Episode 1 Later... with Jools Holland


Episode 1

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This programme contains strong language

:00:06.:00:31.

This is the 300th episode of Later with Jools Holland. This is Kings Of

:00:31.:00:37.

Leon. # Down in the Delta, they're ringing

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bells # I just want to be there

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# To be there # I blew them all away

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# I don't mind, # Just walk away

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# Walk away # I don't mind, sentimental girls at

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times # Miss don't walk away

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# Oh # I don't mind sentimental girls at

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times # I just lay it on the line

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# On the line # I don't mind sentimental girls at

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times # Miss, don't walk away, walk away

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# I don't mind sentimental girls, at times

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# Miss, don't walk away # Oh, oh, oh #

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APPLAUSE Thank you Kings Of Leon.

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How do we celebrate 300 Laters? Yes, 300! We fill it up with incredibly

:04:35.:04:48.

talented they. -- people. They are, Kanye West!

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APPLAUSE A brand new group, Drenge!

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APPLAUSE The legendary voice of Mr Bill

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Medley! APPLAUSE

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From Auckland New Zealand, a brand new artist, who has been number one,

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yes it's Lorde! APPLAUSE

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And in this corner, I'm delighted to welcome a man with an amazing new

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album, from Tyneside, it's Sting! APPLAUSE

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# This town, this stain on the sunrise

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# It's a magnetic pull # Like a homing signal in your skull

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# Wondering how in the hell due end up here

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# It's like an underground river, or a hidden stream

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# That flows through your head and haunts your dreams

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# And you stuffed those dreams in this canvas sack

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# And there's nothing round here that the wide world lacks

:06:39.:06:49.

# And yet, and yet, you're back # Some nights I'd lie on the deck

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and I'd stare at the turning of the stars

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# Those consolations hanging up there, from the cables and the

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rigging # I'd wonder if she saw the same or

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managed to recall my name # Why would she ever think of me?

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# Some boy she loved who fled to sea.

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# And why waste time debating # Whether she'd be waiting for the

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likes of me? # So you drift into port with the

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scum of the seas # To the dance halls and the

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brothels where you took your ease # The ships left the dock but you're

:07:41.:07:45.

half past caring # You haven't got a clue whose bed

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you're sharing # Your head's like a hammer on a

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bulk head door # And it feels like somebody might

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have broken your jaw # And there's blood stains and glass

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all over the floor # And you swear to God you'll drink

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no more # And yet, and yet,

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# In truth it's too late to find her # Too late to remind her at some

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garden gate # Where a servient tells me I should

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wait # And perhaps a door's slammed in my

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face # My head must be in outer space

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# And yet, and yet # Before the sun has set before the

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sea # There may be something else that's

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waiting for the likes of me # This town, this stain on the sun

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rise # APPLAUSE

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Yes, the wonderful Sting from The Last Ship, his new album.

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As I said, it's our 300th show, I'm celebrating. Over in this corner,

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let's enjoy the wonderful, Kanye West.

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# All them other lame, and you know it now

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# What you doing in the club on a Thursday?

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# She say she only here for her girl birthday

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# They ordered champagne but still look thirsty

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Forever 21 but just turned 30 know I got a bad reputation

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# Walking 'round, always mad reputation

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I know you're tired of loving, of loving

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# With nobody to love, nobody, nobody, no

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# With nobody to love, nobody, # Close your eyes and let these

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words paint a thousand pictures # One good girl is worth a thousand

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bitches # Bound to fall in love

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# Uh-huh, honey # I want to hit it hard at the sink

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# After that give you something to drink

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# Step back, can't get spunk on the mink

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# I mean, damn, would you Jeremy Romey, Romey Rome, think?

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# I mean, damn, would you Jeremy # Hay, you remember where we first

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met? # OK, I don't remember where we

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first met # But hey, ain't nobody perfect

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# And I know with the hos I got the worst represent, but hey their

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breakstroke I'm trying perfect # And hey, we made it to thanks

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breakstroke I'm trying perfect giving, so hey, maybe we can make it

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to Christmas # She asked me what I wished for the

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wish list # Have you ever asked your bitch for

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other bitches? # Maybe we could still make it to

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the church steps machine but first, you going remember how to forget

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# After all these long verses, I'm tired, you tired, Jesus wept.

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# I know you're tired of loving, of loving

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# With nobody to love, nobody, nobody

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# So just grab somebody # No leaving this party

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# With nobody to leave, nobody, nobody

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# Uh-huh, # Uncle Charlie's in the house,

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watch your mouth # Uncle Charlie's in the house,

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watch your mouth # Bound, bound, bound to fall in

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love # Bound to fall in love

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# Uh-huh, honey # Kanye West! More from Kaye later.

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Now we move into this corner, two wonderful brothers, they are Drenge!

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# Got a pair of dice # And we only roll for snake eyes

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# Got a race horse and we go to war # Got a pull string, because I want

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to learn # How to sing

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to learn # Got a race horse and we go to all

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the blood sports # I don't know what to do with you,

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oh # I don't know what to do with her

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# I know I've got to defer # Ohhh

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Thank you so much Drenge! From their album drink. We'll hear more from

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them later. Now I go to this corner, to hear the man that opened for you

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with that marvellous band. We welcome Sting! Marvellous to have

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you here. Thrill Andrew honour. Now, it's

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quite a while since your last record. This one is sensational. You

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have a lot of great people. We'll talk about them in a moment. I

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think, would I be right in saying this record is inspired by your

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childhood home in the north-east? I come from Tyneside. We built the

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biggest ships ever built, ever constructed in the world, in the

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history of the world in our town. I've written a series of songs about

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my town and the ship building industry. Is that actually your

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street? That was. Is it there, the crane? No, it's been levelled, not

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because of me. Your earliest memory of this area? This is my earliest

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memory, a ship being launched, the blood out of the sky. They were huge

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these things, five times higher than the house. Did your family work with

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them? My dad was an engineer. Did you ever try working with ships?

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No, picked up a guitar and I wanted to be a rock star. Much better idea.

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The The Last Ship is going to be a musical, like a Broadway musical.

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I'd rather call it a play with songs. I don't like the term

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musical. Who will some of the people be played by? Well my star is Jimmy

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Nail. I saw him there! He is there. APPLAUSE

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Very modest live in the background. Gym a's a wonderful actor and

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fantastic singer. Perfect for the role. My only worry might be if it's

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on Broadway in America, I mean, don't get me wrong, American actors

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are fantastic, but sometimes they are challenged by some of the

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British voices. Jimmy, what do you think? No comment. Jimmy won't be.

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Crystal clear wherever he speaks. Tell us about some of the other

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people you've got. On the record you have also gathered, it is proper

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north-eastern music because you've gathered the great people. We have

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north-eastern music because you've Peter Tokel on the fiddle there.

:19:36.:19:42.

Then Julianson Sutton on the squeeze box there -- Julian. That looks like

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a rugby team in the back. They're box there -- Julian. That looks like

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from tealside. They're the Wilson family. These are some of the

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greatest names in north-eastern music. The three there from the

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North East of America. Blending in weather well. Token Geordies.

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Wi-eye. That's a terrible accent. It's not bad! I spent a long time up

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there. I love this music. You should have a better accent then. And the

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unthank sisters are there. They're on the record and Brian Johnson from

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ACDC. My only question is, why so long? It's such a long time since

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your last record. When you have nothing to say, you should say

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nothing. For ten years I had nothing to say. Very wise. That's probably

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the wisest thing, it's our 300th show and we've had wisdom and lovely

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music. The lot. What more can you ask for. Thank you for joining us,

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Sting! She is from United Kingdom land. She is really a sensation.

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She's -- she is from Auckland. She is really a sensation. 20 million

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people have watched her on YouTube. She is Lorde.

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# I've never seen a diamond in the flesh

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# I cut my teeth on wedding rings in the movies

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# And I'm not proud of my address # In the torn-up town, no postcode

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envy # But every song's like gold teeth,

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Grey Goose, trippin in the bathroom # Blood stains, ball gowns, trashing

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the hotel room # We don't care

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# We're driving Cadillacs in our dreams

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# Crystal Maybach, diamonds on your time piece

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# Jet planes, islands, # We don't care,

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# We'll never be royal # We crave a different kind of buzz

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# Let me be your ruler # You can call me queen bee

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# And baby, I'll rule, aisle awe rule -- eel' rule

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# Let me live that fantasy # My friends and I we've cracked the

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code # We count our dollars on the train

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to the party # And everyone who knows us knows

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that we're fine with this # We didn't come from money

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# But every song's like gold teeth, Grey Goose, trippin in the bathroom,

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# Blood stains, ball gowns, trashing the hotel room

:23:10.:23:12.

# We don't care # We're driving Cadillacs in our

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dreams # But everybody's like, diamonds on

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your time piece # Jet planes, islands, tigers on a

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gold leash # We don't care

:23:23.:23:27.

# We aren't caught up in your love affair

:23:27.:23:31.

# And we'll never be royals # It don't run in our blood

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# That kind of Luxe just ain't for us

:23:36.:23:38.

# We crave a different kind of buzz # Let me be your ruler

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# You can call me queen bee # And baby, I'll rule, I'll rule

:23:42.:23:53.

# Let me live that fantasy # Ooh, ooh, oh

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# We're bigger than we ever dreamed # And I'm in love with being queen

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# We're bigger than we ever dreamed # Ooh, ooh, oh

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# Life is a game without a care # We aren't caught up in your love

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affair # We will never be royals

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# That kind of life ain't for us # We crave a different kind of buzz

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# Let me be your ruler # You can call me queen bee and

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baby, I'll rule, I'll rule # Let me live that fantasy

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baby, I'll rule, I'll rule CHEERING AND APPLAUSE

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# It's all there in the gospels # The mag de-Lynn girl comes to pay

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respects # The she finds the tomb empty

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# The stone had been rolled # Not a sign of the corporation in

:25:11.:25:15.

the dark and the cold # When she reaches the door, sees an

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unholy sight # There's a terrible figure in a

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halo of light # They carry on floating past

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cavalry hill # In an almighty hurry, aye, but she

:25:28.:25:34.

might catch him still # Tell me where are you going, Lord

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and why in such haste? Now don't behinder me woman, I've no time to

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waste # For they're launching a boat on

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the more row at noon # I have to be there before za break

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# Oh, I canna be missing, the lads will expect me

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# Why else would the good Lord himself resurrect me for?

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# Nothing will stop me, I have to prevail lash through the teeth of

:26:00.:26:05.

this tomorrow pest in the mouth of a gale

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# May the angels protect me, if all else should fail

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# When the last ship sails. # Oh, the roar of the chains and the

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cracking of timbers # The noise at the end of the world

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in your ears # As a mountain of steel makes its

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way to the sea # And the last ship sails

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# it's a strange kind of beauty # It's cold and austere

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# And whatever it was that you've done to be here

:26:47.:26:54.

# It's the sum of your hopes, your despairs and your fears

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# When the last ship sails # Well, the first to arrive saw

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these signs in the east # Like that strange moving finger at

:27:02.:27:07.

Balthazar's feast # Where they asked the advice of

:27:07.:27:10.

some wandering priest # And the sad ghosts of men whom

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they'd thought long deceased # And whatever got said, they'll be

:27:15.:27:19.

counted at least # When the last ship sails

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# oh, the roar of the chains and the cracking of Tim per

:27:26.:27:30.

# The noise at the end of the world in your ears

:27:30.:27:35.

# As a mountain of steel makes its way to the sea

:27:35.:27:39.

# And the last ship sails # And whatever you'd promised,

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whatever you've done # And whatever the station in life

:27:45.:27:50.

you've become # In the name of the feather, in the

:27:50.:27:57.

name of the Son and whatever the weave of this life that you've spun

:27:57.:28:01.

# On the earth or in heaven or under the sun

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# When the last ship sails # Oh, the roar of the chains and the

:28:08.:28:13.

# When the last ship sails cracking of Tim pers

:28:13.:28:16.

# The noise at the end of the world in your ears

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# As a mountain of steel makes its way to the sea

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# And the last ship sails # CHEERING AND APPLAUSE

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The Last Ship, featuring the Wilson CHEERING AND APPLAUSE

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brothers and Jimmy Nail. Sting! Before that we enjoyed Lorde. Now

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let's go over to the other end of the room and welcome back Kanye

:28:50.:28:52.

West. # My father was a black panther

:28:52.:29:08.

# My father, who ain't in heaven # My momma was raisin

:29:08.:29:17.

# Clean water was only serving to the cleaner skin

:29:17.:29:23.

# Its broke ligga racism, that's the don't touch anything in the store

:29:23.:29:28.

# And there's rich ligga racism that's the come here, please buy

:29:29.:29:31.

more # What you want a Bentley, fur coat

:29:31.:29:35.

and diamond chain? All you plaques want all the same things, used only

:29:35.:29:41.

to be liggas, now everybody play me spending everything on

:29:41.:29:47.

# You see there's leave leaders and followers, but I'd rather be a prick

:29:47.:29:55.

than a swallower followers, but I'd rather be a prick

:29:55.:30:00.

# I throw these keys I wear my heart on the sleeve.

:30:00.:30:12.

# I know that we the new slaves. # I see the blood on the leaves

:30:12.:30:21.

# I know that we the new slaves # I see the blood at the leaves

:30:21.:30:28.

# Lock you and your corporation hr I can't control me

:30:28.:30:31.

# I know that we the new slave # I'm about to wild the lock out

:30:31.:30:36.

# I know that pussy ain't free # I know that pussy ain't free

:30:36.:30:50.

# No slaves # And your brand new car

:30:50.:30:58.

# New slaves # No, no, no

:30:58.:31:06.

# With your brand new job # Your still a new slave

:31:06.:31:18.

# No matter who you are # You see it's leaders and

:31:18.:31:23.

followers, but I'd rather be a Dick rather than a swallower. Shall

:31:23.:31:26.

# There's leaders and followers, but I'd rather be a Dick rather than a

:31:26.:31:29.

swallower # New slaves

:31:29.:31:35.

# Ooohhh # The dance floor's a temptress

:31:35.:32:37.

# Can't make out what you're saying # But you rub me the right way

:32:37.:32:50.

# With your child-like persuasion # I've got my hands in my pockets

:32:50.:33:07.

# And I'm crossing my fingers # Shoot fire am I simple

:33:07.:33:17.

# Stone washed up and so, so # I'd take one in the temple

:33:17.:33:23.

# I'd take one for you # I take one in the temple

:33:23.:33:29.

# I take one for you # I take one in the temple

:33:29.:33:42.

# I take one for you # I feel all a mess now

:33:42.:33:46.

# I'm tossed in the scatter # And your eyes keep on shifting

:33:46.:33:50.

# I'm tossed in the scatter # To the boys that don't matter

:33:50.:34:01.

# I've got my hands in my pockets # I'm still crossing my fingers

:34:01.:34:17.

# I take one in the temple # I'd take one for you

:34:17.:34:21.

# Take one in the temple # I'd take one for you

:34:21.:34:28.

# I'd take one in the temple # I'd take one for you

:34:28.:34:54.

# I've got my hands in my pockets # And I'm crossing my fing fingers

:34:54.:35:12.

# I just want to be noticed # I just want to be

:35:12.:35:14.

# I'd take one in the temple # I'd take one for you

:35:14.:35:34.

# I'd take one in the temple # I'd take for you

:35:34.:35:38.

# I'd take one in the temple # I'd take one in the temple

:35:38.:35:44.

# I'd take one for you # I'd take one in the temple

:35:44.:35:46.

# I'd take one for you Mechanical Bull, from Kings Of Leon.

:35:46.:36:23.

All right, our next guest has a voice that I think you may all be

:36:23.:36:25.

All right, our next guest has a familiar with. Let's remember what

:36:26.:36:29.

that voice is. # You've lost that loving feeling

:36:29.:36:41.

# Oh, that loving feeling # # Oh, my love, #

:36:41.:36:51.

# Now I had the time of my life # No, I never felt this like this

:36:52.:36:57.

before... # Everybody December fright sing along

:36:57.:37:01.

because it is the -- desperate to sing along. Because it is Mr Bill

:37:01.:37:07.

Medley! Thank you for coming on the show.

:37:07.:37:12.

I tell you what, everybody in the room has a different special memory

:37:12.:37:20.

of each of those different songs. The Righteous Brothers, Los

:37:20.:37:23.

Cristianos, that has been played -- you lost that loving feeling, it's

:37:23.:37:27.

been played more than any other song on radio. Yeah, it's the most played

:37:27.:37:31.

record on radio in America. Quite a baying chee. . -- quite a big

:37:31.:37:37.

achievement. When did you first hear that song? The writers, great

:37:37.:37:44.

writers, Phil Spectrum was going to produce us. He asked them to write a

:37:44.:37:48.

song for us. Writing this song was very odd. We had been doing rhythm

:37:48.:37:55.

and blues. So Phil Spectre and Barry Man sang the song to us. They sang

:37:55.:38:00.

real high. They played it? Yeah real high, about a fifth up. They got

:38:00.:38:05.

done and I said what a great song for the Everley Brothers. It was a

:38:05.:38:10.

beautiful song. They lowered it and lowered it and lowered it. Then that

:38:10.:38:16.

became that record. Was Phil like to work with? What's the next question.

:38:16.:38:22.

Yeah. No, no. You know what, he was great. He wanted people to think

:38:22.:38:28.

that he was very eccentric, but when we worked with him, any way, he was

:38:28.:38:35.

great. He worked us hard. What were the artists that were inspiring to

:38:35.:38:41.

you sing? Well, when I was 15, it was Little Richard. You know Fats

:38:41.:38:47.

Domino. Then when I was 19, I fell in love with Ray Charles and BB

:38:47.:38:56.

King, all the Blues guys, just all the great black artists from the

:38:56.:39:00.

50s. You said that you'd been in a bar and you'd been working and you

:39:00.:39:04.

heard a record on the jukebox, a B side. Yeah, Etta James, I don't know

:39:04.:39:13.

what the A side was, it might have been At Last, but I would play that

:39:13.:39:18.

record and it killed me. She became a good friend. She was a wonderful

:39:18.:39:23.

lady. Would you give us a bit now. Sure.

:39:24.:39:38.

# I don't want you to be no slave # I don't want you to work all day

:39:38.:39:54.

# But I want you to be true # I just want to make love to you

:39:54.:40:05.

# I want to make love to you, baby # Love, I want to make love to you

:40:05.:40:12.

darling # Yeah, I don't want to see you sing

:40:12.:40:16.

darling the Blues, I want to make love to

:40:16.:40:24.

you. # I don't want you to wash my

:40:24.:40:30.

clothes # I don't want to keep you indoors

:40:30.:40:41.

# There is nothing for you to do # But keep me making love to you

:40:41.:40:52.

# Sometimes in the morning # Ooo, sometimes in the evening,

:40:52.:40:57.

darling # Well, I don't want to see you sing

:40:57.:41:06.

the Blues, I just want to make little sweet love to you #

:41:06.:41:18.

CHEERING AND APPLAUSE Thank you.

:41:18.:41:31.

The wonderful and legendary, Mr Bill Medley! Now let's welcome the brand

:41:31.:41:35.

new, but maybe one day soon will be Medley! Now let's welcome the brand

:41:35.:41:38.

legendary, Drenge. # Sun's so high

:41:38.:42:04.

# I want to give up, I don't know why

:42:04.:42:04.

# Sun's so # I never seen blood or milk mixed

:42:04.:42:23.

so divine # I never seen such beauty so malign

:42:23.:42:46.

# # Brother said bourbon never done me

:42:46.:42:51.

good # Neither did a faceful of camp fire

:42:51.:42:55.

soot # Them burning airport coals sting

:42:55.:42:57.

like a bitch # I catch a lift on the last bus

:42:57.:43:00.

home # To the end of the line for the

:43:00.:43:05.

coppers I own # I get thrown off, hit on, beat up

:43:05.:43:14.

# Before I drown in the murky back waters

:43:14.:43:15.

# Before I drown in the murky back # I lay my body down

:43:15.:43:36.

#50 stars above my head and 13 scars run through my chest

:43:36.:43:48.

# Blue and red blood lock up my veins

:43:49.:43:51.

# Blackened eyes and a purple nose # I've got missing teeth, got a lot

:43:51.:43:55.

of those # Oh, Marigold, you never done me no

:43:55.:44:04.

harm # Oh, Marigold, in debt to you

:44:04.:44:10.

# Don't ever want to say the things I've thought of you

:44:11.:44:16.

# Oh, Marigold, I wrote you a love song

:44:16.:44:42.

CHEERING AND APPLAUSE Brilliant bit of drumming, brilliant

:44:42.:44:52.

guitar! Thank you Drenge. From their Drenge LP. Let's go back

:44:52.:44:56.

over to the youngest person in the room at 16, from Auckland, has been

:44:56.:44:59.

number one, just a sensation, we room at 16, from Auckland, has been

:44:59.:45:01.

welcome Lorde. # Don't you think that it's boring

:45:01.:45:17.

how people talk? # Making smart with their words

:45:17.:45:27.

again, well I'm bored # Because I'm doing this for the

:45:27.:45:29.

thrill of it # Killing it

:45:29.:45:32.

# Never not chasing a million things I want

:45:32.:45:37.

# And I am only as young as the I want

:45:37.:45:41.

minute is, full of it # Getting pumped up on a little

:45:41.:45:45.

bright things I bought # But I know they'll never own me

:45:45.:45:52.

# Baby, be the class clown # I'll be the beauty queen in tears

:45:52.:45:57.

# It's a new art form, showing people who little we care

:45:57.:46:02.

# Yeah, we're so happy # Even when we're smiling out of

:46:02.:46:04.

fear # Let's go down to the tennis court

:46:04.:46:10.

and talk it up like yeah # Pretty soon I'll be getting on my

:46:10.:46:21.

first plane # I'll see the vains of my city like

:46:21.:46:30.

they do in space # But my head's filling up fast with

:46:30.:46:33.

the wicked games, up in flames # How can I lock with the fun again

:46:33.:46:41.

without know knowing # And my boys trip me up with their

:46:41.:46:45.

heads again, loving them # Everything's cool when we're all

:46:45.:46:50.

in line for the throne # But I know it's not forever

:46:50.:46:57.

# Baby, be the class clown # I'll be the beauty Queen

:46:57.:47:04.

# It's a new art show, showing people how little we care

:47:04.:47:07.

# We're so happy # Even when we're smiling out of

:47:07.:47:10.

fear # Let's go down to the tennis court

:47:10.:47:17.

and talk it up like, yeah # It looked all right in the

:47:18.:47:27.

pictures # I fall apart with all my heart

:47:27.:47:36.

# And you could watch from your window

:47:36.:47:42.

# You can watch from your window # Baby be the class clown

:47:42.:47:47.

# Aisle ebe the beauty queen # In tears, it's a new art form,

:47:47.:47:52.

showing people how little we care # We're so happy

:47:52.:47:54.

# Even when we're smiling out of fear

:47:54.:48:00.

# Let's go down to the tennis court and talk it up like, yeah

:48:00.:48:04.

# Talk it up like, yeah # And talk it up like yeah

:48:04.:48:10.

# Let's go to the tennis court and talk it up like, yeah

:48:10.:48:12.

# And talk it up like, yeah talk it up like, yeah

:48:12.:48:15.

# And talk it up like, yeah talk it up like, yeah

:48:15.:48:21.

# Let's go down to the tennis court and talk it up like, yeah #

:48:21.:48:25.

CHEERING AND APPLAUSE # Strange fruit hang hanging from

:48:26.:48:50.

the trees # Blood On The Leaves

:48:50.:48:53.

# I just need to clear my mind now # It's been racing since the

:48:53.:48:55.

summertime # Now I'm holding down the summer

:48:55.:48:58.

now # And I want is what I can buy now

:48:58.:49:03.

# Because I ain't got the money on me right now

:49:03.:49:06.

# I told you to wait # Yeah, I told you to wait

:49:06.:49:09.

# So I'm going to need a little more # Yeah, I told you to wait

:49:10.:49:12.

# Because I ain't got the money on # Yeah, I told you to wait

:49:12.:49:15.

me right now # And I thought you could wait

:49:15.:49:21.

# Yeah, I thought you could wait # These bitches surrounding me

:49:21.:49:29.

# I want something out me # Then they talk about me

:49:29.:49:34.

# Would be lost without me # We could have been somebody

:49:34.:49:39.

# Thought you'd be different about it

:49:39.:49:42.

# Now I know you naughty # So let's get on with it

:49:42.:49:47.

# You could have been somebody # Instead you had to tell somebody

:49:47.:49:52.

# Let's take it back to the first party

:49:52.:49:55.

# When you tried your first molly # It came out of your body

:49:55.:50:04.

# Running naked down the lobby # And you was screamin that you

:50:04.:50:07.

loved me # Before the limelight tore you

:50:07.:50:14.

# Before the limelight stole you # Remember we were so young

:50:14.:50:21.

# When I would hold you # Before the gory -- before the

:50:21.:50:27.

Blood On The Leaves # I know there ain't wrong with me

:50:27.:50:41.

# Something strange happening to me # You could have been somebody

:50:41.:50:48.

# We could have been somebody # Or was it all our first party,

:50:48.:50:53.

when we first tried our molly # And came out of our body

:50:53.:50:56.

# Came out of our body # And came out of our body

:50:56.:51:03.

# Hey, hey, before they call lawyers # Before they tried to destroy us

:51:03.:51:08.

# How you going to lie to the lawyer # It's like I don't even know you

:51:09.:51:15.

# I Gotye bring it back to the nolia, lock them other liggas cos

:51:15.:51:22.

I'm down with my Liggas because I'm down with my liggas, I'd die for

:51:22.:51:26.

them. # To all my second string ladies

:51:26.:51:50.

trying to get a baby # Trying to get a baby, now you're

:51:50.:51:52.

talking crazy # I don't give a damn if you used to

:51:52.:51:58.

talk to Jay Z, he ain't with you, he's with Beyonce

:51:58.:52:02.

# She Instagram herself like bad bitch alert

:52:02.:52:08.

# He Instagram his watch like mad rich alert

:52:08.:52:09.

# He Instagram his watch like mad # He only want to see that ass in

:52:09.:52:12.

reverse, $2,000 bag with no cash in your purse. Now you're sitting

:52:12.:52:15.

courtside, wivy on the other side # Now she said she's pregnant,

:52:15.:52:20.

that's the night your heart died # Then you Gotye go report to your

:52:20.:52:26.

girl # And that new BBens you can't

:52:26.:52:31.

afford that all that # All that cocaine on the table you

:52:31.:52:34.

can't snort that # That going to the owing money that

:52:34.:52:38.

the court got # Oh, that alimony, she got you

:52:38.:52:44.

homey till death do you part # Unholy matrimony

:52:44.:52:55.

# Swinging in the summer breeze, breeze

:52:55.:53:08.

# On and on and on, the northern breeze

:53:08.:53:29.

# Don't wait for nothing # And breeze

:53:29.:53:33.

# Blood On The Leaves # And breathe, and breathe

:53:33.:53:50.

# And breathe # And breathe

:53:50.:53:57.

# Strange fruit hang hanging from the poplar trees, from the poplar

:53:57.:54:02.

trees # Breathe!

:54:02.:54:14.

# And breathe # Blood on the leaves

:54:14.:54:26.

# And breathe # Blood On The Leaves #

:54:26.:54:36.

CHEERING AND APPLAUSE The amazing Kanye West. Blood On The

:54:36.:54:50.

Leaves from his album. Before that we enjoyed Lorde! And if you have

:54:50.:54:56.

just joined us, we are celebrating our 300th programme. Yes! 300 years

:54:56.:55:04.

of this show. Earlier on I spoke to the next artist, and we talked about

:55:04.:55:11.

his amazing new record. We welcome Sting!

:55:11.:55:19.

# He works amongst the noise and the clamour that he all but disregards

:55:19.:55:27.

# So he'll sing to himself and no-one pays him any mind

:55:27.:55:30.

# He's just another crazy welder in the shipyards

:55:31.:55:34.

# But inside this welder's helmet, if you'll let me demonstrate

:55:34.:55:38.

# When the maveng is in position and the fumes accumulate

:55:38.:55:42.

# There's the finest echo chamber with a sound that can't be beat

:55:42.:55:48.

# Where I'm a king of rock'n'roll an the world is at me feet

:55:48.:55:54.

# And it may not sound like much to all them jokers in the squad

:55:54.:55:58.

# But inside of here I'm singing with the voice of fuckin God.

:55:58.:56:09.

# I'm Jock, the singer welder heavy metal, rock'n'roll, jazz, ploughs,

:56:09.:56:14.

roots, reggae, country, Roka Billy, and soul.

:56:14.:56:21.

# I'm Gene Vincent, Eddie Cochranne, the missing Everly brother

:56:21.:56:26.

# I'm Jock the singing welder. # I'm more than just a welder and

:56:26.:56:30.

I'm telling you my name # One day you'll see it blazing in

:56:30.:56:35.

the Hall of Fame # I've got these songs in hi head,

:56:35.:56:39.

dancing in my bones # I'm Tom locking Jones

:56:39.:56:45.

# I'm just the singing welder, I'm heading for the heights

:56:45.:56:49.

# I'm Jock, the singing weld welder and the cetylene lights

:56:50.:57:36.

# Prometheus he stoat fire and he brought it down to earth

:57:36.:57:42.

# It was a prehistoric welder who figured out what it was worth

:57:42.:57:49.

# They called it holy metulurgy and I want to be clear

:57:49.:57:53.

# I'm Jock the singing welder in the belly of the ship

:57:53.:57:58.

# I've got my shaking leg my quivering lip

:57:58.:58:00.

# I'm Jock the singing welder, I haven't got a choice

:58:00.:58:04.

# I'm singing all day at the top of my voice

:58:04.:58:11.

# I'm Jock the singing welder in the cetylene lights

:58:11.:58:14.

# There'll be no mistaking where I set my sight

:58:14.:58:19.

# There's an empty throne waiting every Saturday night

:58:19.:58:23.

# I'm Jock the singing welder in the lights

:58:23.:58:32.

# Jock the singing welder and the cetylene light

:58:32.:58:39.

# Jock the singing welder and the oxy-cetylene light #

:58:39.:58:45.

CHEERING AND APPLAUSE Thank you Sting. Jock the singing

:58:45.:58:53.

welder! From the brilliant new LP. Thank you Sting. Jock the singing

:58:53.:59:00.

Now let's welcome back, Kings Of Leon.

:59:00.:59:32.

# I tell you now that I don't understand

:59:32.:59:38.

# Why everybody gives a big hot damn # Where I'm going to

:59:38.:59:49.

# Don't mean a thing to you # I see you sitting in your

:59:49.:59:53.

masquerade # I'd love to pour you some of my

:59:53.:59:57.

lemonade # And get it off all right

:59:57.:00:07.

# We'll call it an early night # I know you hate it so, but I ain't

:00:07.:00:12.

gonna go # I'm staying here all right

:00:12.:00:19.

# I am your family tree # I know your A to Z

:00:19.:00:25.

# This is a secret proposition, lay your hands on me

:00:25.:00:28.

# Nothing to talk about, darling # It's all make-believe

:00:28.:00:38.

# I see your hands are shaking, but my heart is breaking me down

:00:38.:00:49.

# It's a pretty day and I'm gonna get all right

:00:49.:00:52.

# I've lost my head and you ain't nowhere in sight

:00:52.:00:55.

# I see you got it all wrong # I got no calls on my phone

:00:55.:01:06.

# I'll just be holding out until I find a doubt

:01:06.:01:13.

# That you ain't coming home # I am your family tree

:01:13.:01:18.

# I know your A to Z # This is a secret proposition, lay

:01:18.:01:22.

your hands on me # Nothing to talk about, darling

:01:22.:01:32.

# It's all make-believe # I see your hands are shaking

:01:32.:01:37.

# But my heart is breaking me down # I am your family tree

:01:37.:01:58.

# I know your A to Z # This is a secret proposition, lay

:01:58.:02:01.

your hands on me # Nothing to talk about, darling

:02:01.:02:09.

# It's all -- I am your family tree # I know your A to Z

:02:09.:02:13.

# I've got a secret proposition, lay your hands on me

:02:13.:02:15.

# I am your family tree # I know your A to Z

:02:15.:02:20.

# This is a secret proposition, lay your hands on me

:02:20.:02:26.

# Nothing to talk about, darling # It's all make-believe

:02:26.:02:35.

# I see your hands are shake shaking # But my heart is breaking me down

:02:35.:02:41.

# I see your hands are shaking, but my heart is breaking me down #

:02:41.:02:48.

CHEERING AND APPLAUSE thank you so much, Kings Of Leon.

:02:48.:02:59.

Family tree. I'm delighted to say it's been a fantastic 300th show. We

:02:59.:03:08.

have will be back on Tuesday with the Pitchies, and many more. As it

:03:08.:03:11.

is our 300th show, there's only one way to finish. I think the people at

:03:11.:03:16.

home will agree, with a little jig. Sting, you and your band couldn't

:03:16.:03:24.

give us a bit? Oh, yes! Join me, won't you, please? In your sitting

:03:24.:03:30.

rooms, wherever you are. Thank you Sting! Thank you Kings Of Leon!ing

:03:30.:03:43.

Thank you Kanye West! And Charlie, thank you.

:03:43.:03:46.

Thank you Drenge. Thank you Bill Medley! Thank you Lorde! And good

:03:47.:03:52.

night.

:03:52.:03:56.

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