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APPLAUSE Welcome to Later, and welcome to | :02:56. | :03:06. | |
:03:06. | :03:17. | ||
Let's all go on an urban safari That means council-housed | :03:17. | :03:22. | |
On second thoughts, don't It's too late | :03:22. | :03:26. | |
He's got some front, ain't we all? What's politics, ain't it all? | :03:26. | :03:30. | |
All year round, all in all Just another brick in the wall | :03:30. | :03:32. | |
Get away with murder in the schools | :03:32. | :03:34. | |
Use four-letter swear words cos we're cool | :03:34. | :03:36. | |
We're all drinkers, drug takers | :03:36. | :03:37. | |
Every single one of us burns the herb | :03:37. | :03:39. | |
Keep on believing what you read in the papers | :03:39. | :03:41. | |
Council estate kids Scum of the earth | :03:41. | :03:43. | |
Think you know how life on a council estate is | :03:43. | :03:45. | |
From everything you've ever read about it or heard | :03:45. | :03:47. | |
Well, it's all true So stay where you're safest | :03:47. | :03:48. | |
There's no need to step foot out the burbs | :03:48. | :03:50. | |
Truth is here, we're all disturbed We cheat and lie, it's so absurd | :03:50. | :03:52. | |
Feed the fear That's what we've learned | :03:52. | :03:54. | |
Fuel the fire Let it burn | :03:54. | :03:57. | |
Oi! I said oi! | :03:58. | :04:01. | |
What you looking at You little rich boy? | :04:01. | :04:04. | |
We're poor round here Run home and lock your door | :04:05. | :04:07. | |
Don't come round here no more You could get robbed for | :04:07. | :04:11. | |
Real Because my manor's ill | :04:11. | :04:14. | |
My manor's ill For real | :04:14. | :04:20. | |
Yeah, you know my manor's ill My manor's ill! | :04:20. | :04:24. | |
You could get lost in this concrete jungle | :04:24. | :04:26. | |
New builds keep springing up outta nowhere | :04:26. | :04:28. | |
Take the wrong turn down a one-way junction | :04:28. | :04:30. | |
Find yourself in the hood Nobody goes there | :04:30. | :04:32. | |
We got an eco-friendly government They preserve our natural habitat | :04:32. | :04:34. | |
Built an entire Olympic village | :04:34. | :04:37. | |
Around where we live without pulling down any flats | :04:37. | :04:39. | |
Give us free money and we don't pay any tax | :04:39. | :04:41. | |
NHS healthcare, yes please Many thanks | :04:41. | :04:42. | |
People get stabbed round here There's many shanks | :04:42. | :04:44. | |
Nice knowing someone's got our backs when we get attacked | :04:44. | :04:46. | |
Don't bloody give me that I'll lose my temper | :04:46. | :04:48. | |
Who closed down the community centre? | :04:48. | :04:49. | |
I killed time there Used to be a member | :04:49. | :04:52. | |
What will I do now till September? | :04:52. | :04:54. | |
School's out, rules out Get your bloody tools out | :04:54. | :04:55. | |
London's burning I predict a riot | :04:55. | :04:56. | |
Fall in, fall out Who knows what it's all about | :04:56. | :04:58. | |
What did that chief say? Something 'bout the Kaisers | :04:58. | :04:59. | |
Kids on the street, no They never miss a beat | :05:00. | :05:01. | |
Never miss a cheap thrill when it comes their way | :05:01. | :05:03. | |
Let's go looting No, not Luton | :05:03. | :05:06. | |
The high street's closer Cover your face | :05:06. | :05:07. | |
And if we see any rich kids on the way | :05:07. | :05:09. | |
We'll make 'em wish they stayed inside | :05:09. | :05:12. | |
There's a charge for congestion Everybody's gotta pay | :05:12. | :05:14. | |
Do what Boris does, rob them blind | :05:14. | :05:16. | |
Oi! I said oi! | :05:16. | :05:18. | |
What you looking at You little rich boy? | :05:18. | :05:20. | |
We're poor round here Run home and lock your door | :05:21. | :05:26. | |
Don't come round here no more You could get robbed for | :05:26. | :05:29. | |
Real Because my manor's ill | :05:29. | :05:33. | |
My manor's ill For real | :05:33. | :05:39. | |
Yeah, you know my manor's ill My manor's ill! | :05:39. | :05:44. | |
Oi, oi, oi, oi | :05:44. | :05:48. | |
We've had it with you politicians Oi, oi, oi, oi | :05:48. | :05:49. | |
You bloody rich kids never listen Oi, oi, oi, oi | :05:49. | :05:52. | |
There's no such thing as broken Britain Oi, oi, oi, oi | :05:53. | :05:56. | |
We're just bloody broke in Britain Oi, oi, oi, oi | :05:56. | :05:59. | |
What needs fixing is the system Not shop windows down in Brixton | :05:59. | :06:02. | |
Riots on the television You can't put us all in prison | :06:02. | :06:04. | |
Oi! I said oi! | :06:04. | :06:12. | |
What you looking at You little rich boy? | :06:12. | :06:15. | |
We're poor round here Run home and lock your door | :06:15. | :06:18. | |
Don't come round here no more You could get robbed for | :06:18. | :06:20. | |
Real Because my manor's ill | :06:20. | :06:23. | |
My manor's ill For real | :06:23. | :06:27. | |
Yeah, you know my manor's ill My manor's ill! | :06:27. | :06:32. | |
APPLAUSE AND CHEERING | :06:32. | :06:42. | |
:06:42. | :06:53. | ||
Thank | :06:53. | :06:53. | |
Thank you, | :06:53. | :06:54. | |
Thank you, Plan | :06:54. | :06:58. | |
Thank you, Plan B, Ill Manors, a film, a record, everything. We'll | :06:58. | :07:04. | |
be talking to them and finding it more. Who are our incredible guests | :07:04. | :07:10. | |
this evening? From Wales we welcome one of the greatest singers of all | :07:10. | :07:15. | |
time, Sir Tom Jones, a myriad of melodious marvels are in the room | :07:15. | :07:20. | |
this evening. From all over Britain, they now live in London, and they | :07:20. | :07:25. | |
are Django Django. From Brooklyn, New York, Punch | :07:25. | :07:29. | |
Brothers. APPLAUSE | :07:29. | :07:36. | |
From Philadelphia, Melody Gardot. APPLAUSE | :07:36. | :07:40. | |
Oh! What joy we have in this room! And now from Salford, please give | :07:40. | :07:50. | |
:07:50. | :08:06. | ||
it up for Ren Harvieu. # But I can't see you lookin' | :08:06. | :08:16. | |
:08:16. | :08:32. | ||
# But I don't see us talkin' # Open up your arms | :08:32. | :08:37. | |
# Let me in before it's too late, darlin' | :08:37. | :08:47. | |
:08:47. | :08:47. | ||
# Open up your arms Let me in | :08:47. | :08:56. | |
# Let me in Before it's too late | :08:56. | :09:02. | |
# How you hear me | :09:02. | :09:04. | |
# How you hear me | :09:04. | :09:07. | |
# You say that you can hear me | :09:07. | :09:09. | |
# But I don't see you listening any more | :09:09. | :09:15. | |
# Think you've sussed me | :09:15. | :09:22. | |
# Think you've sussed me | :09:22. | :09:25. | |
# Think that you have sussed me out | :09:25. | :09:29. | |
# But I know that you don't know what you're talkin' about | :09:29. | :09:37. | |
# Open up your arms Let me in | :09:37. | :09:46. | |
# Let me in before it's too late, darlin' | :09:47. | :09:52. | |
# Open up your arms Let me in | :09:52. | :09:57. | |
# Let me in Before it's too late | :09:57. | :10:07. | |
:10:07. | :10:16. | ||
# Let me in | :10:16. | :10:23. | |
# Let me in | :10:23. | :10:31. | |
# Let me in | :10:31. | :10:41. | |
:10:41. | :11:17. | ||
Thank you, Ren Harvieu. APPLAUSE | :11:17. | :11:26. | |
Open Up Your Arms, a wonderful album, Flu the Night. Let's enjoy | :11:26. | :11:36. | |
:11:36. | :12:12. | ||
more brilliant talent and welcome # We just lit the fire | :12:12. | :12:20. | |
# Why don't you hand it over Time is up, you've had your shot | :12:20. | :12:23. | |
# Gather once again Disasters in the end | :12:23. | :12:27. | |
# It's like a default | :12:27. | :12:32. | |
# You thought you'd make the grade Oh, your memories start to fade | :12:32. | :12:34. | |
# We threw it in the fire It's better that it not remain | :12:34. | :12:38. | |
# You just brought together Didn't seem to have the heart | :12:38. | :12:41. | |
# Wheels coming off now You knew that it would fall apart | :12:41. | :12:44. | |
# Take one for the team You're a cog in the machine | :12:44. | :12:50. | |
# It's like a default | :12:50. | :12:55. | |
# Like D, default | :12:55. | :12:58. | |
# Like D, default Like default | :12:58. | :13:02. | |
# Like D, default Like default | :13:02. | :13:05. | |
# Like D, default Like default | :13:05. | :13:15. | |
:13:15. | :13:28. | ||
Like D, default Take one for the team | :13:28. | :13:30. | |
# You took part in the race Disappeared without a trace | :13:30. | :13:32. | |
# You thought you'd set the bar I'd never tried to work it out | :13:32. | :13:35. | |
# We just lit the fire And now you want to put it out | :13:35. | :13:38. | |
# Forget about the cause Press rewind then stop and pause | :13:38. | :13:46. | |
# It's like a default | :13:46. | :13:48. | |
# Like D, default Like default | :13:48. | :13:54. | |
# Like D, default Like default | :13:54. | :14:03. | |
# Like D, default Like default | :14:03. | :14:13. | |
:14:13. | :14:34. | ||
You've missed the starting gun Like D, default | :14:34. | :14:41. | |
Django Django and their Django Django album. Now we're going to | :14:41. | :14:45. | |
chat to a man over here that you have to have huge respect for | :14:45. | :14:48. | |
because as well as being a successful musician, he's really | :14:48. | :14:56. | |
broken into the world of film on his own terms. Now, let's welcome | :14:56. | :14:57. | |
Plan B. APPLAUSE | :14:57. | :15:01. | |
And one of the stars of the film. Nice to see you now. First of all, | :15:01. | :15:04. | |
let's go back. What was the first film that you wanted to make? | :15:04. | :15:08. | |
Because you have made this film now, but what was the first film? | :15:09. | :15:13. | |
wrote a film in my head when I couldn't get to sleep. It was based | :15:13. | :15:17. | |
on - my house got raided by police because the police thought we had a | :15:17. | :15:22. | |
real gun. We had a toy gun. I wrote a film about it. I posted it to the | :15:22. | :15:26. | |
film company. They said, we love it. We want to give you a budget of a | :15:26. | :15:33. | |
million pounds. Great. Did you do it? No, because they asked who I | :15:33. | :15:38. | |
wanted to direct it? I said me. I had to prove that I could direct. I | :15:38. | :15:44. | |
took the last four grand I had from the recording in advance, put it | :15:44. | :15:49. | |
into the pilot for the feature film I just shot. It's amazing because | :15:49. | :15:52. | |
it's very difficult to make a feature film these days, and you | :15:52. | :15:55. | |
have managed to do that what is the story of Ill Manors? It's six | :15:55. | :15:59. | |
stories, isn't it, really? It's kind of like all the stuff you read | :15:59. | :16:04. | |
in the newspaper, like, all the mindless crimes that happen for me | :16:04. | :16:08. | |
that newspapers - they never write about why they happen, just that | :16:08. | :16:12. | |
they happen. For me, I am always interested in getting to the root | :16:12. | :16:16. | |
of the problem, not why someone committed a crime, but why their | :16:16. | :16:19. | |
mind thinks in that way anyway, you know, what happened to them in the | :16:19. | :16:24. | |
past, you know? A lot of our issues stem from our childhood, and Ill | :16:24. | :16:32. | |
Manors kind of - it kind of - it definitely shows that. When you | :16:32. | :16:36. | |
watch the film, we tell back stories going right back to when | :16:36. | :16:39. | |
people are kids in the film. The only way we can do that is the | :16:39. | :16:44. | |
musical element of it. Parts of the film are told through music videos. | :16:44. | :16:48. | |
Let's have a look at a little bit of it, shall we? | :16:48. | :16:58. | |
:16:58. | :17:04. | ||
# Boy, I said boy # What you looking at? You little | :17:04. | :17:08. | |
rich boy # Open the door | :17:08. | :17:14. | |
# Don't come round here no more # You looking for a thrill | :17:14. | :17:24. | |
:17:24. | :17:29. | ||
Ill Manors - just a glimpse of that film there and quite a dark-looking | :17:29. | :17:33. | |
film, but there is a positive side to it. I think if you can | :17:33. | :17:36. | |
understand why negative things happen more, then it's easier to | :17:36. | :17:40. | |
find a solution to prevent them in the future. I think if we don't | :17:40. | :17:44. | |
educate ourselves about why things happen, then the only thing we can | :17:44. | :17:48. | |
do to these people is punish them, you know? And we can't learn from | :17:48. | :17:52. | |
it or make, you know, the younger generations learn from what they've | :17:52. | :17:59. | |
done, you know? Where did you get the actors and the crew for all the | :17:59. | :18:06. | |
film? Ed. Hey! Me and Ed - Ed actually got me into rapping. How | :18:06. | :18:12. | |
long have we known each other? Three, four years. He started out | :18:12. | :18:16. | |
me rapping. I knew he could do it, so I asked him. You went around to | :18:16. | :18:22. | |
schools and got people to work as actors and on the crew. Yeah, I | :18:22. | :18:25. | |
specifically targeted underprivileged kids in poorer | :18:25. | :18:29. | |
schools because those were the kind of kids I was looking for. I was | :18:29. | :18:33. | |
looking for 13 to 14-year-old kids. I needed the real deal. Some of the | :18:33. | :18:39. | |
kids that didn't make it in the film - because not everybody has an | :18:40. | :18:43. | |
obvious talent in acting. There are other things they could do. We gave | :18:43. | :18:48. | |
them runner jobs. By making the film, they have a greater sense of | :18:48. | :18:52. | |
purpose. And to get an opportunity to get an understanding of a | :18:52. | :18:55. | |
different sort of world. As well as being the writer and director of | :18:55. | :19:01. | |
the film, you're starring in a film yourself - a remake - or a feture | :19:01. | :19:06. | |
film of the Sweeney. It's a proper London gangster film, isn't it? | :19:06. | :19:16. | |
:19:16. | :19:17. | ||
Yeah, it's Nick Love's version of the Sweeney. It's me and Nick. He's | :19:17. | :19:22. | |
an idol of mine. He took me under his wing. Do you go screaming | :19:22. | :19:28. | |
around London in Grenadas? we're driving a Focus. Not a | :19:28. | :19:33. | |
Woolsly or a Grenada? No, that was the thing. I think we would have | :19:34. | :19:38. | |
shot ourselves in the foot if we tried to set it in the '70s. I | :19:38. | :19:42. | |
think it was the right move... Thank you very much for joining us, | :19:42. | :19:46. | |
and Ed. We look forward to seeing you in a moment. Thank you very | :19:46. | :19:54. | |
much, Plan B. And now so delighted to have back in this room the | :19:54. | :20:04. | |
:20:04. | :20:26. | ||
sensational talent that is Melody # The felicidad | :20:26. | :20:36. | |
:20:36. | :20:50. | ||
# And if in the world # Mira | :20:50. | :21:00. | |
:21:00. | :21:09. | ||
# In all that I've seen # In every smile there's a trace | :21:09. | :21:19. | |
:21:19. | :21:19. | ||
Apology for the loss of subtitles for 56 seconds | :21:19. | :22:16. | |
# Mira, this is such a lovely way # Mira, this is such a lovely way | :22:16. | :22:26. | |
:22:26. | :22:26. | ||
Apology for the loss of subtitles for 56 seconds | :22:26. | :24:52. | |
Absolutely fantastic, the marvellous Melody Gardot. We'll be | :24:52. | :24:57. | |
hearing more from her Absence album later, and now also incredible | :24:57. | :25:02. | |
guest - one of the greatest singers of all time, yes, who stayed at the | :25:02. | :25:06. | |
top of music because he's always reinventing and finding something | :25:06. | :25:12. | |
new. I am delighted now to record a man who is about to have a superb | :25:13. | :25:16. | |
new record come out. Please welcome the wonderful Tom Jones. | :25:16. | :25:26. | |
:25:26. | :25:42. | ||
# Well, my friends are gone # I ache in the places | :25:42. | :25:45. | |
# And I'm crazy for love But I'm not coming on | :25:45. | :25:51. | |
# I'm just paying my rent every day Oh, in the Tower of Song | :25:51. | :26:01. | |
:26:01. | :26:01. | ||
# I said to Hank Williams How lonely does it get? | :26:01. | :26:07. | |
# Hank Williams hasn't answered me yet | :26:07. | :26:12. | |
# But I hear him coughing all night long | :26:12. | :26:17. | |
# A hundred floors above me In the Tower of Song | :26:17. | :26:27. | |
:26:27. | :26:27. | ||
# I was born like this I had no choice | :26:27. | :26:31. | |
# I was born with the gift of a golden voice | :26:31. | :26:36. | |
# And 27 angels from the great beyond | :26:36. | :26:41. | |
# They tied me to this stage right here | :26:42. | :26:46. | |
# In the Tower of Song | :26:46. | :26:51. | |
# So you can stick your little pins in that voodoo doll | :26:51. | :26:55. | |
# I'm very sorry, baby Doesn't look like me at all | :26:55. | :27:00. | |
# I'm standing by the window Where the light is strong | :27:00. | :27:08. | |
# They don't let women kill you Not here in the Tower of Song | :27:08. | :27:17. | |
# Now you can say that I've grown bitter | :27:17. | :27:27. | |
:27:27. | :27:42. | ||
# Now you can say that I've grown bitter | :27:42. | :27:46. | |
# But of this you may be sure | :27:46. | :27:48. | |
# The rich have got their channels in the bedrooms of the poor | :27:48. | :27:49. | |
# And there's a mighty judgement coming, baby | :27:49. | :27:52. | |
# But I may be wrongYou see, you hear these funny voices | :27:52. | :27:58. | |
# In the Tower of Song | :27:58. | :28:07. | |
# I see you standing on the other side | :28:08. | :28:10. | |
# I don't know how the river got so wide | :28:10. | :28:13. | |
# I loved you baby, way back when | :28:13. | :28:22. | |
# And all the bridges are burning that we might have crossed | :28:22. | :28:26. | |
# And I feel so close to everything we lost | :28:26. | :28:30. | |
# We'll never have to lose it again | :28:30. | :28:39. | |
# I bid you farewell I don't know when I'll be back | :28:39. | :28:43. | |
# They're moving us tomorrow to that tower down the track | :28:43. | :28:45. | |
# And you'll be hearing from me Baby, long after I'm gone | :28:45. | :28:50. | |
# I'll be speaking to you sweetly | :28:50. | :28:56. | |
# From a window in the Tower of Song. # | :28:56. | :29:06. | |
:29:06. | :29:14. | ||
CHEERING AND APPLAUSE | :29:14. | :29:24. | |
:29:24. | :29:32. | ||
# | :29:32. | :29:33. | |
# There's | :29:33. | :29:33. | |
# There's no | :29:33. | :29:38. | |
# There's no way back from here # Oh, no | :29:38. | :29:48. | |
:29:48. | :29:49. | ||
# Only one place left to go # One place left to go now | :29:49. | :29:58. | |
# Crashing like an aeroplane # From the sky in the storming rain | :29:58. | :30:07. | |
# The pilot is plying without aim # He goes up in flames | :30:07. | :30:15. | |
# Paid the price for her mistakes # Because she only has herself to | :30:15. | :30:18. | |
blame # And it's her that is the deepest | :30:18. | :30:22. | |
shame # There's no way back from here | :30:22. | :30:29. | |
# Oh, no. # Only one place left to go | :30:29. | :30:37. | |
# One place left to go - down # She was once a Princess, but now | :30:37. | :30:42. | |
she's a mess # Soliciting sex for much less | :30:42. | :30:46. | |
# But in the day # Abused in the child | :30:46. | :30:49. | |
# She was always going to end up this way | :30:49. | :30:53. | |
# Took away the pain # So she hit the flames | :30:53. | :30:57. | |
# Once again # She's on the game | :30:58. | :31:01. | |
# Only herself to blame snow she sells herself | :31:02. | :31:04. | |
# There is a million other girls like Michelle | :31:04. | :31:07. | |
# Out on the streets # Selling themselves | :31:07. | :31:10. | |
# So - # Age no way back from here | :31:10. | :31:17. | |
# Oh, no # Only place left to go | :31:17. | :31:25. | |
# One place left to go - down # There is no way back from here | :31:25. | :31:32. | |
# Oh, no # Only one place left to go | :31:32. | :31:42. | |
:31:42. | :31:42. | ||
# One place left to go - down. # I have been working on that road | :31:42. | :31:47. | |
for so long now # I just can't tell if there's | :31:47. | :31:53. | |
# Any way back the way I came # Oh, I've lost myself | :31:53. | :31:57. | |
# In the deepest shame # I have been dragging myself | :31:57. | :32:01. | |
# To the lowest low # For such a while | :32:01. | :32:06. | |
# I just don't know # That pain is something I can't | :32:06. | :32:08. | |
change # One thing that's in my way | :32:08. | :32:13. | |
# Is the deepest shame # There's no way back from here | :32:13. | :32:20. | |
# Oh, no # Only one place left to go | :32:20. | :32:29. | |
# One place left to go now. # There's no way back from here | :32:29. | :32:34. | |
# There's no way, no way, no way # Back from here | :32:34. | :32:40. | |
# Only one place left to go # Only one way - only one way | :32:40. | :32:46. | |
# Left to go - down # There's no way back from here | :32:46. | :32:56. | |
:32:56. | :33:15. | ||
# Oh, no, oh, no. Before that, the amazing Tom Jones, | :33:15. | :33:19. | |
the best version of that song I have ever heard. Tom Jones, let's | :33:19. | :33:23. | |
hear it for him, everyone. Yes. Wonderful to have him back in here. | :33:23. | :33:26. | |
There's a lot of lovely people in the room this evening - lots of | :33:27. | :33:31. | |
mixes of stuff I am delighted to say, so now I think we need to get | :33:31. | :33:36. | |
a nice modern version of blue grass music, and who better to do that | :33:36. | :33:46. | |
:33:46. | :33:54. | ||
# Did he ever live # For a thing | :33:54. | :34:04. | |
:34:04. | :34:04. | ||
Apology for the loss of subtitles for 56 seconds | :34:04. | :37:21. | |
# But the thrill of movement Punch Brothers, Movement and | :37:21. | :37:29. | |
Location. So now I am going to go to the piano and see a dear friend, | :37:29. | :37:33. | |
but a man who always comes up with something brilliant and new when he | :37:33. | :37:38. | |
records, and he has a brand new record out now. Welcome Tom Jones. | :37:39. | :37:44. | |
Oh, well, first of all, I loved your new record. Tower of Song - | :37:45. | :37:48. | |
that songs like it was written for you. Yeah, well, you know, my | :37:48. | :37:52. | |
friends are gone. My hair is grey. It's the truth. You'll be singing | :37:52. | :37:56. | |
from the Tower of Song... Exactly. It's a great record. Your last | :37:56. | :38:01. | |
record, there was a lot of blues, gospel music. Have you gone to a | :38:01. | :38:07. | |
similar... Yeah, Ethan Johns produced it. We did it in a box in | :38:07. | :38:16. | |
Wiltshire. Did it in a box?! the name of the city is Box in | :38:16. | :38:22. | |
Wiltshire. Peter Gabrielle? That's right. We did the first one, then | :38:22. | :38:25. | |
thought, maybe lightning will strike twice. Can we do something | :38:25. | :38:31. | |
from it? What can we do? There is one called Travelling Shoes. I | :38:31. | :38:41. | |
think that would be good with the # Death went down | :38:41. | :38:51. | |
:38:51. | :38:57. | ||
# Sinner cried out # The sinner cried out | :38:57. | :39:07. | |
:39:07. | :39:17. | ||
# And then Death went down # The gambler cried out | :39:17. | :39:27. | |
:39:27. | :39:48. | ||
# The gambler cried out # And then Death went down | :39:48. | :39:58. | |
:39:58. | :40:04. | ||
# The preacher cried out # The preacher cried out | :40:04. | :40:14. | |
:40:14. | :40:40. | ||
All right. APPLAUSE | :40:40. | :40:47. | |
Travelling Shoes. The fantastic voice - Sir Tom Jones. | :40:47. | :40:54. | |
APPLAUSE And now let's enjoy another | :40:54. | :40:58. | |
wonderful voice from Salford, that dirty old town, which we've already | :40:58. | :41:08. | |
:41:08. | :41:13. | ||
# Why don't you tell me # I'll tell you where it is | :41:13. | :41:20. | |
# Don't think I don't know so much about you, boy | :41:20. | :41:24. | |
# Just because I never came undone on your hook | :41:24. | :41:31. | |
# You can play like it's some kind of game | :41:31. | :41:38. | |
# And everyone you ever needed will get a page in your book | :41:38. | :41:43. | |
# Yeah, but how many times do I have to tell you, sweetheart | :41:43. | :41:47. | |
# Just what it took? | :41:47. | :41:52. | |
# Well, if you'd only do right by me | :41:52. | :41:59. | |
# Yeah, if you'd only do right by me | :42:00. | :42:05. | |
# Well, if you'd only do right by me | :42:05. | :42:09. | |
# Then I'll do all right by you | :42:09. | :42:19. | |
:42:19. | :42:27. | ||
# Once you held a candle in the palm of your hand | :42:27. | :42:31. | |
# It helped you light your way down to the coast | :42:32. | :42:40. | |
# It brought you shelter from the howling night | :42:40. | :42:42. | |
# Just when you needed it the most | :42:43. | :42:49. | |
# You can make out you only get as lost as you please | :42:49. | :42:54. | |
# And that you like the way it feels when you feel just like a ghost | :42:54. | :43:00. | |
# How many times you gonna play this scene out | :43:00. | :43:04. | |
# When you know the way it goes? | :43:04. | :43:10. | |
# Well, if you'd only do right by me | :43:11. | :43:19. | |
# Yeah, if you'd only do right by me | :43:19. | :43:22. | |
# Well, if you'd only do right by me | :43:22. | :43:29. | |
# Then I'll do all right by you | :43:29. | :43:36. | |
# Saw you smile when you thought you had crossed the line | :43:36. | :43:41. | |
# Only to realise you'd never left the start | :43:41. | :43:46. | |
# Well, I know you won't admit it, baby | :43:46. | :43:50. | |
# But I can see it's breaking your heart | :43:50. | :43:55. | |
# Yeah, if you'd only do right by me | :43:55. | :44:02. | |
# Well, if you'd only do right by me | :44:02. | :44:09. | |
# Yeah, if you'd only do right by me | :44:09. | :44:14. | |
# Then I'll do all right by you | :44:14. | :44:22. | |
# Well, if you'd only do right by me | :44:22. | :44:27. | |
# If you'd only do right by me | :44:27. | :44:31. | |
# Well, if you'd only do right by me | :44:31. | :44:36. | |
# Then I'll do all right by you. # | :44:36. | :44:46. | |
:44:46. | :44:49. | ||
CHEERING AND APPLAUSE | :44:49. | :44:53. | |
APPLAUSE | :44:53. | :45:03. | |
:45:03. | :45:03. | ||
Apology for the loss of subtitles for 56 seconds | :45:03. | :45:59. | |
# Whoo | :45:59. | :46:09. | |
:46:09. | :46:15. | ||
# Press the button and drop it on the zone | :46:15. | :46:18. | |
# Took it all you had to strip me to the bone | :46:18. | :46:21. | |
# Don't slam the door way down deep in hell | :46:22. | :46:26. | |
# Took a chance on you and it's time to ring the bell | :46:26. | :46:30. | |
# Go | :46:30. | :46:40. | |
:46:40. | :46:47. | ||
# Whoo | :46:47. | :46:51. | |
# Oooh-oooh | :46:51. | :47:01. | |
:47:01. | :47:03. | ||
# Side effects have me walking in a daze | :47:03. | :47:05. | |
# Now the fallout from this thing just radiates | :47:05. | :47:09. | |
# You'll be the first I'll always be the last | :47:09. | :47:13. | |
# I'll duck and cover till the threat has passed | :47:13. | :47:17. | |
# Make your move now and try to win the game | :47:17. | :47:20. | |
# But in the end It always stays the same | :47:21. | :47:24. | |
# don't shy away behind those hostile lines | :47:24. | :47:30. | |
# I read between them almost every time | :47:30. | :47:33. | |
# Let's go | :47:33. | :47:35. | |
# Hold your fire It's all I'm asking for | :47:35. | :47:45. | |
:47:45. | :48:02. | ||
# Ohh | :48:02. | :48:11. | |
# Ohh | :48:11. | :48:21. | |
:48:21. | :48:22. | ||
# Hold your fire It's all I'm asking for | :48:22. | :48:25. | |
# But the aftershock just shook me to the core | :48:25. | :48:30. | |
# Now flick the switch and watch it all erode | :48:30. | :48:33. | |
# Best get out before the whole thing goes | :48:33. | :48:38. | |
# Press the button and drop it on the zone | :48:38. | :48:40. | |
# Took it all you had to strip me to the bone | :48:40. | :48:46. | |
# Don't slam the door way down deep in hell | :48:46. | :48:51. | |
# Took a chance on you and it's time to ring the bell | :48:51. | :48:54. | |
# Let's go | :48:54. | :48:56. | |
# Ahh | :48:56. | :49:06. | |
:49:06. | :49:06. | ||
# Ahh | :49:06. | :49:16. | |
:49:16. | :49:18. | ||
CHEERING AND APPLAUSE | :49:18. | :49:28. | |
:49:28. | :49:28. | ||
Django | :49:29. | :49:32. | |
Django Django, | :49:32. | :49:33. | |
Django Django, Wor | :49:33. | :49:36. | |
Django Django, Wor from the Django Django record. Before that we | :49:36. | :49:43. | |
enjoyed very much Ren Harvieu. APPLAUSE | :49:43. | :49:48. | |
But now let's change the mood once again and have the super beautiful | :49:48. | :49:58. | |
:49:58. | :49:58. | ||
Apology for the loss of subtitles for 56 seconds | :49:58. | :51:24. | |
# Going which ever way # Hoping the bees | :51:24. | :51:34. | |
:51:34. | :51:34. | ||
Apology for the loss of subtitles for 56 seconds | :51:34. | :52:45. | |
# Going whichever way # Such a funny little bird | :52:45. | :52:55. | |
:52:55. | :52:55. | ||
Apology for the loss of subtitles for 56 seconds | :52:55. | :53:43. | |
# Such a funny little bird # Won't somebody tell me | :53:43. | :53:53. | |
:53:53. | :54:06. | ||
# Won't somebody tell me # Well, I've travelled | :54:06. | :54:16. | |
:54:16. | :54:17. | ||
Apology for the loss of subtitles for 56 seconds | :54:17. | :56:09. | |
# I've travelled to # Why don't you answer me | :56:09. | :56:19. | |
:56:19. | :56:19. | ||
Apology for the loss of subtitles for 56 seconds | :56:19. | :57:31. | |
Wonderful, Tom Jones, fantastic. Thank you to all of our guests this | :57:31. | :57:34. | |
evening. Thank you to Ren Harvieu. APPLAUSE | :57:34. | :57:39. | |
Thank you to Melody Gardot. APPLAUSE | :57:39. | :57:43. | |
Thank you to Punch Brothers. APPLAUSE | :57:43. | :57:50. | |
Thank you, Django Django. APPLAUSE | :57:50. | :57:57. | |
I'll be back on Tuesday with Rumour, Jimmy Web and much more. But now | :57:57. | :58:07. | |
:58:07. | :58:13. | ||
let's leave you where we started # No-one's gonna come | :58:13. | :58:23. | |
:58:23. | :58:46. | ||
# Lost my way # Fell down a hole | :58:46. | :58:47. | |
# No-one's gonna come No-one's gonna come | :58:47. | :58:48. | |
# And save my soul And save my soul | :58:48. | :58:50. | |
# Lost my way Lost my way | :58:50. | :58:52. | |
# No going back No going back | :58:52. | :58:54. | |
# I'm stuck right here I'm stuck right here | :58:54. | :58:56. | |
# And that is that And that is that. # | :58:56. | :59:00. | |
Look around you, this manor All you can see | :59:00. | :59:02. | |
Is ill-manored people Ill-manored in the illest manor | :59:02. | :59:04. | |
Person you've ever met in your manor | :59:04. | :59:06. | |
But are likely to meet in any manor | :59:06. | :59:07. | |
Cos this man is deep, he judge them on the life that they lead | :59:08. | :59:10. | |
But then it isn't always as black and white as it seems | :59:10. | :59:12. | |
They're born in some way enslaved in the circumstance | :59:12. | :59:14. | |
Shape the way they behave when they're out on the street | :59:14. | :59:17. | |
That's why... These kids, they got no hope | :59:17. | :59:19. | |
Walking' round their estates Thinkin', "This is it" | :59:19. | :59:21. | |
They ain't never gettin' out and it's no joke | :59:21. | :59:23. | |
Probably is gonna be the best their lives ever gonna get | :59:23. | :59:25. | |
They don't believe they can succeed | :59:25. | :59:27. | |
All the opportunities you say are out there really exist | :59:27. | :59:29. | |
Cos they've been told every day from the minute they were born | :59:29. | :59:32. | |
By the messed-up parents That they ain't it | :59:32. | :59:34. | |
Mum and dad never made nothin'' of themselves | :59:34. | :59:37. | |
Nah, so how the hell are they gonna? | :59:37. | :59:39. | |
School's a waste of time They're only gonna fail | :59:39. | :59:40. | |
Older brother went jail Why ain't they gonna? | :59:41. | :59:43. | |
I mean, they hang with buds and sell drugs | :59:43. | :59:44. | |
They ain't afraid to put a slug in you if you say somethin' | :59:44. | :59:46. | |
They know that way You don't care either way | :59:46. | :59:48. | |
To you, they're all the same Just a bunch of... | :59:48. | :59:51. | |
Used to the rap every day Workin' for the devil's pay | :59:51. | :59:53. | |
The young souls that went astray Listen and you hear them say... | :59:53. | :59:59. | |
# Lost my way Lost my way | :59:59. | :59:59. | |
# Fell down a hole Fell down a hole | :00:00. | :00:01. | |
# No-one's gonna come No-one's gonna come | :00:01. | :00:02. | |
# And save my soul And save my soul | :00:02. | :00:04. | |
# Lost my way Lost my way | :00:04. | :00:06. | |
# No going back No going back | :00:06. | :00:08. | |
# I'm stuck right here I'm stuck right here | :00:08. | :00:10. | |
# And that is that And that is that. # | :00:10. | :00:19. | |
God said, "Let there be light" Created Adam and Eve | :00:19. | :00:21. | |
Then he gave them eyes and told 'em both to believe | :00:21. | :00:23. | |
In somethin' they would never actually physically see | :00:23. | :00:25. | |
The devil came along and planted a seed | :00:25. | :00:27. | |
And doubt started growing from the ground outta trees | :00:27. | :00:29. | |
Right up to the skies To confound the scene | :00:29. | :00:31. | |
To be the only thing in this life that wasn't a dream | :00:31. | :00:35. | |
Council blocks, finding me Skies everybody could see | :00:35. | :00:40. | |
Some birds in cages will never be free | :00:40. | :00:42. | |
And gradually people began to change their beliefs | :00:42. | :00:44. | |
Till God was nothin' more than a fictional being | :00:44. | :00:46. | |
They worship for money Murder, all kinds of greed | :00:46. | :00:49. | |
Once religion was only driven by greed | :00:49. | :00:54. | |
On the television and the ad breaks in-between | :00:54. | :00:55. | |
Till people only cared about material things | :00:55. | :00:56. | |
And not the lives of other fellow human beings | :00:56. | :00:58. | |
I know I'm guilty of it too And so it seems, you know... | :00:59. | :01:01. | |
# I lost my way Lost my way | :01:01. | :01:02. | |
# Fell down a hole Fell down a hole | :01:02. | :01:04. | |
# No-one's gonna come No-one's gonna come | :01:04. | :01:06. | |
# And save my soul And save my soul | :01:06. | :01:08. | |
# Lost my way Lost my way | :01:08. | :01:09. | |
# No going back No going back | :01:09. | :01:11. | |
# I'm stuck right here I'm stuck right here | :01:11. | :01:14. | |
# And that is that And that is that | :01:14. | :01:15. | |
# Lost my way Lost my way | :01:15. | :01:19. | |
# Fell down a hole Fell down a hole | :01:19. | :01:20. | |
# No-one's gonna come No-one's gonna come | :01:20. | :01:22. | |
# And save my soul And save my soul | :01:22. | :01:24. | |
# Lost my way Lost my way | :01:24. | :01:26. | |
# No going back No going back | :01:26. | :01:28. | |
# I'm stuck right here I'm stuck right here | :01:28. | :01:31. | |
# And that is that And that is that. # | :01:31. | :01:34. | |
Lost your way Lost your way | :01:34. | :01:38. | |
Lost your way Lost your way, lost your way | :01:38. | :01:43. | |
If you don't believe in somethin' Then you're a fool for real | :01:43. | :01:44. | |
If you don't believe in somethin' You're a fool for anything | :01:44. | :01:47. | |
If you don't believe in somethin' Then you're a fool for real | :01:48. | :01:51. | |
If you don't believe in somethin' Then you're a fool for real | :01:51. | :01:53. | |
If you don't believe in somethin' You're a fool for anything | :01:53. | :01:55. | |
Fool for anything Fool for anything | :01:55. | :01:58. | |
If you don't believe in somethin' You're a fool for anything | :01:58. | :02:01. | |
If you don't believe in somethin' You're a fool for anything | :02:01. | :02:03. |