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THIS PRO-GRAHAM CONTAINS SOME STRONG LANGUAGE -- PROGRAMME | :00:18. | :00:28. | |
:00:28. | :00:43. | ||
HELLO, YOU. Welcome to the Grosvenor House Hotel, here in | :00:43. | :00:51. | |
London's West End for the Mercury Prize, 2011 awards show. Last year | :00:51. | :00:54. | |
the XX scoped the prize. We will find out who has won this time | :00:54. | :01:04. | |
:01:04. | :01:06. | ||
around. We are here with you on BBC Two and BBC HD until 10.30pm. For | :01:06. | :01:10. | |
more press red. Radio coverage continues on radio 6 Music. I am | :01:10. | :01:14. | |
about to hook up with tonight's first guest. First let's look at | :01:15. | :01:24. | |
:01:25. | :01:29. | ||
the nominees arriving earlier I've got so many friends that are | :01:29. | :01:34. | |
nominated like Katy B and Adele. All the albums are incredible. I'm | :01:35. | :01:38. | |
chuffed. Everyone's had a great album. Everyone's put so much of | :01:38. | :01:44. | |
their heart and soul into it. celebrates good work, not how | :01:44. | :01:48. | |
commercial you are. How do you judge a D-Day against a band, | :01:48. | :01:52. | |
against a piano player? It is difficult to do that. I am trying | :01:52. | :01:59. | |
to get myself comfortable. We've done a sweep-stake. We all have | :01:59. | :02:04. | |
different favourites. I really like Adele's voice. It is a soulful | :02:04. | :02:08. | |
voice. It is not really talked about. You don't want to share out | :02:08. | :02:14. | |
the money before you find out you've won. Nerves and excitement | :02:14. | :02:18. | |
on the red carpet. Joining me now, a gentleman who has experienced all | :02:18. | :02:23. | |
sides of the Mercury. You have been dominated a couple of years ago | :02:23. | :02:27. | |
with your band The Invisible. You judged as well. This year you | :02:27. | :02:33. | |
appear on a nominated album. You have seen it all, really. How do | :02:33. | :02:39. | |
the nominees feel tonight? How it is down there? It has been exciting. | :02:39. | :02:45. | |
It is a great list. Some great records. I would be happy if all | :02:45. | :02:52. | |
won. You know some of the acts. You are on Anna Calvi's record. How do | :02:52. | :02:57. | |
you fancy her chances? She would be a deserving winner. It is an | :02:57. | :03:02. | |
incredible record. Stay with us. Best of luck. First of all, let's | :03:02. | :03:12. | |
:03:12. | :03:12. | ||
Apology for the loss of subtitles for 46 seconds | :03:12. | :03:59. | |
look at the list of nominees OK, so I've got some more people | :03:59. | :04:04. | |
joining me to give me their qualifyed two pennies. I have | :04:04. | :04:07. | |
Miranda Sawyer and Shaun Keaveny. Welcome to you both. Thank you for | :04:07. | :04:16. | |
having us. It is the 20th Mercury, which was won the first time by | :04:16. | :04:20. | |
Primal Scream. There is not a big all-out rock act, which there | :04:20. | :04:26. | |
normally is, at some point. If you think about acts like Tinie Tempah, | :04:26. | :04:30. | |
Katy B, Ghostpoets, James Blake - they've all come from the dance | :04:30. | :04:35. | |
scene, but they are making different music, very versatile in | :04:35. | :04:43. | |
a way we've not had in a while. favour a face-melting guitar solo. | :04:43. | :04:48. | |
Are you sad at the lack of rock? That is why I am glad Anna Calvi is | :04:48. | :04:51. | |
here. She represents the guitar. Everything Everything, a Little | :04:51. | :04:56. | |
Rocky. It is not all about the rock. I do have my subtle side as well. | :04:56. | :05:02. | |
You are a complex man. I enjoy all that. There is a folky side, a | :05:02. | :05:06. | |
dancey side to it. Wondering which way it will go is interesting. | :05:06. | :05:10. | |
this point in the evening a lot of people will think, yes it is all | :05:10. | :05:14. | |
decided. Is it possible the judges could still be making their minds | :05:14. | :05:18. | |
up? Very much so. There's no way of predicting what is happening in | :05:18. | :05:22. | |
that room. It is essentially an honest discussion about people's | :05:22. | :05:27. | |
honest opinions and seeing whether they can converge in some way. | :05:27. | :05:31. | |
There is a lot of shouting - I think that is the year I was on the | :05:31. | :05:34. | |
panel. It was my fault. Let's look at some of the clips of | :05:34. | :05:43. | |
performances we have enjoyed here in the lovely Great Room of grove | :05:43. | :05:48. | |
nor House. # A live style | :05:48. | :05:52. | |
# Eat your heart out # Put your arms out | :05:52. | :05:55. | |
# I've got so many # Disturbing London | :05:55. | :06:05. | |
:06:05. | :06:27. | ||
# Desire # These are the words | :06:27. | :06:37. | |
:06:37. | :07:09. | ||
# These, these, little words, So, a taste of the first few short | :07:09. | :07:14. | |
listed artists there. Right, let's discuss them. Starting with one of | :07:14. | :07:21. | |
the Babies of the bunch, Adele, 22. Rascal, won it at 19. Could he do | :07:21. | :07:26. | |
it this year? It is unlikely he'll win. It should be there. I think | :07:26. | :07:30. | |
what is interesting about Tinie, if you think about his first track | :07:31. | :07:34. | |
from that album, it was an underground track that took over | :07:34. | :07:39. | |
the world. You saw that performance. He's now playing stadiums. He's out | :07:40. | :07:44. | |
there doing all the festivals. His record is essentially, it came from | :07:44. | :07:49. | |
the urban underground sound. It is now the sound of suburban Britain. | :07:49. | :07:53. | |
It is everywhere, you know. different tip Anna Calvi. I will | :07:53. | :08:02. | |
not ask you. You might be biased! Why have you been beguiled by her | :08:02. | :08:06. | |
album? That incredible noise she makes. She has a powerful voice, | :08:06. | :08:16. | |
for one so bird-like and small and delicate. It is like Roy Orbison. | :08:16. | :08:23. | |
It sound like it could come from anywhere in the last 50 years. | :08:23. | :08:28. | |
24th album by Gwilym Simcock has been nominated. Obviously a jazz | :08:28. | :08:34. | |
one. There's always a jazz one at the Mercury. Is it important to | :08:34. | :08:39. | |
keep the genres broad here? It is great if you can think of music as | :08:39. | :08:43. | |
music and not see genre distinctions. In a way the Mercury | :08:43. | :08:46. | |
celebrates that by having a broad spectrum of different types of | :08:47. | :08:51. | |
music. I think it is great that great instrumentalists and | :08:51. | :08:58. | |
composers are represented at this award. I was converted to that. A | :08:58. | :09:03. | |
quick thought on PJ Harvey. She won it ten years ago. It is hard to sum | :09:03. | :09:07. | |
her up. She is such an important figure in music. She should win. | :09:07. | :09:14. | |
She did anal dumb of -- album of protest songs. When she performs, | :09:14. | :09:20. | |
she performs a jolly song about limbs of soldiers in trees. It is | :09:20. | :09:26. | |
an amazing piece of work. A complete work of songs, treated | :09:26. | :09:30. | |
beautifully. She is the bookie's favourite. We will find out, the | :09:30. | :09:40. | |
:09:40. | :09:53. | ||
announcement is imminent. Now let's # You may have the money | :09:53. | :09:56. | |
# You've got to go # It's sensible | :09:56. | :10:06. | |
:10:06. | :10:20. | ||
# I won't let you fall # I promise to crawl | :10:20. | :10:30. | |
:10:30. | :10:39. | ||
# I feel it easy to resume # This year, I swear | :10:39. | :10:49. | |
:10:49. | :11:04. | ||
# All that I know is I'm falling Glimpses of some earlier | :11:04. | :11:06. | |
performances from here at the Mercury Prize F you wonder how to | :11:06. | :11:10. | |
see more, it's easy. Stay with us until the end of the show then | :11:10. | :11:16. | |
press your red button and you can see all of those performances in | :11:16. | :11:20. | |
full. We've had to say goodbye to Dave. | :11:20. | :11:24. | |
He's gone to take up his seat downstairs. So important is this | :11:24. | :11:29. | |
announcement, let's dissect the next four. Gwilym Simcock has done | :11:29. | :11:33. | |
24 records. King Creosote, who we saw there with Jon Hopkins is now | :11:33. | :11:39. | |
on to his 40th. It's showing off, isn't it? He's an incredible figure | :11:39. | :11:43. | |
in the folk scene. Very, very important. What do you think of his | :11:43. | :11:49. | |
records? He's one of the -- it's one of the most emotionally- | :11:49. | :11:53. | |
affecting records. There was not a dry eye in the house. As far as the | :11:53. | :11:57. | |
record is concerned, on that basis, I think it is one of the favourites. | :11:57. | :12:05. | |
Whether it is cutting edge enough. 7-1. William Hill lose �40,000 if | :12:05. | :12:10. | |
he wins. Do you think it is a bitter pill. Good news for him if | :12:10. | :12:16. | |
it happens. What about Metronomy? The English Riviera. It is so | :12:16. | :12:20. | |
imagining a great scene. basically moved away from his home | :12:20. | :12:27. | |
town. Then he wanted to make it like a Roman tick version. It is a | :12:27. | :12:34. | |
brand of -- romantic version. It is a brand of English seaside. They | :12:34. | :12:39. | |
did a beautiful performance as well. They had the shoplifter tags that | :12:39. | :12:47. | |
glowed in the dark. I loved beats going on. James Blake is one of | :12:47. | :12:52. | |
your favourites. Do you think he could win? He's my favourite to win. | :12:52. | :12:56. | |
I think he's - there's something about that, it is like a future | :12:56. | :13:03. | |
blues he does. Tonight, again, an incredibly emotional performance. | :13:03. | :13:08. | |
Briefly, Katy B, On A Mission? has a good chance. It's a dance | :13:08. | :13:14. | |
record she does not wail. She has an honest voice. The lyrics are | :13:14. | :13:19. | |
fantastic about what it's like to go clubbing. It's a great record. | :13:19. | :13:29. | |
:13:29. | :13:30. | ||
# Baby # I have an old story to be told | :13:30. | :13:34. | |
# I'm going to make your head burn # Think of me | :13:34. | :13:44. | |
:13:44. | :14:13. | ||
# I had a couple of drinks # A little bit | :14:14. | :14:23. | |
:14:24. | :14:26. | ||
# I'll pick you up # Just carry me home # | :14:26. | :14:36. | |
:14:36. | :14:48. | ||
# You were a freshly painted angel # Walking on walls | :14:48. | :14:55. | |
# Nobody knows me at home anymore. Press the red button if you want to | :14:55. | :15:05. | |
:15:05. | :15:06. | ||
see that. Let's start with one artist's record. What are your | :15:06. | :15:10. | |
thoughts? What was fantastic is it was a VT. Everyone else was live. | :15:10. | :15:16. | |
How well do we know that song. Everybody just shut up. It's an | :15:16. | :15:18. | |
amazingly passionate, enormous record that perhaps should be | :15:18. | :15:22. | |
considered, you know? Just because it's big because everybody knows it | :15:22. | :15:25. | |
doesn't mean it's not great record. There are some fantastic songs in | :15:25. | :15:30. | |
there, so fantastic you think you know them before they have even | :15:30. | :15:34. | |
started. Everything Everything, a Manchester-based band with a kind | :15:34. | :15:39. | |
of art-rock sound I know you find quite energetic and beguiling. Why | :15:39. | :15:42. | |
is that? I don't know. I remember speaking to the bass player about | :15:42. | :15:49. | |
it, and he described it as 21st century sex music. Quite frantic | :15:49. | :15:55. | |
sex. Very in places. Falsetto in some places. Let's not go too | :15:55. | :16:00. | |
deeply into this. Mercifully, we're pressed for this. I am joined to | :16:00. | :16:05. | |
the other end of the spectrum, Ghostpoet, Peanut Butter Blues and | :16:05. | :16:08. | |
Melancholy Jam. A lot of people are talking to me about him today. What | :16:08. | :16:14. | |
do you make of him? A reason to talk about him is he's an amazing | :16:14. | :16:20. | |
lyricist. One of the tracks he's done is called Survivor. He's seen | :16:20. | :16:27. | |
the point of view from my age, 44, how his life turns out. I think, he | :16:27. | :16:32. | |
can't be 44. It's too good. Lyrically, it's spot on. Finally, | :16:32. | :16:37. | |
2008 winners Elbow, do you think they can win it again? I don't know. | :16:37. | :16:41. | |
It's never happened that somebody has won twice. Just speaking to | :16:41. | :16:45. | |
them, you think they really want to win it. I think they would prefer | :16:45. | :16:50. | |
someone else to get a leg-up. They're just great for hugginging, | :16:50. | :16:54. | |
aren't they, built for huging? Listen. It's almost time for that | :16:54. | :16:56. | |
all-important announcement. I am going to actually head down there | :16:56. | :17:01. | |
into the merry throng to get closer to the action. Before I do, why | :17:01. | :17:08. | |
don't Wen joy some memorable moments from the past 20 Mercury | :17:08. | :17:12. | |
Prizes. The Mercury Prize usually features | :17:12. | :17:19. | |
several debuts, a veteran artist, some rockers, a young folky | :17:19. | :17:22. | |
singer/songwriter, Radiohead and a sprinkling of experimental jazz. | :17:22. | :17:26. | |
am like a contrast between an orange and a spaceship and a potted | :17:26. | :17:30. | |
plant and a spoon. Over the years we have seen some fantastic | :17:30. | :17:36. | |
performances at the awards. One of the most memorable was a | :17:36. | :17:45. | |
poignant tour de force in 2007. winner is... The tension on the | :17:45. | :17:55. | |
:17:55. | :17:56. | ||
floor is genuine. As the result is only decided shortly before Jools's | :17:56. | :18:00. | |
announcement. Elbow. The winners have included 13 debut albums and | :18:00. | :18:08. | |
few surprises. Some winners are emotional. Thank you very much. | :18:08. | :18:13. | |
Some gracious. Somebody call 999. Somebody has been robbed. Some | :18:13. | :18:19. | |
speechless. Some lose their money... There's the cheque. And some like | :18:20. | :18:24. | |
Klaxons lose the plot. Make sense for us, please. | :18:25. | :18:29. | |
My word. I'll never forget that sweaty 3.00am embrace from Klaxons | :18:29. | :18:33. | |
as they won that. The atmosphere here on the floor is, well, pretty | :18:33. | :18:36. | |
much intense, really, I suppose, is the way to describe it. I am here | :18:36. | :18:41. | |
in the press bit. I can see the judges' table over there. I can see | :18:41. | :18:46. | |
Adele's table slap bang over there, the nominees. I think Dave is here. | :18:46. | :18:50. | |
Come over. How has your night been so far? It has been really, really | :18:50. | :18:54. | |
lovely. Yeah, it has been great, fantastic. Some fab performances. | :18:54. | :19:00. | |
Amazing. How is it down on your table? Look. There is your Anna | :19:00. | :19:04. | |
looking beautiful. How is she feeling? She says she was slightly | :19:04. | :19:08. | |
nervous, but you can never tell when she's on stage because she's | :19:08. | :19:13. | |
so authoritative. She takes charge. She really does. I like that in a | :19:13. | :19:16. | |
woman. Who do you think will win? Do you have a feeling in your | :19:16. | :19:19. | |
bones? Not really. I think it's impossible to tell, and I think | :19:19. | :19:27. | |
there is a lot of albums on this list that deserve to win. I really | :19:27. | :19:34. | |
love Anna Calvi's album, Ghostpoet. PJ Harvey's album is mind-blowing. | :19:34. | :19:39. | |
You're a conflicted man! In a way it's a terrible thing to see. | :19:39. | :19:42. | |
falling apart. Dave's difficulties must end. It's time for the | :19:42. | :19:46. | |
announcement, time to find out that all-important winner, so right now | :19:46. | :19:56. | |
:19:56. | :20:06. | ||
Welcome back to the 2011 Barclaycard Mercury Prize. | :20:06. | :20:14. | |
APPLAUSE How lovely to see you. Yes! The | :20:14. | :20:18. | |
Barclaycard Mercury Prize 2011. Congratulations, of course, to all | :20:18. | :20:23. | |
of the superb 12 artists that were involved, and before I reveal the | :20:23. | :20:26. | |
overall winner, let's remind ourselves of those 12 excellent | :20:26. | :20:36. | |
:20:36. | :20:36. | ||
Apology for the loss of subtitles for 46 seconds | :20:36. | :21:26. | |
There we are, 12 fantastic albums, and 12 fantastic artists. The | :21:26. | :21:31. | |
moment of truth is drawing closer. The panel of esteemed judges have | :21:31. | :21:36. | |
been sitting in their robes in their sealed chamber debating right | :21:36. | :21:39. | |
up until the very last moment tonight. They should have now - | :21:39. | :21:43. | |
they have now reached their decision, which has been based | :21:43. | :21:48. | |
purely upon the music on the album. There are 12 albums, but only one | :21:48. | :21:56. | |
can be the overall winner, and in this envelope I have the cheque, so | :21:56. | :21:58. | |
I won't open that. LAUGHTER | :21:58. | :22:02. | |
I'll just put this carefully here, but do remind me to give it to the | :22:02. | :22:06. | |
artist, won't you? But in this envelope I have the winner, so | :22:06. | :22:12. | |
let's without further adieu open it up - get to the point! | :22:12. | :22:22. | |
:22:22. | :22:26. | ||
The winner of the 2011 Barclaycard Mercury Prize is PJ Harvey for his | :22:26. | :22:29. | |
album Let England Shake. CHEERING AND APPLAUSE | :22:29. | :22:39. | |
:22:39. | :22:48. | ||
Please stand aside and allow PJ Harvey to the stage to collect a | :22:48. | :22:58. | |
:22:58. | :23:12. | ||
well-deserved award and nicely written-out cheque. | :23:12. | :23:19. | |
After you. OK. Well, first of all, I would like to say thank you very | :23:19. | :23:24. | |
much for this award. And thank you for the recognition of my work on | :23:24. | :23:33. | |
this album. It's actually very good to be here this evening because | :23:33. | :23:39. | |
when I last won, which was ten years ago on September 11th 2001, I | :23:39. | :23:44. | |
was in Washington, DC watching the Pentagon burning from my hotel | :23:44. | :23:50. | |
window, so it's good to be here, and so much has happened since then. | :23:50. | :23:55. | |
This album took me a long time to write, and it was very important to | :23:55. | :24:00. | |
me. I wanted to make something that was meaningful not just for myself, | :24:00. | :24:08. | |
but for other people and hopefully to make something that would last, | :24:08. | :24:14. | |
and I'd like to thank some people also. I'd like to thank the people | :24:14. | :24:21. | |
that have supported me throughout my career for over 20 years - my | :24:21. | :24:25. | |
manager, Paul McGuinness and Sally Ann McCuean. | :24:25. | :24:32. | |
APPLAUSE My record company, Island Records. | :24:32. | :24:42. | |
:24:42. | :24:45. | ||
APPLAUSE My agent Jeff Craft. Thank you. | :24:45. | :24:48. | |
APPLAUSE And those who helped me make the | :24:48. | :24:57. | |
record Let England Shake, and those people are Flood, Rob Kerwyn, John | :24:57. | :25:07. | |
:25:07. | :25:14. | ||
Perish, Mick Harvey and John Mark Let's hear it once again for the | :25:14. | :25:24. | |
:25:24. | :25:38. | ||
wonderful PJ Harvey. OK. I'm back on the balcony with | :25:38. | :25:41. | |
Miranda, Shaun and judge Corinne Bailey Rae. How us the was it this | :25:41. | :25:44. | |
year? It was a tough decision because there were so many great | :25:44. | :25:48. | |
records, but we were all in agreement about this album that it | :25:48. | :25:52. | |
just stands out. It's incredible in its scope and in its style of | :25:53. | :25:58. | |
writing, the music, the songs and just the lyrics as well - it stands | :25:58. | :26:02. | |
out as being really imaginative and almost sin thatmatic. It was a | :26:02. | :26:04. | |
great record. Absolutely. What do you think this record says about | :26:05. | :26:09. | |
British music in 2011? Because that's part of the judging | :26:09. | :26:15. | |
criteria? What do you think it says about our music scene? I think it | :26:15. | :26:22. | |
says a lot about what it means to be English, how you can be proud of | :26:22. | :26:29. | |
your country with so much knowledge of the atrocities that England | :26:29. | :26:32. | |
perpetuates and has perpetuated in the world, so it's this heavy | :26:32. | :26:37. | |
record about war, destruction, hope and change, but also she carries it | :26:37. | :26:43. | |
in such a beautiful way, and, you know, the language and the | :26:43. | :26:47. | |
musicality really do set it apart, so I think it says a lot about | :26:47. | :26:50. | |
Britishness rather than what it's about to be in Britain today. | :26:50. | :26:54. | |
were desperate for her to win. You punched the air when she won. | :26:54. | :26:59. | |
really pleased. Why? I thought she might not win because she's won it | :26:59. | :27:03. | |
before, but I think it's fantastic to acknowledge an artist can last a | :27:03. | :27:07. | |
long time. These awards have been going a long time. Some are going | :27:07. | :27:12. | |
to get nominated again, and if they make a great album, let them win it. | :27:12. | :27:15. | |
Since it has been out I have played it over and over. It's a great | :27:16. | :27:20. | |
record. A short word because we have Pauley arriving any second. | :27:20. | :27:24. | |
Extremely exciting. If it can happen to anybody, it can happen to | :27:24. | :27:28. | |
PJ Harvey. She's here now. She is. Bring her in. Thank you very much, | :27:28. | :27:30. | |
guys. Lovely to see you. Congratulations. As you mentioned | :27:30. | :27:34. | |
in your speech, you have won once before, which was a very different | :27:34. | :27:39. | |
evening to tonight. How do you feel It feels absolutely wonderful I | :27:39. | :27:43. | |
mean, to actually be here, but also to win it for this record, and this | :27:43. | :27:47. | |
record means such a lot to me, and I knew I'd put everything I could | :27:47. | :27:52. | |
into it, and it's just wonderful to have the recognition come back that | :27:52. | :27:58. | |
other people have appreciated it, so... It was recorded in 19th | :27:58. | :28:02. | |
century church, wasn't it? Was the recording experience - presumably a | :28:02. | :28:08. | |
million miles away from this. Was it an intense experience? It was | :28:08. | :28:11. | |
the most enjoyable time I have ever had recording a record. It was very | :28:11. | :28:15. | |
quick. We recorded it in five weeks, and it was just a wonderful | :28:15. | :28:18. | |
atmosphere there in the church and amongst the people that were | :28:18. | :28:23. | |
working on it. We had the best and the happiest time making it. Well, | :28:23. | :28:26. | |
congratulations. Thank you again. Hit the red button if you want more | :28:26. | :28:30. | |
mercurys at the end of the show. For now, we will bid you goodbye | :28:30. | :28:40. | |
:28:40. | :28:40. | ||
Apology for the loss of subtitles for 46 seconds | :28:40. | :29:26. | |
with the winner of this year's # What if I take my problem to the | :29:26. | :29:29. | |
United Nations? # What if I take my problem to the | :29:29. | :29:32. | |
United Nations? # What if I take my problem to the | :29:32. | :29:40. | |
United Nations? # What if I take my problem to the | :29:40. | :29:44. | |
United Nations? # What if I take my problem to the | :29:44. | :29:54. | |
:29:54. | :29:58. |