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Last week, five bands gave it all in our first live show. | 0:00:01 | 0:00:08 | |
The boys risked singeing while singing. | 0:00:09 | 0:00:11 | |
That was like a vocal masterclass. Absolutely sublime. | 0:00:12 | 0:00:15 | |
Danced on a huge mirrored wedding cake, obviously. | 0:00:16 | 0:00:19 | |
Lots of girls in here are saying marry me, right? | 0:00:20 | 0:00:25 | |
Put the boom back in boom box. And you guys are dynamite. | 0:00:26 | 0:00:30 | |
Climbed all over the furniture. You sounded amazing and looked | 0:00:31 | 0:00:35 | |
incredible. Shut up, you were awesome. In the nail-biting results | 0:00:36 | 0:00:39 | |
show three bands went through automatically to tonight's | 0:00:40 | 0:00:41 | |
semifinal. Two bands had to sing again as each | 0:00:42 | 0:00:45 | |
boy battled for their place in the competition. | 0:00:46 | 0:00:49 | |
Incredibly hard. The judges chose five to fight on in | 0:00:50 | 0:00:55 | |
a new line-up. Whilst five boys said goodbye to their bandmates. | 0:00:56 | 0:01:00 | |
I've never known pressure like it. Tonight Drive join five To five, | 0:01:01 | 0:01:07 | |
Iron Sun and Nightfall as they perform for your votes. | 0:01:08 | 0:01:10 | |
And to the judges another difficult decision lies ahead. | 0:01:11 | 0:01:13 | |
It's the semifinals. Let's go. Dust off your dungarees, because we | 0:01:14 | 0:01:37 | |
are going back to the 90s. # And walk the streets | 0:01:38 | 0:01:43 | |
for half the year # For thirty days | 0:01:44 | 0:01:56 | |
you're on your back # Hoping that I'll be a part | 0:01:57 | 0:02:07 | |
of you again some day # If you stop and | 0:02:08 | 0:04:18 | |
close your eyes On Saturday night, it's the | 0:04:19 | 0:04:35 | |
semifinal. # But I know it's | 0:04:36 | 0:04:57 | |
time for you to leave # Trying to figure it | 0:04:58 | 0:05:10 | |
out, out, out # All your anticipation | 0:05:11 | 0:05:16 | |
pulls you down # I don't know what | 0:05:17 | 0:05:20 | |
you're waiting for # Your time is coming | 0:05:21 | 0:05:33 | |
don't be late # You're all that | 0:05:34 | 0:05:36 | |
matters to me Please welcome Mel Giedroyc. | 0:05:37 | 0:07:08 | |
And Graham Norton! I can't handle this! | 0:07:09 | 0:07:12 | |
Wow! Hello and welcome to | 0:07:13 | 0:07:18 | |
the Semi Final of Let It Shine! Let's hear it for our four | 0:07:19 | 0:07:25 | |
bands and Mark Owen, Howard Donald and Gary Barlow - | 0:07:26 | 0:07:27 | |
it's Take That! We need you back in full judging | 0:07:28 | 0:07:40 | |
mode in about a minute. Someone give him | 0:07:41 | 0:07:47 | |
a quick dab of make up. Tonight our four | 0:07:48 | 0:07:51 | |
remaining bands are going things get tough because our boys | 0:07:52 | 0:08:06 | |
must prove they can move. as well as sing, so each performance | 0:08:07 | 0:08:34 | |
will feature a full on dance break to see if they can cut it | 0:08:35 | 0:08:37 | |
in the world of boybands. I'm hoping to see some mash potato, | 0:08:38 | 0:08:44 | |
the lawnmower and of course big If they can master that they might | 0:08:45 | 0:08:48 | |
be in with a chance of winning that prize - | 0:08:49 | 0:08:59 | |
the role of a boyband Who wants to see some judges? | 0:09:00 | 0:09:10 | |
CHEERING I thought they might. But before we | 0:09:11 | 0:09:16 | |
do, let's hear from them. The energy of the performances last week was | 0:09:17 | 0:09:19 | |
unbelievable. You would never believe that those bands have only | 0:09:20 | 0:09:23 | |
been together for just a few weeks. You are the ones to watch in this | 0:09:24 | 0:09:29 | |
competition. Well done. The judges can only save five boys. The emotion | 0:09:30 | 0:09:40 | |
after the sing off. It's Connor. I saw boy band tears. The competition | 0:09:41 | 0:09:45 | |
is so tough. I think we chose the best possible mix. Drive lives with | 0:09:46 | 0:09:51 | |
a new line-up. It is a big ask but I can't wait to see if they pull it | 0:09:52 | 0:09:54 | |
off. This week there is a dance break it every track, so it could be | 0:09:55 | 0:10:00 | |
a challenge for of them. Every boy has to pull out their best moves. It | 0:10:01 | 0:10:04 | |
is a part of the Theatre Royal, they have to be able to move. -- Theatre | 0:10:05 | 0:10:20 | |
role. As a member of the Pussycat Dolls she has performed all over the | 0:10:21 | 0:10:28 | |
world. The boys will have to step it up to impress Ashley. She is | 0:10:29 | 0:10:31 | |
performed in some of the biggest arenas with some of the biggest | 0:10:32 | 0:10:34 | |
names in show business, it is the all singing all dancing Ashley | 0:10:35 | 0:10:39 | |
Roberts. Take it from me, there is nowhere to hide, except behind one | 0:10:40 | 0:10:40 | |
of your bandmates. So nice to see you. You know the | 0:10:41 | 0:10:43 | |
way. And tonight's guest judge, | 0:10:44 | 0:11:14 | |
Pussycat Doll and Dancing This week, our boys are being tested | 0:11:15 | 0:11:16 | |
on their dance skills. You've worked as a professional | 0:11:17 | 0:11:32 | |
groover and choreographer - what are you looking | 0:11:33 | 0:11:34 | |
for from our boys? I'm super excited to be here and see | 0:11:35 | 0:11:45 | |
the boys in action. For my dance background I will be looking for | 0:11:46 | 0:11:49 | |
precision to the movement, attacking the choreography, connecting to the | 0:11:50 | 0:11:52 | |
audience, and just having fun, right? So that we all enjoy it. | 0:11:53 | 0:11:58 | |
CHEERING Looking for fun. | 0:11:59 | 0:12:00 | |
Dannii, tonight we're going to see the new look Drive do their thing. | 0:12:01 | 0:12:06 | |
How big a challenge will it be for them? | 0:12:07 | 0:12:11 | |
The guys have really had to pull together. But we feel like we've | 0:12:12 | 0:12:18 | |
chosen some really strong ones. We feel like they go together well. And | 0:12:19 | 0:12:23 | |
Michael daughter said to me yesterday, there is a new line-up, | 0:12:24 | 0:12:29 | |
I'm excited to see them. -- my goddaughter. In entertainment that | 0:12:30 | 0:12:30 | |
is what you want. Wise words. Gary, it's the Semi Final | 0:12:31 | 0:12:34 | |
and our bands are fighting Yes, it's Gary Barlow. | 0:12:35 | 0:12:50 | |
CHEERING It's real now, isn't it? One of | 0:12:51 | 0:12:54 | |
these groups is going to be in the show will stop thank you very much. | 0:12:55 | 0:13:00 | |
As judges we need to focus the closet is all about percentages. All | 0:13:01 | 0:13:03 | |
about percentages. Tonight, only the two | 0:13:04 | 0:13:05 | |
bands with the highest viewer votes will go | 0:13:06 | 0:13:07 | |
through to next week's live Final. The other two will have | 0:13:08 | 0:13:12 | |
to sing again and face, # Come on, baby, let's do the twist | 0:13:13 | 0:13:15 | |
#. In our live results show tonight, | 0:13:16 | 0:13:38 | |
the judges will hear the two bands with the fewest votes | 0:13:39 | 0:13:41 | |
sing again, and then But as we saw last week, | 0:13:42 | 0:13:43 | |
they don't all have to be Now, tonight's vote will open | 0:13:44 | 0:13:51 | |
after all our bands have performed. And if you want to vote | 0:13:52 | 0:13:56 | |
online you'll need to sign in to your BBC account or register | 0:13:57 | 0:13:59 | |
first at bbc.co.uk/letitshine. Mel, what's your | 0:14:00 | 0:14:03 | |
favourite time of day? Mine is much more specific and also | 0:14:04 | 0:14:11 | |
the name of our first band. Five To Five sleepy heads are coming | 0:14:12 | 0:14:35 | |
to terms with their first performance as a new band. Who needs | 0:14:36 | 0:14:41 | |
an alarm? Did last night actually happen or was it just a dream? You | 0:14:42 | 0:14:51 | |
guys are dynamite! That might have been the best for me. You are the | 0:14:52 | 0:14:59 | |
ones to watch in this competition. That has put pressure on us now. We | 0:15:00 | 0:15:03 | |
have to perform. Hang on, you are a man down. Where is teenager Nick? | 0:15:04 | 0:15:07 | |
Oh, he is on the phone to his mummy. Bless! | 0:15:08 | 0:15:14 | |
Morning! Morning! Have you got a nice quiet relaxing Sunday to look | 0:15:15 | 0:15:18 | |
forward to? No, more rehearsals. All day? Yeah. Talk later, love you. | 0:15:19 | 0:15:23 | |
Bye. Yeah, you boys better get your | 0:15:24 | 0:15:27 | |
skates on those dance moves won't learn themselves. What's wrong with | 0:15:28 | 0:15:33 | |
my hair? Have you washed it? As it is dance week they have their work | 0:15:34 | 0:15:38 | |
cut out learning new moves. We love this routine so much. Last week we | 0:15:39 | 0:15:42 | |
got to show who we are as a band and this week it's about showing a | 0:15:43 | 0:15:50 | |
different side to us. But Curtis isn't as confident I focus on the | 0:15:51 | 0:15:54 | |
singing and for the first time I have to focus on other things | 0:15:55 | 0:15:58 | |
outside my comfort zone. What are you actually saying? I am an | 0:15:59 | 0:16:03 | |
horrendous dancer. Right! Hanging up their dancing shoes for the | 0:16:04 | 0:16:06 | |
afternoon the boys are sent on a bonding exercise. | 0:16:07 | 0:16:13 | |
An art class to discover how they see each other. | 0:16:14 | 0:16:18 | |
Oh, yes, that's nice! What about classic car restorer | 0:16:19 | 0:16:23 | |
Nick? He must have an artistic eye. Maybe he is more the mechanical | 0:16:24 | 0:16:28 | |
side. Art has never been one of my strongest points. This is not the | 0:16:29 | 0:16:32 | |
painting challenge, it's Let It Shine. So Frankie Bridge from The | 0:16:33 | 0:16:36 | |
Saturdays drops by to give tips on singing and dancing on a Saturday | 0:16:37 | 0:16:41 | |
night. So you have got the dance break this week. It's different, | 0:16:42 | 0:16:45 | |
it's much more choreography. For some of us in the group it's | 0:16:46 | 0:16:50 | |
stressful. They're not always going to be watching just you and that's | 0:16:51 | 0:16:53 | |
what you have to remember. I am not saying they're going to put you at | 0:16:54 | 0:16:55 | |
the back. You don't have to always feel they're looking at you. | 0:16:56 | 0:16:58 | |
Sometimes you can't take yourself too seriously. When I did Strictly | 0:16:59 | 0:17:02 | |
or was with the girls I never took myself too seriously. It was nice to | 0:17:03 | 0:17:06 | |
meet you all. Good luck, you are going to be amazing. Group hug! | 0:17:07 | 0:17:09 | |
Anybody watching on Saturday night just wants to feel good when they | 0:17:10 | 0:17:12 | |
watch someone and I think as long as they get that across everyone's | 0:17:13 | 0:17:13 | |
going to love them. # Don't want to see | 0:17:14 | 0:17:27 | |
you let a good thing # You know | 0:17:28 | 0:17:31 | |
I don't like watching # Anybody make the same | 0:17:32 | 0:17:34 | |
mistakes # And she's | 0:17:35 | 0:17:36 | |
always there for you # But a nice girl wouldn't tell | 0:17:37 | 0:17:43 | |
you what you should do # I'm sure that | 0:17:44 | 0:17:47 | |
you think you got it all # You don't want | 0:17:48 | 0:17:53 | |
somebody telling you # The way to stay | 0:17:54 | 0:17:57 | |
in someone's soul # But that's just the kind | 0:17:58 | 0:18:00 | |
of thing # Just because you haven't | 0:18:01 | 0:18:08 | |
spoken # Though you may not | 0:18:09 | 0:18:41 | |
have done anything # Will that be a consolation | 0:18:42 | 0:18:47 | |
when she's gone # Tell her how you feel right | 0:18:48 | 0:19:14 | |
now # The boy don't want | 0:19:15 | 0:19:37 | |
to wait too long # | 0:19:38 | 0:19:44 | |
Tell her now and you won't go wrong APPLAUSE AND CHEERING | 0:19:45 | 0:20:10 | |
Oh! Let's hear it for AJ, Curtis, Nick, Sario and Yazdan! It's Five To | 0:20:11 | 0:20:16 | |
Five! You are loving it. There is your friends and family over there | 0:20:17 | 0:20:22 | |
loving it. So good. Wasn't it great? Yeah. AJ, | 0:20:23 | 0:20:31 | |
I have to ask you some of the younger members of Five To Five have | 0:20:32 | 0:20:34 | |
never lived away from home before. How are they coping? They're loving | 0:20:35 | 0:20:41 | |
it. I think Nick and Sario still take their laundry to their parents | 0:20:42 | 0:20:44 | |
s that right? Other than that they're becoming independent. No | 0:20:45 | 0:20:48 | |
one's done that! Martin, that camera must have brought you back to the | 0:20:49 | 0:20:55 | |
old Spandau days Graham, you know we never used to have electricity in | 0:20:56 | 0:20:59 | |
those days! Performed by candlelight! Last night you said | 0:21:00 | 0:21:03 | |
they were dynamite, what are they today? An express train that will | 0:21:04 | 0:21:10 | |
not stop until they reach the final. APPLAUSE AND CHEERING | 0:21:11 | 0:21:17 | |
These boys have something that every great professional have, and when | 0:21:18 | 0:21:20 | |
they're on stage they make it look so, so easy. It isn't that easy. But | 0:21:21 | 0:21:24 | |
they're absolutely fantastic. You know what I love more than anything | 0:21:25 | 0:21:28 | |
else, the friendship that you have off stage, you bring on stage with | 0:21:29 | 0:21:39 | |
you. You let us share it. Now, Ashley, you are coming into | 0:21:40 | 0:21:43 | |
this with totally fresh eyes. Did they manage to pull off that dance | 0:21:44 | 0:21:49 | |
break? I mean, Five To Five, honey, what a way to start the show. Oh, | 0:21:50 | 0:21:53 | |
the energy was amazing. The unity that you guys have and I was looking | 0:21:54 | 0:22:01 | |
with laser eyes. The hand chory was sharp but with energy. Sometimes the | 0:22:02 | 0:22:05 | |
simplest things can get lost, but you gave it your all. Sario, I | 0:22:06 | 0:22:11 | |
thought... OK! You were on it. Amazing, boys. Amazing. This is a | 0:22:12 | 0:22:18 | |
power team for sure. What a start guys. Sario is blushing | 0:22:19 | 0:22:22 | |
now. He is. Gary, what did you make of the | 0:22:23 | 0:22:29 | |
version of Tell Her About It? Guys, you are truly perfection up there. | 0:22:30 | 0:22:37 | |
OK. It was entertaining. Theatrical, fun. I wanted to be in this band but | 0:22:38 | 0:22:47 | |
I am too old! Amazing, goosebumps, incredible. Thank you. Danni, when | 0:22:48 | 0:22:52 | |
it comes to the stage show the lads are obviously going to have to sing | 0:22:53 | 0:22:56 | |
and dance probably at the same time quite a lot. Did they do it for you? | 0:22:57 | 0:23:02 | |
I tell you, the precision involved to do a song in that style, with the | 0:23:03 | 0:23:08 | |
dancing, is incredible. Let me remind the audience, you guys are | 0:23:09 | 0:23:14 | |
not professional performers and highlight to Curtis, we know there | 0:23:15 | 0:23:21 | |
is a struggle with the dancing, you rocked! At no point did we think | 0:23:22 | 0:23:28 | |
that was hard for you and you were hitting Mariah Carey notes up there, | 0:23:29 | 0:23:34 | |
what's going on! If they convinced you they could tread the boards, get | 0:23:35 | 0:23:38 | |
behind them when the vote opens after all the bands have performed. | 0:23:39 | 0:23:42 | |
Quite hot, a lot of heat coming off them! Details are on screen now, | 0:23:43 | 0:23:49 | |
probably around our lower leg/shin area. Don't vote now as your vote | 0:23:50 | 0:24:00 | |
won't count. Let's hear it for Five To Five. | 0:24:01 | 0:24:01 | |
APPLAUSE AND CHEERING Now it's Iron Sun. It's a radiant | 0:24:02 | 0:24:26 | |
morning perfect for arty shots and for Iron Sun boys to bask in last | 0:24:27 | 0:24:33 | |
week's success. That was crazy. We couldn't have given any more to | 0:24:34 | 0:24:36 | |
that. We through the kitchen sink at it. What was your highlight? I think | 0:24:37 | 0:24:45 | |
the drums. Really? I never done that in my life, that face. Stop lying. I | 0:24:46 | 0:24:53 | |
kissed you. You did kiss me! Right boys, the semifinal. All-singing, | 0:24:54 | 0:24:56 | |
all-dancing. The hard work starts now! | 0:24:57 | 0:25:00 | |
Boys. What are you doing? All right. | 0:25:01 | 0:25:06 | |
Luckily Tom Parker of The Wanted and soon to be Danny in Grease the | 0:25:07 | 0:25:10 | |
musical drops by to get the boys fired up. Boys! | 0:25:11 | 0:25:15 | |
This week you have heavy choreography, is it a dance break? | 0:25:16 | 0:25:18 | |
Yeah, semifinals, it's dance week. We need to prove ourselves as well | 0:25:19 | 0:25:23 | |
as dancers, singers, because the vocals still have to be on. Totally. | 0:25:24 | 0:25:27 | |
The song is challenging vocally, it's high up in the range. Add in | 0:25:28 | 0:25:33 | |
the choreography on to that... It's the combination of the both. That's | 0:25:34 | 0:25:39 | |
hard. Trying to control your voice, I am doing Grease, try and combining | 0:25:40 | 0:25:44 | |
and dancing and singing has been such a learning curve. Doing the | 0:25:45 | 0:25:51 | |
jive, mate! I have never done the jive in my life. Mum, what's a jive? | 0:25:52 | 0:25:58 | |
! With Tom's words of warning rehearsals begin and turns out he is | 0:25:59 | 0:26:02 | |
right. This singing and dancing Lark isn't easy. This routine is | 0:26:03 | 0:26:08 | |
absolutely a killer. I am more or less concentrating on not passing | 0:26:09 | 0:26:12 | |
out because I am out of breath. It's important just to breathe. Poor | 0:26:13 | 0:26:16 | |
Jordan. At least tomorrow is his birthday. We are about to go into | 0:26:17 | 0:26:24 | |
his vocal session. And basically interrupt him. To celebrate the boys | 0:26:25 | 0:26:29 | |
could have baked him a show-stopper cake in the shape of Scotland but | 0:26:30 | 0:26:35 | |
opted for choke lat lumps in a tray. # Happy birthday to you! | 0:26:36 | 0:26:41 | |
-- chocolate. Show-offs! | 0:26:42 | 0:26:48 | |
You know to to wish for mate. Absolutely. Good man. That's enough | 0:26:49 | 0:26:53 | |
fun. Get back to work. With tummies full of cake the boys | 0:26:54 | 0:26:57 | |
slip on their dancing shoes and put everything they can into their | 0:26:58 | 0:27:01 | |
semifinal performance. We all bring something to this performance and I | 0:27:02 | 0:27:07 | |
have even attempted to learn the harmonica. A Rather than being | 0:27:08 | 0:27:12 | |
scared we are going to go for it. Have been working so hard, so hope | 0:27:13 | 0:27:14 | |
it goes well. # She rolled my hair | 0:27:15 | 0:27:26 | |
and put my lipstick on # "There's nothing wrong | 0:27:27 | 0:27:33 | |
with loving who you are" # She said, | 0:27:34 | 0:27:41 | |
"Cause He made you perfect, babe" # "So hold your head up, | 0:27:42 | 0:27:49 | |
girl and you'll go far # Listen to me when | 0:27:50 | 0:27:52 | |
I say" # I'm on the right track, | 0:27:53 | 0:27:53 | |
baby # I'm on the right track, | 0:27:54 | 0:27:59 | |
baby # Ooh, | 0:28:00 | 0:28:06 | |
there ain't no other way # Baby, | 0:28:07 | 0:28:09 | |
I was born this way # Give yourself prudence | 0:28:10 | 0:28:14 | |
and love your friends # | 0:28:15 | 0:28:46 | |
In the religion of the insecure # Believe capital | 0:28:47 | 0:28:52 | |
H-I-M (hey, hey, hey) # I love my life, | 0:28:53 | 0:29:05 | |
I love this record and # I'm | 0:29:06 | 0:29:09 | |
beautiful in my way # I'm | 0:29:10 | 0:29:12 | |
on the right track, baby # Don't | 0:29:13 | 0:29:17 | |
hide yourself in regret # Ooh, | 0:29:18 | 0:29:20 | |
there ain't another way # I'm | 0:29:21 | 0:29:36 | |
on the right track, baby # Ooh, | 0:29:37 | 0:29:40 | |
there ain't another way # I'm | 0:29:41 | 0:29:45 | |
on the right track, baby Let's hear it for Alexis, Clinton, | 0:29:46 | 0:29:53 | |
Harry, Jordan and Matt Well done. | 0:29:54 | 0:30:28 | |
They are loving it. Hang on, hang on, they dropped some | 0:30:29 | 0:30:33 | |
feathers. Thanks, I will just put that behind | 0:30:34 | 0:30:38 | |
my ear for later. Unbelievably, Alexis, you have two children. Yeah, | 0:30:39 | 0:30:42 | |
hello, Jack and Penny. They are all kids. They keep me | 0:30:43 | 0:30:53 | |
quite young. But I am feeling it now. I'm so glad you are out of | 0:30:54 | 0:30:58 | |
breath, it makes me feel better. I feel like we are in a big nest | 0:30:59 | 0:31:00 | |
with all of our feathers. on 'Born This Way', did you go | 0:31:01 | 0:31:01 | |
a little bit gaga I was a little. It was great. You | 0:31:02 | 0:31:14 | |
started off strong. Fitting in the movements. I would say the diagonal | 0:31:15 | 0:31:18 | |
line, be careful about throwing away some of those are movements because | 0:31:19 | 0:31:22 | |
they got a bit sloppy in the back. Otherwise the energy was great. You | 0:31:23 | 0:31:26 | |
are awesome. There is serious star potential on the stage. Keep going, | 0:31:27 | 0:31:30 | |
keep rehearsing, keep being rock stars. Nice. Gary, we are all aware | 0:31:31 | 0:31:35 | |
that dance is your life. What did you think | 0:31:36 | 0:31:38 | |
of Iron Sun's moves? I'm no professional when it comes to | 0:31:39 | 0:31:50 | |
dance. Stop it, Gary. You guys bring a great energy. I don't personally | 0:31:51 | 0:31:55 | |
think it has been your best week this week. But I have to say that | 0:31:56 | 0:31:59 | |
viewers have to remember how good these guys were last week and in | 0:32:00 | 0:32:04 | |
their individual auditions, as well. I don't think you have had your best | 0:32:05 | 0:32:07 | |
week. If the audience get behind you, and remember this is a strong | 0:32:08 | 0:32:11 | |
band, I just think some of the choices were strange. Do you agree, | 0:32:12 | 0:32:21 | |
Dannii? We have very high expectations. There is great musical | 0:32:22 | 0:32:25 | |
ability in this group. We saw that last week. I didn't feel the | 0:32:26 | 0:32:30 | |
progression. It seems like a mixed bag of all sorts. You've got to have | 0:32:31 | 0:32:34 | |
this cohesion. You have got to glue together. I did not realise I was | 0:32:35 | 0:32:39 | |
watching a band. If I was going to a theatre show I would have thought it | 0:32:40 | 0:32:43 | |
is the lead, the understudy, the lead, the understudy, and they've | 0:32:44 | 0:32:46 | |
never met before. That is interesting. Martin? I think Dannii | 0:32:47 | 0:32:54 | |
has been fair, I don't think there was enough unity. I know that the | 0:32:55 | 0:33:00 | |
audience loved it. I really see every week how hard you guys work. I | 0:33:01 | 0:33:05 | |
love that. I just want to pick out Jordan, OK. | 0:33:06 | 0:33:11 | |
APPLAUSE For me, whenever I look at this | 0:33:12 | 0:33:15 | |
band, Jordan just jumped out. I cannot take my eyes off him. I want | 0:33:16 | 0:33:21 | |
to say congratulations. Because originally you were a drummer. You | 0:33:22 | 0:33:25 | |
sit at the back, hiding behind the drums, you are coming forward to the | 0:33:26 | 0:33:29 | |
first time, and I think you are doing a wonderful job. Nice words. | 0:33:30 | 0:33:34 | |
That is what the judges think. You can vote for Iron Sun later on, | 0:33:35 | 0:33:42 | |
details on the screen. And you can vote on the website, as | 0:33:43 | 0:33:47 | |
well, just make sure you register first. | 0:33:48 | 0:33:52 | |
Let's hear it for Iron Sun! CHEERING | 0:33:53 | 0:33:58 | |
Still to come: Our bottom two bands face the dreaded stars. | 0:33:59 | 0:34:06 | |
Nightfall flex their tinkle toes. It is about making the band the best it | 0:34:07 | 0:34:10 | |
can be. And find out how Drive are coping with the new line-up. We are | 0:34:11 | 0:34:17 | |
having loads of fun. Look. You have personality in buckets. Last week | 0:34:18 | 0:34:23 | |
the judges saved these next five boys, creating a brand new line-up. | 0:34:24 | 0:34:28 | |
They've only been together for a few days, but it's fine, they have had | 0:34:29 | 0:34:32 | |
an MOT, changed a couple of tyres, they are as good as new, buckle up | 0:34:33 | 0:34:34 | |
for Drive. It's Sunday morning. Newly formed | 0:34:35 | 0:34:43 | |
Drive are reeling from the drama the night before. It was a weird | 0:34:44 | 0:34:47 | |
situation to be in, wasn't it? It was horrendous. It was just such a | 0:34:48 | 0:34:53 | |
strange feeling of nice things and bad things. Five stars for five | 0:34:54 | 0:34:56 | |
places. But they were not so can't just | 0:34:57 | 0:35:09 | |
moments after Saturday's show. I don't want to do that ever again. | 0:35:10 | 0:35:15 | |
Can we make sure we don't do that next week, yeah? To be honest with | 0:35:16 | 0:35:19 | |
you I'm just feeling overwhelmed. I have to prove something now. Back at | 0:35:20 | 0:35:25 | |
rehearsals the new Drive line-up are eager to jail. Keep that left leg | 0:35:26 | 0:35:30 | |
straight. And these boys don't have any time to waste. -- gel. You are | 0:35:31 | 0:35:38 | |
not as ready as everybody else. Most of the guys are ahead of me and | 0:35:39 | 0:35:42 | |
Connor. But they've been great. We're having loads of fun. Look. | 0:35:43 | 0:35:51 | |
For, things are not coming so easy. He's been doing this for years. Then | 0:35:52 | 0:35:58 | |
there is me. I just don't have the experience. His new band-mate | 0:35:59 | 0:36:03 | |
pitches in to get up to speed. I saw him struggling, I told him that I | 0:36:04 | 0:36:09 | |
would practice with him again. When you see someone who needs help, jump | 0:36:10 | 0:36:14 | |
in, see what you can do, don't just watch them struggle. After a night | 0:36:15 | 0:36:20 | |
of intensive rehearsals the boys limber up for the day ahead with | 0:36:21 | 0:36:25 | |
some aerial yoga. Naturally, why wouldn't you? It is | 0:36:26 | 0:36:36 | |
conkers. I feel like Spiderman. # I'm the king of the swingers #. | 0:36:37 | 0:36:42 | |
Now someone who knows all about singing and dancing. | 0:36:43 | 0:36:48 | |
It is actually great, you have personality in buckets, but you are | 0:36:49 | 0:36:54 | |
just so terrible that what this is. It is aerial yoga. Who cares? You | 0:36:55 | 0:37:02 | |
know when you were on Strictly, what were you thinking about? It is about | 0:37:03 | 0:37:07 | |
relationship, friendliness, heart, and when you move it should be in | 0:37:08 | 0:37:11 | |
your moves. You already have it. You already seem to enjoy each other's | 0:37:12 | 0:37:15 | |
company. You make each other laugh. Keep doing that thing. When you show | 0:37:16 | 0:37:19 | |
your personality it is magic. As long as you are positive about who | 0:37:20 | 0:37:22 | |
you are with you are going to be perfect. For the live shows we will | 0:37:23 | 0:37:27 | |
bring in new energy, a new look, and a new vibe. It is game on. | 0:37:28 | 0:37:40 | |
# See them walking hand in hand across the bridge at midnight | 0:37:41 | 0:37:53 | |
# Heads turning as the lights flashing out it's so bright | 0:37:54 | 0:37:59 | |
# Then walk right out to the fourline track | 0:38:00 | 0:38:02 | |
# There's a camera rolling on her back, on her back | 0:38:03 | 0:38:07 | |
# And I sense the rhythm humming in a frenzy | 0:38:08 | 0:38:10 | |
# Lipstick cherry all over the lens as she's falling | 0:38:11 | 0:38:46 | |
# In miles of sharp blue water coming in where she lies | 0:38:47 | 0:38:54 | |
# 'Cause the crowd all love pulling dolly by the hair, by the hair | 0:38:55 | 0:39:02 | |
# And she wonders how she ever got here as she goes under again | 0:39:03 | 0:39:10 | |
# Wider baby smiling you just made a million | 0:39:11 | 0:39:48 | |
# Fuses pumping live heat twisting out on a wire | 0:39:49 | 0:39:54 | |
# Take one last glimpse into the night | 0:39:55 | 0:39:56 | |
# I'm touching close I'm holding bright, holding tight | 0:39:57 | 0:40:02 | |
# Give me shudders in a whisper take me up till I'm shooting a star | 0:40:03 | 0:40:10 | |
All right, let's hear it for Drive! Mingling with the fans, the friends | 0:40:11 | 0:40:51 | |
and familys, give them a wave. -- friends and family up there. You | 0:40:52 | 0:41:00 | |
have got two brand new members of the band, how has it been adjusting | 0:41:01 | 0:41:05 | |
to that, any musical differences? We have all been different in the band. | 0:41:06 | 0:41:10 | |
But they have brought any energy. As soon as they came in they showed | 0:41:11 | 0:41:15 | |
100% and they've given us support. The pandas. | 0:41:16 | 0:41:22 | |
Last week you deliberated and created this combination. Did they | 0:41:23 | 0:41:26 | |
rise to the challenge? These guys have had the hardest job this week. | 0:41:27 | 0:41:31 | |
Not only rehearsing a new song with new band members but making that | 0:41:32 | 0:41:34 | |
friendship that comes through on the stage. I thought you did a really | 0:41:35 | 0:41:41 | |
good job, guys. CHEERING | 0:41:42 | 0:41:44 | |
Vocally, some of the harmonies were a little off, but we probably won't | 0:41:45 | 0:41:49 | |
see a better dance break tonight. I thought it was excellent. Wow. Your | 0:41:50 | 0:42:00 | |
thoughts, Dannii. All of the boys were really dancing well and getting | 0:42:01 | 0:42:06 | |
into character. Mark and Jazzi... Mark, when you are in the middle, | 0:42:07 | 0:42:11 | |
you need to work on the Unison, the harmonies, work on them, work on | 0:42:12 | 0:42:16 | |
them, work on them. A little bit controversial Duran Duran over | 0:42:17 | 0:42:27 | |
Spandau. They would have loved that. The dance break in the middle was | 0:42:28 | 0:42:32 | |
outstanding. I think you might have lacked some energy outside of it. I | 0:42:33 | 0:42:36 | |
would have liked to have seen it positive all the way through the | 0:42:37 | 0:42:39 | |
performance. But it was a great performance. Do not boo Martin Kemp. | 0:42:40 | 0:42:53 | |
There were a few wrinkles. We've all got them. Let's move on. Ashley, did | 0:42:54 | 0:43:03 | |
their performance onstage convince you that they could be a real boy | 0:43:04 | 0:43:08 | |
band in a show in a theatre? 100% did. The dance break, that was on | 0:43:09 | 0:43:18 | |
fire, the precision, the arm movements, the levels, the | 0:43:19 | 0:43:22 | |
transitions, they were clean. The energy was amazing. That is what I | 0:43:23 | 0:43:27 | |
wanted to see tonight. Mark, honey, yes, putting it down. One of my | 0:43:28 | 0:43:33 | |
favourite dance breaks of the night so far. She knows what talking | 0:43:34 | 0:43:37 | |
about. I love a clean transition. If you | 0:43:38 | 0:43:43 | |
are already writing fan mail and scribbling Drive forever on your | 0:43:44 | 0:43:46 | |
pencil case, vote for these guys later on. Details on your screen. | 0:43:47 | 0:43:51 | |
One more band to go and then we will open the vote. For now, let's hear | 0:43:52 | 0:43:57 | |
it for Drive! Well done, guys. Superb. | 0:43:58 | 0:44:04 | |
Off you go. Beep, beep, beep, band reversing. | 0:44:05 | 0:44:09 | |
I get it. You know we are on television? | 0:44:10 | 0:44:14 | |
A quick peek through the curtains tells me it is dark outside, which | 0:44:15 | 0:44:20 | |
can mean only one thing, it's... Nightfall! | 0:44:21 | 0:44:24 | |
After smashing in last week's first live show Nightfall celebrate with | 0:44:25 | 0:44:31 | |
bacon sandwich is all round. Brown sauce? I would have gone for | 0:44:32 | 0:44:33 | |
ketchup. Before the song ended and we were | 0:44:34 | 0:44:43 | |
like... # Nobody said it was easy. Out of the corner of my eye I saw | 0:44:44 | 0:44:50 | |
the judges rise together, like what! Every emotion goes through you. You | 0:44:51 | 0:44:55 | |
are trying to pull it and your mind... When it hits you... A | 0:44:56 | 0:45:02 | |
massive relief. Last week was ballad and this week is full-on | 0:45:03 | 0:45:05 | |
choreography. It's different from what the audience got but I reckon | 0:45:06 | 0:45:08 | |
they're in for a treat. We have a lot of work ahead of us. Nightfall | 0:45:09 | 0:45:13 | |
may have nailed the vocals but this week the ante has been upped on the | 0:45:14 | 0:45:18 | |
choreography front. The next challenge - getting the moves right. | 0:45:19 | 0:45:24 | |
We have to show we are not just about the ballads, we are about the | 0:45:25 | 0:45:30 | |
singing and dance, as well. We can go further. An ovation. The vocals | 0:45:31 | 0:45:36 | |
have to be consistent, as good as last night. Are you nervous? Yes. | 0:45:37 | 0:45:45 | |
Fond of this fancy footwork, Huw? It's a lot of jumping and dynamic | 0:45:46 | 0:45:49 | |
movement. If it comes off it will be really good but it needs some TLC, | 0:45:50 | 0:45:55 | |
definitely. As the boys put in the hours and rehearsals start coming | 0:45:56 | 0:45:58 | |
together Nightfall begin to feel like a proper boy band. What do all | 0:45:59 | 0:46:05 | |
proper boy bands need? Girls, of course. Feels better. With dancing | 0:46:06 | 0:46:11 | |
becoming less daunting, the boys pull out their most impressive | 0:46:12 | 0:46:17 | |
freestyle moves. # Come on and do the congo... | 0:46:18 | 0:46:26 | |
With Nightfall ready to bowl everyone over it feels like they're | 0:46:27 | 0:46:31 | |
on a roll. Someone who knows all about the ups and downs of band | 0:46:32 | 0:46:37 | |
life, Girls Aloud star and West End leading lady Kimberley Walsh drops | 0:46:38 | 0:46:42 | |
by to give advice. We feel more connected. We are a band. We want to | 0:46:43 | 0:46:48 | |
sound good together. If I have give you advice, really try to call on | 0:46:49 | 0:46:53 | |
etch ear's strengths. Doesn't mat fish one person is better at singing | 0:46:54 | 0:46:58 | |
and dancing, use that, it's about making the band the best it can be. | 0:46:59 | 0:47:03 | |
I will be watching from the comfort of my sofa, with a glass of wine | 0:47:04 | 0:47:09 | |
rather than having the nerves they are having. I am not sure how to | 0:47:10 | 0:47:14 | |
throw it... Don't worry, Jason, you will get the hang of it... Ah, that | 0:47:15 | 0:47:16 | |
will do nicely! # But I can't accept | 0:47:17 | 0:47:25 | |
that we're estranged # I can't quit now, | 0:47:26 | 0:48:57 | |
this can't be right Let's hear it for Bradley, Danny, | 0:48:58 | 0:49:13 | |
Huw, Jason and Julius. Well done They're standing up. | 0:49:14 | 0:50:28 | |
Standing ovation from the judges. Great job. Loving it! | 0:50:29 | 0:50:35 | |
Very good. I tell you what, gang. I really | 0:50:36 | 0:50:40 | |
fancy some prawn balls after that. Very good. Dannii, last week you | 0:50:41 | 0:50:48 | |
were all about the ballads. This week, so different. You have had to | 0:50:49 | 0:50:53 | |
break a sweat and do a full-on dance routine, how have you found it? We | 0:50:54 | 0:50:59 | |
wanted to show we are not one-trick ponies, we have the whole package. | 0:51:00 | 0:51:07 | |
Very strong. Thank you boy Danny. Now girl Dannii. I would have to say | 0:51:08 | 0:51:12 | |
your one trick is that you are so consistent. It's insane. You know | 0:51:13 | 0:51:19 | |
what, make sure you vote if you love this group, because they're | 0:51:20 | 0:51:21 | |
consistent don't think we have seen that before. Incredible. I think two | 0:51:22 | 0:51:27 | |
of the most improved would be Huw and Julius. From auditions to now, | 0:51:28 | 0:51:34 | |
it's a huge improvement. Jason didn't have to lead with vocally | 0:51:35 | 0:51:38 | |
with this, you were all giving it your all. So please vote for this | 0:51:39 | 0:51:45 | |
group. Martin, did Nightfall surprise you tonight? I loved this | 0:51:46 | 0:51:52 | |
band, love it! Every time you walk on that stage | 0:51:53 | 0:51:57 | |
you give 150%. Being in theatre isn't just about ability, it's about | 0:51:58 | 0:52:01 | |
sustainability. Doing it again and again and again. You are just | 0:52:02 | 0:52:06 | |
fabulous. I want to pick out Huw, I think Huw... | 0:52:07 | 0:52:10 | |
APPLAUSE Watching your journey from seven | 0:52:11 | 0:52:15 | |
weeks ago to the man you are today makes me so proud. | 0:52:16 | 0:52:27 | |
APPLAUSE Now, Ashley, you know what it takes | 0:52:28 | 0:52:33 | |
to dance in sync with your band. Was this a tight unit of five? It really | 0:52:34 | 0:52:39 | |
was. I mean with the Dolls we were really singing and dancing and the | 0:52:40 | 0:52:43 | |
stamina to sustain that throughout the whole performance, you guys did. | 0:52:44 | 0:52:49 | |
It was amazing. Nightfall, I was falling in love, I was like yes! | 0:52:50 | 0:52:55 | |
With all of them? Sure, why not! No, it's a family show. You guys are | 0:52:56 | 0:52:59 | |
hungry. You want to be here and want to win. You can feel that. So, thank | 0:53:00 | 0:53:08 | |
you. It was amazing performance. Last week you probably remember that | 0:53:09 | 0:53:13 | |
Gary called it a vocal masterclass. I wonder did the dancing affect the | 0:53:14 | 0:53:18 | |
vocals tonight? Absolutely not, it made it better, actually. It really | 0:53:19 | 0:53:24 | |
did. It's hard to explain, being in a band it's like an invisible thread | 0:53:25 | 0:53:29 | |
running through each member that you know is there and no one can see it | 0:53:30 | 0:53:33 | |
but it's like you know where everyone else is on that stage and | 0:53:34 | 0:53:37 | |
this - I don't know how because you have not been together that long, | 0:53:38 | 0:53:45 | |
you have that. It's so harmonic what you are doing up there. It looks | 0:53:46 | 0:53:49 | |
right. Because you name checked people, Jason is an amazing singer | 0:53:50 | 0:53:56 | |
and the fact he sat back tonight and let everyone else shine shows he is | 0:53:57 | 0:54:02 | |
a fantastic man. I am going! If you lie awake at night thinking | 0:54:03 | 0:54:06 | |
about Nightfall in the final get ready to vote in a moment. | 0:54:07 | 0:54:09 | |
Details are on the screen. It's emotional up here. | 0:54:10 | 0:54:12 | |
Also, if you want to find out more about all our boys then | 0:54:13 | 0:54:21 | |
We're about to open the vote, so in old school style, | 0:54:22 | 0:54:31 | |
get your pen and paper out to note down all the details you need | 0:54:32 | 0:54:34 | |
Go on, Graham, I'll let you do the 'calls cost' line this week. | 0:54:35 | 0:54:42 | |
Calls will cost 15p plus any network access charge and please ask | 0:54:43 | 0:54:48 | |
the bill payer's permission before you call. | 0:54:49 | 0:54:50 | |
You can also vote for free online at the website and that's | 0:54:51 | 0:54:53 | |
where you'll find full terms and conditions. | 0:54:54 | 0:54:55 | |
The vote closes at 8.15pm tonight so you have approximately 20 minutes | 0:54:56 | 0:55:02 | |
So, you've seen all four bands perform and now it's down | 0:55:03 | 0:55:09 | |
to you at home because the vote is... | 0:55:10 | 0:55:11 | |
Open! APPLAUSE AND CHEERING | 0:55:12 | 0:55:17 | |
Yes! To vote from a mobile call: | 0:55:18 | 0:55:22 | |
Add the number of your favourite band or from a landline call: | 0:55:23 | 0:55:45 | |
Please don't vote after 8. 15pm because your vote won't count and | 0:55:46 | 0:55:51 | |
you may be charged. Don't vote if you are on demand. If you are on the | 0:55:52 | 0:55:58 | |
iPlayer I can recommend last week's Countryfile. It was good! If you | 0:55:59 | 0:56:02 | |
still haven't decided on your favourite band here is a reminder of | 0:56:03 | 0:56:05 | |
tonight's performances and the vote details. | 0:56:06 | 0:56:22 | |
# Tell her about it # Let her know you need her | 0:56:23 | 0:56:31 | |
Sleer # Baby I was born this way # I was | 0:56:32 | 0:56:54 | |
# Girls on film # Girls on film | 0:56:55 | 0:57:25 | |
Remember you are voting for your favourite band. | 0:57:26 | 0:57:41 | |
We'll be back after Casualty when we'll reveal which two bands | 0:57:42 | 0:57:46 | |
are guaranteed a place in next week's live Final. | 0:57:47 | 0:57:50 | |
I wonder what awaits Charlie and Duffy at Holby A this week? | 0:57:51 | 0:57:54 | |
We've got our own drama coming up because the two bands | 0:57:55 | 0:57:57 | |
with the lowest public vote, must sing again to stay | 0:57:58 | 0:57:59 | |
This week those songs are from the legendary band, The Beatles. | 0:58:00 | 0:58:08 | |
Five boys will be going home and as we all know now - | 0:58:09 | 0:58:12 | |
they might not all be from the same band. | 0:58:13 | 0:58:15 | |
Plus, get your coat because we'll be dancing in the street | 0:58:16 | 0:58:18 | |
Ok, we've got a 50 minute interval, I'll | 0:58:19 | 0:58:26 |