Episode 2 Later... with Jools Holland

Live and direct from the garden of England, we welcome Police and Crime

# There's a time to remember # Don't worry about things you

# There's a place I wanna go # She's leaving in a big black car

# It's all right, it's OK you can do just what you want to

# Take your time, walk away

# You can come back if you're supposed to

# I don't care about tomorrow when I feel like this today

# Fake nostalgia for another's past has never been my way

# Don't believe what they tell you let your will be your guide

# There's no point in pretending when you know that it's died

# It's all right, it's OK, you can't fix it once it's been broken

# Take your time, walk away

# You can't close it once it's been opened

# Many times all alone in your room at night

# And you cry, and you cry

# Walking down lonely streets no-one to speak

# And you cry, and you cry

# Ooh la la la

# Ooh la la la

# Ooh la la la

# If you really think about it # No-one can stop you if you truly

# In this asphyxiation culture there's no place for the weak people

# Circle like vultures waiting for someone to freak

It's all right, it's OK, you can do just what you want to

# Take your time, walk away

# You can come back if you're supposed to

# Ooh la la la

# Ooh la la la

# Ooh la la la

Apology for the loss of subtitles for 61 seconds

# Hey you, remember me? # My time, you took it all

# It isn't fair, to have your way to try and get up and go

# And na na na na now can't you see

# It isn't fair to have your way

# But I'm trying to get your attention

# And I need you to know that

# Hey you, hey you

# Can't you make this sane?

# I know, I know, I know you ain't the one to play the game

# Now I know I'm never gonna go your way

# If you go, now I know I know know know

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in their insight

# Just another good reason to get it right

# I don't want to turn around

# So come on, baby

# Come on and try to let it out let go

# We're still the same

# So come on, baby

# Trigger the sound let's figure it out

# Let's get back to where we started out

# Hey you, hey you

# Can't you make this sane?

# I know, I know, I know you ain't the one to play the game

# Now I know I'm never gonna go your way

# If you go, now I know I know know know

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in the reason

# Just another good reason to get a ride

# Go go go go get out, get out of my memory

# No no no, not tonight, I don't have the energy

# Go go go go get out, get out of my memory

# No no no, not tonight oh not tonight, oh not tonight

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me forever I'll try for you and I

# No I never believed in their insight

# Just another good reason to get it right

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in their insight

# Just another good reason to get it right

# Forever we tried, forever we tried forever we tried, forever we tried

# Forever we tried, forever we tried

# Forever we tried forever we tried. #

CHEERING AND APPLAUSE

Thank you Haim. Forever. And now joining

joining me

joining me at

joining me at the

joining me at the piano I am delighted to welcome the talented

Jamie Cullum. It is great to have you here. Now, I will cut to the

chase. Your new album is a great record and it is different from the

last one, because really, you have written a lot of it. It is more of a

song writer's one. I wanted my songs to have more of a life of their own,

and sometimes when you have so many covers on a record, it is hard for

them to stand on their own two feet. And, I don't know why you have done

it before, because they sound great. I didn't have the confidence. It has

taken time to get to that point where I felt bold enough. Sometimes

you can hind behind the whole music thing. It is nice to do something

based round my songs. When we were talking earlier, one thing I wanted

to veal to the public, I never knew this, before becoming sort of a

brilliant musician, singer, artist, whatever word we might use, you

wanted to be something else. It was a style of music I wouldn't have

believed true? One of my first gigs was watching Iron Maiden. I wanted

to be in a heavy metal band. That is where it was going to start?

other person you like is ray Charles we stuck with the piano, let us give

it a go. What shall we do. This is all live. How long have we

got? Three minutes? A bit of Ray Charles.

# I got a woman # Way over town

# That's good to me # Whoa, yeah

# I got a woman # Way over town

# That's good to me # Whoa yeah

# She gives me money # When I'm in need

# She's a friend indeed # I got a woman

Apology for the loss of subtitles for 61 seconds

# Way over town CHEERING AND APPLAUSE

We have another minute. We have CHEERING AND APPLAUSE

phew! Mr Jamie Cullum. 20 fingers one piano, you saw it here first. In

# Four walls and a cauldron of # And our home is a trigger that I'm

# At the border, at the, at the border

# I'm at the border, at the, at the border

# The short spears and the weak eternal monologuing

# And our war is the crucible of all your longing

# At the border, at the, at the border I'm at the border

# At the, at the border

# I was there when the clamour got real

# I was there when your brow smashed the wall

# It's like a riot with only two perps

# The more I'm here I'm making it worse

# But does it feel like you're already dead?

# Yes

# And do you feel like your brain stopped delivering?

# Yeah, break my finger shoot out my black eyes

# What does it matter if everyone dies?

# Hey, Kemosabe, I'm alone

# Ayah, I am a

# I am alone

# Hey, Kemosabe, I'm alone

# I am a

# I am alone

# So fast hence take an arrow from your quiver

# Or were, past-tense

# What's a trilobite to anyone?

# I'm outta my depth, outta, outta my depth

# I'm outta my depth, outta, outta my depth

# Nobody checking on all of my deeds

# I need a checker for all of my deeds

# Hey, Kemosabe, I'm alone

# Aya

# I am a

# I am alone

# Hey, Kemosabe, I'm alone

# I am a

# I am alone

# And we be trapped in the amber last joy

# And I'm looking at a holy ghost

# But there's no silver bullet for a memory

# I field dress every moment but you're telling me that Tonto say

# I've lost my way

# Hey, Kemosabe, I'm alone

# I am alone

# And I'm drained enough genuflecting in a penitent way

# Hey, Kemosabe, I'm alone

# Ayah

# I am alone

# So yippee-kayay

# Hey, Kemosabe, I'm alone

# Ayah

# I am a

# I am alone

CHEERING AND APPLAUSE

thank you Everything Everything. Kemosabe,

Kemosabe, a

Kemosabe, a song

Kemosabe, a song from

Kemosabe, a song from their album. We are honoured to have one of the

finest singers from Portugal, doing the title track from her album,

Apology for the loss of subtitles for 61 seconds

the title track from her album, # So reach out for the things that

# So we should put this one to bed # When it gets too late and I find

# Who will save your soul # Who will save your soul

# Inside of another tiny life full # It strikes me with the baggage

# Now watch them tumble out of me # So save those homiletic tones and

# When it gets too late and I find # Who will save your soul

Apology for the loss of subtitles for 61 seconds

# Who will save your soul # Cleaner than where our pounding

# Who will save your soul and love me

# Here when it gets too far

# Well, let down your guard

# Who will save your soul and love me

# Here

CHEERING AND APPLAUSE

Thanks to Primal Scream. Thank

Thank you

Thank you Haim.

Thank you Haim. Thank

Thank you

Thank you Everything

Thank you Everything Everything.

Thank you Everything Everything. Thank

Thank you

Thank you Ana

Thank you Ana Moura.

Thank you Ana Moura. You can see more from all these guests on

Friday's show, where if you join us on Friday, in the meantime here is a

taste of a man you can meet on the Friday show. I think you will agree

he has a lovely voice. If you fuen in then you can see all these people

much more an this next fellow. So # And you don't know why

# Come into my arms # I'll hold you through the night

# And in the morn morning I # Will be sure to find

# A kind of love so strong # You will make us cry faithful

# I know you sometimes... # I know you get lost

# Whenever you get lost # Hold my hands. #

# Flashing lights, police cars # The corner boys look like

# Police stations, crack house zombies readers wives

# Suburban orgies

# Invisible city, invisible city invisible city, invisible city

# Pissed-up girls, Kia-Ora tans mini skirts

# Pissed-up girls, Kia-Ora tans mini skirts

# One-night stands, up the duff sun bed thighs

# Missing father all their lives

# Rain wet streets, hallucination

# Stretched faces like a Bacon painting

# Midnight drive in the neon sunshine

# I love this city such a beautiful city

# Invisible city, invisible city invisible city

# Politician Death TV, psychic sewers spewing out garbage

# Tune out of that frequency, tune out of that frequency

# Rain wet street, hallucination

# Stretched faces like a bacon painting

# Midnight drive in the neon sunshine

# I love this city, such a beautiful city

# Invisible city, invisible city invisible city

# I love this city such a beautiful city. #

# Invisible city, invisible city invisible city