Episode 6 Later... with Jools Holland

in the breeze. Lee Westwood finds themselves 13 behind going into the

weekend. A lot of work to be done. We are gearing up to live coverage

this weekend starting at 2:15pm tomorrow on BBC One, and then the

decisive final round on Sunday on BBC Two. What a final round we had

last year between the world numbers 1 and 2. That will clearly not

happen this year but regardless of the outcome, it will be compelling.

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In the meantime, from all of us, This programme contains

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Welcome to Later. Very nice, and Clap along. Sing along. Scream

along, and nobody gets hurt. I # Spin your head up

# We're gonna drink, # You should turn around,

# Our god is a sinner, # The room's about to crumble

# You gotta when you go # Like a tiger taking out

# You should turn around, # Our god is a sinner,

# The room's about to crumble # Spin your head up

APPLAUSE Thank you, The Hives, Go Right

Ahead. Also tonight a fantastic show - I am delighted to welcome

back into the studio the wonderful Paloma Faith. From Portland, Oregon,

the marvellous sound of Esperanza Spalding. From Nottingham for you

lovely people - yes, Jake Bugg. From Baltimore, the lovely sound of

Beach House. But now I shall be chatting with Mr Smith right over

here. I'll be chatting with you in a moment, but for now, from Jamaica,

the legend - yes, he's here - Jimmy # They say the world

# They say the world # Looking at the world today

# They say the world # They say the world

# Ooh, I say the world # They say the world

# They say the world # Ooh, I say the world

# They say the world # They say the world

# Ooh, I say the world # Have they lost their sanity

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# What about the love, A genius! The joy of having the

great legend of the music industry - Jimmy Cliff, World Upside Down.

He's got a marvellous, marvellous record called Rebirth out. I'll be

chatting to him at the piano about lots of things later. We have a

lovely group who have come with us from Baltimore especially to be

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with us this evening. Please # What comes after

# The consequence # Canyon calling,

# You can't keep hangin' on to all that's dead and gone

# If you built yourself a myth

# You'd know just what to give

# Materialise, oh, let the ashes fly

# Help me to name it

# Help me to name it. #

APPLAUSE

APPLAUSE The

The lovely

The lovely sound

The lovely sound of

The lovely sound of Beach House. The song, Myth, from their album

Blue. Now at the piano the man you saw maying a moment ago, one of the

greatest ledge enced of Jamaican music, one of the greatest legends

of music, Jimmy Cliff. You have this record out, Rebirth, what a

fantastic record it is. It's your first record for about seven years.

Yes, it is. What inspired you to make this record? Well, it's a time

for me to make a new album, first of all, and I always like to

highlight and reflect on what's going on in the world as well as my

own life, what I'm doing, and that's the inspiration, just from

living my life and intermingling with everyone It sounds to me like

you're going back to your roots a little bit in this. Would I be

right in thinking that? Yes, going back to my roots because this album

is like the completion of a chapter that was incomplete, so I decided

to go forward to the roots on this one. You have written some amazing

songs, but you have also done some covers by people. Which are the

people You have covered? Guns of Brixton by the Clash because of my

connection with Joe Strummer. The last song he did was with me on my

last album, so that's one of the covers I have done. He was great,

wasn't he? Fantastic. Yes. And the thing is, you started very young,

really, didn't you, in music? How did you get your start in

music? Oh, I - you know, I have always known from a very early age

singing in church and things like that that music is what I love -

the arts. Actually, I like acting more, but music came easier to do,

so I did that. I just pursued that, you know? When I left the country,

I grew up in the country, then when I went to the city, Kingston, I

just had some songs, and I found out who I could get them recorded

with. Your first hit I think you had when you were 14, is that

right? Yes. In 1960, so the same year as Jamaican independence. Can

we have a little bit because it's just a sweet song. I used to dance

to that song. Maybe your band will clap along in time because it is

# Violets are blue # Believe me

# I love you # Let's not be apart because you're

the rose of my heart # And sweet rose

# You are my Queen # You're my Ms Jamaica

# My Ms Jamaica # You're my Ms Jamaica

# I'm crowning you myself. # I know you may not have such a

fabulous shape # You suit the rest of the world

# And you do suit me # That is all I want to know

# I need not know nothing more # You're my Ms Jamaica

# My Ms Jamaica. # You're my Ms Jamaica

# I'm crowning you myself # Because you're my Ms Jamaica

# Ms Jamaica, Ms Jamaica APPLAUSE

The wonderful Jimmy Cliff. APPLAUSE

We'll be hearing more from Jimmy later on in the show. What a joy to

have him here. And now let's welcome over in this corner here a

sensational new beautiful sound - Esperanza Spalding.

# Driving yourself # Traffic won't speed up

# But it's the same old stuff # Somehow he feels it

# Sends sweet salvation when he starts to play this song

# Now you can't help singin' along

# Even though you've never heard it, you keep singin' it wrong

# This song will keep you grooving, the traffic moving

# Play to lift your spirit

# So glad you're here and the words are speaking to you

# As if they knew you

# Ooh, this song's the one

# Even though you never heard it, you keep singin' it wrong

# Waiting for some magic to come and make you feel better

# Enter that song, now that's how we know the power of song can save

# That's still how we know the power of song can save

# Well, it can surely save the day and keep you grooving

# The traffic moving, playing to lift your spirits

# The world is speaking to you

# This song's the one

# La loo la loo la-la loo la

# La loo la

# Smiling and driving, can't help

# Grooving while you're listening

# Your skin starts bristling here comes the part you know

# And you can't help singing along even though you've never heard it

# You keep singing it wrong

# This song will keep you grooving

# The traffic moving, playing to lift your spirits

# The world is speaking to you as if they knew you

# Ooh, this song's the one

# The traffic moving, playing to lift your spirits

# And the world is speaking to you

# Ooh, this song's the one

# Sing it loud with love, with love in your heart

# Because you like to because you need to

# Now if you want to

# Sing it loud with love

# With love in your heart

# Because you like to

# Sing it loud with love

# With love in your heart

CHEERING AND APPLAUSE

The

The inspirational

The inspirational sound

The inspirational sound of Esperanza Spalding and Radio Song,

a marvellous band from her album. Now, he first appeared on the Music

Stage at Glastonbury last summer, # So I can cry your name

# Run so far from me # Call upon the ones

# And please just come on # From the strings

# If you lead a lonely, lonely life, # And if you've been constantly

# I'm on the phone, the telephone, # If you got an all-consuming need,

# And if you got heart or lung disease, you got to be aware

# Cos you got bills to pay

# God knows you got bills to pay

# I'm on the phone, the telephone, dial happiness today

# You wanna live a life well, you gotta be aware

# I got a thousand answers, one's gotta be right

# Give me a thousand chances and I'll get it right

# And it does it up with all the lies, you got to be aware

# I'll give you all the whens and whys

# You got to be aware cos you got nothing to say

# God knows you got nothing to say

# I'm on the phone, the telephone, dial happiness today

# You wanna live a life well, you gotta be aware

# I got a thousand answers, one's gotta be right

# Give me a thousand chances and I'll get it right

# I got a thousand answers, one's gotta be right

# Give me a thousand chances and I'll get it right

# I got a thousand answers, one's gotta be right

# I got a million answers,

# I got a gazillion answers, one's gotta be right. #

CHEERING AND APPLAUSE

Thank

Thank you

Thank you very

Thank you, The Hives, 1,000 Answers - marvellous to have them back. One

person I am going to pass I have to say hello to because she always

dresses beautifully, absolutely impeccably, Paloma Faith. Wonderful

to have you here. You sing beautifully. Where did this

marvellous dress come from? It's a designer called Inbar Spectre who

sculpts beautiful things. It is beautiful. It fits beautifully into

the neck of the piano as if it were a glove. Here is your record -

you're in another fantastic frock. I have to ask, is that your parrot?

No, but I wish it was. It was really well trained. It's a real

parrot? It's a real parrot, and it just flew back and forth all day

long without getting angry. How did you know it wasn't angry? It just

seemed well behaved. When you have experience -- I have experience

with birds from the magic day, and they always seemed to fly off when

they got bored, but this was a very focused parrot.

LAUGHTER Do you have any pet yourself?

don't. I don't have the attention span to look after them. What would

you have - if you did have a few moments to look after a pet, what

would you have? A tiger. We will get you one! You're going to be

playing a marvellous song in a moment, which we shall look forward

to hearing that - Paloma Faith. Marvellous to see you. Now, you're

going to be hearing her in just a moment, but now, let's hear the one

# You can get it # But you must try,

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# But you must try, # Win or lose,

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# You can get it if you really want # But you must try,

# But you must try # You can get it if you really want

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# Cos there's no-one else # Let's see one another

# But know that you're flying home to me

# I was born

# Thinking it would all be dreamy

# But I know that I wouldn't be happy that way

# You wear me out with frustration and heartache and anger

# But we wait for the wave just to wash it away

# Don't

# Say

# Nothin'

# Just

# Sit

# Next to me

# Don't

# Say

# Nothin'

# Shhhh

# Just be

# Let's let go together

# Let us unfold one another

# And watch all the little things

# That once drew me to you

# Eventually get on my nerves

# I wear you out with frustration and heartache and anger

# But we wait for the wave just to wash it away

# Don't

# Say

# Nothin'

# Just

# Sit

# Next to me

# Don't

# Say

# Nothin'

# Shhhhh

# Just be

# Oooh

# When you're sick of the every day

# Oooh

# When you're tired of my voice

# When you tell me you'll walk out that door

# That's when I know

# That you'll stay

# Oooh

# Don't

# Say

# Nothin'

# Just sit

# Next to me

# Don't

# Say

# Nothin'

# Just be

# Don't

# Say

# Nothin'

# Just sit

# Next to me

# Oooh

# Don't

# Say

# Nothin'

# Just be

# Don't

# Say

# Nothin'

# Shhhhh. #

CHEERING AND APPLAUSE

The

The wonderful

The wonderful Paloma

The wonderful Paloma Faith. Just Be from her superb album Call to Grace.

Before that we enjoyed Jimmy Cliff. APPLAUSE

I'm feeling good tonight. Are you feeling good tonight? Me too.

Feeling good over there? APPLAUSE

Me too. We have some lovely artists in this room, so now let's enjoy

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# When you couldn't see # Like no other

# Like no other # Like no other

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# If there's a little bit # If there's a beating

Very nice manoeuvring from Jake Bugg. Jake Bugg and Trouble Town.

Before that we enjoyed Beach House, done beautifully there. A lovely

room full of people here - beautifully dressed as well. Can I

just point this out - it is television - beautifully dressed

people in this room, very nice to see. And now, next, this is the

last in our current series, but on to the next few weeks at the same

time are some incredible films all about punk music, which was, of

course, invented here in Britain and London and everything. These

are amazing films, and one of the people they feature rather allot is

this man here, TV Smith. Of course, we - I remember, of

course, you in the adverts - this great punk band you were a part of.

What was your first introduction of the world of punk? Well, we moved

to London in '76 and were one of the first bands to play at the

Roxie. By the beginning of '77 it was all kicking off. We played that

club, and within the first week we were at 20, 30 bands. How many

people played... We supported. was one of them. It was great,

really good. I remember it well. What would you say, maybe a hundred

people I would have thought. Yeah. I would think you were be pushed to

get 70, a hundred people in there. But what do you think - what was it

that created punk music? What were things like before there was punk I

suppose? Well, it was a big music industry, and lots of bands were

just satisfied with what they were doing. They weren't pushing against

anything. The situation in the country was very bad, and the

musicians were ignoring it. They were presenting the same old thing

over and over again, and we needed something new, and loads of punk

bands came in. They stormed in. They took over. They all did

something they believed in - lots of new things happening, lots of

excitement. Yes, and I should also - which you don't see so much

anymore which is couldn't care less. We don't care what you think of us.

This is what we do sort of thing, which is almost like a blues

attitude. Definitely. There is definitely a tradition of it that

musicians say we don't care about you. We're going to do what we want,

and if that doesn't happen, things carry on the same way they ever do.

Do you think in the punk time it was bait like in the medieval time

or in the Renaissance - we look back and go, we're in the

Renaissance. They didn't go, we're in the Renaissance now! But did

they realise what was happening? don't think we thought about it.

That's the thing in these great moments. You seize the opportunity

and don't sit around thinking it's of historical significance. But we

are! 35 years later, here we are. Now we've got a little bit of

footage of you on Top Of The Pops, quite rare for a punk group. Punk

groups weren't welcome on Top Of The Pops. Top Of The Pops was a

traditional thing. They wanted nice, happy, clap-along bands, and the

punk groups were popular enough to get in the chart, so they couldn't

resist us. Guaranteed the stillly

# Because people see the same # Looking through Gary Gilmoreos

eyes # Looking through Gary Gilmore's

eyes # Looking through Gary Gilmore's

eyes # Gary don't need no eyes to see

# Gary and his eyes have parted company #

Marvellous. APPLAUSE

So you - now you work solo a lot of time. You go out with just a guitar.

That's right. Would you say it has that spirit of punk music about it?

It's exactly the same spirit. It's all about rebelling and seeing what

you mean and getting out there and looking people in the eyes and

giving them what you believe is the truth. Yes, a little bit of

"couldn't care less". I love that. You're in this film, Punk Britannia.

It's interesting to see because of the haircuts and people don't have

cars and - lovely. Thank you for joining us, TV Smith.

Now, we've got a beautiful sound over here - what a beautiful band

sitting in a giant boom box. We # High enough to see who you are,

# Now maybe no-one else # Think of all the strength

# From the blood # They'll be folks hell-bent

# 'Cause not necessarily # Think of all the strength

# From the blood you carry within you

# Ancient men, powerful men

# Builders of civilization

# Think of all the strength you have in you

# Powerful, powerful men

# Builders of civilization

# Hold your head as high as you can

High enough to see who you are, little man

# Life sometimes is cold and cruel

# Baby no-one else will tell you

# So remember that you are black gold

# Black gold

# You are Black Gold

# There'll be folks hell-bent on putting you down

# Think of all the strength you have in you

# From the blood you carry within you

# Builders of civilization

# Think of all the strength you have in you

# Powerful, powerful men

# Builders of civilization

# Hold your head as high as you can

# High enough to see who you are, little man

# Life sometimes is cold and cruel

# Baby, no-one else will tell you

# So remember that you are black gold

# Black gold

# You are black gold

# You are black gold

# You are black gold

# High enough to see who you are, # So remember that you are

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# They don't do # But I can't hear you

# I ain't here to # But my head is stuck in the

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# That they got drugs # Oh I ain't here

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# But my head is stuck Thank you, The Hives, Wait a Minute.

Silence in the room, please. I need silence in the room. Sadly, two

great legends of music have been lost this week, Donna Summer and

robin Gibb. On Tuesday's film we saw a short film of Robin Gibb. Now

we're going to take a moment to remember the wonderful, lovely

so I love this song particularly. # When I find myself in times of

trouble # Mother Mary comes to me

# Speaking words of wisdom # Let it be

# And in my hour of darkness shot she is standing right in front of

# Smiling to forever # Let it be

# There will be an answer # Let it be

# There will be an answer Oh! Thank you.

Wonderful. The wonderful Donna Summer. So you can see more of all

of that on our website and more things on our website, of course.

Now I think we need to thank all of our guests. Thank you for joining

us, Paloma Faith. Thank you, The Hives. Thank you, Esperanza

Spalding. APPLAUSE

Thank you, Jake Bugg. APPLAUSE

Thank you, Beach House. APPLAUSE

Thank you, TV Smith. You can see that whole lovely punk series on

BBC Four. This is the last of our series - the last of the current

series. We'll be back at the end of the year. You can see lot more on

our website if you like. I'll also be back in a few weeks with a

programme especially about the songs of old London, but now we

finish off with the amazing person Now, this one is one more. I'm

going to take the first part, and # I've got one more

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