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We live, we are delighted to be here and so pleased to welcome The xx! | :00:36. | :00:52. | |
# From the inside I can feel that you want to | :00:53. | :01:16. | |
# Way up in the sky I can see that you want to | :01:17. | :01:32. | |
# Now I'm deep in it, infatuated | :01:33. | :02:39. | |
# Side by side, and I know that you want to | :02:40. | :02:49. | |
# I can hear it now like I heard it then | :02:50. | :03:48. | |
Thank you, The xx. The night, people from lots of places that I really | :03:49. | :05:13. | |
like. From New Orleans, Trombone Shorty and Orleans Avenue. Chronixx. | :05:14. | :05:19. | |
From Nashville, the wonderful Maren Morris. From Los Angeles, the | :05:20. | :05:25. | |
sensational Haim. Now, from Brighton, it's Royal Blood! | :05:26. | :05:32. | |
# I can feel it rushing under my skin | :05:33. | :05:49. | |
# Spin me round, won't you spin me round | :05:50. | :06:52. | |
# You're a void, a crack in the mirror | :06:53. | :06:59. | |
# See me now, if you could see me now | :07:00. | :07:10. | |
# But you don't matter that much to me | :07:11. | :07:19. | |
# No you don't matter that much to me | :07:20. | :07:29. | |
Sounds like a legion of men, but only two of them. Royal Blood and | :07:30. | :09:51. | |
Lights Out. Amazing artists from New Orleans, Trombone Shorty! | :09:52. | :10:17. | |
# Looking so good, it's a doggone shame | :10:18. | :10:28. | |
# Looking so pretty, it's a doggone pity | :10:29. | :10:32. | |
# Look out brother, let me get further | :10:33. | :10:37. | |
# Anything better than the opposite sex | :10:38. | :10:43. | |
# I can live without coffee, I can live without tea | :10:44. | :10:55. | |
# Now a fillet steak I could leave or take | :10:56. | :10:59. | |
# While the boxers do their thing | :11:00. | :11:23. | |
# I'm not saying I could live on love alone! | :11:24. | :11:52. | |
# That the only thing that turn me on! | :11:53. | :11:57. | |
Trombone Shorty and Orleans Avenue, with Here Come The Girls. Our next | :11:58. | :13:52. | |
artist, winning a Grammy for the best country solo performance. The | :13:53. | :13:55. | |
wonderful Maren Morris! # Roll the windows down | :13:56. | :14:03. | |
and turn up the dial # Feels like the Holy Ghost | :14:04. | :14:48. | |
running through ya # When this wonderful | :14:49. | :14:58. | |
world gets heavy # I just keep the wheels rolling, | :14:59. | :15:33. | |
radio scrolling # Feels like the Holy Ghost | :15:34. | :15:38. | |
running through ya # Feels like the Holy Ghost | :15:39. | :15:51. | |
running through ya # Feels like the Holy Ghost | :15:52. | :16:28. | |
running through ya The wonderful boys of Maren Morris, | :16:29. | :17:41. | |
from her album Hero. So as I said last week, I think we would will | :17:42. | :17:47. | |
return in September with a special event at the Royal Albert Hall, | :17:48. | :17:51. | |
which will celebrate ready five years of this show, in which you | :17:52. | :17:56. | |
will see the cameras. We will be in the centre of the Albert Hall, like | :17:57. | :18:00. | |
the Twilight zone, a City transplanted to the middle, people | :18:01. | :18:04. | |
around us, watching us, like now. Go to the website and Instagram for | :18:05. | :18:10. | |
more details. From Jamaica, the sensational sound of Chronixx. | :18:11. | :18:29. | |
# Skankin', groovin, help me Jah Jah | :18:30. | :18:41. | |
# Under the pressures of life and it tough | :18:42. | :18:57. | |
# Nuh stay down mama, time fi get up | :18:58. | :19:02. | |
# When the bills dem, the rent and the mortgage due | :19:03. | :19:17. | |
# When your best friends are gone and it's only you | :19:18. | :19:19. | |
# Light up a spliff turn up the music | :19:20. | :19:22. | |
# Forget your troubles and rock with me | :19:23. | :19:26. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :19:27. | :19:32. | |
# Forget your troubles and rock with me | :19:33. | :19:38. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :19:39. | :19:41. | |
# For every pain there's a melody, yeah | :19:42. | :19:50. | |
# For every trouble there's a harmony | :19:51. | :19:52. | |
# Forget your troubles and rock with me | :19:53. | :20:14. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :20:15. | :20:18. | |
# Forget your troubles and rock with me | :20:19. | :20:27. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :20:28. | :20:30. | |
# Until the day when my troubles are gone | :20:31. | :20:44. | |
# We're groovin' all my troubles away | :20:45. | :20:58. | |
# Forget your troubles and rock with me | :20:59. | :21:05. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :21:06. | :21:07. | |
# Forget your troubles and rock with me | :21:08. | :21:15. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :21:16. | :21:17. | |
# Forget your troubles and rock with me | :21:18. | :21:27. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :21:28. | :21:31. | |
# Forget your troubles and rock with me | :21:32. | :21:45. | |
# You nuh feel how reggae music sweet, yeah-e-yeah | :21:46. | :21:49. | |
Chronixx, the sound of modern Jamaica, from their forthcoming | :21:50. | :22:19. | |
album Chronology. We are so pleased to have them back in the room now, | :22:20. | :22:20. | |
we welcome Haim. APPLAUSE # I'll take the fall | :22:21. | :22:30. | |
and the fault in us # I'll take the fall | :22:31. | :23:18. | |
and the fault in us # All that time is gone, | :23:19. | :23:33. | |
no more fearing control # I'll take the fall | :23:34. | :24:07. | |
and the fault in us # I'll take the fall | :24:08. | :24:23. | |
and the fault in us # Just know that | :24:24. | :24:43. | |
I want you back, baby # I'll take the fall | :24:44. | :24:50. | |
and the fault in us # I'll take the fall | :24:51. | :25:00. | |
and the fault in us # I'll take the fall | :25:01. | :25:14. | |
and the fault in us # I'll take the fall | :25:15. | :25:32. | |
and the fault in us # Just know that | :25:33. | :25:49. | |
I want you back, baby # I'll take the fall | :25:50. | :26:04. | |
and the fault in us Wonderful to have them in the room, | :26:05. | :26:25. | |
Haim. APPLAUSE Thank you to all of our guests this | :26:26. | :26:33. | |
evening, Chronixx, Royal Blood, from all of my guests, Friday at 11:15, | :26:34. | :26:40. | |
no time to go into any more detail because I have two introduce The xx! | :26:41. | :26:48. | |
# Now you've found a new star to orbit | :26:49. | :27:06. | |
# I think you're too soon to call us old | :27:07. | :27:13. | |
# Where does it stop, where does it stop | :27:14. | :27:36. | |
# You've got the body, you've got the body | :27:37. | :27:40. | |
# Where does it stop, where does it stop | :27:41. | :27:44. | |
# I thought I had you on hold you've got the body | :27:45. | :27:51. | |
# Where does it stop, where does it stop | :27:52. | :27:54. | |
# You've got the body, you've got the body | :27:55. | :27:57. | |
# Where does it stop, where does it stop | :27:58. | :28:01. | |
# You've got the body, you've got the body | :28:02. | :28:05. | |
# Young hearts, only love # Call it a lesson | :28:06. | :28:31. | |
# Only when we are wanting to # When I lie awake, staring into | :28:32. | :28:34. | |
space, I see a different view # Now you've found | :28:35. | :28:39. | |
a new star to orbit # I think you're too soon | :28:40. | :28:41. | |
to call us old # Where does it stop, | :28:42. | :28:45. | |
where does it stop # Where does it stop, | :28:46. | :29:09. | |
where does it stop # You've got the body, | :29:10. | :29:23. | |
you've got the body # Where does it stop, | :29:24. | :29:27. | |
where does it stop # You've got the body, | :29:28. | :29:31. | |
you've got the body # Where does it stop, | :29:32. | :29:38. | |
where does it stop # You've got the body, | :29:39. | :29:40. | |
you've got the body # Where does it stop, | :29:41. | :29:44. | |
where does it stop # You've got the body, | :29:45. | :29:48. | |
you've got the body | :29:49. | :30:00. |