Episode 7 Later... with Jools Holland

This programme contains strong language.

APPLAUSE We start with Guy Garvey.

# Good book but you got no proof # And I feel no joy

# And I've been looking for my truth # Since God was a boy

# Tried faith in humanity # No no no no no

# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah

# I was headed for an early grave # 'Til I washed up on her tide

# Yes, I believe # In Angela's eyes

# Skipped on school and I ditched self-help

# And I never knew a leader to lead # Eton mess you're a lie made flesh

# In a house full of robbers and thieves

# No sign from the zodiac # No no no no no

# And I want my locking money back # Yeah yeah yeah yeah yeah

# I'm a disciple of the woman's love # And her counsel kind and wise

# Yes, I believe # In Angela's eyes

# Good book but you got no proof # And I feel no joy

# And I've been looking for my truth # Since God was a boy

# Tried faith in humanity # No no no no no

# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah

# I'm a believer in a perfect girl # In a world of brazen lies

# Yes, I believe # In Angela's eyes. #

APPLAUSE Guy Garvey with Angela's eyes. More

from him later. The night it is an international show, from the New

York the legendary and wonderful Judy Collins. From London we welcome

Jamie Woon. From New York we welcome Bela Fleck and Abigail Washburn. And

from Paris we have Caravan Palace. And now from New York and England we

# Light # There's light here

# And it shines on you # It shines, yeah it shines down

# It's so profound # What we can do

# You and me # All of us

# Here we're coming through # Here we're coming through

# We gonna shine on you # Light

# There's light here # And it shines on you

# It shines, yeah it shines down # It shines on you

# Anyone can see # There's destiny

# For me and you # Our Lord above

# Shines down his love # Shines on you

# Yeah it shines down # Let it shine on you

# There's light here # And it shines on you

# It shines, yeah it shines down # It shines on you

# Light # There's light here

# And it shines on you # It shines, yeah it shines down

# It shines on you # Yeah it shines on you

Excellent, Dave Gahan and Soulsavers. Our next group are from

Paris and they are very good. We welcome Caravan Palace.

# Hey, brother, what you thinking? # Leave that old record spinning

# Let's end your time to lay low, # Your knees a-bending, so

# It's time to get up and let go # (You're gonna come undone)

# Hey, mama, how's it going? # Can't see your body moving

# Your booty shaking, you know # Your head has no right to say no

# Tonight it's "ready, set, go" # Baby can you move it round the

rhythm, # So we can get with 'em,

# Just a... and get us a rock and roll round

# Just a downtown body body coming with a super-hottie

# Let's go, yes, no, hell no # Baby can you move it round the

rhythm, # Cause you know we're living in the

fast lane, speed up # It ain't no game, just turn up all

# Hey, brother, what you thinking? # That good ol' sound is ringing

# They don't know what they're missing

# Let's end your time to lay low, # Your knees a-bending, so

# It's time to get up and let go # Hey, brother, nice and steady,

# Put down your drink, you ready # It's hard when things get messy

# Your head has no right to say no # Tonight it's "ready, set, go"

# Baby can you move it round the rhythm,

# So we can get with 'em, # Just a... and get us a rock and

round # Just a downtown body body coming

with a super-hottie # Let's go, yes, no, hell no

# Baby can you move it round the rhythm,

# Cause you know we're living in the fast lane, speed up

# It ain't no game, just turn up all the themes when I come up on the

# Baby can you move it round the rhythm

# Just a... and get us a rock and roll round

# Just a downtown body body coming with a super-hottie

# Baby can you move it round the rhythm

# Cause you know we're living in the

fast lane, speed up # It ain't no game, just turn up all

Very good, Caravan Palace. Now we have international artists and

brand-new artists and great legends and we have a great legends now in

the form of Judy Collins. Thank you. I am a great fan of your work, as is

Guy Garvey, he is a fan. It is great you are here. You have made a new

record with a lot of different artists called Strangers Again, but

they are all friends. Are they all your friends? Yes, they are and they

are all wonderful singers. I thought Jeff Bridges would want to sing one

song with me, but he wanted something else. Don Maclean said, I

do not want to sing Vincent with you and I do not want to sing American

Pie, I want to sing Sends In The Client. You have a history of doing

interesting songs and shining a light on great songwriters like

Leonard Cohen and Joni Mitchell. What attracts you

It is falling in love, Jools. It's something inexplicable. If I know

it's right, I never look back and I don't question it. So I have

rejected a lot of songs unsung, but the ones I hold dear are beautiful

songs. Here is... I mean, how could you not fall in love with that? It's

amazing. A beautiful melody. And I have been lucky because I have found

these wonderful writers. Leonard came to see me out of the blue, a

friend of mine said, I know this Canadian, he is so wonderful and the

right obscure songs. And then she said, he has started to write songs,

and I said, are they obscure? And she said, or yes. So then he sang me

Suzanne, and I have never recorded a stranger song. But one day I will.

One of the songs on my new CD, I decided I had to do hallelujah

because everyone else has done it. I took a turn. Turn, Turn, Turn, which

is a Pete Seeger song. Based on a biblical passage. We have got a bit

of that powerful song here. Let's look.

# At time of love, time of hate. # A time of war, a time of peace.

# 8-iron you may embrace. # A time to refrain.

# From embracing. # To everything, turn, turn, turn.

# There is a season, turn, turn, turn.

# And time to every under heaven. -- and a time to every purpose under

heaven. That is fantastic. Fantastic, I don't think I have ever

seen that before. It was from a night in person, it says. And the

guitarist is the great Eric of iceberg. And playing bass, Chuck

Israel. It has been a long time since I have seen that. It will be

on the BBC iPlayer now. Tune in again. It is fantastic that you are

here, and you are going to be doing two songs now. With you. We're

looking forward to that. Thank you for joining us, Judy Collins. We

will look forward to hearing more. Her wonderful voice. Our next

artist, his second album is about to come out. Maybe even today. We are

delighted to have him here, Jamie Woon.

# Come back - bodies aching from the want and the waiting

# Take it back and then let it go

# Every day is the day that you saved me

# Light into darkness cut on the sharpness of you

# Never been so inside and falling into you

# You can't fall unless you feel it

# Bodies aching from the want and the waiting

# I get this pain when you're leaving

# Take it back and then let it go

# Every day is the day that you saved me

# Light into darkness, cut on the sharpness of you

# Bodies aching from the want and the waiting

# Take it back and then let it go

# There are places I remember all my life

# All these places have their meanings

# With lovers and friends I still can recall

# But of all these friends and lovers

# And these memories lose their meaning

# When I think of love as something new

# Though I know I'll never lose affection

# For people and things that went before

# I know I'll often stop and think about them

The beautiful voice of Judy Collins. Before that we enjoyed

Jamie Woon. A track from his album. And now we welcome, Guy Garvey.

# In the hills it's an overcoat colder

# If big things, life things are waves at your door

# You're out with a friend in the capital

# I'm a thousand leagues under the sea

# You're hovering worriedly over your eggs

# In the hills it's an overcoat colder

# If big things, life things are waves at your door

# You're out with a friend in the capital

# I'm a thousand leagues under the sea

# You're hovering worriedly over your eggs

# I'm the son of a saint, and a leader of men. # And I'm neither of

them about time more. # I'll build us a house out of

wrestle rock shale. # With some everyday windows and any

time roofers. # And I'll open door.

# To you and yours. # Just pondering trees for you and

me. The delicious sound of Guy Garvey's

voice. Courting the squall, from the album of the same title. Now we

welcome from New York a husband and wife, incredible musicians. Please

give it up for Bela Fleck and Abigail Washburn.

# Can't you hear the whistle blowin'

# Can't you hear the captain shouting

# Someone's in the kitchen with Dinah

# Someone's in the kitchen with Dinah

# Strummin' on the ole banjo and singin'

# Someone's in the kitchen with Dinah

# Someone's in the kitchen with Dinah

# Strummin' on the ole banjo and singin'

# Strummin' on the ole banjo and singin'.

# One day I'm gonna own this railroad

Now we have two things instead of one. Joining us now is Willie Mason

and Jamie Woon. # Walking down the block, waiting

for the traffic lights to stop again.

# This is the time to cross again, rolling down the road.

# Making time and the rhythm # This one smile more forgiving feeling

fine for the living # Called this, called this a celebration if you

want. # Strolling in the shadow of the

early morning sun. # Shuffling, the dice are going to

roll again today. # Water commerce and water goes

away. Making time and a living.

# This one smile more forgiving. # Feeling fine for the living.

# Call this, call this a celebration.

# If you want. Strolling with the shadows in the

early morning sun. # Saddle up on the horse again.

# Got to keep rolling down to the end.

# Don't stop now. # Up on your feet, shake it out,

don't look back. # Called this, called this a

celebration if you want. Strolling with the shadows in the

early morning sun. # Bows and flows of angel hair

# And ice cream castles in the air # But now they only block the sun

# They rain and snow on everyone # So many things I would have done

# But clouds got in my way # I've looked at clouds from both

sides now # The dizzy dancing way you feel

# When every fairy tale comes real # And if you care don't let them

know # I've looked at love from both

sides now # From win and lose and still

somehow # To say, "I love you" right out

loud # Dreams and schemes and circus

crowds # But now old friends are acting

strange # They shake their heads, they say

I've changed # But something's lost, but

something's gained # I've looked at life from both

sides now # From win and lose and still

somehow The wonderful voice of Judy Collins.

It came out in 1967. Before that we enjoyed Jamie Woon with Willie

Mason. Welcome to the show, it is nice to see you both. That is a very

different sort of record, if I might say so. It is your second album

together. How did you hook up together? We met on the road. We met

on the road and my band took these guys on the road. I was a fan

before. We started talking, as you do. Let's do something, and we did

not think anything would come of it. We made a record and this is a

continuation and this is what came out. Do the same sort of things

inspire you both? That is why it is easy to work with Dave because we

are on the same page. It is like an effortless place. We like the same

records, we like to work with the same musicians. There is no

conflict, which is rare. Tell us what records you both like. Ray

Charles, Nick Cave, Nina Simone, Johnny Cash. Older, simpler records.

And you hear that element in these records. Is it very different to

operating with Depeche Mode? Yes, it is totally different. For me on

feeds the other. We have been doing this for the best part of the last

five years. Yes, it is very different, but you have got to move

those muscles. Get out of the comfort zone and have a swim. We

have got the old times on here and we are going to plunge down it in a

fearless way. Here we go. Sorry about this.

# Transition to another place and the time will pass more slowly.

Complicating, circulating, new life, new life.

# Operating, generating, new life, new life.

'S. -- APPLAUSE. Thanks for that. I worked hard on that haircut. There

was no gel in those days. Do you remember those songs? I don't think

he was alive! You have been doing a lot of shows and you're going to be

doing some more. Is a very different to tour with Depeche Mode? I don't

think you are playing big stadiums here, you're playing in theatres.

Definitely. It is more intimate. We have done some gigs in the states.

Next is Berlin. And Paris and Milan. The next thing you're going to play

is You Owe Me, where did that title come from? I don't know where it

comes from. I hear music and words start flying around. And then it's

trying to sort of control it somehow. The song takes on its own

life and then you have just got to get in the. So someone owes me. We

look forward to that. Pop into Berlin and Paris and catch them. And

our next artist from there. They are amazing, incredible. Here they are.

From Paris, please welcome, Caravan Palace.

Caravan Palace. The song, tattooed. Excellent dancing. And now we go

back over here, changing atmosphere beautifully again. Feeling good

over? Anybody you are lacking in the room in particular? Where are we

going next? Thank goodness I can seamlessly go over there. I said

they were from New York but I have discovered an careful investigation

they are from Nashville. From Nashville, we welcome Bela Fleck and

Abigail Washburn one. # A sour reminder of how hard I've

tried. # I'm easy to hold but

so hard to please. # Easy to hold but

so hard to please. Thank you, Dave Gahan. You Owe Me

from the new LP. Before that, we enjoyed Bela Fleck and Abigail

Washburn. They have now been swept away. And now let's enjoy the

exquisite voice of Guy Garvey. # And buckled every joint

# It parted me from truth # I will walk into its mouth and I

will breakfast # I will walk into its mouth and I

will breakfast # I cannot speak its name but I

would walk into its mouth and I # Would breakfast in the belly of

the whale # I cannot speak its name but I

would walk into its mouth and I # Would breakfast in the belly of

the whale # That house I built skinned my

knuckles # That house I built picked my

pockets # Parted me from youth and any truth

I knew # That house, that house, I

realised, turned my eyes to # I'm never going to dance again.

I have guilty feet. # I cannot speak its name but I

would walk into its mouth and I # Would breakfast in the belly of

the whale # I cannot speak its name but I

would walk into its mouth and I # Would breakfast in the belly of

the whale # I cannot speak its name but I

would walk into its mouth and I # would breakfast in the belly of

the whale # I cannot speak its name but I

would walk into its mouth and I # Would breakfast in the belly of

the whale #. The brilliant Guy Garvey, thank you.

If you would like to know more about anything really, look it up on the

Internet, but particularly as, you can go to our website. We will be

back here on Tuesday at ten o'clock. Now I would like to say

farewell to my guests with a little ballad we have put together. It goes

something like this. Thank you for joining us tonight and the lovely

vibrations we have shared with you. Thank you to Dave Gahan and

Soulsavers. Thank you to the beautiful corner over here with

these beautiful people. The amazing band that are Caravan Palace. The

beautiful playing of Bela Fleck and Abigail Washburn. Thank you, Jamie

Woon. Thank you, the legendary Judy Collins. And thank you Guy Garvey.

Thank you for being you.