Browse content similar to Later 25. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Greetings to all of you viewers wherever you are. | 0:00:02 | 0:00:05 | |
Unbelievably, Later With Jools Holland | 0:00:05 | 0:00:07 | |
is celebrating its 25th year. | 0:00:07 | 0:00:09 | |
To mark this momentous occasion, we have gathered | 0:00:09 | 0:00:12 | |
one of the greatest line-ups the show has ever seen. | 0:00:12 | 0:00:15 | |
Further, we have moved lock, stock and barrel | 0:00:15 | 0:00:19 | |
from our regular base in Maidstone, the administrative capital of Kent, | 0:00:19 | 0:00:23 | |
to here, the showbiz centre of London, | 0:00:23 | 0:00:26 | |
the Royal Albert Hall. | 0:00:26 | 0:00:28 | |
This programme contains some strong language | 0:00:28 | 0:00:34 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
Thank you so much. | 0:01:06 | 0:01:07 | |
Friends, Romans, countrymen, lend me your ears. Are you feeling good? | 0:01:09 | 0:01:12 | |
-AUDIENCE: -Yes! | 0:01:12 | 0:01:13 | |
So am I because we are celebrating 25 years of making this programme. | 0:01:13 | 0:01:17 | |
I'm so grateful to be able to have done this | 0:01:17 | 0:01:19 | |
and I'm so pleased that you're in the room with me. | 0:01:19 | 0:01:22 | |
Are you ready for what I would describe | 0:01:22 | 0:01:24 | |
as a panorama of delightful music? | 0:01:24 | 0:01:26 | |
CHEERING | 0:01:26 | 0:01:28 | |
Please welcome Foo Fighters. | 0:01:28 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:32 | |
# Yes or no | 0:01:32 | 0:01:33 | |
# What is truth? | 0:01:33 | 0:01:35 | |
# But a dirty black cloud coming out of the blue? | 0:01:35 | 0:01:39 | |
# I was wrong | 0:01:39 | 0:01:40 | |
# I was right | 0:01:40 | 0:01:42 | |
# I'm a blood moon born in the dead of night | 0:01:42 | 0:01:46 | |
# Break my bones | 0:02:00 | 0:02:01 | |
# I don't care | 0:02:01 | 0:02:03 | |
# All I ever wanted was a body to share | 0:02:03 | 0:02:06 | |
# Heart's gone cold | 0:02:06 | 0:02:08 | |
# Brush ran dry | 0:02:08 | 0:02:10 | |
# Satellite searching for a sign of life | 0:02:10 | 0:02:14 | |
# Like you | 0:02:14 | 0:02:16 | |
# Oh-oh-oh-oh | 0:02:17 | 0:02:19 | |
# Oh-oh-oh-oh | 0:02:21 | 0:02:23 | |
# Oh-oh-oh-oh | 0:02:24 | 0:02:26 | |
# Somewhere | 0:02:26 | 0:02:30 | |
# Are you there? | 0:02:30 | 0:02:33 | |
# The tears in your eyes | 0:02:36 | 0:02:38 | |
# Some day will dry | 0:02:40 | 0:02:43 | |
# We're fighting for our lives | 0:02:43 | 0:02:45 | |
# Cos everything's on the line | 0:02:45 | 0:02:49 | |
# This time | 0:02:51 | 0:02:53 | |
# Listen close | 0:02:58 | 0:03:00 | |
# I can't hide | 0:03:00 | 0:03:02 | |
# I'm a page torn from a broken spine | 0:03:02 | 0:03:05 | |
# Sun gets low | 0:03:05 | 0:03:07 | |
# I get high | 0:03:07 | 0:03:09 | |
# Satellite searching for a sign of life | 0:03:09 | 0:03:12 | |
# Like you | 0:03:12 | 0:03:14 | |
# Oh-oh-oh-oh | 0:03:16 | 0:03:18 | |
# Oh-oh-oh-oh | 0:03:20 | 0:03:22 | |
# Oh-oh-oh-oh | 0:03:23 | 0:03:25 | |
# Somewhere | 0:03:25 | 0:03:28 | |
# Are you there? | 0:03:28 | 0:03:32 | |
# The tears in your eyes | 0:03:35 | 0:03:37 | |
# Some day will dry | 0:03:38 | 0:03:40 | |
# We're fighting for our lives | 0:03:42 | 0:03:44 | |
# Cos everything's on the line | 0:03:44 | 0:03:47 | |
# This time... # | 0:03:49 | 0:03:51 | |
INSTRUMENTAL | 0:03:55 | 0:03:58 | |
# Are you there? | 0:04:03 | 0:04:06 | |
# Are you there? | 0:04:06 | 0:04:09 | |
# The tears in your eyes | 0:04:12 | 0:04:15 | |
# Some day will dry | 0:04:16 | 0:04:18 | |
# We're fighting for our lives | 0:04:19 | 0:04:22 | |
# Cos everything's on the line | 0:04:22 | 0:04:25 | |
# This time | 0:04:27 | 0:04:29 | |
# The tears in your eyes | 0:04:33 | 0:04:35 | |
# Some day will dry | 0:04:36 | 0:04:39 | |
# We're fighting for our lives | 0:04:40 | 0:04:43 | |
# Cos everything's on the line | 0:04:43 | 0:04:46 | |
# Yes or no? | 0:04:48 | 0:04:50 | |
# What is truth? | 0:04:50 | 0:04:52 | |
# But a dirty black cloud coming out of the blue? | 0:04:52 | 0:04:55 | |
# I was wrong | 0:04:55 | 0:04:57 | |
# I was right | 0:04:57 | 0:04:59 | |
# I'm a blood moon born in the dead of night. # | 0:04:59 | 0:05:02 | |
CHEERING AND APPLAUSE | 0:05:04 | 0:05:06 | |
Thank you so much. | 0:05:12 | 0:05:14 | |
Foo Fighters. | 0:05:14 | 0:05:16 | |
CHEERING AND APPLAUSE | 0:05:16 | 0:05:17 | |
Yes, indeed, it is a panorama of musical delights. | 0:05:17 | 0:05:21 | |
In every corner we have extraordinary people. | 0:05:21 | 0:05:23 | |
Over here, we're welcoming Paul Weller! | 0:05:23 | 0:05:26 | |
CHEERING AND APPLAUSE | 0:05:26 | 0:05:28 | |
From Edinburgh, we'll be welcoming KT Tunstall. | 0:05:29 | 0:05:32 | |
CHEERING AND APPLAUSE | 0:05:32 | 0:05:34 | |
From Belfast, the legendary, the amazing Mr Van Morrison. | 0:05:34 | 0:05:38 | |
Sir Van Morrison! | 0:05:38 | 0:05:39 | |
CHEERING AND APPLAUSE | 0:05:39 | 0:05:41 | |
From Bakersfield, California, the voice of Gregory Porter! | 0:05:41 | 0:05:44 | |
CHEERING AND APPLAUSE | 0:05:44 | 0:05:46 | |
My dear old chum, Dizzee Rascal! | 0:05:46 | 0:05:49 | |
CHEERING AND APPLAUSE | 0:05:49 | 0:05:51 | |
Also the dazzling new talent of Jorja Smith! | 0:05:51 | 0:05:53 | |
CHEERING AND APPLAUSE | 0:05:53 | 0:05:55 | |
From Paris in France, Camille! | 0:05:55 | 0:05:57 | |
CHEERING AND APPLAUSE | 0:05:57 | 0:06:00 | |
And from Columbia and America, up here we welcome Kali Uchis! | 0:06:00 | 0:06:04 | |
CHEERING AND APPLAUSE | 0:06:04 | 0:06:06 | |
And now let us continue with the music | 0:06:08 | 0:06:10 | |
and we welcome, from Mali, Songhoy Blues. | 0:06:10 | 0:06:13 | |
CHEERING AND APPLAUSE | 0:06:13 | 0:06:15 | |
# Samedi soir a Bamako sur ma moto | 0:06:42 | 0:06:46 | |
# Samedi soir a Bamako sur ma moto | 0:06:46 | 0:06:50 | |
# Oh, oh, oh, oh, c'est chaud | 0:06:50 | 0:06:54 | |
# Ah, ah, ah, c'est la | 0:06:54 | 0:06:57 | |
# Samedi soir a Bamako sur ma moto | 0:06:58 | 0:07:02 | |
# Samedi soir a Bamako sur ma moto | 0:07:02 | 0:07:06 | |
# Oh, oh, oh, oh, c'est chaud | 0:07:06 | 0:07:08 | |
# Ah, ah, ah, c'est la | 0:07:10 | 0:07:13 | |
# Ir ma fatta! Ir ma fatta! | 0:07:13 | 0:07:17 | |
# Ir ma fatta! Yeah! | 0:07:17 | 0:07:19 | |
# Ir ma fatta! | 0:07:19 | 0:07:21 | |
# Il est vingt et heure o'clock | 0:07:29 | 0:07:31 | |
# Me voila sur la route | 0:07:31 | 0:07:33 | |
# Mais tout les Restos et clubs de La Capitale sont deja sold out | 0:07:33 | 0:07:37 | |
# C'est le rendez-vous du peuple au carrefour de la joie | 0:07:37 | 0:07:41 | |
# Nordistes et sudistes | 0:07:41 | 0:07:45 | |
# On s'eclate sur la meme piste | 0:07:45 | 0:07:47 | |
# C'est beau de voir tout ces couples | 0:07:50 | 0:07:53 | |
# Bien habilles qui nous arrivent en boucle | 0:07:53 | 0:07:56 | |
# Lady sexy les gars sont chaud | 0:07:56 | 0:07:59 | |
# Samedi soir c'est le chowwww! | 0:08:03 | 0:08:06 | |
-# Ir ma fatta! -Ir ma fatta! | 0:08:06 | 0:08:10 | |
# Ir ma fatta! Yeah! | 0:08:10 | 0:08:12 | |
# Ir ma fatta... # | 0:08:12 | 0:08:14 | |
CHEERING | 0:08:19 | 0:08:22 | |
# Un seul arbre qui tombe Le bruit fait scandale | 0:09:00 | 0:09:04 | |
# Mais la foret entiere qui pousse | 0:09:04 | 0:09:05 | |
# On entend que dalle | 0:09:05 | 0:09:07 | |
# C'est des rumeurs On s'en passe de la peur | 0:09:07 | 0:09:10 | |
# Faisons la fete | 0:09:10 | 0:09:13 | |
# Samedi soir a Bamako sur ma moto | 0:09:21 | 0:09:25 | |
# Samedi soir a Bamako sur ma moto | 0:09:25 | 0:09:28 | |
# Oh, oh, oh, oh, c'est chaud | 0:09:29 | 0:09:32 | |
# Ah, ah, ah, c'est la | 0:09:33 | 0:09:36 | |
# Oh, oh, oh, oh, c'est chaud | 0:09:37 | 0:09:40 | |
# Ah, ah, ah, c'est la | 0:09:41 | 0:09:44 | |
# Ir ma fatta! Ir ma fatta! | 0:09:44 | 0:09:48 | |
# Ir ma fatta! Ir ma fatta! | 0:09:48 | 0:09:52 | |
# Ir ma fatta! Ir ma fatta! | 0:09:52 | 0:09:56 | |
# Ir ma fatta! # | 0:09:56 | 0:09:57 | |
CHEERING AND APPLAUSE | 0:10:01 | 0:10:07 | |
Songhoy Blues...with Bamako. | 0:10:11 | 0:10:14 | |
From their latest album, Resistance. | 0:10:14 | 0:10:16 | |
OK, so I think it's time we welcomed a very special guest in. | 0:10:20 | 0:10:23 | |
He's got a brand-new record out. Each record gets better and better. | 0:10:23 | 0:10:26 | |
This album is Roll With The Punches. | 0:10:26 | 0:10:28 | |
He first came on the show in 1995. | 0:10:28 | 0:10:31 | |
We welcome the amazing Sir Van Morrison. | 0:10:31 | 0:10:35 | |
CHEERING AND APPLAUSE | 0:10:35 | 0:10:40 | |
# I can tell the way you look at me | 0:10:40 | 0:10:44 | |
# Baby, baby, baby, baby | 0:10:46 | 0:10:48 | |
# I can tell cos it's plain to see | 0:10:48 | 0:10:51 | |
# Well, the way you smile and hold my hand | 0:10:54 | 0:10:59 | |
# Said hell, pretty baby, I understand | 0:11:02 | 0:11:06 | |
# I can tell, I can tell | 0:11:09 | 0:11:13 | |
# I know you don't love me no more | 0:11:14 | 0:11:17 | |
# No more... # | 0:11:17 | 0:11:19 | |
Your mama and your papa too. | 0:11:19 | 0:11:22 | |
# Yes, your mamma and your papa, too | 0:11:22 | 0:11:25 | |
# Just what more can a poor man do? | 0:11:29 | 0:11:33 | |
# Ooh-ah-ooh | 0:11:33 | 0:11:35 | |
# Now you're going running round with Charlie Brown | 0:11:36 | 0:11:41 | |
# Ooh-ah-ooh | 0:11:41 | 0:11:43 | |
# There's a new boss, baby, gonna put me down | 0:11:43 | 0:11:47 | |
# Ooh-ah-ooh | 0:11:47 | 0:11:50 | |
# Well, I can tell, I can tell | 0:11:50 | 0:11:54 | |
# I know you don't love me no more | 0:11:55 | 0:11:58 | |
# No more, baby | 0:11:58 | 0:11:59 | |
# Went to your house but you ain't there | 0:12:21 | 0:12:24 | |
# Ooh-ah-ooh | 0:12:25 | 0:12:27 | |
# Your sister said, "Come in and have a chair" | 0:12:28 | 0:12:32 | |
-# Ooh-ah-ooh -That's right | 0:12:32 | 0:12:34 | |
# Well, you weren't around and you came in late | 0:12:35 | 0:12:40 | |
# Ooh-ah-ooh | 0:12:40 | 0:12:42 | |
# Then in the morning, didn't hesitate | 0:12:43 | 0:12:47 | |
# Ooh-ah-ooh | 0:12:47 | 0:12:50 | |
# I can tell, I can tell | 0:12:50 | 0:12:53 | |
# I know you don't love me no more | 0:12:55 | 0:12:58 | |
# No more | 0:12:58 | 0:12:59 | |
# No more | 0:13:01 | 0:13:03 | |
# No more, baby | 0:13:20 | 0:13:22 | |
# No, no, no, no, no, no | 0:13:22 | 0:13:24 | |
# No more, baby | 0:13:24 | 0:13:26 | |
# No, no No, no, no, no more, baby | 0:13:26 | 0:13:29 | |
# No, no, no | 0:13:29 | 0:13:30 | |
# No more, no more, baby | 0:13:30 | 0:13:33 | |
# Ooh-ah, ooh-ah | 0:13:33 | 0:13:35 | |
# I can tell, I can tell | 0:13:35 | 0:13:38 | |
# I know you don't love me no more | 0:13:40 | 0:13:42 | |
# Said no more | 0:13:42 | 0:13:44 | |
-# Ooh-ah, ooh-ah, ooh-ah -No more | 0:13:44 | 0:13:47 | |
# No, no, no more, baby | 0:13:49 | 0:13:51 | |
# No more, no more, no more | 0:13:51 | 0:13:53 | |
# No, no more, baby | 0:13:53 | 0:13:55 | |
-# I can tell -I can tell | 0:13:57 | 0:13:59 | |
-# I can tell -I can tell | 0:13:59 | 0:14:02 | |
# I know you don't love me no more | 0:14:02 | 0:14:07 | |
# No more. # | 0:14:07 | 0:14:11 | |
CHEERING AND APPLAUSE | 0:14:11 | 0:14:15 | |
Van Morrison! I Can Tell, from Roll With The Punches. | 0:14:16 | 0:14:22 | |
So we're on the stage, we're in the round, we're all together. | 0:14:23 | 0:14:26 | |
So now the next artist we have, she's been working with Gorillaz, | 0:14:26 | 0:14:30 | |
I'm delighted to say she's here in this room with us now. | 0:14:30 | 0:14:33 | |
We welcome...Kali Uchis! | 0:14:33 | 0:14:35 | |
CHEERING AND APPLAUSE | 0:14:35 | 0:14:39 | |
# Ooh-ah, ooh-ah, ooh-oh-oh | 0:14:42 | 0:14:45 | |
# Ooh-oh-oh | 0:14:47 | 0:14:50 | |
# I'm ridin' round and my car's low | 0:14:50 | 0:14:53 | |
# What you waitin' for? | 0:14:53 | 0:14:54 | |
# I feel like I hit the lotto | 0:14:54 | 0:14:57 | |
# What you waitin' for? | 0:14:57 | 0:14:58 | |
# I'm ridin' round and my girl's high | 0:14:58 | 0:15:00 | |
# What you waitin' for? | 0:15:00 | 0:15:02 | |
# What the fuck you waitin' for? | 0:15:03 | 0:15:05 | |
# I'm ridin' round and my car's low | 0:15:05 | 0:15:08 | |
# What you waitin' for? | 0:15:08 | 0:15:09 | |
# I feel like I hit the lotto | 0:15:09 | 0:15:11 | |
# What you waitin' for? | 0:15:11 | 0:15:13 | |
# I'm ridin' round and my girl's high | 0:15:13 | 0:15:15 | |
# What you waitin' for? | 0:15:15 | 0:15:16 | |
# What the fuck you waitin' for? | 0:15:18 | 0:15:20 | |
# I don't gotta hide, no, I don't got reason to lie | 0:15:20 | 0:15:24 | |
# I don't need your drama, I don't need you to survive | 0:15:24 | 0:15:28 | |
# You don't gotta say it cos I know that you don't like me | 0:15:28 | 0:15:31 | |
# You and all your friends can open wide, go on and bite me | 0:15:31 | 0:15:35 | |
# I know I'm some shit and I'm cool with it | 0:15:35 | 0:15:38 | |
# You can't tell me shit, don't come and share your dialect | 0:15:38 | 0:15:42 | |
# Ridin' round your city like the cops now | 0:15:42 | 0:15:46 | |
# Cos there's no way that we're gonna stop now | 0:15:46 | 0:15:49 | |
# I'm ridin' round and my car's low | 0:15:49 | 0:15:52 | |
# What you waitin' for? | 0:15:52 | 0:15:53 | |
# I feel like I hit the lotto | 0:15:53 | 0:15:55 | |
# What you waitin' for? | 0:15:55 | 0:15:57 | |
# I'm ridin' round and my girl's high | 0:15:57 | 0:15:59 | |
# What you waitin' for? | 0:15:59 | 0:16:01 | |
# What the fuck you waitin' for? | 0:16:03 | 0:16:04 | |
# I'm ridin' round and my car's low | 0:16:04 | 0:16:07 | |
# What you waitin' for? | 0:16:07 | 0:16:08 | |
# I feel like I hit the lotto | 0:16:08 | 0:16:10 | |
# What you waitin' for? | 0:16:10 | 0:16:11 | |
# I'm ridin' round and my girl's high | 0:16:11 | 0:16:14 | |
# What you waitin' for? | 0:16:14 | 0:16:15 | |
# I know it sounds strange, but I used to count change | 0:16:19 | 0:16:22 | |
# On the counter at the grocery store, the bags I would arrange | 0:16:22 | 0:16:27 | |
# Now his face is looking kinda flustered | 0:16:27 | 0:16:30 | |
# He didn't know that I was my own hustler | 0:16:30 | 0:16:34 | |
# Baby, understand, I don't need a man | 0:16:34 | 0:16:38 | |
# Fuck me over, I'll fuck you worse then take off to Japan | 0:16:38 | 0:16:41 | |
# Think that I couldn't cross the street without holdin' his hand | 0:16:41 | 0:16:45 | |
# And that if he did his dirt he'd get off with a reprimand | 0:16:45 | 0:16:49 | |
# Oh, no | 0:16:49 | 0:16:51 | |
# Oh, my | 0:16:52 | 0:16:56 | |
# Now we're ridin' round the city with the top down | 0:16:56 | 0:17:00 | |
# Ridin' 'round your city like the cops now | 0:17:00 | 0:17:04 | |
# Oh, no Oh, no | 0:17:04 | 0:17:07 | |
# Oh, my | 0:17:07 | 0:17:09 | |
# Oh, my Oh, my | 0:17:09 | 0:17:11 | |
# Ridin' round your city with the top down | 0:17:11 | 0:17:14 | |
# Cos my passenger is pretty, we won't stop now | 0:17:14 | 0:17:17 | |
# What the fuck you waitin' for? # | 0:17:31 | 0:17:33 | |
CHEERING AND APPLAUSE | 0:17:38 | 0:17:42 | |
Thank you, Kali Uchis. Ridin' Round. | 0:17:45 | 0:17:50 | |
OK, so this next artist, | 0:17:50 | 0:17:52 | |
he's going to do an amazing song of his from 1993. | 0:17:52 | 0:17:56 | |
And this is his 15th time on the show. | 0:17:56 | 0:17:59 | |
And, every time he comes on, he has something new and brilliant. | 0:17:59 | 0:18:02 | |
We're delighted to welcome him now with an old favourite. | 0:18:02 | 0:18:05 | |
-Paul Weller! -CHEERING AND APPLAUSE | 0:18:05 | 0:18:09 | |
# High tide | 0:18:25 | 0:18:27 | |
# Mid-afternoon | 0:18:29 | 0:18:31 | |
# People fly on by | 0:18:33 | 0:18:35 | |
# In the traffic's boom | 0:18:36 | 0:18:39 | |
# Knowing just where you're blowing | 0:18:41 | 0:18:46 | |
# Getting down to where you should be going | 0:18:48 | 0:18:54 | |
# Don't let them get you down | 0:19:00 | 0:19:06 | |
# Making you feel guilty about | 0:19:08 | 0:19:13 | |
# Golden rain will bring you riches | 0:19:15 | 0:19:21 | |
# All the good things you deserve now | 0:19:23 | 0:19:29 | |
# Climbing, forever trying | 0:19:46 | 0:19:52 | |
# Find your way out of the wild, wild wood | 0:19:53 | 0:19:59 | |
# Now there's no justice | 0:20:01 | 0:20:07 | |
# You've only yourself that you can trust in | 0:20:08 | 0:20:15 | |
# And I said high tide | 0:20:15 | 0:20:18 | |
# Mid-afternoon | 0:20:20 | 0:20:22 | |
# People fly by | 0:20:24 | 0:20:26 | |
# In the traffic's boom | 0:20:27 | 0:20:29 | |
# Knowing just where you're blowing | 0:20:31 | 0:20:37 | |
# Getting down to where you should be going | 0:20:39 | 0:20:45 | |
# Day by day, your world fades away | 0:21:02 | 0:21:08 | |
# Waiting to feel all the dreams that say | 0:21:09 | 0:21:15 | |
# Golden rain will bring you riches | 0:21:18 | 0:21:23 | |
# All the good things that you deserve now | 0:21:25 | 0:21:32 | |
# And I said, climbing, forever trying | 0:21:32 | 0:21:38 | |
# You're gonna find your way out of the wild, wild wood | 0:21:40 | 0:21:47 | |
# Said you're gonna find your way out of the wild, wild wood | 0:21:47 | 0:21:54 | |
# Out of the wild, wild wood | 0:21:58 | 0:22:02 | |
# Out of the wild, wild wood. # | 0:22:06 | 0:22:11 | |
CHEERING AND APPLAUSE | 0:22:11 | 0:22:15 | |
The magnificent... The magnificent Paul Weller! | 0:22:19 | 0:22:24 | |
With Wild Wood from 1993. | 0:22:25 | 0:22:28 | |
I'm delighted to have this next fellow here. | 0:22:29 | 0:22:31 | |
We welcome, at the piano, Mr Dave Grohl. | 0:22:31 | 0:22:34 | |
CHEERING AND APPLAUSE | 0:22:34 | 0:22:37 | |
Have you...? | 0:22:39 | 0:22:41 | |
It's very nice. Have you had many...? | 0:22:41 | 0:22:43 | |
Have you had many intimate chats in the Royal Albert Hall before? | 0:22:43 | 0:22:46 | |
-I've had a few backstage. -Nice. Is it a favourite venue of yours? | 0:22:46 | 0:22:49 | |
Have you played it before much? | 0:22:49 | 0:22:51 | |
I played here once with another band that I was in | 0:22:51 | 0:22:53 | |
called Them Crooked Vultures and in that... | 0:22:53 | 0:22:55 | |
CHEERING | 0:22:55 | 0:22:57 | |
In that band, the bass player of that band | 0:22:57 | 0:22:59 | |
-was John Paul Jones from Led Zeppelin. -Ooh, nice. | 0:22:59 | 0:23:02 | |
And so he had lots of nice stories about the backstage at the... | 0:23:02 | 0:23:07 | |
-HE LAUGHS -Nice intimate chats? -Intimate chats. | 0:23:07 | 0:23:10 | |
Now, you've got... You were first on our show - | 0:23:10 | 0:23:13 | |
not here, probably at Shepherd's Bush - in 1997. | 0:23:13 | 0:23:17 | |
Do you have any recollection of that at all? | 0:23:17 | 0:23:19 | |
LAUGHTER | 0:23:19 | 0:23:22 | |
I do, actually. | 0:23:22 | 0:23:23 | |
That night when we played, it was the first time, | 0:23:23 | 0:23:27 | |
-and you were doing the opening jam thing, right? -That's right. | 0:23:27 | 0:23:31 | |
And everybody plays the same groove and same key | 0:23:31 | 0:23:34 | |
and they go from band to band, and we thought, | 0:23:34 | 0:23:36 | |
"OK, when they get to us, let's just make some fucking noise, | 0:23:36 | 0:23:40 | |
"like, as loud as we can." LAUGHTER | 0:23:40 | 0:23:42 | |
So it was like... | 0:23:42 | 0:23:43 | |
HE IMITATES A FUNKY JAM SESSION | 0:23:43 | 0:23:46 | |
HE IMITATES A WALL OF NOISE | 0:23:46 | 0:23:47 | |
Right there. LAUGHTER | 0:23:47 | 0:23:48 | |
And then everything stopped and they said... | 0:23:48 | 0:23:51 | |
POSH BRITISH ACCENT: .."All right. | 0:23:51 | 0:23:52 | |
"Let's try it one more time, shall we?" | 0:23:52 | 0:23:54 | |
And then it went... HE IMITATES A FUNKY JAM SESSION | 0:23:54 | 0:23:56 | |
HE IMITATES A WALL OF NOISE | 0:23:56 | 0:23:58 | |
We did it again. And then KD Lang came up to us and said, | 0:23:58 | 0:24:01 | |
"You know, some of us want to get out of here TONIGHT!" | 0:24:01 | 0:24:03 | |
LAUGHTER | 0:24:03 | 0:24:05 | |
That's what I remember. CHEERING | 0:24:05 | 0:24:07 | |
Shall I tell you what? Tonight, though, we have got... | 0:24:07 | 0:24:10 | |
Like me, when you look back at the history of the show, | 0:24:10 | 0:24:13 | |
our changing hairstyles are... | 0:24:13 | 0:24:15 | |
-..magnificent is the only way I can put it. -Yeah. | 0:24:17 | 0:24:19 | |
You know, there's facial hair, hair up here, | 0:24:19 | 0:24:21 | |
great plumes of hair out of my back. | 0:24:21 | 0:24:23 | |
Perhaps we could just take you on a little walk down memory lane | 0:24:23 | 0:24:26 | |
-at the different stylings. -Oh, let's look. Yes, please. | 0:24:26 | 0:24:29 | |
# Don't want to be your monkey wrench | 0:24:29 | 0:24:32 | |
# One more indecent accident... # | 0:24:34 | 0:24:38 | |
# Lookin' to the sky to save me | 0:24:39 | 0:24:42 | |
# Lookin' for a sign of life | 0:24:42 | 0:24:45 | |
# Lookin' for something to help me burn our bright... # | 0:24:46 | 0:24:50 | |
# Done, done, on to the next one | 0:24:52 | 0:24:55 | |
# Done, done, on to the next one | 0:24:55 | 0:24:58 | |
# Done, done, on to the next one | 0:24:58 | 0:25:01 | |
# Done, I'm done, on to the next... # | 0:25:01 | 0:25:03 | |
# Is someone getting the best, the best, the best | 0:25:04 | 0:25:08 | |
# The best of you? # | 0:25:08 | 0:25:10 | |
# It's times like these | 0:25:11 | 0:25:13 | |
# Time and time again | 0:25:13 | 0:25:15 | |
# It's times like these | 0:25:16 | 0:25:18 | |
# You learn to live again... # | 0:25:18 | 0:25:21 | |
CHEERING AND APPLAUSE | 0:25:21 | 0:25:24 | |
Lots of great stuff, though. | 0:25:24 | 0:25:25 | |
-Many happy memories for me, seeing this brilliant stuff. -Thanks, Jools. | 0:25:25 | 0:25:28 | |
The last thing, I've got to ask, is I've heard that you've opened | 0:25:28 | 0:25:31 | |
a pub in London... You've taken over a pub, is that right? | 0:25:31 | 0:25:35 | |
-We did, we took over a pub for a week. -Lovely. -And, er... | 0:25:35 | 0:25:37 | |
WHOOPING AND WHISTLING | 0:25:37 | 0:25:39 | |
Evidently, it's a wonderful place and I think I'll be going tonight. | 0:25:39 | 0:25:42 | |
So anybody that wants to come down to the Foo Fighters pub tonight, | 0:25:42 | 0:25:45 | |
-we'll be there. -Yeah, nice. -CHEERING | 0:25:45 | 0:25:46 | |
Got a handful of people in. What are the key ingredients, | 0:25:46 | 0:25:49 | |
do you think, for the perfect sort of English pub, type of thing? | 0:25:49 | 0:25:52 | |
Well, to me, it's the outdoor patio, all right? | 0:25:52 | 0:25:55 | |
-It's also a nice pint, right? -Yes. -And then, um... | 0:25:55 | 0:25:59 | |
And then a toilet that you wouldn't be caught dead in. I think that's... | 0:25:59 | 0:26:02 | |
LAUGHTER Those are my favourites. | 0:26:02 | 0:26:04 | |
I'm going to come to your pub. | 0:26:04 | 0:26:06 | |
-Thanks very much for joining us. -Thanks. -Dave Grohl. | 0:26:06 | 0:26:08 | |
And we'll be seeing more and hearing more from you in a moment. | 0:26:08 | 0:26:10 | |
I'm going to invite you to step back to your chosen area over here, | 0:26:10 | 0:26:14 | |
across the floor of the Albert Hall. Dave Grohl, ladies and gentlemen! | 0:26:14 | 0:26:17 | |
-CHEERING AND APPLAUSE -The wonderful Dave Grohl. | 0:26:17 | 0:26:20 | |
What next? What next? Well, what further excitements? | 0:26:20 | 0:26:24 | |
What more desirable and wonderful things | 0:26:24 | 0:26:26 | |
do we have in this panorama of delights? | 0:26:26 | 0:26:29 | |
Well, the next artist, in 2004, was a last-minute booking. | 0:26:29 | 0:26:33 | |
Alison, our producer, spotted her. | 0:26:33 | 0:26:35 | |
Somebody had dropped out of the show | 0:26:35 | 0:26:37 | |
and she came on with this song, which then went on... | 0:26:37 | 0:26:40 | |
I'm pleased to say - not just cos of us, cos it was a great song, | 0:26:40 | 0:26:43 | |
was a hit all over the shop. | 0:26:43 | 0:26:44 | |
So please now welcome the wonderful KT Tunstall. | 0:26:44 | 0:26:48 | |
CHEERING AND APPLAUSE | 0:26:48 | 0:26:52 | |
Ready? | 0:26:54 | 0:26:56 | |
AUDIENCE CLAPS ALONG | 0:26:59 | 0:27:03 | |
THUMPING LOOPS | 0:27:03 | 0:27:06 | |
# Woo-hoo, woo-hoo... # | 0:27:13 | 0:27:18 | |
VOCALS, BEAT AND GUITAR LOOP | 0:27:18 | 0:27:21 | |
# Woo-hoo, woo-hoo... # | 0:27:22 | 0:27:25 | |
LOOP CONTINUES WITH TAMBOURINE ADDED | 0:27:26 | 0:27:29 | |
# Woo-hoo | 0:27:29 | 0:27:31 | |
# Woo-hoo... # | 0:27:31 | 0:27:33 | |
-One, two, three, four! -# Woo-hoo | 0:27:33 | 0:27:37 | |
# Woo-hoo | 0:27:37 | 0:27:39 | |
# Woo-hoo | 0:27:39 | 0:27:41 | |
# Woo-hoo | 0:27:42 | 0:27:44 | |
# Woo-hoo | 0:27:44 | 0:27:45 | |
# Woo-hoo | 0:27:46 | 0:27:47 | |
# Woo-hoo | 0:27:48 | 0:27:50 | |
# Woo-hoo | 0:27:50 | 0:27:53 | |
# Well, my heart knows me better than I know myself | 0:27:53 | 0:27:55 | |
# So I'm gonna let it do all the talking | 0:27:55 | 0:27:57 | |
# Woo-hoo | 0:27:57 | 0:27:58 | |
# Woo-hoo | 0:27:59 | 0:28:00 | |
# I came across a place in the middle of nowhere | 0:28:02 | 0:28:04 | |
# With a big black horse and a cherry tree | 0:28:04 | 0:28:06 | |
# Woo-hoo | 0:28:06 | 0:28:08 | |
# Woo-hoo | 0:28:08 | 0:28:10 | |
# Felt a little fear upon my back | 0:28:10 | 0:28:13 | |
# I said, "Don't look back, just keep on walking" | 0:28:13 | 0:28:15 | |
# Woo-hoo | 0:28:15 | 0:28:17 | |
# Woo-hoo | 0:28:17 | 0:28:18 | |
# The big black horse said, "Look this way" | 0:28:19 | 0:28:21 | |
# He said, "Hey there, lady, will you marry me?" | 0:28:21 | 0:28:24 | |
# Woo-hoo | 0:28:24 | 0:28:26 | |
# Woo-hoo | 0:28:26 | 0:28:27 | |
# But I said, "No, no | 0:28:27 | 0:28:30 | |
# "No, no-no-no | 0:28:30 | 0:28:32 | |
# "No, no, You're not the one for me | 0:28:32 | 0:28:37 | |
# "No, no, no, no-no-no | 0:28:37 | 0:28:41 | |
# "No, no, you're not the one for me" | 0:28:41 | 0:28:45 | |
# Woo-hoo | 0:28:47 | 0:28:48 | |
-# No, no, no, no -Woo-hoo | 0:28:49 | 0:28:52 | |
# Well, my heart hit a problem in the early hours | 0:28:53 | 0:28:55 | |
# So I stopped it dead for a beat or two | 0:28:55 | 0:28:58 | |
# Woo-hoo | 0:28:58 | 0:29:00 | |
# Woo-hoo | 0:29:00 | 0:29:01 | |
# But I cut some cord and I shouldn't have done that | 0:29:02 | 0:29:04 | |
# And it won't forgive me after all these years | 0:29:04 | 0:29:07 | |
# Woo-hoo | 0:29:07 | 0:29:08 | |
# Woo-hoo | 0:29:08 | 0:29:10 | |
# So I sent her to a place in the middle of nowhere | 0:29:10 | 0:29:13 | |
# With a big black horse and a cherry tree | 0:29:13 | 0:29:15 | |
# Woo-hoo | 0:29:15 | 0:29:17 | |
# Woo-hoo | 0:29:17 | 0:29:19 | |
# Now it won't come back cos it's oh-so-happy | 0:29:19 | 0:29:22 | |
# And now I've got a hole for the world to see | 0:29:22 | 0:29:24 | |
# Woo-hoo | 0:29:24 | 0:29:26 | |
# Woo-hoo | 0:29:26 | 0:29:28 | |
# And it said, "No, no | 0:29:28 | 0:29:30 | |
# "No, no, no, no | 0:29:30 | 0:29:33 | |
# "No, no, you're not the one for me | 0:29:33 | 0:29:37 | |
# "No, no | 0:29:37 | 0:29:39 | |
# "No, no, no, no | 0:29:39 | 0:29:42 | |
# "No, no, you're not the one for me" | 0:29:42 | 0:29:45 | |
# Woo-hoo | 0:29:45 | 0:29:47 | |
# Woo-hoo | 0:29:47 | 0:29:48 | |
# Not the one for me, yeah | 0:29:48 | 0:29:51 | |
# Woo! | 0:29:51 | 0:29:53 | |
# Said, "No, no, no, no | 0:29:53 | 0:29:56 | |
# "No, no, no, no | 0:29:56 | 0:29:59 | |
-# "No, no" -Woo-hoo | 0:29:59 | 0:30:00 | |
# You're not the one for me | 0:30:00 | 0:30:02 | |
# Woo-hoo | 0:30:02 | 0:30:04 | |
-# No, no, no, no -Woo-hoo | 0:30:04 | 0:30:05 | |
-# No, no, no -Woo-hoo | 0:30:05 | 0:30:07 | |
# No, no | 0:30:07 | 0:30:09 | |
# You're not the one for me... # | 0:30:09 | 0:30:10 | |
Sing after me! | 0:30:10 | 0:30:12 | |
# No, no, no | 0:30:12 | 0:30:14 | |
# No, no, no | 0:30:14 | 0:30:16 | |
# No, no, no | 0:30:16 | 0:30:18 | |
# No, no, no | 0:30:18 | 0:30:20 | |
# No, no, no, no, no | 0:30:20 | 0:30:22 | |
# No, no, no, no, no | 0:30:22 | 0:30:24 | |
# No, no, no, no | 0:30:24 | 0:30:27 | |
# No, no, no, no | 0:30:27 | 0:30:29 | |
# Woo-hoo | 0:30:29 | 0:30:30 | |
# Woo-hoo... # | 0:30:31 | 0:30:32 | |
SHE PLAYS KAZOO | 0:30:33 | 0:30:36 | |
# Woo-hoo | 0:30:38 | 0:30:39 | |
# Woo-hoo | 0:30:40 | 0:30:42 | |
# Big black horse and a cherry tree | 0:30:42 | 0:30:47 | |
LOOPS OVER: # I can't quite get there cos my heart's forsaken me | 0:30:47 | 0:30:51 | |
OVERLAPPING: # Big black horse and a cherry tree | 0:30:51 | 0:30:55 | |
# Woo-hoo | 0:30:55 | 0:30:56 | |
# I can't quite get there cos my heart's forsaken me | 0:30:56 | 0:31:00 | |
# Yeah, yeah, no, no, no, no, no | 0:31:00 | 0:31:04 | |
# No, no, no | 0:31:04 | 0:31:06 | |
# You're not the one for me | 0:31:06 | 0:31:09 | |
# Big black horse and a cherry tree | 0:31:09 | 0:31:13 | |
# I can't quite get there cos my heart's forsaken me | 0:31:13 | 0:31:17 | |
# Big black horse and a cherry tree | 0:31:17 | 0:31:22 | |
# I can't quite get there cos my heart's forsaken me. # | 0:31:22 | 0:31:27 | |
CHEERING AND APPLAUSE | 0:31:27 | 0:31:29 | |
# Aa-ah | 0:31:38 | 0:31:40 | |
# Aa-ah | 0:31:41 | 0:31:44 | |
# Aa-aaa-aa-aah | 0:31:45 | 0:31:50 | |
# The sky is a neighbourhood | 0:31:50 | 0:31:54 | |
# So keep it down | 0:31:56 | 0:31:59 | |
# The heart is a storybook | 0:32:00 | 0:32:04 | |
# A star burned out | 0:32:04 | 0:32:06 | |
# The sky is a neighbourhood | 0:32:06 | 0:32:09 | |
# Don't make a sound | 0:32:11 | 0:32:14 | |
# Lights coming up ahead | 0:32:15 | 0:32:18 | |
# Don't look now | 0:32:18 | 0:32:20 | |
# The sky is a neighbourhood | 0:32:20 | 0:32:23 | |
# The sky is a neighbourhood | 0:32:28 | 0:32:30 | |
# Don't look now | 0:32:32 | 0:32:35 | |
# Oh, my dear, heaven is a big band now | 0:32:36 | 0:32:40 | |
# Gotta get to sleep somehow | 0:32:40 | 0:32:42 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:32:42 | 0:32:46 | |
# Keep it down | 0:32:46 | 0:32:48 | |
# Oh, my dear, heaven is a big band now | 0:32:49 | 0:32:54 | |
# Gotta get to sleep somehow | 0:32:54 | 0:32:56 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:32:56 | 0:33:00 | |
# Keep it down | 0:33:00 | 0:33:03 | |
# Mind is a battlefield | 0:33:05 | 0:33:08 | |
# All hope is gone | 0:33:08 | 0:33:10 | |
# Trouble to the right and left | 0:33:12 | 0:33:14 | |
# Whose side you're on | 0:33:14 | 0:33:17 | |
# Thoughts like a minefield | 0:33:17 | 0:33:19 | |
# I'm a ticking bomb | 0:33:22 | 0:33:25 | |
# Maybe you should watch your step | 0:33:26 | 0:33:29 | |
# Don't get lost | 0:33:29 | 0:33:31 | |
# The sky is a neighbourhood | 0:33:31 | 0:33:34 | |
# The sky is a neighbourhood | 0:33:38 | 0:33:41 | |
# Don't get lost | 0:33:43 | 0:33:45 | |
# Oh, my dear, heaven is a big band now | 0:33:46 | 0:33:50 | |
# Gotta get to sleep somehow | 0:33:50 | 0:33:53 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:33:53 | 0:33:57 | |
# Keep it down | 0:33:57 | 0:33:59 | |
# Oh, my dear, heaven is a big band now | 0:34:00 | 0:34:04 | |
# Gotta get to sleep somehow | 0:34:04 | 0:34:07 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:34:07 | 0:34:11 | |
# Keep it down | 0:34:11 | 0:34:13 | |
# The sky is a neighbourhood... # | 0:34:13 | 0:34:16 | |
MUSIC STOPS | 0:34:25 | 0:34:27 | |
CHEERING AND APPLAUSE | 0:34:27 | 0:34:29 | |
# The heart is a storybook | 0:34:29 | 0:34:32 | |
# A star burned out | 0:34:32 | 0:34:34 | |
# Someone coming up ahead | 0:34:36 | 0:34:39 | |
# Don't look now | 0:34:39 | 0:34:43 | |
# Oh, my dear, heaven is a big band now | 0:34:45 | 0:34:49 | |
# Gotta get to sleep somehow | 0:34:49 | 0:34:52 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:34:52 | 0:34:55 | |
# Keep it down | 0:34:55 | 0:34:58 | |
# Oh, my dear, heaven is a big band now | 0:34:59 | 0:35:03 | |
# Gotta get to sleep somehow | 0:35:03 | 0:35:06 | |
# Bangin' on the ceiling, bangin' on the ceiling | 0:35:06 | 0:35:09 | |
# Keep it down | 0:35:09 | 0:35:12 | |
# The sky is a neighbourhood | 0:35:12 | 0:35:14 | |
# Oh, my dear, heaven is a big band now | 0:35:14 | 0:35:17 | |
-# Gotta get to sleep somehow -The sky is a neighbourhood | 0:35:17 | 0:35:21 | |
# Bangin' on the ceiling bangin' on the ceiling | 0:35:21 | 0:35:23 | |
# Keep it down | 0:35:23 | 0:35:26 | |
# The sky is a neighbourhood. # | 0:35:36 | 0:35:39 | |
CHEERING AND APPLAUSE | 0:35:39 | 0:35:42 | |
The Sky is a Neighbourhood. | 0:35:48 | 0:35:50 | |
But I'm told we can go. Foo Fighters! | 0:35:50 | 0:35:53 | |
APPLAUSE | 0:35:53 | 0:35:56 | |
Before that, we enjoyed KT Tunstall. | 0:35:56 | 0:35:59 | |
APPLAUSE | 0:35:59 | 0:36:00 | |
Still don't know how she did that. | 0:36:00 | 0:36:02 | |
So now I'd like to say, on a lot of these, our shows, | 0:36:02 | 0:36:04 | |
we have legends and we have newies, but actually, on this show, | 0:36:04 | 0:36:08 | |
everybody's kind of maybe sort of had some success, | 0:36:08 | 0:36:12 | |
I'm delighted to say. Our next guest is relatively new | 0:36:12 | 0:36:15 | |
but she has been very much noticed by Drake. | 0:36:15 | 0:36:17 | |
She has been very much liked by him and liked by the radio | 0:36:17 | 0:36:20 | |
and liked by us and I think probably by you, so please welcome, | 0:36:20 | 0:36:23 | |
in the biggest possible Royal Albert Hall stylee way, Jorja Smith! | 0:36:23 | 0:36:29 | |
CHEERING AND APPLAUSE | 0:36:29 | 0:36:31 | |
# Oh, it hurts the most cos I don't know the cause | 0:36:42 | 0:36:48 | |
# Maybe I shouldn't have cried when you left | 0:36:48 | 0:36:51 | |
# And told me not to wait | 0:36:51 | 0:36:54 | |
# Oh, it kills the most to say that I still care | 0:36:56 | 0:37:01 | |
# Now I'm left trying to rewind the times | 0:37:02 | 0:37:06 | |
# You held and kissed me there | 0:37:06 | 0:37:09 | |
# I wonder if you're thinking, "Is she all right all alone?" | 0:37:11 | 0:37:18 | |
# I wonder if you try to call but couldn't find your phone | 0:37:18 | 0:37:25 | |
# Have I ever crossed your thoughts? | 0:37:25 | 0:37:29 | |
# Because your name's all over mine | 0:37:29 | 0:37:32 | |
# A moment in time, don't watch me cry | 0:37:32 | 0:37:36 | |
# A moment in time | 0:37:36 | 0:37:38 | |
# Don't watch me cry | 0:37:38 | 0:37:41 | |
# I'm not crying cos you left me on my own | 0:37:41 | 0:37:46 | |
# I'm not crying cos you left me without warning | 0:37:48 | 0:37:53 | |
# I'm just crying cos I can't escape what could have been | 0:37:55 | 0:38:01 | |
# Are you aware when you set me free? | 0:38:02 | 0:38:06 | |
# All I can do is let my heart bleed | 0:38:06 | 0:38:10 | |
# Oh, it's harder when you can't see through the thoughts | 0:38:11 | 0:38:16 | |
# Not that I want to get in | 0:38:17 | 0:38:19 | |
# But I want to see how your mind works | 0:38:19 | 0:38:25 | |
# Oh, it's harder when they don't know what they've done | 0:38:25 | 0:38:30 | |
# Thinking it's best that they leave | 0:38:32 | 0:38:35 | |
# Meaning that I'll have to move on | 0:38:35 | 0:38:39 | |
# Oh, o-oh | 0:38:39 | 0:38:41 | |
# I wonder if you're thinking, "Is she all right all alone?" | 0:38:41 | 0:38:47 | |
# I wonder if you try to call but couldn't find your phone | 0:38:47 | 0:38:54 | |
# Have I ever crossed your thoughts? | 0:38:54 | 0:38:58 | |
# Because your name's all over mine | 0:38:58 | 0:39:01 | |
# A moment in time | 0:39:01 | 0:39:03 | |
# Don't watch me cry | 0:39:03 | 0:39:05 | |
# A moment in time | 0:39:05 | 0:39:07 | |
# Don't watch me cry | 0:39:07 | 0:39:09 | |
# I'm not crying cos you left me on my own | 0:39:09 | 0:39:14 | |
# I'm not crying cos you left me without warning | 0:39:16 | 0:39:22 | |
# I'm just crying cos I can't escape what could have been | 0:39:22 | 0:39:28 | |
# Are you aware when you set me free | 0:39:30 | 0:39:33 | |
# All I can do is let my heart bleed. # | 0:39:33 | 0:39:39 | |
CHEERING AND APPLAUSE | 0:39:42 | 0:39:44 | |
# Gonna be a transformation | 0:40:20 | 0:40:23 | |
# In your heart and soul | 0:40:23 | 0:40:26 | |
# Gonna be a transformation, baby | 0:40:27 | 0:40:30 | |
# Now that you know | 0:40:30 | 0:40:32 | |
# Get used to righteousness cos it makes you feel whole | 0:40:34 | 0:40:39 | |
# Gonna be a transformation, down in your soul | 0:40:40 | 0:40:45 | |
# 'Member when we were downhearted | 0:40:45 | 0:40:48 | |
# Didn't have nowhere to go | 0:40:49 | 0:40:51 | |
# But the wisdom of insecurity | 0:40:52 | 0:40:55 | |
# Kept knowin' that we know | 0:40:55 | 0:40:57 | |
# Then something starts happenin' | 0:40:59 | 0:41:01 | |
# Feels like you're on a roll | 0:41:01 | 0:41:04 | |
# Gonna be a transformation, down in your soul | 0:41:06 | 0:41:10 | |
# But like a river keeps on wantin' to flow | 0:41:13 | 0:41:18 | |
# Keeps on advancing with the wisdom you know | 0:41:18 | 0:41:23 | |
# Time has a rhythm when love is the law | 0:41:25 | 0:41:30 | |
# Love is forever, baby, down in your soul | 0:41:31 | 0:41:37 | |
# But like a river keeps on wantin' to flow | 0:42:03 | 0:42:07 | |
# Keep on flowing | 0:42:07 | 0:42:09 | |
# Keeps on advancing with the wisdom that you know | 0:42:10 | 0:42:14 | |
-# Time -Time has a rhythm | 0:42:16 | 0:42:18 | |
# When the love is the law | 0:42:18 | 0:42:20 | |
# Love is forever, down in your soul | 0:42:22 | 0:42:27 | |
# Gonna be, gonna be a transformation | 0:42:27 | 0:42:31 | |
# Down in your soul | 0:42:31 | 0:42:34 | |
# Gonna be a transformation | 0:42:34 | 0:42:37 | |
# Now that you know | 0:42:37 | 0:42:40 | |
# Get used to righteousness cos it makes you feel whole | 0:42:41 | 0:42:45 | |
# Gonna be a transformation down in your soul | 0:42:47 | 0:42:52 | |
THEY VOCALISE OVER EACH OTHER | 0:42:52 | 0:42:56 | |
# Get used to righteousness cos it makes you feel whole | 0:43:05 | 0:43:10 | |
# Gonna be a transformation down in your soul | 0:43:12 | 0:43:18 | |
# Gonna be a transformation | 0:43:18 | 0:43:21 | |
# Down in your soul. # | 0:43:21 | 0:43:25 | |
CHEERING AND APPLAUSE | 0:43:25 | 0:43:27 | |
Thank you. | 0:43:27 | 0:43:28 | |
Brilliant new song. Van Morrison! | 0:43:33 | 0:43:35 | |
APPLAUSE | 0:43:35 | 0:43:37 | |
Sir Van Morrison, from his album Roll with the Punches. | 0:43:37 | 0:43:41 | |
Roll with the Punches, Van Morrison. | 0:43:41 | 0:43:43 | |
Before that, we enjoyed Jorja Smith. | 0:43:43 | 0:43:45 | |
CHEERING AND APPLAUSE | 0:43:45 | 0:43:47 | |
I'm so pleased this next artist is here. | 0:43:49 | 0:43:52 | |
He made his debut on the show in 2003. | 0:43:52 | 0:43:54 | |
He won a Mercury Prize, of course, and I'm just so pleased he's here. | 0:43:54 | 0:43:58 | |
He's one of the original grimeists, | 0:43:58 | 0:44:00 | |
so we welcome the one and only Dizzee Rascal! | 0:44:00 | 0:44:03 | |
CHEERING AND APPLAUSE | 0:44:03 | 0:44:05 | |
London city, what's going on? | 0:44:09 | 0:44:11 | |
-SAMPLE: -Computers now have primary control of critical vehicle function. | 0:44:11 | 0:44:14 | |
Roger roll, Discovery. | 0:44:16 | 0:44:17 | |
What's up? | 0:44:19 | 0:44:20 | |
# Ain't no point in playing it safe | 0:44:21 | 0:44:23 | |
# Gotta know your role, better state your case | 0:44:24 | 0:44:27 | |
# When it all falls down better know your place | 0:44:27 | 0:44:30 | |
# Just gimme three feet and an ounce of | 0:44:30 | 0:44:32 | |
# Yo! | 0:44:32 | 0:44:33 | |
# Space | 0:44:33 | 0:44:34 | |
# Space, space | 0:44:34 | 0:44:36 | |
# Space, you should wanna embrace | 0:44:36 | 0:44:39 | |
# Space, space, space. # | 0:44:39 | 0:44:42 | |
Discovery, go at throttle up. | 0:44:42 | 0:44:44 | |
# Rip up and ravage, make it a habit to damage | 0:44:46 | 0:44:48 | |
# Whole lotta baggage, you will not manage | 0:44:48 | 0:44:50 | |
# I'm the full package | 0:44:50 | 0:44:51 | |
# Why do they talk like I am not established? | 0:44:51 | 0:44:52 | |
# That is so callous, they are the saddest | 0:44:52 | 0:44:54 | |
# Why are they so full of malice? Making up fallacies | 0:44:54 | 0:44:56 | |
# I'm in my palace blazing up the chalice with Alice | 0:44:56 | 0:44:58 | |
# Cos I'm a gyalist and I'm the baddest, it's not a travesty | 0:44:58 | 0:45:00 | |
# Call me Your Majesty, sometimes it feels like world's on my phallus | 0:45:00 | 0:45:02 | |
# Push out my chest and I big up my status | 0:45:02 | 0:45:04 | |
# Where's all the trappers? Where's all the clappers? | 0:45:04 | 0:45:06 | |
# I am not shaken, no need for maracas | 0:45:06 | 0:45:07 | |
# Or apparatus, put in the work and spend money on motors and slappers | 0:45:07 | 0:45:10 | |
# Why are we frontin' like it even matters? | 0:45:10 | 0:45:11 | |
# Why do they make me feel guilty for gettin' this money | 0:45:11 | 0:45:13 | |
# Like my soul's in tatters? | 0:45:13 | 0:45:14 | |
# Sittin' here tryin' to realign my chakras | 0:45:14 | 0:45:16 | |
# Driving me crackers, you bloody spackers should get off my knackers | 0:45:16 | 0:45:18 | |
# Give me the gas and the matches | 0:45:18 | 0:45:19 | |
# I've been through hell and I swallowed the ashes | 0:45:19 | 0:45:21 | |
# Running this ting for so long as it happens, I'm knackered | 0:45:21 | 0:45:23 | |
# All of my enemies broken and shattered | 0:45:23 | 0:45:24 | |
# Sprinkling hate, they're all over the shop and they're scattered | 0:45:24 | 0:45:27 | |
# Chatting my name till this day and I'm flattered | 0:45:27 | 0:45:28 | |
# I am not easily rattled, don't follow the cattle | 0:45:28 | 0:45:30 | |
# So quiet your chatter or you will get battered | 0:45:30 | 0:45:31 | |
# Can't find enough time to dine on these rappers | 0:45:31 | 0:45:33 | |
# All of these MCs are looking like tapas | 0:45:33 | 0:45:34 | |
# Fuck all the swine and their bodily gases | 0:45:34 | 0:45:36 | |
# Roll with the Rastas, Babylon's calling me, nobody's fooling me | 0:45:36 | 0:45:38 | |
# I do not roll with the masses but big up the junglist massive | 0:45:38 | 0:45:41 | |
# I am not timid and I am not passive | 0:45:41 | 0:45:42 | |
# Messing with me, you must be on some acid | 0:45:42 | 0:45:44 | |
# Done with the racket, I will get erratic | 0:45:44 | 0:45:45 | |
# All my problems disappear like it's magic | 0:45:45 | 0:45:47 | |
# It'll be tragic | 0:45:47 | 0:45:48 | |
# Yo! | 0:45:48 | 0:45:50 | |
# Ain't no point in playin' it safe | 0:45:50 | 0:45:51 | |
# Gotta know your role, better state your case | 0:45:52 | 0:45:55 | |
# When it all falls down better know your place | 0:45:55 | 0:45:58 | |
# Just gimme three feet and an ounce of | 0:45:58 | 0:46:01 | |
# Space | 0:46:01 | 0:46:02 | |
# Space, space | 0:46:02 | 0:46:04 | |
# Space | 0:46:04 | 0:46:05 | |
# You should wanna embrace | 0:46:05 | 0:46:07 | |
# Space, space | 0:46:07 | 0:46:09 | |
# Space | 0:46:09 | 0:46:11 | |
# Yeah | 0:46:11 | 0:46:12 | |
# Don't pet or pander, leave 'em hanging | 0:46:12 | 0:46:14 | |
# I'll be damned, man to man | 0:46:14 | 0:46:15 | |
# Hit him with an open hand, release the anger | 0:46:15 | 0:46:17 | |
# WorldStar, you could get dealt with on camera | 0:46:17 | 0:46:18 | |
# Understand my grammar, I don't stutter, lisp or stammer | 0:46:18 | 0:46:20 | |
# Watch me blaze the beat, I must admit it hits just like a hammer | 0:46:20 | 0:46:23 | |
# It's a banger for the mandem on the street or in the slammer | 0:46:23 | 0:46:25 | |
# Bang your doors, bang your doors for the cause | 0:46:25 | 0:46:27 | |
# Breaking laws, breaking jaws, open paws, poker board | 0:46:27 | 0:46:29 | |
# Taking scores and be sure | 0:46:29 | 0:46:30 | |
# Never let a bredda get one over yours | 0:46:30 | 0:46:32 | |
# Never put money over yours, maybe or it's crazy flawed | 0:46:32 | 0:46:34 | |
# It's a myth, life's a gift, made me pause, catch my drift | 0:46:34 | 0:46:36 | |
# Smoke a spliff and get in the draws | 0:46:36 | 0:46:38 | |
# Paid the cost to be the boss, ball and floss | 0:46:38 | 0:46:40 | |
# Jesus died, he nailed himself into the cross | 0:46:40 | 0:46:41 | |
# Still couldn't please these backwards... | 0:46:41 | 0:46:43 | |
# Why would I take a loss? Giving a toss, know your worth | 0:46:43 | 0:46:45 | |
# Hold your turf, fuck the earth and shake it off | 0:46:45 | 0:46:46 | |
# Breddas on my line talkin' 'bout, "Yo, Raskit, break me off" | 0:46:46 | 0:46:49 | |
# They're wafer soft, I'm taking off... # | 0:46:49 | 0:46:51 | |
Three, two, one... | 0:46:51 | 0:46:53 | |
Zero, and lift off! | 0:46:53 | 0:46:56 | |
Lift-off of Milton-41D. | 0:46:56 | 0:46:58 | |
The first flight of the Orbiter Discovery | 0:46:58 | 0:47:00 | |
and the shuttle has cleared the tower. | 0:47:00 | 0:47:02 | |
# Yeah | 0:47:02 | 0:47:03 | |
# Yo! | 0:47:03 | 0:47:04 | |
# Ain't no point in playin' it safe | 0:47:04 | 0:47:06 | |
# Gotta know your role, better state your case | 0:47:07 | 0:47:09 | |
# When it all falls down better know your place | 0:47:09 | 0:47:13 | |
# Just gimme three feet and an ounce of | 0:47:13 | 0:47:16 | |
# Space | 0:47:16 | 0:47:17 | |
# Space, space | 0:47:17 | 0:47:19 | |
# Space | 0:47:19 | 0:47:20 | |
# You should wanna embrace | 0:47:20 | 0:47:22 | |
# Space, space, | 0:47:22 | 0:47:24 | |
# Space. # | 0:47:24 | 0:47:25 | |
-We're going to show them skills right now. MK. -Yo! | 0:47:25 | 0:47:29 | |
All right, lift-off and the clock has started. | 0:47:29 | 0:47:32 | |
Yes, sir, reading you loud and clear. | 0:47:32 | 0:47:34 | |
Roger, Zero-G, and I feel fine. Capsule is turning around. | 0:47:35 | 0:47:39 | |
We choose to go to the moon in this decade and do the other things, | 0:47:49 | 0:47:53 | |
not because they are easy, but because they are hard. | 0:47:53 | 0:47:56 | |
CHEERING AND APPLAUSE | 0:47:57 | 0:48:00 | |
Space! | 0:48:05 | 0:48:07 | |
We'll have a chat in a bit. | 0:48:10 | 0:48:11 | |
Nice record. Raskit. What a great new album, the song is Space. | 0:48:11 | 0:48:15 | |
We'll be chatting to Dizzee in a bit. Dizzee Rascal! | 0:48:15 | 0:48:18 | |
CHEERING AND APPLAUSE | 0:48:18 | 0:48:20 | |
Wonderful Dizzee Rascal. Good evening. All going well there? | 0:48:20 | 0:48:24 | |
Great. I'm just going to pop here for a moment because I've got | 0:48:24 | 0:48:27 | |
a member of the audience here who's a great supporter of the show. | 0:48:27 | 0:48:30 | |
We're delighted to have him here. Paul Whitehouse! | 0:48:30 | 0:48:33 | |
It's marvellous to have you here, Paul. | 0:48:33 | 0:48:35 | |
APPLAUSE | 0:48:35 | 0:48:36 | |
I'll tell you what, it's a young man's game, standing up. | 0:48:36 | 0:48:40 | |
It's a young man's game - thank you very much - | 0:48:40 | 0:48:43 | |
sitting next to the speaker while Mr Rascal's on. | 0:48:43 | 0:48:47 | |
-Was that good? -Yeah. I can't hear a word you're saying! | 0:48:47 | 0:48:50 | |
LAUGHTER | 0:48:50 | 0:48:52 | |
What's the atmosphere? You've been out there. | 0:48:52 | 0:48:54 | |
It's terrifying, in a word, yes, it's terrifying, | 0:48:54 | 0:48:56 | |
-but very warm and wonderful, isn't it? -Yes. | 0:48:56 | 0:49:00 | |
I look at you and I think, you know, regimes have come and gone, | 0:49:00 | 0:49:04 | |
-kings, queens have gone, presidents... -Yes. | 0:49:04 | 0:49:07 | |
-Global warming was just a twinkle in your... -That's right. | 0:49:07 | 0:49:10 | |
-..somewhere or other, 25 years ago... -That's right. | 0:49:10 | 0:49:13 | |
-And will either of us be here in 25 years' time? -Good question. | 0:49:13 | 0:49:18 | |
-50 years of Later - what do you think? -I think we could do it. | 0:49:18 | 0:49:21 | |
What do you say? | 0:49:21 | 0:49:22 | |
CHEERING | 0:49:22 | 0:49:24 | |
Optimistic! | 0:49:24 | 0:49:26 | |
Anybody in the room you're particularly enjoying here | 0:49:26 | 0:49:29 | |
-this evening? -Well, I'm not going to single anyone out. | 0:49:29 | 0:49:31 | |
I was a little bit shocked by the bad language, you know. | 0:49:31 | 0:49:34 | |
-Bad language? -Bad language. It wasn't from the punks, was it? | 0:49:34 | 0:49:38 | |
-Who had the bad language? -Just... | 0:49:38 | 0:49:40 | |
If you don't know what was said earlier, | 0:49:40 | 0:49:43 | |
I'll have a little word with you later. | 0:49:43 | 0:49:45 | |
OK, all right, well, I'm sorry you've been... | 0:49:45 | 0:49:48 | |
-that you've heard that. -Deeply offended. | 0:49:48 | 0:49:50 | |
-I'm a sensitive human being. -I'm sorry you've heard that | 0:49:50 | 0:49:53 | |
because I know there's a few things you will not tolerate, | 0:49:53 | 0:49:56 | |
-and that is bad language. -Exactly. | 0:49:56 | 0:49:57 | |
Well, I'd like you now to introduce the next artist with me. | 0:49:57 | 0:50:00 | |
-Would you like to do that? -Well, that's very kind of you. -So he's... | 0:50:00 | 0:50:03 | |
-Am I getting paid for this? -Certainly not. -All right. | 0:50:03 | 0:50:06 | |
No change there, then. So I'd like you to step down the stairs. | 0:50:06 | 0:50:09 | |
We're going to introduce... I'm so pleased. | 0:50:09 | 0:50:11 | |
-He's been on the show 15 times. -I think I know who it is. | 0:50:11 | 0:50:14 | |
He comes on with a new, very inventive record every time. | 0:50:14 | 0:50:18 | |
He just plays, his playing gets better, his singing gets stronger. | 0:50:18 | 0:50:22 | |
-It's a joy to have him here. I've done a lot of the warm-up work for you. -You've done very well there. | 0:50:22 | 0:50:26 | |
-It's Out of the Sinking from Stanley Road. -Shall I take over now? | 0:50:26 | 0:50:28 | |
Ladies and gentlemen, there's the Foo Fighters over there, | 0:50:28 | 0:50:31 | |
absolutely wonderful. We glide past here, | 0:50:31 | 0:50:32 | |
over here, as you can see, there's Dizzee Rascal. And round here, | 0:50:32 | 0:50:35 | |
if you'd just like to follow me round in a big circle like this, | 0:50:35 | 0:50:38 | |
yes, there he is, absolutely the King, the Modfather, Mr Paul Weller. | 0:50:38 | 0:50:41 | |
Thank you very much, Mr Weller! | 0:50:41 | 0:50:43 | |
CHEERING AND APPLAUSE | 0:50:43 | 0:50:45 | |
# Past midnight's hold | 0:51:07 | 0:51:09 | |
# Where the world is waiting | 0:51:12 | 0:51:15 | |
# I'll wait for you, love | 0:51:17 | 0:51:19 | |
# But I close my eyes | 0:51:21 | 0:51:24 | |
# Cos there's pain too in paradise | 0:51:24 | 0:51:27 | |
# We pay our price | 0:51:30 | 0:51:32 | |
# Hey, baby, say just what you're thinking | 0:51:32 | 0:51:37 | |
# Know I know it | 0:51:37 | 0:51:40 | |
# Yeah, feel I'm sinking | 0:51:40 | 0:51:43 | |
# Know I feel it | 0:51:43 | 0:51:45 | |
# I know you feel it too | 0:51:45 | 0:51:47 | |
# Across the water | 0:51:47 | 0:51:49 | |
# There's a boat that | 0:51:49 | 0:51:52 | |
# Will take us away | 0:51:53 | 0:51:55 | |
# Yeah, yeah, yeah | 0:51:59 | 0:52:01 | |
# It is shining for me | 0:52:16 | 0:52:18 | |
# All I need it to be | 0:52:21 | 0:52:24 | |
# But I can't find the key | 0:52:26 | 0:52:29 | |
# The one to make me believe | 0:52:31 | 0:52:34 | |
# At midnight's hold | 0:52:58 | 0:53:00 | |
# When the world is dreaming | 0:53:02 | 0:53:05 | |
# Way, way past the stars | 0:53:06 | 0:53:10 | |
# That ignore our fate | 0:53:12 | 0:53:14 | |
# All twinkling too late to save us | 0:53:15 | 0:53:19 | |
# We save ourselves | 0:53:20 | 0:53:23 | |
# Hey, baby, do just what you're thinking | 0:53:23 | 0:53:28 | |
# Know I know it | 0:53:28 | 0:53:30 | |
# Yeah, feel I'm sinking | 0:53:30 | 0:53:33 | |
# Know I feel it | 0:53:33 | 0:53:36 | |
# I know you feel it too | 0:53:36 | 0:53:38 | |
# Across the water | 0:53:38 | 0:53:41 | |
# There's a boat that | 0:53:41 | 0:53:43 | |
# Will take us away | 0:53:43 | 0:53:46 | |
# Out of the sadness | 0:53:46 | 0:53:48 | |
# Far from the madness | 0:53:48 | 0:53:51 | |
# Into sunlight | 0:53:51 | 0:53:54 | |
# Out of the sinking | 0:53:54 | 0:53:56 | |
# Know I feel it | 0:53:56 | 0:53:59 | |
# I know you feel it too | 0:53:59 | 0:54:02 | |
# Across the water | 0:54:02 | 0:54:04 | |
# There's a boat that | 0:54:04 | 0:54:07 | |
# Will take us away | 0:54:07 | 0:54:10 | |
# There we will stay. # | 0:54:13 | 0:54:16 | |
CHEERING AND APPLAUSE | 0:54:48 | 0:54:51 | |
What a pleasure to hear that man sing that song in here. Paul Weller! | 0:54:56 | 0:55:02 | |
APPLAUSE | 0:55:02 | 0:55:04 | |
So now we come to our next guest, who's one, unquestionably, | 0:55:05 | 0:55:10 | |
one of the great voices to emerge over the last few years. | 0:55:10 | 0:55:14 | |
He's just made an album celebrating one of his heroes | 0:55:14 | 0:55:17 | |
entitled Nat King Cole and Me. | 0:55:17 | 0:55:20 | |
We welcome the wonderful Gregory Porter. | 0:55:20 | 0:55:23 | |
CHEERING AND APPLAUSE | 0:55:23 | 0:55:28 | |
# Mona Lisa | 0:55:44 | 0:55:48 | |
# Mona Lisa, men have named you | 0:55:48 | 0:55:53 | |
# You're so like the lady with the mystic smile | 0:55:55 | 0:56:02 | |
# Is it only cos you're lonely they have blamed you | 0:56:04 | 0:56:11 | |
# For that Mona Lisa strangeness in your smile? | 0:56:13 | 0:56:21 | |
# Do you smile to tempt a lover, Mona Lisa? | 0:56:23 | 0:56:30 | |
# Or is this your way to hide a broken heart? | 0:56:32 | 0:56:40 | |
# Many dreams have been brought to your doorstep | 0:56:41 | 0:56:50 | |
# They just lie there | 0:56:50 | 0:56:54 | |
# And they die there | 0:56:54 | 0:56:59 | |
# Are you warm, are you real, Mona Lisa? | 0:56:59 | 0:57:07 | |
# Or just a cold and lonely | 0:57:08 | 0:57:13 | |
# Lovely work of art? | 0:57:13 | 0:57:18 | |
# Do you smile to tempt a lover, Mona Lisa? | 0:58:05 | 0:58:13 | |
# Or is this your way to hide a broken heart? | 0:58:14 | 0:58:22 | |
# Many dreams have been brought to your doorstep | 0:58:23 | 0:58:31 | |
# They just lie there | 0:58:31 | 0:58:35 | |
# And they die there | 0:58:35 | 0:58:38 | |
# Are you warm? | 0:58:39 | 0:58:41 | |
# Are you real, Mona Lisa? | 0:58:41 | 0:58:49 | |
# Or just a cold and lonely | 0:58:50 | 0:58:56 | |
# Lovely work of art? | 0:58:56 | 0:59:04 | |
# Mona Lisa | 0:59:05 | 0:59:13 | |
# Mona Lisa. # | 0:59:14 | 0:59:25 | |
CHEERING AND APPLAUSE | 0:59:25 | 0:59:27 | |
# All my life I've been searching for somethin' | 0:59:53 | 0:59:56 | |
# Somethin' never comes | 0:59:56 | 0:59:57 | |
# Never leads to nothin' | 0:59:57 | 0:59:58 | |
# Nothin' satisfies | 0:59:58 | 0:59:59 | |
# Gettin' close | 0:59:59 | 1:00:01 | |
# Closer to the prize at the end of the rope | 1:00:01 | 1:00:04 | |
# All night long I dream of the day | 1:00:04 | 1:00:06 | |
# When it comes around | 1:00:06 | 1:00:08 | |
# And it's taken away | 1:00:08 | 1:00:09 | |
# Leaves me with the feelin' that I feel the most | 1:00:09 | 1:00:12 | |
# Feel it come to life when... | 1:00:12 | 1:00:14 | |
# All right! | 1:00:14 | 1:00:15 | |
# Calm down, don't you resist | 1:00:27 | 1:00:29 | |
# You've such a delicate wrist | 1:00:29 | 1:00:32 | |
# And if I give it a twist | 1:00:32 | 1:00:35 | |
# Somethin' to hold when I lose my grip | 1:00:35 | 1:00:38 | |
# Will I find something in there | 1:00:38 | 1:00:41 | |
# To give it just what it needs | 1:00:41 | 1:00:43 | |
# Another reason to bleed | 1:00:43 | 1:00:46 | |
# One by one | 1:00:46 | 1:00:47 | |
# Hidden up my sleeve | 1:00:47 | 1:00:49 | |
# One by one, hidden up my sleeve | 1:00:49 | 1:00:52 | |
# Hey, don't let it go to waste | 1:00:52 | 1:00:55 | |
# I love it but I hate the taste | 1:00:55 | 1:00:57 | |
# Weight keeping me down | 1:00:57 | 1:01:02 | |
# Hey, don't let it go to waste | 1:01:02 | 1:01:05 | |
# I love it but I hate the taste | 1:01:05 | 1:01:07 | |
# Weight keeping me down, oh! | 1:01:07 | 1:01:11 | |
# Will I find a believer? | 1:01:17 | 1:01:20 | |
# Another one who believes? | 1:01:20 | 1:01:22 | |
# Another one to deceive? | 1:01:22 | 1:01:26 | |
# Over and over, down on my knees | 1:01:26 | 1:01:28 | |
# If I get any closer | 1:01:28 | 1:01:31 | |
# And if you open up wide | 1:01:31 | 1:01:34 | |
# And if you let me inside | 1:01:34 | 1:01:37 | |
# On and on, I got nothin' to hide | 1:01:37 | 1:01:39 | |
# On and on, I got nothin' to hide | 1:01:39 | 1:01:43 | |
# Hey, don't let it go to waste | 1:01:43 | 1:01:46 | |
# I love it but I hate the taste | 1:01:46 | 1:01:48 | |
# Weight keeping me down | 1:01:48 | 1:01:52 | |
# Hey, don't let it go to waste | 1:01:52 | 1:01:55 | |
# I love it but I hate the taste | 1:01:55 | 1:01:57 | |
# Weight keeping me down | 1:01:57 | 1:02:02 | |
# All my life I've been searching for somethin' | 1:02:19 | 1:02:21 | |
# Somethin' never comes, leads to nothin' | 1:02:21 | 1:02:24 | |
# Nothin' satisfies, gettin' close | 1:02:24 | 1:02:27 | |
# Closer to the prize at the end of the rope | 1:02:27 | 1:02:30 | |
# All night long I dream of the day | 1:02:30 | 1:02:33 | |
# When it comes around | 1:02:33 | 1:02:34 | |
# It's taken away | 1:02:34 | 1:02:36 | |
# Leaves me with the feelin' that I feel the most | 1:02:36 | 1:02:38 | |
# Feel it come to life when I see your ghost | 1:02:38 | 1:02:41 | |
# Done, done, onto the next one | 1:02:41 | 1:02:44 | |
# Done, done | 1:02:44 | 1:02:45 | |
# And I'm onto the next one | 1:02:45 | 1:02:47 | |
# Done, done | 1:02:47 | 1:02:48 | |
# And I'm onto the next one | 1:02:48 | 1:02:49 | |
# Done, done | 1:02:49 | 1:02:51 | |
# And I'm onto the next one | 1:02:51 | 1:02:52 | |
# Done, done | 1:02:52 | 1:02:53 | |
# And I'm onto the next one | 1:02:53 | 1:02:55 | |
# Done, done | 1:02:55 | 1:02:56 | |
# And I'm onto the next one... # | 1:02:56 | 1:02:57 | |
All right, ready? | 1:02:57 | 1:02:59 | |
Are you ready? | 1:02:59 | 1:03:01 | |
Watch this, here we go! Whoo! | 1:03:01 | 1:03:03 | |
# Done! Done! Onto the next one | 1:03:15 | 1:03:17 | |
# Done and done, onto the next one | 1:03:17 | 1:03:20 | |
# Done! Done! | 1:03:20 | 1:03:21 | |
# Onto the next one | 1:03:21 | 1:03:23 | |
# Done, I'm done and I'm onto the next | 1:03:23 | 1:03:26 | |
# Hey, don't let it go to waste | 1:03:26 | 1:03:29 | |
# I love it but I hate the taste | 1:03:29 | 1:03:31 | |
# Weight keeping me down | 1:03:31 | 1:03:35 | |
# Hey, don't let it go to waste | 1:03:35 | 1:03:38 | |
# I love it but I hate the taste | 1:03:38 | 1:03:40 | |
# Weight keeping me down | 1:03:40 | 1:03:44 | |
# Done! Done! Onto the next one | 1:03:50 | 1:03:53 | |
# Done, I'm done | 1:03:53 | 1:03:54 | |
# Onto the next! | 1:03:54 | 1:03:56 | |
# Yeah! # | 1:03:56 | 1:03:57 | |
CHEERING AND APPLAUSE | 1:03:57 | 1:04:00 | |
MUSIC: Organ Toccata By Johann Sebastian Bach | 1:04:11 | 1:04:13 | |
CHEERING | 1:04:13 | 1:04:15 | |
CHEERING AND APPLAUSE | 1:04:42 | 1:04:44 | |
Thank you so much! | 1:04:47 | 1:04:49 | |
That, of course, rather messed up by me, was a brilliant piece of music | 1:04:50 | 1:04:54 | |
by one of the greatest composers of all time, Johann Sebastian Bach, | 1:04:54 | 1:04:58 | |
which brings us to this next point. | 1:04:58 | 1:05:00 | |
I'm delighted to say that on our show we have regularly featured | 1:05:00 | 1:05:03 | |
some of the dazzling artists that come from Europe now. | 1:05:03 | 1:05:06 | |
We now feature one more, we welcome, from France, the wonderful Camille! | 1:05:06 | 1:05:11 | |
APPLAUSE AND CHEERING | 1:05:11 | 1:05:13 | |
# Seeds of love, seeds of let us | 1:05:23 | 1:05:25 | |
# Seeds of rose to leaves to flowers, seeds of rain | 1:05:25 | 1:05:29 | |
# Seeds of passion, seeds of suffer | 1:05:32 | 1:05:34 | |
# Seeds of strawberry fields forever, seeds of graves | 1:05:34 | 1:05:38 | |
# Seeds of peaches, seeds of pecan | 1:05:41 | 1:05:43 | |
# Seeds of peace, seeds of hope | 1:05:43 | 1:05:46 | |
# Seeds underneath the winter Lies a million seeds of gold | 1:05:46 | 1:05:50 | |
# How can you buy them? | 1:05:50 | 1:05:52 | |
# How can you sell them? | 1:05:53 | 1:05:57 | |
# How can you spoil them? | 1:05:58 | 1:06:01 | |
# How can you grow, grow? | 1:06:02 | 1:06:08 | |
# Seeds of sorrow, seeds of sterile landscape | 1:06:09 | 1:06:12 | |
# Seeds of devastated corn and seeds of straight | 1:06:12 | 1:06:16 | |
# Seeds of misery, seeds of mud and melancholy | 1:06:18 | 1:06:21 | |
# Seeds of watermelon, seeds of waste | 1:06:21 | 1:06:26 | |
# Seeds of silence, seeds of slumber | 1:06:27 | 1:06:30 | |
# Seeds of hunger, seeds of stone | 1:06:30 | 1:06:32 | |
# Seeds above, beneath the summer lies a million seeds of cold | 1:06:32 | 1:06:35 | |
# How can you buy them? | 1:06:35 | 1:06:38 | |
# How can you sell them? | 1:06:40 | 1:06:43 | |
# How can you trade them? | 1:06:45 | 1:06:48 | |
# How can you do so? So? # | 1:06:49 | 1:06:55 | |
One, two, three. | 1:07:11 | 1:07:13 | |
# Oooooh | 1:07:31 | 1:07:36 | |
# Oooooh | 1:07:36 | 1:07:39 | |
# How can you buy them? | 1:07:39 | 1:07:42 | |
# How can you sell them? | 1:07:44 | 1:07:47 | |
# How can you spoil them? | 1:07:48 | 1:07:51 | |
# How can you do so? So | 1:07:53 | 1:07:57 | |
# How can you buy them? | 1:07:57 | 1:08:01 | |
# How can you sell them? | 1:08:02 | 1:08:05 | |
# How can you soil them? | 1:08:07 | 1:08:10 | |
# How can you go? Go | 1:08:11 | 1:08:16 | |
# Seeds of change | 1:08:17 | 1:08:21 | |
# Seeds of change. # | 1:08:21 | 1:08:28 | |
CHEERING AND APPLAUSE | 1:08:28 | 1:08:31 | |
CHEERING | 1:09:54 | 1:09:56 | |
CHEERING AND APPLAUSE | 1:10:44 | 1:10:47 | |
Thank you! | 1:10:47 | 1:10:48 | |
Musique exceptionnelle! | 1:10:54 | 1:10:57 | |
C'est bonne! | 1:10:57 | 1:10:59 | |
The wonderful Camille! | 1:10:59 | 1:11:01 | |
CHEERING AND APPLAUSE | 1:11:01 | 1:11:03 | |
What a lovely, extraordinary mix of things | 1:11:05 | 1:11:07 | |
we have in this room this evening. | 1:11:07 | 1:11:09 | |
And now, in this direction, | 1:11:09 | 1:11:10 | |
we welcome some marvellous artists with an extraordinary story, | 1:11:10 | 1:11:14 | |
but we'll let them tell that with the music. | 1:11:14 | 1:11:16 | |
So please welcome, from Mali, | 1:11:16 | 1:11:18 | |
Songhoy Blues! | 1:11:18 | 1:11:20 | |
APPLAUSE AND CHEERING | 1:11:20 | 1:11:22 | |
THEY SING IN THEIR OWN LANGUAGE | 1:11:38 | 1:11:41 | |
CHEERING | 1:15:14 | 1:15:16 | |
CHEERING | 1:15:36 | 1:15:39 | |
Songhoy Blues with their song Mali Nord... | 1:15:45 | 1:15:49 | |
from their album Resistance. | 1:15:49 | 1:15:51 | |
Songhoy Blues! | 1:15:52 | 1:15:54 | |
CHEERING | 1:15:54 | 1:15:57 | |
So, it's fantastic for me when people come on the show | 1:15:59 | 1:16:02 | |
and they play fantastic music | 1:16:02 | 1:16:05 | |
and they become friends as well, | 1:16:05 | 1:16:06 | |
and this next guest is one of those people, I'm delighted to say. | 1:16:06 | 1:16:10 | |
We welcome Gregory Porter for chats at the piano! | 1:16:10 | 1:16:13 | |
Hey-hey-hey-hey! | 1:16:13 | 1:16:15 | |
I tell you what, that was a lovely bit of Mona Lisa you sang there. | 1:16:15 | 1:16:19 | |
I think everybody went... | 1:16:19 | 1:16:20 | |
-Wasn't it beautiful, when he sang that? -Oh, thank you. | 1:16:20 | 1:16:23 | |
CHEERING | 1:16:23 | 1:16:25 | |
So, your new album, Nat King Cole and Me, | 1:16:25 | 1:16:28 | |
beautiful lot of different style tributes to the great | 1:16:28 | 1:16:31 | |
Nat King Cole. | 1:16:31 | 1:16:32 | |
When did you first hear him? | 1:16:32 | 1:16:34 | |
I was six years old | 1:16:34 | 1:16:36 | |
and my mother... I sang a little song on a tape | 1:16:36 | 1:16:39 | |
and my mother said, "Boy, you sound like Nat King Cole," | 1:16:39 | 1:16:42 | |
and I'm sure I didn't, but she just said something, | 1:16:42 | 1:16:45 | |
and so I went and I played her records | 1:16:45 | 1:16:47 | |
and I heard this beautiful, warm voice coming out of the speakers, | 1:16:47 | 1:16:51 | |
and it struck me that this power and the emotion of the music... | 1:16:51 | 1:16:58 | |
I started to listen to Nat King Cole's lyrics | 1:16:58 | 1:17:02 | |
and take it as fatherly advice, in the absence of my own father, | 1:17:02 | 1:17:06 | |
-so... -What sort of things was he saying? | 1:17:06 | 1:17:09 | |
-Pick yourself up, dust yourself off. -Yeah. | 1:17:09 | 1:17:11 | |
Start all over again, and smile as though your heart is aching, | 1:17:11 | 1:17:14 | |
and the greatest thing you'll ever learn | 1:17:14 | 1:17:17 | |
is just to love and be loved in return. | 1:17:17 | 1:17:19 | |
I mean, those are things that I was looking to hear from...from... | 1:17:19 | 1:17:22 | |
from a man, | 1:17:22 | 1:17:24 | |
and I heard it from a piece of vinyl but it was still very significant | 1:17:24 | 1:17:30 | |
-and very real to me, so... -Yeah. | 1:17:30 | 1:17:32 | |
I feel like I'm on a leather couch right now. | 1:17:32 | 1:17:35 | |
So... | 1:17:35 | 1:17:36 | |
I tell you what, I was thinking... | 1:17:36 | 1:17:38 | |
-So, Dr Jools, tell me! -That's right. | 1:17:38 | 1:17:40 | |
Oh, no. | 1:17:40 | 1:17:42 | |
I'll send in my bill later. | 1:17:42 | 1:17:44 | |
GREGORY LAUGHS | 1:17:44 | 1:17:46 | |
I tell you what, you've summed up what Nat King Cole is. | 1:17:46 | 1:17:48 | |
He reaches right deep into the soul. | 1:17:48 | 1:17:50 | |
We've got a clip of Nat King Cole here. | 1:17:50 | 1:17:53 | |
# Now I've just found joy | 1:17:53 | 1:17:56 | |
# I'm as happy as a baby boy | 1:17:57 | 1:18:01 | |
# With another brand-new choo-choo toy | 1:18:02 | 1:18:06 | |
# When I've met my sweet Lorraine, Lorraine, Lorraine | 1:18:07 | 1:18:12 | |
# She's got a pair of eyes | 1:18:15 | 1:18:18 | |
# That are brighter than the summer skies | 1:18:18 | 1:18:22 | |
# When you see them you realise | 1:18:23 | 1:18:27 | |
# Why I love my sweet Lorraine... # | 1:18:28 | 1:18:32 | |
-Great. -So wonderful. Beautiful. | 1:18:32 | 1:18:34 | |
-Amazing. -An amazing piano player. | 1:18:34 | 1:18:36 | |
He didn't even start singing. He was a piano player | 1:18:36 | 1:18:38 | |
and somebody, a drunk bloke, kept saying | 1:18:38 | 1:18:40 | |
-"sing us a song" and that's how it came about. -Yeah. | 1:18:40 | 1:18:43 | |
-Yeah, it's amazing. -Really fantastic. | 1:18:43 | 1:18:44 | |
It's wonderful to have to here. | 1:18:44 | 1:18:46 | |
In a moment, we're going to be doing a song. | 1:18:46 | 1:18:48 | |
What will be doing? | 1:18:48 | 1:18:49 | |
Sweet Country Love Song. It's a song we wrote, | 1:18:49 | 1:18:51 | |
-I think, in your garden. -Yeah. Exactly. | 1:18:51 | 1:18:53 | |
We wrote a song in the garden. | 1:18:53 | 1:18:54 | |
We'd been listening to old blues records, just old records, | 1:18:54 | 1:18:57 | |
-and going back in time. -Yeah. | 1:18:57 | 1:18:58 | |
-So let's go back to the garden with that in a moment. -Yeah. | 1:18:58 | 1:19:01 | |
It's fantastic having you here. The wonderful Gregory Porter! | 1:19:01 | 1:19:04 | |
CHEERING | 1:19:04 | 1:19:06 | |
What a lovely room full of people. | 1:19:11 | 1:19:13 | |
I think the Royal Albert Hall is starting to shrink. | 1:19:13 | 1:19:15 | |
Are you all feeling like we're in this thing together? | 1:19:15 | 1:19:18 | |
-AUDIENCE: -Yes! -Me, too. | 1:19:18 | 1:19:20 | |
-Now we move on. -Kali Uchis! | 1:19:20 | 1:19:22 | |
APPLAUSE | 1:19:22 | 1:19:25 | |
# Ooh-ooh-ooh-ooh-ooh | 1:19:26 | 1:19:30 | |
# Ooh-ooh-ooh-ooh | 1:19:30 | 1:19:33 | |
# Baby dimelo | 1:19:35 | 1:19:38 | |
# Ooh-ooh-ooh-ooh | 1:19:38 | 1:19:41 | |
# Dimelo, dimelo, dimelo | 1:19:41 | 1:19:44 | |
# All I hear is sirens | 1:19:47 | 1:19:50 | |
# In a world so violent | 1:19:50 | 1:19:53 | |
# Would you be a tyrant | 1:19:53 | 1:19:56 | |
# If I gave you power? | 1:19:56 | 1:19:58 | |
# Would you take it out? | 1:19:58 | 1:19:59 | |
# Look me in my iris | 1:19:59 | 1:20:02 | |
# I can read your silence | 1:20:02 | 1:20:04 | |
# When everything is a riot | 1:20:04 | 1:20:08 | |
# You're my peace and quiet | 1:20:08 | 1:20:10 | |
# All around it goes | 1:20:10 | 1:20:12 | |
-# All around, all around -Your loving is like a kaleidoscope | 1:20:12 | 1:20:16 | |
# I don't wanna come down | 1:20:16 | 1:20:17 | |
# Keep spinning me round and round and round and round and round | 1:20:17 | 1:20:22 | |
# Wanna seize the throne | 1:20:22 | 1:20:23 | |
-# I know you wanna, I know you wanna -What would you do if I had control? | 1:20:23 | 1:20:26 | |
# I don't wanna come down | 1:20:26 | 1:20:28 | |
# Keep spinning me round and round and round and round and round | 1:20:28 | 1:20:34 | |
# Word on the street you got hoes | 1:20:34 | 1:20:37 | |
# I disappear like El Chapo | 1:20:37 | 1:20:39 | |
# You said you would cut out the whole world | 1:20:39 | 1:20:42 | |
# If little old me would be yours | 1:20:42 | 1:20:45 | |
# Mira, mira, miralo | 1:20:45 | 1:20:48 | |
# Papi esta rico, papi esta guapo | 1:20:48 | 1:20:51 | |
# The world's been asking us to lose control | 1:20:51 | 1:20:53 | |
# All we ever do is French like Brigitte Bardot | 1:20:53 | 1:20:56 | |
# Brigitte Bardot | 1:20:56 | 1:20:58 | |
-# All around, all around -Your loving is like a kaleidoscope | 1:20:58 | 1:21:01 | |
# I don't wanna come down | 1:21:01 | 1:21:04 | |
# Keep spinning me round and round and round and round and round | 1:21:04 | 1:21:08 | |
-# Wanna seize the throne -I know you wanna, I know you wanna | 1:21:08 | 1:21:12 | |
# What would you do if I had control? | 1:21:12 | 1:21:14 | |
# I don't wanna come down | 1:21:14 | 1:21:16 | |
# Keep spinning me round and round and round and round and round | 1:21:16 | 1:21:20 | |
# Ooh-ooh-ooh | 1:21:20 | 1:21:22 | |
# Ah-ooh-ooh-ooh-ooh | 1:21:22 | 1:21:27 | |
# Ooh-ooh-ooh-ooh | 1:21:27 | 1:21:29 | |
# Boy, you're driving me crazy | 1:21:32 | 1:21:34 | |
# Although I say nothing can faze me | 1:21:34 | 1:21:37 | |
# Place this spark in my life back | 1:21:37 | 1:21:41 | |
# Now I want to show you how I thank that | 1:21:41 | 1:21:44 | |
# Don't think you can lie | 1:21:44 | 1:21:47 | |
# I can see through your eyes | 1:21:47 | 1:21:50 | |
# Don't lose this, we have it all | 1:21:50 | 1:21:54 | |
# Oh-oh-oh-oh | 1:21:54 | 1:21:55 | |
-# All around we go -All around, all around | 1:21:55 | 1:21:58 | |
# Your loving is like a kaleidoscope | 1:21:58 | 1:22:00 | |
# I don't wanna come down | 1:22:00 | 1:22:02 | |
# Keep spinning me round and round and round and round and round | 1:22:02 | 1:22:07 | |
-# Wanna seize the throne -I know you wanna, I know you wanna | 1:22:07 | 1:22:10 | |
# But what would you do if I have control? | 1:22:10 | 1:22:12 | |
# I don't wanna come down | 1:22:12 | 1:22:14 | |
# Keep spinning me round and round and round and round and round | 1:22:14 | 1:22:18 | |
# Ooh-ooh-ooh-ooh | 1:22:18 | 1:22:20 | |
# Ooh-ooh-ooh-ooh | 1:22:20 | 1:22:24 | |
# Ooh-ooh-ooh-ooh | 1:22:24 | 1:22:26 | |
# We're going around and around and around and around | 1:22:26 | 1:22:30 | |
# Ooh-ooh-ooh-ooh | 1:22:30 | 1:22:33 | |
# Ooh-ooh-ooh-ooh | 1:22:33 | 1:22:36 | |
# Ooh-ooh-ooh-ooh | 1:22:36 | 1:22:38 | |
# We're going around and around and around | 1:22:38 | 1:22:41 | |
# Going down, down. # | 1:22:41 | 1:22:43 | |
CHEERING AND APPLAUSE | 1:22:43 | 1:22:46 | |
Kali Ulchis featuring Jorja Smith. | 1:22:50 | 1:22:52 | |
Kali Ulchis featuring Jorja Smith with their song Tyrant. | 1:22:52 | 1:22:56 | |
OK, so now, this next artist, he came on the show six years ago, | 1:22:58 | 1:23:02 | |
we met him at the piano six minutes ago, | 1:23:02 | 1:23:04 | |
we welcome the wonderful, now Grammy-winning, Gregory Porter! | 1:23:04 | 1:23:08 | |
CHEERING AND APPLAUSE | 1:23:08 | 1:23:11 | |
# Sweet country love song | 1:23:23 | 1:23:27 | |
# From you to me | 1:23:29 | 1:23:34 | |
# Sweet country love song | 1:23:34 | 1:23:39 | |
# A soothing melody | 1:23:39 | 1:23:44 | |
# Sweet country love song | 1:23:46 | 1:23:50 | |
# From you to me | 1:23:50 | 1:23:54 | |
# I've got that old feeling | 1:23:56 | 1:24:01 | |
# Burning inside | 1:24:02 | 1:24:06 | |
# It comes with the music | 1:24:07 | 1:24:12 | |
# And it fills me with pride | 1:24:12 | 1:24:17 | |
# From your sweet country love song | 1:24:17 | 1:24:23 | |
# From you to me | 1:24:23 | 1:24:27 | |
# Won't somebody lead me | 1:24:28 | 1:24:33 | |
# Down that old country road? | 1:24:33 | 1:24:39 | |
# I wanna go back | 1:24:39 | 1:24:43 | |
# Like the stories of old | 1:24:44 | 1:24:50 | |
# Stories of love | 1:24:50 | 1:24:55 | |
# That bring me the same | 1:24:55 | 1:25:00 | |
# Songs of friendship, oh | 1:25:01 | 1:25:06 | |
# Or the feeling that it brings | 1:25:06 | 1:25:09 | |
# Oh-oh-oh, I hear the voices | 1:25:09 | 1:25:16 | |
# Calling me | 1:25:16 | 1:25:20 | |
# Leading me home | 1:25:22 | 1:25:26 | |
# With that sweet melody | 1:25:26 | 1:25:31 | |
# Of your sweet country love song | 1:25:31 | 1:25:37 | |
# From you to me | 1:25:37 | 1:25:41 | |
# From you to me | 1:25:42 | 1:25:46 | |
# From you to me. # | 1:25:47 | 1:25:54 | |
CHEERING AND APPLAUSE | 1:25:54 | 1:25:57 | |
The wonderful Gregory Porter! | 1:26:01 | 1:26:04 | |
Sweet Country Love Song, | 1:26:04 | 1:26:06 | |
featuring, freshly back from New York, | 1:26:06 | 1:26:09 | |
Mr Gilson Lavis on the drums. | 1:26:09 | 1:26:12 | |
He's been around for 25 years as well. | 1:26:13 | 1:26:16 | |
So, are we ready for our next artists? | 1:26:16 | 1:26:19 | |
CHEERING | 1:26:19 | 1:26:22 | |
In that case, please welcome Foo Fighters! | 1:26:22 | 1:26:24 | |
# Look out cos you know what you're doing | 1:26:29 | 1:26:32 | |
# Turn up the American ruse | 1:26:32 | 1:26:35 | |
# Whitehouse, Death in June | 1:26:35 | 1:26:37 | |
# Jim Jones painting in a blue bedroom | 1:26:37 | 1:26:40 | |
# You don't know this | 1:26:51 | 1:26:54 | |
# La dee da | 1:26:54 | 1:26:57 | |
# You don't own this | 1:26:57 | 1:27:00 | |
# How bizarre | 1:27:00 | 1:27:03 | |
# Keep your pretty promise to yourself | 1:27:03 | 1:27:09 | |
# Do you know this? | 1:27:14 | 1:27:17 | |
# La dee da | 1:27:17 | 1:27:19 | |
# Got me going | 1:27:19 | 1:27:23 | |
# How bizarre | 1:27:23 | 1:27:25 | |
# Keep your pretty promise to yourself | 1:27:25 | 1:27:33 | |
# Dear God | 1:27:35 | 1:27:37 | |
# Hate! | 1:27:37 | 1:27:38 | |
# If I want to | 1:27:38 | 1:27:40 | |
# Love! | 1:27:40 | 1:27:41 | |
# Who I like | 1:27:41 | 1:27:42 | |
# Hate! | 1:27:42 | 1:27:44 | |
# If I want to | 1:27:44 | 1:27:46 | |
# Psychic Television and Death in June | 1:27:48 | 1:27:50 | |
# Jim Jones painting in a blue bedroom | 1:27:50 | 1:27:54 | |
# Hate! | 1:27:54 | 1:27:55 | |
# If I want to | 1:27:55 | 1:27:56 | |
# You can't shame me | 1:28:11 | 1:28:13 | |
# La dee da | 1:28:13 | 1:28:15 | |
# Give or take me | 1:28:16 | 1:28:19 | |
# How bizarre | 1:28:19 | 1:28:21 | |
# Keep your pretty promise to yourself | 1:28:21 | 1:28:28 | |
# Keep your pretty promise to yourself | 1:28:32 | 1:28:40 | |
# Dear God | 1:28:43 | 1:28:44 | |
# Hate! | 1:28:44 | 1:28:45 | |
# If I want to | 1:28:45 | 1:28:47 | |
# Love! | 1:28:47 | 1:28:48 | |
# Who I like | 1:28:48 | 1:28:49 | |
# Hate! | 1:28:49 | 1:28:51 | |
# If I want to | 1:28:51 | 1:28:52 | |
# Psychic Television and Death in June | 1:28:55 | 1:28:57 | |
# Jim Jones painting in a blue bedroom | 1:28:57 | 1:29:01 | |
# Hate! | 1:29:01 | 1:29:02 | |
# If I want to | 1:29:02 | 1:29:04 | |
# All right | 1:29:04 | 1:29:06 | |
# Hate! | 1:29:52 | 1:29:53 | |
# If I want to | 1:29:53 | 1:29:55 | |
# Love! | 1:29:55 | 1:29:56 | |
# Who I like | 1:29:56 | 1:29:58 | |
# Hate! | 1:29:58 | 1:29:59 | |
# If I want to | 1:29:59 | 1:30:00 | |
# Hate! | 1:30:00 | 1:30:03 | |
# Psychic Television and Death in June | 1:30:03 | 1:30:06 | |
# Jim Jones painting in a blue bedroom | 1:30:06 | 1:30:08 | |
# Hate! | 1:30:08 | 1:30:10 | |
# If I want to | 1:30:10 | 1:30:11 | |
# Hate! | 1:30:11 | 1:30:13 | |
# Keep your pretty promise to yourself. # | 1:30:14 | 1:30:22 | |
CHEERING AND APPLAUSE | 1:30:27 | 1:30:30 | |
Foo Fighters... | 1:30:37 | 1:30:39 | |
From their new album Concrete And Gold, | 1:30:39 | 1:30:42 | |
La Dee Da, | 1:30:42 | 1:30:43 | |
courtesy of Foo Fighters! | 1:30:43 | 1:30:45 | |
Here, there's some half good drummers in here tonight. | 1:30:45 | 1:30:49 | |
Good drummers, good groups, we've got the lot. | 1:30:49 | 1:30:52 | |
So, I tell you what, it's so thrilling for us to be here, | 1:30:52 | 1:30:55 | |
after 25 years, to be here in the Royal Albert Hall. | 1:30:55 | 1:30:57 | |
We've had 25 years. | 1:30:57 | 1:30:59 | |
I've been honoured to be amongst some of these amazing musicians | 1:30:59 | 1:31:02 | |
and it's my dream and my hope | 1:31:02 | 1:31:04 | |
that we will still be on in another 25 minutes' time! | 1:31:04 | 1:31:08 | |
CHEERING | 1:31:08 | 1:31:11 | |
Just thought I'd throw that in. | 1:31:11 | 1:31:13 | |
So, now a very special guest up here, | 1:31:13 | 1:31:15 | |
bringing somebody else very special with him, | 1:31:15 | 1:31:18 | |
featuring Chris Farlowe, | 1:31:18 | 1:31:20 | |
we welcome the legendary, the extraordinary | 1:31:20 | 1:31:22 | |
and the magnificent Sir Van Morrison! | 1:31:22 | 1:31:25 | |
CHEERING AND APPLAUSE | 1:31:25 | 1:31:28 | |
# If you ever | 1:31:28 | 1:31:31 | |
# Change your mind | 1:31:31 | 1:31:35 | |
# About leaving | 1:31:36 | 1:31:38 | |
# Leaving me behind | 1:31:39 | 1:31:43 | |
# Bring it to me | 1:31:43 | 1:31:47 | |
# Bring it, bring it, bring it | 1:31:47 | 1:31:49 | |
# Bring your sweet loving | 1:31:49 | 1:31:51 | |
# Bring it on home | 1:31:51 | 1:31:54 | |
# Bring it on home | 1:31:54 | 1:31:56 | |
# Bring it, bring it, bring it | 1:31:56 | 1:32:00 | |
# Bring it | 1:32:00 | 1:32:02 | |
# I give you jewellery | 1:32:02 | 1:32:06 | |
# And lots of money too | 1:32:06 | 1:32:09 | |
# That ain't all I can give you | 1:32:11 | 1:32:16 | |
# Yes, I know | 1:32:16 | 1:32:18 | |
# Oh, bring it on home | 1:32:18 | 1:32:21 | |
# Bring your sweet loving | 1:32:21 | 1:32:25 | |
# Bring it on home to me | 1:32:25 | 1:32:29 | |
-# Yeah -Oh, yeah | 1:32:29 | 1:32:31 | |
-# Yeah -Oh, yeah | 1:32:31 | 1:32:33 | |
# Yeah | 1:32:33 | 1:32:35 | |
# I give you jewellery | 1:32:35 | 1:32:37 | |
# Oh, yeah | 1:32:37 | 1:32:39 | |
# Money, money, money, money | 1:32:39 | 1:32:41 | |
# Money, money too | 1:32:41 | 1:32:42 | |
# Lots of money too | 1:32:42 | 1:32:44 | |
-# That ain't all -All | 1:32:44 | 1:32:46 | |
# I just did it for you | 1:32:46 | 1:32:50 | |
# I want you to bring it to me | 1:32:50 | 1:32:55 | |
# Bring your sweet loving | 1:32:55 | 1:32:59 | |
-# Bring it on back -Bring it on back | 1:33:00 | 1:33:03 | |
-# Bring it back -Bring it on | 1:33:03 | 1:33:05 | |
-# Bring it back -Bring it back, bring it back | 1:33:05 | 1:33:08 | |
# Bring it back, bring it back | 1:33:08 | 1:33:10 | |
# I give you all the money I had in the bank | 1:33:40 | 1:33:47 | |
# Oh, that's right | 1:33:47 | 1:33:49 | |
# Not one time | 1:33:49 | 1:33:52 | |
# It's time for you to say thanks | 1:33:52 | 1:33:55 | |
# No, no, no | 1:33:55 | 1:33:57 | |
# Bring it, bring it, bring it | 1:33:57 | 1:33:59 | |
# Bring it to me | 1:33:59 | 1:34:00 | |
# Bring it | 1:34:00 | 1:34:05 | |
-# Bring it back -Bring it back | 1:34:05 | 1:34:07 | |
-# Bring it back -Bring it back | 1:34:07 | 1:34:09 | |
-# Bring it back -Bring it back | 1:34:09 | 1:34:11 | |
-# Bring it back -Bring it back | 1:34:11 | 1:34:13 | |
# You know I ain't gonna be no slave | 1:34:13 | 1:34:20 | |
# Ain't no slave | 1:34:20 | 1:34:22 | |
# When I'm buried | 1:34:22 | 1:34:25 | |
# Buried in my grave | 1:34:25 | 1:34:28 | |
# In my grave | 1:34:28 | 1:34:30 | |
# I want you to bring it to me | 1:34:30 | 1:34:33 | |
# Bring it to me | 1:34:33 | 1:34:35 | |
-# Bring it back -Bring it back | 1:34:35 | 1:34:37 | |
-# Bring it back -Bring it home | 1:34:37 | 1:34:40 | |
# Sing it | 1:34:40 | 1:34:42 | |
# Sing it | 1:34:42 | 1:34:44 | |
# Sing it | 1:34:44 | 1:34:45 | |
# If you ever | 1:34:45 | 1:34:49 | |
# Change your mind | 1:34:49 | 1:34:54 | |
# About leaving | 1:34:54 | 1:34:57 | |
# Leaving me behind | 1:34:57 | 1:35:01 | |
# Yo! | 1:35:01 | 1:35:03 | |
-# Bring to me -Bring it to me | 1:35:03 | 1:35:05 | |
# Bring your sweet loving | 1:35:05 | 1:35:08 | |
# Bring it back home | 1:35:10 | 1:35:12 | |
# Oh, you've got to bring it on home | 1:35:12 | 1:35:14 | |
# Send it | 1:35:14 | 1:35:16 | |
# I want you to send it, baby | 1:35:16 | 1:35:20 | |
# Bring it on home | 1:35:20 | 1:35:22 | |
# I want you to send it | 1:35:22 | 1:35:24 | |
# Hell, bring it back | 1:35:24 | 1:35:28 | |
# Bring it on home | 1:35:28 | 1:35:30 | |
# Bring it on back home | 1:35:30 | 1:35:32 | |
# Bring it on home | 1:35:32 | 1:35:34 | |
# Bring it back | 1:35:34 | 1:35:36 | |
# Bring it on home | 1:35:36 | 1:35:38 | |
# Bring it to me | 1:35:38 | 1:35:40 | |
# Bring it on home | 1:35:40 | 1:35:42 | |
# Yeah, your sweet loving | 1:35:42 | 1:35:44 | |
# Bring it on home | 1:35:44 | 1:35:46 | |
# Bring it on home to me | 1:35:46 | 1:35:48 | |
# Yeah, yeah, yeah Yeah-eah-eah. # | 1:35:48 | 1:35:58 | |
All right. | 1:35:58 | 1:36:00 | |
CHEERING AND APPLAUSE | 1:36:00 | 1:36:02 | |
All right. | 1:36:02 | 1:36:03 | |
# He's jus' a rascal He's jus' a rascal | 1:36:08 | 1:36:11 | |
# He's jus' a rascal Dizzee Rascal | 1:36:11 | 1:36:14 | |
# He's jus' a rascal He's jus' a rascal | 1:36:14 | 1:36:17 | |
# He's jus' a rascal Dizzee Rascal | 1:36:17 | 1:36:20 | |
# He's jus' a rascal He's jus' a rascal... # | 1:36:20 | 1:36:22 | |
OK, OK. | 1:36:22 | 1:36:24 | |
# ..He's jus' a rascal Dizzee Rascal | 1:36:24 | 1:36:27 | |
# He's jus' a rascal He's jus' a rascal | 1:36:27 | 1:36:29 | |
# Yeah, yeah, yeah | 1:36:29 | 1:36:30 | |
# Stress on the brain Complain to the fool | 1:36:30 | 1:36:32 | |
# Stress on the brain Complain to the max | 1:36:32 | 1:36:34 | |
# I'm gonna search for big money stacks | 1:36:34 | 1:36:35 | |
# Top tens and platinum plaques | 1:36:35 | 1:36:36 | |
# Ain't got no need for a chain on my chaps | 1:36:36 | 1:36:38 | |
# I'm a rudeboy I ain't gotta relax | 1:36:38 | 1:36:40 | |
# I got this game in my head like dax | 1:36:40 | 1:36:41 | |
# Got this game in my hand, be cool Unstoppable, make a boi relax | 1:36:41 | 1:36:44 | |
# I'll take teeth for the jewels and jaks | 1:36:44 | 1:36:46 | |
# We make money off album tracks | 1:36:46 | 1:36:47 | |
# Come on, I'll face it Let's all face facts | 1:36:47 | 1:36:49 | |
# You may be some handsome chaps | 1:36:49 | 1:36:50 | |
# What's that? But I'm invisible to all | 1:36:50 | 1:36:52 | |
# These foolish, fakish cats Maybe we'll have some of that | 1:36:52 | 1:36:54 | |
# Stress on the brain Complain to the max | 1:36:54 | 1:36:55 | |
# Stress on the brain Complain but I know | 1:36:55 | 1:36:57 | |
# Gotta get money Gotta get a lot of doe | 1:36:57 | 1:36:59 | |
# No less than a G for the show | 1:36:59 | 1:37:00 | |
# Ain't got no love for a hag or a ho | 1:37:00 | 1:37:01 | |
# Dudes who think I sleep with girls on the low | 1:37:01 | 1:37:03 | |
# I get round all ways in a go I get round all ways in a rush | 1:37:03 | 1:37:05 | |
# I won't ever hush Drinking beer make my lot blush | 1:37:05 | 1:37:08 | |
# When I come to the crotch with crush, never chat, get flushed | 1:37:08 | 1:37:11 | |
# I talk tough cos life's been rough | 1:37:11 | 1:37:13 | |
# Gritty, shitty life ain't been too pretty, far from buff | 1:37:13 | 1:37:16 | |
# So I'm off to elegant stuff What's my name? | 1:37:16 | 1:37:18 | |
# He's jus' a rascal He's jus' a rascal | 1:37:18 | 1:37:21 | |
# He's jus' a rascal Dizzee Rascal | 1:37:21 | 1:37:23 | |
# He's jus' a rascal He's jus' a rascal | 1:37:23 | 1:37:26 | |
# He's jus' a rascal Dizzee rascal | 1:37:26 | 1:37:30 | |
# He's jus' a rascal He's jus' a rascal | 1:37:30 | 1:37:32 | |
# He's jus' a rascal Dizzee Rascal... # | 1:37:32 | 1:37:35 | |
London city! | 1:37:35 | 1:37:36 | |
And there's Jools Holland, 25 years! | 1:37:36 | 1:37:39 | |
# ..Dizzee Rascal | 1:37:39 | 1:37:40 | |
# Definitely I hustle, blud Definitely I grind | 1:37:40 | 1:37:43 | |
# So you can try anything you want I definitely don't mind | 1:37:43 | 1:37:46 | |
# Definitely got my ting I definitely know your face | 1:37:46 | 1:37:49 | |
# So don't jump out your pram, I'll definitely put you in your place | 1:37:49 | 1:37:52 | |
# Definitely I hustle, blud Definitely I graft | 1:37:52 | 1:37:55 | |
# So you can try anything you want I'll definitely will jus' laugh | 1:37:55 | 1:37:58 | |
# Definitely got my sword Definitely really sharp | 1:37:58 | 1:38:01 | |
# So don't keep talking like you're bright | 1:38:01 | 1:38:02 | |
# It'll definitely get dark | 1:38:02 | 1:38:04 | |
# Listen, definitely I hustle, blud Definitely I fly | 1:38:04 | 1:38:07 | |
# So you can try anything you want I'll definitely jus' sigh | 1:38:07 | 1:38:10 | |
# Definitely know I'm real Definitely know you ain't | 1:38:10 | 1:38:12 | |
# So don't try being no devil Cos I'm definitely ain't no saint | 1:38:12 | 1:38:15 | |
# Definitely I hustle, blud Definitely I win | 1:38:15 | 1:38:18 | |
# So you keep taking this for a joke I'll definitely just grin | 1:38:18 | 1:38:21 | |
# You definitely can't have heard You definitely couldn't know | 1:38:21 | 1:38:24 | |
# Don't talk like you're on top I'll leave you definitely below | 1:38:24 | 1:38:27 | |
# He's jus' a rascal He's jus' a rascal | 1:38:27 | 1:38:30 | |
# He's jus' a rascal Dizzee Rascal | 1:38:30 | 1:38:33 | |
# He's jus' a rascal He's jus' a rascal | 1:38:33 | 1:38:35 | |
# He's jus' a rascal Dizzee Rascal... # | 1:38:35 | 1:38:38 | |
I've got to salute this man over here. | 1:38:38 | 1:38:40 | |
# He's jus' a rascal He's jus' a rascal | 1:38:40 | 1:38:42 | |
# He's jus' a rascal Dizzee Rascal | 1:38:42 | 1:38:44 | |
# He's jus' a rascal He's jus' a rascal | 1:38:44 | 1:38:47 | |
# He's jus' a rascal Dizzee Rascal | 1:38:47 | 1:38:50 | |
# Bug roll ya, so stay low I might have to get live oh | 1:38:50 | 1:38:53 | |
# And ya don't need the stress or aggro | 1:38:53 | 1:38:55 | |
# Sit back and settle, I'm hot like a kettle | 1:38:55 | 1:38:56 | |
# You might get scolded or burnt up | 1:38:56 | 1:38:57 | |
# But I guarantee the feds won't turn up | 1:38:57 | 1:38:59 | |
# You must give it up | 1:38:59 | 1:39:00 | |
# Act like a bitch Go fix ya make-up | 1:39:00 | 1:39:02 | |
# Street wise Hang with the phat guys | 1:39:02 | 1:39:03 | |
# Whole crew capsize Slap guys when I walk past | 1:39:03 | 1:39:05 | |
# I wrestle guys Known to attack guys | 1:39:05 | 1:39:07 | |
# No lies, man better recognise | 1:39:07 | 1:39:09 | |
# Jack guys, kidnap and cap guys | 1:39:09 | 1:39:11 | |
# Rappers, stand back, guys... # | 1:39:11 | 1:39:14 | |
-Put them hands up! -Put them up, put them up, put them up! | 1:39:14 | 1:39:17 | |
CHEERING | 1:39:17 | 1:39:19 | |
# Hey! Hey! Hey! | 1:39:19 | 1:39:22 | |
# Hey! Hey! | 1:39:22 | 1:39:23 | |
# Hey! # | 1:39:23 | 1:39:25 | |
CHEERING AND APPLAUSE | 1:39:35 | 1:39:38 | |
Yes! | 1:39:45 | 1:39:46 | |
Dizzee Rascal, Jus' A Rascal. | 1:39:46 | 1:39:48 | |
-I'll chat with you in a moment. That's beautiful. -Thank you. | 1:39:51 | 1:39:54 | |
So now we change the atmosphere once again | 1:39:54 | 1:39:56 | |
and we welcome back a man playing something from A Kind Revolution. | 1:39:56 | 1:40:01 | |
Please welcome Paul Weller! | 1:40:01 | 1:40:02 | |
CHEERING AND APPLAUSE | 1:40:02 | 1:40:06 | |
# The cranes are back | 1:40:16 | 1:40:20 | |
# The cranes are back | 1:40:23 | 1:40:26 | |
# Go tell your mama | 1:40:28 | 1:40:30 | |
# Ooh-ooh | 1:40:30 | 1:40:34 | |
# Go spread the news | 1:40:34 | 1:40:37 | |
# Tell her that the cranes are back | 1:40:40 | 1:40:44 | |
# There ain't no chains on my back | 1:40:47 | 1:40:50 | |
# Ain't no chains on my back | 1:40:53 | 1:40:56 | |
# There's only joy | 1:40:59 | 1:41:01 | |
# Ooh-ooh | 1:41:01 | 1:41:03 | |
# That freedom brings | 1:41:05 | 1:41:07 | |
# Been a long time making a show | 1:41:18 | 1:41:22 | |
# And all this winter going so slow | 1:41:25 | 1:41:29 | |
# From a kind reaction so | 1:41:31 | 1:41:35 | |
# There would be some hope in the world | 1:41:37 | 1:41:42 | |
# Oh, oh, oh, oh, oh | 1:41:42 | 1:41:48 | |
# They're all flying back | 1:42:01 | 1:42:04 | |
# They're all flying back | 1:42:07 | 1:42:11 | |
# Come see the sky | 1:42:12 | 1:42:14 | |
# Ooh-ooh | 1:42:14 | 1:42:17 | |
# Hear the people cry | 1:42:18 | 1:42:21 | |
# Oh, get a-running cos the cranes are back | 1:42:24 | 1:42:29 | |
# The cranes are back | 1:42:32 | 1:42:37 | |
# Been a long time making a show | 1:42:43 | 1:42:47 | |
# And all this winter going so slow | 1:42:49 | 1:42:54 | |
# From a kind revolution so | 1:42:56 | 1:43:00 | |
# From that hope a new world born | 1:43:02 | 1:43:06 | |
# Pick ourselves up off the floor | 1:43:08 | 1:43:13 | |
# Try to heal the land once more | 1:43:15 | 1:43:19 | |
# Cause a kind reaction so | 1:43:22 | 1:43:26 | |
# There would be some hope in the world | 1:43:28 | 1:43:32 | |
# It was washed up off the shore | 1:43:34 | 1:43:38 | |
# War and hatred more and more | 1:43:40 | 1:43:45 | |
# Cause a kind reaction so | 1:43:47 | 1:43:50 | |
# There would be some hope in the world | 1:43:53 | 1:43:58 | |
# Oh, oh, oh, oh, oh. # | 1:43:58 | 1:44:03 | |
CHEERING AND APPLAUSE | 1:44:07 | 1:44:10 | |
His latest record, as enjoyable, as wonderful as all the past ones. | 1:44:14 | 1:44:19 | |
Paul Weller! | 1:44:19 | 1:44:21 | |
The Cranes Are Back, from A Kind Revolution. | 1:44:21 | 1:44:25 | |
And his marvellous band. So I've just got to come and chat to... | 1:44:25 | 1:44:27 | |
He's one of my favourite people and, in fact, | 1:44:27 | 1:44:30 | |
he's here in the room, he's been marvellous and brilliant. | 1:44:30 | 1:44:32 | |
-Can we welcome Dizzee Rascal? -CHEERING AND APPLAUSE | 1:44:32 | 1:44:34 | |
Diz, it's great to have here. | 1:44:34 | 1:44:36 | |
Very nice to see you here. | 1:44:36 | 1:44:38 | |
And how are you finding everything this evening? Going well for you? | 1:44:38 | 1:44:40 | |
-Comfy? -Beautiful, man. The crowd's wicked. It's a good crowd. | 1:44:40 | 1:44:43 | |
-CHEERING -It is a great crowd. | 1:44:43 | 1:44:45 | |
How would...? Your new record, I like it very much. | 1:44:45 | 1:44:47 | |
How would you describe it to somebody, | 1:44:47 | 1:44:49 | |
somebody in Mars who'd never heard you before? | 1:44:49 | 1:44:51 | |
-What would you say about it? -There's a lot of energy. -Yes? | 1:44:51 | 1:44:54 | |
But it's got some soulful parts as well. | 1:44:54 | 1:44:57 | |
It's just a lot of rapping - | 1:44:57 | 1:44:58 | |
there's not a lot of singing, there's a lot of rapping. | 1:44:58 | 1:45:00 | |
-But they'd like that in Mars. I like it too. -Yeah, there you go. | 1:45:00 | 1:45:03 | |
Now, the other thing I've got ask you... | 1:45:03 | 1:45:05 | |
Well, I should just say, I should apologise, | 1:45:05 | 1:45:07 | |
I've brought it up before - when you won the Mercury Prize, | 1:45:07 | 1:45:10 | |
I was very happy for you and I was presenting the Mercury Prize. | 1:45:10 | 1:45:13 | |
And everybody surged on stage, wanting to take your photograph. | 1:45:13 | 1:45:15 | |
So I thought, "I'll just sink out of the way," | 1:45:15 | 1:45:17 | |
and I crept off to a little pub in Deptford to have a pint. | 1:45:17 | 1:45:20 | |
I buy the first round, put my hand in my pocket | 1:45:20 | 1:45:22 | |
-and I've got the cheque, haven't I? Your cheque... -Right. | 1:45:22 | 1:45:25 | |
..for the Mercury Prize. Did you get it in the end? | 1:45:25 | 1:45:27 | |
I don't think I ever saw that cheque, you know. | 1:45:27 | 1:45:29 | |
I'm not going to lie. LAUGHTER | 1:45:29 | 1:45:30 | |
-I wish I hadn't brought it up! -Right. -I'm sorry. Now... | 1:45:30 | 1:45:33 | |
The other thing is, do you say that...? | 1:45:33 | 1:45:35 | |
Is there anybody you're particularly enjoying in the room? | 1:45:35 | 1:45:38 | |
A lot of great people, a lot of different music in the room tonight. | 1:45:38 | 1:45:40 | |
I know it's cheesy, but everyone I've watched, | 1:45:40 | 1:45:42 | |
-I feel like I've learned something. -I think I have done. | 1:45:42 | 1:45:45 | |
That's exactly where I'm coming from - | 1:45:45 | 1:45:46 | |
everybody I've learned something from. | 1:45:46 | 1:45:48 | |
-CHEERING AND APPLAUSE -Well... | 1:45:48 | 1:45:51 | |
It's great to have you here. | 1:45:51 | 1:45:53 | |
Thank you for joining us, Dizzee Rascal. | 1:45:53 | 1:45:55 | |
Very nice to have him here. | 1:45:57 | 1:45:59 | |
As I said earlier, European music is amazing. There's lots of... | 1:46:00 | 1:46:04 | |
So many incredible artists from Europe now. | 1:46:04 | 1:46:08 | |
The next one is truly unique and incredible, | 1:46:08 | 1:46:10 | |
so please welcome the wonderful Camille. | 1:46:10 | 1:46:15 | |
CHEERING AND APPLAUSE | 1:46:15 | 1:46:17 | |
SHE IMITATES A FLUTE | 1:46:24 | 1:46:30 | |
# J'ai tout dit Tout dit, tout dit | 1:46:47 | 1:46:51 | |
# J'ai termine ma phrase Tout dit, tout dit | 1:46:51 | 1:46:55 | |
# J'ai tout dit Tout dit, tout dit | 1:46:55 | 1:47:00 | |
# C'est grave dans le marbre Tout dit, tout dit | 1:47:00 | 1:47:03 | |
# Et si ma soeur Tout dit, tout dit | 1:47:03 | 1:47:09 | |
# Tu veux que l'on se parle Tout dit, tout dit | 1:47:09 | 1:47:12 | |
# Oh, ma soeur, Hildegard Tout dit, tout dit | 1:47:12 | 1:47:16 | |
# Je suis le bruit Tout dit, tout dit | 1:47:16 | 1:47:22 | |
# Des oiseaux dans les arbres tout dit, tout dit | 1:47:22 | 1:47:26 | |
# J'ai tout dit Tout dit, tout dit | 1:47:26 | 1:47:31 | |
# J'ai fui a la hussarde Tout dit, tout dit | 1:47:31 | 1:47:34 | |
# J'ai tout dit Tout dit, tout dit | 1:47:34 | 1:47:39 | |
# Et les rats m'ont suivie Tout dit, tout dit | 1:47:39 | 1:47:42 | |
# Et si ma soeur Tout dit, tout dit | 1:47:42 | 1:47:48 | |
# Tu as peur pour ma vie Tout dit, tout dit | 1:47:48 | 1:47:51 | |
# Oh, ma soeur, Hildegard Tout dit, tout dit | 1:47:51 | 1:47:55 | |
# Je suis le bruit Tout dit, tout dit | 1:47:55 | 1:48:01 | |
# De la pluie dans les arbres Tout dit, tout dit | 1:48:01 | 1:48:05 | |
# J'ai tout dit Tout dit, tout dit | 1:48:05 | 1:48:09 | |
# J'ai rompu le charme Tout dit, tout dit | 1:48:09 | 1:48:13 | |
# J'ai | 1:48:13 | 1:48:15 | |
# Tout | 1:48:17 | 1:48:19 | |
# Dit | 1:48:21 | 1:48:22 | |
# Maintenant je vous regarde Tout dit, tout dit | 1:48:24 | 1:48:28 | |
# Et si ma soeur Tout dit, tout dit | 1:48:28 | 1:48:33 | |
# Tu veux secher mes larmes Tout dit, tout dit | 1:48:33 | 1:48:36 | |
# Oh, ma soeur, Hildegard Tout dit, tout dit | 1:48:36 | 1:48:40 | |
# Je suis le bruit Tout dit, tout dit | 1:48:40 | 1:48:46 | |
# Du vent dans les arbres Tout dit, tout dit | 1:48:46 | 1:48:50 | |
# Et si ma soeur Tout dit, tout dit | 1:48:50 | 1:48:56 | |
# Tu donnes en joug ton coeur Tout dit, tout dit | 1:48:56 | 1:48:59 | |
# Oh, ma soeur, prend garde Tout dit, tout dit | 1:48:59 | 1:49:03 | |
# Ne dis pas tout | 1:49:03 | 1:49:09 | |
# Tout dit, tout dit | 1:49:09 | 1:49:13 | |
# Ou tu mourras d'ennui | 1:49:14 | 1:49:19 | |
# Tout dit. # | 1:49:21 | 1:49:25 | |
CHEERING AND APPLAUSE | 1:49:28 | 1:49:33 | |
HE PLAYS SOLO | 1:49:42 | 1:49:48 | |
# I | 1:50:00 | 1:50:01 | |
# I'm a one-way motorway | 1:50:01 | 1:50:04 | |
# I'm a road that drives away | 1:50:05 | 1:50:09 | |
# Follows you back home | 1:50:09 | 1:50:12 | |
# I | 1:50:15 | 1:50:18 | |
# I'm a street light shining | 1:50:18 | 1:50:21 | |
# I'm a wild light blinding bright | 1:50:22 | 1:50:26 | |
# Burning off and on | 1:50:26 | 1:50:29 | |
# Uh-huh | 1:50:32 | 1:50:33 | |
# It's times like these you learn to live again | 1:50:36 | 1:50:41 | |
# It's times like these you give and give again | 1:50:43 | 1:50:49 | |
# It's times like these you learn to love again | 1:50:49 | 1:50:55 | |
# It's times like these, time and time again | 1:50:56 | 1:51:01 | |
# I | 1:51:09 | 1:51:12 | |
# I'm a new day rising | 1:51:12 | 1:51:15 | |
# I'm a brand-new sky to hang the stars upon tonight | 1:51:16 | 1:51:23 | |
# And I | 1:51:27 | 1:51:29 | |
# I'm a little divided | 1:51:29 | 1:51:34 | |
# Do I stay or run away | 1:51:34 | 1:51:38 | |
# And leave it all behind? | 1:51:38 | 1:51:41 | |
# Uh-huh | 1:51:44 | 1:51:45 | |
# It's times like these you learn to live again | 1:51:48 | 1:51:53 | |
# It's times like these you give and give again | 1:51:55 | 1:52:01 | |
# It's times like these you learn to love again | 1:52:02 | 1:52:07 | |
# It's times like these, time and time again... # | 1:52:08 | 1:52:13 | |
THE BAND JOINS IN | 1:52:13 | 1:52:19 | |
All right! | 1:53:05 | 1:53:07 | |
# Uh-huh | 1:53:09 | 1:53:11 | |
# Uh-huh | 1:53:12 | 1:53:14 | |
# Uh-huh | 1:53:16 | 1:53:17 | |
# It's times like these you learn to live again | 1:53:19 | 1:53:24 | |
# It's times like these you give and give again | 1:53:24 | 1:53:29 | |
# It's times like these you learn to love again | 1:53:29 | 1:53:34 | |
# It's times like these, time and time... # | 1:53:34 | 1:53:38 | |
Sing it if you know it! | 1:53:38 | 1:53:40 | |
# It's times like these you learn to live again | 1:53:40 | 1:53:43 | |
# It's times like these you give and give again | 1:53:44 | 1:53:49 | |
# It's times like these you learn to love again | 1:53:49 | 1:53:54 | |
# It's times like these, time and time again. # | 1:53:54 | 1:53:59 | |
CHEERING AND APPLAUSE | 1:54:31 | 1:54:35 | |
Bloody marvellous! | 1:54:47 | 1:54:50 | |
Foo Fighters, Times Like These, from their 2003 album, One By One. | 1:54:50 | 1:54:54 | |
Foo Fighters, yes! | 1:54:54 | 1:54:57 | |
Exquisitely done. | 1:54:57 | 1:54:58 | |
Beautiful crowd, so let's thank all of our guests. | 1:54:59 | 1:55:02 | |
Thank you to the wonderful Mr Paul Weller. | 1:55:02 | 1:55:05 | |
APPLAUSE AND CHEERING | 1:55:05 | 1:55:07 | |
And his sensational band. | 1:55:07 | 1:55:09 | |
Thank you to Songhoy Blues. | 1:55:09 | 1:55:11 | |
APPLAUSE AND CHEERING | 1:55:11 | 1:55:14 | |
Thank you to the wonderful - c'est bon - Camille. | 1:55:14 | 1:55:18 | |
APPLAUSE AND CHEERING | 1:55:18 | 1:55:20 | |
KT Tunstall, fantastic. | 1:55:20 | 1:55:22 | |
APPLAUSE AND CHEERING | 1:55:22 | 1:55:24 | |
Kali Uchis. | 1:55:24 | 1:55:25 | |
APPLAUSE AND CHEERING | 1:55:25 | 1:55:28 | |
Jorja Smith. | 1:55:28 | 1:55:29 | |
APPLAUSE AND CHEERING | 1:55:29 | 1:55:31 | |
Dizzee Rascal. | 1:55:31 | 1:55:33 | |
APPLAUSE AND CHEERING | 1:55:33 | 1:55:35 | |
Gregory Porter. | 1:55:35 | 1:55:36 | |
APPLAUSE AND CHEERING | 1:55:36 | 1:55:38 | |
Are you ready for one more final treat | 1:55:38 | 1:55:41 | |
on what has been a dazzling evening? | 1:55:41 | 1:55:43 | |
I can't think of anything better than to end with this | 1:55:43 | 1:55:46 | |
sensational and amazing song from this sensational and amazing band. | 1:55:46 | 1:55:51 | |
Ladies and gentlemen, Sir Van Morrison. | 1:55:51 | 1:55:53 | |
APPLAUSE AND CHEERING | 1:55:53 | 1:55:55 | |
# Tell ya about my baby | 1:56:12 | 1:56:15 | |
# Yeah, you know she comes around | 1:56:15 | 1:56:17 | |
# About five feet four | 1:56:19 | 1:56:21 | |
# From her head to the ground | 1:56:23 | 1:56:25 | |
# When she comes around here | 1:56:26 | 1:56:28 | |
# At just about midnight | 1:56:30 | 1:56:32 | |
# Oh, yeah, yeah | 1:56:32 | 1:56:33 | |
# Makes me feel so good | 1:56:33 | 1:56:35 | |
# Come on | 1:56:35 | 1:56:37 | |
# She'll make me feel all right | 1:56:37 | 1:56:39 | |
-# And her name is G -G | 1:56:41 | 1:56:44 | |
-# L -L | 1:56:44 | 1:56:46 | |
-# O -O | 1:56:46 | 1:56:47 | |
-# R -R | 1:56:47 | 1:56:49 | |
-# I -I | 1:56:49 | 1:56:51 | |
# A | 1:56:51 | 1:56:53 | |
# She walks around round here | 1:56:53 | 1:56:55 | |
# Gloria | 1:56:55 | 1:56:57 | |
# She goes around out here | 1:56:57 | 1:56:58 | |
# Gloria | 1:56:58 | 1:57:00 | |
# I'll shout it all night | 1:57:00 | 1:57:02 | |
# Gloria | 1:57:02 | 1:57:04 | |
# I'll shout it everyday | 1:57:04 | 1:57:06 | |
# Gloria | 1:57:06 | 1:57:07 | |
# Yeah, yeah, yeah, yeah, yeah | 1:57:07 | 1:57:09 | |
# Yeah, she comes around here | 1:57:30 | 1:57:32 | |
# What's she doing there? | 1:57:32 | 1:57:34 | |
# Just about midnight | 1:57:34 | 1:57:35 | |
# That's too late! | 1:57:35 | 1:57:37 | |
# Man, she makes me feel so good | 1:57:37 | 1:57:39 | |
# I'll bet she does | 1:57:39 | 1:57:40 | |
# Make me feel all right | 1:57:40 | 1:57:42 | |
# Make you feel all right | 1:57:42 | 1:57:44 | |
# Walking down my street | 1:57:44 | 1:57:46 | |
# Walking down, what's she doing there? | 1:57:46 | 1:57:48 | |
# Comes to my house | 1:57:48 | 1:57:50 | |
# That's not nice | 1:57:50 | 1:57:51 | |
# Knock upon my door | 1:57:51 | 1:57:53 | |
# Then she comes to my room | 1:57:55 | 1:57:57 | |
# What's she gonna do in your room, Van? | 1:57:57 | 1:57:59 | |
# Make me feel so good | 1:57:59 | 1:58:00 | |
# Whoa, I know | 1:58:00 | 1:58:02 | |
# Make me feel all right | 1:58:02 | 1:58:03 | |
# I bet she makes you feel all right | 1:58:03 | 1:58:07 | |
# He-e-e-e-ey | 1:58:07 | 1:58:10 | |
# Whoa, he-e-e-e-ey | 1:58:10 | 1:58:13 | |
# Whoa-oh-oh-oh-oh | 1:58:14 | 1:58:17 | |
# Whoa-oh-oh-oh-oh | 1:58:17 | 1:58:21 | |
# Huh-uh-uh-uh-uh-uh-uh-uh-uh | 1:58:21 | 1:58:25 | |
# La, la, la, la, la, la, la, la | 1:58:25 | 1:58:28 | |
# Huh-uh-uh-uh-uh-uh-uh-uh-uh | 1:58:28 | 1:58:32 | |
# La, la, la, la, la, la, la, la | 1:58:32 | 1:58:36 | |
# Make me feel all right | 1:58:38 | 1:58:40 | |
# G! | 1:58:42 | 1:58:44 | |
# G, G... | 1:58:44 | 1:58:45 | |
# G-G-G... | 1:58:45 | 1:58:47 | |
# G! | 1:58:47 | 1:58:49 | |
# L! | 1:58:49 | 1:58:50 | |
-# Er? -L! | 1:58:50 | 1:58:51 | |
# L! | 1:58:51 | 1:58:52 | |
-# O! -O! | 1:58:52 | 1:58:54 | |
-# R -R | 1:58:54 | 1:58:56 | |
-# I -I | 1:58:56 | 1:58:58 | |
# A! | 1:58:58 | 1:58:59 | |
# G-L-O-R-I-A | 1:58:59 | 1:59:01 | |
# Gloria | 1:59:01 | 1:59:03 | |
# She make me feel so good | 1:59:03 | 1:59:04 | |
# Gloria | 1:59:04 | 1:59:07 | |
# Make me feel all right | 1:59:07 | 1:59:08 | |
# Gloria | 1:59:08 | 1:59:10 | |
# Tell me what I say | 1:59:10 | 1:59:12 | |
# Gloria | 1:59:12 | 1:59:14 | |
-# Gloria -Gloria | 1:59:15 | 1:59:19 | |
# Gloria | 1:59:19 | 1:59:21 | |
# Make you feel all right | 1:59:21 | 1:59:22 | |
# Gloria | 1:59:22 | 1:59:24 | |
# Gloria | 1:59:26 | 1:59:28 | |
# Make me feel so good | 1:59:28 | 1:59:29 | |
# Gloria | 1:59:29 | 1:59:31 | |
# Make me feel all right | 1:59:31 | 1:59:33 | |
# Make me feel so good | 1:59:33 | 1:59:35 | |
# Make me feel so good | 1:59:35 | 1:59:37 | |
# Gloria | 1:59:37 | 1:59:38 | |
# Make me feel all right | 1:59:38 | 1:59:40 | |
# Gloria | 1:59:40 | 1:59:42 | |
# Well, well, well, well, well | 1:59:42 | 1:59:44 | |
# Gloria | 1:59:44 | 1:59:46 | |
# Yeah, yeah, yeah, yeah, yeah | 1:59:46 | 1:59:48 | |
# Gloria | 1:59:48 | 1:59:49 | |
# Gloria! # | 1:59:51 | 1:59:53 | |
APPLAUSE AND CHEERING | 2:00:19 | 2:00:21 | |
# Gloria! # | 2:00:21 | 2:00:26 |