Episode 8 Later... with Jools Holland
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Transcript
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It is, of course, the 5th November and that means that I have a | :00:33. | :00:41. | |
football, and it is time for The Killers. | :00:42. | :00:51. | |
MUSIC: "Shot At The Night" - The Killers | :00:52. | :01:03. | |
# Cos honey I've got nothing to lose | :01:04. | :02:26. | |
# Look at my reflection in the mirror | :02:27. | :03:19. | |
MUSIC: "Count On Me" - Chase Status featuring Moko | :03:20. | :05:16. | |
# Throw my hands up high and surrender | :05:17. | :05:50. | |
# You can count on me # You can count on me | :05:51. | :05:53. | |
# And I miss the way you look right through me | :05:54. | :06:38. | |
# Tell me what you need # Tell me what you need | :06:39. | :06:45. | |
# Throw my hands up high and surrender | :06:46. | :06:48. | |
# You can count on me # You can count on me | :06:49. | :06:52. | |
# Tell me what you need # Tell me what you need | :06:53. | :07:42. | |
# Throw my hands up high and surrender | :07:43. | :07:45. | |
# You can count on me # You can count on me | :07:46. | :07:56. | |
# I know # We got each other, baby | :07:57. | :08:28. | |
Yes, it is the 5th November. Strange coincidence, but true, it is Bryan | :08:29. | :08:57. | |
Adams and Bryan Adams' -- Ryan Adams' birthday. Could you make that | :08:58. | :09:02. | |
up? No, it is true. We have the wonderful Boy George. | :09:03. | :09:12. | |
MUSIC: "King of Everything" - Boy George | :09:13. | :09:18. | |
# The kid was crying # And the dogs were howling | :09:19. | :09:56. | |
# I mocked your tears and I scarred your heart | :09:57. | :10:40. | |
# The kid was crying # And the dogs were howling | :10:41. | :11:03. | |
Boy George King of Everything from his new album. Now, the legendary | :11:04. | :12:35. | |
songwriter, Jimmy Webb worked with a lot of different people on his | :12:36. | :12:38. | |
record and one of them is Justin Currie. Now, let's welcome them | :12:39. | :12:39. | |
both. MUSIC: "You Can't Treat | :12:40. | :12:47. | |
The Wrong Man Right" # He likes to play with you, | :12:48. | :12:51. | |
that's all # He's waiting on | :12:52. | :13:01. | |
someone else's call # Beating your heart | :13:02. | :13:05. | |
against the wall? # You can't treat | :13:06. | :13:28. | |
the wrong man right # Or turn a devil | :13:29. | :13:55. | |
to an angel overnight # He'll wreck all your best-laid | :13:56. | :14:00. | |
plans for spite # You can't treat | :14:01. | :14:04. | |
the wrong man right # You can't treat | :14:05. | :14:09. | |
the right man wrong # When you're out on the town | :14:10. | :14:15. | |
# Acting mean and headstrong # He'll be waiting for you | :14:16. | :14:24. | |
all night long # You can't treat | :14:25. | :14:27. | |
the right man wrong # And though I was trying | :14:28. | :14:36. | |
not to hear # You can't treat | :14:37. | :14:49. | |
the wrong man right # Or change a devil | :14:50. | :15:34. | |
to an angel overnight # She'll steal all your love | :15:35. | :15:41. | |
and fly by night # You can't treat | :15:42. | :15:45. | |
the wrong girl right # You can't treat | :15:46. | :15:53. | |
the right man wrong # You can run all the way | :15:54. | :15:56. | |
from here to Hong Kong # And he'll be waiting | :15:57. | :16:01. | |
when you come back in sight # You can't treat | :16:02. | :16:06. | |
the right man wrong # You can't treat | :16:07. | :16:13. | |
the wrong girl right. # Jimmy Webb and Justin Currie. So now | :16:14. | :16:46. | |
we go over and meet at the table here, Boy George. | :16:47. | :16:49. | |
CHEERING AND APPLAUSE Welcome. You are looking great. | :16:50. | :16:54. | |
What's your secret? A mixture of things. Clean living. Lots of water. | :16:55. | :16:59. | |
Exercise and just, you know, generally looking after myself | :17:00. | :17:01. | |
really. You look great. The record | :17:02. | :17:04. | |
really. great. We just hear the song. What | :17:05. | :17:07. | |
inspired that? A lot of people think it is about me, but if it was about | :17:08. | :17:13. | |
me, it would be called Queen Of Everything. It is about messing up | :17:14. | :17:17. | |
and getting yourself back on the feet. It is about me as much as it | :17:18. | :17:24. | |
is about anyone else. It is the first solo material for 18 | :17:25. | :17:30. | |
years. Why have we had to wait so long? Well, I have been DJing. | :17:31. | :17:35. | |
That's an amazing secretary career for me -- second career for me. I | :17:36. | :17:40. | |
turned 50 a couple of years ago and I can make a record now with no | :17:41. | :17:45. | |
pressure. There is no one to please. There is no big label saying, "Make | :17:46. | :17:50. | |
this record." You are on tour now. I wonder, this is there any luxury | :17:51. | :17:53. | |
items you want to take on tour wonder, this is there any luxury | :17:54. | :18:00. | |
you? My make-up girl, Christine. Is she anywhere? She is hiding. She is | :18:01. | :18:04. | |
very glamorous. Hello, Christine. It is an | :18:05. | :18:10. | |
extravagant luxury. Do you take her everywhere you go? Well, I went to | :18:11. | :18:15. | |
Thailand and I did my own face after a long flight and I looked like | :18:16. | :18:21. | |
someone kickboxed me and I thought I can't do it anymore. I am too old. | :18:22. | :18:26. | |
We are looking forward to hearing more from you and we will see you on | :18:27. | :18:29. | |
Friday as well. Boy George. CHEERING AND APPLAUSE | :18:30. | :18:34. | |
He is looking so well. Now, a brand-new band from Chicago. Let's | :18:35. | :18:38. | |
enjoy The Orwells. MUSIC: "Who Needs You" | :18:39. | :18:45. | |
- The Orwells # I said no thank you | :18:46. | :18:58. | |
dear old Uncle Sam The Orwells Who Needs Them. Let's | :18:59. | :22:04. | |
enjoy some more brand-new talent. Over here from Stratford, somebody | :22:05. | :22:09. | |
who Plan B helped produce. We are going to enjoy, Denai Moore. | :22:10. | :22:11. | |
CHEERING AND APPLAUSE # Your autumn leaves | :22:12. | :22:20. | |
scattered like sores # You're the one I think of | :22:21. | :22:26. | |
when I wake # Until the morning starts | :22:27. | :22:36. | |
and the evening breaks # You're summer nights | :22:37. | :22:42. | |
that never die # Sparks of amber gold | :22:43. | :23:10. | |
from bonfire nights # You took the flame | :23:11. | :23:15. | |
Extinguished oxygen # I never know who to look for | :23:16. | :23:26. | |
to try and fill your place # Cos I never thought | :23:27. | :23:57. | |
that I would have to # But how can I | :23:58. | :24:06. | |
when you're all I know # And I found you | :24:07. | :24:14. | |
beneath you my tears Denai Moore with Gone. Thank you to | :24:15. | :25:24. | |
all of o guest. Thank you to Jimmy Webb and Justin Currie. Thank you to | :25:25. | :25:33. | |
Boy George. Thank you to names The Orwells. Thank you to Chase and | :25:34. | :25:37. | |
Status. Thank you to all our beautiful guests for joining us on | :25:38. | :25:43. | |
this lovely firework evening. And we will be back on Friday | :25:44. | :25:46. | |
this lovely firework evening. And we more. I'm just chatting because we | :25:47. | :25:49. | |
have got more time to go. That's the excitement of live television you | :25:50. | :25:53. | |
can make it longer like this! Or you can make it shorter! We have got | :25:54. | :25:58. | |
five seconds now so I would like to take a short safety tack for you all | :25:59. | :26:05. | |
-- take a short safety talk for you. Sorry, there isn't any time. Please | :26:06. | :26:08. | |
welcome the The Killers. MUSIC: "When You Were Young" | :26:09. | :26:14. | |
- The Killers # You play forgiveness | :26:15. | :26:21. | |
# Watch it now. Here he comes # He doesn't look a thing like Jesus | :26:22. | :26:38. | |
# But he talks like a gentleman # Like you imagined | :26:39. | :26:44. | |
# When you were young # Can we climb this mountain? | :26:45. | :26:53. | |
# I don't know # I know we can make it | :26:54. | :26:57. | |
# if we take it slow # Let's take it easy | :26:58. | :27:04. | |
# Easy now. Watch it go # We're burning down | :27:05. | :27:07. | |
the highway skyline # On the back of a hurricane | :27:08. | :27:11. | |
# That started turning # And see the place | :27:12. | :27:15. | |
# where you used to live # You play forgiveness | :27:16. | :27:36. | |
# Watch it now. Here he comes # He doesn't look a thing like Jesus | :27:37. | :28:58. | |
# But he talks like a gentleman # Like you imagined | :28:59. | :29:04. | |
# When you were young # Like you imagined | :29:05. | :29:08. | |
# When you were young # I said | :29:09. | :29:18. | |
# he doesn't look a thing like Jesus | :29:19. | :29:23. |
