Episode 3 Later... with Jools Holland

APPLAUSE. We live with you. We welcome the Lumineers.

# You've been on my mind, girl, since the flood

# Heaven help a fool who falls in love

# You got big plans and you gotta move

# And you can't feel nothing small

# Honey, I love you That's all she wrote

# You've been on my mind, girl, like a drug

# Oh, oh, Ophelia, heaven help a fool who falls in love

# You've been on my mind, girl, since the flood

# Oh, oh, Ophelia, heaven help a fool who falls in love

# Oh, oh, Ophelia, you've been on my mind, girl, like a drug

# Oh, oh, Ophelia, heaven help a fool who falls in love #

Thank you the Lumineers. Also tonight, a studio packed with

extraordinary and marvellous talent. We have from East London, Rationale.

From New Zealand, Marlon Williams. From London, Savages, we welcome

them back. The dazzling voice of Beverley Knight. And from Wales and

Essex, I am pleased we have Underworld.

# A little bit more voice, yeah

# The origin of numbers is a questionable hypothesis

# This is the most ancient form of a sign

# This is a more recent sign

# Home and away

# Luna luna luna luna # Luna luna luna luna

# Luna luna luna luna Thank you, Underworld, live in this

room right now. They're brand-new album, the first in six years.

Hopefully born later. Now we will move quickly to this end of the

studio. So that we can enjoy Rationale.

# Everybody speeds in the fast lane truly now

# Tryin' to keep ourselves from stressing out

# Take a look in your heart and your soul

# We're so caught up in the riddle

# And you've only now just figured out how

# You can give him your heart and your soul

# But when you're caught up in the riddle

# Man, your pride ain't worth a nickel

# Got to find a way through this fast lane.

Rationale. A pleasure to have them in the studio and it is a pleasure

to have with us the wonderful and talented Beverley Knight. We have to

minutes briefly. You have just got back from Memphis. You have made an

incredible record, what made you decide to go there? I was honoured

enough to be invited to Memphis to research my role in a West End show

I did called Memphis and when I got there I knew I had to go back and

knew I had to record. The atmosphere drew you? Absolutely, it is the home

of rock 'n' roll. The cradle. I hatched to be there and soak it in

and record. How did you choose the songs? The songs that are covered

are songs that speak to me and the other songs are those I have

written. Original material inspired by my time in Memphis. You are going

to do a big Mama Thornton song. How did you come across her? I was on

YouTube and I was looking at Buddy Guy, who was playing fabulous guitar

and I clicked on a link and saw him introduce big Mama Thornton and she

comes in and smashes it to pieces. It is a famous song and she did it

first. It is famous, the son of Memphis did it, Elvis Presley and it

was a worldwide smash. You are about to go on tour. Is it different for

you when you are on tour, you have had awards doing musicals, is it

different with your own band? Completely different. In a musical

you are someone else but on stage as yourself, freedom to do whatever you

want. I am looking forward to hearing Beverley Knight in a moment.

APPLAUSE. The next artist is an extraordinary

mix. Choirboy classical training, the incredible talent that is Marlon

Williams. # 'Cos everyone's

got something to say # And I made made out

like I'm some wild bird of prey # And everyone's got

something to say # Dreaming just gives

glory to the great # Dreaming just gives

glory to the grave # Seems like everyone's

got something to say #. The extraordinary voice of Marlon

Williams. And for now, we welcomed back Savages!

# The more you have, the more you crave

# So what else? What else, what else?

# You want to know why I changed my mind

# And when I did, everything was fine

# Sometimes the truth is right there, right there

# If you're beautiful here, you're beautiful there

# So what else? What else, what else?

# So what else? What else, what else?

# Look at me and decide All the truth is right here

# So what else, what else, what else #.

Thank you, Savages! Sad Person. And now we welcomed the wonderful

Beverley Knight! CHEERING. # Quit snooping round my door!

# You can wipe your tail # I'm not going to feed due no more

# When they said you was high classed

# # You are not know real cool cat!

You are just some all the hound dog! # Quit snooping round my door.

# You can wipe your tail, but I ain't going to feed you know more!

# Well, well you made me feel so blue, you made me weep.

# You made me feel so with, you made me weep and Murray!

# You are not looking for a woman, you are looking for a new home!

# You can wag your tail, but I ain't going to feed you no more!

# When you left this town with your windows down

# Let the exits pass, all the tar and glass

# They raise you up just to cut you down

# Oh, Angela, it's a long time coming

# And your Volvo lights lit up green and white

# But you held your course to some distant war

# Oh, Angela, it's a long time coming

# Were you safe and warm in your coat of arms

# Did you hear the notes, all those static codes

# They raise you up just to cut you down

# Oh, Angela, it's a long time coming

# Oh, Angela, spent your whole life running away

# Vacancy, hotel room Lost in me, lost in you

Thank you, The Lumineers! Angela. Thank you to all our guests, Marlon

Williams, Savages, Beverley Knight. More from the guests on Friday but

now I've five seconds to tell you something very important. That is

right, we will finish with Underworld!

CHEERING. # Random blonde bio

high density rhythm # Blonde boy, blonde

country, blonde high density # Babes and babes and babes

and babes and babes # You like my tin horn boy

and get wet like an angel # Squatting in a Tube hole

at Tottenham Court Road # Talking to the most

blonde I ever met # Mega, mega, mega

going back to Romford