Pennod 2 Margaret: Ddoe a Heddiw
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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Hello, good evening -and thank you for joining me. | 0:00:08 | 0:00:12 | |
-Tonight, I'll be chatting -to a young girl... | 0:00:13 | 0:00:16 | |
-..who is hoping for a career -as a professional singer. | 0:00:17 | 0:00:20 | |
-I'll also chat -to a husband and wife... | 0:00:21 | 0:00:23 | |
-..who have entertained us -for a number of years. | 0:00:23 | 0:00:27 | |
-First, we have a talented young man. | 0:00:27 | 0:00:30 | |
-I first met him when he was 15... | 0:00:30 | 0:00:34 | |
-..and he was a guest in my studio -in Caernarfon. | 0:00:34 | 0:00:37 | |
-Welcome to Deiniol Wyn Rees. | 0:00:38 | 0:00:40 | |
-It's lovely to see you, Deiniol. | 0:00:40 | 0:00:43 | |
-It's lovely to see you, Deiniol. - -You too, Margaret. | 0:00:43 | 0:00:45 | |
-You were 15 -when we first met in my studio. | 0:00:45 | 0:00:48 | |
-Was I only 15? | 0:00:48 | 0:00:50 | |
-Mam drove me to North Wales... | 0:00:50 | 0:00:52 | |
-..knowing full well that snow -had been forecast that night. | 0:00:52 | 0:00:56 | |
-Bethan Anwyl, your -assistant producer at the time... | 0:00:57 | 0:01:01 | |
-..kept an eye on the weather -in the South. | 0:01:01 | 0:01:04 | |
-Mam started to panic. | 0:01:04 | 0:01:06 | |
-Mam was the one -who always took me everywhere. | 0:01:07 | 0:01:12 | |
-Did she drive you -from one Eisteddfod to the next? | 0:01:12 | 0:01:16 | |
-Yes, Mam was my chaperone. | 0:01:16 | 0:01:18 | |
-Mam's had more experiences than me! | 0:01:18 | 0:01:22 | |
-I remember you -coming to the studio. | 0:01:22 | 0:01:25 | |
-You were full of life -and eager to sing and dance. | 0:01:25 | 0:01:31 | |
-It all seemed to -come naturally to me as a child. | 0:01:31 | 0:01:35 | |
-I was always excited -about doing something new. | 0:01:36 | 0:01:39 | |
-I'd always throw myself in -at the deep end. | 0:01:39 | 0:01:43 | |
-I didn't worry about it. -I'd just go with it. | 0:01:44 | 0:01:47 | |
-You came to the studio -as a young boy... | 0:01:48 | 0:01:52 | |
-..because a company wanted you -to sing a new song. | 0:01:52 | 0:01:56 | |
-You had to perform with an orchestra -and you'd never done it before. | 0:01:56 | 0:02:02 | |
-I didn't know the song. -I was still learning it in the car! | 0:02:02 | 0:02:06 | |
-The company asked you to sing it. | 0:02:06 | 0:02:08 | |
-The company asked you to sing it. - -Yes, that's right. | 0:02:08 | 0:02:11 | |
-I learnt the song the week -before the programme. | 0:02:11 | 0:02:14 | |
-The orchestra was new to me -and I didn't know about the tempo... | 0:02:15 | 0:02:20 | |
-..but I gave it a good shot! | 0:02:20 | 0:02:22 | |
-You were excellent. | 0:02:22 | 0:02:24 | |
-There was a crescendo -in the middle eight. | 0:02:24 | 0:02:27 | |
-Everyone enjoyed it. | 0:02:27 | 0:02:29 | |
-Let's remind ourselves of your -performance of The Ugly Duckling. | 0:02:29 | 0:02:34 | |
-# There once was an ugly duckling -with feathers all stubby and brown | 0:02:40 | 0:02:46 | |
-# And the other birds said -in so many words | 0:02:46 | 0:02:49 | |
-# Get out of town | 0:02:50 | 0:02:52 | |
-# Get out, get out | 0:02:53 | 0:02:56 | |
-# Get out of town | 0:02:56 | 0:02:58 | |
-# And he went with a quack -and a waddle and a quack | 0:02:58 | 0:03:02 | |
-# In a flurry of eiderdown | 0:03:02 | 0:03:05 | |
-# That poor little ugly duckling -went wandering far and near | 0:03:11 | 0:03:17 | |
-# But at every place -they said to his face | 0:03:17 | 0:03:21 | |
-# Get out of here | 0:03:21 | 0:03:24 | |
-# Get out, get out | 0:03:24 | 0:03:27 | |
-# Get out of here | 0:03:27 | 0:03:29 | |
-# And he went with a quack -and a waddle and a quack | 0:03:30 | 0:03:33 | |
-# And a very unhappy tear # | 0:03:33 | 0:03:36 | |
-Oh, you gave -a wonderful performance. | 0:03:36 | 0:03:40 | |
-You had ambitions for the West End -even at that time. | 0:03:40 | 0:03:44 | |
-Yes, I did. | 0:03:44 | 0:03:45 | |
-Have you always been ambitious? | 0:03:45 | 0:03:48 | |
-I wasn't sure if I wanted -to combine acting and singing... | 0:03:48 | 0:03:53 | |
-..but after performing -on your programme... | 0:03:53 | 0:03:56 | |
-..I decided to do a course -in Performing Arts. | 0:03:57 | 0:04:01 | |
-Following that, I studied Theatre, -Music and Media at Trinity College. | 0:04:01 | 0:04:06 | |
-Whilst studying -Theatre, Music and Media... | 0:04:06 | 0:04:09 | |
-..I had a masterclass with a -well-known lady called Mary Hammond. | 0:04:10 | 0:04:14 | |
-During the class, she told me that -I should do her course, so I did... | 0:04:14 | 0:04:20 | |
-..and then studied Musical Theatre -at London's Royal Academy of Music. | 0:04:21 | 0:04:27 | |
-That has certainly helped you... | 0:04:27 | 0:04:29 | |
-..and led to auditions -in West End theatres... | 0:04:30 | 0:04:34 | |
-..as opposed to the Eisteddfod. | 0:04:35 | 0:04:37 | |
-I'd learnt a lot -before going to the Royal Academy. | 0:04:37 | 0:04:42 | |
-Few people have these experiences... | 0:04:42 | 0:04:45 | |
-..before going -to a professional college. | 0:04:45 | 0:04:49 | |
-When I was at Trinity College, I -worked at McDonalds in Carmarthen. | 0:04:49 | 0:04:55 | |
-I left that job -when I got the part on Pobol y Cwm. | 0:04:55 | 0:04:58 | |
-It was a good time. | 0:04:58 | 0:05:00 | |
-Pobol y Cwm -is better than McDonalds! | 0:05:00 | 0:05:03 | |
-The money was much better. | 0:05:03 | 0:05:05 | |
-After Trinity, I went to study -Musical Theatre in London... | 0:05:06 | 0:05:11 | |
-..my voice changed quite a bit... | 0:05:11 | 0:05:16 | |
-..and I had a lot -of extra opportunities. | 0:05:16 | 0:05:22 | |
-What are you doing these days? | 0:05:22 | 0:05:25 | |
-Erm, well for the past year... | 0:05:26 | 0:05:29 | |
-..I've been concentrating -on settling into a permanent job. | 0:05:30 | 0:05:35 | |
-I currently work for -a skincare company from Japan. | 0:05:35 | 0:05:41 | |
-I'm a brand ambassador... | 0:05:41 | 0:05:44 | |
-..and serves shops -across England and Scotland. | 0:05:44 | 0:05:48 | |
-This is my current job... | 0:05:48 | 0:05:50 | |
-..but before -I settled into this job... | 0:05:51 | 0:05:54 | |
-..I did a cartoon for S4C -called Bla Bla Blewog last year. | 0:05:55 | 0:05:59 | |
-There are plans to make another -series in November of this year. | 0:05:59 | 0:06:05 | |
-I doubt you've left -the performing world completely. | 0:06:05 | 0:06:09 | |
-No, and I want to produce -my own album. | 0:06:09 | 0:06:13 | |
-I plan to produce it this year... | 0:06:13 | 0:06:17 | |
-..but I needed a full-time job -to be able to fund the album... | 0:06:17 | 0:06:22 | |
-..because I wanted to do it -off my own back. | 0:06:22 | 0:06:26 | |
-I hope to release the album -in time for Christmas this year. | 0:06:26 | 0:06:31 | |
-You've still got a lot of plans -and have achieved so much already. | 0:06:31 | 0:06:36 | |
-All the best for the future. | 0:06:36 | 0:06:38 | |
-I've had so many experiences since I -was a child and they are continuing. | 0:06:38 | 0:06:44 | |
-Thank you. | 0:06:44 | 0:06:45 | |
-Thank you. - -Thank you, Margaret. | 0:06:45 | 0:06:47 | |
-My next guest is a young girl -with her sights on the future. | 0:06:53 | 0:06:57 | |
-Kate Rhiannon Harwood -is a classical singer. | 0:06:58 | 0:07:01 | |
-Kate Rhiannon Harwood -is a very grand name. | 0:07:01 | 0:07:05 | |
-Where are you from? | 0:07:06 | 0:07:07 | |
-Where are you from? - -I'm originally from Swansea. | 0:07:07 | 0:07:09 | |
-Do you still live in Swansea? | 0:07:09 | 0:07:11 | |
-Do you still live in Swansea? - -Yes, in Morriston. | 0:07:11 | 0:07:12 | |
-You're a classical singer. | 0:07:13 | 0:07:16 | |
-Do you have lessons -or follow any training? | 0:07:16 | 0:07:20 | |
-I go to Cardiff's Royal Welsh -College of Music & Drama... | 0:07:20 | 0:07:24 | |
-..for classical singing lessons -with Christine Thompson... | 0:07:24 | 0:07:29 | |
-..but I sing a bit of everything. | 0:07:29 | 0:07:31 | |
-Which is your favourite? | 0:07:32 | 0:07:33 | |
-Which is your favourite? - -I prefer classical. | 0:07:33 | 0:07:35 | |
-However, I also like -songs from musicals and folk tunes. | 0:07:35 | 0:07:40 | |
-Have you ever performed -in a musical? | 0:07:40 | 0:07:43 | |
-Yes, I belong to a drama group -and we have a show every year. | 0:07:44 | 0:07:48 | |
-I recall you telling me... | 0:07:48 | 0:07:50 | |
-..that you sing in concerts -with various male voice choirs. | 0:07:51 | 0:07:55 | |
-Dad belongs to the -Morriston RFC Male Voice Choir. | 0:07:56 | 0:08:00 | |
-I've performed as a soloist with -them in Wales and over the border. | 0:08:00 | 0:08:05 | |
-Do you sing with other choirs too? | 0:08:06 | 0:08:08 | |
-I perform as a soloist with -local groups and ladies' choirs. | 0:08:09 | 0:08:15 | |
-Tell me more about the arena. | 0:08:15 | 0:08:19 | |
-You sang in an arena in Manchester. | 0:08:19 | 0:08:21 | |
-Yes, I was invited to sing -in Manchester last year... | 0:08:22 | 0:08:26 | |
-..to mark 50 years of male voice -choirs and it was amazing. | 0:08:26 | 0:08:31 | |
-Were there 50 -male voice choirs present? | 0:08:31 | 0:08:34 | |
-No, it was A Thousand Voices. | 0:08:35 | 0:08:38 | |
-It included -the Morriston Male Voice Choir... | 0:08:38 | 0:08:41 | |
-..and choirs from Wales, -Australia and New Zealand. | 0:08:41 | 0:08:45 | |
-That's a wonderful experience! | 0:08:46 | 0:08:48 | |
-Were you a soloist? | 0:08:48 | 0:08:50 | |
-Yes, I was one of the five soloists -chosen to take part. | 0:08:50 | 0:08:54 | |
-Were they from Wales -or all over the world? | 0:08:54 | 0:08:57 | |
-They were classical singers -and instrumentalists. | 0:08:58 | 0:09:01 | |
-What did you sing? | 0:09:02 | 0:09:03 | |
-I sang -Does Unman Yn Debyg I Gartref. | 0:09:03 | 0:09:07 | |
-One of the favourites. | 0:09:07 | 0:09:09 | |
-There was also What I Did For Love -from the musical, Chorus Line... | 0:09:09 | 0:09:14 | |
-..and the folk tune, Ar Lan Y Mor. | 0:09:14 | 0:09:16 | |
-I'm sure they went down well. | 0:09:17 | 0:09:20 | |
-I'm sure they went down well. - -Yes, they did. | 0:09:20 | 0:09:22 | |
-What are your hopes for the future? | 0:09:22 | 0:09:25 | |
-I've already made a charity album -and raised over 1,000 to date. | 0:09:25 | 0:09:31 | |
-It was something -I've always wanted to do. | 0:09:31 | 0:09:34 | |
-The album has classical tracks, -folk tunes and pop songs. | 0:09:34 | 0:09:40 | |
-Is the album called Kate? | 0:09:40 | 0:09:42 | |
-Is the album called Kate? - -No, it's True Colours. | 0:09:42 | 0:09:44 | |
-I wanted to show my true colours... | 0:09:45 | 0:09:48 | |
-..and the song, True Colours, -is on the album. | 0:09:48 | 0:09:51 | |
-Well done to you. | 0:09:51 | 0:09:53 | |
-What are you singing for us tonight? | 0:09:53 | 0:09:56 | |
-It's a Caryl Parry Jones song -called Adre. | 0:09:56 | 0:09:59 | |
-I can't wait to hear it. | 0:09:59 | 0:10:01 | |
-You can do a classical track -for us next time. | 0:10:01 | 0:10:04 | |
-Let's hear your version of Adre, -Kate. | 0:10:04 | 0:10:07 | |
-# If the stars are lost -one dark night | 0:10:08 | 0:10:16 | |
-# Come home | 0:10:16 | 0:10:20 | |
-# Home to me | 0:10:21 | 0:10:26 | |
-# If a storm arises -over the acres of ocean | 0:10:26 | 0:10:34 | |
-# Come home | 0:10:35 | 0:10:39 | |
-# Home to me | 0:10:40 | 0:10:45 | |
-# If the dawn doesn't -steal the brightness of day | 0:10:45 | 0:10:55 | |
-# Come home | 0:10:55 | 0:10:59 | |
-# Home to me | 0:11:00 | 0:11:03 | |
-# And today never lets you run free | 0:11:04 | 0:11:12 | |
-# Come home | 0:11:13 | 0:11:17 | |
-# Home to me | 0:11:17 | 0:11:21 | |
-# Let the tears -that overpowered you | 0:11:21 | 0:11:30 | |
-# Bid farewell to all your fears | 0:11:31 | 0:11:38 | |
-# Let the heartbeat drift away | 0:11:39 | 0:11:47 | |
-# So you're free | 0:11:48 | 0:11:52 | |
-# To run back | 0:11:53 | 0:11:57 | |
-# As the pain retracts -and gives you strength | 0:11:58 | 0:12:07 | |
-# Come home | 0:12:07 | 0:12:11 | |
-# Home to me | 0:12:11 | 0:12:15 | |
-# When the world shows -who you can be | 0:12:15 | 0:12:26 | |
-# Come home | 0:12:27 | 0:12:33 | |
-# Home to me | 0:12:33 | 0:12:39 | |
-# Let every light that you see | 0:12:40 | 0:12:49 | |
-# Guide you back | 0:12:51 | 0:12:57 | |
-# Back to me # | 0:12:59 | 0:13:09 | |
-. | 0:13:11 | 0:13:11 | |
-Subtitles | 0:13:14 | 0:13:14 | |
-Subtitles - -Subtitles | 0:13:14 | 0:13:16 | |
-I hope you enjoyed -Kate's performance earlier... | 0:13:18 | 0:13:22 | |
-..and that you'll enjoy meeting -my next guests. | 0:13:22 | 0:13:26 | |
-They are Olwen Rees -and Johnny Tudor. | 0:13:27 | 0:13:29 | |
-Hello to you both. We haven't seen -each other in quite a while. | 0:13:30 | 0:13:35 | |
-No, that's true. | 0:13:35 | 0:13:37 | |
-You both had a showbiz upbringing -but they were very different. | 0:13:37 | 0:13:43 | |
-Olwen's mother was Sassie Rees. | 0:13:43 | 0:13:46 | |
-Everybody either knew -or has heard of Sassie Rees. | 0:13:46 | 0:13:50 | |
-Your father was Bert Cecil and -he was a real showbiz act, Johnny. | 0:13:50 | 0:13:56 | |
-My father started playing in bands -in London at a young age. | 0:13:56 | 0:14:01 | |
-Following this, -he moved into variety shows. | 0:14:02 | 0:14:05 | |
-My father met my mother in a show to -entertain the troops during the war. | 0:14:06 | 0:14:12 | |
-Oh, I see. | 0:14:12 | 0:14:13 | |
-Performers such as Katherine Jenkins -entertain the troops these days. | 0:14:14 | 0:14:19 | |
-Was your mother in showbusiness too? | 0:14:19 | 0:14:20 | |
-Was your mother in showbusiness too? - -She was a dancer in the same show. | 0:14:20 | 0:14:24 | |
-You once told me that your father -was an accompanist for Sassie. | 0:14:24 | 0:14:30 | |
-When I was in a pantomime with Olwen -in Porthcawl many years ago... | 0:14:30 | 0:14:34 | |
-..I was told that my father -had played for Sassie... | 0:14:35 | 0:14:41 | |
-..on a radio programme -called Welsh Rarebit in the 1950s. | 0:14:41 | 0:14:46 | |
-My father knew Sassie -before I knew Olwen! | 0:14:46 | 0:14:49 | |
-It's amazing -how the world goes round. | 0:14:49 | 0:14:52 | |
-Did Sassie say anything to you? | 0:14:52 | 0:14:54 | |
-Did Sassie say anything to you? - -Yes, she did. | 0:14:54 | 0:14:55 | |
-I told her that Bert had told me -that he was one of her accompanists. | 0:14:55 | 0:15:01 | |
-"Yes, he was an accompanist -for everyone. | 0:15:01 | 0:15:04 | |
-"I went to make the programme and -he was my accompanist," she said. | 0:15:04 | 0:15:09 | |
-Did you meet at the pantomime? | 0:15:09 | 0:15:11 | |
-Did you meet at the pantomime? - -Yes, at Porthcawl. | 0:15:11 | 0:15:14 | |
-John was playing Dick Whittington -and I played Alice Fitzwarren. | 0:15:14 | 0:15:18 | |
-I want to take you back -to the 1960s... | 0:15:19 | 0:15:23 | |
-..when Johnny and I first worked -together on a television series. | 0:15:23 | 0:15:28 | |
-It was a 1960s series -called Beth Nesaf. | 0:15:28 | 0:15:31 | |
-I couldn't understand -a word of Welsh! | 0:15:31 | 0:15:34 | |
-Every day, you had to tell me -what I needed to say. | 0:15:34 | 0:15:39 | |
-Mered told me that I had to learn -Welsh, so I did an Wlpan course. | 0:15:39 | 0:15:45 | |
-And I called you Sion Tudor! | 0:15:45 | 0:15:48 | |
-And I called you Sion Tudor! - -Yes, Sion Tudor. | 0:15:48 | 0:15:50 | |
-That's right. | 0:15:50 | 0:15:52 | |
-I was called Margied! | 0:15:52 | 0:15:54 | |
-Ruth Madoc was part of the team -and she couldn't speak Welsh either. | 0:15:54 | 0:15:59 | |
-There was you and I... | 0:15:59 | 0:16:01 | |
-..Ruth Madoc and Bryn Williams -who was learning to speak Welsh. | 0:16:02 | 0:16:06 | |
-Ruth didn't speak Welsh either -and Ryan was always busy. | 0:16:07 | 0:16:11 | |
-It was long before the days -of Ryan a Ronnie... | 0:16:11 | 0:16:14 | |
-..so you only had me -to help you with your Welsh... | 0:16:14 | 0:16:18 | |
-..but we had a lot of fun. | 0:16:18 | 0:16:20 | |
-I remember thinking that you would -never learn the language... | 0:16:20 | 0:16:26 | |
-..but you did the Wlpan course. | 0:16:26 | 0:16:29 | |
-I told Gwenlyn Parry all about it. | 0:16:29 | 0:16:31 | |
-Gwenlyn turned and said... | 0:16:31 | 0:16:34 | |
-.."Johnny is dating Olwen -and love can work miracles." | 0:16:34 | 0:16:40 | |
-He's excellent with languages and -is learning Spanish at the moment. | 0:16:40 | 0:16:45 | |
-Yes, I'm currently learning Spanish. | 0:16:45 | 0:16:48 | |
-If I'm speaking Spanish in Spain -and can't remember a word... | 0:16:49 | 0:16:53 | |
-..I use the Welsh word instead! | 0:16:53 | 0:16:56 | |
-You obviously have a good ear -for languages, Johnny. | 0:16:56 | 0:17:00 | |
-It's great that you learnt Welsh. | 0:17:01 | 0:17:03 | |
-You've had a lot of work -through the medium of Welsh. | 0:17:03 | 0:17:07 | |
-You were in a panto in Cardiff -when I was on the Wlpan course... | 0:17:07 | 0:17:12 | |
-..and I'd come to the theatre to ask -for your help with my homework. | 0:17:12 | 0:17:18 | |
-Yes, I remember that. | 0:17:20 | 0:17:21 | |
-We'll see more of Olwen -in a moment... | 0:17:21 | 0:17:26 | |
-..but let's remind ourselves of -when you both joined me in 2005... | 0:17:26 | 0:17:32 | |
-..and Johnny did -a song and dance number in Welsh. | 0:17:32 | 0:17:37 | |
-# You're certain to enjoy -fun and frolics in Llandudno | 0:17:57 | 0:18:03 | |
-# You'll hear a quiet, tranquil song -whilst I'm waving my stick | 0:18:03 | 0:18:08 | |
-# It's the best entertainment, -the best entertainment | 0:18:08 | 0:18:12 | |
-# It's the best entertainment -for me, yes sir! | 0:18:12 | 0:18:16 | |
-# Yes sir! # | 0:18:17 | 0:18:18 | |
-That was wonderful, Johnny. | 0:18:21 | 0:18:24 | |
-That's the Johnny we know, -the song and dance man. | 0:18:24 | 0:18:27 | |
-How did you learn it all? | 0:18:28 | 0:18:29 | |
-How did you learn it all? - -My mother was a dancer. | 0:18:29 | 0:18:32 | |
-My father told me -that I had to sing too... | 0:18:32 | 0:18:36 | |
-..but I couldn't sing! | 0:18:36 | 0:18:39 | |
-He said I couldn't make a living -if I wasn't able to sing... | 0:18:39 | 0:18:44 | |
-..so I learnt to sing... | 0:18:45 | 0:18:47 | |
-..and had auditions for -the summer seasons and pantomimes. | 0:18:47 | 0:18:51 | |
-I also won Opportunity Knocks -four times. | 0:18:52 | 0:18:55 | |
-This was followed by -a recording contract and so on. | 0:18:56 | 0:19:01 | |
-Oh, that's so interesting. | 0:19:01 | 0:19:03 | |
-Your background -is very different, Olwen... | 0:19:04 | 0:19:07 | |
-..because Sassie worked in radio. | 0:19:08 | 0:19:10 | |
-I remember writing to Sassie -and asking her to sing me a song... | 0:19:11 | 0:19:15 | |
-..when I was a child. | 0:19:15 | 0:19:17 | |
-It was wonderful to hear her sing. | 0:19:17 | 0:19:20 | |
-Did you listen to her -singing at home? | 0:19:20 | 0:19:24 | |
-Yes, we would listen to her. | 0:19:25 | 0:19:27 | |
-I remember being ill -in hospital at Bangor. | 0:19:27 | 0:19:31 | |
-Mam visited and said she was working -the following day... | 0:19:31 | 0:19:36 | |
-..and asked if I wanted a song -on Jim Cro Crwstyn. | 0:19:36 | 0:19:40 | |
-I can't remember which song I chose. | 0:19:40 | 0:19:43 | |
-The following day, I listened -and the song wasn't played. | 0:19:43 | 0:19:47 | |
-Mam said nobody wanted that song -so she had to sing the other ones... | 0:19:48 | 0:19:53 | |
-..but she did sing it -for me afterwards. | 0:19:54 | 0:19:57 | |
-I don't know what I would have done, -Olwen. | 0:19:57 | 0:20:02 | |
-Did you listen to your mother -when she rehearsed at home? | 0:20:02 | 0:20:06 | |
-She would appear on Noson Lawen -with an array of different people... | 0:20:06 | 0:20:11 | |
-..including Triawd y Coleg. | 0:20:11 | 0:20:13 | |
-When Mam was appearing -on Camcymeriadau... | 0:20:14 | 0:20:17 | |
-..she was given the song -on a Thursday... | 0:20:17 | 0:20:21 | |
-..to learn by the Saturday -to perform at the Penrhyn Hall. | 0:20:21 | 0:20:26 | |
-Everything was live in those days. | 0:20:27 | 0:20:30 | |
-I would go with Nain -to listen to some of the recordings. | 0:20:31 | 0:20:35 | |
-There was Nesta Harries, -Charles Williams, Megan Rees... | 0:20:36 | 0:20:41 | |
-..T C Simpson -and Ieuan Rhys Williams. | 0:20:41 | 0:20:46 | |
-I remember that Mam would be -washing the dishes at home... | 0:20:47 | 0:20:52 | |
-..whilst learning her lyrics. | 0:20:52 | 0:20:55 | |
-It was very difficult for her. | 0:20:55 | 0:20:56 | |
-It was very difficult for her. - -Yes, I'm sure. | 0:20:56 | 0:20:58 | |
-I remember some time later -in 1961... | 0:20:58 | 0:21:02 | |
-..I was asked to appear in a -radio programme called Copacabana. | 0:21:02 | 0:21:06 | |
-There were 13 episodes. | 0:21:07 | 0:21:08 | |
-Gwyn Williams asked me to sing -with a group called Blodau'r Ffair. | 0:21:09 | 0:21:15 | |
-There was a competition -to compose a song. | 0:21:15 | 0:21:18 | |
-New songs arrived every week... | 0:21:18 | 0:21:20 | |
-..so Blodau'r Ffair and I -sang twelve of them. | 0:21:21 | 0:21:25 | |
-T Gwynn Jones, Cledwyn and your -mother, Sassie sang the other song. | 0:21:25 | 0:21:31 | |
-Gwynn had composed it. | 0:21:31 | 0:21:33 | |
-That was the winning song -in the competition. | 0:21:34 | 0:21:38 | |
-It was Diolch I'r Ior. | 0:21:38 | 0:21:39 | |
-It was Diolch I'r Ior. - -Yes, that's right. | 0:21:39 | 0:21:41 | |
-Few know that Diolch I'r Ior -was composed for a competition... | 0:21:41 | 0:21:46 | |
-..by T Gwynn Jones -for your mother to sing. | 0:21:47 | 0:21:49 | |
-I've got the original copy -of the song at home. | 0:21:50 | 0:21:53 | |
-He wrote "To Sassie" on it. | 0:21:54 | 0:21:57 | |
-They also recorded the song. | 0:21:58 | 0:22:00 | |
-A lot of people -have recorded that song. | 0:22:00 | 0:22:04 | |
-The song was immortalised -by Parti'r Ffynnon. | 0:22:04 | 0:22:08 | |
-It's been so interesting -to chat with you. | 0:22:09 | 0:22:12 | |
-We'd be hear all night if we started -talking about the Noson Lawen days! | 0:22:13 | 0:22:18 | |
-Thank you both for being here. | 0:22:18 | 0:22:21 | |
-Thanks to Olwen, Johnny, -Deiniol and Kate... | 0:22:21 | 0:22:26 | |
-..and to you for watching. | 0:22:26 | 0:22:29 | |
-Join me, same time, -same place, next week. | 0:22:29 | 0:22:33 | |
-We'll close tonight's programme... | 0:22:33 | 0:22:36 | |
-..with a little tribute -to T Gwynn Jones. | 0:22:36 | 0:22:40 | |
-This song was composed -at the birth of his daughter. | 0:22:40 | 0:22:44 | |
-The song is called Angharad. | 0:22:45 | 0:22:48 | |
-# She roamed to China, -Japan and to India | 0:22:48 | 0:22:54 | |
-# Siam and Bermuda | 0:22:54 | 0:22:57 | |
-# And the shores of Peru | 0:22:57 | 0:23:00 | |
-# She bid farewell to Arfon | 0:23:01 | 0:23:04 | |
-# To Maldwyn and Meirion | 0:23:04 | 0:23:07 | |
-# And she sailed to all -these remote places to live | 0:23:07 | 0:23:14 | |
-# Angharad, my sweetheart | 0:23:14 | 0:23:18 | |
-# When will you return? | 0:23:18 | 0:23:22 | |
-# I'm waiting for you -with my arms open wide | 0:23:22 | 0:23:29 | |
-# Come quickly, my darling | 0:23:29 | 0:23:32 | |
-# To your dear old country | 0:23:33 | 0:23:36 | |
-# Come back | 0:23:36 | 0:23:42 | |
-# Come back tonight # | 0:23:44 | 0:23:52 | |
-S4C Subtitles by Tinopolis | 0:24:14 | 0:24:16 | |
-. | 0:24:16 | 0:24:17 |