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APPLAUSE AND CHEERING Always a pleasure to be live to air, | :00:33. | :00:38. | |
especially when you can interviews The Pretenders! | :00:39. | :00:57. | |
# I just want, I want, I want, to see your face | :00:58. | :01:10. | |
# I just want, I want, I want to change your place | :01:11. | :01:13. | |
# I just want, I want, I want to lead the blind | :01:14. | :01:47. | |
# I just want, I want, I want to free your mind | :01:48. | :01:51. | |
# I just want, I want, I want to see the light | :01:52. | :02:12. | |
# I just want, I want, I want to dance all night | :02:13. | :02:22. | |
# And the dogs of war come around no more | :02:23. | :02:44. | |
# No more rape or torture or mutilation | :02:45. | :02:46. | |
Thank you Pretenders! We have an amazing line-up tonight, from | :02:47. | :03:59. | |
Birmingham Joanne Shaw Taylor. The wonderful ray Blk. Bad Company. From | :04:00. | :04:12. | |
New York Loudon WainwrightIII, Empire of the sun. Now from London a | :04:13. | :04:16. | |
beautiful new artist, Samm Henshaw. # That they don't think | :04:17. | :04:29. | |
that much of you # And I tell them that | :04:30. | :04:40. | |
it's you that I want # And they tell me that | :04:41. | :05:01. | |
I've got it all wrong # And no matter if they think | :05:02. | :05:04. | |
it we're lost? # They try convincing me, | :05:05. | :05:07. | |
but I got no doubts # Say she's infected, | :05:08. | :05:29. | |
but I can't do without # No matter what they say | :05:30. | :05:34. | |
I know what I found # Oh, I tell them that | :05:35. | :05:38. | |
it's you that I want # And they tell me that | :05:39. | :05:48. | |
I've got it all wrong # Saaaay no, we don't matter | :05:49. | :05:50. | |
if they think it will lost # And I tell them that | :05:51. | :05:53. | |
it's you that I want # And they tell me that | :05:54. | :06:34. | |
I've got it all wrong # It don't matter if | :06:35. | :06:43. | |
they think we're lost # They don't understand what we got, | :06:44. | :07:19. | |
baby # Our love. | :07:20. | :07:24. | |
They have a new album next year, Samm Henshaw! Now, this foliage is | :07:25. | :07:40. | |
here for a purpose, it's an extraordinarily talented artist from | :07:41. | :07:45. | |
Australia we now welcome, it's Empire Of The Sun! | :07:46. | :07:57. | |
# Now we are running in a pack to the place you don't know | :07:58. | :08:01. | |
# And I want you to know that I'll always be around | :08:02. | :08:08. | |
# Down where the summer and the late nights last forever | :08:09. | :08:13. | |
# There's a house on the hill and we can travel now | :08:14. | :08:17. | |
# I feel most times we're high and low (high and low) | :08:18. | :08:46. | |
# If I had my way, never let you go (never let you go) | :08:47. | :08:53. | |
# I feel most times we're high and low (high and low) | :08:54. | :08:59. | |
# If I had my way, never let you go (never let you go) | :09:00. | :09:08. | |
# Let's get together and forget all the troubles and just float | :09:09. | :09:13. | |
# I feel most times we're high and low (high and low) | :09:14. | :09:47. | |
# If I had my way, never let you go (never let you go) | :09:48. | :09:53. | |
# I feel most times we're high and low (high and low) | :09:54. | :10:01. | |
# If I had my way, never let you go (never let you go) | :10:02. | :10:16. | |
# I feel most times we're high and low (high and low) | :10:17. | :10:46. | |
# If I had my way, never let you go (never let you go) | :10:47. | :10:59. | |
# I feel most times we're high and low (high and low) | :11:00. | :11:02. | |
# If I had my way, never let you go (never let you go) | :11:03. | :11:48. | |
What a delightful display of music and botanic plants. Empire Of The | :11:49. | :12:07. | |
Sun! Sensational dancing. High and Low from their new album. | :12:08. | :12:12. | |
Our next artist is not only an amazing guitarist but also an | :12:13. | :12:18. | |
amazing singer. We welcome Joanne Shaw Taylor. | :12:19. | :12:34. | |
# Trying to find your way home | :12:35. | :14:20. | |
# You made friends with that old black crow | :14:21. | :15:05. | |
What a dazzling talent! Her voice, the guitar, Joanne Shaw Taylor, give | :15:06. | :15:39. | |
her a ring round of applause! A supergroup has been formed and is | :15:40. | :15:44. | |
doing a show, possibly near you. The amazing voice Paul Rogers, they have | :15:45. | :15:51. | |
got back together and they are of course Bad Company! Welcome back. | :15:52. | :15:57. | |
Lovely to see you, gentlemen. You are part of a true supergroup | :15:58. | :16:01. | |
because you were made up of a lot of big groups in the first place. When | :16:02. | :16:05. | |
you got back together, it was more popular than any other group you had | :16:06. | :16:09. | |
been in before. Why was that? I don't think we ever thought of | :16:10. | :16:13. | |
ourselves as a supergroup, really. Nick and I got together, started | :16:14. | :16:18. | |
writing songs and decided to put a band together. Simon came along, we | :16:19. | :16:22. | |
had all been in bands, we weren't looking for another member who had | :16:23. | :16:27. | |
been in a super band or a big band or anything. But it happened, people | :16:28. | :16:32. | |
jumped on that. We didn't really plan to be a supergroup or anything | :16:33. | :16:37. | |
like that. But you were and you are, you ended up being a fantastic | :16:38. | :16:41. | |
supergroup with an amazing catalogue of great songs. We have a little | :16:42. | :16:49. | |
clip of you in 1974. # It's late, and I want love | :16:50. | :17:00. | |
# Love is going to bring me to # Let me into your doorway | :17:01. | :17:05. | |
# Come on, come on # We can do it | :17:06. | :17:12. | |
# Come on, do what you do # I can't get enough of your love | :17:13. | :17:16. | |
#... What a great song! That's just one | :17:17. | :17:28. | |
of the many great songs. You're going to be at the O2, lots of | :17:29. | :17:36. | |
different shows. Nine days, we start island in a couple of days. Great | :17:37. | :17:43. | |
music -- we start off in Ireland. Will you be having white costumes | :17:44. | :17:50. | |
like you have that? Possibly not. I thought they staying easily! There | :17:51. | :17:54. | |
we are. Thank you very much for joining us, Bad Company, on tour any | :17:55. | :18:00. | |
moment now, what legends of men. Now, we've got a marvellous guest in | :18:01. | :18:06. | |
the middle of the room. He was on our second show, 350 shows a go. | :18:07. | :18:11. | |
Loudon Wainwright III, it's great to have you here. He was using in | :18:12. | :18:20. | |
about? -- who you doing a song about. Rufus turned 40 a few years | :18:21. | :18:27. | |
ago. Will you play it for us now? Loudon Wainwright III. | :18:28. | :18:33. | |
# I knew your mother, let me be clear | :18:34. | :18:36. | |
# We were lovers before you got here | :18:37. | :18:40. | |
# So don't forget that I knew her when | :18:41. | :18:44. | |
# Love was the means and you were the end | :18:45. | :18:55. | |
# Was amazing and crazy and somewhat like you | :18:56. | :19:04. | |
# I fell for your mother, love made me a fool | :19:05. | :19:08. | |
# We were into each other till it came off the spool | :19:09. | :19:20. | |
# Folks choose their parents, some Buddhists say | :19:21. | :19:26. | |
# So maybe you picked us and we were your way | :19:27. | :19:28. | |
# In the Biblical sense I knew your mom | :19:29. | :19:31. | |
# Und it wasn't all Sturm and it wasn't all Dram | :19:32. | :19:36. | |
# Having a father is the most dangerous game | :19:37. | :20:01. | |
# And when dad takes a powder it's more than a shame | :20:02. | :20:06. | |
# But I knew your mother and your mother knew me | :20:07. | :20:10. | |
# And as long as it lasted was how long it could be | :20:11. | :20:21. | |
# Today is your birthday and if truth be told | :20:22. | :20:25. | |
# It has to be said now we're both a bit older | :20:26. | :20:29. | |
# Yeah, happy birthday, but I want to be clear | :20:30. | :20:34. | |
# I loved your mother and that's why you're here # | :20:35. | :20:49. | |
# I Knew Your Mother # Let me be clear | :20:50. | :20:58. | |
# We two were lovers before you got here | :20:59. | :21:01. | |
# So don't forget that I knew her well | :21:02. | :21:04. | |
# Love was a means and you were the end | :21:05. | :21:09. | |
# Love was a means and you were the end | :21:10. | :21:20. | |
# I Knew Your Mother #. | :21:21. | :21:22. | |
Loudon Wainwright III, I Knew Your Mother. Will you come and join us | :21:23. | :21:40. | |
again on Friday? Nothing. M. He is poor as we speak, you can see him | :21:41. | :21:46. | |
live if you wish -- he is on tour. Please welcome a truly sensational | :21:47. | :21:50. | |
new artist, it is Ray BLK. # Socks and sliders | :21:51. | :21:58. | |
everywhere and every day # Full English breakfast | :21:59. | :22:02. | |
at a caff, not a cafe # No, no, baby, we don't let | :22:03. | :22:11. | |
strangers come our way # But you should come | :22:12. | :22:13. | |
to my hood, my hood, my hood # Meet me at Morley's, | :22:14. | :22:19. | |
best fried chicken is in South # I'll show you gangsters, | :22:20. | :22:22. | |
don't you go running your mouth # Mopeds are racing, 2AM | :22:23. | :22:27. | |
outside my house, oh yeah, it's loud # Oh, you should come to my hood, | :22:28. | :22:32. | |
my hood, my hood, my hood # Yeah, you should come to my hood, | :22:33. | :22:41. | |
my hood, my hood, my hood # You should come to my | :22:42. | :22:53. | |
hood, my hood, my hood # I won't lie, | :22:54. | :22:59. | |
finding a way out is our dream # But you should come | :23:00. | :23:11. | |
to my hood, my hood, my hood # Top floor of Pepys estate, | :23:12. | :23:17. | |
we'll show you our world # That building turns | :23:18. | :23:22. | |
you to a woman from a girl # Now time to stop, life | :23:23. | :23:26. | |
flashes past you in a whirl # But you should come | :23:27. | :23:31. | |
to my hood, my hood, my hood # You should come to my | :23:32. | :23:37. | |
hood, my hood, my hood # There's no place like home | :23:38. | :24:21. | |
# I don't one go to a town where there is no place like me around | :24:22. | :24:26. | |
# Don't take me there or take me anywhere | :24:27. | :24:36. | |
# Oh, no # No, oh, oh, oh, oh, | :24:37. | :24:49. | |
# These streets, these streaks, in the dark week low | :24:50. | :24:54. | |
# These streets, these streets # We are high when it low | :24:55. | :25:03. | |
# Concrete flowers grow # You should come to My Hood, My | :25:04. | :25:14. | |
Hood, My Hood # You should come to My Hood, My | :25:15. | :25:17. | |
Hood, My Hood Ray BLK, My Hood, thank you. Thank | :25:18. | :25:38. | |
you to all of our guests this evening, Joanne Shaw Taylor, thank | :25:39. | :25:44. | |
you! Samm Henshaw, thank you. The load of people over there, thank | :25:45. | :25:52. | |
you! Empire Of The Sun, thank you. Loudon Wainwright III, thank you. | :25:53. | :25:57. | |
Bad Company, they are all on tour now, let's finish with a wonderful | :25:58. | :26:03. | |
song that we all know and love, it's The Pretenders. | :26:04. | :26:19. | |
# I'm only off to wonder # Once in a while | :26:20. | :28:04. | |
# Two people meet # Seeming that the no reason they do | :28:05. | :28:11. | |
is pass on the street # Thunder and showers everywhere | :28:12. | :28:18. | |
# Who can explain the thunder and rain | :28:19. | :28:18. | |
# But there's something in the air # If I come and go like fashion | :28:19. | :29:07. | |
# I might be great tomorrow # But hopeless yesterday | :29:08. | :29:12. | |
# If I fall in the mode of passion # It might be unbelievable | :29:13. | :29:34. | |
# Let's not say so long. # It might just be fantastic | :29:35. | :29:43. | |
# #. | :29:44. | :29:48. | |
I'm told I'm in trouble with the police. | :29:49. | :30:31. | |
Are they just fantasies that sustain him? | :30:32. | :30:35. |