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This programme contains some strong language. | :00:09. | :00:32. | |
Welcome to the show! What better way to start than with Guy Garvey! | :00:33. | :00:50. | |
# Good book but you got no proof # And I feel no joy | :00:51. | :00:54. | |
# And I've been looking for my truth # Since God was a boy | :00:55. | :00:58. | |
# Tried faith in humanity # No no no no no | :00:59. | :01:02. | |
# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah | :01:03. | :01:08. | |
# I was headed for an early grave # 'Til I washed up on her tide | :01:09. | :01:17. | |
# Yes, I believe # In Angela's eyes | :01:18. | :01:22. | |
# Skipped on school and I ditched self-help | :01:23. | :01:27. | |
# And I never knew a leader to lead # Eton mess you're a lie made flesh | :01:28. | :01:31. | |
# In a house full of robbers and thieves | :01:32. | :01:33. | |
# No sign from the zodiac # No no no no no | :01:34. | :01:37. | |
# And I want my locking money back # Yeah yeah yeah yeah yeah | :01:38. | :01:44. | |
# I'm a disciple of the woman's love # And her counsel kind and wise | :01:45. | :01:51. | |
# Yes, I believe # In Angela's eyes | :01:52. | :02:28. | |
# Good book but you got no proof # And I feel no joy | :02:29. | :02:35. | |
# And I've been looking for my truth # Since God was a boy | :02:36. | :02:38. | |
# Tried faith in humanity # No no no no no | :02:39. | :02:42. | |
# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah | :02:43. | :02:50. | |
# I'm a believer in a perfect girl # In a world of brazen lies | :02:51. | :02:55. | |
# Yes, I believe # In Angela's eyes. # | :02:56. | :04:03. | |
Guy Garvey with Angela's Eyes. Tonight we welcome you here live and | :04:04. | :04:18. | |
direct an international show with legends. From New York the wonderful | :04:19. | :04:24. | |
Judy Collins. From London, it's Jamie Woon. From Nashville, it's | :04:25. | :04:29. | |
Bela Fleck and Abigail Wash cans burn. From Paris, the extraordinary | :04:30. | :04:36. | |
Caravan Palace. From New York and England, we welcome Dave Gahan and | :04:37. | :04:42. | |
Soulsavers. # Light | :04:43. | :04:54. | |
# There's light here # And it shines on you | :04:55. | :05:00. | |
# It shines, yeah it shines down # It shines on you | :05:01. | :05:08. | |
# When you look around # It's so profound | :05:09. | :05:19. | |
# What we can do # You and me | :05:20. | :05:30. | |
# All of us # Here we're coming through | :05:31. | :05:39. | |
# Here we're coming through # We gonna shine on you | :05:40. | :05:45. | |
# Light # There's light here | :05:46. | :05:53. | |
# And it shines on you # It shines, yeah it shines down | :05:54. | :06:06. | |
# It shines on you # Anyone can see | :06:07. | :06:18. | |
# There's destiny # For me and you | :06:19. | :06:24. | |
# Our Lord above # Shines down his love | :06:25. | :06:36. | |
# Shines on you # Yeah it shines down | :06:37. | :06:52. | |
# Let it shine on you # Light | :06:53. | :06:57. | |
# There's light here # And it shines on you | :06:58. | :07:08. | |
# It shines, yeah it shines down # It shines on you | :07:09. | :07:18. | |
# Yeah it shines on you # Let it shine on you | :07:19. | :07:26. | |
# Light # There's light here | :07:27. | :07:32. | |
# And it shines on you # It shines, yeah it shines down | :07:33. | :07:41. | |
# It shines on you # Yeah it shines on you | :07:42. | :07:47. | |
Dave Gahan and Soulsavers. If you tune in on Friday we will discuss | :07:48. | :08:25. | |
Depeche Mode. Now from Paris, it's Caravan Palace. | :08:26. | :08:46. | |
# Hey, brother, what you thinking? # Leave that old record spinning | :08:47. | :08:49. | |
# Let's end your time to lay low, # Your knees a-bending, so | :08:50. | :08:58. | |
# It's time to get up and let go # (You're gonna come undone) | :08:59. | :09:02. | |
# Hey, mama, how's it going? # Can't see your body moving | :09:03. | :09:05. | |
# Your booty shaking, you know # Your head has no right to say no | :09:06. | :09:16. | |
# Tonight it's "ready, set, go" # Baby can you move it round the | :09:17. | :09:19. | |
rhythm, # So we can get with 'em, | :09:20. | :09:21. | |
# Just a... and get us a rock and roll round | :09:22. | :09:24. | |
# Just a downtown body body coming with a super-hottie | :09:25. | :09:26. | |
# Let's go, yes, no, hell no # Baby can you move it round the | :09:27. | :09:30. | |
rhythm, # Cause you know we're living in the | :09:31. | :09:32. | |
fast lane, speed up # It ain't no game, just turn up all | :09:33. | :09:47. | |
# Hey, brother, what you thinking? # That good ol' sound is ringing | :09:48. | :09:51. | |
# They don't know what they're missing | :09:52. | :09:58. | |
# Let's end your time to lay low, # Your knees a-bending, so | :09:59. | :10:02. | |
# It's time to get up and let go # Hey, brother, nice and steady, | :10:03. | :10:07. | |
# Put down your drink, you ready # It's hard when things get messy | :10:08. | :10:12. | |
# Your head has no right to say no # Tonight it's "ready, set, go" | :10:13. | :10:25. | |
# Baby can you move it round the rhythm, | :10:26. | :10:28. | |
# So we can get with 'em, # Just a... and get us a rock and | :10:29. | :10:32. | |
round # Just a downtown body body coming | :10:33. | :10:35. | |
with a super-hottie # Let's go, yes, no, hell no | :10:36. | :10:37. | |
# Baby can you move it round the rhythm, | :10:38. | :10:39. | |
# Cause you know we're living in the fast lane, speed up | :10:40. | :10:42. | |
# It ain't no game, just turn up all the themes when I come up on the | :10:43. | :11:13. | |
scene # Baby can you move it round the | :11:14. | :11:15. | |
rhythm, # So we can get with 'em, | :11:16. | :11:17. | |
# Just a... and get us a rock and roll round | :11:18. | :11:19. | |
# Just a downtown body body coming with a super-hottie | :11:20. | :11:22. | |
# Let's go, yes, no, hell no # Baby can you move it round the | :11:23. | :11:25. | |
rhythm, # Cause you know we're living in the | :11:26. | :11:28. | |
fast lane, speed up # It ain't no game, just turn up all | :11:29. | :11:35. | |
APPLAUSE AND CHEERING | :11:36. | :11:40. | |
The wonderful sound of Caravan Palace. Lone Digger from their | :11:41. | :11:50. | |
album, Caravan Palace! Now a man with his only pint of Guinness, it's | :11:51. | :11:54. | |
Guy Garvey. It's great to have you here. Do you like that? It was | :11:55. | :11:58. | |
great. Love it. Fantastic. It makes me want to go to Paris. Shall we run | :11:59. | :12:03. | |
away to Paris? And learn to dance. Brilliant. We can dance like that in | :12:04. | :12:08. | |
nightclubs in par. I love the idea of that. Congratulations on your | :12:09. | :12:13. | |
solo record. A beautiful product and beautiful voice and everything. | :12:14. | :12:16. | |
Thank you. It's not Elbow, who is it? It's me and a bunch of old pals. | :12:17. | :12:23. | |
I have Peter, Nathan from The Whip. Alex Reeves on the drums. On the | :12:24. | :12:29. | |
album Ben Christopher played keyboards and the brass section, the | :12:30. | :12:33. | |
girls that Elbow worked with for a long time, Sarah and Victoria, who | :12:34. | :12:36. | |
are amazing. I surrounded myself with the best people around. A super | :12:37. | :12:41. | |
group of players. What's different about this, what can you achieve | :12:42. | :12:44. | |
with this that you couldn't with Elbow? It's not so much that. It's | :12:45. | :12:48. | |
stretching myself a little bit. Because there's five writers in | :12:49. | :12:54. | |
Elbow, things take five times longer so the album was made quicker and | :12:55. | :12:57. | |
really it was an exercise, I wasn't actually going to take it live or | :12:58. | :13:01. | |
anything but it was Pete from Elbow that said I should do or I might | :13:02. | :13:05. | |
regret it. It's been great fun. It's interesting, when you work in a | :13:06. | :13:08. | |
different people, something different comes out. Do you think | :13:09. | :13:12. | |
that is what you have learned? Plus when you are in a band it's, as you | :13:13. | :13:17. | |
know, it's where your tastes meet, that's what you end up producing and | :13:18. | :13:25. | |
certain areas of my taste that Elbow - well they wouldn't let me get away | :13:26. | :13:29. | |
with that keyboard solo, I couldn't play it anyway! It's groovy. Ben | :13:30. | :13:33. | |
can't come on tour with us because he is such an in demand man. I miss | :13:34. | :13:38. | |
you, Ben. You are in demand, as well. Also you have a show on the ie | :13:39. | :13:42. | |
player, I believe. Tell us what that features. Like this good programme, | :13:43. | :13:47. | |
it's about promoting music that I think is worthy of a bigger | :13:48. | :13:52. | |
audience. So, with my good friend Rachel Davis who produced and made | :13:53. | :13:56. | |
the programme we made six episodes about artists I think that the | :13:57. | :14:00. | |
British public would like. So, a good 25 minutes per artist. On each | :14:01. | :14:05. | |
person. Give us an example of one person that you have focussed on. | :14:06. | :14:13. | |
Here We Go Magic, an amazing band from upstate New York. Elbow toured | :14:14. | :14:19. | |
with them. The album before last was made with Nigel from Radiohead fame. | :14:20. | :14:25. | |
It's shining a light on things that might have escaped people's | :14:26. | :14:29. | |
attention that is great to listen to. Exactly. In the room tonight who | :14:30. | :14:32. | |
are you enjoying, anybody in particular? I think it's amazing. | :14:33. | :14:39. | |
Judy, what an honour to meet Judy. Absolutely loving what Dave is | :14:40. | :14:43. | |
doing, as well. That's an incredible sound over there chaps. A room full | :14:44. | :14:48. | |
of amazing stuff. Judy Collins, one of the first records I ever bought. | :14:49. | :14:51. | |
When she came to my dressing room I couldn't believe it. You know what I | :14:52. | :14:54. | |
mean? If you came to my dressing room I would believe it and I would | :14:55. | :14:58. | |
love to see you but it's not like a dream. Well it is... I will stop | :14:59. | :15:02. | |
now. It's great. Thank you very much Guy Garvey! | :15:03. | :15:05. | |
APPLAUSE AND CHEERING | :15:06. | :15:12. | |
Are you doing another number? Great. Now we are welcoming Bela Fleck and | :15:13. | :15:18. | |
Abigail Washburn. # If I had a shot gun and you were | :15:19. | :15:43. | |
in the words # I'd hunt you down | :15:44. | :16:06. | |
# And tell you you're no good # If I had a shotgun | :16:07. | :16:14. | |
# You'd go down on your knees # You'd start begging please | :16:15. | :16:33. | |
# Don't you run now # If you run now | :16:34. | :16:51. | |
# You know what I will do # I would let you go but you are | :16:52. | :16:58. | |
just too mean # Wish I was a big girl | :16:59. | :17:11. | |
# Could let my heart be free # But if I was a big girl | :17:12. | :17:41. | |
# I'd have you hung in a tree # So get me a shotgun | :17:42. | :17:46. | |
# And don't you run now # Because if you run now | :17:47. | :17:48. | |
# You know what I have to do # So get me a shotgun | :17:49. | :18:26. | |
# And don't you run now # Because if you run now | :18:27. | :18:32. | |
# You know what I have to do # The extraordinary sound of Bela | :18:33. | :18:50. | |
Fleck and Abigail Washburn. Now, the talented young fella whose new album | :18:51. | :18:54. | |
comes out on Friday called Making Time, Jamie Woon. | :18:55. | :19:12. | |
# Never been so existent # You can't know unless you feel | :19:13. | :19:23. | |
# Come back - bodies aching from the want and the waiting | :19:24. | :19:40. | |
# Never felt this before # Is it written on my back, take it | :19:41. | :19:51. | |
back and then let it go # Every day is the day that you | :19:52. | :20:04. | |
saved me # Light into darkness cut on the | :20:05. | :20:08. | |
sharpness of you # Never been so inside and falling | :20:09. | :20:17. | |
into you # You can't fall unless you feel | :20:18. | :20:29. | |
it,? # Come back - bodies aching from the | :20:30. | :20:35. | |
want and the waiting # I get this pain when you're | :20:36. | :20:54. | |
leaving # Never felt this before | :20:55. | :20:56. | |
# Never felt this before # Is it written on my back, take it | :20:57. | :20:59. | |
back and then let it go (let it go) # Is it written on my back, take it | :21:00. | :21:07. | |
back and then let it go # Every day is the day that you | :21:08. | :21:17. | |
saved me # Light into darkness cut on the | :21:18. | :21:20. | |
sharpness of you # Come back - bodies aching from the | :21:21. | :21:47. | |
want and the waiting # Never felt this before | :21:48. | :21:58. | |
# Never felt this before # Is it written on my back, take it | :21:59. | :22:04. | |
back and then let it go (let it go) # Is it written on my back, take it | :22:05. | :22:12. | |
back and then let it go Jamie Woon. When he was playing | :22:13. | :22:44. | |
everyone in the room was going like this. Now it is time for an | :22:45. | :22:52. | |
incredible legend, one of the greatest singers of all time, the | :22:53. | :22:54. | |
fabulous Judy Collins. # There are places I remember all my | :22:55. | :23:10. | |
life # Though some have changed | :23:11. | :23:20. | |
# Some forever, not for better # All these places have their | :23:21. | :23:29. | |
meanings # With lovers and friends I still | :23:30. | :23:41. | |
can recall # But of all these friends and | :23:42. | :23:44. | |
lovers # And these memories lose their | :23:45. | :24:12. | |
meaning # When I think of love as something | :24:13. | :24:29. | |
new # Though I know I'll never lose | :24:30. | :24:31. | |
affection # For people and things that went | :24:32. | :24:35. | |
before # I know I'll often stop and think | :24:36. | :24:41. | |
about them That was wonderful. The amazing Judy | :24:42. | :25:32. | |
Collins. In My Life. We have only got 40 seconds for a wrap. Now that | :25:33. | :25:39. | |
I have done this we only have 20 seconds. I would like to thank Jamie | :25:40. | :25:53. | |
Woon! Caravan Palace. Dave Gahan and Soulsavers. And now we will say | :25:54. | :25:58. | |
farewell with the wonderful Guy Garvey. | :25:59. | :26:37. | |
# And buckled every joint # It parted me from truth and any | :26:38. | :26:51. | |
youth I knew # That house I built I realised... | :26:52. | :27:27. | |
# I will walk into its mouth and I will breakfast in the Belly of the | :27:28. | :27:28. | |
Whale # I will walk into its mouth and I | :27:29. | :27:32. | |
will breakfast in the Belly of the # I cannot speak its name but I | :27:33. | :27:42. | |
would walk into its mouth and I would breakfast in the Belly of the | :27:43. | :27:44. | |
Whale # I cannot speak its name but I | :27:45. | :27:46. | |
would walk into its mouth and I would breakfast in the Belly of the | :27:47. | :27:50. | |
Whale # That house broke my back | :27:51. | :28:12. | |
# That house I built skinned my knuckles | :28:13. | :28:16. | |
# That house I built picked my pockets | :28:17. | :28:25. | |
# Parted me from youth and any truth I knew. | :28:26. | :28:34. | |
# That house, that house, I realised, turned my eyes to | :28:35. | :28:37. | |
barnacles beneath a leather hat I'm never going to dance again. I | :28:38. | :28:57. | |
have guilty feet. # I cannot speak its name but I | :28:58. | :29:16. | |
would walk into its mouth and I would breakfast in the Belly of the | :29:17. | :29:19. | |
Whale # I cannot speak its name but I | :29:20. | :29:21. | |
would walk into its mouth and I would breakfast in the Belly of the | :29:22. | :29:25. | |
Whale # I cannot speak its name but I | :29:26. | :29:27. | |
would walk into its mouth and I would breakfast in the Belly of the | :29:28. | :29:30. | |
Whale # I cannot speak its name but I | :29:31. | :29:34. | |
would walk into its mouth and I would breakfast in the Belly of the | :29:35. | :29:37. | |
Whale | :29:38. | :29:52. |