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We are broadcasting to you live in the studio we have legends, we have | :00:36. | :00:45. | |
newies, we have Coldplay to start off with. | :00:46. | :01:04. | |
# Call it magic. # Call it true. | :01:05. | :01:18. | |
# Call it magic. # When I'm with you. | :01:19. | :01:29. | |
# And I just got broken. # Broken into two. | :01:30. | :01:39. | |
# Still I call it magic. # When I'm next to you. | :01:40. | :01:48. | |
# And I don't and I don't and I don't and I don't. | :01:49. | :01:52. | |
# No, I don't. # It's true. | :01:53. | :01:55. | |
# I don't, no. # I don't, no. | :01:56. | :02:00. | |
# I don't want anybody else, but you. | :02:01. | :02:02. | |
# I don't, no. # I don't, no. | :02:03. | :02:06. | |
# I don't. # No, I don't. | :02:07. | :02:12. | |
# It's true. # I don't, no. | :02:13. | :02:20. | |
# I don't want anybody else, but you. | :02:21. | :02:21. | |
# Ooooh ooh ooh. # Call it magic. | :02:22. | :02:26. | |
# Cut me into two. # And with all your magic. | :02:27. | :02:36. | |
# I disappear from view. # And I can't get over. | :02:37. | :02:46. | |
# Can't get over you. # Still I call it magic. | :02:47. | :02:57. | |
# It's such a precious jewel. # And I don't and I don't and I | :02:58. | :03:01. | |
don't and I don't. # No, I don't. | :03:02. | :03:04. | |
# It's true. # I don't, no. | :03:05. | :03:09. | |
# I don't want anybody else, but you. | :03:10. | :03:11. | |
# I don't, no. # I don't, no. | :03:12. | :03:15. | |
# I don't. # No, I don't. | :03:16. | :03:18. | |
# It's true. # I don't, no. | :03:19. | :03:24. | |
# I don't want anybody else, but you. | :03:25. | :03:25. | |
# Wanna fall. # I fall so far. | :03:26. | :03:32. | |
# I wanna fall. # I fall so hard. | :03:33. | :03:42. | |
# And I call it magic. # And I call it true. | :03:43. | :03:57. | |
# I call it magic. # Ooooh ooh ooh. | :03:58. | :04:23. | |
# And if you were to ask me. # After all that we've been through. | :04:24. | :04:34. | |
# Still believe in magic. # Oh yes, I do. | :04:35. | :04:49. | |
# Yes, I do. # Oh yes, I do. | :04:50. | :04:55. | |
# Of course, I do. # CHEERING AND APPLAUSE | :04:56. | :05:40. | |
Thank you, Coldplay, some Magic. Guests this evening, we have Aziza | :05:41. | :05:52. | |
Brahim, and Damon Albarn and Sharon Jones and The Dap-Kings. From Ohio, | :05:53. | :05:56. | |
we now welcome The Black Keys. # Fever, where'd you run to? # | :05:57. | :06:36. | |
Fever, where'd you run to? # Acting right is so routine. | :06:37. | :06:45. | |
# Fever, let me live a dream. # Fever, I'm a slave to. | :06:46. | :06:51. | |
# No one misbehaved too. # Fever, they're misunderstood. | :06:52. | :06:58. | |
# Wouldn't leave you if I could. # Fever. | :06:59. | :07:04. | |
# Fever cos I'm breaking. # Fever got me aching. | :07:05. | :07:12. | |
# Fever, why don't you explain? # Break it down again. | :07:13. | :07:19. | |
# Fever got me guilty. # Just go ahead and kill me. | :07:20. | :07:26. | |
# Fever, why don't you explain? # Break it down again. | :07:27. | :07:36. | |
# Fever, can you hear me? # Fever, can you hear me? | :07:37. | :07:47. | |
# You shook me like I've never been. # Now show me how to live again. | :07:48. | :07:54. | |
# You used to be a blessing. # But fever's got me stressing. | :07:55. | :08:02. | |
# Realise I have been played. # But fever let me play the game. | :08:03. | :08:07. | |
# Fever. # Fever, cos I'm breaking. | :08:08. | :08:14. | |
# Fever got me aching. # Fever, why don't you explain. | :08:15. | :08:22. | |
# Break it down again. # Fever got me guilty. | :08:23. | :08:33. | |
# Just go ahead and kill me. # Fever, why don't you explain? | :08:34. | :08:35. | |
# Break it down again. # Now if the cold pale light in your | :08:36. | :09:02. | |
eyes. # Reaches those horizon lines. # You know not to leave her. | :09:03. | :09:17. | |
# Now if the cold pale light in your eyes. | :09:18. | :09:23. | |
# Reaches those horizon lines. # You know not to leave her. | :09:24. | :09:28. | |
# Fever. CHEERING AND APPLAUSE | :09:29. | :10:03. | |
The Black Keys and Fever. Now, a collective from Brooklyn, it | :10:04. | :10:11. | |
is Sharon Jones and The Dap-Kings. APPLAUSE | :10:12. | :10:31. | |
# When I was a child I believed what they told me. | :10:32. | :10:39. | |
# When I was a child I believed what # To each one shall come what each | :10:40. | :10:43. | |
one shall earn. # And if I worked hard nobody could | :10:44. | :10:49. | |
hold me. # And cheaters will fail, that's | :10:50. | :10:55. | |
what they all learned. # There is a man who is born with a | :10:56. | :11:01. | |
fortune. # A hard day's work he's never done. | :11:02. | :11:09. | |
# He lives from the sweat of other men's labour. | :11:10. | :11:14. | |
# As he sips his champagne and lays in the sun. | :11:15. | :11:22. | |
# Money don't follow sweat. # Money don't follow brains. | :11:23. | :11:31. | |
# Money don't follow deeds of peace. # People don't get what they | :11:32. | :11:34. | |
deserve. # People don't get what they | :11:35. | :11:37. | |
deserve. # There is a man who lives like a | :11:38. | :11:43. | |
saint. # He works from daybreak to late in | :11:44. | :11:49. | |
the night. # He's never stolen, he's never been | :11:50. | :11:55. | |
lazy. # To feed his children is always a | :11:56. | :12:05. | |
fight. # He try to do right by all of god's | :12:06. | :12:13. | |
children. # He works very hard for all I could | :12:14. | :12:19. | |
afford. # But he don't pretend for one | :12:20. | :12:26. | |
single moment. # That what he gets is my just | :12:27. | :12:28. | |
reward. # Money don't follow sweat. | :12:29. | :12:32. | |
# Money don't follow brains. # Money don't follow deeds of peace. | :12:33. | :12:38. | |
# People don't get what they deserve. | :12:39. | :12:41. | |
# People don't get what they deserve. | :12:42. | :12:55. | |
# People don't get what they deserve. | :12:56. | :12:59. | |
# People don't get what they deserve. | :13:00. | :13:02. | |
# People don't get what they deserve. | :13:03. | :13:04. | |
# People don't get what they deserve. | :13:05. | :13:08. | |
# People don't get what they deserve. | :13:09. | :13:10. | |
# People don't get what they deserve. | :13:11. | :13:13. | |
# People don't get what they deserve. | :13:14. | :13:16. | |
# People don't get what they deserve. | :13:17. | :13:25. | |
# APPLAUSE | :13:26. | :13:29. | |
Raze raze Sharon Jones and The Dap-Kings a now | :13:30. | :13:42. | |
we welcome a man and featuring the City Mission Choir from the church | :13:43. | :13:47. | |
at the end of his road, we're delighted to have Damon Albarn. | :13:48. | :14:07. | |
# Injilli Injilli. # Can I sing with you about Mr Tembo | :14:08. | :14:19. | |
and what he's got to do? # But first I'm going back to the | :14:20. | :14:24. | |
Colworth Road. # To find the mission and help him | :14:25. | :14:31. | |
with his load. # Mr Tembo's on his way up the hill | :14:32. | :14:35. | |
with only this song to tell you how he feels. | :14:36. | :14:40. | |
# But to get there he will need a helping hand. . | :14:41. | :14:45. | |
# It's where he is now but it wasn't what he planned. | :14:46. | :14:48. | |
# Njilli injilli. # We will sing with you. | :14:49. | :14:55. | |
# Just like the TV in Mr Tembo's room. | :14:56. | :14:59. | |
# Of the emphatic night he checked in on his own at Mkomazi Inn and | :15:00. | :15:05. | |
made it his home. # Mr Tembo's on his way up the hill | :15:06. | :15:10. | |
with only this song to tell you how he feels. | :15:11. | :15:17. | |
# But to get there he will need a helping hand. | :15:18. | :15:22. | |
# It's where he is now but it wasn't what he planned. | :15:23. | :15:28. | |
# It's where he is now but it wasn't what he planned. | :15:29. | :15:39. | |
# Injilli injilli. # We will sing to you about Mr Tembo and what he's | :15:40. | :15:48. | |
going through. # Gets up early while you are still | :15:49. | :15:55. | |
in bed. # Mr Tembo grey blanket by his head. | :15:56. | :16:00. | |
# Mr Tembo's on his way up the hill with only this song to tell you how | :16:01. | :16:08. | |
he feels. # But to get there he will need a | :16:09. | :16:14. | |
helping hand. # It's where he is now, but it | :16:15. | :16:17. | |
wasn't what he planned. # It's where he is now but it wasn't | :16:18. | :16:26. | |
what he planned. Man you take those lions off the | :16:27. | :16:30. | |
front of the boat. Good god man have some... I'm trying to run this | :16:31. | :16:36. | |
expedition in a decent manner. # Logistics, haulage, golf, | :16:37. | :16:38. | |
bungalow, spires, canals, cows, hay bales, telegraph wires, pylon power, | :16:39. | :16:42. | |
farmhouse oak, chimneys still used. # Stones, satellite, football | :16:43. | :16:45. | |
pitches, faded flags and lots of dogs. # Neon cross on top of a block | :16:46. | :16:50. | |
of flats. # And a church not as usual. | :16:51. | :16:56. | |
# Mr Tembo's on his way up the hill With only this song to tell you how | :16:57. | :17:01. | |
he feels. # But to get there he will need a | :17:02. | :17:07. | |
helping hand. # It's where he is now, but it | :17:08. | :17:10. | |
wasn't what he planned. # It's where he is now, but it | :17:11. | :17:13. | |
wasn't what he planned. # CHEERING AND APPLAUSE | :17:14. | :17:58. | |
Thank you Damon Albarn. Mr Tembo. The marvellous Pentecostal mission | :17:59. | :18:05. | |
choir. Now, a legend of world music, from Western Sahara, now living in | :18:06. | :18:07. | |
Barcelona, we welcome Aziza Brahim. # Down in the waves. # She screams | :18:08. | :22:35. | |
again. # Roar at the door. # My mind can't take much more. # I could | :22:36. | :22:42. | |
never drown. get my... # Gold on the ceiling. # I | :22:43. | :23:05. | |
ain't blind. # Just a matter of time. # Before you steal it. # It's | :23:06. | :23:28. | |
alright. # Ain't no blood in my eye. # Clouds covered love's barbed-wire | :23:29. | :23:37. | |
fence. # Strung up, strung out. # I just can't go without. # I could | :23:38. | :23:43. | |
never drown. # They wanna get my... | :23:44. | :24:05. | |
# Gold on the ceiling. # I ain't blind. | :24:06. | :24:10. | |
# Just a matter of time. # Before you steal it. | :24:11. | :24:14. | |
# It's alright. # Ain't no blood in my eye. | :24:15. | :24:36. | |
# They wanna get my... # They wanna get my # Gold on the | :24:37. | :24:45. | |
ceiling. Gold on the ceiling | :24:46. | :24:53. | |
# I ain't blind # Just a matter of time | :24:54. | :24:55. | |
# Before you steal it # It's all right | :24:56. | :24:59. | |
# Ain't no blood in my eye # Gold on the ceiling | :25:00. | :25:03. | |
# I ain't blind # It's just a matter of time | :25:04. | :25:08. | |
# Before you steal it # It's all right | :25:09. | :25:10. | |
# Ain't no blood in my eye. # CHEERING AND APPLAUSE | :25:11. | :25:32. | |
Thank you so much The Black Keys. Thank you to all my guests. More of | :25:33. | :25:40. | |
my guests on Friday. How long have we got? How long? 50 seconds. Let me | :25:41. | :25:46. | |
ask you then, we loved what you were playing earlier, anybody you've | :25:47. | :25:50. | |
enjoyed particularly live this evening? It was a great vibe. Aziza | :25:51. | :25:56. | |
Brahim. Beautiful. You said, very difficult to play the drums and sing | :25:57. | :26:00. | |
at the same time. Really difficult. You should dry it. Exactly. She did | :26:01. | :26:04. | |
very well. Thank you for joining us. Lovely to see Damon back on the | :26:05. | :26:08. | |
show. 20 seconds due say? 20 seconds of stuff to fill. I could tell you | :26:09. | :26:11. | |
about myself, I could tell you about the room, I could tell you about | :26:12. | :26:14. | |
yourselves, instead, I'd like to observe the fact that Coldplay seem | :26:15. | :26:16. | |
to have an invisible pianist. It's observe the fact that Coldplay seem | :26:17. | :26:22. | |
new dimension that I'm a bit worried about. We welcome, the one and only, | :26:23. | :26:25. | |
Coldplay! # Cause you're a sky. | :26:26. | :26:47. | |
# A sky full of stars. # I'm going to give you my heart. | :26:48. | :26:56. | |
# Cause you're cause a sky. # A sky full of stars. | :26:57. | :27:11. | |
# And cause you light up the path. # I don't care. | :27:12. | :27:18. | |
# Go on and tear me apart. # I don't care if you do. | :27:19. | :27:28. | |
# Cause in a sky, a sky full of stars. | :27:29. | :27:30. | |
# I think I saw you. # Cause you're a sky. | :27:31. | :28:11. | |
# A sky full of stars. # I want to die in your arms. | :28:12. | :28:21. | |
# Cause you get lighter. # The more it gets dark. | :28:22. | :28:34. | |
# I'm going to give you my heart. # And I don't care. | :28:35. | :28:42. | |
# Go on and tear me apart. # I don't care if you do. | :28:43. | :28:52. | |
# Cause in a sky, a sky full of stars. | :28:53. | :29:02. | |
#I think I see you. # I think I see you. | :29:03. | :29:59. | |
# Because you're a sky. # You're a sky full of stars. | :30:00. | :30:11. | |
# Such a heavenly view. # Such a heavenly view. # | :30:12. | :30:29. |