Browse content similar to Squeeze. Check below for episodes and series from the same categories and more!
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# The Indians send signals | 0:00:44 | 0:00:46 | |
# From the rocks above the pass | 0:00:46 | 0:00:47 | |
# The cowboys take position | 0:00:47 | 0:00:49 | |
# In the bushes and the grass | 0:00:49 | 0:00:50 | |
# The squaw is with the corporal | 0:00:50 | 0:00:52 | |
# She is tied against the tree | 0:00:52 | 0:00:53 | |
# She doesn't mind the language | 0:00:53 | 0:00:55 | |
# It's the beating she don't need | 0:00:55 | 0:00:56 | |
# She lets loose all the horses | 0:00:56 | 0:00:58 | |
# When the corporal is asleep | 0:00:58 | 0:00:59 | |
# And he wakes to find the fire's dead | 0:00:59 | 0:01:01 | |
# And arrows in his hats | 0:01:01 | 0:01:02 | |
# And Davy Crockett rides around | 0:01:02 | 0:01:04 | |
# And says it's cool for cats | 0:01:04 | 0:01:05 | |
# It's cool for cats | 0:01:05 | 0:01:06 | |
# The Sweeney's doing 90 | 0:01:09 | 0:01:10 | |
# Cos they've got the word to go | 0:01:10 | 0:01:11 | |
# To get a gang of villains | 0:01:11 | 0:01:13 | |
# In a shed up at Heathrow | 0:01:13 | 0:01:14 | |
# They're counting out the fivers | 0:01:14 | 0:01:16 | |
# When the handcuffs lock again | 0:01:16 | 0:01:17 | |
# They're in and out of Wandsworth | 0:01:17 | 0:01:19 | |
# With the numbers on their names | 0:01:19 | 0:01:20 | |
# It's funny how their missus | 0:01:20 | 0:01:22 | |
# Always looks the bleeding same | 0:01:22 | 0:01:23 | |
# And meanwhile at the station | 0:01:23 | 0:01:25 | |
# There's a couple of likely lads | 0:01:25 | 0:01:26 | |
# Who swear like how's your father | 0:01:26 | 0:01:28 | |
# They're very cool for cats | 0:01:28 | 0:01:29 | |
# They're cool for cats | 0:01:29 | 0:01:30 | |
# To change the mood a little | 0:01:32 | 0:01:34 | |
# I've been posing down the pub | 0:01:34 | 0:01:35 | |
# On seeing my reflection | 0:01:35 | 0:01:37 | |
# I'm looking slightly rough | 0:01:37 | 0:01:38 | |
# I fancy this, I fancy that | 0:01:38 | 0:01:40 | |
# I want to be so flash | 0:01:40 | 0:01:41 | |
# I give a little muscle | 0:01:41 | 0:01:43 | |
# Spend a little cash | 0:01:43 | 0:01:44 | |
# But all I get is bitter and a nasty little rash | 0:01:44 | 0:01:47 | |
# And by the time I'm sober | 0:01:47 | 0:01:49 | |
# I've forgotten what I've had | 0:01:49 | 0:01:50 | |
# And everybody tells me that it's cool to be a cat | 0:01:50 | 0:01:52 | |
# It's cool for cats | 0:01:52 | 0:01:53 | |
# Shake up at the disco | 0:02:31 | 0:02:33 | |
# And I think I've got a pull | 0:02:33 | 0:02:34 | |
# I ask her lots of questions | 0:02:34 | 0:02:35 | |
# And she hangs on to the wall | 0:02:35 | 0:02:37 | |
# I kiss her for the first time | 0:02:37 | 0:02:38 | |
# And then I take her home | 0:02:38 | 0:02:40 | |
# I'm invited in for coffee | 0:02:40 | 0:02:41 | |
# And I give the dog a bone | 0:02:41 | 0:02:43 | |
# She says she loves her discos | 0:02:43 | 0:02:44 | |
# She's always on her own | 0:02:44 | 0:02:46 | |
# I said I'll see you later | 0:02:46 | 0:02:47 | |
# I'll give her some old chat | 0:02:47 | 0:02:49 | |
# But it's not like that on the TV when it's cool for cats | 0:02:49 | 0:02:52 | |
# It's cool for cats. # | 0:02:52 | 0:02:53 | |
CHEERING AND APPLAUSE | 0:03:44 | 0:03:46 | |
Good evening. | 0:03:54 | 0:03:55 | |
This can't go on. | 0:03:57 | 0:03:58 | |
We can't go on meeting like this. | 0:04:00 | 0:04:02 | |
I'd like to welcome viewers to BBC Two, | 0:04:02 | 0:04:05 | |
to the Regal Theatre here in Hitchin... | 0:04:05 | 0:04:07 | |
CHEERING | 0:04:07 | 0:04:09 | |
..where we've got an extremely noisy lot of people | 0:04:10 | 0:04:13 | |
and they're being extremely noisy quite rightly | 0:04:13 | 0:04:16 | |
because for the next 40 minutes, | 0:04:16 | 0:04:18 | |
you're going to be entertained to one of the finest groups in the country - Squeeze! | 0:04:18 | 0:04:22 | |
CHEERING AND APPLAUSE | 0:04:22 | 0:04:24 | |
# I've returned | 0:04:25 | 0:04:27 | |
# I've returned | 0:04:29 | 0:04:32 | |
# I've returned | 0:04:35 | 0:04:40 | |
# Last night I played the drunken fiddle | 0:04:42 | 0:04:45 | |
# Disabled love with a word of dribble | 0:04:45 | 0:04:48 | |
# On and on about some jumbled subject | 0:04:48 | 0:04:51 | |
# I said your friends were a bunch of Muppets | 0:04:51 | 0:04:54 | |
# I said your sister should have grown a moustache | 0:04:54 | 0:04:57 | |
# Said you didn't need to take off your mask | 0:04:57 | 0:05:00 | |
# Down the staircase I made my stagger | 0:05:00 | 0:05:03 | |
# I left you crying but it didn't matter | 0:05:03 | 0:05:06 | |
# So I sat inside my car in wonder | 0:05:07 | 0:05:10 | |
# A headache in my head like the thunder | 0:05:10 | 0:05:13 | |
# I chewed my nails like a guilty victim | 0:05:13 | 0:05:16 | |
# I couldn't see or feel the night or nothing | 0:05:16 | 0:05:19 | |
# I wanted to explain but all so desperate | 0:05:19 | 0:05:22 | |
# Love was like it was some investment | 0:05:22 | 0:05:25 | |
# Then I don't remember who said what when | 0:05:25 | 0:05:28 | |
# On a scrap of paper I placed my pen | 0:05:28 | 0:05:33 | |
# When I woke up in the morning | 0:05:33 | 0:05:35 | |
# Beside you in the bed | 0:05:36 | 0:05:39 | |
# My mouth was full of nothing | 0:05:39 | 0:05:42 | |
# My arms around your head | 0:05:42 | 0:05:45 | |
# And I don't know how I got there | 0:05:46 | 0:05:48 | |
# But I didn't want to check | 0:05:48 | 0:05:51 | |
# Now back between each other | 0:05:52 | 0:05:54 | |
# We're salvaging our wreck | 0:05:54 | 0:05:57 | |
# Now I've returned | 0:05:57 | 0:05:59 | |
# Oh-oh | 0:05:59 | 0:06:00 | |
# You've thrown my jigsaw all over the floor | 0:06:00 | 0:06:03 | |
# We're at the deepest deep | 0:06:03 | 0:06:05 | |
# Oh | 0:06:05 | 0:06:06 | |
# I thought our love had died forever | 0:06:06 | 0:06:08 | |
# But it just went to sleep | 0:06:08 | 0:06:11 | |
# I've returned | 0:06:12 | 0:06:15 | |
# I've returned | 0:06:18 | 0:06:22 | |
# I've returned | 0:06:25 | 0:06:30 | |
# I've returned. # | 0:06:30 | 0:06:36 | |
CHEERING AND APPLAUSE | 0:06:41 | 0:06:43 | |
Thank you very much, this is Another Nail In My Heart. | 0:06:44 | 0:06:46 | |
# The case was pulled from under the bed | 0:06:54 | 0:06:57 | |
# She made a call to a sympathetic friend | 0:06:57 | 0:07:00 | |
# And made arrangements | 0:07:00 | 0:07:06 | |
# The door was closed | 0:07:06 | 0:07:07 | |
# There was a note | 0:07:07 | 0:07:09 | |
# I couldn't be bothered | 0:07:09 | 0:07:10 | |
# Maybe I'll choke | 0:07:10 | 0:07:12 | |
# No more engagements | 0:07:12 | 0:07:18 | |
# With where-have-you-beens | 0:07:18 | 0:07:19 | |
# And faraway frowns | 0:07:19 | 0:07:21 | |
# Trying to be good | 0:07:21 | 0:07:22 | |
# By not being around | 0:07:22 | 0:07:24 | |
# And here in the bar | 0:07:24 | 0:07:25 | |
# The piano man's found | 0:07:25 | 0:07:27 | |
# Another nail for my heart | 0:07:27 | 0:07:29 | |
# And here in the bar | 0:07:30 | 0:07:31 | |
# The piano man's found | 0:07:31 | 0:07:33 | |
# Another nail for my heart | 0:07:33 | 0:07:35 | |
# That stupid old bug | 0:07:59 | 0:08:01 | |
# That kills only love | 0:08:01 | 0:08:03 | |
# I want to be good | 0:08:03 | 0:08:04 | |
# Is that not enough? | 0:08:04 | 0:08:06 | |
# So play me the song | 0:08:06 | 0:08:07 | |
# That makes it so tough | 0:08:07 | 0:08:09 | |
# Another nail for my heart | 0:08:09 | 0:08:11 | |
# Then play me that song | 0:08:12 | 0:08:13 | |
# That makes it so tough | 0:08:13 | 0:08:15 | |
# Another nail for my heart | 0:08:15 | 0:08:17 | |
# I had excuses those little boy lies | 0:08:18 | 0:08:21 | |
# That she computed by watching my eyes | 0:08:21 | 0:08:24 | |
# And told me firmly | 0:08:24 | 0:08:30 | |
# She couldn't stand it | 0:08:30 | 0:08:31 | |
# I'm bad on her heart | 0:08:31 | 0:08:33 | |
# She dropped her make-up and I found a bar | 0:08:33 | 0:08:36 | |
# Now it concerns me | 0:08:36 | 0:08:42 | |
# I've had a bad time | 0:08:42 | 0:08:43 | |
# Now love is resigned | 0:08:43 | 0:08:45 | |
# I've been such a fool | 0:08:45 | 0:08:46 | |
# I've loved and goodbyed | 0:08:46 | 0:08:48 | |
# And here in the bar | 0:08:48 | 0:08:50 | |
# The piano man's found | 0:08:50 | 0:08:51 | |
# Another nail for my heart | 0:08:51 | 0:08:54 | |
# And here in the bar | 0:08:54 | 0:08:55 | |
# The piano man's found | 0:08:55 | 0:08:57 | |
# Another nail for my heart | 0:08:57 | 0:08:59 | |
# And here in the bar | 0:09:00 | 0:09:01 | |
# The piano man's found | 0:09:01 | 0:09:03 | |
# Another nail for my heart | 0:09:03 | 0:09:05 | |
# And here in the bar | 0:09:07 | 0:09:09 | |
# The piano man's found | 0:09:09 | 0:09:10 | |
# Another nail for my heart | 0:09:10 | 0:09:13 | |
# And here in the bar | 0:09:15 | 0:09:17 | |
# The piano man's found | 0:09:17 | 0:09:18 | |
# Another nail for my heart. # | 0:09:18 | 0:09:20 | |
CHEERING AND APPLAUSE | 0:09:27 | 0:09:29 | |
Thanks very much! | 0:09:31 | 0:09:32 | |
Ta. | 0:09:36 | 0:09:37 | |
All right, we're going to do a new song now. | 0:09:37 | 0:09:39 | |
Written last Monday, rehearsed on Saturday and played for you tonight. It's called Annie Get Your Gun. | 0:09:39 | 0:09:44 | |
# She goes for her medical | 0:09:46 | 0:09:49 | |
# She's passed, it's a miracle | 0:09:52 | 0:09:54 | |
# She's up over the moon | 0:09:57 | 0:10:00 | |
# She whistles nonsense tunes | 0:10:00 | 0:10:02 | |
# She wants drinks for everyone | 0:10:02 | 0:10:05 | |
# She's found a chord that she can strum | 0:10:07 | 0:10:11 | |
# Emotions leaking out | 0:10:12 | 0:10:16 | |
# Her paint's all over town | 0:10:16 | 0:10:20 | |
# What's that she's playing? | 0:10:20 | 0:10:23 | |
# Annie, get your gun | 0:10:23 | 0:10:26 | |
# What's that she's taking? | 0:10:26 | 0:10:28 | |
# This song has to be sung | 0:10:28 | 0:10:31 | |
# She's gone electric | 0:10:31 | 0:10:33 | |
# Annie, wipe them out | 0:10:33 | 0:10:36 | |
# That's unexpected | 0:10:36 | 0:10:39 | |
# Strum that thing and shout | 0:10:39 | 0:10:41 | |
# Don't pull that trigger | 0:10:41 | 0:10:44 | |
# Annie, get your gun | 0:10:44 | 0:10:46 | |
# Don't shoot that singer | 0:10:46 | 0:10:49 | |
# You're shooting number one | 0:10:49 | 0:10:53 | |
# Number one | 0:10:53 | 0:10:56 | |
# He's not into miracles | 0:10:56 | 0:11:00 | |
# Sees life all too cynical | 0:11:02 | 0:11:05 | |
# The cat has got his tongue | 0:11:07 | 0:11:10 | |
# Now she bangs on his drum | 0:11:10 | 0:11:12 | |
# He says pull the other one | 0:11:12 | 0:11:15 | |
# Bells ring | 0:11:17 | 0:11:19 | |
# Look what you have done | 0:11:19 | 0:11:21 | |
# Emotions leaking out | 0:11:22 | 0:11:25 | |
# Her paint's all over town | 0:11:25 | 0:11:30 | |
# What's that she's playing? | 0:11:30 | 0:11:32 | |
# Annie, get your gun | 0:11:32 | 0:11:35 | |
# What's that she's taking? | 0:11:35 | 0:11:37 | |
# This song has to be sung | 0:11:37 | 0:11:40 | |
# She's gone electric | 0:11:40 | 0:11:42 | |
# Annie, wipe them out | 0:11:42 | 0:11:45 | |
# That's unexpected | 0:11:45 | 0:11:47 | |
# Strum that thing and shout | 0:11:47 | 0:11:50 | |
# Don't pull that trigger | 0:11:50 | 0:11:52 | |
# Annie, get your gun | 0:11:52 | 0:11:55 | |
# Don't shoot that singer | 0:11:55 | 0:11:58 | |
# You're shooting number one | 0:11:58 | 0:12:00 | |
# What's that she's playing? | 0:12:00 | 0:12:02 | |
# Annie, get your gun | 0:12:02 | 0:12:05 | |
# What's that she's taking? | 0:12:05 | 0:12:07 | |
# Annie, get your gun | 0:12:07 | 0:12:10 | |
# She's gone electric | 0:12:10 | 0:12:13 | |
# Annie, get your gun | 0:12:13 | 0:12:15 | |
# That's unexpected | 0:12:15 | 0:12:18 | |
# Annie, get your gun | 0:12:18 | 0:12:20 | |
# Don't pull that trigger | 0:12:20 | 0:12:23 | |
# Annie, get your gun | 0:12:23 | 0:12:25 | |
# Don't shoot that singer | 0:12:25 | 0:12:28 | |
# Annie, Annie, Annie, Annie. # | 0:12:28 | 0:12:30 | |
CHEERING AND APPLAUSE | 0:12:34 | 0:12:36 | |
Thank you very much. | 0:12:38 | 0:12:39 | |
# I got nosy and I read her letters | 0:12:57 | 0:13:01 | |
# I read her diary | 0:13:01 | 0:13:02 | |
# It's the same story and nothing better | 0:13:02 | 0:13:06 | |
# The words remind me of someone else's heart | 0:13:06 | 0:13:10 | |
# That's gone and left a mark | 0:13:10 | 0:13:13 | |
# And her pop music plays | 0:13:13 | 0:13:15 | |
# On local radio | 0:13:15 | 0:13:18 | |
# There's people on the street but no-one that I know | 0:13:18 | 0:13:23 | |
# And like my heart is now | 0:13:23 | 0:13:26 | |
# I know not where they go | 0:13:26 | 0:13:29 | |
# Same words | 0:13:31 | 0:13:32 | |
# Different meanings | 0:13:32 | 0:13:34 | |
# Same heart | 0:13:34 | 0:13:36 | |
# Different feeling | 0:13:36 | 0:13:37 | |
# So much for him | 0:13:37 | 0:13:38 | |
# So much for her | 0:13:38 | 0:13:40 | |
# Cos that's past | 0:13:40 | 0:13:41 | |
# Now I know about that someone else's heart | 0:13:43 | 0:13:47 | |
# Now I know about that someone else's heart | 0:13:49 | 0:13:53 | |
# She got nosy and read my letters too | 0:14:02 | 0:14:06 | |
# And my notebook | 0:14:06 | 0:14:07 | |
# Surprised to find that love is not so new | 0:14:07 | 0:14:12 | |
# So we both took someone else's heart | 0:14:12 | 0:14:15 | |
# And walked it through the dark | 0:14:15 | 0:14:18 | |
# A feeling so rich | 0:14:18 | 0:14:20 | |
# I turn around to laugh | 0:14:20 | 0:14:23 | |
# We had both indulged | 0:14:23 | 0:14:26 | |
# In each other's past | 0:14:26 | 0:14:29 | |
# To find out that our love was true enough to last | 0:14:29 | 0:14:34 | |
# Same words | 0:14:36 | 0:14:38 | |
# Different meanings | 0:14:38 | 0:14:39 | |
# Same hearts | 0:14:39 | 0:14:41 | |
# Different feeling | 0:14:41 | 0:14:42 | |
# So much for him | 0:14:42 | 0:14:43 | |
# So much for her | 0:14:43 | 0:14:45 | |
# Cos that's past | 0:14:45 | 0:14:46 | |
# Now I know about that someone else's heart | 0:14:49 | 0:14:52 | |
# Now I know about that someone else's heart | 0:14:55 | 0:14:58 | |
# Someone else's heart | 0:15:03 | 0:15:05 | |
# Now I know about that | 0:15:05 | 0:15:06 | |
-# Someone else's heart -Someone else's heart | 0:15:06 | 0:15:09 | |
# Someone else's heart | 0:15:10 | 0:15:11 | |
# Now I know about that | 0:15:11 | 0:15:13 | |
-# Someone else's heart -Someone else's heart | 0:15:13 | 0:15:15 | |
# Someone else's heart | 0:15:17 | 0:15:18 | |
# Now I know about that | 0:15:18 | 0:15:19 | |
-# Someone else's heart -Someone else's heart | 0:15:19 | 0:15:22 | |
# Someone else's heart | 0:15:23 | 0:15:25 | |
# Now I know about that | 0:15:25 | 0:15:26 | |
-# Someone else's heart -Someone else's heart. # | 0:15:26 | 0:15:29 | |
APPLAUSE | 0:15:33 | 0:15:35 | |
# I'm impossible | 0:15:40 | 0:15:42 | |
# She's exciting | 0:15:42 | 0:15:45 | |
# Bound together with joined-up writing | 0:15:45 | 0:15:49 | |
# In the church I heard a bell ring | 0:15:49 | 0:15:53 | |
# In a bar I heard a girl sing | 0:15:53 | 0:15:58 | |
# She sings solo | 0:15:58 | 0:16:00 | |
# I see double | 0:16:00 | 0:16:02 | |
# Moments vanish | 0:16:02 | 0:16:04 | |
# Her love so subtle | 0:16:04 | 0:16:06 | |
# I went home | 0:16:06 | 0:16:08 | |
# It's not surprising | 0:16:08 | 0:16:10 | |
# Words were few | 0:16:10 | 0:16:12 | |
# And realising | 0:16:12 | 0:16:15 | |
# I was deep in my points of view | 0:16:15 | 0:16:19 | |
# So interested to talk to you | 0:16:19 | 0:16:23 | |
# Talk to you | 0:16:23 | 0:16:25 | |
# Talk to you | 0:16:25 | 0:16:27 | |
# Talk to you | 0:16:27 | 0:16:30 | |
# Talk to you | 0:16:30 | 0:16:32 | |
# She's romantic and I'm selected | 0:16:32 | 0:16:37 | |
# Glances swapped and thoughts collected | 0:16:37 | 0:16:41 | |
# By her song | 0:16:41 | 0:16:43 | |
# It's not her singing | 0:16:43 | 0:16:45 | |
# Words were few | 0:16:45 | 0:16:47 | |
# The bell was ringing | 0:16:47 | 0:16:50 | |
# On the table my cards are shuffled | 0:16:50 | 0:16:54 | |
# Words take time to get so muddled | 0:16:54 | 0:16:59 | |
# I'm off home | 0:16:59 | 0:17:00 | |
# I'm shy but eager | 0:17:00 | 0:17:03 | |
# Tomorrow comes | 0:17:03 | 0:17:04 | |
# I hope to see her | 0:17:04 | 0:17:07 | |
# On the stage with her velvet voice | 0:17:07 | 0:17:11 | |
# Though some would say that it's just a noise | 0:17:11 | 0:17:15 | |
# Just a noise | 0:17:15 | 0:17:18 | |
# Just a noise | 0:17:18 | 0:17:20 | |
# Just a noise | 0:17:20 | 0:17:22 | |
# Just a noise | 0:17:22 | 0:17:24 | |
# I bit off more than I can chew | 0:17:42 | 0:17:46 | |
# So interested in my points of view | 0:17:46 | 0:17:51 | |
# Trial and jury | 0:17:51 | 0:17:53 | |
# Swear on the Bible | 0:17:53 | 0:17:55 | |
# I'm too drunk and unreliable | 0:17:55 | 0:18:00 | |
# I'm too drunk for conversation | 0:18:00 | 0:18:04 | |
# Though I wait for invitation | 0:18:04 | 0:18:09 | |
# She's excellent and I'm uninvited | 0:18:10 | 0:18:15 | |
# 15 rounds this love I've fighted | 0:18:15 | 0:18:20 | |
# I'll walk home and curse the heavens | 0:18:20 | 0:18:24 | |
# Lost on points | 0:18:24 | 0:18:25 | |
# My heart was flattened | 0:18:25 | 0:18:28 | |
# Maybe she had other things to do | 0:18:28 | 0:18:32 | |
# And didn't want any points of view | 0:18:32 | 0:18:37 | |
# Points of view | 0:18:37 | 0:18:39 | |
# Points of view | 0:18:39 | 0:18:42 | |
# Points of view | 0:18:42 | 0:18:43 | |
# Points of view | 0:18:43 | 0:18:45 | |
# Oh, maybe she had other things to do | 0:18:45 | 0:18:50 | |
# And didn't want any points of view. # | 0:18:50 | 0:18:54 | |
CHEERING AND APPLAUSE | 0:19:25 | 0:19:27 | |
Thanks very much. | 0:19:30 | 0:19:31 | |
This is Piccadilly. | 0:19:33 | 0:19:35 | |
# She's not a picture above somebody's fire | 0:19:48 | 0:19:51 | |
# She sits in a towel with a purple hairdryer | 0:19:51 | 0:19:55 | |
# She waits to get even with me | 0:19:55 | 0:19:58 | |
# She hooks up her cupcakes and puts on a jumper | 0:19:58 | 0:20:01 | |
# Explains that she'll be late to a worrying mother | 0:20:01 | 0:20:05 | |
# She meets me in Piccadilly | 0:20:05 | 0:20:07 | |
# A begging folk singer stands tall by the entrance | 0:20:07 | 0:20:11 | |
# His song relays worlds of most good intentions | 0:20:11 | 0:20:14 | |
# A 5p, a 10p | 0:20:14 | 0:20:15 | |
# In his hat for collection | 0:20:15 | 0:20:17 | |
# She talks about office and she talks about dresses | 0:20:20 | 0:20:23 | |
# She's seen one she fancies | 0:20:23 | 0:20:25 | |
# Her smile is impressing | 0:20:25 | 0:20:27 | |
# So maybe I'll treat her someday | 0:20:27 | 0:20:30 | |
# We queue among strangers and strange conversation | 0:20:30 | 0:20:33 | |
# Love's on the lips of all forms of engagements | 0:20:33 | 0:20:36 | |
# All queuing to see tonight's play | 0:20:36 | 0:20:39 | |
# A man behind me talks to his young lady | 0:20:39 | 0:20:42 | |
# He's happy that she is expecting his baby | 0:20:42 | 0:20:46 | |
# His wife won't be pleased | 0:20:46 | 0:20:47 | |
# But she's not been round lately | 0:20:47 | 0:20:49 | |
# The play was so dreadful we left in a hurry | 0:20:52 | 0:20:55 | |
# We escaped in the rain for an Indian curry | 0:20:55 | 0:20:58 | |
# At the candlelit Taj Mahal | 0:20:58 | 0:21:02 | |
# My lips to a napkin | 0:21:02 | 0:21:03 | |
# I called for a taxi | 0:21:03 | 0:21:05 | |
# The invite of eyes made it tense but relaxed me | 0:21:05 | 0:21:08 | |
# My mind took a devious stroll | 0:21:08 | 0:21:11 | |
# The cab took us home through a night I'd not noticed | 0:21:11 | 0:21:14 | |
# The neon club lights of adult films and Trini Lopez | 0:21:14 | 0:21:18 | |
# My arm around her | 0:21:18 | 0:21:19 | |
# But my acting was her best | 0:21:19 | 0:21:21 | |
# We crept like two thieves from the kettle to the fire | 0:21:24 | 0:21:27 | |
# We kissed to the sound of the silence that we'd hired | 0:21:27 | 0:21:30 | |
# Now captured | 0:21:30 | 0:21:32 | |
# Your love in my arms | 0:21:32 | 0:21:33 | |
# A door opened slightly | 0:21:33 | 0:21:35 | |
# A voice spoke in worry | 0:21:35 | 0:21:37 | |
# Mum went to bed without wind of the curry | 0:21:37 | 0:21:40 | |
# Our secret love made its advance | 0:21:40 | 0:21:42 | |
# Like Adam and Eve we took bite on the apple | 0:21:42 | 0:21:46 | |
# Loose change in my pocket | 0:21:46 | 0:21:47 | |
# It started to rattle | 0:21:47 | 0:21:49 | |
# A heart like a gun was just half of the battle | 0:21:49 | 0:21:53 | |
# Heart like a gun was just half of the battle | 0:21:53 | 0:21:55 | |
# Like Adam and Eve we took bite on the apple | 0:21:55 | 0:21:58 | |
# A heart like a gun was just half of the battle | 0:21:58 | 0:22:02 | |
# Loose change in my pocket | 0:22:02 | 0:22:03 | |
# It started to rattle | 0:22:03 | 0:22:05 | |
# Heart like a gun was just half of the battle | 0:22:05 | 0:22:08 | |
# A heart like a gun was just half of the battle | 0:22:08 | 0:22:11 | |
# Heart like a gun was just half of the battle | 0:22:11 | 0:22:14 | |
# Like Adam and Eve we took bite on the apple | 0:22:14 | 0:22:17 | |
# A heart like a gun was just half of the battle | 0:22:17 | 0:22:21 | |
# Loose change in my pocket | 0:22:21 | 0:22:22 | |
# It started to rattle | 0:22:22 | 0:22:24 | |
# A heart like a gun was just half of the battle | 0:22:24 | 0:22:26 | |
# I said a heart like a gun was just half of the battle | 0:22:26 | 0:22:30 | |
# Heart like a gun was just half of the battle. # | 0:22:30 | 0:22:33 | |
Thank you very much. Nice to see everyone moving around. | 0:22:38 | 0:22:42 | |
Having a good time on a Monday night of all nights. | 0:22:42 | 0:22:46 | |
It's only cos it's a bank holiday, I know. Right. | 0:22:46 | 0:22:49 | |
Everybody's just been on holiday, I take it. | 0:22:49 | 0:22:52 | |
CHEERING | 0:22:52 | 0:22:53 | |
Everybody just going on holiday? | 0:22:53 | 0:22:55 | |
CHEERING | 0:22:55 | 0:22:57 | |
This is a good song, it's called Pulling Mussels (From The Shell). | 0:22:57 | 0:23:02 | |
# They do it down on Camber Sands They do it at Waikiki | 0:23:02 | 0:23:06 | |
# Lazing about the beach all day At night the crickets creepy | 0:23:08 | 0:23:12 | |
# Squinting faces at the sky A Harold Robbins paperback | 0:23:15 | 0:23:21 | |
# Surfers drop their boards and dry And everybody wants a hat | 0:23:21 | 0:23:27 | |
# But behind the chalet my holiday's complete | 0:23:27 | 0:23:34 | |
# And I feel like William Tell Maid Marian on her tiptoed feet | 0:23:34 | 0:23:42 | |
# Pulling mussels from a shell | 0:23:43 | 0:23:45 | |
# Pulling mussels from a shell | 0:23:45 | 0:23:49 | |
# Shrinking from the sea, so cold topless ladies look away | 0:23:50 | 0:23:54 | |
# A he-man in a sudden shower shelters from the rain | 0:23:56 | 0:24:00 | |
# You wish you had a motor boat to pose around the harbour bar | 0:24:02 | 0:24:09 | |
# And when the sun goes off to bed you hook it up behind the car | 0:24:09 | 0:24:15 | |
# But behind the chalet my holiday's complete | 0:24:15 | 0:24:22 | |
# And I feel like William Tell Maid Marian on her tiptoed feet | 0:24:22 | 0:24:29 | |
# Pulling mussels from a shell | 0:24:31 | 0:24:33 | |
# Pulling mussels from a shell | 0:24:33 | 0:24:36 | |
# Two fat ladies window shop Something for the mantelpiece | 0:25:24 | 0:25:28 | |
# In for bingo, all the nines A panda for sweet little niece | 0:25:30 | 0:25:34 | |
# The coach drivers stand about looking at a local map | 0:25:36 | 0:25:42 | |
# About the boy who's got away down to next door's caravan | 0:25:42 | 0:25:49 | |
# But behind the chalet my holiday's complete | 0:25:49 | 0:25:55 | |
# And I feel like William Tell Maid Marian on her tiptoed feet | 0:25:55 | 0:26:03 | |
# Pulling mussels from a shell | 0:26:03 | 0:26:07 | |
# Pulling mussels from a shell | 0:26:07 | 0:26:09 | |
# But behind the chalet my holiday's complete | 0:26:11 | 0:26:17 | |
# And I feel like William Tell Maid Marian on her tiptoed feet | 0:26:17 | 0:26:25 | |
# Pulling mussels from a shell | 0:26:25 | 0:26:28 | |
# Pulling mussels from a shell. # | 0:26:28 | 0:26:31 | |
CHEERING AND APPLAUSE | 0:26:34 | 0:26:39 | |
# She unscrews the top of her new whisky bottle | 0:26:55 | 0:27:00 | |
# And shuffles about in her candle-lit hovel | 0:27:00 | 0:27:04 | |
# Like some kind of witch with blue fingers in mittens | 0:27:04 | 0:27:09 | |
# She smells like the cat and the neighbours she sickens | 0:27:09 | 0:27:14 | |
# The black and white TV has long seen a picture | 0:27:14 | 0:27:19 | |
# The cross on the wall is a permanent fixture | 0:27:19 | 0:27:24 | |
# The postman delivers the final reminders | 0:27:24 | 0:27:28 | |
# She sells off her silver and poodles and china | 0:27:28 | 0:27:33 | |
# Drinks to remember I, me and myself | 0:27:37 | 0:27:42 | |
# Winds up the clock and knocks dust from the shelf | 0:27:42 | 0:27:46 | |
# Home is a love that I miss very much | 0:27:46 | 0:27:51 | |
# So the past has been bottled and labelled with love | 0:27:51 | 0:27:56 | |
# During the wartime an American pilot | 0:28:00 | 0:28:05 | |
# Made every air-raid a time of excitement | 0:28:05 | 0:28:10 | |
# She crossed the ocean and married the Texan | 0:28:10 | 0:28:15 | |
# She learnt from a distance how love was a lesson | 0:28:15 | 0:28:19 | |
# He became drinker and she became mother | 0:28:19 | 0:28:24 | |
# She knew that one day she'd be one or the other | 0:28:24 | 0:28:29 | |
# He ate himself older and drunk himself dizzy | 0:28:29 | 0:28:34 | |
# Proud of her features She kept herself pretty | 0:28:34 | 0:28:39 | |
# Drinks to remember I, me and myself | 0:28:43 | 0:28:48 | |
# Winds up the clock and knocks dust from the shelf | 0:28:48 | 0:28:52 | |
# Home is a love that I miss very much | 0:28:52 | 0:28:58 | |
# So the past has been bottled and labelled with love | 0:28:58 | 0:29:03 | |
# He, like a cowboy died drunk in a slumber | 0:29:07 | 0:29:11 | |
# Out on the porch in the middle of summer | 0:29:11 | 0:29:16 | |
So she crossed the ocean back home to her family | 0:29:16 | 0:29:22 | |
# But they had retired to roads that were sandy | 0:29:22 | 0:29:26 | |
# She moved home alone without friends or relations | 0:29:26 | 0:29:31 | |
# Lived in a world full of age reservation | 0:29:31 | 0:29:36 | |
# On moth-eaten armchairs she'd say that she'd sod-all | 0:29:36 | 0:29:41 | |
# The friends who had left her to drink from the bottle | 0:29:41 | 0:29:46 | |
# Drinks to remember I, me and myself | 0:29:50 | 0:29:55 | |
# Winds up the clock and knocks dust from the shelf | 0:29:55 | 0:30:00 | |
# Home is a love that I miss very much | 0:30:00 | 0:30:05 | |
# So the past has been bottled and labelled with love | 0:30:05 | 0:30:10 | |
# Drinks to remember I, me and myself | 0:30:10 | 0:30:15 | |
# Winds up the clock and knocks dust from the shelf | 0:30:15 | 0:30:20 | |
# Home is a love that I miss very much | 0:30:20 | 0:30:25 | |
# So the past has been bottled and labelled with love | 0:30:25 | 0:30:29 | |
# The past has been bottled and labelled with love | 0:30:29 | 0:30:35 | |
# The past has been bottled | 0:30:35 | 0:30:40 | |
# And labelled with love. # | 0:30:40 | 0:30:46 | |
CHEERING AND APPLAUSE | 0:31:13 | 0:31:16 | |
You can all sing along to this one as well. | 0:31:16 | 0:31:19 | |
# I never thought it would happen | 0:31:29 | 0:31:32 | |
# With me and the girl from Clapham | 0:31:32 | 0:31:34 | |
# Out on a windy common That night I ain't forgotten | 0:31:34 | 0:31:38 | |
# When she dealt out the rations with some other passions | 0:31:38 | 0:31:41 | |
# I said, "You are a lady" "Perhaps," she said, "I may be" | 0:31:41 | 0:31:47 | |
# We moved into a basement With thoughts of our engagement | 0:31:49 | 0:31:53 | |
# We stayed in by the telly Although the room was smelly | 0:31:53 | 0:31:57 | |
# We spent our nights just kissing The Railway Arms we're missing | 0:31:57 | 0:32:01 | |
# But love had got us hooked up And all our time it took up | 0:32:01 | 0:32:07 | |
# I got a job with Stanley He said I'd come in handy | 0:32:07 | 0:32:12 | |
# And started me on Monday So I had a bath on Sunday | 0:32:12 | 0:32:16 | |
# I worked 11 hours and bought the girl some flowers | 0:32:16 | 0:32:20 | |
# She said she'd seen a doctor and nothing now could stop her | 0:32:20 | 0:32:26 | |
# I worked all through the winter The weather brass and bitter | 0:32:27 | 0:32:32 | |
# I put away a tenner Each week to make her better | 0:32:32 | 0:32:35 | |
# And when the time was ready We had to sell the telly | 0:32:35 | 0:32:39 | |
# Late evenings by the fire And little kicks inside her | 0:32:39 | 0:32:44 | |
# This morning at 4:50 I took her rather nifty | 0:32:47 | 0:32:50 | |
# Down to an incubator Where 30 minutes later | 0:32:50 | 0:32:54 | |
# She gave birth to a daughter Within a year, a walker | 0:32:54 | 0:32:58 | |
# She looked just like her mother If there could be another | 0:32:58 | 0:33:03 | |
# And now she's two years older Her mother's with a soldier | 0:33:06 | 0:33:10 | |
# She left me when my drinking Became a proper stinging | 0:33:10 | 0:33:14 | |
# The devil came and took me From bar to street to bookie | 0:33:14 | 0:33:18 | |
# No more nights by the telly No more nights nappies smelly | 0:33:18 | 0:33:23 | |
# Alone here in the kitchen I feel there's something missing | 0:33:25 | 0:33:29 | |
# I'd beg for some forgiveness But begging's not my business | 0:33:29 | 0:33:33 | |
# And she won't write a letter Although I always tell her | 0:33:33 | 0:33:37 | |
# And so it's my assumption I'm really up the junction. # | 0:33:37 | 0:33:43 | |
APPLAUSE | 0:34:17 | 0:34:20 | |
Thank you! That was Up The Junction. | 0:34:21 | 0:34:23 | |
Believe it or not! | 0:34:23 | 0:34:25 | |
Right, this is going to be a dance song. | 0:34:26 | 0:34:28 | |
It's for everybody at home and here, | 0:34:28 | 0:34:31 | |
dancing around on tables and chairs. It's called I Can't Hold On. | 0:34:31 | 0:34:35 | |
# In the corner by the DJ unit | 0:34:43 | 0:34:47 | |
# The flag of beauty My eyes salute it | 0:34:47 | 0:34:50 | |
# She likes love by luck or labour | 0:34:50 | 0:34:53 | |
# She likes love but not for favour | 0:34:53 | 0:34:56 | |
# I can't hold on | 0:34:56 | 0:34:58 | |
# Oh, I can't hold on | 0:34:58 | 0:35:01 | |
# She keeps her lips on the straw She's sucking | 0:35:03 | 0:35:06 | |
# Looks at me but her eyes say nothing | 0:35:06 | 0:35:09 | |
# Love's her stare | 0:35:09 | 0:35:10 | |
# The steps to her heart | 0:35:10 | 0:35:12 | |
# Love's the climb | 0:35:12 | 0:35:13 | |
# The bite not her bark | 0:35:13 | 0:35:15 | |
-# I can't hold on -Can't hold on | 0:35:15 | 0:35:18 | |
-# Oh, I can't hold on -Can't hold on | 0:35:18 | 0:35:21 | |
-# Oh, I can't hold on -Can't hold on | 0:35:21 | 0:35:25 | |
# Oh, I can't hold on | 0:35:25 | 0:35:27 | |
# The lights flash green My envy lights up | 0:35:28 | 0:35:31 | |
# The lights just flash and I feel tied up | 0:35:31 | 0:35:34 | |
# Love's for sale and I am sold on | 0:35:34 | 0:35:37 | |
# But there's no way that I can hold on | 0:35:37 | 0:35:41 | |
# I pour the milk into the cat's saucer | 0:35:50 | 0:35:52 | |
# I'm John Wayne as I'm walking towards her | 0:35:52 | 0:35:56 | |
# She'd like to dance but not this minute | 0:35:56 | 0:35:59 | |
# She's the fish I'd love to fillet | 0:35:59 | 0:36:02 | |
# I can't hold on | 0:36:02 | 0:36:04 | |
# Oh, I can't hold on | 0:36:05 | 0:36:08 | |
# I draw first with a stammer of verbal | 0:36:08 | 0:36:12 | |
# We dance like pigeons forever in circle | 0:36:12 | 0:36:15 | |
# She likes to dance Her cocktails shaken | 0:36:15 | 0:36:18 | |
# She likes love and its temptation | 0:36:18 | 0:36:21 | |
-# I can't hold on -Can't hold on | 0:36:21 | 0:36:24 | |
-# Oh, I can't hold on -Can't hold on | 0:36:24 | 0:36:27 | |
-# Oh, I can't hold on -Can't hold on | 0:36:27 | 0:36:29 | |
# Oh, I can't hold on | 0:36:29 | 0:36:32 | |
# The lights flash green My envy lights up | 0:36:34 | 0:36:37 | |
# The lights just flash and I feel tied up | 0:36:37 | 0:36:40 | |
# Love's for sale and I am sold on | 0:36:40 | 0:36:43 | |
# But there's no way that I can hold on | 0:36:43 | 0:36:47 | |
# Oh, I can't hold on | 0:36:49 | 0:36:52 | |
# Can't hold on | 0:36:52 | 0:36:54 | |
# Can't hold on | 0:36:55 | 0:36:59 | |
# Can't hold on | 0:36:59 | 0:37:00 | |
# I can't hold on | 0:37:02 | 0:37:03 | |
# Can't hold on, can't hold on | 0:37:05 | 0:37:06 | |
-# Oh, I can't hold on -Can't hold on, can't hold on | 0:37:06 | 0:37:09 | |
-# No, I can't hold on -Can't hold on, can't hold on | 0:37:09 | 0:37:12 | |
# No, I can't hold, can't hold Can't hold on. # | 0:37:12 | 0:37:16 | |
In Quintessence. | 0:37:47 | 0:37:49 | |
# He smokes himself into double vision | 0:37:54 | 0:37:57 | |
# Leaves his mind on an indecision | 0:37:57 | 0:38:00 | |
# Thinks he's invented imagination | 0:38:00 | 0:38:02 | |
# Says that God is some relation | 0:38:02 | 0:38:06 | |
# He leaves his cigarette burning on the desk | 0:38:06 | 0:38:08 | |
# His clothes and magazines make up such a mess | 0:38:08 | 0:38:11 | |
# Sitting up in bed transistor on his chest | 0:38:11 | 0:38:14 | |
# In quintessence | 0:38:14 | 0:38:16 | |
# In quintessence | 0:38:17 | 0:38:19 | |
# He and his friends sit around all evening | 0:38:20 | 0:38:23 | |
# Leaving their laughter upon the ceiling | 0:38:23 | 0:38:25 | |
# Seems so funny yet it leaves me yawning | 0:38:25 | 0:38:28 | |
# Then I find it's the following morning | 0:38:28 | 0:38:31 | |
# He says his girlfriend lives too far away | 0:38:31 | 0:38:34 | |
# Always at a friend's house or on holiday | 0:38:34 | 0:38:37 | |
# His bible of romance hides itself away | 0:38:37 | 0:38:40 | |
# In quintessence | 0:38:40 | 0:38:42 | |
# In quintessence | 0:38:43 | 0:38:44 | |
# In quintessence | 0:38:46 | 0:38:47 | |
# In quintessence | 0:38:49 | 0:38:51 | |
# A 15-year-old's browse through life | 0:38:51 | 0:38:55 | |
# Is fine with his quintessence safe and sound in mind | 0:38:55 | 0:38:59 | |
# Life's an adolescence from time to time | 0:39:01 | 0:39:05 | |
# With us all in quintessence | 0:39:05 | 0:39:08 | |
# In the corner with his book and tissue | 0:39:30 | 0:39:32 | |
# All he can do is pretend to miss you | 0:39:32 | 0:39:35 | |
# Closes his eyes as he sees her body | 0:39:35 | 0:39:38 | |
# Pulls funny faces and that's his hobby | 0:39:38 | 0:39:41 | |
# On the other hand Love ain't a happy word | 0:39:41 | 0:39:44 | |
# On the other hand Love ain't a piece of skirt | 0:39:44 | 0:39:47 | |
# Makes for something special in your football shirt | 0:39:47 | 0:39:50 | |
# In quintessence | 0:39:50 | 0:39:51 | |
# In quintessence | 0:39:53 | 0:39:55 | |
# In quintessence | 0:39:55 | 0:39:58 | |
# In quintessence | 0:39:58 | 0:40:01 | |
# In quintessence | 0:40:06 | 0:40:09 | |
# In quintessence | 0:40:10 | 0:40:12 | |
# In quintessence | 0:40:12 | 0:40:15 | |
# In quintessence | 0:40:15 | 0:40:18 | |
# In quintessence | 0:40:18 | 0:40:20 | |
# In quintessence. # | 0:40:20 | 0:40:23 | |
CHEERING AND APPLAUSE | 0:40:27 | 0:40:32 | |
# You've left my ring by the soap | 0:40:39 | 0:40:41 | |
# Now, is that love? | 0:40:41 | 0:40:44 | |
# You cleaned me out You could say broke | 0:40:44 | 0:40:47 | |
# Now, is that love? | 0:40:47 | 0:40:50 | |
# The better, better better it gets | 0:40:50 | 0:40:52 | |
# The more these girls forget | 0:40:52 | 0:40:54 | |
# That that is love | 0:40:54 | 0:40:56 | |
# You won't get dressed You walk about | 0:40:58 | 0:41:01 | |
# Now is that, is that | 0:41:01 | 0:41:04 | |
# A teasing glance has pushed me out | 0:41:04 | 0:41:06 | |
# Now is that, is that | 0:41:06 | 0:41:09 | |
# The tougher, tougher tougher it gets | 0:41:09 | 0:41:12 | |
# The more my lips frequent | 0:41:12 | 0:41:14 | |
# Now, that is love | 0:41:14 | 0:41:17 | |
# Beat me up with your letters | 0:41:18 | 0:41:20 | |
# Your walk out notes | 0:41:20 | 0:41:23 | |
# Funny how you still find me | 0:41:23 | 0:41:26 | |
# Right here at home | 0:41:26 | 0:41:30 | |
# Legs up with a book and a drink | 0:41:30 | 0:41:32 | |
# Now, is that love that's making you think? | 0:41:32 | 0:41:35 | |
# You've called my bluff I'm not so hot | 0:41:37 | 0:41:40 | |
# Now, is that love? | 0:41:40 | 0:41:42 | |
# My assets froze while yours have dropped | 0:41:42 | 0:41:45 | |
# Now is that, is that | 0:41:45 | 0:41:48 | |
# It's the cupid, cupid cupid disguise | 0:41:48 | 0:41:51 | |
# That more or less survived | 0:41:51 | 0:41:53 | |
# Now, that is love | 0:41:53 | 0:41:56 | |
# Beat me up with your letters | 0:42:15 | 0:42:18 | |
# Your walk out notes | 0:42:18 | 0:42:21 | |
# Funny how you still find me | 0:42:21 | 0:42:24 | |
# Right here at home | 0:42:24 | 0:42:28 | |
# Legs up with a book and a drink | 0:42:28 | 0:42:30 | |
# Now, is that love that's making you think? | 0:42:30 | 0:42:33 | |
# You've made my bed the finger points | 0:42:39 | 0:42:41 | |
# Now is that, is that love? | 0:42:41 | 0:42:44 | |
# The more, you more you more you cool down | 0:42:44 | 0:42:47 | |
# The easier love is found | 0:42:47 | 0:42:50 | |
# Now, that is love. # | 0:42:50 | 0:42:53 | |
CHEERING AND APPLAUSE | 0:42:53 | 0:42:57 | |
This is Tempted. | 0:42:57 | 0:42:59 | |
# I bought a toothbrush Some toothpaste | 0:43:11 | 0:43:14 | |
# A flannel for my face | 0:43:14 | 0:43:16 | |
# Pyjamas, a hairbrush | 0:43:16 | 0:43:19 | |
# New shoes and a case | 0:43:19 | 0:43:21 | |
# I said to my reflection | 0:43:21 | 0:43:23 | |
# Let's get out of this place | 0:43:23 | 0:43:27 | |
# Past the church and the steeple | 0:43:27 | 0:43:30 | |
# The laundry on the hill | 0:43:30 | 0:43:33 | |
# The billboards and the buildings | 0:43:33 | 0:43:35 | |
# Memories of it still | 0:43:35 | 0:43:38 | |
# Keep calling | 0:43:38 | 0:43:39 | |
# And calling | 0:43:39 | 0:43:42 | |
# But forget it all I know I will | 0:43:42 | 0:43:46 | |
# Tempted by the fruit of another | 0:43:47 | 0:43:51 | |
# Tempted but the truth is discovered | 0:43:51 | 0:43:56 | |
# What's been going on | 0:43:56 | 0:43:59 | |
# Now that you have gone | 0:43:59 | 0:44:01 | |
# There's no other | 0:44:01 | 0:44:04 | |
# Tempted by the fruit of another | 0:44:04 | 0:44:09 | |
# Tempted but the truth is discovered | 0:44:09 | 0:44:13 | |
# I'm at the car park, the airport | 0:44:17 | 0:44:21 | |
# The baggage carousel | 0:44:21 | 0:44:23 | |
# The people keep on crowding | 0:44:23 | 0:44:25 | |
# I'm wishing I was well | 0:44:25 | 0:44:27 | |
# I said it's no occasion | 0:44:27 | 0:44:30 | |
# It's no story I could tell | 0:44:30 | 0:44:33 | |
# At my bedside, empty pocket | 0:44:35 | 0:44:37 | |
# A foot without a sock | 0:44:37 | 0:44:39 | |
# Your body gets much closer | 0:44:39 | 0:44:42 | |
# I fumble for the clock | 0:44:42 | 0:44:44 | |
# Alarmed by the seduction | 0:44:44 | 0:44:48 | |
# I wish that it would stop... # | 0:44:48 | 0:44:52 | |
Subtitles by Red Bee Media Ltd | 0:44:52 | 0:44:54 | |
E-mail [email protected] | 0:44:54 | 0:44:57 |