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It is ten o'clock, we are alive and we are delighted to have Elbow. | :00:40. | :00:52. | |
# The first to pour a simple truth in words. | :00:53. | :01:00. | |
# Binds the world in a feeling all familiar. | :01:01. | :01:05. | |
# Cos everybody owns the great ideas. | :01:06. | :01:10. | |
# And it feels like there's a big one round the corner. | :01:11. | :01:17. | |
# A tenner, up and out into New York. | :01:18. | :01:22. | |
# Somewhere in all that talk is all the answers. | :01:23. | :01:28. | |
# And oh, my giddy aunt, New York can talk. | :01:29. | :01:34. | |
# It's the modern road where folk are nice to Yoko. | :01:35. | :01:41. | |
# Every bone of rivet steel, each corner stone an anchor. | :01:42. | :01:46. | |
# Jenga jutts and rusty water tower, pillar-posted sign. | :01:47. | :01:52. | |
# Every painted lining battered, like a building in this town. | :01:53. | :01:58. | |
# Sings a life of proud endeavour and the best that man can be. | :01:59. | :02:07. | |
# Me, I see a city and I hear a million voices. | :02:08. | :02:11. | |
# Planning, drilling, welding, carrying their fingers to the nub. | :02:12. | :02:17. | |
# Reaching down into the ground, stretching up into the sky. | :02:18. | :02:23. | |
# Why? # Because they can, they did and do, | :02:24. | :02:25. | |
so you and I could live together. # Oh my God, New York can talk. | :02:26. | :03:02. | |
# Somewhere in all that talk is all the answers. | :03:03. | :03:12. | |
# Everybody owns the great ideas. # And it feels like there's a big | :03:13. | :03:19. | |
one round the corner. # Oh, my God, New York can talk. | :03:20. | :03:28. | |
# Somewhere in all that talk is all the answers. | :03:29. | :03:38. | |
# Everybody owns the great's ideas. # And it feels like there's a big | :03:39. | :03:56. | |
one round the corner. # Oh, my God, New York can talk. | :03:57. | :04:12. | |
# The desire like a distant storm. # For love, be good for me. | :04:13. | :04:16. | |
# It feels like there's a big one round the corner. . | :04:17. | :04:24. | |
# The way the day begins. # Decides the shade of everything. | :04:25. | :04:28. | |
# But the way it ends depends on if you're home. | :04:29. | :04:31. | |
# For every soul, a pillow at a window, please. | :04:32. | :04:37. | |
# In a modern room, where folk are nice to Yoko. #. | :04:38. | :04:54. | |
Thank you, Elbow. We have amazing guests, number one artists, like | :04:55. | :05:10. | |
Elbow, Engelbert Humperdinck. And Agnes Obel. Neneh Cherry from New | :05:11. | :05:20. | |
York. From lead, Eagulls. And featuring Jess Glynne we have Clean | :05:21. | :05:22. | |
Bandit. # We were a thousand miles from | :05:23. | :05:42. | |
comfort, we have travelled land and sea. | :05:43. | :05:48. | |
# But as long as you are with me, there's no place I'd rather be. | :05:49. | :05:56. | |
# I would wait forever, exalted in the scene. | :05:57. | :06:04. | |
# As long as I am with you, my heart continues to beat. | :06:05. | :06:13. | |
# With every step we take, Kyoto to the Bay. | :06:14. | :06:18. | |
# Strolling so casually. # We're different and the same, gave | :06:19. | :06:21. | |
you another name. # Switch up the batteries. | :06:22. | :06:28. | |
# If you gave me a chance, I would take it. | :06:29. | :06:32. | |
# It's a shot in the dark but I'll make it. | :06:33. | :06:36. | |
# Know with all of your heart, you can't shame me. | :06:37. | :06:39. | |
# When I am with you, there's no place I'd rather be. | :06:40. | :06:44. | |
# No, no, no, no, no place I rather be. | :06:45. | :06:48. | |
# No, no, no, no, no place I rather be. | :06:49. | :06:52. | |
# No, no, no, no, no place I rather be. | :06:53. | :07:00. | |
# We staked out on a mission to find our inner peace. | :07:01. | :07:07. | |
# Make it everlasting so nothing's incomplete. | :07:08. | :07:15. | |
# It's easy being with you, sacred simplicity. | :07:16. | :07:23. | |
# As long as we're together, there's no place I'd rather be. | :07:24. | :07:32. | |
# With every step we take, Kyoto to The Bay. | :07:33. | :07:37. | |
# Strolling so casually. # We're different and the same, gave | :07:38. | :07:41. | |
you another name. # Switch up the batteries. | :07:42. | :07:47. | |
# If you gave me a chance, I would take it. | :07:48. | :07:52. | |
# It's a shot in the dark but I'll make it. | :07:53. | :07:55. | |
# Know with all of your heart, you can't shame me. | :07:56. | :07:59. | |
# When I am with you, there's no place I'd rather be. | :08:00. | :08:03. | |
# No, no, no, no, no place I rather be. | :08:04. | :08:07. | |
# No, no, no, no, no place I rather be. | :08:08. | :08:11. | |
# No, no, no, no, no place I rather be. | :08:12. | :08:15. | |
# When I am with you, there's no place I'd rather be. | :08:16. | :08:35. | |
# If you gave me a chance, I would take it. | :08:36. | :08:39. | |
# It's a shot in the dark but I'll make it. | :08:40. | :08:42. | |
# Know with all of your heart, you can't shame me. | :08:43. | :08:47. | |
# When I am with you, there's no place I'd rather be. | :08:48. | :08:51. | |
# No, no, no, no, no place I rather be. | :08:52. | :08:55. | |
# No, no, no, no, no place I rather be. | :08:56. | :08:59. | |
# No, no, no, no, no place I rather be. | :09:00. | :09:03. | |
# When I am with you there's no place I'd rather be no,no,no,no, no | :09:04. | :09:04. | |
place I'd rather be. We welcome a person who has had | :09:05. | :09:29. | |
success all over Europe. From Denmark we welcome Agnes Obel. | :09:30. | :09:46. | |
# Will you go ahead to the Aventine? # In the holly red in the night. | :09:47. | :10:01. | |
# Dirt under my shoe from the old at heart. | :10:02. | :10:08. | |
# Right under you, grinning in the dark. | :10:09. | :10:40. | |
# You carried my heart in the night. # To bury the wave in the tide. | :10:41. | :10:51. | |
# You carried me onto the fields. # There is a grove, there is a plot. | :10:52. | :11:27. | |
# Deep in the snow, breaking your heart. | :11:28. | :11:40. | |
# One step ahead, a thousand miles. # A trail ablaze to the Aventine. | :11:41. | :12:02. | |
# You carried my heart in the night. # To marry the wave with the tide. | :12:03. | :12:28. | |
# You carried me onto the fields. # Play it down, down, down. | :12:29. | :12:48. | |
# play it down, down, down. # play it down, down, down. | :12:49. | :13:15. | |
APPLAUSE Thank you, Agnes Obel. Now we | :13:16. | :13:28. | |
welcome a guest whose last solo record was 18 years ago, too long, | :13:29. | :13:33. | |
but we are delighted she is here now. It is Neneh Cherry. | :13:34. | :13:45. | |
# I have a man, I love him so much. # Sometimes I hate it, just can't | :13:46. | :13:50. | |
let go. # Together we stand, divided we | :13:51. | :13:52. | |
fall. # Driving me crazy, I need it all. | :13:53. | :13:58. | |
# On my 28th day he is my victim. # He is my saviour, he breaks my | :13:59. | :14:02. | |
phone. # The things that we say, all | :14:03. | :14:05. | |
stacked in one pile. # Stay fresh and good while upright | :14:06. | :14:15. | |
I call. # Too many times you come crawl, | :14:16. | :14:20. | |
then say sorry too late. # Paper cup regrets will not stick, | :14:21. | :14:26. | |
better change. # Too many times you come crawl, | :14:27. | :14:32. | |
then say sorry too late. # Paper cup regrets will not stick, | :14:33. | :14:43. | |
better change. # Need to be right, right to be | :14:44. | :14:46. | |
wrong. . | :14:47. | :15:28. | |
# Paper cup regrets will not stick, better change. | :15:29. | :15:49. | |
# I love you, yeah. I love you. I need you. | :15:50. | :16:10. | |
Love, love. # Know where to run, know where to | :16:11. | :16:28. | |
hide. I love you, I love you, I hate you, I hate you, I love it all. # I | :16:29. | :16:41. | |
love you. # two many times you go call. . | :16:42. | :16:52. | |
# Paper cup regrets will not stick, better change. | :16:53. | :17:09. | |
# I love you. I love you, I love you, I need you. | :17:10. | :17:21. | |
# I love you. Love you. # I need you, I need you, I love | :17:22. | :17:28. | |
you. I need you, I love you. | :17:29. | :17:43. | |
Thank you, Neneh Cherry! We have the legendary Englebert Humperdinck! He | :17:44. | :17:56. | |
has a record of duets with the selection of incredible people, from | :17:57. | :17:59. | |
Elton John, Cliff Richard, Beverley Knight, they are all on here. In a | :18:00. | :18:06. | |
moment, we will be doing release me. When did you first hear that some? | :18:07. | :18:15. | |
1967. It's an amazing song. We're going to be doing that in a moment. | :18:16. | :18:21. | |
I know you are going back to Los Angeles tomorrow, he spent rocket on | :18:22. | :18:25. | |
there and half the time in Leicester. Are there different lives | :18:26. | :18:33. | |
you spend in different places? It's the same, I do love coming home, | :18:34. | :18:39. | |
though. I heard you have your own pub in your house. What's it called? | :18:40. | :18:47. | |
It's called the Duchess of Hamilton. Because that's the person who lived | :18:48. | :18:52. | |
there when I first bought the house. She owned the house many years ago. | :18:53. | :18:58. | |
He gets a big crowd in there on Friday night? Family and friends. | :18:59. | :19:05. | |
Thank you very much, Engelbert Humperdinck. Before we hear that, | :19:06. | :19:10. | |
let's enjoy Eagulls! # My eyes feel funny and I can't | :19:11. | :19:31. | |
seem to think. # The voice inside my head tells me | :19:32. | :19:35. | |
to flinch when I sing. # I've flipped my wig back, wound my | :19:36. | :19:38. | |
neck in. # Done all things that don't help. | :19:39. | :19:43. | |
# Don't think I have a problem. # I just think I like to feel I'm | :19:44. | :19:45. | |
possessed. # I'm possessed. | :19:46. | :19:48. | |
# I'm possessed. # I don't want to know what you | :19:49. | :19:59. | |
think. # I know something else. | :20:00. | :20:04. | |
# I don't want to know what you think. | :20:05. | :20:09. | |
# I know something else. # I'm possessed. | :20:10. | :20:18. | |
# I'm possessed. # I don't want to know what you | :20:19. | :21:14. | |
think. # I don't want to know what you | :21:15. | :21:17. | |
think. # I don't want to know what you | :21:18. | :21:20. | |
think. # I know something else. | :21:21. | :21:27. | |
# I'm possessed. # I'm possessed. | :21:28. | :21:34. | |
# I'm possessed. # My eyes feel funny and I can't | :21:35. | :21:42. | |
seem to think. # The voice inside my head tells me | :21:43. | :21:45. | |
to flinch when I sing. # I've flipped my wig back, wound my | :21:46. | :21:48. | |
neck in. # Done all things that don't help. | :21:49. | :21:52. | |
# Don't think I have a problem. # I just think I like to feel I'm | :21:53. | :21:54. | |
possessed. # Please release me. | :21:55. | :22:10. | |
# Let me go. # For I. | :22:11. | :22:20. | |
# Don't love you anymore. # Her lips are warm while yours are | :22:21. | :22:31. | |
cold. # Release me, my darling. | :22:32. | :23:28. | |
# Let me go. # So release me and let me love | :23:29. | :23:56. | |
again. # Please release me. | :23:57. | :24:24. | |
# Can't you see. # Release me. | :24:25. | :24:34. | |
# And let me love again. The legendary Englebert Humperdinck! | :24:35. | :25:40. | |
Thank you to all of our fantastic guests this evening. Thank you Neneh | :25:41. | :25:47. | |
Cherry, Eagulls, Agnes Obel, Clean Bandit. You can see more of all our | :25:48. | :25:52. | |
guests on Friday and you will see Guy Garvey doing something he has | :25:53. | :25:55. | |
never done before, now let's enjoy him with his marvellous group, | :25:56. | :25:56. | |
Elbow! # I'm running out of miracles. | :25:57. | :26:26. | |
# Oh my soul. # And the streets are lined with | :26:27. | :26:30. | |
one-man shows. # Oh my soul. | :26:31. | :26:38. | |
# Corner boys were moved along. # Oh my soul. | :26:39. | :26:51. | |
# We're plummeting like crippled crows. | :26:52. | :26:57. | |
# Oh, long before. # You and I were born. | :26:58. | :27:17. | |
# Others beat these benches with their empty cups. | :27:18. | :27:26. | |
# To the night and the stars. # To be here, and now, and who we | :27:27. | :27:30. | |
are. # Another sunrise with my sad | :27:31. | :27:36. | |
captains. # With who I choose to lose my mind. | :27:37. | :27:44. | |
# And if it's all we only pass this way but once. | :27:45. | :27:47. | |
# What a perfect waste of time. # The BMX apothecary. | :27:48. | :28:05. | |
# Oh my soul. # The architect of infamy. | :28:06. | :28:16. | |
# Oh my soul. # For each and every train we | :28:17. | :28:34. | |
missed. # Oh my soul. | :28:35. | :28:40. | |
# A bitter little Eucharist. # Oh, long before. | :28:41. | :28:51. | |
# You and I were born. # Others beat these benches with | :28:52. | :29:13. | |
their empty cups. # To the night and the stars. | :29:14. | :29:19. | |
# To be here, and now, and who we are. | :29:20. | :29:22. | |
# Another sunrise with my sad captains. | :29:23. | :29:32. | |
# With who I choose to lose my mind. # And if it's all we only come this | :29:33. | :29:37. | |
way but once. # What a perfect waste of time. | :29:38. | :29:45. | |
# Another sunrise with my sad captains. | :29:46. | :29:56. | |
# With who I choose to lose my mind. # And if it's all we only pass this | :29:57. | :30:02. | |
way but once. # What a perfect waste of time. | :30:03. | :30:10. |