - it's like | :53:43. | :53:47. | |
that bit when everyone is running towards the stage. Everyone is | :53:47. | :53:50. | |
running towards it at the moment. The site is looking absolutely | :53:50. | :53:55. | |
crazy at the moment. If off look, there's so many people all now | :53:55. | :54:00. | |
charging to get as near as they can to that main stage. It's all lit up | :54:00. | :54:04. | |
beautifully. There is a little bit of rain but everyone chuffed to be | :54:04. | :54:08. | |
here, to have those golden tickets. In the background there is the | :54:08. | :54:12. | |
Olympic stadium, as well. Yeah. It's a lovely buzz in Hackney at | :54:12. | :54:17. | |
the moment. What do you think he is tkpwog | :54:17. | :54:22. | |
start with in his set? I don't know. He's got to finish with 99 Problems. | :54:22. | :54:28. | |
Without a doubt. He has to. I just hope - I am not going to speculate, | :54:28. | :54:32. | |
I got in trouble last year. I don't want to say names in case it | :54:33. | :54:35. | |
doesn't happen. We can all hope certain people might get on the | :54:35. | :54:40. | |
stage with Jay-Z during this set. It seems quite bizarre this is | :54:40. | :54:45. | |
happening right now. We have been talking about it on Radio 1 for | :54:45. | :54:48. | |
about two months and now we are here and it's about to happen any | :54:48. | :54:52. | |
moment. You see the Olympic stadium and stuff and the Orbit as well, it | :54:52. | :54:57. | |
looks beautiful. I know. London does look very gorgeous. Even in | :54:57. | :55:03. | |
the summer rain. I know! Do we get to go down there or do we have to | :55:03. | :55:07. | |
stay up here and watch? I have no idea. We will find out. We are | :55:07. | :55:10. | |
still waiting to hear word as to when the show's going to start. | :55:11. | :55:15. | |
Obviously we have seen Jay-Z walk up the ramp. We know the show is | :55:15. | :55:21. | |
imminent. But Jay-Z is Jay-Z, he will do his thing. Tomorrow at this | :55:21. | :55:27. | |
time tomorrow we will have Rihanna here tomorrow. Yeah. With a promise | :55:27. | :55:32. | |
of OK-ish weather, potentially? have some acoustic performances up | :55:32. | :55:39. | |
in the treehouse tomorrow. Definitely stay with us on BBC | :55:39. | :55:44. | |
Three. We are back tomorrow at 7.00. If you want to tweet, you still can | :55:44. | :55:47. | |
and also our Hackney Weekend website. You can watch loads of | :55:47. | :55:50. | |
live streaming and loads of performances on there if you have | :55:50. | :55:55. | |
missed any today. If you didn't get a golden ticket to get here you can | :55:55. | :55:58. | |
watch online. You have your red button on TV as well. We are | :55:58. | :56:02. | |
hearing noise! Hang on. This could be it. This is | :56:02. | :56:08. | |
it. Here we go live on BBC Three, Radio 1's Saturday weekend, with | :56:08. | :56:18. | |
:56:18. | :56:18. | ||
Apology for the loss of subtitles for 47 seconds | :56:18. | :57:26. | |
strobing and hip hop language. CHEERING AND APPLAUSE. | :57:26. | :57:33. | |
# We are yes, this is right, this is our nation | :57:33. | :57:36. | |
# All black # Black cards | :57:36. | :57:42. | |
# Black cards anything # Riding with the temperature | :57:42. | :57:47. | |
# This is stuff from me you know # I'll explain later | :57:47. | :57:50. | |
# But for now # Let me get | :57:50. | :57:56. | |
# I've been trying to get back # Number six | :57:56. | :58:00. | |
# Number seven # Now we square now | :58:00. | :58:02. | |
# Life's a dream # But it's not fair | :58:02. | :58:10. | |
# I break the rules so I don't care # I keep doing my own thing | :58:10. | :58:13. | |
# Walking tall # Yeah | :58:14. | :58:18. | |
# Almost there # Don't give a damn | :58:18. | :58:28. | |
:58:28. | :58:31. | ||
# You ready # One, two, three, sing | :58:31. | :58:36. | |
# We are yes # You can call me Caesar | :58:36. | :58:46. | |
:58:46. | :58:48. | ||
# So we can all be are # Ain't nobody fresher than me | :58:48. | :58:55. | |
# On the side of nature # They got a packet from t us all | :58:55. | :59:05. | |
:59:05. | :59:13. | ||
# I break the rules so I don't care # I keep doing my own thing | :59:13. | :59:21. | |
# Walking tall against the rain # Only thing | :59:21. | :59:24. | |
# On my mind # Help me | :59:24. | :59:34. | |
:59:34. | :59:34. | ||
Apology for the loss of subtitles for 47 seconds | :59:34. | :02:06. | |
# One more time # Now 52 cars roll out, remove | :02:06. | :02:09. | |
ceiling # In case, 52 broads come out, now | :02:09. | :02:12. | |
you chilling # With a boss of course, on the | :02:12. | :02:15. | |
sleeve # At the 40, 40 club, ESPN on the | :02:15. | :02:17. | |
screen # I paid a grip for the jeans, plus | :02:17. | :02:20. | |
the slipers is clean # No chrome on the wheels, I am a | :02:20. | :02:27. | |
grownup for real #. If you feeling like a pimp, go | :02:27. | :02:33. | |
and brush your shoulders off, ladies is pimps too, go and brush | :02:33. | :02:36. | |
your shoulders off # You got to get that dirt off your | :02:36. | :02:40. | |
shoulder you got to get that dirt off your | :02:40. | :02:43. | |
shoulder note you gotta get that dirt | :02:43. | :02:51. | |
Your boy back in the building, Brooklyn back on the map | :02:51. | :02:56. | |
# I am the realest that run it, I just happen to rap | :02:56. | :03:01. | |
# I drop that black album, then I back out and has the best rapper | :03:01. | :03:11. | |
:03:11. | :03:41. | ||
Gimme that funk, that sweet, C'mon, gimme that funk, that sweet, | :03:41. | :03:46. | |
Will I ... 'em, will I diss 'em That's what they be yellin' | :03:46. | :03:48. | |
# I'm a pimp by blood, not relation | :03:48. | :03:51. | |
# Y'all be chasin', I replace them | :03:51. | :03:54. | |
Drunk of Crist', mommy on ... | :03:54. | :03:56. | |
Can't keep her little model hands off me | :03:56. | :03:58. | |
Both in the club, high, singing off key | :03:58. | :04:01. | |
And I wish I never met her at all... | :04:01. | :04:04. | |
It gets better, ordered another round | :04:04. | :04:14. | |
:04:14. | :04:39. | ||
Allow me to re-introduce myself | :04:39. | :04:41. | |
My name is Hov', oh, H-to-the-O-V | :04:41. | :04:43. | |
I used to move snowflakes by the O-Z | :04:43. | :04:44. | |
I guess even back then you can call me | :04:44. | :04:45. | |
CEO of the R-O-C, Hov'! | :04:45. | :04:47. | |
Fresh out the fryin' pan into the fire | :04:47. | :04:48. | |
I be the music biz number one supplier | :04:48. | :04:49. | |
Flier than a piece of paper bearing my name | :04:49. | :04:51. | |
Got the hottest chick in the game wearing my chain, that's right | :04:51. | :04:53. | |
Hov', oh, not D.O.C. | :04:53. | :04:55. | |
But similar to them letters, No One Can Do it Better | :04:56. | :04:58. | |
I check cheddar like a food inspector | :04:58. | :05:00. | |
My homey Strict told me "Dude finish your breakfast" | :05:00. | :05:03. | |
So that's what I'ma do, take you back to the dude with the Lexus | :05:03. | :05:05. | |
Fast-forward the jewels and the necklace | :05:05. | :05:08. | |
Let me tell you dudes what I do to protect this | :05:08. | :05:11. | |
I shoot at you actors like movie directors | :05:11. | :05:21. | |
:05:21. | :05:53. | ||
You can blame Shawn, but I ain't invent the game | :05:53. | :05:55. | |
I just rolled the dice, tryin' to get some change | :05:55. | :05:57. | |
And I do it twice, ain't no sense in me lyin as if I am a different man | :05:57. | :06:01. | |
And I could blame my environment | :06:01. | :06:04. | |
But there ain't no reason why I be buyin expensive chains | :06:04. | :06:07. | |
Hope you don't think users are the only abusers | :06:07. | :06:10. | |
Gettin high within the game | :06:10. | :06:13. | |
If you do then, how would you explain? | :06:13. | :06:16. | |
I'm ten years removed, still the vibe is in my veins | :06:16. | :06:18. | |
I got a hustler spirit ... period | :06:18. | :06:20. | |
Check out my hat yo, peep the way I wear it | :06:20. | :06:23. | |
Check out my swag' yo, I walk like a ballplayer | :06:23. | :06:26. | |
No matter where you go, you are what you are player | :06:26. | :06:28. | |
And you can try to change but that's just the top layer | :06:28. | :06:31. | |
Man, you was who you was 'fore you got here | :06:31. | :06:34. | |
Only God can judge me, so I'm gone | :06:34. | :06:36. | |
Either love me, or leave me alone | :06:36. | :06:46. | |
:06:46. | :06:46. | ||
Apology for the loss of subtitles for 47 seconds | :06:46. | :09:48. | |
Jigga what, # | :09:48. | :09:48. | |
Jigga what, # Jigga | :09:48. | :09:49. | |
Jigga what, # Jigga what | :09:49. | :09:49. | |
Jigga what, # Jigga what # | :09:49. | :09:49. | |
# Jay | :09:49. | :09:50. | |
# Jay to | :09:50. | :09:50. | |
# Jay to the | :09:50. | :10:00. | |
:10:00. | :10:00. | ||
Apology for the loss of subtitles for 47 seconds | :10:00. | :11:36. | |
# Jay to the Z # They trying to get them ones, I | :11:37. | :11:40. | |
am trying to get them Ms # One million, two million, three | :11:40. | :11:43. | |
million, # You are looking at the 40 million | :11:43. | :11:53. | |
# I am raping Def Jam, until I am the 100 million man. ROC | :11:53. | :11:58. | |
I came into this motherstucker 100 grand strong, nine to be exact, | :11:59. | :12:04. | |
from grinding G-packs # put this shit in motion, ain't no | :12:04. | :12:09. | |
rewining me back if somebody would have told them | :12:09. | :12:13. | |
that hov would sell clothing, not in this lifetime, wasn't in my | :12:13. | :12:15. | |
right mind # That's another difference that's | :12:15. | :12:19. | |
between me and them, I am smarten up, open the market up | :12:19. | :12:23. | |
# One, two, three, four, # In 18 months 80 million more | :12:23. | :12:26. | |
# Now add that number up with the one I said before | :12:26. | :12:30. | |
# You are now looking at one smart black boy | :12:30. | :12:35. | |
# Momma ain't raised no fool # Put me anywhere on God's green | :12:35. | :12:45. | |
:12:45. | :12:46. | ||
earth, I triple my worth motherfucker | :12:46. | :12:51. | |
# I sell fire in hell, I was born to get cake, move on and switch | :12:51. | :12:55. | |
states # Cop the coupe with the roof gone, | :12:55. | :12:57. | |
and switch plates # Was born to dictate, never follow | :12:57. | :13:06. | |
orders # Dickface, get your shit straight, | :13:06. | :13:16. | |
:13:16. | :13:49. | ||
APPLAUSE AND CHEERING. Are you all right out there? APPLAUSE AND | :13:49. | :13:59. | |
:13:59. | :14:20. | ||
OK. That's a good start. But I need you all to turn it all | :14:20. | :14:27. | |
the way up. Let me how much noise you can make | :14:27. | :14:37. | |
:14:37. | :14:44. | ||
That's at 70. Let's get it to 100. Let's hear it again. | :14:44. | :14:47. | |
CHEERING that's 90. | :14:47. | :14:55. | |
More! Keep going, that's 90. CHEERING. 91, | :14:55. | :15:05. | |
:15:05. | :15:12. | ||
I got the rap patrol Foes that wanna make sure my | :15:12. | :15:13. | |
Rap critics they say he's Money Cash ... | :15:13. | :15:15. | |
I'm from the hood stupid, what type of facts are those | :15:15. | :15:18. | |
If you grew up with holes in ya zapatos | :15:18. | :15:21. | |
You'd be celebrating the minute you was havin' dough | :15:21. | :15:23. | |
I'm like ... critics you can kiss my whole ... | :15:23. | :15:26. | |
If you don't like my lyrics you can press fast forward | :15:26. | :15:28. | |
I got beef with radio if I don't play they show | :15:28. | :15:31. | |
They don't play my hits I don't give a ... so | :15:31. | :15:34. | |
Rap mags try and use my black ... | :15:34. | :15:36. | |
So advertisers can give 'em more cash for ads | :15:36. | :15:39. | |
I don't know what you take me as | :15:39. | :15:41. | |
Or understand the intelligence that Jay-Z has | :15:41. | :15:43. | |
I'm from rags to ritches ... I ain't dumb | :15:44. | :15:46. | |
9I got 99 problems but a ... ain't one, hit me | :15:46. | :15:53. | |
I got 99 problems but a ... ain't one, hit me | :15:53. | :15:55. | |
If you're havin' girl problems I feel bad for you son | :15:55. | :15:57. | |
I got 99 problems but a ... ain't one, hit me | :15:57. | :16:00. | |
The year's '94 and my trunk is raw | :16:00. | :16:02. | |
In my rear view mirror is the ... law | :16:02. | :16:04. | |
I got two choices y'all pull over the car or | :16:04. | :16:07. | |
Bounce on the double put the pedal to the floor | :16:07. | :16:10. | |
Now I ain't tryin' to see no highway chase with Jay | :16:10. | :16:12. | |
Plus I got a few dollars I can fight the case | :16:12. | :16:15. | |
So I pull over to the side of the road | :16:15. | :16:18. | |
I heard "Son do you know why I'm stoppin' you for?" | :16:18. | :16:20. | |
Cos I'm young and I'm black and my hat's real low | :16:20. | :16:22. | |
Do I look like a mind reader sir, I don't know | :16:22. | :16:25. | |
Am I under arrest or should I guess some more | :16:25. | :16:28. | |
Well, you was doin' fifty-five in a fifty-four | :16:28. | :16:30. | |
License and registration and step out of the car | :16:30. | :16:32. | |
Are you carryin' a weapon on you I know a lot of you are | :16:33. | :16:35. | |
I ain't steppin out of ... all my paper's legit | :16:35. | :16:38. | |
Well, do you mind if I look round the car a little bit? | :16:38. | :16:41. | |
Well my glove compartment is locked so are the trunk in the back | :16:41. | :16:43. | |
And I know my rights so you gon' need a warrant for that | :16:43. | :16:45. | |
Aren't you sharp as a tack, you some type of lawyer or something? | :16:45. | :16:49. | |
Or somebody important or somethin'? | :16:49. | :16:51. | |
Nah, I ain't pass the bar but I know a little bit | :16:51. | :16:53. | |
Enough that you won't illegally search my ... | :16:53. | :16:56. | |
We'll see how smart you are when the canine come | :16:56. | :16:58. | |
I got 99 problems but a ... ain't one, hit me | :16:58. | :17:03. | |
If you're havin' girl problems I feel bad for you son | :17:03. | :17:06. | |
I got 99 problems but a ... ain't one, hit me | :17:06. | :17:08. | |
Now once upon a time not too long ago | :17:08. | :17:11. | |
I got 99 problems but a ... ain't one, hit me | :17:11. | :17:17. | |
If you're havin' girl problems I feel bad for you son | :17:17. | :17:19. | |
I got 99 problems but a ... ain't one, hit me | :17:19. | :17:29. | |
:17:29. | :17:29. | ||
Apology for the loss of subtitles for 47 seconds | :17:29. | :18:17. | |
Help me sing! | :18:17. | :18:18. | |
Help me sing! # | :18:18. | :18:21. | |
# All | :18:21. | :18:30. | |
# All I | :18:30. | :18:30. | |
# All I need... | :18:30. | :18:40. | |
:18:40. | :18:47. | ||
# All I need... Yeah all I need in Hands up! | :18:47. | :18:57. | |
:18:57. | :18:57. | ||
Apology for the loss of subtitles for 47 seconds | :18:57. | :19:40. | |
All the ladies out there make some # My cherie, amph,. I got this | :19:40. | :19:43. | |
Indian squaw the day that I met her asked her what what tribe she with | :19:44. | :19:50. | |
rod debt or feather feather # Said all you need to know is I am not a | :19:50. | :19:55. | |
# And to get with me you better be chief lots adough | :19:55. | :20:00. | |
# Now that's Spanish, chick, French, chick, Indian and black. An ap | :20:00. | :20:02. | |
paoeut for destruction, but I scrape the plate | :20:03. | :20:07. | |
# I love girls, girls, girls # I do adore | :20:07. | :20:12. | |
# Put your number on this paper, holler at me later, holler at me | :20:12. | :20:18. | |
when you come on tour # I love girls, girls, girls | :20:18. | :20:25. | |
# Girls all over the globe. I come scoop you in that Coupe, sitting on | :20:25. | :20:35. | |
:20:35. | :20:56. | ||
zeroes Hands up! | :20:56. | :21:06. | |
:21:06. | :21:23. | ||
# Now double your money Hands in the air. Bring it back. # | :21:23. | :21:33. | |
:21:33. | :22:09. | ||
On to the next one Gotta keep it fresh | :22:09. | :22:19. | |
:22:19. | :22:30. | ||
But don't be mad at him # Now double your money | :22:30. | :22:40. | |
:22:40. | :23:09. | ||
Hold up, freeze Baby I'm a boss, | :23:09. | :23:10. | |
I don't get dropped, I dropped the label | :23:10. | :23:12. | |
World can't hold me, too much ambition | :23:12. | :23:14. | |
Always knew it'd be like this when I was in the kitchen | :23:14. | :23:17. | |
... in the same spots, me I'm dodging raindrops | :23:17. | :23:20. | |
Meaning I'm on vacay, chillin' on a big yacht | :23:20. | :23:22. | |
Yeah I go ton flip flops, white Louie boat shoes | :23:22. | :23:25. | |
You should grow the ... up, come here let me coach you | :23:25. | :23:35. | |
:23:35. | :23:35. | ||
# I got a million ways to get it | :23:36. | :23:38. | |
# Choose one | :23:38. | :23:39. | |
# Hey, bring it back | :23:39. | :23:42. | |
# Now double your money and make a stack | :23:42. | :23:44. | |
# I'm on to the next one | :23:44. | :23:45. | |
# On to the next one | :23:45. | :23:46. | |
# On to the next one | :23:46. | :23:48. | |
# On to the next one | :23:48. | :23:58. | |
:23:58. | :24:03. | ||
Hold up, freeze # On to the next one | :24:03. | :24:13. | |
:24:13. | :24:30. | ||
How many people got that Blueprint 3 album? | :24:30. | :24:36. | |
How many people got that Black album? CHEERING. How many people | :24:36. | :24:44. | |
went down from day one got that Reasonable Doubt album? | :24:44. | :24:48. | |
I am sorry, how many people was down from day one got that | :24:48. | :24:58. | |
:24:58. | :24:58. | ||
Apology for the loss of subtitles for 47 seconds | :24:58. | :25:41. | |
Reasonable Doubt album? # Pray for me, I do you one better | :25:41. | :25:48. | |
slay these niggaz faithfully # Murder is a tough thing to digest, | :25:48. | :25:52. | |
it's a slow process # Never touch me, divine | :25:52. | :25:58. | |
intervention, # Can't stop me, from drinking, p # | :25:58. | :26:01. | |
Crazy weight without rap, I was crazy straight, | :26:01. | :26:11. | |
:26:11. | :26:11. | ||
Apology for the loss of subtitles for 47 seconds | :26:11. | :29:57. | |
# All I want to do # When I am banging on the | :29:57. | :30:02. | |
dashboard, # Get back, get down # Hands up, hands tied | :30:02. | :30:08. | |
# Don't go screaming if I blow you with a bang | :30:08. | :30:13. | |
# I am coming in the Cherokee, # There's steam on the window | :30:13. | :30:15. | |
screen, # Take it, take it | :30:15. | :30:18. | |
# World's bouncing like a trampoline | :30:18. | :30:24. | |
# When I get to where I am going, # Live fast, die young | :30:24. | :30:28. | |
# Bad girls do it well # Live fast, die young | :30:28. | :30:32. | |
# Bad girls do it well # Live fast, die young, bad girl | :30:33. | :30:37. | |
tkos it well # When I am banging on the | :30:37. | :30:42. | |
dashboard, my chain hits my chest # When I am banging on the radio | :30:42. | :30:45. | |
# Back it, back it # Yeah, pull up to the bumper game | :30:45. | :30:48. | |
# With a signal # Cover me, because I am changing | :30:48. | :30:54. | |
lanes # My life, I broke it | :30:54. | :30:58. | |
# Live fast, die young # Bad girls do it well | :30:58. | :31:03. | |
# Live fast, die young, # Bad girls do it well | :31:03. | :31:07. | |
# Live fast, die young # Bad girls do it well | :31:07. | :31:11. | |
# My chain hits my chest # When I am banging on the | :31:11. | :31:15. | |
dashboard # My chain hits my best | :31:15. | :31:23. | |
# When I am banging on the Radio # Get back, get down | :31:23. | :31:25. | |
# Pull me closer if you think you can hang | :31:25. | :31:30. | |
# Hands up, hands tied # Don't go screaming if I blow you | :31:30. | :31:40. | |
with a bang APPLAUSE AND CHEERING. London! | :31:40. | :31:50. | |
:31:50. | :31:52. | ||
Thank you for turning my mic on. Make some noise for MI A1 more | :31:52. | :32:02. | |
:32:02. | :32:03. | ||
You still out there? CHEERING. | :32:03. | :32:13. | |
:32:13. | :32:15. | ||
OK, we are getting there. OK. We can do two things here. We | :32:15. | :32:25. | |
:32:25. | :32:38. | ||
are running out of time. OK, let's go - you ready? OK. Two tpeupbgers | :32:38. | :32:48. | |
:32:48. | :32:48. | ||
Apology for the loss of subtitles for 47 seconds | :32:48. | :33:39. | |
in the air for Michael Jackson # H to the izzo. V to the izza | :33:39. | :33:47. | |
# Not guilty, H, IZZO that's the anthem, get your dam | :33:47. | :33:57. | |
:33:57. | :34:05. | ||
Hackney, I appreciate all the hospitalality. | :34:05. | :34:12. | |
But now I need to take you out to my home. Hackney, can I take to you | :34:12. | :34:14. | |
# Yeah, I'm up at Brooklyn # Right next to De Niro | :34:14. | :34:24. | |
:34:24. | :34:25. | ||
# All of my Dominicanos Right there up on Broadway | :34:25. | :34:26. | |
# Brought me back to that McDonalds | :34:26. | :34:33. | |
# Catch me in the kitchen Like a Simmons ... pastry | :34:33. | :34:34. | |
# Cruising down 8th Street | :34:34. | :34:35. | |
# Off-white Lexus | :34:36. | :34:37. | |
# Drive so slow but BK is from Texas | :34:37. | :34:39. | |
# Me, I'm up at Bed Stuy Home of that boy Biggie | :34:39. | :34:41. | |
# Now I live on Billboard And I brought my boys with me | :34:41. | :34:44. | |
# Say what up to Ty Ty | :34:44. | :34:45. | |
# Still sipping Mai Tai | :34:45. | :34:47. | |
# Sitting courtsideKnicks and Nets give me high-fives | :34:47. | :34:49. | |
# I be spiked out | :34:49. | :34:50. | |
# I could trip a referee | :34:50. | :34:52. | |
# Tell by my attitude | :34:52. | :34:53. | |
# That I'm most definitely from... | :34:53. | :34:55. | |
# New York | :34:55. | :34:58. | |
# Concrete jungle | :34:58. | :35:01. | |
# Where dreams are made of | :35:01. | :35:02. | |
# There's nothing you can't do | :35:02. | :35:04. | |
# Now you're in New York | :35:04. | :35:09. | |
# These streets will make you feel | :35:09. | :35:10. | |
# Brand new | :35:10. | :35:12. | |
# The lights will inspire you | :35:12. | :35:15. | |
# Let's hear it for New York | :35:15. | :35:18. | |
# New York, New York | :35:18. | :35:21. | |
# Catch me at the X | :35:21. | :35:22. | |
# With OG at a Yankee game | :35:22. | :35:24. | |
# I made the Yankee hat more famousThan a Yankee can | :35:24. | :35:27. | |
# You should know I bleed blue | :35:27. | :35:28. | |
# But I ain't a crip though | :35:28. | :35:30. | |
# But I got a gang of ... Walking with my clique though | :35:30. | :35:32. | |
# Welcome to the melting pot | :35:32. | :35:33. | |
# Corners where we ... | :35:33. | :35:35. | |
# Afrika Bambaataa | :35:35. | :35:36. | |
# Home of the hip-hop | :35:36. | :35:38. | |
# Yellow cab, gypsy cab Dollar cab, holla back | :35:38. | :35:40. | |
# For foreigners it ain't pretty Act like they forgot how to act | :35:40. | :35:43. | |
# Eight million stories | :35:43. | :35:44. | |
# Out there and they're naked | :35:44. | :35:46. | |
# City, it's a pity | :35:46. | :35:47. | |
# Half of y'all won't make it | :35:47. | :35:49. | |
# Me, I gotta plug special ed I got it made | :35:49. | :35:51. | |
# If Jeezy's payin' LeBron | :35:51. | :35:53. | |
# I'm payin' Dwyane Wade | :35:53. | :35:54. | |
# 3-dice cee-lo | :35:55. | :35:56. | |
# 3-card Monte | :35:56. | :35:57. | |
# Labor Day parade | :35:57. | :35:59. | |
# Rest in peace, Bob Marley | :35:59. | :36:00. | |
# Statue Of Liberty | :36:00. | :36:01. | |
# Long live the World Trade | :36:01. | :36:03. | |
# Long live the king, yo | :36:03. | :36:04. | |
# I'm from the Empire State that's... | :36:04. | :36:05. | |
# In New York | :36:05. | :36:09. | |
# Concrete jungle | :36:09. | :36:10. | |
# Where dreams are made of | :36:10. | :36:12. | |
# There's nothing you can't do | :36:12. | :36:15. | |
# Now you're in New York | :36:15. | :36:19. | |
# These streets will make you feel | :36:19. | :36:21. | |
# Brand new | :36:21. | :36:23. | |
# The lights will inspire you | :36:23. | :36:26. | |
# Let's hear it for New York | :36:26. | :36:28. | |
# New York, New York | :36:28. | :36:32. | |
# Lights is blinding | :36:32. | :36:34. | |
# Girls need blinders | :36:34. | :36:35. | |
# So they can step Out of bounds quick | :36:35. | :36:37. | |
# The sidelines is | :36:37. | :36:38. | |
# Lined with casualties Who sipping life casually | :36:38. | :36:40. | |
# They gradually become worse | :36:40. | :36:42. | |
# Don't bite the apple, Eve | :36:42. | :36:44. | |
# Caught up in the in crowd | :36:44. | :36:45. | |
# Now you're in style | :36:45. | :36:46. | |
# In the winter gets cold | :36:46. | :36:48. | |
# En vogue with your skin out | :36:48. | :36:49. | |
# City of sin | :36:49. | :36:51. | |
# It's a pity on a whim | :36:51. | :36:52. | |
# Good girls gone bad | :36:52. | :36:54. | |
# The city's filled with them | :36:54. | :36:55. | |
# Mami took a bus trip | :36:55. | :36:57. | |
# Now she's got her bust out | :36:57. | :36:58. | |
# Everybody ... | :36:58. | :36:59. | |
# Just like a bus route | :36:59. | :37:01. | |
# Hail Mary to the city | :37:01. | :37:02. | |
# You're a virgin | :37:02. | :37:03. | |
# And Jesus can't save you Life starts when the church end | :37:03. | :37:05. | |
# Came here for school Graduated to the high life | :37:05. | :37:07. | |
# Ball players, rap stars Addicted to the limelight | :37:07. | :37:10. | |
# ... got you feeling Like a champion | :37:10. | :37:12. | |
# The city never sleeps | :37:12. | :37:14. | |
# Better slip you an Ambien... | :37:14. | :37:15. | |
# In New York | :37:15. | :37:18. | |
# Concrete jungle | :37:18. | :37:20. | |
# Where dreams are made of | :37:20. | :37:22. | |
# There's nothing you can't do | :37:22. | :37:25. | |
# Now you're in New York | :37:25. | :37:29. | |
# These streets will make you feel | :37:29. | :37:31. | |
# Brand new | :37:31. | :37:33. | |
# The lights will inspire you | :37:33. | :37:36. | |
# Let's hear it for New York | :37:36. | :37:38. | |
# New York, New York | :37:38. | :37:43. | |
# One hand in the air | :37:43. | :37:44. | |
# For the big city | :37:44. | :37:46. | |
# Street lights, big dreams | :37:46. | :37:47. | |
# All looking pretty | :37:47. | :37:48. | |
# No place in the world | :37:48. | :37:50. | |
# That could compare | :37:50. | :37:51. | |
# Put your lighters in the air | :37:51. | :37:52. | |
# Everybody say, "Yeah! Yeah!" | :37:52. | :37:55. | |
# Come on, yeah, yeah | :37:56. | :37:58. | |
# In New York | :37:58. | :38:01. | |
# Concrete jungle | :38:01. | :38:03. | |
# Where dreams are made of | :38:03. | :38:05. | |
# There's nothing you can't do | :38:06. | :38:08. | |
# Now you're in New York | :38:08. | :38:13. | |
# These streets will make you feel | :38:13. | :38:15. | |
# Brand new | :38:15. | :38:16. | |
# The lights will inspire you | :38:16. | :38:19. | |
# Let's hear it for New York | :38:19. | :38:29. | |
:38:29. | :38:32. | ||
my home? Peace | :38:32. | :38:33. | |
Peace and | :38:33. | :38:33. | |
Peace and love! | :38:33. | :38:43. | |
:38:43. | :39:01. | ||
CROWD: | :39:01. | :39:02. | |
CROWD: Jay-Z, | :39:02. | :39:04. | |
CROWD: Jay-Z, Jay-Z, | :39:04. | :39:14. | |
:39:14. | :39:14. | ||
Apology for the loss of subtitles for 47 seconds | :39:14. | :40:25. | |
# You know she's waiting, just anticipating | :40:25. | :40:35. | |
:40:35. | :40:35. | ||
Apology for the loss of subtitles for 47 seconds | :40:35. | :41:56. | |
# Thing that you never, ever # Try APPLAUSE AND CHEERING place. You | :41:56. | :41:59. | |
sound so beautiful, don't you agree? | :41:59. | :42:09. | |
:42:09. | :42:09. | ||
Apology for the loss of subtitles for 47 seconds | :42:09. | :43:28. | |
#. # All the ladies in the house # Welcome to Havana | :43:28. | :43:38. | |
:43:38. | :43:39. | ||
# Smoking cubanos with Castro in cabanas | :43:39. | :43:43. | |
# # Can't you see # We getting money up under you | :43:43. | :43:47. | |
# Can't you see the private jets flying over you | :43:47. | :43:51. | |
# Jay is chilling, ye is chilling # What more can I say? | :43:51. | :43:54. | |
We killing them # Hold up, before we end this | :43:54. | :43:57. | |
campaign # As you can see, we done bodied | :43:57. | :44:01. | |
the dam Liams # Lord, please let them accept the | :44:01. | :44:11. | |
:44:11. | :44:13. | ||
things they can't change scream! | :44:13. | :44:23. | |
:44:23. | :44:40. | ||
Everybody scream! APPLAUSE AND CHEERING. I think we | :44:40. | :44:50. | |
:44:50. | :44:59. | ||
got what they need. Yeah, yeah. | :44:59. | :45:09. | |
:45:09. | :45:09. | ||
Apology for the loss of subtitles for 47 seconds | :45:09. | :46:44. | |
# # I got, I got #. # # I got what you need | :46:44. | :46:54. | |
:46:54. | :47:21. | ||
# What you need bounce, bounce, bounce | :47:21. | :47:31. | |
:47:31. | :48:03. | ||
# Who gonna stop me? # Who gonna stop me. Everybody out | :48:03. | :48:13. | |
:48:13. | :48:44. | ||
there make some noise! # Heard me fucked the doorman | :48:44. | :48:49. | |
# Well, that's cool, I fucked the waitress | :48:49. | :48:53. | |
# Well, I guess that's on one basis # This is something like the | :48:53. | :48:56. | |
Holocaust # Millions of our people lost | :48:56. | :48:59. | |
# Bow our heads and pray to the Lord | :48:59. | :49:09. | |
:49:09. | :49:10. | ||
# Til I die I' ma fucking ball p # Who gonna stop me? | :49:10. | :49:18. | |
# Who gonna stop me? # Black cards, black carss, black | :49:18. | :49:23. | |
on black, black broads # Weed weed purple, my money purple | :49:23. | :49:25. | |
# I wrote the verse, that I hope will hurt you | :49:25. | :49:31. | |
# Who gonna stop me? Beat the odds, beat the Feds | :49:31. | :49:37. | |
# I bet I get rich give me one shot | :49:37. | :49:42. | |
# No ceiling # They know I am a dope boy | :49:42. | :49:47. | |
# They don't have no proof # I am winning again | :49:47. | :49:51. | |
# I am at the table I am gambling # Lucky lefty, I expect a seven p # | :49:52. | :49:54. | |
I went through hell I am expecting Heaven. | :49:54. | :50:01. | |
# I am owed, and I am stoubg the G- code | :50:01. | :50:05. | |
stkpwhret I am allergic to having bunny ears, | :50:05. | :50:08. | |
# Like broke, like nope, # I ain't no joke, I can't be | :50:08. | :50:12. | |
stopped # Like nope, like nope | :50:12. | :50:16. | |
# Two seats in the 9 11, no limit on the black card | :50:16. | :50:20. | |
# Told you all I was gonna go ham, told the ocean was my backyard p # | :50:20. | :50:24. | |
No lies in my verses, please pardon all the curses | :50:24. | :50:29. | |
# Shit gotta come some way, when you growing up worthless | :50:29. | :50:33. | |
# Middle finger to my old life, special shout out to my old held l | :50:33. | :50:36. | |
# If it wasn't for your advice, I would have been so dead | :50:36. | :50:43. | |
# I am living life, # I am riding, trying to get fill | :50:43. | :50:50. | |
filthy, graduated to the MOMA # did all this without a diploma | :50:50. | :50:53. | |
graduated from the corner # Street smart, and I am book smart | :50:53. | :50:55. | |
# Could have been a chemist because I cook smart | :50:55. | :51:01. | |
# Only thing to stop me is me we gonna stop when the hook start | :51:01. | :51:11. | |
:51:11. | :51:19. | ||
# Human beings in a mob # What's a king to a god | :51:19. | :51:29. | |
:51:29. | :51:42. | ||
# We make it out alive # Tears on the mausoleum floor | :51:42. | :51:52. | |
# Rolling In the Rolls-Royce Corniche | :51:52. | :51:54. | |
# Only the doctors got this I'm hidin' from police | :51:54. | :51:58. | |
# Cocaine seats, all white Like I got the whole thing bleached | :51:58. | :52:03. | |
# Drug dealer chic | :52:03. | :52:05. | |
# I'm wonderin' If a thug's prayers reach | :52:05. | :52:07. | |
# Is pious pious Cos God loves pious | :52:07. | :52:09. | |
# Socrates asks Whose bias do y'all seek | :52:09. | :52:12. | |
# All for Plato, screech | :52:12. | :52:14. | |
# I'm out here ballin' I know y'all hear my sneaks | :52:14. | :52:17. | |
# Jesus was a carpenter Yeezy laid beats | :52:17. | :52:19. | |
# Hova flow the Holy Ghost Get the hell up out your seats | :52:20. | :52:22. | |
# Preach | :52:22. | :52:24. | |
# Human beings in a mob What's a mob to a king | :52:24. | :52:28. | |
# What's a king to a god What's a god to a non-believer | :52:28. | :52:34. | |
# Who don't believe in anything | :52:34. | :52:42. | |
# We make it out alive All right, all right | :52:42. | :52:47. | |
# No church in the wild | :52:47. | :52:55. | |
# Coke on her black skin Made a stripe like a zebra | :52:55. | :52:56. | |
# I call that jungle fever | :52:57. | :52:59. | |
# You will not Control the threesome | :52:59. | :53:01. | |
# Just roll the weed up Until I get me some | :53:01. | :53:04. | |
# We formed a new religion | :53:04. | :53:07. | |
# No sins As long as there's permission | :53:07. | :53:09. | |
# And deception is the only felony | :53:09. | :53:11. | |
# So never ... nobody Without tellin' me | :53:11. | :53:15. | |
# Sunglasses and Advil Last night was mad real | :53:15. | :53:20. | |
# Sun comin' up, 5am I wonder if they got cabs | :53:20. | :53:24. | |
# Still thinkin' 'Bout the girl in all-leopard | :53:24. | :53:27. | |
# Who was rubbin' the wood like Kiki Shepard | :53:27. | :53:30. | |
# Two tattoos One read no apologies | :53:30. | :53:32. | |
# The other said Love is cursed by monogamy | :53:32. | :53:35. | |
# That's somethin' That the pastor don't preach | :53:35. | :53:37. | |
# That's somethin' That a teacher can't teach | :53:37. | :53:40. | |
# When we die The money we can't keep | :53:40. | :53:42. | |
# But we probably spend it all | :53:42. | :53:44. | |
# Cos the pain ain't cheap Preach | :53:44. | :53:46. | |
# Human beings in a mob What's a mob to a king | :53:46. | :53:51. | |
# What's a king to a god What's a god to a non-believer | :53:51. | :53:57. | |
# Who don't believe in anything | :53:57. | :54:02. | |
We | :54:02. | :54:03. | |
We are | :54:03. | :54:03. | |
We are so | :54:04. | :54:05. | |
We are so honoured to perform this # We make it out alive | :54:05. | :54:15. | |
:54:15. | :54:50. | ||
Well, we ain't got much time left, but I want to know are you all | :54:50. | :55:00. | |
:55:00. | :55:06. | ||
ready to lift off with us tonight? # I'm bout to take | :55:07. | :55:13. | |
# Now we gon # You don't know what | :55:13. | :55:20. | |
# 'Bout to take This whole thing to Mars | :55:20. | :55:23. | |
# Lift off, lift off Takin' my coat off | :55:23. | :55:33. | |
:55:33. | :55:40. | ||
# Now we gon Take it to the moon | :55:40. | :55:43. | |
# Now we gon Take it to the moon | :55:43. | :55:51. | |
# Now we gon Take it to the moon | :55:51. | :55:57. | |
Take it to the moon # Take to the stars | :55:57. | :56:05. | |
We been through So many scars | :56:06. | :56:10. | |
# Take to the stars We been through | :56:10. | :56:20. | |
:56:20. | :56:36. | ||
# So I ball so hard ... wanna fine me | :56:36. | :56:46. | |
:56:46. | :56:52. | ||
# First, niggas gotta find me | :56:52. | :56:54. | |
# What's 50 grand to a ... like me | :56:54. | :56:55. | |
# Can you please remind me? | :56:55. | :56:56. | |
# Ball so hard This ... crazy | :56:56. | :56:58. | |
# Y'all don't know that ... don't phase me | :56:58. | :56:59. | |
# The Nets could go 0-82 | :56:59. | :57:01. | |
# And I look at you like This ... gravy | :57:01. | :57:03. | |
# Ball so hard This ... weird | :57:03. | :57:04. | |
# We ain't even s'pose to be here | :57:05. | :57:06. | |
# Ball so hard, since we here | :57:06. | :57:08. | |
# It's only right that we be fair | :57:08. | :57:09. | |
# Psycho, I'm liable to go Michael | :57:10. | :57:12. | |
# Take your pick, Jackson Tyson, Jordan, Game 6 | :57:12. | :57:17. | |
# Ball so hard Got a broke clock | :57:17. | :57:18. | |
# Rolleys that don't tick-tock | :57:18. | :57:20. | |
# Audemars that's losing time | :57:20. | :57:22. | |
# Hidden behind all these big rocks | :57:22. | :57:23. | |
# Ball so hard, I'm shocked too | :57:23. | :57:25. | |
# I'm supposed to be locked up too | :57:25. | :57:27. | |
# You escaped, what? | :57:27. | :57:28. | |
# I've escaped | :57:28. | :57:29. | |
# You'd be in Paris getting ... up too | :57:29. | :57:31. | |
# Ball so hard, lets get faded | :57:31. | :57:32. | |
# Le Meurice for like six days | :57:32. | :57:34. | |
# Gold bottles, scold models, spillin Ace on my sick Js | :57:34. | :57:37. | |
# Ball so hard ... behave | :57:37. | :57:39. | |
# Just might let you meet Ye | :57:39. | :57:41. | |
# Chi-town's D Rose I'm movin' the Nets to BK | :57:41. | :57:44. | |
# Ball so hard ... wanna fine me | :57:44. | :57:46. | |
# That ... crazy | :57:46. | :57:50. | |
# That ... crazy | :57:50. | :57:52. | |
# Ball so hard ... wanna fine me | :57:52. | :57:56. | |
# That ... crazy | :57:56. | :57:56. | |
# That ... crazy | :57:56. | :57:59. | |
# She said, "Ye, can we get married at the mall?" | :57:59. | :58:02. | |
# I said, "Look, you need to crawl for you' ball | :58:02. | :58:05. | |
"Come and meet me in the bathroom stall | :58:05. | :58:08. | |
"And show me why you deserve to have it all" | :58:08. | :58:12. | |
# Ball so hard That ... crazy | :58:12. | :58:14. | |
# Ain't it Jay? | :58:14. | :58:15. | |
# Ball so hard | :58:15. | :58:16. | |
# What she order, fish fillet? | :58:16. | :58:18. | |
# Ball so hard | :58:18. | :58:20. | |
# Your whip so cold, this old thing | :58:20. | :58:22. | |
# Ball so hard | :58:22. | :58:24. | |
# Act like you'll never be around ... like this again | :58:24. | :58:25. | |
# Bourgeois girl, grab her hand | :58:25. | :58:27. | |
# ...that ... She don't wanna dance | :58:27. | :58:29. | |
# Excuse my French but I'm in France | :58:29. | :58:30. | |
# Prince William ain't doin' it right if you ask me | :58:31. | :58:36. | |
# Cos if I was him I would have married Kate and Ashley | :58:36. | :58:40. | |
# What's Gucci, my nigga? | :58:40. | :58:41. | |
# What's Louis, my killa? | :58:41. | :58:43. | |
# What's drugs, my deala? | :58:43. | :58:44. | |
# What's that jacket, Margiela? | :58:44. | :58:46. | |
# Doctors say I'm the illest | :58:46. | :58:47. | |
# Cos I'm suffering from realness | :58:47. | :58:49. | |
# Got my niggas in Paris | :58:49. | :58:50. | |
# And they going gorillas | :58:50. | :58:52. | |
# Huh? # | :58:53. | :59:02. | |
:59:03. | :59:03. | ||
Apology for the loss of subtitles for 47 seconds | :59:03. | :59:49. | |
# First, niggas gotta find me | :59:49. | :59:51. | |
# What's 50 grand to a ... like me | :59:51. | :59:52. | |
# Can you please remind me? | :59:52. | :59:54. | |
# Ball so hard This ... crazy | :59:54. | :59:55. | |
# Y'all don't know that ... don't phase me | :59:55. | :59:56. | |
# The Nets could go 0-82 | :59:56. | :00:06. | |
:00:06. | :00:18. | ||
Push | :00:18. | :00:18. | |
Push that | :00:18. | :00:18. | |
Push that back | :00:18. | :00:28. | |
:00:28. | :00:39. | ||
Push that back really fast. Anywhere. | :00:39. | :00:43. | |
I like that circle right there. That one is good. | :00:43. | :00:51. | |
That one's getting better. Push it back a little bit. Make it bigger. | :00:51. | :00:54. | |
Go further. Go further. You doing well. | :00:54. | :01:02. | |
You will make your family proud. OK. That's good. Hold the circle. | :01:02. | :01:12. | |
:01:12. | :01:20. | ||
Hold it. Hold it. 10, 9, 8, 8, 7, 6, 5, 4, 3, 21, again! Let's go. Let's | :01:20. | :01:30. | |
:01:30. | :01:41. | ||
hold # So I ball so hard | :01:41. | :01:51. | |
:01:51. | :01:53. | ||
# Take your pick, Jackson # Ball so hard | :01:53. | :02:03. | |
:02:03. | :02:10. | ||
# You'd be in Paris # Gold bottles, scold models, | :02:10. | :02:17. | |
# Ball so hard # Chi-town's D Rose | :02:17. | :02:27. | |
:02:27. | :02:37. | ||
# She said, "Ye, can we get married # I said, "Look, you need to crawl | :02:37. | :02:41. | |
"Come and meet me in the bathroom stall | :02:41. | :02:44. | |
"And show me why you deserve to have it all" | :02:44. | :02:48. | |
# Ball so hard That ... crazy | :02:48. | :02:50. | |
# Ain't it Jay? | :02:50. | :02:51. | |
# Ball so hard | :02:51. | :02:52. | |
# What she order, fish fillet? | :02:52. | :02:54. | |
# Ball so hard | :02:54. | :02:55. | |
# Your whip so cold, this old thing | :02:55. | :02:57. | |
# Ball so hard | :02:57. | :02:59. | |
# Act like you'll never be around ... like this again | :02:59. | :03:01. | |
# Bourgeois girl, grab her hand | :03:01. | :03:03. | |
# ...that ... She don't wanna dance | :03:03. | :03:04. | |
# Excuse my French but I'm in France | :03:04. | :03:06. | |
# Prince William ain't doin' it right if you ask me | :03:06. | :03:11. | |
# Cos if I was him I would have married Kate and Ashley | :03:11. | :03:15. | |
# What's Gucci, my nigga? | :03:15. | :03:16. | |
# What's Louis, my killa? | :03:16. | :03:18. | |
# What's drugs, my deala? | :03:18. | :03:19. | |
# What's that jacket, Margiela? | :03:19. | :03:21. | |
# Doctors say I'm the illest | :03:21. | :03:23. | |
# Cos I'm suffering from realness | :03:23. | :03:24. | |
# Got my niggas in Paris | :03:25. | :03:26. | |
# And they going gorillas | :03:26. | :03:28. | |
# Huh? # | :03:28. | :03:29. | |
'I don't even know what that means!' | :03:29. | :03:31. | |
'No-one knows what it means, but it's provocative.' | :03:31. | :03:34. | |
'No, it's not.' 'It gets the people going!' | :03:34. | :03:44. | |
:03:44. | :04:04. | ||
# You are now watching the throne | :04:04. | :04:06. | |
# Don't let me get in my zone | :04:06. | :04:08. | |
# Don't let me get in my zone | :04:08. | :04:16. | |
# I know I'm 'bout to kill it | :04:16. | :04:17. | |
# You know, I got that feeling | :04:17. | :04:18. | |
# You are now watching the throne | :04:18. | :04:19. | |
# Don't let me into my zone | :04:19. | :04:21. | |
# Don't let me into my zone | :04:21. | :04:22. | |
# Don't let me into my zone | :04:22. | :04:29. | |
# I got that hot ... in my home | :04:30. | :04:30. | |
# You know how many hot ... I own? | :04:31. | :04:32. | |
# Don't let me get in my zone | :04:32. | :04:33. | |
# Don't let me get in my zone | :04:33. | :04:35. | |
# Don't let me get in my zone | :04:35. | :04:45. | |
:04:45. | :05:09. | ||
Hackney, | :05:09. | :05:10. | |
Hackney, make | :05:10. | :05:10. | |
Hackney, make some | :05:10. | :05:15. | |
Hackney, make some noise. Make some noise for Rihanna. What's | :05:15. | :05:25. | |
:05:25. | :05:31. | ||
Make some noise for Kanye West, what's up! Last, but not least, | :05:31. | :05:41. | |
:05:41. | :05:42. | ||
everybody out there, we need you to make some noise for yourself. | :05:42. | :05:52. | |
:05:52. | :05:52. | ||
Apology for the loss of subtitles for 47 seconds | :05:52. | :06:47. | |
It goes one, two, one, two, three, Wow! What a set! That was | :06:47. | :06:50. | |
incredible. Not one surprise guest, not two, | :06:50. | :06:58. | |
but three. MIA, Rehana kicking things off and then Kanye to end | :06:58. | :07:07. | |
the show. That was a masterclass. And bonesaway, morbing with her | :07:07. | :07:11. | |
friends, having the time of her life. | :07:11. | :07:16. | |
And Rizzle Kicks, thinking are they there! And Jack White watching from | :07:16. | :07:21. | |
the side as well. We want them again. | :07:21. | :07:29. | |
We got a good few encores. So many people tweeting. | :07:29. | :07:36. | |
This one, ""99 Problems" but there ain't one. | :07:36. | :07:38. |