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This programme contains strong language | :00:06. | :00:31. | |
This is the 300th episode of Later with Jools Holland. This is Kings Of | :00:31. | :00:37. | |
Leon. # Down in the Delta, they're ringing | :00:37. | :01:07. | |
bells # I just want to be there | :01:07. | :02:40. | |
# To be there # I blew them all away | :02:40. | :02:58. | |
# I don't mind, # Just walk away | :02:58. | :03:00. | |
# Walk away # I don't mind, sentimental girls at | :03:00. | :03:05. | |
times # Miss don't walk away | :03:05. | :03:12. | |
# Oh # I don't mind sentimental girls at | :03:12. | :03:34. | |
times # I just lay it on the line | :03:34. | :03:52. | |
# On the line # I don't mind sentimental girls at | :03:52. | :03:59. | |
times # Miss, don't walk away, walk away | :03:59. | :04:11. | |
# I don't mind sentimental girls, at times | :04:11. | :04:18. | |
# Miss, don't walk away # Oh, oh, oh # | :04:18. | :04:27. | |
APPLAUSE Thank you Kings Of Leon. | :04:27. | :04:35. | |
How do we celebrate 300 Laters? Yes, 300! We fill it up with incredibly | :04:35. | :04:48. | |
talented they. -- people. They are, Kanye West! | :04:48. | :04:54. | |
APPLAUSE A brand new group, Drenge! | :04:54. | :04:59. | |
APPLAUSE The legendary voice of Mr Bill | :04:59. | :05:03. | |
Medley! APPLAUSE | :05:03. | :05:07. | |
From Auckland New Zealand, a brand new artist, who has been number one, | :05:07. | :05:11. | |
yes it's Lorde! APPLAUSE | :05:11. | :05:15. | |
And in this corner, I'm delighted to welcome a man with an amazing new | :05:15. | :05:22. | |
album, from Tyneside, it's Sting! APPLAUSE | :05:22. | :05:36. | |
# This town, this stain on the sunrise | :05:36. | :06:17. | |
# It's a magnetic pull # Like a homing signal in your skull | :06:18. | :06:26. | |
# Wondering how in the hell due end up here | :06:26. | :06:30. | |
# It's like an underground river, or a hidden stream | :06:30. | :06:33. | |
# That flows through your head and haunts your dreams | :06:33. | :06:36. | |
# And you stuffed those dreams in this canvas sack | :06:36. | :06:39. | |
# And there's nothing round here that the wide world lacks | :06:39. | :06:49. | |
# And yet, and yet, you're back # Some nights I'd lie on the deck | :06:49. | :06:56. | |
and I'd stare at the turning of the stars | :06:56. | :06:59. | |
# Those consolations hanging up there, from the cables and the | :06:59. | :07:03. | |
rigging # I'd wonder if she saw the same or | :07:03. | :07:10. | |
managed to recall my name # Why would she ever think of me? | :07:10. | :07:16. | |
# Some boy she loved who fled to sea. | :07:16. | :07:21. | |
# And why waste time debating # Whether she'd be waiting for the | :07:21. | :07:23. | |
likes of me? # So you drift into port with the | :07:23. | :07:38. | |
scum of the seas # To the dance halls and the | :07:38. | :07:41. | |
brothels where you took your ease # The ships left the dock but you're | :07:41. | :07:45. | |
half past caring # You haven't got a clue whose bed | :07:45. | :07:48. | |
you're sharing # Your head's like a hammer on a | :07:48. | :07:51. | |
bulk head door # And it feels like somebody might | :07:51. | :07:54. | |
have broken your jaw # And there's blood stains and glass | :07:54. | :07:59. | |
all over the floor # And you swear to God you'll drink | :07:59. | :08:03. | |
no more # And yet, and yet, | :08:03. | :08:15. | |
# In truth it's too late to find her # Too late to remind her at some | :08:15. | :08:19. | |
garden gate # Where a servient tells me I should | :08:19. | :08:23. | |
wait # And perhaps a door's slammed in my | :08:23. | :08:27. | |
face # My head must be in outer space | :08:27. | :08:34. | |
# And yet, and yet # Before the sun has set before the | :08:34. | :08:41. | |
sea # There may be something else that's | :08:41. | :08:52. | |
waiting for the likes of me # This town, this stain on the sun | :08:52. | :09:04. | |
rise # APPLAUSE | :09:04. | :09:29. | |
Yes, the wonderful Sting from The Last Ship, his new album. | :09:29. | :09:35. | |
As I said, it's our 300th show, I'm celebrating. Over in this corner, | :09:35. | :09:39. | |
let's enjoy the wonderful, Kanye West. | :09:39. | :10:34. | |
# All them other lame, and you know it now | :10:35. | :10:42. | |
# What you doing in the club on a Thursday? | :10:42. | :10:50. | |
# She say she only here for her girl birthday | :10:50. | :10:53. | |
# They ordered champagne but still look thirsty | :10:53. | :10:57. | |
Forever 21 but just turned 30 know I got a bad reputation | :10:57. | :11:02. | |
# Walking 'round, always mad reputation | :11:02. | :11:41. | |
I know you're tired of loving, of loving | :11:41. | :11:50. | |
# With nobody to love, nobody, nobody, no | :11:50. | :11:52. | |
# With nobody to love, nobody, # Close your eyes and let these | :11:52. | :11:55. | |
words paint a thousand pictures # One good girl is worth a thousand | :11:55. | :12:04. | |
bitches # Bound to fall in love | :12:05. | :12:11. | |
# Uh-huh, honey # I want to hit it hard at the sink | :12:11. | :12:18. | |
# After that give you something to drink | :12:19. | :12:19. | |
# Step back, can't get spunk on the mink | :12:19. | :12:26. | |
# I mean, damn, would you Jeremy Romey, Romey Rome, think? | :12:26. | :12:29. | |
# I mean, damn, would you Jeremy # Hay, you remember where we first | :12:30. | :12:32. | |
met? # OK, I don't remember where we | :12:32. | :12:36. | |
first met # But hey, ain't nobody perfect | :12:36. | :12:42. | |
# And I know with the hos I got the worst represent, but hey their | :12:42. | :12:49. | |
breakstroke I'm trying perfect # And hey, we made it to thanks | :12:49. | :12:52. | |
breakstroke I'm trying perfect giving, so hey, maybe we can make it | :12:52. | :12:54. | |
to Christmas # She asked me what I wished for the | :12:54. | :12:57. | |
wish list # Have you ever asked your bitch for | :12:57. | :13:00. | |
other bitches? # Maybe we could still make it to | :13:00. | :13:04. | |
the church steps machine but first, you going remember how to forget | :13:04. | :13:09. | |
# After all these long verses, I'm tired, you tired, Jesus wept. | :13:09. | :13:14. | |
# I know you're tired of loving, of loving | :13:14. | :13:19. | |
# With nobody to love, nobody, nobody | :13:19. | :13:24. | |
# So just grab somebody # No leaving this party | :13:24. | :13:29. | |
# With nobody to leave, nobody, nobody | :13:29. | :13:30. | |
# Uh-huh, # Uncle Charlie's in the house, | :13:30. | :13:48. | |
watch your mouth # Uncle Charlie's in the house, | :13:48. | :13:52. | |
watch your mouth # Bound, bound, bound to fall in | :13:52. | :13:57. | |
love # Bound to fall in love | :13:57. | :14:02. | |
# Uh-huh, honey # Kanye West! More from Kaye later. | :14:02. | :14:26. | |
Now we move into this corner, two wonderful brothers, they are Drenge! | :14:26. | :15:10. | |
# Got a pair of dice # And we only roll for snake eyes | :15:10. | :15:18. | |
# Got a race horse and we go to war # Got a pull string, because I want | :15:18. | :15:22. | |
to learn # How to sing | :15:22. | :15:25. | |
to learn # Got a race horse and we go to all | :15:25. | :15:37. | |
the blood sports # I don't know what to do with you, | :15:37. | :15:51. | |
oh # I don't know what to do with her | :15:51. | :16:01. | |
# I know I've got to defer # Ohhh | :16:01. | :16:58. | |
Thank you so much Drenge! From their album drink. We'll hear more from | :16:59. | :17:21. | |
them later. Now I go to this corner, to hear the man that opened for you | :17:21. | :17:25. | |
with that marvellous band. We welcome Sting! Marvellous to have | :17:25. | :17:30. | |
you here. Thrill Andrew honour. Now, it's | :17:30. | :17:33. | |
quite a while since your last record. This one is sensational. You | :17:33. | :17:37. | |
have a lot of great people. We'll talk about them in a moment. I | :17:37. | :17:42. | |
think, would I be right in saying this record is inspired by your | :17:42. | :17:48. | |
childhood home in the north-east? I come from Tyneside. We built the | :17:48. | :17:52. | |
biggest ships ever built, ever constructed in the world, in the | :17:52. | :17:56. | |
history of the world in our town. I've written a series of songs about | :17:56. | :18:00. | |
my town and the ship building industry. Is that actually your | :18:00. | :18:06. | |
street? That was. Is it there, the crane? No, it's been levelled, not | :18:06. | :18:10. | |
because of me. Your earliest memory of this area? This is my earliest | :18:10. | :18:15. | |
memory, a ship being launched, the blood out of the sky. They were huge | :18:15. | :18:20. | |
these things, five times higher than the house. Did your family work with | :18:20. | :18:27. | |
them? My dad was an engineer. Did you ever try working with ships? | :18:27. | :18:31. | |
No, picked up a guitar and I wanted to be a rock star. Much better idea. | :18:31. | :18:36. | |
The The Last Ship is going to be a musical, like a Broadway musical. | :18:36. | :18:41. | |
I'd rather call it a play with songs. I don't like the term | :18:41. | :18:45. | |
musical. Who will some of the people be played by? Well my star is Jimmy | :18:45. | :18:53. | |
Nail. I saw him there! He is there. APPLAUSE | :18:53. | :18:59. | |
Very modest live in the background. Gym a's a wonderful actor and | :18:59. | :19:04. | |
fantastic singer. Perfect for the role. My only worry might be if it's | :19:04. | :19:08. | |
on Broadway in America, I mean, don't get me wrong, American actors | :19:09. | :19:13. | |
are fantastic, but sometimes they are challenged by some of the | :19:13. | :19:18. | |
British voices. Jimmy, what do you think? No comment. Jimmy won't be. | :19:18. | :19:24. | |
Crystal clear wherever he speaks. Tell us about some of the other | :19:24. | :19:27. | |
people you've got. On the record you have also gathered, it is proper | :19:27. | :19:32. | |
north-eastern music because you've gathered the great people. We have | :19:32. | :19:36. | |
north-eastern music because you've Peter Tokel on the fiddle there. | :19:36. | :19:42. | |
Then Julianson Sutton on the squeeze box there -- Julian. That looks like | :19:42. | :19:45. | |
a rugby team in the back. They're box there -- Julian. That looks like | :19:45. | :19:50. | |
from tealside. They're the Wilson family. These are some of the | :19:50. | :19:54. | |
greatest names in north-eastern music. The three there from the | :19:54. | :19:59. | |
North East of America. Blending in weather well. Token Geordies. | :19:59. | :20:12. | |
Wi-eye. That's a terrible accent. It's not bad! I spent a long time up | :20:12. | :20:18. | |
there. I love this music. You should have a better accent then. And the | :20:18. | :20:23. | |
unthank sisters are there. They're on the record and Brian Johnson from | :20:23. | :20:28. | |
ACDC. My only question is, why so long? It's such a long time since | :20:28. | :20:33. | |
your last record. When you have nothing to say, you should say | :20:33. | :20:36. | |
nothing. For ten years I had nothing to say. Very wise. That's probably | :20:36. | :20:41. | |
the wisest thing, it's our 300th show and we've had wisdom and lovely | :20:41. | :20:46. | |
music. The lot. What more can you ask for. Thank you for joining us, | :20:46. | :20:50. | |
Sting! She is from United Kingdom land. She is really a sensation. | :20:50. | :20:56. | |
She's -- she is from Auckland. She is really a sensation. 20 million | :20:56. | :21:00. | |
people have watched her on YouTube. She is Lorde. | :21:00. | :21:28. | |
# I've never seen a diamond in the flesh | :21:28. | :21:37. | |
# I cut my teeth on wedding rings in the movies | :21:37. | :21:43. | |
# And I'm not proud of my address # In the torn-up town, no postcode | :21:43. | :21:49. | |
envy # But every song's like gold teeth, | :21:49. | :21:54. | |
Grey Goose, trippin in the bathroom # Blood stains, ball gowns, trashing | :21:54. | :21:58. | |
the hotel room # We don't care | :21:58. | :22:03. | |
# We're driving Cadillacs in our dreams | :22:03. | :22:08. | |
# Crystal Maybach, diamonds on your time piece | :22:08. | :22:11. | |
# Jet planes, islands, # We don't care, | :22:11. | :22:22. | |
# We'll never be royal # We crave a different kind of buzz | :22:22. | :22:26. | |
# Let me be your ruler # You can call me queen bee | :22:26. | :22:35. | |
# And baby, I'll rule, aisle awe rule -- eel' rule | :22:35. | :22:41. | |
# Let me live that fantasy # My friends and I we've cracked the | :22:41. | :22:44. | |
code # We count our dollars on the train | :22:44. | :22:47. | |
to the party # And everyone who knows us knows | :22:47. | :23:01. | |
that we're fine with this # We didn't come from money | :23:01. | :23:06. | |
# But every song's like gold teeth, Grey Goose, trippin in the bathroom, | :23:06. | :23:10. | |
# Blood stains, ball gowns, trashing the hotel room | :23:10. | :23:12. | |
# We don't care # We're driving Cadillacs in our | :23:12. | :23:15. | |
dreams # But everybody's like, diamonds on | :23:15. | :23:20. | |
your time piece # Jet planes, islands, tigers on a | :23:20. | :23:23. | |
gold leash # We don't care | :23:23. | :23:27. | |
# We aren't caught up in your love affair | :23:27. | :23:31. | |
# And we'll never be royals # It don't run in our blood | :23:32. | :23:36. | |
# That kind of Luxe just ain't for us | :23:36. | :23:38. | |
# We crave a different kind of buzz # Let me be your ruler | :23:38. | :23:42. | |
# You can call me queen bee # And baby, I'll rule, I'll rule | :23:42. | :23:53. | |
# Let me live that fantasy # Ooh, ooh, oh | :23:53. | :23:58. | |
# We're bigger than we ever dreamed # And I'm in love with being queen | :23:58. | :24:01. | |
# We're bigger than we ever dreamed # Ooh, ooh, oh | :24:02. | :24:06. | |
# Life is a game without a care # We aren't caught up in your love | :24:06. | :24:14. | |
affair # We will never be royals | :24:15. | :24:22. | |
# That kind of life ain't for us # We crave a different kind of buzz | :24:22. | :24:26. | |
# Let me be your ruler # You can call me queen bee and | :24:26. | :24:33. | |
baby, I'll rule, I'll rule # Let me live that fantasy | :24:33. | :24:37. | |
baby, I'll rule, I'll rule CHEERING AND APPLAUSE | :24:37. | :25:00. | |
# It's all there in the gospels # The mag de-Lynn girl comes to pay | :25:00. | :25:07. | |
respects # The she finds the tomb empty | :25:07. | :25:11. | |
# The stone had been rolled # Not a sign of the corporation in | :25:11. | :25:15. | |
the dark and the cold # When she reaches the door, sees an | :25:15. | :25:18. | |
unholy sight # There's a terrible figure in a | :25:19. | :25:24. | |
halo of light # They carry on floating past | :25:24. | :25:28. | |
cavalry hill # In an almighty hurry, aye, but she | :25:28. | :25:34. | |
might catch him still # Tell me where are you going, Lord | :25:34. | :25:39. | |
and why in such haste? Now don't behinder me woman, I've no time to | :25:39. | :25:41. | |
waste # For they're launching a boat on | :25:41. | :25:44. | |
the more row at noon # I have to be there before za break | :25:44. | :25:52. | |
# Oh, I canna be missing, the lads will expect me | :25:52. | :25:55. | |
# Why else would the good Lord himself resurrect me for? | :25:55. | :26:00. | |
# Nothing will stop me, I have to prevail lash through the teeth of | :26:00. | :26:05. | |
this tomorrow pest in the mouth of a gale | :26:05. | :26:08. | |
# May the angels protect me, if all else should fail | :26:08. | :26:12. | |
# When the last ship sails. # Oh, the roar of the chains and the | :26:12. | :26:17. | |
cracking of timbers # The noise at the end of the world | :26:17. | :26:21. | |
in your ears # As a mountain of steel makes its | :26:21. | :26:25. | |
way to the sea # And the last ship sails | :26:25. | :26:43. | |
# it's a strange kind of beauty # It's cold and austere | :26:43. | :26:47. | |
# And whatever it was that you've done to be here | :26:47. | :26:54. | |
# It's the sum of your hopes, your despairs and your fears | :26:54. | :26:58. | |
# When the last ship sails # Well, the first to arrive saw | :26:58. | :27:02. | |
these signs in the east # Like that strange moving finger at | :27:02. | :27:07. | |
Balthazar's feast # Where they asked the advice of | :27:07. | :27:10. | |
some wandering priest # And the sad ghosts of men whom | :27:10. | :27:15. | |
they'd thought long deceased # And whatever got said, they'll be | :27:15. | :27:19. | |
counted at least # When the last ship sails | :27:19. | :27:26. | |
# oh, the roar of the chains and the cracking of Tim per | :27:26. | :27:30. | |
# The noise at the end of the world in your ears | :27:30. | :27:35. | |
# As a mountain of steel makes its way to the sea | :27:35. | :27:39. | |
# And the last ship sails # And whatever you'd promised, | :27:39. | :27:45. | |
whatever you've done # And whatever the station in life | :27:45. | :27:50. | |
you've become # In the name of the feather, in the | :27:50. | :27:57. | |
name of the Son and whatever the weave of this life that you've spun | :27:57. | :28:01. | |
# On the earth or in heaven or under the sun | :28:01. | :28:08. | |
# When the last ship sails # Oh, the roar of the chains and the | :28:08. | :28:13. | |
# When the last ship sails cracking of Tim pers | :28:13. | :28:16. | |
# The noise at the end of the world in your ears | :28:16. | :28:20. | |
# As a mountain of steel makes its way to the sea | :28:20. | :28:21. | |
# And the last ship sails # CHEERING AND APPLAUSE | :28:21. | :28:32. | |
The Last Ship, featuring the Wilson CHEERING AND APPLAUSE | :28:32. | :28:46. | |
brothers and Jimmy Nail. Sting! Before that we enjoyed Lorde. Now | :28:46. | :28:50. | |
let's go over to the other end of the room and welcome back Kanye | :28:50. | :28:52. | |
West. # My father was a black panther | :28:52. | :29:08. | |
# My father, who ain't in heaven # My momma was raisin | :29:08. | :29:17. | |
# Clean water was only serving to the cleaner skin | :29:17. | :29:23. | |
# Its broke ligga racism, that's the don't touch anything in the store | :29:23. | :29:28. | |
# And there's rich ligga racism that's the come here, please buy | :29:29. | :29:31. | |
more # What you want a Bentley, fur coat | :29:31. | :29:35. | |
and diamond chain? All you plaques want all the same things, used only | :29:35. | :29:41. | |
to be liggas, now everybody play me spending everything on | :29:41. | :29:47. | |
# You see there's leave leaders and followers, but I'd rather be a prick | :29:47. | :29:55. | |
than a swallower followers, but I'd rather be a prick | :29:55. | :30:00. | |
# I throw these keys I wear my heart on the sleeve. | :30:00. | :30:12. | |
# I know that we the new slaves. # I see the blood on the leaves | :30:12. | :30:21. | |
# I know that we the new slaves # I see the blood at the leaves | :30:21. | :30:28. | |
# Lock you and your corporation hr I can't control me | :30:28. | :30:31. | |
# I know that we the new slave # I'm about to wild the lock out | :30:31. | :30:36. | |
# I know that pussy ain't free # I know that pussy ain't free | :30:36. | :30:50. | |
# No slaves # And your brand new car | :30:50. | :30:58. | |
# New slaves # No, no, no | :30:58. | :31:06. | |
# With your brand new job # Your still a new slave | :31:06. | :31:18. | |
# No matter who you are # You see it's leaders and | :31:18. | :31:23. | |
followers, but I'd rather be a Dick rather than a swallower. Shall | :31:23. | :31:26. | |
# There's leaders and followers, but I'd rather be a Dick rather than a | :31:26. | :31:29. | |
swallower # New slaves | :31:29. | :31:35. | |
# Ooohhh # The dance floor's a temptress | :31:35. | :32:37. | |
# Can't make out what you're saying # But you rub me the right way | :32:37. | :32:50. | |
# With your child-like persuasion # I've got my hands in my pockets | :32:50. | :33:07. | |
# And I'm crossing my fingers # Shoot fire am I simple | :33:07. | :33:17. | |
# Stone washed up and so, so # I'd take one in the temple | :33:17. | :33:23. | |
# I'd take one for you # I take one in the temple | :33:23. | :33:29. | |
# I take one for you # I take one in the temple | :33:29. | :33:42. | |
# I take one for you # I feel all a mess now | :33:42. | :33:46. | |
# I'm tossed in the scatter # And your eyes keep on shifting | :33:46. | :33:50. | |
# I'm tossed in the scatter # To the boys that don't matter | :33:50. | :34:01. | |
# I've got my hands in my pockets # I'm still crossing my fingers | :34:01. | :34:17. | |
# I take one in the temple # I'd take one for you | :34:17. | :34:21. | |
# Take one in the temple # I'd take one for you | :34:21. | :34:28. | |
# I'd take one in the temple # I'd take one for you | :34:28. | :34:54. | |
# I've got my hands in my pockets # And I'm crossing my fing fingers | :34:54. | :35:12. | |
# I just want to be noticed # I just want to be | :35:12. | :35:14. | |
# I'd take one in the temple # I'd take one for you | :35:14. | :35:34. | |
# I'd take one in the temple # I'd take for you | :35:34. | :35:38. | |
# I'd take one in the temple # I'd take one in the temple | :35:38. | :35:44. | |
# I'd take one for you # I'd take one in the temple | :35:44. | :35:46. | |
# I'd take one for you Mechanical Bull, from Kings Of Leon. | :35:46. | :36:23. | |
All right, our next guest has a voice that I think you may all be | :36:23. | :36:25. | |
All right, our next guest has a familiar with. Let's remember what | :36:26. | :36:29. | |
that voice is. # You've lost that loving feeling | :36:29. | :36:41. | |
# Oh, that loving feeling # # Oh, my love, # | :36:41. | :36:51. | |
# Now I had the time of my life # No, I never felt this like this | :36:52. | :36:57. | |
before... # Everybody December fright sing along | :36:57. | :37:01. | |
because it is the -- desperate to sing along. Because it is Mr Bill | :37:01. | :37:07. | |
Medley! Thank you for coming on the show. | :37:07. | :37:12. | |
I tell you what, everybody in the room has a different special memory | :37:12. | :37:20. | |
of each of those different songs. The Righteous Brothers, Los | :37:20. | :37:23. | |
Cristianos, that has been played -- you lost that loving feeling, it's | :37:23. | :37:27. | |
been played more than any other song on radio. Yeah, it's the most played | :37:27. | :37:31. | |
record on radio in America. Quite a baying chee. . -- quite a big | :37:31. | :37:37. | |
achievement. When did you first hear that song? The writers, great | :37:37. | :37:44. | |
writers, Phil Spectrum was going to produce us. He asked them to write a | :37:44. | :37:48. | |
song for us. Writing this song was very odd. We had been doing rhythm | :37:48. | :37:55. | |
and blues. So Phil Spectre and Barry Man sang the song to us. They sang | :37:55. | :38:00. | |
real high. They played it? Yeah real high, about a fifth up. They got | :38:00. | :38:05. | |
done and I said what a great song for the Everley Brothers. It was a | :38:05. | :38:10. | |
beautiful song. They lowered it and lowered it and lowered it. Then that | :38:10. | :38:16. | |
became that record. Was Phil like to work with? What's the next question. | :38:16. | :38:22. | |
Yeah. No, no. You know what, he was great. He wanted people to think | :38:22. | :38:28. | |
that he was very eccentric, but when we worked with him, any way, he was | :38:28. | :38:35. | |
great. He worked us hard. What were the artists that were inspiring to | :38:35. | :38:41. | |
you sing? Well, when I was 15, it was Little Richard. You know Fats | :38:41. | :38:47. | |
Domino. Then when I was 19, I fell in love with Ray Charles and BB | :38:47. | :38:56. | |
King, all the Blues guys, just all the great black artists from the | :38:56. | :39:00. | |
50s. You said that you'd been in a bar and you'd been working and you | :39:00. | :39:04. | |
heard a record on the jukebox, a B side. Yeah, Etta James, I don't know | :39:04. | :39:13. | |
what the A side was, it might have been At Last, but I would play that | :39:13. | :39:18. | |
record and it killed me. She became a good friend. She was a wonderful | :39:18. | :39:23. | |
lady. Would you give us a bit now. Sure. | :39:24. | :39:38. | |
# I don't want you to be no slave # I don't want you to work all day | :39:38. | :39:54. | |
# But I want you to be true # I just want to make love to you | :39:54. | :40:05. | |
# I want to make love to you, baby # Love, I want to make love to you | :40:05. | :40:12. | |
darling # Yeah, I don't want to see you sing | :40:12. | :40:16. | |
darling the Blues, I want to make love to | :40:16. | :40:24. | |
you. # I don't want you to wash my | :40:24. | :40:30. | |
clothes # I don't want to keep you indoors | :40:30. | :40:41. | |
# There is nothing for you to do # But keep me making love to you | :40:41. | :40:52. | |
# Sometimes in the morning # Ooo, sometimes in the evening, | :40:52. | :40:57. | |
darling # Well, I don't want to see you sing | :40:57. | :41:06. | |
the Blues, I just want to make little sweet love to you # | :41:06. | :41:18. | |
CHEERING AND APPLAUSE Thank you. | :41:18. | :41:31. | |
The wonderful and legendary, Mr Bill Medley! Now let's welcome the brand | :41:31. | :41:35. | |
new, but maybe one day soon will be Medley! Now let's welcome the brand | :41:35. | :41:38. | |
legendary, Drenge. # Sun's so high | :41:38. | :42:04. | |
# I want to give up, I don't know why | :42:04. | :42:04. | |
# Sun's so # I never seen blood or milk mixed | :42:04. | :42:23. | |
so divine # I never seen such beauty so malign | :42:23. | :42:46. | |
# # Brother said bourbon never done me | :42:46. | :42:51. | |
good # Neither did a faceful of camp fire | :42:51. | :42:55. | |
soot # Them burning airport coals sting | :42:55. | :42:57. | |
like a bitch # I catch a lift on the last bus | :42:57. | :43:00. | |
home # To the end of the line for the | :43:00. | :43:05. | |
coppers I own # I get thrown off, hit on, beat up | :43:05. | :43:14. | |
# Before I drown in the murky back waters | :43:14. | :43:15. | |
# Before I drown in the murky back # I lay my body down | :43:15. | :43:36. | |
#50 stars above my head and 13 scars run through my chest | :43:36. | :43:48. | |
# Blue and red blood lock up my veins | :43:49. | :43:51. | |
# Blackened eyes and a purple nose # I've got missing teeth, got a lot | :43:51. | :43:55. | |
of those # Oh, Marigold, you never done me no | :43:55. | :44:04. | |
harm # Oh, Marigold, in debt to you | :44:04. | :44:10. | |
# Don't ever want to say the things I've thought of you | :44:11. | :44:16. | |
# Oh, Marigold, I wrote you a love song | :44:16. | :44:42. | |
CHEERING AND APPLAUSE Brilliant bit of drumming, brilliant | :44:42. | :44:52. | |
guitar! Thank you Drenge. From their Drenge LP. Let's go back | :44:52. | :44:56. | |
over to the youngest person in the room at 16, from Auckland, has been | :44:56. | :44:59. | |
number one, just a sensation, we room at 16, from Auckland, has been | :44:59. | :45:01. | |
welcome Lorde. # Don't you think that it's boring | :45:01. | :45:17. | |
how people talk? # Making smart with their words | :45:17. | :45:27. | |
again, well I'm bored # Because I'm doing this for the | :45:27. | :45:29. | |
thrill of it # Killing it | :45:29. | :45:32. | |
# Never not chasing a million things I want | :45:32. | :45:37. | |
# And I am only as young as the I want | :45:37. | :45:41. | |
minute is, full of it # Getting pumped up on a little | :45:41. | :45:45. | |
bright things I bought # But I know they'll never own me | :45:45. | :45:52. | |
# Baby, be the class clown # I'll be the beauty queen in tears | :45:52. | :45:57. | |
# It's a new art form, showing people who little we care | :45:57. | :46:02. | |
# Yeah, we're so happy # Even when we're smiling out of | :46:02. | :46:04. | |
fear # Let's go down to the tennis court | :46:04. | :46:10. | |
and talk it up like yeah # Pretty soon I'll be getting on my | :46:10. | :46:21. | |
first plane # I'll see the vains of my city like | :46:21. | :46:30. | |
they do in space # But my head's filling up fast with | :46:30. | :46:33. | |
the wicked games, up in flames # How can I lock with the fun again | :46:33. | :46:41. | |
without know knowing # And my boys trip me up with their | :46:41. | :46:45. | |
heads again, loving them # Everything's cool when we're all | :46:45. | :46:50. | |
in line for the throne # But I know it's not forever | :46:50. | :46:57. | |
# Baby, be the class clown # I'll be the beauty Queen | :46:57. | :47:04. | |
# It's a new art show, showing people how little we care | :47:04. | :47:07. | |
# We're so happy # Even when we're smiling out of | :47:07. | :47:10. | |
fear # Let's go down to the tennis court | :47:10. | :47:17. | |
and talk it up like, yeah # It looked all right in the | :47:18. | :47:27. | |
pictures # I fall apart with all my heart | :47:27. | :47:36. | |
# And you could watch from your window | :47:36. | :47:42. | |
# You can watch from your window # Baby be the class clown | :47:42. | :47:47. | |
# Aisle ebe the beauty queen # In tears, it's a new art form, | :47:47. | :47:52. | |
showing people how little we care # We're so happy | :47:52. | :47:54. | |
# Even when we're smiling out of fear | :47:54. | :48:00. | |
# Let's go down to the tennis court and talk it up like, yeah | :48:00. | :48:04. | |
# Talk it up like, yeah # And talk it up like yeah | :48:04. | :48:10. | |
# Let's go to the tennis court and talk it up like, yeah | :48:10. | :48:12. | |
# And talk it up like, yeah talk it up like, yeah | :48:12. | :48:15. | |
# And talk it up like, yeah talk it up like, yeah | :48:15. | :48:21. | |
# Let's go down to the tennis court and talk it up like, yeah # | :48:21. | :48:25. | |
CHEERING AND APPLAUSE # Strange fruit hang hanging from | :48:26. | :48:50. | |
the trees # Blood On The Leaves | :48:50. | :48:53. | |
# I just need to clear my mind now # It's been racing since the | :48:53. | :48:55. | |
summertime # Now I'm holding down the summer | :48:55. | :48:58. | |
now # And I want is what I can buy now | :48:58. | :49:03. | |
# Because I ain't got the money on me right now | :49:03. | :49:06. | |
# I told you to wait # Yeah, I told you to wait | :49:06. | :49:09. | |
# So I'm going to need a little more # Yeah, I told you to wait | :49:10. | :49:12. | |
# Because I ain't got the money on # Yeah, I told you to wait | :49:12. | :49:15. | |
me right now # And I thought you could wait | :49:15. | :49:21. | |
# Yeah, I thought you could wait # These bitches surrounding me | :49:21. | :49:29. | |
# I want something out me # Then they talk about me | :49:29. | :49:34. | |
# Would be lost without me # We could have been somebody | :49:34. | :49:39. | |
# Thought you'd be different about it | :49:39. | :49:42. | |
# Now I know you naughty # So let's get on with it | :49:42. | :49:47. | |
# You could have been somebody # Instead you had to tell somebody | :49:47. | :49:52. | |
# Let's take it back to the first party | :49:52. | :49:55. | |
# When you tried your first molly # It came out of your body | :49:55. | :50:04. | |
# Running naked down the lobby # And you was screamin that you | :50:04. | :50:07. | |
loved me # Before the limelight tore you | :50:07. | :50:14. | |
# Before the limelight stole you # Remember we were so young | :50:14. | :50:21. | |
# When I would hold you # Before the gory -- before the | :50:21. | :50:27. | |
Blood On The Leaves # I know there ain't wrong with me | :50:27. | :50:41. | |
# Something strange happening to me # You could have been somebody | :50:41. | :50:48. | |
# We could have been somebody # Or was it all our first party, | :50:48. | :50:53. | |
when we first tried our molly # And came out of our body | :50:53. | :50:56. | |
# Came out of our body # And came out of our body | :50:56. | :51:03. | |
# Hey, hey, before they call lawyers # Before they tried to destroy us | :51:03. | :51:08. | |
# How you going to lie to the lawyer # It's like I don't even know you | :51:09. | :51:15. | |
# I Gotye bring it back to the nolia, lock them other liggas cos | :51:15. | :51:22. | |
I'm down with my Liggas because I'm down with my liggas, I'd die for | :51:22. | :51:26. | |
them. # To all my second string ladies | :51:26. | :51:50. | |
trying to get a baby # Trying to get a baby, now you're | :51:50. | :51:52. | |
talking crazy # I don't give a damn if you used to | :51:52. | :51:58. | |
talk to Jay Z, he ain't with you, he's with Beyonce | :51:58. | :52:02. | |
# She Instagram herself like bad bitch alert | :52:02. | :52:08. | |
# He Instagram his watch like mad rich alert | :52:08. | :52:09. | |
# He Instagram his watch like mad # He only want to see that ass in | :52:09. | :52:12. | |
reverse, $2,000 bag with no cash in your purse. Now you're sitting | :52:12. | :52:15. | |
courtside, wivy on the other side # Now she said she's pregnant, | :52:15. | :52:20. | |
that's the night your heart died # Then you Gotye go report to your | :52:20. | :52:26. | |
girl # And that new BBens you can't | :52:26. | :52:31. | |
afford that all that # All that cocaine on the table you | :52:31. | :52:34. | |
can't snort that # That going to the owing money that | :52:34. | :52:38. | |
the court got # Oh, that alimony, she got you | :52:38. | :52:44. | |
homey till death do you part # Unholy matrimony | :52:44. | :52:55. | |
# Swinging in the summer breeze, breeze | :52:55. | :53:08. | |
# On and on and on, the northern breeze | :53:08. | :53:29. | |
# Don't wait for nothing # And breeze | :53:29. | :53:33. | |
# Blood On The Leaves # And breathe, and breathe | :53:33. | :53:50. | |
# And breathe # And breathe | :53:50. | :53:57. | |
# Strange fruit hang hanging from the poplar trees, from the poplar | :53:57. | :54:02. | |
trees # Breathe! | :54:02. | :54:14. | |
# And breathe # Blood on the leaves | :54:14. | :54:26. | |
# And breathe # Blood On The Leaves # | :54:26. | :54:36. | |
CHEERING AND APPLAUSE The amazing Kanye West. Blood On The | :54:36. | :54:50. | |
Leaves from his album. Before that we enjoyed Lorde! And if you have | :54:50. | :54:56. | |
just joined us, we are celebrating our 300th programme. Yes! 300 years | :54:56. | :55:04. | |
of this show. Earlier on I spoke to the next artist, and we talked about | :55:04. | :55:11. | |
his amazing new record. We welcome Sting! | :55:11. | :55:19. | |
# He works amongst the noise and the clamour that he all but disregards | :55:19. | :55:27. | |
# So he'll sing to himself and no-one pays him any mind | :55:27. | :55:30. | |
# He's just another crazy welder in the shipyards | :55:31. | :55:34. | |
# But inside this welder's helmet, if you'll let me demonstrate | :55:34. | :55:38. | |
# When the maveng is in position and the fumes accumulate | :55:38. | :55:42. | |
# There's the finest echo chamber with a sound that can't be beat | :55:42. | :55:48. | |
# Where I'm a king of rock'n'roll an the world is at me feet | :55:48. | :55:54. | |
# And it may not sound like much to all them jokers in the squad | :55:54. | :55:58. | |
# But inside of here I'm singing with the voice of fuckin God. | :55:58. | :56:09. | |
# I'm Jock, the singer welder heavy metal, rock'n'roll, jazz, ploughs, | :56:09. | :56:14. | |
roots, reggae, country, Roka Billy, and soul. | :56:14. | :56:21. | |
# I'm Gene Vincent, Eddie Cochranne, the missing Everly brother | :56:21. | :56:26. | |
# I'm Jock the singing welder. # I'm more than just a welder and | :56:26. | :56:30. | |
I'm telling you my name # One day you'll see it blazing in | :56:30. | :56:35. | |
the Hall of Fame # I've got these songs in hi head, | :56:35. | :56:39. | |
dancing in my bones # I'm Tom locking Jones | :56:39. | :56:45. | |
# I'm just the singing welder, I'm heading for the heights | :56:45. | :56:49. | |
# I'm Jock, the singing weld welder and the cetylene lights | :56:50. | :57:36. | |
# Prometheus he stoat fire and he brought it down to earth | :57:36. | :57:42. | |
# It was a prehistoric welder who figured out what it was worth | :57:42. | :57:49. | |
# They called it holy metulurgy and I want to be clear | :57:49. | :57:53. | |
# I'm Jock the singing welder in the belly of the ship | :57:53. | :57:58. | |
# I've got my shaking leg my quivering lip | :57:58. | :58:00. | |
# I'm Jock the singing welder, I haven't got a choice | :58:00. | :58:04. | |
# I'm singing all day at the top of my voice | :58:04. | :58:11. | |
# I'm Jock the singing welder in the cetylene lights | :58:11. | :58:14. | |
# There'll be no mistaking where I set my sight | :58:14. | :58:19. | |
# There's an empty throne waiting every Saturday night | :58:19. | :58:23. | |
# I'm Jock the singing welder in the lights | :58:23. | :58:32. | |
# Jock the singing welder and the cetylene light | :58:32. | :58:39. | |
# Jock the singing welder and the oxy-cetylene light # | :58:39. | :58:45. | |
CHEERING AND APPLAUSE Thank you Sting. Jock the singing | :58:45. | :58:53. | |
welder! From the brilliant new LP. Thank you Sting. Jock the singing | :58:53. | :59:00. | |
Now let's welcome back, Kings Of Leon. | :59:00. | :59:32. | |
# I tell you now that I don't understand | :59:32. | :59:38. | |
# Why everybody gives a big hot damn # Where I'm going to | :59:38. | :59:49. | |
# Don't mean a thing to you # I see you sitting in your | :59:49. | :59:53. | |
masquerade # I'd love to pour you some of my | :59:53. | :59:57. | |
lemonade # And get it off all right | :59:57. | :00:07. | |
# We'll call it an early night # I know you hate it so, but I ain't | :00:07. | :00:12. | |
gonna go # I'm staying here all right | :00:12. | :00:19. | |
# I am your family tree # I know your A to Z | :00:19. | :00:25. | |
# This is a secret proposition, lay your hands on me | :00:25. | :00:28. | |
# Nothing to talk about, darling # It's all make-believe | :00:28. | :00:38. | |
# I see your hands are shaking, but my heart is breaking me down | :00:38. | :00:49. | |
# It's a pretty day and I'm gonna get all right | :00:49. | :00:52. | |
# I've lost my head and you ain't nowhere in sight | :00:52. | :00:55. | |
# I see you got it all wrong # I got no calls on my phone | :00:55. | :01:06. | |
# I'll just be holding out until I find a doubt | :01:06. | :01:13. | |
# That you ain't coming home # I am your family tree | :01:13. | :01:18. | |
# I know your A to Z # This is a secret proposition, lay | :01:18. | :01:22. | |
your hands on me # Nothing to talk about, darling | :01:22. | :01:32. | |
# It's all make-believe # I see your hands are shaking | :01:32. | :01:37. | |
# But my heart is breaking me down # I am your family tree | :01:37. | :01:58. | |
# I know your A to Z # This is a secret proposition, lay | :01:58. | :02:01. | |
your hands on me # Nothing to talk about, darling | :02:01. | :02:09. | |
# It's all -- I am your family tree # I know your A to Z | :02:09. | :02:13. | |
# I've got a secret proposition, lay your hands on me | :02:13. | :02:15. | |
# I am your family tree # I know your A to Z | :02:15. | :02:20. | |
# This is a secret proposition, lay your hands on me | :02:20. | :02:26. | |
# Nothing to talk about, darling # It's all make-believe | :02:26. | :02:35. | |
# I see your hands are shake shaking # But my heart is breaking me down | :02:35. | :02:41. | |
# I see your hands are shaking, but my heart is breaking me down # | :02:41. | :02:48. | |
CHEERING AND APPLAUSE thank you so much, Kings Of Leon. | :02:48. | :02:59. | |
Family tree. I'm delighted to say it's been a fantastic 300th show. We | :02:59. | :03:08. | |
have will be back on Tuesday with the Pitchies, and many more. As it | :03:08. | :03:11. | |
is our 300th show, there's only one way to finish. I think the people at | :03:11. | :03:16. | |
home will agree, with a little jig. Sting, you and your band couldn't | :03:16. | :03:24. | |
give us a bit? Oh, yes! Join me, won't you, please? In your sitting | :03:24. | :03:30. | |
rooms, wherever you are. Thank you Sting! Thank you Kings Of Leon!ing | :03:30. | :03:43. | |
Thank you Kanye West! And Charlie, thank you. | :03:43. | :03:46. | |
Thank you Drenge. Thank you Bill Medley! Thank you Lorde! And good | :03:47. | :03:52. | |
night. | :03:52. | :03:56. |