Browse content similar to Pennod 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-* | 0:00:00 | 0:00:00 | |
-Welcome to -Y Ffwrnes theatre, Llanelli... | 0:00:00 | 0:00:03 | |
-..and a brand-new series on S4C. | 0:00:03 | 0:00:05 | |
-What do we -have in store for you this evening? | 0:00:05 | 0:00:09 | |
-One word - entertainment. | 0:00:09 | 0:00:11 | |
-Make yourselves comfortable... | 0:00:11 | 0:00:14 | |
-..because a galaxy -of Wales' brightest stars... | 0:00:14 | 0:00:17 | |
-..are ready to take to the stage. | 0:00:17 | 0:00:20 | |
-On tonight's show, -singing sensation Rhydian. | 0:00:28 | 0:00:32 | |
-Star of The Voice, Alys Williams. | 0:00:32 | 0:00:35 | |
-From the world -of musical theatre, Luke McCall. | 0:00:35 | 0:00:38 | |
-The energetic dance troupe, Eclipse. | 0:00:38 | 0:00:42 | |
-Here to open the show is Cor CF1. | 0:00:45 | 0:00:48 | |
-# Sometimes in our lives | 0:01:15 | 0:01:19 | |
-# We all have pain | 0:01:19 | 0:01:22 | |
-# We all have sorrow | 0:01:22 | 0:01:26 | |
-# But if we are wise | 0:01:27 | 0:01:30 | |
-# We will realize | 0:01:30 | 0:01:32 | |
-# There's always tomorrow | 0:01:33 | 0:01:36 | |
-# Please swallow your pride | 0:01:37 | 0:01:41 | |
-# If I have things | 0:01:41 | 0:01:43 | |
-# You need to borrow | 0:01:44 | 0:01:47 | |
-# For no-one can fill | 0:01:48 | 0:01:51 | |
-# Those of your needs | 0:01:52 | 0:01:54 | |
-# That you won't let show | 0:01:55 | 0:01:57 | |
-# Lean on me | 0:01:57 | 0:01:59 | |
-# When you're not strong | 0:02:00 | 0:02:02 | |
-# And I'll be your friend | 0:02:02 | 0:02:05 | |
-# I'll help you carry on | 0:02:05 | 0:02:09 | |
-# For it won't be long | 0:02:10 | 0:02:13 | |
-# Till I'm gonna need | 0:02:13 | 0:02:15 | |
-# Somebody to lean on | 0:02:16 | 0:02:19 | |
-# Lean on me | 0:02:19 | 0:02:20 | |
-# When you're not strong | 0:02:21 | 0:02:23 | |
-# And I'll be your friend | 0:02:23 | 0:02:25 | |
-# I'll help you carry on | 0:02:25 | 0:02:28 | |
-# For it won't be long | 0:02:28 | 0:02:31 | |
-# Till I'm gonna need | 0:02:31 | 0:02:33 | |
-# Somebody to lean on | 0:02:33 | 0:02:36 | |
-# Lean on me, lean on me, lean on me | 0:02:39 | 0:02:42 | |
-# Lean on me | 0:02:43 | 0:02:49 | |
-# Lean on me | 0:02:50 | 0:02:51 | |
-# When I'm not strong | 0:02:52 | 0:02:53 | |
-# I'll be your friend | 0:02:53 | 0:02:55 | |
-# I'll help you carry on | 0:02:56 | 0:02:58 | |
-# For it won't be long | 0:02:59 | 0:03:02 | |
-# Till I'm gonna need | 0:03:02 | 0:03:03 | |
-# Somebody to lean on | 0:03:04 | 0:03:06 | |
-# Lean on me, when you're not strong | 0:03:06 | 0:03:10 | |
-# I'll be your friend | 0:03:10 | 0:03:12 | |
-# I'll help you carry on | 0:03:12 | 0:03:15 | |
-# For it won't be long | 0:03:15 | 0:03:18 | |
-# Till I'm gonna need | 0:03:19 | 0:03:20 | |
-# Somebody to lean on | 0:03:21 | 0:03:24 | |
-# For it won't be long | 0:03:24 | 0:03:28 | |
-# Till I'm gonna need | 0:03:28 | 0:03:31 | |
-# Somebody to lean on | 0:03:31 | 0:03:37 | |
-# Somebody to | 0:03:37 | 0:03:42 | |
-# Lean on # | 0:03:43 | 0:03:50 | |
-That was Cor CF1 -to kick off the show. | 0:04:02 | 0:04:05 | |
-I'm here backstage, -and look who's joined me | 0:04:05 | 0:04:09 | |
-Alys Williams. Hello. -Do you like my backstage set-up? | 0:04:09 | 0:04:13 | |
-It's lovely. Very posh. | 0:04:13 | 0:04:15 | |
-This is where everyone -chills out before going on stage. | 0:04:16 | 0:04:20 | |
-You shot to fame on The Voice, -but I want to know... | 0:04:20 | 0:04:23 | |
-..about the songwriter in you. | 0:04:23 | 0:04:26 | |
-Tell me more. | 0:04:26 | 0:04:28 | |
-I've written lots of songs -over the past year... | 0:04:29 | 0:04:32 | |
-..and I'm far happier -with the material I'm writing. | 0:04:32 | 0:04:36 | |
-In the beginning, -I hadn't quite found my sound. | 0:04:36 | 0:04:39 | |
-I've been working -with various people... | 0:04:40 | 0:04:42 | |
-..and I'm happy -with the songs I've written. | 0:04:43 | 0:04:45 | |
-I've a soulful voice -with Celtic influences... | 0:04:46 | 0:04:51 | |
-..when I sing long, breathy notes. | 0:04:51 | 0:04:54 | |
-It's a combination -of lots of different styles. | 0:04:54 | 0:04:58 | |
-I hope it gets a good reception. | 0:04:59 | 0:05:01 | |
-I'm sure it will. -Let's go back to The Voice. | 0:05:01 | 0:05:04 | |
-Tell us about the judges, -in particular Will.i.am. | 0:05:05 | 0:05:10 | |
-I have to say, I like Will.i.am. | 0:05:10 | 0:05:13 | |
-He's funny. He's a lovely man. | 0:05:13 | 0:05:15 | |
-He's quite wacky. He's crazy. | 0:05:15 | 0:05:18 | |
-I remember him eating -a huge packet of Sensations... | 0:05:18 | 0:05:22 | |
-..and going to me, "Just take one." | 0:05:22 | 0:05:25 | |
-I was like, -"I really don't want one, thanks." | 0:05:26 | 0:05:28 | |
-He wouldn't back down. -He kept on offering me crisps. | 0:05:29 | 0:05:32 | |
-He spoke to my mother too. -He's a really nice man. | 0:05:32 | 0:05:36 | |
-It must've been nice having -support of the entire Welsh nation. | 0:05:36 | 0:05:40 | |
-It was incredible. I had messages -on Twitter and Facebook. | 0:05:41 | 0:05:45 | |
-I still get people -coming up to me and telling me... | 0:05:46 | 0:05:49 | |
-..how much they enjoyed -my performances. | 0:05:50 | 0:05:53 | |
-You deserved it. | 0:05:53 | 0:05:55 | |
-You deserved it. - -Thank you. | 0:05:55 | 0:05:56 | |
-You shot to fame on The Voice... | 0:05:56 | 0:05:59 | |
-..and the next artist, Rhydian, -shot to fame on The X Factor. | 0:05:59 | 0:06:03 | |
-# The clock struck 12, midnight | 0:06:15 | 0:06:19 | |
-# Peace in the fields, -silence in the trenches | 0:06:19 | 0:06:22 | |
-# Midnight | 0:06:24 | 0:06:26 | |
-# Nothing's wrong, -there's nothing wrong | 0:06:27 | 0:06:30 | |
-# Across the hill at Pensarn farm | 0:06:33 | 0:06:36 | |
-# The dying cinders -flicker on the hearth | 0:06:36 | 0:06:40 | |
-# Ifan starts to nod off | 0:06:41 | 0:06:44 | |
-# Nothing's wrong, -there's nothing wrong | 0:06:45 | 0:06:48 | |
-# Near the small town of Derry, -down a lonely back street | 0:06:51 | 0:06:54 | |
-# Lies Deio, -with a bullet in his head | 0:06:54 | 0:06:58 | |
-# And the question echoes in Pensarn | 0:07:02 | 0:07:07 | |
-# And his mother -searches for the answer | 0:07:09 | 0:07:13 | |
-# Why does my son's blood run cold? | 0:07:16 | 0:07:21 | |
-# Why is he lying dead -in the moonlight? | 0:07:23 | 0:07:28 | |
-# Why am I the mother of a soldier? | 0:07:30 | 0:07:34 | |
-# So far from his father's land? | 0:07:36 | 0:07:39 | |
-# So far from his father's land? | 0:07:42 | 0:07:48 | |
-# The clock struck 12, midday | 0:08:01 | 0:08:04 | |
-# Peace in the fields, -silence in the meadows | 0:08:04 | 0:08:07 | |
-# Midday | 0:08:10 | 0:08:11 | |
-# Something's wrong, -there's something wrong | 0:08:12 | 0:08:15 | |
-# Across the hill at Pensarn farm | 0:08:18 | 0:08:22 | |
-# Mourners dressed in black, -silent at the hearth | 0:08:22 | 0:08:26 | |
-# Ifan gazes into the distance | 0:08:26 | 0:08:29 | |
-# Something's wrong, -there's something wrong | 0:08:30 | 0:08:33 | |
-# Beyond the church, -across the meadow | 0:08:36 | 0:08:39 | |
-# Is a fresh grave -where Deio lies buried | 0:08:39 | 0:08:43 | |
-# And the question echoes in Pensarn | 0:08:47 | 0:08:52 | |
-# And his mother -searches for the answer | 0:08:54 | 0:09:01 | |
-# Why does my son's blood run cold? | 0:09:01 | 0:09:06 | |
-# Why is he lying dead -in the moonlight? | 0:09:08 | 0:09:13 | |
-# Why am I the mother of a soldier | 0:09:15 | 0:09:20 | |
-# Lying dead on his father's land? | 0:09:21 | 0:09:23 | |
-# Lying dead on his father's land? | 0:09:27 | 0:09:32 | |
-# Why does my son's blood run cold? | 0:09:33 | 0:09:39 | |
-# Why is he lying dead -in the moonlight? | 0:09:40 | 0:09:45 | |
-# Why am I the mother of a soldier? | 0:09:47 | 0:09:52 | |
-# Lying dead on his father's land? | 0:09:53 | 0:09:56 | |
-# Lying dead on his father's land? # | 0:10:00 | 0:10:11 | |
-. | 0:10:25 | 0:10:25 | |
-Subtitles | 0:10:26 | 0:10:26 | |
-Subtitles - -Subtitles | 0:10:26 | 0:10:28 | |
-Welcome back. | 0:10:29 | 0:10:31 | |
-As well as the stars -on the main stage... | 0:10:31 | 0:10:34 | |
-..we've toured the country, giving -budding entertainers a platform too. | 0:10:34 | 0:10:39 | |
-Joining me -is the maestro Rob Nicholls... | 0:10:39 | 0:10:41 | |
-..to provide accompaniment. | 0:10:42 | 0:10:44 | |
-Aberystwyth. | 0:10:45 | 0:10:48 | |
-It's nice being back here. | 0:10:48 | 0:10:50 | |
-This is where we met -for the first time. | 0:10:51 | 0:10:53 | |
-How could I forget? -It was love at first sight. | 0:10:54 | 0:10:57 | |
-For you, maybe. | 0:10:57 | 0:10:59 | |
-The small stage was set up -at the agricultural show. | 0:11:01 | 0:11:04 | |
-Show us what you're made of, -Aberystwyth! | 0:11:05 | 0:11:08 | |
-Who do we have here? | 0:11:12 | 0:11:14 | |
-We are Sgarmes. | 0:11:14 | 0:11:16 | |
-We are Sgarmes. - -# Blossom on a tree | 0:11:16 | 0:11:19 | |
-# You know how I feel # | 0:11:19 | 0:11:21 | |
-What's the appeal of joining -a singing group like Sgarmes? | 0:11:22 | 0:11:27 | |
-We're great friends, -we share experiences... | 0:11:27 | 0:11:31 | |
-..by singing and socializing. | 0:11:31 | 0:11:33 | |
-# It's a new dawn, it's a new day | 0:11:34 | 0:11:37 | |
-# It's a new life, it's a new life | 0:11:37 | 0:11:40 | |
-# For me | 0:11:41 | 0:11:43 | |
-# And I'm feeling | 0:11:45 | 0:11:48 | |
-# Good # | 0:11:48 | 0:11:54 | |
-My name's Ela Cleo -and I come from Llandovery. | 0:12:01 | 0:12:05 | |
-What are you going to sing for us? | 0:12:05 | 0:12:07 | |
-What are you going to sing for us? - -O Mio Babbino Caro. | 0:12:07 | 0:12:08 | |
-# E se l'amassi indarno # | 0:12:08 | 0:12:16 | |
-When I sing, it doesn't feel like -it's me singing. | 0:12:16 | 0:12:20 | |
-It's a nice feeling -when people come to hear me sing. | 0:12:20 | 0:12:25 | |
-# O Dio | 0:12:26 | 0:12:31 | |
-# Vorrei | 0:12:31 | 0:12:34 | |
-# Morir # | 0:12:34 | 0:12:37 | |
-Does he give you headaches, Mam? | 0:12:42 | 0:12:45 | |
-If he was rubbish, -it would give me a headache... | 0:12:45 | 0:12:48 | |
-..but he's not, so it's fine. | 0:12:49 | 0:12:51 | |
-He's been playing drums -since he was in the womb! | 0:12:52 | 0:12:54 | |
-Stick to the piano, Rob. -Let me show you how it's done. | 0:13:07 | 0:13:11 | |
-Next, some dancers from -the Aberystwyth Arts Centre. | 0:13:19 | 0:13:23 | |
-There's certainly plenty of talent -out there. Stay tuned for more. | 0:13:51 | 0:13:55 | |
-Look who's joined me now. | 0:13:55 | 0:13:57 | |
-It's Rhydian! How are you? | 0:13:57 | 0:14:00 | |
-I'm excellent. It's nice to be here. -There's incredible talent here. | 0:14:00 | 0:14:05 | |
-Give us an idea of an average day -in the life of Rhydian. | 0:14:05 | 0:14:12 | |
-I'm working hard at the moment. | 0:14:12 | 0:14:14 | |
-I've been promoting -my new album, One Day Like This. | 0:14:14 | 0:14:18 | |
-I'm rehearsing for a tour -which kicks off in the autumn. | 0:14:18 | 0:14:22 | |
-Aside from that, -I go to the gym regularly. | 0:14:23 | 0:14:27 | |
-I don't sing opera like you... | 0:14:27 | 0:14:30 | |
-..but I train as a classical -singer, though I do more musicals. | 0:14:30 | 0:14:34 | |
-It's important to be fit -so that I can dance and sing. | 0:14:35 | 0:14:38 | |
-I do intensive vocal training. | 0:14:39 | 0:14:42 | |
-Some people warm up the voice -for hours before a performance. | 0:14:42 | 0:14:46 | |
-Personally, I don't spend very long -warming up, but how about you? | 0:14:46 | 0:14:51 | |
-Then you're lucky. Someone like Bryn -and yourself can stand up and sing. | 0:14:51 | 0:14:56 | |
-But I can't do that. -I have to warm up my voice. | 0:14:57 | 0:15:00 | |
-I do very simple exercises. | 0:15:01 | 0:15:03 | |
-# Hummmmmmm | 0:15:03 | 0:15:05 | |
-# Hummmmm | 0:15:05 | 0:15:07 | |
-And then... -# Hum-um-um, mum-mum-mum | 0:15:07 | 0:15:09 | |
-# Mum-mum-mum, mum-mum-mum, mum # | 0:15:09 | 0:15:12 | |
-I can feel the buzz. | 0:15:12 | 0:15:14 | |
-It's important to bring the voice -to the mask, as they say. | 0:15:15 | 0:15:18 | |
-Do you warm up your voice? | 0:15:19 | 0:15:20 | |
-Do you warm up your voice? - -I do what they call diva sneer. | 0:15:20 | 0:15:23 | |
-It raises the soft palate. | 0:15:24 | 0:15:26 | |
-You inhale and do the face -that divas do in operas... | 0:15:26 | 0:15:30 | |
-..as you'd know. | 0:15:30 | 0:15:32 | |
-And then I do # Hamma-hamma-her, -hummer-hammer-heh # | 0:15:33 | 0:15:37 | |
-Choose one -that we can all warm up with. | 0:15:37 | 0:15:41 | |
-Altogether, an easy one. | 0:15:41 | 0:15:43 | |
-Ready? # Ya-ha-hai-ya-ha-hai | 0:15:43 | 0:15:46 | |
-# Ya-ha-hai-ya-ha-hai-ya-ha-hai -ya-ha-hai-ya-hai-yaaaaa # | 0:15:46 | 0:15:51 | |
-Next on stage is Alys Williams. | 0:15:51 | 0:15:54 | |
-# In the depths of a dark forest | 0:15:59 | 0:16:03 | |
-# Are my dreams | 0:16:03 | 0:16:07 | |
-# Then I saw you | 0:16:07 | 0:16:10 | |
-# Staring at me | 0:16:10 | 0:16:13 | |
-# All the flowers | 0:16:13 | 0:16:16 | |
-# Turn their heads away | 0:16:18 | 0:16:20 | |
-# Not daring to look at you | 0:16:20 | 0:16:26 | |
-# The grey owl | 0:16:27 | 0:16:33 | |
-# The grey owl | 0:16:35 | 0:16:38 | |
-# Gwydion cursed you | 0:16:39 | 0:16:45 | |
-# Gwydion cursed you | 0:16:46 | 0:16:52 | |
-# Gwydion cursed you | 0:16:53 | 0:16:59 | |
-# And turned you into a bird -and you turned your back | 0:16:59 | 0:17:05 | |
-# The grey owl | 0:17:06 | 0:17:11 | |
-# The grey owl | 0:17:13 | 0:17:18 | |
-# But in your innocent eyes | 0:17:18 | 0:17:24 | |
-# Memories glisten | 0:17:26 | 0:17:32 | |
-# Of past romance and passion | 0:17:32 | 0:17:37 | |
-# Of past romance and passion | 0:17:38 | 0:17:45 | |
-# The grey owl | 0:17:45 | 0:17:50 | |
-# The grey owl | 0:17:52 | 0:17:57 | |
-# Gwydion cursed you | 0:17:57 | 0:18:03 | |
-# Gwydion cursed you | 0:18:04 | 0:18:10 | |
-# Gwydion cursed | 0:18:11 | 0:18:18 | |
-# The grey owl # | 0:18:19 | 0:18:24 | |
-Luke McCall joins me now. | 0:18:32 | 0:18:34 | |
-Welcome. | 0:18:35 | 0:18:37 | |
-You recently won a special award. -Tell us more about that. | 0:18:37 | 0:18:41 | |
-It was the Welsh Musical Theatre -Young Singer of the Year. | 0:18:42 | 0:18:46 | |
-It was quite funny, actually. | 0:18:46 | 0:18:48 | |
-I was in the theatre and only Mam -was there to watch me in the final. | 0:18:49 | 0:18:53 | |
-Everybody else -had brought lots of supporters. | 0:18:53 | 0:18:57 | |
-A person came on stage and said, -"And the winner is Luke McCall." | 0:18:57 | 0:19:02 | |
-There was silence... | 0:19:02 | 0:19:04 | |
-..and then Mam started clapping. | 0:19:05 | 0:19:07 | |
-Everyone else clapped begrudgingly. | 0:19:08 | 0:19:10 | |
-I was lucky to win, to be honest. | 0:19:11 | 0:19:13 | |
-I have to ask, what's the story -behind those shoes? | 0:19:13 | 0:19:18 | |
-Crikey! | 0:19:19 | 0:19:21 | |
-I was looking for something at home -and I came across them. | 0:19:21 | 0:19:25 | |
-I thought, 'I'm going to -wear these for concerts.' | 0:19:26 | 0:19:29 | |
-I thought if ever I made a mistake -during a concert... | 0:19:29 | 0:19:33 | |
-..they wouldn't remember me for -the mistake but for the red shoes. | 0:19:33 | 0:19:38 | |
-Are they your lucky shoes or do you -have a lucky item of clothing? | 0:19:38 | 0:19:43 | |
-Lucky pants, lucky socks. | 0:19:43 | 0:19:45 | |
-I think the shoes do it for me. | 0:19:46 | 0:19:48 | |
-I usually wear a tie clip... | 0:19:48 | 0:19:50 | |
-..but since it's so hot in here, -I didn't fancy wearing a tie. | 0:19:50 | 0:19:54 | |
-What's next for you? | 0:19:55 | 0:19:57 | |
-I'm performing in concerts -around the country... | 0:19:58 | 0:20:02 | |
-..and once I graduate, -I hope to find work. | 0:20:02 | 0:20:05 | |
-In the West End? | 0:20:05 | 0:20:06 | |
-In the West End? - -If there are any vacancies! | 0:20:06 | 0:20:08 | |
-# I only want to say | 0:20:12 | 0:20:17 | |
-# If there is a way | 0:20:20 | 0:20:24 | |
-# Take this cup away from me | 0:20:26 | 0:20:32 | |
-# For I don't want -to taste its poison | 0:20:33 | 0:20:38 | |
-# Feel it burn me | 0:20:38 | 0:20:41 | |
-# I have changed | 0:20:42 | 0:20:44 | |
-# I'm not as sure as when we started | 0:20:44 | 0:20:50 | |
-# Then I was inspired | 0:20:51 | 0:20:55 | |
-# Now I'm sad and tired | 0:20:58 | 0:21:01 | |
-# Listen, -surely I've exceeded expectations | 0:21:04 | 0:21:09 | |
-# Tried for three years, -seems like 30 | 0:21:10 | 0:21:15 | |
-# Could you ask -as much from any other man? | 0:21:15 | 0:21:25 | |
-# But if I die | 0:21:27 | 0:21:33 | |
-# See the saga through -and do the things you ask of me | 0:21:34 | 0:21:38 | |
-# Let them hate me, hit me, -hurt me, nail me to their tree | 0:21:39 | 0:21:45 | |
-# I'd want to know, -I'd want to know my God | 0:21:45 | 0:21:48 | |
-# I'd want to know, -I'd want to know my God | 0:21:48 | 0:21:51 | |
-# I'd want to see, -I'd want to see my God | 0:21:51 | 0:21:53 | |
-# I'd want to see, -I'd want to see my God | 0:21:54 | 0:21:56 | |
-# Why I should die | 0:21:57 | 0:22:01 | |
-# Would I be more noticed -than I ever was before? | 0:22:02 | 0:22:07 | |
-# Would the things -I've said and done matter any more? | 0:22:07 | 0:22:12 | |
-# I'd have to know, -I'd have to know my Lord | 0:22:13 | 0:22:15 | |
-# I'd have to know, -I'd have to know my Lord | 0:22:16 | 0:22:18 | |
-# I'd have to see, -I'd have to see my Lord | 0:22:19 | 0:22:21 | |
-# I'd have to see, -I'd have to see my Lord | 0:22:21 | 0:22:24 | |
-# If I die, -what will be my reward? | 0:22:24 | 0:22:26 | |
-If I die what will be my reward? | 0:22:26 | 0:22:29 | |
-# I'd have to know, -I'd have to know my Lord | 0:22:29 | 0:22:31 | |
-# I'd have to know, -I'd have to know my Lord | 0:22:32 | 0:22:35 | |
-# Why, why should I die? | 0:22:36 | 0:22:42 | |
-# Oh, why should I die? | 0:22:42 | 0:22:45 | |
-# Can you show me now -that I would not be killed in vain? | 0:22:45 | 0:22:50 | |
-# Show me just a little -of your omnipresent brain | 0:22:51 | 0:22:56 | |
-# Show me there's a reason -for your wanting me to die | 0:22:56 | 0:23:01 | |
-# You're far too keen -on where and how | 0:23:01 | 0:23:04 | |
-# But not so hot on why | 0:23:05 | 0:23:07 | |
-Alright. | 0:23:09 | 0:23:11 | |
-I'll die. | 0:23:13 | 0:23:15 | |
-# Just watch me die | 0:23:15 | 0:23:19 | |
-# See how, see how I die | 0:23:20 | 0:23:25 | |
-# Just watch me | 0:23:25 | 0:23:30 | |
-# Die | 0:23:30 | 0:23:39 | |
-# Then I was inspired | 0:24:01 | 0:24:04 | |
-# Now I'm sad and tired | 0:24:08 | 0:24:12 | |
-# After all I've tried -for three years | 0:24:16 | 0:24:20 | |
-# Seems like 90 | 0:24:22 | 0:24:24 | |
-# Why then am I scared | 0:24:27 | 0:24:31 | |
-# To finish what I started? | 0:24:33 | 0:24:35 | |
-# What you started, -I didn't start it | 0:24:37 | 0:24:41 | |
-# God, Thy will is hard | 0:24:42 | 0:24:47 | |
-# But you hold every card | 0:24:50 | 0:24:54 | |
-# I will drink your cup of poison | 0:24:56 | 0:25:01 | |
-# Nail me to your cross -and break me | 0:25:02 | 0:25:08 | |
-# Bleed me, beat me, kill me | 0:25:08 | 0:25:12 | |
-# Take me now | 0:25:13 | 0:25:15 | |
-# Before I change my mind | 0:25:15 | 0:25:21 | |
-# Now | 0:25:22 | 0:25:23 | |
-# Before I change my mind # | 0:25:24 | 0:25:34 | |
-. | 0:25:47 | 0:25:47 | |
-Subtitles | 0:25:49 | 0:25:49 | |
-Subtitles - -Subtitles | 0:25:49 | 0:25:51 | |
-I'm joined by Cor CF1. | 0:25:52 | 0:25:55 | |
-It's fair to say you're one of -the busiest choirs in Wales. | 0:25:55 | 0:25:59 | |
-Possibly. We like keeping busy. | 0:26:00 | 0:26:02 | |
-Our tours are important to us. | 0:26:02 | 0:26:04 | |
-We've been to Chicago, Canada -and Lake Garda. | 0:26:05 | 0:26:08 | |
-We also like -playing smaller venues. | 0:26:08 | 0:26:10 | |
-What's the appeal -of being in a choir like this? | 0:26:11 | 0:26:14 | |
-The singing's important, obviously. | 0:26:14 | 0:26:18 | |
-More importantly, the socializing. | 0:26:18 | 0:26:21 | |
-We're all good friends. A group -of us has just been to France. | 0:26:21 | 0:26:25 | |
-Socializing -is equally important as the singing. | 0:26:26 | 0:26:30 | |
-What's in store for us? -There are two soloists here. | 0:26:30 | 0:26:33 | |
-It's quite a showy programme. | 0:26:34 | 0:26:37 | |
-A bit of movement, -dancing and singing. | 0:26:37 | 0:26:40 | |
-Tell me what you're up to next. | 0:26:40 | 0:26:44 | |
-We've just made it through to the -BBC Choir of the Year semi-finals. | 0:26:44 | 0:26:49 | |
-We're working hard for that. | 0:26:49 | 0:26:51 | |
-It's going to be quite a challenge - -a different kind of challenge. | 0:26:52 | 0:26:56 | |
-How do you go about -choosing your repertoire? | 0:26:56 | 0:26:59 | |
-I like -as much variety as possible... | 0:27:00 | 0:27:02 | |
-..so that the rehearsals -don't get too tedious. | 0:27:02 | 0:27:06 | |
-Tonight we're doing lighter pieces -from musicals... | 0:27:06 | 0:27:09 | |
-..whereas another time we might do -Cantate Domino or Monteverdi. | 0:27:10 | 0:27:15 | |
-It's nice to be able -to be so diverse. | 0:27:15 | 0:27:18 | |
-It's nice working with such -a flexible and versatile bunch. | 0:27:18 | 0:27:23 | |
-The next performer has -a very bright future ahead of him. | 0:27:23 | 0:27:27 | |
-# No man, no madness | 0:27:40 | 0:27:43 | |
-# Though their sad power may prevail | 0:27:45 | 0:27:50 | |
-# Can possess, conquer, -my country's heart | 0:27:51 | 0:27:57 | |
-# They rise to fail | 0:27:57 | 0:28:02 | |
-# She is eternal | 0:28:03 | 0:28:08 | |
-# Long before -nations' lines were drawn | 0:28:08 | 0:28:14 | |
-# When no flags flew | 0:28:14 | 0:28:17 | |
-# When no armies stood -my land was born | 0:28:17 | 0:28:24 | |
-# And you ask me why I love her | 0:28:25 | 0:28:31 | |
-# Through wars, death and despair | 0:28:32 | 0:28:37 | |
-# She is the constant | 0:28:38 | 0:28:42 | |
-# We who don't care | 0:28:44 | 0:28:48 | |
-# And you wonder will I leave her | 0:28:50 | 0:28:54 | |
-# I cross over borders | 0:28:55 | 0:28:58 | |
-# But I'm still there now | 0:29:02 | 0:29:07 | |
-# How can I leave her, -where would I start? | 0:29:07 | 0:29:13 | |
-# Let man's petty nations | 0:29:35 | 0:29:39 | |
-# Tear themselves apart | 0:29:40 | 0:29:45 | |
-# My land's only borders | 0:29:46 | 0:29:49 | |
-# Lie around my heart | 0:29:49 | 0:29:55 | |
-# My land's only borders | 0:29:55 | 0:30:00 | |
-# Lie around | 0:30:00 | 0:30:04 | |
-# My heart # | 0:30:05 | 0:30:16 | |
-I'm joined by the Eclipse dancers, -familiar faces on Got To Dance. | 0:30:23 | 0:30:28 | |
-What's so special about Eclipse? | 0:30:28 | 0:30:31 | |
-What's so amazing about Eclipse? | 0:30:31 | 0:30:34 | |
-We train in a variety -of different dance styles. | 0:30:34 | 0:30:37 | |
-Ballet, tap, jazz, gymnastics. | 0:30:37 | 0:30:40 | |
-We'll fuse it all together. | 0:30:41 | 0:30:42 | |
-We'll fuse it all together. - -Who teaches you? | 0:30:42 | 0:30:44 | |
-It's my mum, Debbie Chapman. | 0:30:44 | 0:30:46 | |
-It's my mum, Debbie Chapman. - -She tried to teach me. | 0:30:46 | 0:30:48 | |
-But I'm not a very good mover. | 0:30:48 | 0:30:50 | |
-I've two left feet. -That's why I wear flip-flips. | 0:30:51 | 0:30:55 | |
-And what's next on the cards? | 0:30:58 | 0:31:00 | |
-We've got a big show in October -for charity. | 0:31:01 | 0:31:04 | |
-We've got -the odd competition in November. | 0:31:04 | 0:31:07 | |
-But first, -you have to get on our stage. | 0:31:08 | 0:31:11 | |
-So, please. You're on next. | 0:31:12 | 0:31:14 | |
-JAZZ MUSIC | 0:31:14 | 0:31:16 | |
-. | 0:33:55 | 0:33:55 | |
-Subtitles | 0:33:57 | 0:33:57 | |
-Subtitles - -Subtitles | 0:33:57 | 0:33:59 | |
-# Au fond du temple saint | 0:34:08 | 0:34:15 | |
-# Pare de fleurs et d'or | 0:34:16 | 0:34:23 | |
-# Une femme apparait | 0:34:23 | 0:34:28 | |
-# Une femme apparait | 0:34:28 | 0:34:30 | |
-# Une femme apparait - -# Je crois la voir encore | 0:34:30 | 0:34:34 | |
-# Je crois la voir encore | 0:34:34 | 0:34:40 | |
-# La foule prosternee | 0:34:45 | 0:34:50 | |
-# La regarde, etonnee | 0:34:52 | 0:34:57 | |
-# Et murmure tous bas | 0:34:59 | 0:35:04 | |
-# Voyez, c'est la deesse | 0:35:04 | 0:35:11 | |
-# Qui dans l'ombre se dresse | 0:35:12 | 0:35:17 | |
-# Et vers nous tend les bras | 0:35:18 | 0:35:25 | |
-# Son voile se souleve | 0:35:26 | 0:35:32 | |
-# O vision, o reve | 0:35:33 | 0:35:39 | |
-# La foule est a genoux | 0:35:40 | 0:35:46 | |
-# Oui, c'est elle | 0:35:46 | 0:35:50 | |
-# C'est la deesse | 0:35:50 | 0:35:53 | |
-# Plus charmante et plus belle | 0:35:54 | 0:36:00 | |
-# Oui, c'est elle | 0:36:00 | 0:36:03 | |
-# C'est la deesse | 0:36:04 | 0:36:07 | |
-# Qui descend | 0:36:07 | 0:36:11 | |
-# Parmi nous | 0:36:11 | 0:36:14 | |
-# Son voile se souleve | 0:36:14 | 0:36:21 | |
-# Et la foule est a genoux | 0:36:22 | 0:36:29 | |
-# Mais a travers la foule | 0:36:48 | 0:36:53 | |
-# Elle s'ouvre un passage | 0:36:55 | 0:37:00 | |
-# Son long voile deja | 0:37:01 | 0:37:05 | |
-# Nous cache son visage | 0:37:05 | 0:37:11 | |
-# Mon regard, helas | 0:37:12 | 0:37:15 | |
-# La cherche en vain | 0:37:16 | 0:37:19 | |
-# Oui, c'est elle | 0:37:22 | 0:37:25 | |
-# C'est la deesse | 0:37:25 | 0:37:28 | |
-# En ce jour qui vient nous unir | 0:37:29 | 0:37:35 | |
-# Et fidele a ma promesse | 0:37:36 | 0:37:43 | |
-# Comme un frere je veux te cherir | 0:37:43 | 0:37:50 | |
-# C'est elle, c'est la deesse | 0:37:50 | 0:37:57 | |
-# Qui vient en ce jour nous unir | 0:37:57 | 0:38:04 | |
-# Oui, partageons | 0:38:04 | 0:38:07 | |
-# Le meme sort | 0:38:07 | 0:38:11 | |
-# Soyons unis jusqu'a | 0:38:11 | 0:38:18 | |
-# La mort # | 0:38:19 | 0:38:27 | |
-We return to the small stage -at the agricultural show. | 0:38:45 | 0:38:49 | |
-It's obvious that Aberystwyth folk -have many hidden talents. | 0:38:50 | 0:38:54 | |
-What are you going to do for us? | 0:38:55 | 0:38:56 | |
-What are you going to do for us? - -I'm going to try juggling. | 0:38:56 | 0:38:58 | |
-Let's have a look. | 0:38:58 | 0:39:00 | |
-I'll stand back. -That was a good start! | 0:39:00 | 0:39:03 | |
-Not bad. | 0:39:06 | 0:39:08 | |
-# A small saucepan -boiling on the fire | 0:39:09 | 0:39:11 | |
-# A large saucepan -boiling on the floor # | 0:39:12 | 0:39:14 | |
-My name's Sam. I come from Tregaron. | 0:39:15 | 0:39:18 | |
-I'm here to try a bit of stand-up. | 0:39:18 | 0:39:20 | |
-When I scratch my head -like this on stage... | 0:39:21 | 0:39:24 | |
-..that's your signal -to laugh out loud. | 0:39:24 | 0:39:27 | |
-Do it again. | 0:39:27 | 0:39:29 | |
-It works. | 0:39:30 | 0:39:32 | |
-Because the weather's so nice -I decided to go for a game of golf. | 0:39:32 | 0:39:37 | |
-Nothing wrong with that, -but the stupidest thing I did... | 0:39:37 | 0:39:41 | |
-..was take my girlfriend along. | 0:39:41 | 0:39:44 | |
-On the first hole... | 0:39:44 | 0:39:46 | |
-..she hits her ball into the field -next to the golf course. | 0:39:47 | 0:39:52 | |
-We both go looking for the ball. | 0:39:52 | 0:39:55 | |
-I saw the ball. It was stuck. | 0:39:55 | 0:39:58 | |
-It was sticking out -of one of the cows' bottoms. | 0:39:58 | 0:40:02 | |
-I lifted up the cow's tail -like this... | 0:40:02 | 0:40:05 | |
-..and I shouted across -to my girlfriend... | 0:40:05 | 0:40:08 | |
-..hey, hey, this looks like yours! | 0:40:09 | 0:40:11 | |
-Please give a warm welcome -to the Three Little Tenors. | 0:40:13 | 0:40:18 | |
-# I don't ask for a luxurious life | 0:40:18 | 0:40:25 | |
-# The world's gold | 0:40:25 | 0:40:27 | |
-# Or its fine pearls # | 0:40:28 | 0:40:31 | |
-What's the worst thing -about being famous? | 0:40:32 | 0:40:35 | |
-Girls hassling me flat-out. | 0:40:35 | 0:40:37 | |
-Gwenllian and Mererid from -the Felin-fach shop have problems. | 0:40:37 | 0:40:41 | |
-Women cause you problems. -Steer well clear. | 0:40:41 | 0:40:44 | |
-I've a problem -with these two idiots. | 0:40:45 | 0:40:48 | |
-They call us The Three Tenors -when really, we're The Three Fivers. | 0:40:48 | 0:40:52 | |
-# Sing through the day -and through the night # | 0:40:53 | 0:40:58 | |
-You Three Tenors better watch out. | 0:41:01 | 0:41:04 | |
-I know. They were quite good. | 0:41:05 | 0:41:06 | |
-I know. They were quite good. - -They looked smarter and sang better. | 0:41:06 | 0:41:09 | |
-Alright, alright! | 0:41:09 | 0:41:11 | |
-It's a great place -to bring the small stage. | 0:41:15 | 0:41:18 | |
-The sun's shining and it's attracted -all the talent in Aberystwyth. | 0:41:19 | 0:41:24 | |
-Wonderful. | 0:41:24 | 0:41:26 | |
-# Tossing and turning | 0:41:35 | 0:41:38 | |
-# There was something on his mind | 0:41:38 | 0:41:40 | |
-# He was talking in his sleep | 0:41:41 | 0:41:44 | |
-# Calling out her name | 0:41:44 | 0:41:47 | |
-# Tossing and turning | 0:41:47 | 0:41:50 | |
-# There was something on his mind | 0:41:50 | 0:41:54 | |
-# He was talking in his sleep | 0:41:54 | 0:41:56 | |
-# Calling out her name | 0:41:56 | 0:42:00 | |
-# He was smiling at me | 0:42:02 | 0:42:06 | |
-# Trying to deny | 0:42:08 | 0:42:11 | |
-# He was smiling at me | 0:42:12 | 0:42:18 | |
-# The truth burned inside of me | 0:42:18 | 0:42:22 | |
-# In his sleep | 0:42:23 | 0:42:26 | |
-# His sleep | 0:42:26 | 0:42:29 | |
-# His sleep | 0:42:29 | 0:42:35 | |
-# Oooh-oooh-ooh-ooh | 0:42:36 | 0:42:39 | |
-# Sleep | 0:42:39 | 0:42:42 | |
-# Flowers on the table | 0:42:42 | 0:42:44 | |
-# Only paper flowers | 0:42:45 | 0:42:48 | |
-# Flowers on the floor | 0:42:48 | 0:42:50 | |
-# No tears in his eyes | 0:42:51 | 0:42:54 | |
-# Flowers on the table | 0:42:54 | 0:42:56 | |
-# Only paper flowers | 0:42:56 | 0:43:01 | |
-# He was smiling at me | 0:43:06 | 0:43:10 | |
-# Trying to deny | 0:43:11 | 0:43:15 | |
-# He was smiling at me | 0:43:15 | 0:43:21 | |
-# The truth burned inside of me | 0:43:21 | 0:43:26 | |
-# In his sleep | 0:43:26 | 0:43:29 | |
-# His sleep | 0:43:29 | 0:43:32 | |
-# His sleep | 0:43:33 | 0:43:39 | |
-# Oooh-oooh-ooh-ooh | 0:43:40 | 0:43:44 | |
-# Sleep | 0:43:44 | 0:43:46 | |
-# Flowers on the table | 0:43:46 | 0:43:48 | |
-# Only paper flowers | 0:43:48 | 0:43:51 | |
-# Flowers on the floor | 0:43:51 | 0:43:54 | |
-# No tears in his eyes | 0:43:54 | 0:43:57 | |
-# Flowers on the table | 0:43:58 | 0:44:00 | |
-# Only paper flowers | 0:44:00 | 0:44:04 | |
-# Flowers on the table | 0:44:04 | 0:44:06 | |
-# No tears in his eyes | 0:44:06 | 0:44:10 | |
-# Ooh-ooh-ooh-ooh | 0:44:13 | 0:44:16 | |
-# Ooh-ooh-aah-aah | 0:44:16 | 0:44:19 | |
-# Aah | 0:44:19 | 0:44:20 | |
-# Ooh-ooh-ooh-ooh | 0:44:21 | 0:44:24 | |
-# Ooh-ooh-ooh-ooh | 0:44:24 | 0:44:27 | |
-# Mm-mm-mm-mm # | 0:44:28 | 0:44:31 | |
-Thank you. | 0:44:38 | 0:44:40 | |
-Let me thank -all of tonight's performers. | 0:44:43 | 0:44:46 | |
-Rhydian, Eclipse, -and of course, Alys Williams. | 0:44:46 | 0:44:50 | |
-We end with -Luke McCall and Cor CF1... | 0:44:50 | 0:44:54 | |
-..singing Bui-Doi from Miss Saigon. | 0:44:54 | 0:44:57 | |
-Goodbye. | 0:44:57 | 0:44:59 | |
-# They're called Bui-Doi | 0:44:59 | 0:45:03 | |
-# The dust of life | 0:45:04 | 0:45:08 | |
-# Conceived in hell | 0:45:09 | 0:45:13 | |
-# And born is strife | 0:45:13 | 0:45:17 | |
-# They are the living reminder | 0:45:18 | 0:45:21 | |
-# Of all the good we failed to do | 0:45:21 | 0:45:28 | |
-# We can't forget, must not forget | 0:45:29 | 0:45:33 | |
-# That they are all our children too | 0:45:33 | 0:45:40 | |
-# Like all survivors, -I once thought | 0:45:45 | 0:45:49 | |
-# When I'm home I won't give a damn | 0:45:50 | 0:45:53 | |
-# But now I know I'm caught -I'll never leave | 0:45:53 | 0:46:00 | |
-# The Vietnam War -isn't over when it ends | 0:46:03 | 0:46:07 | |
-# Some pictures -never leave your mind | 0:46:07 | 0:46:11 | |
-# They are the faces of the children | 0:46:11 | 0:46:14 | |
-# The ones we left behind | 0:46:14 | 0:46:19 | |
-# They're called Bui-Doi | 0:46:19 | 0:46:21 | |
-# The dust of life | 0:46:22 | 0:46:26 | |
-# Conceived in hell | 0:46:26 | 0:46:29 | |
-# And born in strife | 0:46:30 | 0:46:33 | |
-# They are the living reminder | 0:46:33 | 0:46:38 | |
-# Of all the good we failed to do | 0:46:38 | 0:46:41 | |
-# We can't forget, must not forget | 0:46:41 | 0:46:44 | |
-# That they are all our children too | 0:46:44 | 0:46:50 | |
-# These kids hit walls on every side | 0:46:51 | 0:46:54 | |
-# They don't belong in any place | 0:46:54 | 0:46:57 | |
-# Their secrets they can't hide | 0:46:57 | 0:47:01 | |
-# It's printed on each face | 0:47:01 | 0:47:04 | |
-# They're called Bui-Doi | 0:47:05 | 0:47:09 | |
-# The dust of life | 0:47:09 | 0:47:12 | |
-# Conceived in hell | 0:47:12 | 0:47:16 | |
-# And born in strife | 0:47:16 | 0:47:19 | |
-# These are souls in need | 0:47:19 | 0:47:23 | |
-# They need us to give | 0:47:24 | 0:47:28 | |
-# That's why we know -deep in our hearts | 0:47:28 | 0:47:31 | |
-# That's why -we know deep in our hearts | 0:47:32 | 0:47:35 | |
-# That's why we know -deep in our hearts | 0:47:35 | 0:47:38 | |
-# That they are all | 0:47:39 | 0:47:42 | |
-# Our children too # | 0:47:43 | 0:47:54 | |
-S4C Subtitles by Adnod Cyf. | 0:48:25 | 0:48:27 | |
-. | 0:48:27 | 0:48:28 |