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Page Three girl -- or Usain? We are going to leave it there. Thank you | :00:06. | :00:11. | |
very much. The front of the papers tomorrow - the Guardian has aged | :00:11. | :00:20. | |
future rise in joblessness for women over 50. The times as bad | :00:20. | :00:25. | |
trip to the Himalayas which ended in tragedy for seven Britons. That | :00:25. | :00:35. | |
:00:35. | :00:49. | ||
Good evening. Given the week of whether we have had, a quiet start | :00:49. | :00:56. | |
to the weekend is probably one you would all want. A few showers to | :00:57. | :01:01. | |
the West, some of them continuing into the afternoon. Even the | :01:01. | :01:04. | |
morning showers across the north- west will fade away, some good | :01:04. | :01:12. | |
sunny spells. Not especially warm, but still a bit of strength to the | :01:12. | :01:22. | |
:01:22. | :01:22. | ||
sunshine. The sunshine may start to turn a little bit hazy across the | :01:22. | :01:28. | |
north and west of Wales, as it will do in Northern Ireland. A few spots | :01:28. | :01:34. | |
of rain it here cannot be ruled out. We will continue to two showers | :01:34. | :01:38. | |
across western Scotland, but many central and eastern areas will | :01:38. | :01:45. | |
finish the day on a dry night. If you're heading further afield into | :01:45. | :01:49. | |
Europe, it is looking OK across many north-western parts, not | :01:49. | :01:55. | |
especially warm, but dry with sunny spells. But quite stormy for some | :01:55. | :01:59. | |
across the Mediterranean, particularly in Spain and into the | :01:59. | :02:06. | |
French Riviera. We will even see some drops as we going to Sunday. | :02:06. | :02:16. | |
:02:16. | :02:16. | ||
Apology for the loss of subtitles for 55 seconds | :02:16. | :03:11. | |
Northern England, Wales and the This programme contains some strong | :03:11. | :03:21. | |
:03:21. | :03:21. | ||
Apology for the loss of subtitles for 55 seconds | :03:21. | :04:19. | |
A show begun by legends, packed with legends of today, tomorrow and | :04:19. | :04:23. | |
yesterday and tomorrow and the lot. Now, we start off with the | :04:24. | :04:33. | |
:04:34. | :04:57. | ||
# Oooh 1, 2, 3, 4 # In this chaos | :04:57. | :05:07. | |
:05:07. | :05:45. | ||
# Oooh 1, 2, 3, 4 # In this chaos | :05:45. | :05:55. | |
:05:55. | :05:55. | ||
Apology for the loss of subtitles for 55 seconds | :05:55. | :06:42. | |
# Oooh 1, 2, 3, 4 # In this chaos | :06:42. | :06:52. | |
:06:52. | :06:55. | ||
# Well, I know that soon # Oooh 1, 2, 3, 4 | :06:56. | :07:00. | |
# And I know that the system hasn't teached us | :07:00. | :07:04. | |
# Oooh 5, 6, 7, minus 9 lives | :07:04. | :07:09. | |
# You've arrived at Panic Station! # | :07:09. | :07:19. | |
:07:19. | :07:24. | ||
APPLAUSE AND CHEERING | :07:24. | :07:34. | |
:07:34. | :07:40. | ||
Thank | :07:40. | :07:40. | |
Thank you, | :07:40. | :07:40. | |
Thank you, Muse, | :07:40. | :07:47. | |
Thank you, Muse, how marvellous to have them back in this room. An | :07:47. | :07:50. | |
evening packed with legends. I'm delighted to say who are our guests. | :07:50. | :07:54. | |
From all over the global we have Public Image Limited. | :07:54. | :08:01. | |
CHEERING AND APPLAUSE The globe being a. From south | :08:01. | :08:10. | |
London we are delighted to welcome the return of The xx. A gifted new | :08:10. | :08:13. | |
performer from Nottingham, Natalie Duncan. | :08:13. | :08:18. | |
CHEERING AND APPLAUSE Now, one of the most amazing and | :08:18. | :08:21. | |
legendary groups of all-time. We are delighted to have in the studio | :08:21. | :08:26. | |
for the first time, altogether here, celebrating 50 years, from | :08:26. | :08:36. | |
:08:36. | :09:07. | ||
# Memories and photographs # And yet the game | :09:07. | :09:14. | |
# Isn't it time we danced the night away? | :09:14. | :09:18. | |
# How about doing it just like yesterday? | :09:18. | :09:23. | |
# Every time I think of you | :09:23. | :09:27. | |
# And all of those things we used to do | :09:27. | :09:31. | |
# Remember those nights we spent, just you and I? | :09:31. | :09:35. | |
# Little did we know how the time would fly | :09:35. | :09:40. | |
# Isn't it time? | :09:40. | :09:44. | |
# Isn't it time? | :09:44. | :09:52. | |
# The good times never have to end | :09:52. | :09:56. | |
# And now's the time to let them happen again | :09:56. | :10:00. | |
# And we can have ourselves a blast | :10:00. | :10:04. | |
# The good times they aren't only in the past | :10:04. | :10:09. | |
# Isn't it time we danced the night away? | :10:09. | :10:14. | |
# How about doing it just like yesterday? | :10:14. | :10:19. | |
# Every time I think of you | :10:19. | :10:23. | |
# And all of those things we used to do | :10:23. | :10:28. | |
# Remember those nights we spent, just you and I? | :10:28. | :10:32. | |
# Little did we know how the time would fly | :10:32. | :10:36. | |
# Isn't it time? | :10:36. | :10:40. | |
# Isn't it time? | :10:40. | :10:45. | |
# And as the sun goes down | :10:46. | :10:49. | |
# We raise our glass to kindness | :10:49. | :10:59. | |
:10:59. | :11:01. | ||
# Isn't it time we get ready and then? | :11:01. | :11:11. | |
:11:11. | :11:15. | ||
# Isn't it time? | :11:15. | :11:23. | |
# Every time I think of you | :11:23. | :11:25. | |
# And all of those things we used to do | :11:25. | :11:27. | |
# Remember those nights we spent, just you and I? | :11:28. | :11:30. | |
# Little did we know how the time would fly | :11:30. | :11:33. | |
# Isn't it time? | :11:33. | :11:37. | |
# Isn't it time? | :11:37. | :11:44. | |
# Isn't it time? # | :11:44. | :11:48. | |
CHEERING AND APPLAUSE | :11:48. | :11:58. | |
:11:58. | :12:04. | ||
How | :12:04. | :12:04. | |
How fantastic | :12:04. | :12:04. | |
How fantastic to | :12:04. | :12:12. | |
How fantastic to have those men in this room, The Beach Boys. Isn't it | :12:12. | :12:20. | |
time from, That's Why God Made The Radio, their new LP. They are here | :12:21. | :12:26. | |
for 50 years. Now, a band we would have had on before, but they | :12:26. | :12:31. | |
haven't been here and had a record out since we started this show 20 | :12:31. | :12:36. | |
years ago. This is their new record, we are delighted to welcome, Public | :12:36. | :12:45. | |
Image Limited. Hello, girls! Mipt # You see Reginald | :12:45. | :12:55. | |
:12:55. | :12:55. | ||
# He don't see reason Just Eve and Adam | :12:55. | :13:01. | |
# Back in the Garden...of Eden | :13:01. | :13:11. | |
:13:11. | :13:11. | ||
# Shine like a beacon in the Garden of Eden | :13:11. | :13:15. | |
# Shine | :13:15. | :13:18. | |
# Got no reason No reason for leaving | :13:18. | :13:21. | |
# Shine | :13:21. | :13:25. | |
# We shine like a beacon in the Garden of Eden | :13:25. | :13:28. | |
# Shine | :13:28. | :13:31. | |
# I've been seeing no reason for leaving | :13:31. | :13:34. | |
# Shine | :13:34. | :13:37. | |
# He is from London | :13:37. | :13:40. | |
# I am...from London | :13:40. | :13:44. | |
# You see, many of us come from London | :13:44. | :13:49. | |
# But no matter where you come from | :13:49. | :13:59. | |
# You can still be a better person | :13:59. | :14:06. | |
# Shine like a beacon in the Garden of Eden | :14:06. | :14:09. | |
# Shine | :14:09. | :14:12. | |
# I've been dreaming We've all been dreaming | :14:12. | :14:16. | |
# Shine | :14:16. | :14:20. | |
# I've been seeing no reason for leaving | :14:20. | :14:23. | |
# Shine | :14:23. | :14:26. | |
# I shine like a beacon in the Garden of Eden | :14:26. | :14:29. | |
# Shine | :14:29. | :14:32. | |
# From the Cali weed | :14:32. | :14:38. | |
# I have all of the Seven Sisters that I need | :14:38. | :14:44. | |
# Finsbury Park I am having a lark | :14:44. | :14:51. | |
# You wait for the penny to drop | :14:51. | :14:54. | |
# Well, you're out of sync with the world | :14:54. | :14:56. | |
# And you do not know a lot | :14:56. | :15:04. | |
# Shine | :15:04. | :15:07. | |
# A ladies' man | :15:07. | :15:13. | |
# An innocent man | :15:13. | :15:20. | |
# Shine like a beacon in the Garden of Eden | :15:20. | :15:23. | |
# Shine | :15:23. | :15:26. | |
# See no reason for leaving the Garden | :15:26. | :15:30. | |
# Shine | :15:30. | :15:32. | |
# Shine like a beacon in the Garden of Eden | :15:33. | :15:36. | |
# Shine | :15:36. | :15:41. | |
# See no reason for leaving the Garden | :15:41. | :15:44. | |
# Shine | :15:44. | :15:54. | |
:15:54. | :15:59. | ||
# I've been dreaming I've been dreaming | :15:59. | :16:04. | |
# See no reason I've been living | :16:04. | :16:14. | |
:16:14. | :16:15. | ||
# Back in the Garden. # | :16:15. | :16:19. | |
APPLAUSE AND CHEERING | :16:19. | :16:29. | |
:16:29. | :16:32. | ||
Public | :16:32. | :16:32. | |
Public Image | :16:32. | :16:32. | |
Public Image Limited. | :16:32. | :16:36. | |
Public Image Limited. I'm delighted to say we will be having chats with | :16:36. | :16:44. | |
John Lydon later on in this show. This is PIL, that is their album. | :16:44. | :16:52. | |
It has been two since then this band had had an amazing award- | :16:52. | :16:58. | |
winning album. We welcome them back in the studio, give it up for The | :16:58. | :17:08. | |
:17:08. | :17:08. | ||
Apology for the loss of subtitles for 55 seconds | :17:08. | :19:53. | |
# It's not a secret The xx. What a joy to have them | :19:53. | :20:02. | |
back in the studio. From their album Co-exist. This next band is a | :20:02. | :20:07. | |
band that I grew up with. One of the first records I had was theirs. | :20:07. | :20:14. | |
It's an honour and a thrill to welcome to the show The Beach Boys. | :20:14. | :20:19. | |
Fan tasttoibg see you all. Great to have -- fan tasttoibg see you all. | :20:19. | :20:24. | |
Great to have here. Welcome back to the show. Great to see you all here. | :20:24. | :20:30. | |
Have you 50 greatest hits has come out. How do you pick? We have the | :20:30. | :20:35. | |
good fortune to have a lot of Top 40 records and there are nice album | :20:35. | :20:41. | |
cuts on there. Your sound is unique. We used to play Tears in the | :20:41. | :20:46. | |
Morning. All these amazing songs you have written. There is a rumour | :20:46. | :20:54. | |
one of our albums is named after you. You actually called a record | :20:54. | :20:57. | |
"Holland." I love everything about The Beach Boys. It's great. | :20:57. | :21:00. | |
Wonderful to have you in here. Is there something you could give us | :21:00. | :21:10. | |
:21:10. | :21:18. | ||
to give us a bit of a vibration. # Rockin' and a reelin' | :21:18. | :21:24. | |
# Saw Barbara Ann so I thought I'd take a chance | :21:24. | :21:27. | |
# With Barbara Ann | :21:27. | :21:29. | |
# Bah bah bah bah Barbara Ann | :21:29. | :21:32. | |
# Take my hand | :21:32. | :21:33. | |
# Bah bah bah bah Barbara Ann | :21:33. | :21:35. | |
# You got me rockin' and a rollin' | :21:35. | :21:36. | |
# Rockin' and a reelin' Barbara Ann | :21:36. | :21:38. | |
# Bah bah bah bah Barbara Ann | :21:38. | :21:40. | |
# Bah bah bah bah Barbara Ann | :21:40. | :21:43. | |
# Bah bah bah bah Barbara Ann | :21:43. | :21:46. | |
# Barbara Ann | :21:46. | :21:48. | |
# Bah bah bah bah Barbara Ann | :21:48. | :21:50. | |
# Take my hand | :21:50. | :21:51. | |
# Bah bah bah bah Barbara Ann | :21:51. | :21:53. | |
# Barbara Ann | :21:53. | :21:54. | |
# Bah bah bah bah Barbara Ann | :21:54. | :21:56. | |
# You got me rockin' and a rollin' | :21:56. | :21:58. | |
# Rockin' and a reelin' Barbara Ann | :21:58. | :22:00. | |
# Bah bah bah bah Barbara Ann | :22:00. | :22:03. | |
# Tried Betty Sue | :22:03. | :22:05. | |
# Tried Peggy Sue | :22:05. | :22:06. | |
# Tried Betty Lou but I knew she wouldn't do | :22:06. | :22:09. | |
# Barbara Ann Barbara Ann | :22:09. | :22:11. | |
# Bah bah bah bah Barbara Ann | :22:11. | :22:12. | |
# Take my hand | :22:12. | :22:14. | |
# Bah bah bah bah Barbara Ann | :22:14. | :22:17. | |
# You got me rockin' and a rollin' | :22:17. | :22:19. | |
# Rockin' and a reelin' Barbara Ann | :22:19. | :22:20. | |
# Bah bah bah bah Barbara Ann | :22:20. | :22:30. | |
:22:30. | :22:41. | ||
# Bah bah bah bah Barbara Ann | :22:41. | :22:44. | |
# Barbara Ann | :22:44. | :22:48. | |
# Barbara Ann | :22:48. | :22:50. | |
# Barbara Ann | :22:50. | :22:54. | |
# You got me rockin' and a rollin' | :22:54. | :22:56. | |
# Rockin' and a reelin' Barbara Ann | :22:56. | :22:58. | |
# Bah bah bah bah Barbara Ann | :22:58. | :23:01. | |
APPLAUSE AND CHEERING | :23:01. | :23:11. | |
:23:11. | :23:12. | ||
That | :23:12. | :23:13. | |
That was | :23:13. | :23:13. | |
That was fantastic! | :23:13. | :23:22. | |
That was fantastic! Thank you so much. That was amazing. The Beach | :23:22. | :23:29. | |
Boys, ladies and gentlemen. That really was like going to heaven | :23:29. | :23:33. | |
without any of the expense or inconvenience. And now we enjoy the | :23:33. | :23:43. | |
:23:43. | :23:53. | ||
# I, I can't get these memories # And some kind of madness | :23:53. | :24:03. | |
:24:03. | :24:03. | ||
Apology for the loss of subtitles for 55 seconds | :24:03. | :24:57. | |
# But some kind of madness # And now I need to know | :24:57. | :25:07. | |
:25:07. | :25:18. | ||
# Or is it just madness # And when I look back | :25:18. | :25:28. | |
:25:28. | :25:28. | ||
Apology for the loss of subtitles for 55 seconds | :25:28. | :26:26. | |
# And now I have finally # And now I have finally | :26:26. | :26:36. | |
:26:36. | :26:36. | ||
Apology for the loss of subtitles for 55 seconds | :26:36. | :29:09. | |
# He waved his hand # Receiving your signal | :29:09. | :29:19. | |
:29:19. | :29:19. | ||
Apology for the loss of subtitles for 55 seconds | :29:19. | :30:52. | |
# He waved his hand That's why God made the radio. A | :30:52. | :31:00. | |
beautiful new song from the wonderful, The Beach Boys. What a | :31:00. | :31:06. | |
joy to have them in this room. So, great legends of our time. Maybe | :31:06. | :31:13. | |
now the new legend. Our next artist, it's her first time on the show, | :31:13. | :31:23. | |
:31:23. | :31:45. | ||
she has marvellous songs. What more # Cos, hell, I don't | :31:45. | :31:55. | |
:31:55. | :31:59. | ||
# Ooh, the words you wrote # So now I feel like | :31:59. | :32:09. | |
:32:09. | :32:09. | ||
Apology for the loss of subtitles for 55 seconds | :32:09. | :33:13. | |
# Cos, hell, I don't # Ooh and the words you wrote | :33:13. | :33:23. | |
:33:23. | :33:23. | ||
Apology for the loss of subtitles for 55 seconds | :33:23. | :35:33. | |
# The ocean seas # The sailing breeze of tears | :35:33. | :35:43. | |
:35:43. | :35:44. | ||
Apology for the loss of subtitles for 55 seconds | :35:44. | :36:37. | |
# And those bristles burns # Deeper water, deeper water | :36:38. | :36:47. | |
:36:48. | :37:17. | ||
# Deeper water, deeper water # And lead you to the shore | :37:18. | :37:27. | |
:37:28. | :37:28. | ||
Apology for the loss of subtitles for 55 seconds | :37:28. | :38:16. | |
# Deeper water, deeper water # Deeper water, deeper water | :38:16. | :38:26. | |
:38:26. | :38:59. | ||
# Deeper water, deeper water # Deeper water, deeper water | :38:59. | :39:09. | |
:39:09. | :39:39. | ||
# Deeper water, deeper water Thank you, Public Image Limited. | :39:39. | :39:46. | |
PIL, thank you Deeper Water. Marvellous. That was all right. | :39:46. | :39:53. | |
With the flu, I'm doing OK. careful. We will chat about that in | :39:53. | :39:59. | |
a moment. Natalie Duncan was wonderful, wasn't she? Yeah, | :39:59. | :40:04. | |
beautiful. How fantastic she was. Now, let's have more wonderful. | :40:04. | :40:14. | |
:40:14. | :40:34. | ||
# I saw you again # It's like the sun | :40:34. | :40:44. | |
:40:44. | :40:49. | ||
# And what have you done # When I look into your eyes | :40:49. | :40:59. | |
:40:59. | :41:23. | ||
# We make believe, I've never seen # And catch my eye | :41:23. | :41:32. | |
# You were more than just a friend Oh, but the feeling | :41:32. | :41:39. | |
# It never came to an end I can't bear to see you | :41:39. | :41:48. | |
# I always thought it was a shame | :41:48. | :41:52. | |
# That we have to play these games | :41:52. | :41:56. | |
# It felt like you really knew me | :41:56. | :42:00. | |
# Now it feels like you see through me | :42:00. | :42:10. | |
:42:10. | :42:36. | ||
# When I see you again | :42:36. | :42:41. | |
# I'll know not to expect | :42:41. | :42:44. | |
# Stay one step away | :42:45. | :42:48. | |
# We will have to wait | :42:48. | :42:53. | |
# When I see you again | :42:53. | :42:57. | |
# And I'm greeted as a friend | :42:57. | :43:01. | |
# And I'm greeted as a friend | :43:01. | :43:03. | |
# It is understood | :43:03. | :43:06. | |
# That we did all we could | :43:06. | :43:09. | |
# I always thought it was sad | :43:09. | :43:12. | |
# The way we act like strangers | :43:13. | :43:16. | |
# After all that we had | :43:16. | :43:20. | |
# We act like we had never met | :43:20. | :43:24. | |
# I always thought it was a shame | :43:24. | :43:28. | |
# That we have to play these games | :43:28. | :43:32. | |
# It felt like you really knew me | :43:33. | :43:38. | |
# Now it feels like you see through me. # | :43:38. | :43:42. | |
APPLAUSE AND CHEERING | :43:42. | :43:52. | |
:43:52. | :44:01. | ||
Thank | :44:01. | :44:02. | |
Thank you, | :44:02. | :44:05. | |
Thank you, The | :44:05. | :44:12. | |
Thank you, The xx. Sunset from their Co-exist LP. We couldn't have | :44:12. | :44:16. | |
one of the inVenters of jazz on the programme, I don't think any of | :44:16. | :44:21. | |
them will be with us any more. We can have one of the inventors of | :44:21. | :44:30. | |
punk music with us here. Let's welcome the legendary, John Lydon. | :44:30. | :44:37. | |
You are a bad bunny. First of all, I'm sorry you have flu. I've got a | :44:37. | :44:42. | |
really bad head cold. It's not going into flu. You can hear I'm | :44:42. | :44:48. | |
struggling up there. So what, I'm on TV and I look good! Exactly! | :44:48. | :44:55. | |
Marvellous to have you here. I'm a bad bunny. We have been going for | :44:55. | :44:59. | |
20 years... 20 years is a long time for the record company to keep me | :44:59. | :45:02. | |
out of business. Now I'm independent much I don't have to | :45:02. | :45:09. | |
row with the major laib els any more or be under the kosh for | :45:09. | :45:14. | |
financial obligations. It has taken me 20 years to get into this state | :45:14. | :45:19. | |
of affairs. I tell you right now, thank God for British butter! | :45:20. | :45:26. | |
did British butter help? Here's three mounds of it. The money got | :45:26. | :45:31. | |
me into a state where I could put money into the outstanding debt, | :45:31. | :45:35. | |
and raise enough for us to start rehearsing again. You know this | :45:35. | :45:44. | |
about me, Jools, I'm independent I'm outsite of the shit stirs. I | :45:44. | :45:49. | |
always have been. You are in LA? view myself as a Calfornian. This | :45:49. | :45:55. | |
is a good evening with the Beach Boys. You are back at home. This is | :45:55. | :46:03. | |
your home. They are making me feel young! Yes. Good Vibrations. | :46:03. | :46:08. | |
Fantastic to have you on the show. What advice would you have given to | :46:08. | :46:11. | |
the ten-year-old you. What would you have said to him? That was when | :46:11. | :46:16. | |
I met you in a New York bar and you insisted on playing New Orleans | :46:16. | :46:20. | |
stuff on the piano. That was nice, do you remember that? No, it | :46:20. | :46:27. | |
weren't. We had a blazing row. memories change. I remember a | :46:27. | :46:32. | |
lovely sing song? It was peel and squeeze. Didn't we sing the old | :46:32. | :46:39. | |
songs and cuddle? We did as it happened. It always ends up Knees | :46:39. | :46:44. | |
up Mother Brown, one way or another. Very good to see you John. I look | :46:44. | :46:48. | |
forward to hearing more of this great record. Well done for doing | :46:48. | :46:53. | |
it all yourself. John Lydon. We will be hearing more from him later. | :46:53. | :47:02. | |
Now, with, not with the amazing... With the normal bass this time, I'm | :47:02. | :47:12. | |
:47:12. | :47:12. | ||
Apology for the loss of subtitles for 55 seconds | :47:12. | :48:47. | |
coming around this way, we welcome # To history | :48:47. | :48:57. | |
:48:57. | :49:07. | ||
# You don't have long # I am on to you | :49:07. | :49:17. | |
:49:17. | :49:17. | ||
Apology for the loss of subtitles for 55 seconds | :49:17. | :50:49. | |
# You don't have long # I am on to you | :50:49. | :50:59. | |
:50:59. | :50:59. | ||
Apology for the loss of subtitles for 55 seconds | :50:59. | :51:59. | |
# Time it has come to destroy # Yeah, yeah... # | :51:59. | :52:09. | |
:52:09. | :52:41. | ||
# Well, I'm happy to have # I'm crossing over | :52:41. | :52:51. | |
:52:51. | :52:51. | ||
Apology for the loss of subtitles for 55 seconds | :52:51. | :53:54. | |
# I'm happy to have # I'm adaptable | :53:54. | :54:04. | |
:54:04. | :54:34. | ||
# I'm changing my ways # Now are you ready | :54:34. | :54:44. | |
:54:44. | :54:49. | ||
# Behind the curtain Out of the cupboard | :54:49. | :54:57. | |
# You take the first train into the big world | :54:57. | :55:06. | |
# When I find you Will you be there? | :55:06. | :55:09. | |
# This is not a love song | :55:09. | :55:13. | |
# This is not a love song | :55:13. | :55:19. | |
# This is not a love song | :55:19. | :55:29. | |
:55:29. | :55:29. | ||
Apology for the loss of subtitles for 55 seconds | :55:29. | :56:42. | |
# I do love you, but not all the time | :56:42. | :56:52. | |
# Not a love song. Thank you Jools for having us and being oh so kind. | :56:52. | :56:59. | |
It was a pleasure having Public Image Limited with This Is Not A | :56:59. | :57:08. | |
Love Song. We hope you feel better. Next week we have Mumford & Sons. | :57:08. | :57:13. | |
Lisa Marie Presley, Jeff Lynn and much, much more. Now we thank our | :57:13. | :57:22. | |
guests. Thank you, Muse. Thank you xx. Thank you, Natalie Duncan. Now, | :57:22. | :57:27. | |
we finish where we started with the amazing, the legendary, The Beach | :57:27. | :57:37. | |
:57:37. | :57:49. | ||
# Once at night Catillian # And she was right | :57:49. | :57:59. | |
:57:59. | :58:01. |