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This programme contains some strong language. | :00:10. | :00:14. | |
25Th September, 10.00pm, that would make it 20 years since we have been | :00:14. | :00:20. | |
doing this show. To celebrate, we should start off with a really | :00:20. | :00:26. | |
super show. APPLAUSE A room filled with love. A room filled with | :00:26. | :00:36. | |
:00:36. | :00:50. | ||
legends. Let's begin with The Beach # It's automatic when I | :00:50. | :00:54. | |
# Hair was soft and long and the Beach was the place to go | :00:54. | :01:00. | |
# Suntanned bodies and Waves of sunshine the | :01:00. | :01:04. | |
# California girls and a Beautiful coastline | :01:04. | :01:11. | |
# Warmed up weather Let's get together and | :01:11. | :01:13. | |
# Do it again | :01:14. | :01:23. | |
# Do-do-do do-do-do Do-do do-do-do | :01:23. | :01:30. | |
# Do-do-do do-do-do Doop-de-doo | :01:30. | :01:32. | |
Do-do do-do-do | :01:32. | :01:36. | |
# With a girl the lonely sea looks good | :01:36. | :01:42. | |
# Makes your night-times warm and out of sight | :01:42. | :01:47. | |
# Been so long | :01:47. | :01:49. | |
# Do-do-do do-do-do Do-do do-do-do | :01:49. | :01:53. | |
# Been so long | :01:53. | :01:56. | |
# Do-do-do do-do-do Do-do do-do-do | :01:56. | :01:57. | |
# Been so long | :01:57. | :02:01. | |
# Hey now, hey now, hey now | :02:01. | :02:05. | |
# Hey now, hey now, hey now | :02:05. | :02:14. | |
# Well, I've been thinking 'bout | :02:14. | :02:16. | |
# All the places we've surfed and danced and | :02:16. | :02:20. | |
# All the faces we've missed so let's get | :02:20. | :02:23. | |
# Back together and do it again | :02:23. | :02:30. | |
# Do-do-do do-do-do Do-do do-do-do | :02:30. | :02:34. | |
# Do-do-do do-do-do Do-do do-do-do | :02:34. | :02:43. | |
# Do-do-do do-do-do Do-do do-do-do | :02:43. | :02:53. | |
:02:53. | :03:17. | ||
Do-do-do do-do-do APPLAUSE AND CHEERING | :03:17. | :03:27. | |
The amazing Beach Boys. More from them later. In the studio, we | :03:27. | :03:35. | |
welcome the amazing Public Image Limited. We welcome over here | :03:35. | :03:40. | |
Natalie Duncan from Nottingham. APPLAUSE From South London The XX. | :03:40. | :03:50. | |
:03:50. | :04:00. | ||
# I, I can't get these memories # And some kind of madness | :04:00. | :04:10. | |
:04:10. | :04:10. | ||
Apology for the loss of subtitles for 54 seconds | :04:10. | :05:05. | |
# But some kind of madness # And now I need to know | :05:05. | :05:15. | |
:05:15. | :05:26. | ||
# Or is it just madness # And when I look back | :05:26. | :05:36. | |
:05:36. | :05:36. | ||
Apology for the loss of subtitles for 54 seconds | :05:36. | :06:36. | |
# And now I have finally # And now I have finally | :06:36. | :06:46. | |
:06:46. | :06:46. | ||
Apology for the loss of subtitles for 54 seconds | :06:46. | :08:05. | |
Muse! With Madness. What a marvellous vibration in the room. | :08:05. | :08:09. | |
We are broadcasting live. Are we live? | :08:09. | :08:13. | |
ALL: Yes! We really are. Now, making their | :08:13. | :08:17. | |
first TV appearance for 20 years, we are delighted to welcome Public | :08:17. | :08:27. | |
:08:27. | :08:35. | ||
# You see Reginald # And being uncomfortable | :08:35. | :08:42. | |
# He don't see no evil Just Eve and Adam | :08:42. | :08:49. | |
# And only innocence but in the garden | :08:49. | :08:59. | |
:08:59. | :09:03. | ||
# Shining like a beacon in the Garden of Eden | :09:03. | :09:06. | |
# There are no bad seasons No reason for leaving | :09:06. | :09:11. | |
# Shining like a beacon in the Garden of Eden | :09:11. | :09:18. | |
# There are no bad seasons No reason for leaving | :09:18. | :09:28. | |
:09:28. | :09:29. | ||
# He is from London I am from London | :09:29. | :09:36. | |
# Many of us come from London | :09:36. | :09:42. | |
# But no matter where you come from | :09:42. | :09:45. | |
# You can still be a better person | :09:45. | :09:55. | |
:09:55. | :09:57. | ||
# Shine | :09:57. | :10:00. | |
# I've been dreaming in the Garden of Eden | :10:00. | :10:02. | |
# Shine | :10:02. | :10:06. | |
# I've been seeing no reason of leaving | :10:06. | :10:09. | |
# Shine | :10:09. | :10:12. | |
# Shine like a beacon in the Garden of Eden | :10:13. | :10:17. | |
# From the Cali weed | :10:17. | :10:23. | |
# I have all of the Seven Sisters that I need | :10:23. | :10:30. | |
# I am Finsbury Park and I am having a lark | :10:30. | :10:37. | |
# And while you wait for the penny to drop | :10:37. | :10:39. | |
# Well you'd rather sing with the world | :10:39. | :10:41. | |
# And you do not know the | :10:41. | :10:49. | |
# He is a ladies' man He is an innocent man | :10:49. | :10:59. | |
:10:59. | :11:05. | ||
# And so we like a beacon in the Garden of Eden, shine | :11:05. | :11:07. | |
# Shine | :11:07. | :11:11. | |
# There are no seasons No reason for leaving | :11:11. | :11:13. | |
# Shine | :11:13. | :11:15. | |
# Shine like a beacon in the Garden of Eden, shine | :11:15. | :11:21. | |
# I've been seeing no reason for leaving | :11:21. | :11:26. | |
# Shine | :11:26. | :11:36. | |
:11:36. | :11:41. | ||
# I've been dreaming, see no reason | :11:41. | :11:47. | |
# I've been dreaming, see no reason | :11:47. | :11:57. | |
APPLAUSE AND CHEERING | :11:57. | :12:07. | |
:12:07. | :12:14. | ||
Public | :12:14. | :12:15. | |
Public Image | :12:15. | :12:16. | |
Public Image Limited | :12:16. | :12:21. | |
Public Image Limited from their new album. I hope you feel better soon, | :12:21. | :12:25. | |
John. Soldiering on there. The room tonight is filled with legends of | :12:26. | :12:30. | |
every sort. Now, a group that is not only celebrating 50 years, they | :12:30. | :12:35. | |
have a new record out. They are at Wembley this weekend. One of the | :12:35. | :12:39. | |
first records I owned was theirs. I love this group. Please welcome The | :12:39. | :12:43. | |
Beach Boys, ladies and gentlemen. It is fantastic to have you here, | :12:43. | :12:48. | |
everybody. Welcome to this show. It is great to see you all here. What | :12:48. | :12:54. | |
a treat. Hi, Jools. Now, look, you will be at Wembley and Royal Albert | :12:54. | :12:58. | |
Hall on Thursday. You must have one of the amazingly beautiful | :12:58. | :13:03. | |
catalogues of songs, but it is enormous. How will you choose what | :13:03. | :13:07. | |
to play? There are a lot of hit singles that we have had over the | :13:07. | :13:15. | |
years. Lots of hit singles! We have a lot of nice album tunes. And one | :13:15. | :13:22. | |
dedicated to me called "Holland". Will you be doing anything from | :13:22. | :13:29. | |
that one? Yes. That was half-way through... We are not through at | :13:29. | :13:35. | |
all! Exactly. The first record I had was your Greatest Hits. It | :13:35. | :13:40. | |
wasn't because you had only just started! It's such a joy to have | :13:40. | :13:50. | |
:13:50. | :14:26. | ||
you here. It is live. I can't - # Oh Barbara Anne, take my hand | :14:26. | :14:35. | |
# Barbara Anne # You got me rocking and a-rollin | :14:35. | :14:41. | |
rocking and a reeling # Barbara Anne | :14:41. | :14:51. | |
# Ba Barbara Anne # You got me rocking and a rolling | :14:51. | :15:01. | |
:15:01. | :15:05. | ||
# Barbara, Barbara Anne # Tried Peggy Sue | :15:05. | :15:12. | |
# Tried Betty Lou # Tried Mary Lou | :15:12. | :15:18. | |
# But I knew she wouldn't do # Barbara Anne, Barbara Anne | :15:18. | :15:21. | |
# Take my hand # Barbara Anne | :15:21. | :15:25. | |
# Take my hand # You got me rocking and a rolling | :15:25. | :15:29. | |
# Rocking and a reeling # Barbara Anne | :15:29. | :15:39. | |
:15:39. | :15:39. | ||
# Ba ba # I said Barbara Anne | :15:39. | :15:46. | |
# Barbara Anne # You got me rocking and a rolling | :15:46. | :15:54. | |
# Rocking and a reeling # Barbara Anne. # | :15:54. | :16:04. | |
:16:04. | :16:28. | ||
So now we welcome back on to the # It is more than I thought | :16:28. | :16:38. | |
:16:38. | :16:38. | ||
Apology for the loss of subtitles for 54 seconds | :16:38. | :19:25. | |
# And every day The XX. A brand-new artist who I | :19:25. | :19:35. | |
:19:35. | :19:35. | ||
Apology for the loss of subtitles for 54 seconds | :19:35. | :23:37. | |
think we are going to hear much # He waved his hand | :23:37. | :23:47. | |
:23:47. | :23:47. | ||
Apology for the loss of subtitles for 54 seconds | :23:47. | :24:36. | |
# Receiving your signal # He waved his hand | :24:36. | :24:46. | |
:24:46. | :24:46. | ||
Apology for the loss of subtitles for 54 seconds | :24:46. | :26:34. | |
The amazing Beach Boys! Go and see them at the Royal Albert Hall and | :26:35. | :26:41. | |
Wembley. The wonderful Beach Boys. Thank you to all of our guests. | :26:41. | :26:47. | |
Thank you to Public Image Limited. Thank you, John. APPLAUSE Thank you | :26:47. | :26:57. | |
:26:57. | :26:58. | ||
to Natalie Duncan. Beautifully sung. APPLAUSE Thank you to Muse. And The | :26:59. | :27:08. | |
:27:09. | :27:31. | ||
XX. Now, yes, it really is thank # Oooh 1, 2, 3, 4 | :27:31. | :27:41. | |
:27:41. | :28:19. | ||
# In this chaos # Oooh 1, 2, 3, 4 | :28:19. | :28:29. | |
:28:29. | :28:29. | ||
Apology for the loss of subtitles for 54 seconds | :28:29. | :29:22. | |
# In this chaos # In this chaos | :29:23. | :29:32. | |
:29:33. | :29:37. | ||
# Well, I know that soon # Oooh 1, 2, 3, 4 | :29:37. | :29:43. | |
# And I know that the system hasn't teached us | :29:43. | :29:46. | |
# Oooh 5, 6, 7, minus 9 lives | :29:46. | :29:51. |