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CHEERING AND APPLAUSE Welcome to Later. Welcome to Red | :01:07. | :01:17. | |
:01:17. | :01:46. | ||
# Lipstick junkie debunked # Ticktock, I want to rock you | :01:46. | :01:56. | |
:01:56. | :02:33. | ||
# She told me to and showed me # Rain-dance Maggie advances to | :02:33. | :02:43. | |
:02:43. | :02:57. | ||
# Little did I know her body was # She told me to and showed me | :02:57. | :03:07. | |
:03:07. | :03:07. | ||
Apology for the loss of subtitles for 47 seconds | :03:07. | :03:54. | |
# We've got the wrong girl # She told me to and showed me | :03:55. | :04:04. | |
:04:05. | :04:05. | ||
Apology for the loss of subtitles for 47 seconds | :04:05. | :05:34. | |
# She told me to and showed me APPLAUSE | :05:34. | :05:42. | |
Thank you, Red Hot Chili Peppers! More of them later. A lovely line- | :05:42. | :05:52. | |
up of amazingly talented people. Michael Kiwanuka. From East London, | :05:52. | :05:59. | |
we welcome into the room, Spector. It is a delight to welcome back | :05:59. | :06:06. | |
into the room from Iceland, Bjork. There you are in the middle! From | :06:06. | :06:12. | |
Nashville one of the most beautiful voices, yes, we have Gillian Welch. | :06:12. | :06:21. | |
APPLAUSE Now, with a wonderful, brand-new solo album, please give | :06:21. | :06:31. | |
:06:31. | :06:48. | ||
# I keeping my head down now # I'm outta my mind | :06:48. | :06:52. | |
# I'm gonna take that tiger outside for a ride | :06:52. | :07:01. | |
# What a life | :07:01. | :07:08. | |
# What a life | :07:08. | :07:18. | |
:07:18. | :07:21. | ||
# Keep on chasing down that rainbow | :07:21. | :07:27. | |
# You'll never know what you might find | :07:27. | :07:34. | |
# Over the sunset on the horizon | :07:34. | :07:37. | |
# Maybe you dream but it tastes like poison | :07:37. | :07:42. | |
# I'm gonna take that tiger outside for a ride | :07:42. | :07:50. | |
# What a life | :07:50. | :07:57. | |
# What a life | :07:57. | :08:07. | |
:08:07. | :08:21. | ||
# What a life | :08:21. | :08:31. | |
:08:31. | :08:31. | ||
Apology for the loss of subtitles for 47 seconds | :08:31. | :09:45. | |
AKA...What A Life from Noel Gallagher's High Flying Birds. | :09:45. | :09:53. | |
APPLAUSE. Now, please divert your eyes in this direction and welcome | :09:53. | :10:03. | |
:10:03. | :10:16. | ||
# Stirring at water's edge # My mind in whirls | :10:16. | :10:26. | |
:10:26. | :10:32. | ||
# May I, can I, or have I too often? Craving miracles | :10:32. | :10:42. | |
:10:42. | :10:42. | ||
# May I, can I, or have I too often now? | :10:42. | :10:49. | |
# Craving miracles Craving miracles | :10:49. | :10:59. | |
:10:59. | :11:02. | ||
# No-one imagines the light shock I need | :11:02. | :11:11. | |
# And I'll never know From whose hands, deeply humble | :11:11. | :11:21. | |
:11:21. | :11:26. | ||
# Dangerous gifts as such to mine come | :11:26. | :11:36. | |
:11:36. | :11:40. | ||
# May I, can I, or have I too often? Craving miracles | :11:40. | :11:48. | |
# May I, can I, or have I too often now? | :11:48. | :11:56. | |
# Craving miracles Craving miracles | :11:56. | :12:04. | |
# Universal intimacy, all embracing | :12:04. | :12:09. | |
# My romantic gene is dominant and it hungers for union | :12:09. | :12:18. | |
# Universal intimacy, all embracing | :12:18. | :12:28. | |
:12:28. | :12:36. | ||
# May I, should I or have I too often | :12:36. | :12:42. | |
# Craved miracles? | :12:42. | :12:45. | |
# May I, can I or have I too often Craved miracles? | :12:45. | :12:54. | |
# Crave | :12:54. | :12:58. | |
# Waves irregularly striking Wind stern in my face | :12:58. | :13:07. | |
# Waves irregularly striking Wind stern in my face | :13:07. | :13:14. | |
# Thunderstorm, come Scrape those barnacles off me! | :13:14. | :13:24. | |
:13:24. | :13:36. | ||
# May I, may I or should I too often Crave miracles? | :13:37. | :13:46. | |
:13:47. | :13:48. | ||
# May I or should I or have I too often | :13:48. | :13:56. | |
# All my body parts are one as lightning hits my spine | :13:57. | :14:06. | |
:14:07. | :14:12. | ||
# Sparkling, prime runs through me Revive my wish inviolable | :14:12. | :14:22. | |
:14:22. | :14:32. | ||
# May I, can I, or have I too often? Craving miracles | :14:32. | :14:42. | |
# May I, can I, should I or have I too often? | :14:42. | :14:47. | |
# Craving miracles. # | :14:47. | :14:57. | |
:14:57. | :14:58. | ||
# Craving miracles. # | :14:58. | :15:03. | |
# Craving miracles. # | :15:03. | :15:08. | |
CHEERING AND APPLAUSE | :15:08. | :15:18. | |
:15:18. | :15:21. | ||
The | :15:21. | :15:21. | |
The incredible | :15:21. | :15:21. | |
The incredible Bjork! | :15:21. | :15:31. | |
:15:31. | :15:35. | ||
The incredible Bjork! Thank you, Bjork. More from her later on. Now | :15:35. | :15:40. | |
I go to this corner of the room where a man has his first brilliant | :15:40. | :15:45. | |
solo album - well he doesn't have it there - I have it here. He is | :15:45. | :15:51. | |
Noel Gallagher. Welcome back to the show. APPLAUSE Very lovely record. | :15:51. | :16:00. | |
I have been enjoying it very much. Is that the ideal for the person to | :16:00. | :16:05. | |
listen to it? I don't know, I can't drive! Making a solo record, did | :16:05. | :16:09. | |
you find that daunting? Were you looking forward to it? I didn't | :16:09. | :16:13. | |
announce I was making one. By the time the speculation started, or | :16:13. | :16:18. | |
whatever it was, it was already finished. I didn't really - no, I | :16:19. | :16:23. | |
took it day-by-day and song by song. I had a lot of material. I hadn't | :16:23. | :16:27. | |
thought about it. Did you think about it differently than you would | :16:27. | :16:32. | |
have done if it had been an Oasis record? I have never sat down to | :16:32. | :16:36. | |
write an album. I write all the time. When I go in the studio, I | :16:36. | :16:40. | |
have a bunch of songs. I never sit down to write a project as such. | :16:40. | :16:45. | |
Again, I never thought about it. I don't really think of things like | :16:45. | :16:49. | |
that. I record the Best Songs I think I have got and see how it | :16:49. | :16:53. | |
goes. You have written some amazing songs. Is there any songs you would | :16:54. | :17:01. | |
have liked to have written? Apart from Kill For Cats?! I don't get | :17:02. | :17:11. | |
:17:12. | :17:13. | ||
song envy. Not so much envy, but admiration? Erm... A lot of Neil | :17:14. | :17:18. | |
Young. I listen to his albums and think I'm going to be like him one | :17:18. | :17:22. | |
day! Do you remember the last time on the show? It was about ten years | :17:22. | :17:27. | |
ago. It was about 16 years ago. it really? Unbelievable! It is true. | :17:27. | :17:37. | |
:17:37. | :17:46. | ||
Would you like to be reminded of # There are many things | :17:46. | :17:51. | |
# That I would like to say to you # But I don't know how | :17:51. | :17:57. | |
# I don't know how # Said maybe | :17:57. | :18:02. | |
# You are gonna be the one that saves me | :18:02. | :18:12. | |
:18:12. | :18:13. | ||
# And after all # Your oar my wonderwall -- your | :18:13. | :18:23. | |
:18:23. | :18:23. | ||
ear my wonderwall. # APPLAUSE Happy memories of that? | :18:23. | :18:30. | |
Not really, no. Famously, it was another one where the singer didn't | :18:30. | :18:34. | |
bother turning up! LAUGHTER stood in the corridor over there | :18:34. | :18:40. | |
and somebody said, "It is down to you again." If you want a job doing | :18:40. | :18:46. | |
properly? Yes, it was not a great day. No. Nor a great top, or a | :18:46. | :18:49. | |
great haircut! The haircut was all right. You don't have to worry | :18:49. | :18:53. | |
about that any more. What is the next song? It is called The Death | :18:53. | :18:59. | |
Of You And Me. It was my first single off the new album. What | :18:59. | :19:05. | |
inspired that? I guess living in London, the big city, longing to | :19:05. | :19:13. | |
see if the grass is greener on the other side. You are best staying | :19:13. | :19:19. | |
where you are. It's the same as it is where you are. The grass is | :19:19. | :19:24. | |
grass? Yeah. LAUGHTER On that bombshell... My bass player knows | :19:24. | :19:34. | |
:19:34. | :19:35. | ||
all about that! Speaking of London, and gardens, let's have a lovely | :19:35. | :19:45. | |
:19:45. | :20:03. | ||
band - Spector! Thank you very much, # Not coming back | :20:03. | :20:13. | |
:20:13. | :20:15. | ||
# Give me a minute # There's a Chevy Thunder | :20:15. | :20:24. | |
# You know you could've been here honey | :20:24. | :20:26. | |
# Sitting by my right hand side | :20:26. | :20:29. | |
# Tonight I take your father's car And drive drive drive | :20:29. | :20:35. | |
# And whatever I never could ever let you go | :20:35. | :20:37. | |
# I'm a lover above a beating heart below | :20:37. | :20:39. | |
# And I'm riding, I'm riding as fast as this car goes | :20:39. | :20:42. | |
# Chevy Thunder, Chevy Chevy Thunder | :20:42. | :20:52. | |
:20:52. | :20:55. | ||
# Whoa oh oh oh ah | :20:55. | :20:57. | |
# Once in a while or twice in a while | :20:57. | :20:58. | |
# When Heaven breaks I see you smile | :20:58. | :21:00. | |
# I know it hurts I know it hurts | :21:00. | :21:03. | |
# I know, oh | :21:03. | :21:05. | |
# Whoo ah oh oh oh | :21:05. | :21:07. | |
# I'm not what you want You fell in love with an idea | :21:07. | :21:11. | |
# And I was never never never never never enough | :21:11. | :21:14. | |
# Tonight I'm riding out of here | :21:14. | :21:17. | |
# You know you could've been here honey | :21:17. | :21:20. | |
# Sitting by my right hand side | :21:20. | :21:22. | |
# Tonight I take your father's car And drive drive drive | :21:22. | :21:28. | |
# And whatever I never could ever let you go | :21:28. | :21:30. | |
# I'm a lover above a beating heart below | :21:30. | :21:33. | |
# And I'm riding, I'm riding as fast as this car goes | :21:33. | :21:36. | |
# Chevy Thunder, Chevy Chevy Thunder | :21:36. | :21:39. | |
# And whatever I never could ever let you go | :21:39. | :21:41. | |
# I'm a lover above a beating heart below | :21:41. | :21:44. | |
# And I'm riding, I'm riding as fast as this car goes | :21:44. | :21:46. | |
# Chevy Thunder, Chevy Chevy Thunder | :21:46. | :21:49. | |
# There's only so many ways to wake up | :21:49. | :21:59. | |
:21:59. | :22:15. | ||
# There's only so many ways to wake up | :22:15. | :22:16. | |
# To wake up next to you | :22:16. | :22:20. | |
# But every single time feels like I'm waking up anew | :22:20. | :22:30. | |
:22:30. | :22:31. | ||
# Just give me one little piece of your heart | :22:31. | :22:36. | |
# And I swear I will be true | :22:36. | :22:41. | |
# Just give me one little piece of your heart | :22:42. | :22:47. | |
# And I'll break my own in two For you | :22:47. | :22:55. | |
# And whatever I never could ever let you go | :22:56. | :22:58. | |
# I'm a lover above a beating heart below | :22:58. | :23:01. | |
# And I'm riding, I'm riding as fast as this car goes | :23:01. | :23:04. | |
# Chevy Thunder, Chevy Chevy Thunder | :23:04. | :23:06. | |
# And whatever I never could ever let you go | :23:06. | :23:09. | |
# I'm a lover above a beating heart below | :23:09. | :23:11. | |
# And I'm riding, I'm riding as fast as this car goes | :23:11. | :23:15. | |
# Chevy Thunder Chevy Chevy Thunder. # | :23:15. | :23:21. | |
CHEERING AND APPLAUSE | :23:21. | :23:31. | |
:23:31. | :23:36. | ||
That | :23:36. | :23:36. | |
That was | :23:36. | :23:36. | |
That was Spector. | :23:36. | :23:40. | |
That was Spector. Now go we go over to this corner and last night | :23:40. | :23:44. | |
somebody went to see this next artist in Manchester. They said it | :23:44. | :23:52. | |
was so beautiful it made them cry. It is indeed sensational! Please | :23:52. | :24:02. | |
:24:02. | :24:02. | ||
Apology for the loss of subtitles for 47 seconds | :24:02. | :24:43. | |
# And it left me with # And I feel the wind | :24:43. | :24:53. | |
:24:53. | :24:53. | ||
Apology for the loss of subtitles for 47 seconds | :24:53. | :26:02. | |
# But oh, ain't the night-time # Don't all the nightbirds | :26:02. | :26:12. | |
:26:12. | :26:14. | ||
# You'll never know how happy I'll be | :26:14. | :26:24. | |
:26:24. | :26:24. | ||
# When the sun's going down | :26:24. | :26:34. | |
:26:34. | :26:35. | ||
# And leave me if I'm feeling too lonely | :26:35. | :26:43. | |
# Full as the fruit on the vine | :26:43. | :26:53. | |
:26:53. | :26:54. | ||
You know some girls are bright as the morning | :26:54. | :27:03. | |
# And some have a dark turn of mind | :27:03. | :27:13. | |
:27:13. | :27:25. | ||
# Mmm mmm-mmm | :27:25. | :27:35. | |
:27:35. | :27:35. | ||
# You know some girls are bright as the morning | :27:35. | :27:45. | |
# And some girls are blessed with a dark turn of mind. # | :27:45. | :27:55. | |
:27:55. | :27:56. | ||
CHEERING AND APPLAUSE | :27:56. | :28:06. | |
:28:06. | :28:32. | ||
# Stiff club, it's my nature Custom love is the nomenclature | :28:32. | :28:34. | |
# Turn down mass confusion | :28:34. | :28:35. | |
# Hit the road because we just keep cruisin' | :28:35. | :28:38. | |
# Double my fun, double my vision Long hard look at my last decision | :28:38. | :28:40. | |
# Hustle here, hustle there Hustle me and you best beware | :28:40. | :28:47. | |
# It's emotional and I told you so But you had to know so I told you | :28:47. | :28:55. | |
# Soft walk to horizon One big crash that no-one dies in | :28:55. | :28:59. | |
# This for the folks in Fayetteville It'll come true if you say it will | :28:59. | :29:04. | |
# Look around Look around | :29:04. | :29:06. | |
# Look around | :29:06. | :29:08. | |
# All around All around | :29:08. | :29:15. | |
# Look around Look around | :29:15. | :29:18. | |
# All around All around | :29:18. | :29:20. | |
# It's emotional and I told you so But you had to know so I told you | :29:21. | :29:30. | |
:29:31. | :29:32. | ||
# It's emotional and I told you so But you had to know so I told you | :29:32. | :29:37. | |
# Please don't look right through me | :29:37. | :29:39. | |
# Hurts my heart when you do that to me | :29:39. | :29:41. | |
# Street lights out my window | :29:41. | :29:43. | |
# City may breeze gonna stroke my skin though | :29:43. | :29:46. | |
# Just a lot of words on an old brick wall | :29:46. | :29:47. | |
# Rob a lot of banks Got a pedigree straw | :29:47. | :29:50. | |
# Put my peg into your square Run around like we just don't care | :29:50. | :29:56. | |
# Look around Look around, look around | :29:56. | :29:58. | |
# All around All around | :29:59. | :30:05. | |
# Look around Look around, look around | :30:05. | :30:09. | |
# All around All around | :30:09. | :30:10. | |
# Oh yeah, ah | :30:10. | :30:13. | |
# Woo! | :30:13. | :30:16. | |
# Woo! | :30:16. | :30:26. | |
:30:26. | :30:41. | ||
# Move it, ah, gotta get ya Wanna getcha | :30:41. | :30:42. | |
# Move it ah gotta get ya Gonna getcha | :30:42. | :30:45. | |
# Move it, ah, gotta get ya Wanna getcha | :30:45. | :30:46. | |
# Move it ah gotta get ya Gonna getcha | :30:46. | :30:48. | |
# Move it, ah, gotta get ya Wanna getcha | :30:48. | :30:50. | |
# Move it ah gotta get ya Gonna getcha | :30:50. | :30:51. | |
# Move it, ah, gotta get ya Wanna getcha | :30:51. | :30:54. | |
# Look around Look around, look around | :30:54. | :30:57. | |
# All around All around, all around | :30:57. | :31:00. | |
# Look around Look around, look around | :31:01. | :31:05. | |
# All around All around, all around | :31:05. | :31:08. | |
# Oh yeah, ah. # | :31:08. | :31:18. | |
:31:18. | :31:18. | ||
# All around All around | :31:18. | :31:28. | |
:31:28. | :31:29. | ||
CHEERING AND APPLAUSE | :31:29. | :31:39. | |
:31:39. | :31:40. | ||
Red | :31:40. | :31:41. | |
Red Hot | :31:41. | :31:41. | |
Red Hot Chili | :31:41. | :31:51. | |
:31:51. | :31:54. | ||
Red Hot Chili Peppers! APPLAUSE Before that, we enjoined the | :31:54. | :31:59. | |
sensational Gillian Welch. APPLAUSE Now the man who I spoke to at the | :31:59. | :32:09. | |
:32:09. | :32:26. | ||
piano, please welcome Noel # The kids are looking pretty | :32:26. | :32:34. | |
# With thoughts of going under and is it any wonder | :32:34. | :32:39. | |
# Why the sea is calling out to me | :32:39. | :32:42. | |
# I seem to spend my whole life running from people who would be | :32:42. | :32:48. | |
# The death of you and me | :32:48. | :32:50. | |
# Cos I can feel the storm clouds sucking up my soul | :32:50. | :33:00. | |
:33:00. | :33:07. | ||
# High tide, life is getting faster And no-one has the answer | :33:07. | :33:12. | |
# I try to face the day though In a new way | :33:12. | :33:16. | |
# The bottom of a bottle Is every man's apostle | :33:17. | :33:24. | |
# Let's run away together You and me forever, we'd be free | :33:24. | :33:27. | |
# Free to spend our whole lives running from people who would be | :33:27. | :33:32. | |
# The death of you and me | :33:32. | :33:35. | |
# Cos I can feel the storm clouds sucking up my soul | :33:35. | :33:45. | |
:33:45. | :34:06. | ||
# Let's run away and see Forever we'd be free | :34:06. | :34:08. | |
# Free to spend our whole lives running from people who would be | :34:08. | :34:12. | |
# The death of you and me | :34:12. | :34:19. | |
# Cos I can feel the storm clouds coming | :34:19. | :34:21. | |
# Watching my TV or is it watching me? | :34:21. | :34:27. | |
# I see another new day dawning It's rising over me, my mortality | :34:27. | :34:34. | |
# And I can feel the storm clouds sucking up my soul. # | :34:34. | :34:44. | |
:34:44. | :35:06. | ||
CHEERING AND APPLAUSE | :35:06. | :35:16. | |
:35:16. | :35:21. | ||
Noel | :35:21. | :35:21. | |
Noel Gallagher's | :35:21. | :35:21. | |
Noel Gallagher's High | :35:21. | :35:26. | |
Noel Gallagher's High Flying Birds. APPLAUSE | :35:26. | :35:30. | |
The Death Of You And Me from his brilliant new album, AKA...What A | :35:30. | :35:37. | |
Life. Noel Gallagher! I am delighted to welcome Antony and | :35:37. | :35:40. | |
Josh from Red Hot Chili Peppers, at this table here. Nice to see you | :35:40. | :35:45. | |
both. Welcome back to the show. Thank you. The band is sounding | :35:45. | :35:50. | |
great. It is five years since the last record. And how come you left | :35:50. | :35:55. | |
it so long? Five years, is that right? It seems like five. It is | :35:55. | :36:00. | |
never really that long. Maybe since we actually recorded the record | :36:00. | :36:05. | |
before it but then we go out on the road for years on end, took a | :36:05. | :36:09. | |
little break and found Josh. Exactly. How did you find Josh? | :36:09. | :36:13. | |
Erm... Josh is a friend who happened to be in our circle of | :36:13. | :36:19. | |
people and it was just kind of a perfect and magical transition | :36:19. | :36:23. | |
where our previous guitar player, John, was ready to do something | :36:23. | :36:26. | |
else and we said that sounds sensible and then we thought about | :36:26. | :36:31. | |
it for a while and just let it come to us where we should go. Instead | :36:31. | :36:36. | |
of forcing some weird uncomfortable awkward direction, we drifted | :36:36. | :36:44. | |
towards... The comfortable job! Which has been not too praise him | :36:44. | :36:48. | |
too wildly on television, but it's been the greatest thing that could | :36:48. | :36:54. | |
have ever happened to us. He sounds great. Do you feel as if you have | :36:54. | :36:58. | |
blended straight in? I have known these guys for a while. Is it a | :36:59. | :37:02. | |
difficult group to fit into? really. They are so open and they | :37:02. | :37:06. | |
are kind of, they want me to be me and have as much fun as they are. | :37:06. | :37:12. | |
When you are on tour, do you - what do you do? Do you see the sights in | :37:12. | :37:17. | |
the cities you are in? Sometimes the sights, I have been bringing my | :37:17. | :37:22. | |
son on tour with me and I try to show him around a bit, he is four. | :37:22. | :37:26. | |
Show him the world! Show him the world. That is a good time to see | :37:26. | :37:33. | |
it, before it ends! True, before it ends. It could be next year. | :37:33. | :37:37. | |
that right? I knew there would be something else to worry about. | :37:37. | :37:42. | |
have a year. It is great to you have on the show. You blend in | :37:42. | :37:46. | |
beautifully. We love Josh. By the way, Bjork was wild and wonderful, | :37:46. | :37:51. | |
that was so cool. Great. She is great. A great line-up of guests. | :37:51. | :37:55. | |
You are one of them. Nice to have you both here. Thank you very much, | :37:55. | :38:00. | |
Antony and Josh. We will be hearing more from the Red Hot Chili Peppers | :38:00. | :38:05. | |
later. Now, a marvellous new artist from London, we welcome Michael | :38:05. | :38:15. | |
:38:15. | :38:15. | ||
Apology for the loss of subtitles for 47 seconds | :38:15. | :39:26. | |
# Sing me a song # Lord I need loving | :39:26. | :39:36. | |
:39:36. | :39:56. | ||
# Lord I need loving # Show me some strength | :39:56. | :40:06. | |
:40:06. | :40:39. | ||
# Give me a sound # Sing me a song | :40:39. | :40:49. | |
:40:49. | :41:04. | ||
# Lord I need loving # Lord I need loving | :41:04. | :41:14. | |
:41:14. | :41:14. | ||
Apology for the loss of subtitles for 47 seconds | :41:14. | :42:03. | |
Lord I need loving # Whoa whoa oh-oh | :42:03. | :42:13. | |
:42:13. | :42:17. | ||
# Yeah # Tell me a story that I believe | :42:17. | :42:27. | |
:42:27. | :42:34. | ||
# Tell me a tale that always was # Tell me a story that I believe | :42:34. | :42:44. | |
:42:44. | :42:44. | ||
Apology for the loss of subtitles for 47 seconds | :42:44. | :43:36. | |
# Hey CHEERING AND APPLAUSE | :43:36. | :43:46. | |
:43:46. | :43:59. | ||
# Began to sing a song that became The world we know | :43:59. | :44:08. | |
# Heaven, heaven's bodies Whirl around me, make me wonder | :44:08. | :44:18. | |
:44:18. | :44:24. | ||
# And they say back then Our universe was a cold black egg | :44:24. | :44:34. | |
# Until the god inside burst out And from its shattered shell | :44:34. | :44:44. | |
:44:44. | :44:50. | ||
# He made what became The world we know | :44:50. | :44:57. | |
# Heaven, heaven's bodies Whirl around me, make me wonder | :44:57. | :45:07. | |
:45:07. | :45:11. | ||
# And they say back then Our universe was an endless land | :45:11. | :45:21. | |
:45:21. | :45:21. | ||
# Until our ancestors woke up And before they went back to sleep | :45:21. | :45:31. | |
:45:31. | :45:34. | ||
# They carved it up into The world we know | :45:34. | :45:44. | |
:45:44. | :45:44. | ||
# Heaven, heaven's bodies Whirl around me, make me wonder | :45:44. | :45:54. | |
:45:54. | :45:58. | ||
# And they say back then Our universe wasn't even there | :45:58. | :46:08. | |
:46:08. | :46:09. | ||
# Until a sudden bang And then there was light, was sound | :46:09. | :46:18. | |
# Was matter and it all became The world we know | :46:18. | :46:28. | |
:46:28. | :46:32. | ||
# Heaven, heaven's bodies Whirl around me, dance eternal. # | :46:32. | :46:42. | |
:46:42. | :47:17. | ||
# Ooooh | :47:17. | :47:27. | |
:47:27. | :47:30. | ||
# Ooooh | :47:31. | :47:40. | |
:47:41. | :47:53. | ||
The | :47:53. | :47:53. | |
The amazing | :47:53. | :47:53. | |
The amazing Bjork! | :47:53. | :48:00. | |
The amazing Bjork! That was Cosmogony. The amazing Bjork and | :48:00. | :48:04. | |
her incredible choir. Before that, we enjoyed Michael Kiwanuka. | :48:04. | :48:10. | |
APPLAUSE Please be hushed in the room and turn your television sets | :48:10. | :48:16. | |
up as much as you can to hear the beautiful enchanting sound of | :48:16. | :48:26. | |
:48:26. | :48:34. | ||
# Becky Johnson bought the farm # That's the way that it goes | :48:34. | :48:37. | |
# And her brother laid her down In the cold Kentucky ground | :48:37. | :48:43. | |
# That's the way that it goes That's the way | :48:43. | :48:49. | |
# That's the way that it goes | :48:49. | :48:53. | |
# Everybody's buying little baby clothes | :48:53. | :48:58. | |
# That's the way that it ends | :48:58. | :49:04. | |
# Though there was a time when she and I were friends | :49:04. | :49:11. | |
# Well, Miranda ran away Took her cat and left LA | :49:11. | :49:16. | |
# That's the way that it goes That's the way | :49:16. | :49:20. | |
# She was busted, broke and flat Had to sell that pussy cat | :49:20. | :49:26. | |
# That's the way that it goes That's the way | :49:26. | :49:31. | |
# That's the way that it goes | :49:31. | :49:36. | |
# Everybody's buying little baby clothes | :49:36. | :49:41. | |
# That's the way that it ends | :49:41. | :49:46. | |
# Though there was a time when he and I were friends | :49:46. | :49:56. | |
# See the brightest ones of all Early in October fall | :49:56. | :49:59. | |
# That's the way that it goes That's the way | :49:59. | :50:05. | |
# While the dark ones go to bed With good whiskey in their head | :50:05. | :50:15. | |
:50:15. | :50:15. | ||
# That's the way that it goes That's the way | :50:15. | :50:25. | |
:50:25. | :50:32. | ||
# Now Billy Joe's back in the tank You tell Russo, I'll tell Frank | :50:32. | :50:35. | |
# That's the way that it goes That's the way | :50:35. | :50:41. | |
# Did he throw her down a well? Did she leave him for that swell? | :50:41. | :50:46. | |
# That's the way that it goes That's the way | :50:46. | :50:50. | |
# That's the way that it goes | :50:50. | :50:56. | |
# Everybody's buying little baby clothes | :50:56. | :51:01. | |
# That's the way that it ends | :51:01. | :51:06. | |
# Though there was a time when all of us were friends | :51:06. | :51:16. | |
# When you lay me down to rest Leave a pistol in my vest | :51:16. | :51:19. | |
# That's the way that it goes That's the way | :51:19. | :51:24. | |
# Do you miss my gentle touch? Did I hurt you very much? | :51:24. | :51:29. | |
# That's the way that it goes That's the way | :51:29. | :51:39. | |
:51:39. | :51:57. | ||
# That's the way that it goes | :51:57. | :52:00. | |
# Everybody's buying little baby clothes | :52:00. | :52:05. | |
# That's the way that it ends | :52:05. | :52:10. | |
# Though there was a time when you and I were friends. # | :52:10. | :52:17. | |
CHEERING AND APPLAUSE | :52:17. | :52:27. | |
:52:27. | :52:31. | ||
Gillian | :52:31. | :52:31. | |
Gillian Welch! | :52:31. | :52:31. | |
Gillian Welch! APPLAUSE | :52:31. | :52:40. | |
Gillian Welch! APPLAUSE That | :52:40. | :52:41. | |
That was | :52:41. | :52:41. | |
That was The | :52:41. | :52:41. | |
That was The Way | :52:41. | :52:44. | |
That was The Way It Goes. Gillian Welch! Did you like that? It was | :52:45. | :52:54. | |
:52:55. | :52:59. | ||
great. Bjork loved it. Now back to # You know I'll never fade away | :52:59. | :53:09. | |
:53:09. | :53:21. | ||
# But if I do, it will be because # You know I'll never break into | :53:21. | :53:31. | |
:53:31. | :53:39. | ||
# You know I'll never break into # But if I do, it will be because | :53:39. | :53:49. | |
:53:49. | :54:00. | ||
# But if I do, it will be because # I know you laugh behind my back | :54:00. | :54:10. | |
:54:10. | :54:32. | ||
# But one day it will turn around # You know I'll never fade away | :54:33. | :54:42. | |
:54:43. | :54:43. | ||
Apology for the loss of subtitles for 47 seconds | :54:43. | :55:25. | |
# But if I do, it will be because # Give me the word | :55:25. | :55:26. | |
# Whatever you say You know I'll never fade away | :55:26. | :55:33. | |
# You know I'll never fade away You know I'll never fade away | :55:34. | :55:37. | |
# I'm down at my knees could I get | :55:37. | :55:38. | |
# Give me the word and I will disappear | :55:38. | :55:47. | |
# Whatever you say You know I'll never fade away | :55:47. | :55:51. | |
# You know I'll never fade away You know I'll never fade away | :55:51. | :56:01. | |
:56:01. | :56:05. | ||
# But if I do, it will be because you ask me to | :56:05. | :56:15. | |
:56:15. | :56:16. | ||
# But if I do, it will be because you ask me to | :56:16. | :56:26. | |
:56:26. | :56:29. | ||
CHEERING AND APPLAUSE | :56:29. | :56:39. | |
:56:39. | :56:51. | ||
# If I had a gun, I'd shoot a hole into the sun | :56:51. | :56:56. | |
# And love would burn this city down for you | :56:56. | :57:03. | |
# If I had the time, I'd stop the world and make you mine | :57:03. | :57:09. | |
# And every day would stay the same with you | :57:09. | :57:19. | |
:57:19. | :57:28. | ||
# I'll give you back the dream | :57:28. | :57:31. | |
# And show you now what might have been | :57:32. | :57:33. | |
# If all the tears you cry would fade away | :57:33. | :57:40. | |
# I'll be by your side when they come to say goodbye | :57:40. | :57:46. | |
# And we will live to fight another day | :57:46. | :57:52. | |
# Excuse me if I spoke too soon | :57:52. | :57:56. | |
# My eyes have always followed you around the room | :57:56. | :58:02. | |
# Cos you're the only god that I'll ever need | :58:02. | :58:08. | |
# I'm holding on, I'm waiting for the moment to find me | :58:08. | :58:18. | |
:58:18. | :58:44. | ||
# Hope I didn't speak too soon | :58:44. | :58:45. | |
# My eyes have always followed you around the room | :58:45. | :58:50. | |
# Cos you're the only god that I'll ever need | :58:50. | :58:56. | |
# I'm holding on I'm waiting for the moment | :58:56. | :59:01. | |
# For my heart to be unbroken by the seams | :59:01. | :59:11. | |
:59:11. | :59:15. | ||
# Let me fly you to the moon | :59:15. | :59:25. | |
:59:25. | :59:36. | ||
# Let me fly you to the moon | :59:36. | :59:38. | |
# My eyes have always followed you around the room | :59:38. | :59:43. | |
# Cos you're the only god that I'll ever need | :59:43. | :59:53. | |
:59:53. | :59:55. | ||
# I'm holding on, I'm waiting for the moment to find me | :59:55. | :00:05. | |
:00:05. | :00:10. | ||
# If I had a gun I'd shoot a hole into the sun | :00:10. | :00:15. | |
# And love would burn this city down for you. # | :00:15. | :00:22. | |
CHEERING AND APPLAUSE | :00:22. | :00:32. | |
:00:32. | :00:33. | ||
Thank | :00:33. | :00:33. | |
Thank you | :00:33. | :00:35. | |
Thank you Noel | :00:35. | :00:41. | |
Thank you Noel Gallagher's High Flying Birds. APPLAUSE What a | :00:41. | :00:47. | |
fantastic new solo album. It is time to thank all our guests. Thank | :00:47. | :00:54. | |
you, Gillian Welch. Thank you the amazing Bjork. And her beautiful | :00:54. | :01:04. | |
:01:04. | :01:04. | ||
choir. Thank you Spector. Thank you, Michael Kiwanuka. It is now our | :01:04. | :01:09. | |
last show of this series. We will be back next year for more. If you | :01:09. | :01:14. | |
are around on New Year's Eve would you join me? Now, we finish where | :01:14. | :01:18. | |
we started and we are delighted to have them here in the room, Red Hot | :01:18. | :01:28. | |
:01:28. | :01:39. | ||
# The crimson tide is flowing # The promise of a clean regime | :01:39. | :01:49. | |
:01:49. | :02:03. | ||
# The calicoes of Pettibon # Several of my best friends | :02:03. | :02:13. | |
:02:13. | :02:13. | ||
Apology for the loss of subtitles for 47 seconds | :02:13. | :02:57. | |
# And Sherry wants to # Several of my best friends | :02:57. | :03:07. | |
:03:07. | :03:07. | ||
Apology for the loss of subtitles for 47 seconds | :03:07. | :04:01. | |
# And Sherry wants to # Several of my best friends | :04:01. | :04:11. | |
:04:11. | :04:48. |