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We are live. We are direct, and we Great song. Give it up for Vampire | :03:27. | :03:31. | |
Weekend, also Jacob Banks, from oakland, California, joined by John | :03:31. | :03:37. | |
Paul Jones, C16. I'll be with Eric Burdon at the piano. We also | :03:37. | :03:42. | |
welcome from London, Dido. Now from New York, we welcome Yeah Yeah | :03:42. | :03:52. | |
:03:52. | :03:52. | ||
Apology for the loss of subtitles for 182 seconds | :03:52. | :06:55. | |
Yeah Yeah Yeahs and Mosquito from their album Mosquito. Let's zoom | :06:55. | :07:00. | |
around live into this corner - hubcap music, that's my style of | :07:00. | :07:05. | |
music. That's name of this man's LP. He's joined by John Paul Jones, but | :07:05. | :07:15. | |
:07:15. | :07:15. | ||
Apology for the loss of subtitles for 182 seconds | :07:15. | :11:28. | |
I was coming home from high school with my rucksack on my back, and it | :11:28. | :11:32. | |
was - it was an unusual warm evening, for Newcastle, for the | :11:32. | :11:36. | |
north-east, and I was approaching the area of the Newcastle City Hall. | :11:36. | :11:44. | |
The doors were open, and I heard a sound check in progress, and it was | :11:44. | :11:49. | |
Muddy Waters, and I heard his voice from like three blocks away, and I | :11:49. | :11:53. | |
thought - that's where I want to be. How old were you, do you think? | :11:53. | :11:57. | |
was 16, I think. What a fantastic experience that must have been. | :11:57. | :12:02. | |
Yeah, it was. And you've never - and so - were you able to get blues | :12:02. | :12:06. | |
records back then? How would you hear more stuff once you'd decided | :12:06. | :12:10. | |
that's what you wanted to... There was a merchant seaman who lived | :12:10. | :12:13. | |
downstairs from me. He was often going to America. He was a big jazz | :12:13. | :12:18. | |
fan. I'd say, hey, listen, next time, you bring back some jazz | :12:18. | :12:23. | |
records. Put some R&B stuff on there for me. I'd give him a list | :12:23. | :12:28. | |
of things. Out of interest, where did you first hear House of the | :12:28. | :12:32. | |
Rising Sun? What version? It was played in folk clubs sometimes. | :12:32. | :12:36. | |
They would play the guitar opening. Every guiltar wants to play that | :12:36. | :12:39. | |
guitar opening, and it would get through like one verse, then run | :12:39. | :12:46. | |
out of lyrics, and it wasn't until I got Bob Dylan's first album that | :12:46. | :12:50. | |
I realised there was more lyrics to the song than I ever dreamt there | :12:50. | :12:59. | |
was, and we took it from there, and we beat Bob into the studio with | :12:59. | :13:03. | |
the electronic side of things. you were first in with that | :13:03. | :13:07. | |
electric thing, and The Animals took off. This record is a really | :13:07. | :13:12. | |
great record. They are, I believe, was it Bruce Springsteen wanted to | :13:12. | :13:15. | |
produce this record, and you said no, is that right? No, it was a | :13:15. | :13:22. | |
long time ago, back in the '80s. take that back. I see. It's one of | :13:22. | :13:26. | |
your favourite blues songs - let's go back to the roots, the early. | :13:26. | :13:32. | |
Yeah, this song comes from the 1920s, I think, and it - it always | :13:32. | :13:36. | |
suits my frame of mind, you know? That's the poetry of the blues. | :13:36. | :13:41. | |
Would you give us a bit of this song? Absolutely. We'd like to hear | :13:41. | :13:43. | |
that, wouldn't we, ladies and gentlemen? | :13:43. | :13:53. | |
:13:53. | :14:06. | ||
APPLAUSE # Once I lived the life of a | :14:06. | :14:10. | |
millionaire # Spending my money | :14:10. | :14:14. | |
# I didn't care # Taking my friends out for a | :14:14. | :14:18. | |
mighty good time # Buying champagne, cocaine and | :14:18. | :14:21. | |
wine # Then I began to fall so low | :14:21. | :14:28. | |
# Didn't have a dime in my pocket, no place to go | :14:28. | :14:32. | |
# It's mighty strange # Without a doubt | :14:32. | :14:36. | |
# Nobody wants you when you're down and out | :14:36. | :14:46. | |
:14:46. | :14:48. | ||
# I said nobody wants you # When you're down and out | :14:48. | :14:53. | |
# In my pockets # Paying out a penny | :14:54. | :14:59. | |
# All my friends are - # Ain't got any | :14:59. | :15:08. | |
# No, nobody wants you # When you're down and out | :15:08. | :15:12. | |
# Oh, baby # It's the truth without a doubt | :15:12. | :15:20. | |
# Nobody wants you # When you're down and out # | :15:20. | :15:23. | |
And that's the truth. APPLAUSE | :15:23. | :15:32. | |
The wonderful Eric Burdon. And now we have the TV debut of the | :15:32. | :15:36. | |
marvellous young fellow from Birmingham. He's three times seven | :15:36. | :15:46. | |
:15:46. | :15:46. | ||
Apology for the loss of subtitles for 182 seconds | :15:46. | :19:23. | |
Thank you, Jacob. Rainy Day. And now it's five years since her last | :19:23. | :19:28. | |
record. We're delighted to have here with us - it is died died. -- | :19:28. | :19:38. | |
:19:38. | :19:38. | ||
Apology for the loss of subtitles for 182 seconds | :19:38. | :25:59. | |
$:/STARTFEED. Thank you to Vampire Weekend, thank you to all of our | :25:59. | :26:09. | |
:26:09. | :26:09. | ||
guests - thank you, Dido, thank you Eric Burdon. More on Friday. George | :26:09. | :26:13. | |
Jones unchumtsly passed away this week. Let's just remind ourselves | :26:13. | :26:23. | |
:26:23. | :26:28. | ||
of what a fantastic man and artist # They passed a wreath upon his | :26:28. | :26:34. | |
tomb # Soon they'll carry him away | :26:34. | :26:41. | |
# He stopped loving her today. # APPLAUSE | :26:41. | :26:47. |