Pennod 1 Llwyfan


Pennod 1

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-Welcome to

-Y Ffwrnes theatre, Llanelli...

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-..and a brand-new series on S4C.

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-What do we

-have in store for you this evening?

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-One word - entertainment.

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-Make yourselves comfortable...

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-..because a galaxy

-of Wales' brightest stars...

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-..are ready to take to the stage.

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-On tonight's show,

-singing sensation Rhydian.

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-Star of The Voice, Alys Williams.

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-From the world

-of musical theatre, Luke McCall.

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-The energetic dance troupe, Eclipse.

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-Here to open the show is Cor CF1.

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-# Sometimes in our lives

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-# We all have pain

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-# We all have sorrow

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-# But if we are wise

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-# We will realize

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-# There's always tomorrow

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-# Please swallow your pride

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-# If I have things

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-# You need to borrow

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-# For no-one can fill

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-# Those of your needs

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-# That you won't let show

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-# Lean on me

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-# When you're not strong

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-# And I'll be your friend

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-# I'll help you carry on

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-# For it won't be long

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-# Till I'm gonna need

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-# Somebody to lean on

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-# Lean on me

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-# When you're not strong

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-# And I'll be your friend

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-# I'll help you carry on

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-# For it won't be long

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-# Till I'm gonna need

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-# Somebody to lean on

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-# Lean on me, lean on me, lean on me

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-# Lean on me

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-# Lean on me

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-# When I'm not strong

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-# I'll be your friend

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-# I'll help you carry on

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-# For it won't be long

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-# Till I'm gonna need

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-# Somebody to lean on

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-# Lean on me, when you're not strong

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-# I'll be your friend

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-# I'll help you carry on

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-# For it won't be long

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-# Till I'm gonna need

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-# Somebody to lean on

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-# For it won't be long

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-# Till I'm gonna need

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-# Somebody to lean on

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-# Somebody to

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-# Lean on #

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-That was Cor CF1

-to kick off the show.

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-I'm here backstage,

-and look who's joined me

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-Alys Williams. Hello.

-Do you like my backstage set-up?

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-It's lovely. Very posh.

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-This is where everyone

-chills out before going on stage.

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-You shot to fame on The Voice,

-but I want to know...

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-..about the songwriter in you.

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-Tell me more.

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-I've written lots of songs

-over the past year...

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-..and I'm far happier

-with the material I'm writing.

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-In the beginning,

-I hadn't quite found my sound.

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-I've been working

-with various people...

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-..and I'm happy

-with the songs I've written.

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-I've a soulful voice

-with Celtic influences...

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-..when I sing long, breathy notes.

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-It's a combination

-of lots of different styles.

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-I hope it gets a good reception.

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-I'm sure it will.

-Let's go back to The Voice.

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-Tell us about the judges,

-in particular Will.i.am.

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-I have to say, I like Will.i.am.

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-He's funny. He's a lovely man.

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-He's quite wacky. He's crazy.

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-I remember him eating

-a huge packet of Sensations...

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-..and going to me, "Just take one."

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-I was like,

-"I really don't want one, thanks."

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-He wouldn't back down.

-He kept on offering me crisps.

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-He spoke to my mother too.

-He's a really nice man.

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-It must've been nice having

-support of the entire Welsh nation.

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-It was incredible. I had messages

-on Twitter and Facebook.

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-I still get people

-coming up to me and telling me...

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-..how much they enjoyed

-my performances.

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-You deserved it.

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-You deserved it.

-

-Thank you.

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-You shot to fame on The Voice...

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-..and the next artist, Rhydian,

-shot to fame on The X Factor.

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-# The clock struck 12, midnight

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-# Peace in the fields,

-silence in the trenches

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-# Midnight

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-# Nothing's wrong,

-there's nothing wrong

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-# Across the hill at Pensarn farm

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-# The dying cinders

-flicker on the hearth

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-# Ifan starts to nod off

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-# Nothing's wrong,

-there's nothing wrong

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-# Near the small town of Derry,

-down a lonely back street

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-# Lies Deio,

-with a bullet in his head

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-# And the question echoes in Pensarn

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-# And his mother

-searches for the answer

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-# Why does my son's blood run cold?

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-# Why is he lying dead

-in the moonlight?

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-# Why am I the mother of a soldier?

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-# So far from his father's land?

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-# So far from his father's land?

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-# The clock struck 12, midday

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-# Peace in the fields,

-silence in the meadows

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-# Midday

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-# Something's wrong,

-there's something wrong

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-# Across the hill at Pensarn farm

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-# Mourners dressed in black,

-silent at the hearth

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-# Ifan gazes into the distance

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-# Something's wrong,

-there's something wrong

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-# Beyond the church,

-across the meadow

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-# Is a fresh grave

-where Deio lies buried

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-# And the question echoes in Pensarn

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-# And his mother

-searches for the answer

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-# Why does my son's blood run cold?

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-# Why is he lying dead

-in the moonlight?

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-# Why am I the mother of a soldier

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-# Lying dead on his father's land?

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-# Lying dead on his father's land?

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-# Why does my son's blood run cold?

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-# Why is he lying dead

-in the moonlight?

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-# Why am I the mother of a soldier?

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-# Lying dead on his father's land?

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-# Lying dead on his father's land? #

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-Welcome back.

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-As well as the stars

-on the main stage...

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-..we've toured the country, giving

-budding entertainers a platform too.

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-Joining me

-is the maestro Rob Nicholls...

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-..to provide accompaniment.

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-Aberystwyth.

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-It's nice being back here.

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-This is where we met

-for the first time.

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-How could I forget?

-It was love at first sight.

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-For you, maybe.

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-The small stage was set up

-at the agricultural show.

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-Show us what you're made of,

-Aberystwyth!

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-Who do we have here?

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-We are Sgarmes.

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-We are Sgarmes.

-

-# Blossom on a tree

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-# You know how I feel #

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-What's the appeal of joining

-a singing group like Sgarmes?

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-We're great friends,

-we share experiences...

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-..by singing and socializing.

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-# It's a new dawn, it's a new day

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-# It's a new life, it's a new life

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-# For me

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-# And I'm feeling

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-# Good #

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-My name's Ela Cleo

-and I come from Llandovery.

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-What are you going to sing for us?

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-What are you going to sing for us?

-

-O Mio Babbino Caro.

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-# E se l'amassi indarno #

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-When I sing, it doesn't feel like

-it's me singing.

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-It's a nice feeling

-when people come to hear me sing.

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-# O Dio

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-# Vorrei

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-# Morir #

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-Does he give you headaches, Mam?

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-If he was rubbish,

-it would give me a headache...

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-..but he's not, so it's fine.

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-He's been playing drums

-since he was in the womb!

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-Stick to the piano, Rob.

-Let me show you how it's done.

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-Next, some dancers from

-the Aberystwyth Arts Centre.

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-There's certainly plenty of talent

-out there. Stay tuned for more.

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-Look who's joined me now.

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-It's Rhydian! How are you?

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-I'm excellent. It's nice to be here.

-There's incredible talent here.

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-Give us an idea of an average day

-in the life of Rhydian.

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-I'm working hard at the moment.

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-I've been promoting

-my new album, One Day Like This.

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-I'm rehearsing for a tour

-which kicks off in the autumn.

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-Aside from that,

-I go to the gym regularly.

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-I don't sing opera like you...

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-..but I train as a classical

-singer, though I do more musicals.

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-It's important to be fit

-so that I can dance and sing.

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-I do intensive vocal training.

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-Some people warm up the voice

-for hours before a performance.

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-Personally, I don't spend very long

-warming up, but how about you?

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-Then you're lucky. Someone like Bryn

-and yourself can stand up and sing.

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-But I can't do that.

-I have to warm up my voice.

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-I do very simple exercises.

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-# Hummmmmmm

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-# Hummmmm

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-And then...

-# Hum-um-um, mum-mum-mum

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-# Mum-mum-mum, mum-mum-mum, mum #

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-I can feel the buzz.

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-It's important to bring the voice

-to the mask, as they say.

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-Do you warm up your voice?

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-Do you warm up your voice?

-

-I do what they call diva sneer.

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-It raises the soft palate.

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-You inhale and do the face

-that divas do in operas...

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-..as you'd know.

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-And then I do # Hamma-hamma-her,

-hummer-hammer-heh #

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-Choose one

-that we can all warm up with.

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-Altogether, an easy one.

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-Ready? # Ya-ha-hai-ya-ha-hai

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-# Ya-ha-hai-ya-ha-hai-ya-ha-hai

-ya-ha-hai-ya-hai-yaaaaa #

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-Next on stage is Alys Williams.

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-# In the depths of a dark forest

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-# Are my dreams

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-# Then I saw you

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-# Staring at me

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-# All the flowers

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-# Turn their heads away

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-# Not daring to look at you

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-# The grey owl

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-# The grey owl

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-# Gwydion cursed you

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-# Gwydion cursed you

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-# Gwydion cursed you

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-# And turned you into a bird

-and you turned your back

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-# The grey owl

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-# The grey owl

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-# But in your innocent eyes

0:17:180:17:24

-# Memories glisten

0:17:260:17:32

-# Of past romance and passion

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-# Of past romance and passion

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-# The grey owl

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-# The grey owl

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-# Gwydion cursed you

0:17:570:18:03

-# Gwydion cursed you

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-# Gwydion cursed

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-# The grey owl #

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-Luke McCall joins me now.

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-Welcome.

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-You recently won a special award.

-Tell us more about that.

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-It was the Welsh Musical Theatre

-Young Singer of the Year.

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-It was quite funny, actually.

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-I was in the theatre and only Mam

-was there to watch me in the final.

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-Everybody else

-had brought lots of supporters.

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-A person came on stage and said,

-"And the winner is Luke McCall."

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-There was silence...

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-..and then Mam started clapping.

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-Everyone else clapped begrudgingly.

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-I was lucky to win, to be honest.

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-I have to ask, what's the story

-behind those shoes?

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-Crikey!

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-I was looking for something at home

-and I came across them.

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-I thought, 'I'm going to

-wear these for concerts.'

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-I thought if ever I made a mistake

-during a concert...

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-..they wouldn't remember me for

-the mistake but for the red shoes.

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-Are they your lucky shoes or do you

-have a lucky item of clothing?

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-Lucky pants, lucky socks.

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-I think the shoes do it for me.

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-I usually wear a tie clip...

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-..but since it's so hot in here,

-I didn't fancy wearing a tie.

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-What's next for you?

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-I'm performing in concerts

-around the country...

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-..and once I graduate,

-I hope to find work.

0:20:020:20:05

-In the West End?

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-In the West End?

-

-If there are any vacancies!

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-# I only want to say

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-# If there is a way

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-# Take this cup away from me

0:20:260:20:32

-# For I don't want

-to taste its poison

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-# Feel it burn me

0:20:380:20:41

-# I have changed

0:20:420:20:44

-# I'm not as sure as when we started

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-# Then I was inspired

0:20:510:20:55

-# Now I'm sad and tired

0:20:580:21:01

-# Listen,

-surely I've exceeded expectations

0:21:040:21:09

-# Tried for three years,

-seems like 30

0:21:100:21:15

-# Could you ask

-as much from any other man?

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-# But if I die

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-# See the saga through

-and do the things you ask of me

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-# Let them hate me, hit me,

-hurt me, nail me to their tree

0:21:390:21:45

-# I'd want to know,

-I'd want to know my God

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-# I'd want to know,

-I'd want to know my God

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-# I'd want to see,

-I'd want to see my God

0:21:510:21:53

-# I'd want to see,

-I'd want to see my God

0:21:540:21:56

-# Why I should die

0:21:570:22:01

-# Would I be more noticed

-than I ever was before?

0:22:020:22:07

-# Would the things

-I've said and done matter any more?

0:22:070:22:12

-# I'd have to know,

-I'd have to know my Lord

0:22:130:22:15

-# I'd have to know,

-I'd have to know my Lord

0:22:160:22:18

-# I'd have to see,

-I'd have to see my Lord

0:22:190:22:21

-# I'd have to see,

-I'd have to see my Lord

0:22:210:22:24

-# If I die,

-what will be my reward?

0:22:240:22:26

-If I die what will be my reward?

0:22:260:22:29

-# I'd have to know,

-I'd have to know my Lord

0:22:290:22:31

-# I'd have to know,

-I'd have to know my Lord

0:22:320:22:35

-# Why, why should I die?

0:22:360:22:42

-# Oh, why should I die?

0:22:420:22:45

-# Can you show me now

-that I would not be killed in vain?

0:22:450:22:50

-# Show me just a little

-of your omnipresent brain

0:22:510:22:56

-# Show me there's a reason

-for your wanting me to die

0:22:560:23:01

-# You're far too keen

-on where and how

0:23:010:23:04

-# But not so hot on why

0:23:050:23:07

-Alright.

0:23:090:23:11

-I'll die.

0:23:130:23:15

-# Just watch me die

0:23:150:23:19

-# See how, see how I die

0:23:200:23:25

-# Just watch me

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-# Die

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-# Then I was inspired

0:24:010:24:04

-# Now I'm sad and tired

0:24:080:24:12

-# After all I've tried

-for three years

0:24:160:24:20

-# Seems like 90

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-# Why then am I scared

0:24:270:24:31

-# To finish what I started?

0:24:330:24:35

-# What you started,

-I didn't start it

0:24:370:24:41

-# God, Thy will is hard

0:24:420:24:47

-# But you hold every card

0:24:500:24:54

-# I will drink your cup of poison

0:24:560:25:01

-# Nail me to your cross

-and break me

0:25:020:25:08

-# Bleed me, beat me, kill me

0:25:080:25:12

-# Take me now

0:25:130:25:15

-# Before I change my mind

0:25:150:25:21

-# Now

0:25:220:25:23

-# Before I change my mind #

0:25:240:25:34

-.

0:25:470:25:47

-Subtitles

0:25:490:25:49

-Subtitles

-

-Subtitles

0:25:490:25:51

-I'm joined by Cor CF1.

0:25:520:25:55

-It's fair to say you're one of

-the busiest choirs in Wales.

0:25:550:25:59

-Possibly. We like keeping busy.

0:26:000:26:02

-Our tours are important to us.

0:26:020:26:04

-We've been to Chicago, Canada

-and Lake Garda.

0:26:050:26:08

-We also like

-playing smaller venues.

0:26:080:26:10

-What's the appeal

-of being in a choir like this?

0:26:110:26:14

-The singing's important, obviously.

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-More importantly, the socializing.

0:26:180:26:21

-We're all good friends. A group

-of us has just been to France.

0:26:210:26:25

-Socializing

-is equally important as the singing.

0:26:260:26:30

-What's in store for us?

-There are two soloists here.

0:26:300:26:33

-It's quite a showy programme.

0:26:340:26:37

-A bit of movement,

-dancing and singing.

0:26:370:26:40

-Tell me what you're up to next.

0:26:400:26:44

-We've just made it through to the

-BBC Choir of the Year semi-finals.

0:26:440:26:49

-We're working hard for that.

0:26:490:26:51

-It's going to be quite a challenge -

-a different kind of challenge.

0:26:520:26:56

-How do you go about

-choosing your repertoire?

0:26:560:26:59

-I like

-as much variety as possible...

0:27:000:27:02

-..so that the rehearsals

-don't get too tedious.

0:27:020:27:06

-Tonight we're doing lighter pieces

-from musicals...

0:27:060:27:09

-..whereas another time we might do

-Cantate Domino or Monteverdi.

0:27:100:27:15

-It's nice to be able

-to be so diverse.

0:27:150:27:18

-It's nice working with such

-a flexible and versatile bunch.

0:27:180:27:23

-The next performer has

-a very bright future ahead of him.

0:27:230:27:27

-# No man, no madness

0:27:400:27:43

-# Though their sad power may prevail

0:27:450:27:50

-# Can possess, conquer,

-my country's heart

0:27:510:27:57

-# They rise to fail

0:27:570:28:02

-# She is eternal

0:28:030:28:08

-# Long before

-nations' lines were drawn

0:28:080:28:14

-# When no flags flew

0:28:140:28:17

-# When no armies stood

-my land was born

0:28:170:28:24

-# And you ask me why I love her

0:28:250:28:31

-# Through wars, death and despair

0:28:320:28:37

-# She is the constant

0:28:380:28:42

-# We who don't care

0:28:440:28:48

-# And you wonder will I leave her

0:28:500:28:54

-# I cross over borders

0:28:550:28:58

-# But I'm still there now

0:29:020:29:07

-# How can I leave her,

-where would I start?

0:29:070:29:13

-# Let man's petty nations

0:29:350:29:39

-# Tear themselves apart

0:29:400:29:45

-# My land's only borders

0:29:460:29:49

-# Lie around my heart

0:29:490:29:55

-# My land's only borders

0:29:550:30:00

-# Lie around

0:30:000:30:04

-# My heart #

0:30:050:30:16

-I'm joined by the Eclipse dancers,

-familiar faces on Got To Dance.

0:30:230:30:28

-What's so special about Eclipse?

0:30:280:30:31

-What's so amazing about Eclipse?

0:30:310:30:34

-We train in a variety

-of different dance styles.

0:30:340:30:37

-Ballet, tap, jazz, gymnastics.

0:30:370:30:40

-We'll fuse it all together.

0:30:410:30:42

-We'll fuse it all together.

-

-Who teaches you?

0:30:420:30:44

-It's my mum, Debbie Chapman.

0:30:440:30:46

-It's my mum, Debbie Chapman.

-

-She tried to teach me.

0:30:460:30:48

-But I'm not a very good mover.

0:30:480:30:50

-I've two left feet.

-That's why I wear flip-flips.

0:30:510:30:55

-And what's next on the cards?

0:30:580:31:00

-We've got a big show in October

-for charity.

0:31:010:31:04

-We've got

-the odd competition in November.

0:31:040:31:07

-But first,

-you have to get on our stage.

0:31:080:31:11

-So, please. You're on next.

0:31:120:31:14

-JAZZ MUSIC

0:31:140:31:16

-.

0:33:550:33:55

-Subtitles

0:33:570:33:57

-Subtitles

-

-Subtitles

0:33:570:33:59

-# Au fond du temple saint

0:34:080:34:15

-# Pare de fleurs et d'or

0:34:160:34:23

-# Une femme apparait

0:34:230:34:28

-# Une femme apparait

0:34:280:34:30

-# Une femme apparait

-

-# Je crois la voir encore

0:34:300:34:34

-# Je crois la voir encore

0:34:340:34:40

-# La foule prosternee

0:34:450:34:50

-# La regarde, etonnee

0:34:520:34:57

-# Et murmure tous bas

0:34:590:35:04

-# Voyez, c'est la deesse

0:35:040:35:11

-# Qui dans l'ombre se dresse

0:35:120:35:17

-# Et vers nous tend les bras

0:35:180:35:25

-# Son voile se souleve

0:35:260:35:32

-# O vision, o reve

0:35:330:35:39

-# La foule est a genoux

0:35:400:35:46

-# Oui, c'est elle

0:35:460:35:50

-# C'est la deesse

0:35:500:35:53

-# Plus charmante et plus belle

0:35:540:36:00

-# Oui, c'est elle

0:36:000:36:03

-# C'est la deesse

0:36:040:36:07

-# Qui descend

0:36:070:36:11

-# Parmi nous

0:36:110:36:14

-# Son voile se souleve

0:36:140:36:21

-# Et la foule est a genoux

0:36:220:36:29

-# Mais a travers la foule

0:36:480:36:53

-# Elle s'ouvre un passage

0:36:550:37:00

-# Son long voile deja

0:37:010:37:05

-# Nous cache son visage

0:37:050:37:11

-# Mon regard, helas

0:37:120:37:15

-# La cherche en vain

0:37:160:37:19

-# Oui, c'est elle

0:37:220:37:25

-# C'est la deesse

0:37:250:37:28

-# En ce jour qui vient nous unir

0:37:290:37:35

-# Et fidele a ma promesse

0:37:360:37:43

-# Comme un frere je veux te cherir

0:37:430:37:50

-# C'est elle, c'est la deesse

0:37:500:37:57

-# Qui vient en ce jour nous unir

0:37:570:38:04

-# Oui, partageons

0:38:040:38:07

-# Le meme sort

0:38:070:38:11

-# Soyons unis jusqu'a

0:38:110:38:18

-# La mort #

0:38:190:38:27

-We return to the small stage

-at the agricultural show.

0:38:450:38:49

-It's obvious that Aberystwyth folk

-have many hidden talents.

0:38:500:38:54

-What are you going to do for us?

0:38:550:38:56

-What are you going to do for us?

-

-I'm going to try juggling.

0:38:560:38:58

-Let's have a look.

0:38:580:39:00

-I'll stand back.

-That was a good start!

0:39:000:39:03

-Not bad.

0:39:060:39:08

-# A small saucepan

-boiling on the fire

0:39:090:39:11

-# A large saucepan

-boiling on the floor #

0:39:120:39:14

-My name's Sam. I come from Tregaron.

0:39:150:39:18

-I'm here to try a bit of stand-up.

0:39:180:39:20

-When I scratch my head

-like this on stage...

0:39:210:39:24

-..that's your signal

-to laugh out loud.

0:39:240:39:27

-Do it again.

0:39:270:39:29

-It works.

0:39:300:39:32

-Because the weather's so nice

-I decided to go for a game of golf.

0:39:320:39:37

-Nothing wrong with that,

-but the stupidest thing I did...

0:39:370:39:41

-..was take my girlfriend along.

0:39:410:39:44

-On the first hole...

0:39:440:39:46

-..she hits her ball into the field

-next to the golf course.

0:39:470:39:52

-We both go looking for the ball.

0:39:520:39:55

-I saw the ball. It was stuck.

0:39:550:39:58

-It was sticking out

-of one of the cows' bottoms.

0:39:580:40:02

-I lifted up the cow's tail

-like this...

0:40:020:40:05

-..and I shouted across

-to my girlfriend...

0:40:050:40:08

-..hey, hey, this looks like yours!

0:40:090:40:11

-Please give a warm welcome

-to the Three Little Tenors.

0:40:130:40:18

-# I don't ask for a luxurious life

0:40:180:40:25

-# The world's gold

0:40:250:40:27

-# Or its fine pearls #

0:40:280:40:31

-What's the worst thing

-about being famous?

0:40:320:40:35

-Girls hassling me flat-out.

0:40:350:40:37

-Gwenllian and Mererid from

-the Felin-fach shop have problems.

0:40:370:40:41

-Women cause you problems.

-Steer well clear.

0:40:410:40:44

-I've a problem

-with these two idiots.

0:40:450:40:48

-They call us The Three Tenors

-when really, we're The Three Fivers.

0:40:480:40:52

-# Sing through the day

-and through the night #

0:40:530:40:58

-You Three Tenors better watch out.

0:41:010:41:04

-I know. They were quite good.

0:41:050:41:06

-I know. They were quite good.

-

-They looked smarter and sang better.

0:41:060:41:09

-Alright, alright!

0:41:090:41:11

-It's a great place

-to bring the small stage.

0:41:150:41:18

-The sun's shining and it's attracted

-all the talent in Aberystwyth.

0:41:190:41:24

-Wonderful.

0:41:240:41:26

-# Tossing and turning

0:41:350:41:38

-# There was something on his mind

0:41:380:41:40

-# He was talking in his sleep

0:41:410:41:44

-# Calling out her name

0:41:440:41:47

-# Tossing and turning

0:41:470:41:50

-# There was something on his mind

0:41:500:41:54

-# He was talking in his sleep

0:41:540:41:56

-# Calling out her name

0:41:560:42:00

-# He was smiling at me

0:42:020:42:06

-# Trying to deny

0:42:080:42:11

-# He was smiling at me

0:42:120:42:18

-# The truth burned inside of me

0:42:180:42:22

-# In his sleep

0:42:230:42:26

-# His sleep

0:42:260:42:29

-# His sleep

0:42:290:42:35

-# Oooh-oooh-ooh-ooh

0:42:360:42:39

-# Sleep

0:42:390:42:42

-# Flowers on the table

0:42:420:42:44

-# Only paper flowers

0:42:450:42:48

-# Flowers on the floor

0:42:480:42:50

-# No tears in his eyes

0:42:510:42:54

-# Flowers on the table

0:42:540:42:56

-# Only paper flowers

0:42:560:43:01

-# He was smiling at me

0:43:060:43:10

-# Trying to deny

0:43:110:43:15

-# He was smiling at me

0:43:150:43:21

-# The truth burned inside of me

0:43:210:43:26

-# In his sleep

0:43:260:43:29

-# His sleep

0:43:290:43:32

-# His sleep

0:43:330:43:39

-# Oooh-oooh-ooh-ooh

0:43:400:43:44

-# Sleep

0:43:440:43:46

-# Flowers on the table

0:43:460:43:48

-# Only paper flowers

0:43:480:43:51

-# Flowers on the floor

0:43:510:43:54

-# No tears in his eyes

0:43:540:43:57

-# Flowers on the table

0:43:580:44:00

-# Only paper flowers

0:44:000:44:04

-# Flowers on the table

0:44:040:44:06

-# No tears in his eyes

0:44:060:44:10

-# Ooh-ooh-ooh-ooh

0:44:130:44:16

-# Ooh-ooh-aah-aah

0:44:160:44:19

-# Aah

0:44:190:44:20

-# Ooh-ooh-ooh-ooh

0:44:210:44:24

-# Ooh-ooh-ooh-ooh

0:44:240:44:27

-# Mm-mm-mm-mm #

0:44:280:44:31

-Thank you.

0:44:380:44:40

-Let me thank

-all of tonight's performers.

0:44:430:44:46

-Rhydian, Eclipse,

-and of course, Alys Williams.

0:44:460:44:50

-We end with

-Luke McCall and Cor CF1...

0:44:500:44:54

-..singing Bui-Doi from Miss Saigon.

0:44:540:44:57

-Goodbye.

0:44:570:44:59

-# They're called Bui-Doi

0:44:590:45:03

-# The dust of life

0:45:040:45:08

-# Conceived in hell

0:45:090:45:13

-# And born is strife

0:45:130:45:17

-# They are the living reminder

0:45:180:45:21

-# Of all the good we failed to do

0:45:210:45:28

-# We can't forget, must not forget

0:45:290:45:33

-# That they are all our children too

0:45:330:45:40

-# Like all survivors,

-I once thought

0:45:450:45:49

-# When I'm home I won't give a damn

0:45:500:45:53

-# But now I know I'm caught

-I'll never leave

0:45:530:46:00

-# The Vietnam War

-isn't over when it ends

0:46:030:46:07

-# Some pictures

-never leave your mind

0:46:070:46:11

-# They are the faces of the children

0:46:110:46:14

-# The ones we left behind

0:46:140:46:19

-# They're called Bui-Doi

0:46:190:46:21

-# The dust of life

0:46:220:46:26

-# Conceived in hell

0:46:260:46:29

-# And born in strife

0:46:300:46:33

-# They are the living reminder

0:46:330:46:38

-# Of all the good we failed to do

0:46:380:46:41

-# We can't forget, must not forget

0:46:410:46:44

-# That they are all our children too

0:46:440:46:50

-# These kids hit walls on every side

0:46:510:46:54

-# They don't belong in any place

0:46:540:46:57

-# Their secrets they can't hide

0:46:570:47:01

-# It's printed on each face

0:47:010:47:04

-# They're called Bui-Doi

0:47:050:47:09

-# The dust of life

0:47:090:47:12

-# Conceived in hell

0:47:120:47:16

-# And born in strife

0:47:160:47:19

-# These are souls in need

0:47:190:47:23

-# They need us to give

0:47:240:47:28

-# That's why we know

-deep in our hearts

0:47:280:47:31

-# That's why

-we know deep in our hearts

0:47:320:47:35

-# That's why we know

-deep in our hearts

0:47:350:47:38

-# That they are all

0:47:390:47:42

-# Our children too #

0:47:430:47:54

-S4C Subtitles by Adnod Cyf.

0:48:250:48:27

-.

0:48:270:48:28

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