Browse content similar to Alun James. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-888 | 0:00:00 | 0:00:00 | |
-888 - -888 | 0:00:00 | 0:00:02 | |
-888 | 0:00:07 | 0:00:09 | |
-888 | 0:00:14 | 0:00:16 | |
-888 | 0:00:21 | 0:00:23 | |
-Thank you. | 0:00:36 | 0:00:37 | |
-Good evening, and a very warm -welcome to NOSON LAWEN... | 0:00:39 | 0:00:43 | |
-..from Maestroiddin Fawr farm, -Pumsaint. | 0:00:43 | 0:00:47 | |
-It's between -Lampeter and Llanwrda.. | 0:00:48 | 0:00:52 | |
-..for those of you -who are unfamiliar with the area. | 0:00:52 | 0:00:55 | |
-The Romans dug for gold here -in days gone by, so they say. | 0:00:55 | 0:00:59 | |
-But tonight, -our treasure is the talent on stage. | 0:00:59 | 0:01:03 | |
-Without further ado, I'd like you -to give a warm welcome... | 0:01:03 | 0:01:07 | |
-..to a very talented -young woman from north Wales. | 0:01:08 | 0:01:11 | |
-I'm sure -you'll enjoy her performance. | 0:01:12 | 0:01:14 | |
-Please welcome Tara Bethan. | 0:01:14 | 0:01:17 | |
-# You get your coat at midnight | 0:01:37 | 0:01:40 | |
-# And slam the door behind you. | 0:01:41 | 0:01:44 | |
-# I cry, half hoping, -you'll never return | 0:01:45 | 0:01:51 | |
-# But now it's quarter to three -and I just can't sleep | 0:01:52 | 0:01:56 | |
-# On my own without you. | 0:01:56 | 0:01:59 | |
-# You're somewhere too, thinking | 0:02:01 | 0:02:04 | |
-# About us. | 0:02:05 | 0:02:06 | |
-# There's a man for every woman, -a woman for every man. O-ho. | 0:02:09 | 0:02:12 | |
-# We need to dry tears -and start again | 0:02:16 | 0:02:19 | |
-# Occasionally. | 0:02:19 | 0:02:21 | |
-# There's a man for every woman, -a woman for every man. | 0:02:23 | 0:02:27 | |
-# Things aren't always -black and white. | 0:02:27 | 0:02:31 | |
-# Don't leave me like this. O-ho. | 0:02:33 | 0:02:38 | |
-# There was a black cloud -above my world | 0:02:47 | 0:02:50 | |
-# I was uncertain and lonely, -on my own. | 0:02:50 | 0:02:54 | |
-# But with someone to have fun -and share experiences | 0:02:54 | 0:02:58 | |
-# The picture is complete. | 0:02:59 | 0:03:01 | |
-# There's a man for every woman, -a woman for every man. O-ho. | 0:03:03 | 0:03:07 | |
-# We need to dry tears -and start again | 0:03:10 | 0:03:13 | |
-# Occasionally. | 0:03:14 | 0:03:18 | |
-# There's a man for every woman, -a woman for every man. | 0:03:18 | 0:03:21 | |
-# Things aren't always -black and white | 0:03:22 | 0:03:25 | |
-# I want you back here. | 0:03:27 | 0:03:31 | |
-# Oh oh oh | 0:03:52 | 0:03:55 | |
-# A man for every woman | 0:03:56 | 0:03:57 | |
-# Oh | 0:03:58 | 0:03:59 | |
-# A woman for every man | 0:04:00 | 0:04:01 | |
-# A man for every woman | 0:04:02 | 0:04:04 | |
-# Things aren't always -black and white | 0:04:04 | 0:04:07 | |
-# A man for every woman, -a woman for every man | 0:04:08 | 0:04:12 | |
-# A man for every woman, -a woman for every man | 0:04:12 | 0:04:17 | |
-# A man for every woman, -a woman for every man. | 0:04:20 | 0:04:23 | |
-# Oh, yeah. | 0:04:23 | 0:04:24 | |
-# We need to dry tears -and start again | 0:04:27 | 0:04:30 | |
-# Occasionally. | 0:04:31 | 0:04:34 | |
-# There's a man for every woman, -a woman for every man. | 0:04:34 | 0:04:38 | |
-# Things aren't always -black and white. | 0:04:38 | 0:04:42 | |
-# I want you back here | 0:04:44 | 0:04:49 | |
-# I want you back here. # | 0:04:52 | 0:04:59 | |
-I'm looking forward to tonight. -I haven't been to this area before. | 0:05:14 | 0:05:18 | |
-It looks as if there'll be a fine -audience of country people here. | 0:05:18 | 0:05:22 | |
-The profit from tonight's show -goes towards next week's big show. | 0:05:22 | 0:05:26 | |
-I'm looking forward to a good night. | 0:05:26 | 0:05:28 | |
-The people of Ceredigion are always -a target for NOSON LAWEN presenters. | 0:05:31 | 0:05:35 | |
-I always receive a fine welcome -when I go to Ceredigion. | 0:05:35 | 0:05:39 | |
-A man from Ceredigion went -on an aeroplane for the first time. | 0:05:39 | 0:05:44 | |
-He was a bit nervous. -The pilot gave them bad news. | 0:05:44 | 0:05:49 | |
-He said that there was -a serious problem with the engines. | 0:05:50 | 0:05:55 | |
-The aeroplane had to crash land -in the ocean. | 0:05:56 | 0:06:00 | |
-There were several passengers. | 0:06:01 | 0:06:03 | |
-An old lady in the front seat... | 0:06:03 | 0:06:06 | |
-..knelt, to pray. | 0:06:06 | 0:06:09 | |
-A man sitting behind her -sang a hymn. | 0:06:10 | 0:06:14 | |
-A man further back -read a chapter from the Bible. | 0:06:14 | 0:06:18 | |
-The man from Ceredigion, -sitting at the back... | 0:06:19 | 0:06:21 | |
-..held out his cap -to take the collection. | 0:06:21 | 0:06:24 | |
-I'm sure you go to chapel or church. | 0:06:32 | 0:06:36 | |
-Here's a dying breed -in today's society... | 0:06:36 | 0:06:39 | |
-..the chapel caretaker, -like Mari Ty Capel. | 0:06:39 | 0:06:42 | |
-She would feed and look after -preachers every weekend... | 0:06:43 | 0:06:46 | |
-..particularly when annual -preaching festivals took place. | 0:06:47 | 0:06:50 | |
-Mari had welcomed a minister, -who couldn't drive. | 0:06:50 | 0:06:54 | |
-He arrived on the Saturday night -train, carrying his case. | 0:06:55 | 0:06:58 | |
-Mari gave him a hearty supper. | 0:06:59 | 0:07:01 | |
-He asked Mari if he could practise -his sermon for the Sunday service. | 0:07:01 | 0:07:06 | |
-He was slightly nervous. | 0:07:07 | 0:07:09 | |
-Mari said, "Go to the lounge, -to practise your sermon. | 0:07:09 | 0:07:13 | |
-"Once I've cleared the table, -I'll listen to you." | 0:07:14 | 0:07:18 | |
-When Mari went there, -she had a bit of a shock. | 0:07:18 | 0:07:21 | |
-The preacher was standing -on the sofa... | 0:07:21 | 0:07:24 | |
-..holding out his hands, -his sermon in full swing. | 0:07:25 | 0:07:29 | |
-Sunday morning came, -and he gave the sermon. | 0:07:29 | 0:07:32 | |
-It was a fine service -with an excellent sermon. | 0:07:33 | 0:07:35 | |
-Everyone said to Mari, "You've got -a good preacher staying with you. | 0:07:35 | 0:07:41 | |
-"What a nice man! He was excellent." | 0:07:42 | 0:07:44 | |
-Mari said, "Yes, he was -quite good this morning. | 0:07:44 | 0:07:48 | |
-"But nothing like he was -on the sofa last night." | 0:07:49 | 0:07:53 | |
-Next, we have two friends -from Cardigan for you. | 0:08:03 | 0:08:07 | |
-They're both national winners. | 0:08:07 | 0:08:09 | |
-Gwyn has won the bass solo... | 0:08:10 | 0:08:12 | |
-..and Robert -- the Welsh traditional solo. | 0:08:12 | 0:08:15 | |
-We've been singing -together for many years. | 0:08:15 | 0:08:19 | |
-We've sung in choirs like Cantorion -Teifi, Opera Teifi and Ar Ol Tri. | 0:08:19 | 0:08:23 | |
-We've sung solos, and duets -together for ten years now. | 0:08:24 | 0:08:29 | |
-We enjoy it. | 0:08:30 | 0:08:32 | |
-They're appearing for the first -time on NOSON LAWEN... | 0:08:32 | 0:08:36 | |
-..so I'm sure you'll give -a very warm welcome... | 0:08:36 | 0:08:40 | |
-..to Robert Jenkins and Gwyn Morris. | 0:08:40 | 0:08:42 | |
-# Watchman, tell of the night! | 0:09:07 | 0:09:12 | |
-# Will the first dews finely fall? | 0:09:13 | 0:09:17 | |
-# Will dawn's first sunbeams shine -on the moor | 0:09:18 | 0:09:23 | |
-# In sparkling white? | 0:09:23 | 0:09:28 | |
-# Night is waning now | 0:09:30 | 0:09:34 | |
-# Darkness flees. | 0:09:36 | 0:09:39 | |
-# Fresh morning, and blushing dawn | 0:09:41 | 0:09:45 | |
-# Shines in the firmament. | 0:09:46 | 0:09:49 | |
-# Night is waning | 0:09:50 | 0:09:55 | |
-# Darkness flees. | 0:09:56 | 0:10:00 | |
-# Fresh morning, and blushing dawn | 0:10:00 | 0:10:05 | |
-# Shines in the firmament. | 0:10:05 | 0:10:11 | |
-# But, Watchman, tell of the dawn | 0:10:21 | 0:10:26 | |
-# Full of sorrow and woe | 0:10:27 | 0:10:32 | |
-# When night's pleasure, -like a lovely moon | 0:10:33 | 0:10:37 | |
-# Starts to shine less brightly. | 0:10:38 | 0:10:42 | |
-# Night will inevitably come | 0:10:44 | 0:10:49 | |
-# To your soul, with its woe. | 0:10:50 | 0:10:54 | |
-# But clouds will scatter -every sorrow | 0:10:55 | 0:11:00 | |
-# When merry morning comes. | 0:11:00 | 0:11:04 | |
-# Night will inevitably come | 0:11:05 | 0:11:10 | |
-# To my soul, and all its woe. | 0:11:11 | 0:11:14 | |
-# But clouds will scatter -every sorrow | 0:11:14 | 0:11:19 | |
-# When merry morning comes. | 0:11:19 | 0:11:25 | |
-# But, Watchman, tell of the night | 0:11:38 | 0:11:42 | |
-# When Death's arrow strikes true | 0:11:43 | 0:11:48 | |
-# When the grave, -beyond any sweet star's light | 0:11:51 | 0:11:58 | |
-# Beyond any sweet star's light | 0:11:59 | 0:12:03 | |
-# Will be my final abode | 0:12:05 | 0:12:09 | |
-# Will be my final abode. | 0:12:11 | 0:12:17 | |
-# Night approaches | 0:12:18 | 0:12:22 | |
-# And the sombre grave | 0:12:23 | 0:12:27 | |
-# Wants your body in its grasp | 0:12:29 | 0:12:35 | |
-# Until morning breaks | 0:12:40 | 0:12:46 | |
-# On the eternal day | 0:12:46 | 0:12:50 | |
-# And night will disappear | 0:12:50 | 0:12:53 | |
-# And night will disappear | 0:12:54 | 0:12:58 | |
-# Until morning breaks | 0:12:59 | 0:13:04 | |
-# On the eternal day. | 0:13:04 | 0:13:08 | |
-# And night will disappear | 0:13:08 | 0:13:11 | |
-# And night will disappear | 0:13:12 | 0:13:15 | |
-# Until morning breaks | 0:13:16 | 0:13:20 | |
-# On the eternal day | 0:13:20 | 0:13:23 | |
-# And night will disappear | 0:13:24 | 0:13:28 | |
-# And night will disappear. | 0:13:28 | 0:13:33 | |
-# Until morning breaks | 0:13:34 | 0:13:38 | |
-# On the eternal day | 0:13:38 | 0:13:41 | |
-# And night will disappear | 0:13:42 | 0:13:47 | |
-# Disappear | 0:13:48 | 0:13:52 | |
-# Disappear. # | 0:13:53 | 0:13:58 | |
-888 | 0:14:15 | 0:14:17 | |
-Welcome back to NOSON LAWEN. | 0:14:23 | 0:14:25 | |
-If I said the name Hafodwenog, -you'd expect to see folk dancers... | 0:14:26 | 0:14:31 | |
-..or clog dancing. | 0:14:31 | 0:14:33 | |
-But tonight, -their feet are still for once. | 0:14:35 | 0:14:38 | |
-We're going to hear them sing. | 0:14:40 | 0:14:42 | |
-With conductor Sioned Page Jones... | 0:14:44 | 0:14:47 | |
-..give a warm welcome -to Cor Aelwyd Hafodwenog. | 0:14:47 | 0:14:51 | |
-# I was eleven years of age | 0:15:09 | 0:15:13 | |
-# Peering into the eyes of time. | 0:15:14 | 0:15:16 | |
-# I was eleven years of age | 0:15:17 | 0:15:20 | |
-# Weak, with no confidence. | 0:15:21 | 0:15:24 | |
-# I was so insignificant | 0:15:25 | 0:15:27 | |
-# Only a particle | 0:15:28 | 0:15:32 | |
-# On tiptoe | 0:15:32 | 0:15:35 | |
-# Reaching for the stars. | 0:15:36 | 0:15:40 | |
-# But I heard the moon -calling my name. | 0:15:41 | 0:15:48 | |
-# If you just listen | 0:15:49 | 0:15:52 | |
-# You'll hear it too. | 0:15:52 | 0:15:56 | |
-# King of the stars | 0:16:02 | 0:16:05 | |
-# There's a song that's unsung. | 0:16:05 | 0:16:08 | |
-# Climb up to the stars. | 0:16:09 | 0:16:14 | |
-# King of the stars | 0:16:15 | 0:16:18 | |
-# One candle can light -thousands of candles | 0:16:19 | 0:16:25 | |
-# King of the stars. | 0:16:26 | 0:16:28 | |
-# I was a little older | 0:16:41 | 0:16:44 | |
-# I'd peered into the eyes of time. | 0:16:45 | 0:16:48 | |
-# Only a little older | 0:16:48 | 0:16:51 | |
-# Growing in confidence. | 0:16:52 | 0:16:56 | |
-# There was a party in heaven | 0:16:57 | 0:16:59 | |
-# And dancing in the stars | 0:16:59 | 0:17:02 | |
-# The moon was singing | 0:17:02 | 0:17:05 | |
-# In an untidy tuxedo. | 0:17:07 | 0:17:10 | |
-# And he said | 0:17:12 | 0:17:15 | |
-# King of the stars | 0:17:17 | 0:17:19 | |
-# There's a song that's unsung. | 0:17:20 | 0:17:23 | |
-# Climb up to the stars. | 0:17:23 | 0:17:28 | |
-# King of the stars | 0:17:30 | 0:17:32 | |
-# One candle can light -thousands of candles | 0:17:33 | 0:17:39 | |
-# King of the stars. | 0:17:40 | 0:17:42 | |
-# I'm still here, -peering into the eyes of time. | 0:17:45 | 0:17:50 | |
-# I'm here | 0:17:51 | 0:17:54 | |
-# Filled with confidence. | 0:17:54 | 0:17:57 | |
-# Side by side with all I saw. | 0:17:58 | 0:18:04 | |
-# The symphony of the stars -in the great expanse. | 0:18:04 | 0:18:10 | |
-# I hear the moon calling my name | 0:18:16 | 0:18:23 | |
-# If you listen | 0:18:23 | 0:18:26 | |
-# You'll hear it too. | 0:18:27 | 0:18:30 | |
-# King of the stars | 0:18:36 | 0:18:38 | |
-# There's a song that's unsung. | 0:18:39 | 0:18:41 | |
-# Climb up to the stars. | 0:18:42 | 0:18:46 | |
-# King of the stars | 0:18:48 | 0:18:50 | |
-# One candle can light -thousands of candles | 0:18:51 | 0:18:57 | |
-# King of the stars. | 0:18:57 | 0:18:59 | |
-# There's a song that's unsung. | 0:19:01 | 0:19:04 | |
-# Climb up to the stars. | 0:19:04 | 0:19:09 | |
-# King of the stars | 0:19:10 | 0:19:13 | |
-# One candle can light | 0:19:13 | 0:19:16 | |
-# Thousands of candles | 0:19:16 | 0:19:21 | |
-# King of the stars | 0:19:22 | 0:19:29 | |
-# King of the stars. # | 0:19:32 | 0:19:36 | |
-Thank you. | 0:19:53 | 0:19:54 | |
-There was an unfortunate accident -in the village the other day... | 0:19:56 | 0:20:00 | |
-..involving a council worker. | 0:20:00 | 0:20:02 | |
-They were repairing the pavement... | 0:20:04 | 0:20:06 | |
-..from the school, -all the way through the village. | 0:20:06 | 0:20:09 | |
-It was to ensure -the children's safety. | 0:20:10 | 0:20:14 | |
-The four workers were shovelling -sand and cement... | 0:20:15 | 0:20:19 | |
-..into the mixer, by the road. | 0:20:20 | 0:20:22 | |
-They'd had new spades, -it was a Monday morning. | 0:20:22 | 0:20:26 | |
-So the spades were sharp. | 0:20:27 | 0:20:29 | |
-A spade struck the ear -of one of the workers. | 0:20:29 | 0:20:33 | |
-Unfortunately, it cut off his ear. | 0:20:34 | 0:20:38 | |
-It went into the concrete mixer. | 0:20:39 | 0:20:41 | |
-They got along well together. | 0:20:43 | 0:20:45 | |
-They took Will -to the Casuality in Cardigan. | 0:20:47 | 0:20:51 | |
-His co-workers did their best to get -hold of his ear in the cement. | 0:20:52 | 0:20:57 | |
-They found it an hour later. | 0:20:57 | 0:20:59 | |
-Off they went in the yellow lorry -to the hospital. | 0:21:00 | 0:21:04 | |
-They told Will, -"Good news, we've found your ear." | 0:21:05 | 0:21:09 | |
-Will looked at the ear and said, -"Never in Europe!" | 0:21:09 | 0:21:13 | |
-"That's not my ear!" | 0:21:14 | 0:21:15 | |
-The lads asked, "How do you know?" | 0:21:16 | 0:21:19 | |
-Will said, -"There was a pencil behind mine." | 0:21:19 | 0:21:23 | |
-I'd like you to welcome back -one of our brightest talents. | 0:21:34 | 0:21:37 | |
-I've never sung in this area before. | 0:21:39 | 0:21:41 | |
-I've been here, as my boyfriend -lives nearby, so I know the area. | 0:21:41 | 0:21:46 | |
-I haven't been on NOSON LAWEN -in south Wales before. | 0:21:46 | 0:21:51 | |
-It's new and exciting. But it's the -first time Mam and Dad haven't come. | 0:21:51 | 0:21:55 | |
-It's too far, they say. Charming! | 0:21:55 | 0:21:57 | |
-Please welcome back Tara Bethan! | 0:21:59 | 0:22:00 | |
-# Somewhere | 0:22:20 | 0:22:24 | |
-# Over the rainbow | 0:22:24 | 0:22:29 | |
-# Way up high | 0:22:30 | 0:22:35 | |
-# There's a land | 0:22:37 | 0:22:43 | |
-# That I heard of | 0:22:43 | 0:22:46 | |
-# Once in a lullaby. | 0:22:47 | 0:22:51 | |
-# Somewhere | 0:22:54 | 0:22:58 | |
-# Over the rainbow | 0:22:59 | 0:23:04 | |
-# Skies are blue. | 0:23:06 | 0:23:11 | |
-# And the dreams | 0:23:11 | 0:23:17 | |
-# That you dare to dream | 0:23:19 | 0:23:22 | |
-# Really do come true. | 0:23:22 | 0:23:27 | |
-# Some day | 0:23:29 | 0:23:31 | |
-# I'll wish upon a star | 0:23:31 | 0:23:34 | |
-# And wake up where the clouds -are far behind me | 0:23:35 | 0:23:41 | |
-# Where troubles melt -like lemon drops | 0:23:46 | 0:23:50 | |
-# Away above the chimney pots | 0:23:51 | 0:23:54 | |
-# That's where you'll find me. | 0:23:56 | 0:24:01 | |
-# Some day, I'll wish upon a star | 0:24:36 | 0:24:41 | |
-# And wake up where the clouds -are far behind me | 0:24:43 | 0:24:48 | |
-# Where troubles melt -like lemon drops | 0:24:53 | 0:24:58 | |
-# Away above the chimney tops | 0:24:58 | 0:25:01 | |
-# That's where you'll find me. | 0:25:02 | 0:25:08 | |
-# Somewhere | 0:25:12 | 0:25:15 | |
-# Over the rainbow | 0:25:15 | 0:25:21 | |
-# Bluebirds fly. | 0:25:23 | 0:25:25 | |
-# Birds fly | 0:25:26 | 0:25:30 | |
-# Over the rainbow | 0:25:33 | 0:25:37 | |
-# Why then, oh why can't I? | 0:25:38 | 0:25:42 | |
-# If happy little bluebirds fly | 0:25:44 | 0:25:49 | |
-# Beyond the rainbow | 0:25:51 | 0:25:54 | |
-# Why? | 0:25:55 | 0:25:58 | |
-Oh, why can't I? | 0:25:59 | 0:26:04 | |
-888 | 0:26:27 | 0:26:29 | |
-Welcome back to NOSON LAWEN -from Carmarthenshire. | 0:26:34 | 0:26:37 | |
-It's good to see young people -in functions like this. | 0:26:37 | 0:26:40 | |
-Our next guest started to play -the harp at the age of three. | 0:26:41 | 0:26:44 | |
-Since then, he has won many prizes. | 0:26:45 | 0:26:47 | |
-He's also released a CD, -and he's still only nine years old. | 0:26:47 | 0:26:52 | |
-I'm sure you'll give a warm welcome -to Ben Creighton-Griffiths. | 0:26:54 | 0:26:58 | |
-John and Mari had been -married for years... | 0:29:23 | 0:29:27 | |
-..and had celebrated -their Ruby Wedding. | 0:29:27 | 0:29:29 | |
-Unfortunately, John was very poorly, -and was in bed. | 0:29:29 | 0:29:33 | |
-On his deathbed, actually. | 0:29:34 | 0:29:36 | |
-He talked to Mari -about the children's successes. | 0:29:37 | 0:29:41 | |
-They had four sons. | 0:29:41 | 0:29:43 | |
-He said, "The three eldest sons -have done well, and have good jobs. | 0:29:44 | 0:29:50 | |
-"One's a doctor, one's an -accountant, and one a solicitor. | 0:29:51 | 0:29:55 | |
-"But I'm very disappointed -in the youngest. | 0:29:56 | 0:30:00 | |
-"He didn't arrive -until ten years after the others. | 0:30:00 | 0:30:04 | |
-"He doesn't stick at anything. -He doesn't like work at all. | 0:30:04 | 0:30:08 | |
-"I want to ask you something, Mari, -before I leave this life. | 0:30:10 | 0:30:14 | |
-"Am I young Willy's father?" | 0:30:16 | 0:30:19 | |
-Mari replied, "With hand on my -heart, I can say you're the father." | 0:30:21 | 0:30:27 | |
-She blushed a little, -and left the room quite suddenly. | 0:30:28 | 0:30:32 | |
-She shut the door and said... | 0:30:32 | 0:30:34 | |
-.."Thank goodness he didn't ask who -was the father of the other three." | 0:30:34 | 0:30:38 | |
-People make a lot of fuss -of birthdays these days. | 0:30:48 | 0:30:52 | |
-Did you ladies know that -an article of clothing you wear... | 0:30:53 | 0:30:57 | |
-..to go to the seaside, -is 60 years old this year? | 0:30:58 | 0:31:02 | |
-The bikini. | 0:31:03 | 0:31:05 | |
-They made several alterations to it. | 0:31:05 | 0:31:08 | |
-It shows more and hides less. | 0:31:10 | 0:31:12 | |
-I've written a proverb -to celebrate its birthday. | 0:31:15 | 0:31:19 | |
-A bikini is like wire netting. | 0:31:20 | 0:31:22 | |
-It defends the property... | 0:31:24 | 0:31:26 | |
-..without spoiling the scenery. | 0:31:26 | 0:31:29 | |
-Talking of birthdays, -have you come across people... | 0:31:31 | 0:31:34 | |
-..who insist on knowing your age? | 0:31:35 | 0:31:37 | |
-I've got a proverb -about age, for us men. | 0:31:39 | 0:31:42 | |
-A man is as old as he looks. | 0:31:43 | 0:31:45 | |
-And if he only looks... | 0:31:47 | 0:31:49 | |
-..he's too old. | 0:31:50 | 0:31:51 | |
-Aelwyd Hafodwenog -was established in 1979. | 0:32:02 | 0:32:06 | |
-So they've celebrated -their quarter century. | 0:32:06 | 0:32:10 | |
-We all wish them another -quarter century of success... | 0:32:10 | 0:32:14 | |
-..entertaining people -all over Wales. | 0:32:15 | 0:32:18 | |
-This time, -with conductor Elen Thomas... | 0:32:19 | 0:32:22 | |
-..welcome back Cor Aelwyd Hafowenog. | 0:32:22 | 0:32:25 | |
-# The sun and yesterday's shadows | 0:32:43 | 0:32:49 | |
-# Created our today. | 0:32:49 | 0:32:54 | |
-# Pain and joy | 0:32:55 | 0:33:00 | |
-# Oppression, war and famine. | 0:33:02 | 0:33:06 | |
-# We cannot change the world | 0:33:08 | 0:33:12 | |
-# That's how it was. | 0:33:12 | 0:33:14 | |
-# We're the offspring | 0:33:14 | 0:33:17 | |
-# The hope for a better future. | 0:33:18 | 0:33:22 | |
-# Yesterday has gone | 0:33:24 | 0:33:27 | |
-# Today belongs to us. | 0:33:27 | 0:33:30 | |
-# Tomorrow remains untouched | 0:33:30 | 0:33:33 | |
-# The future is in our hands. | 0:33:33 | 0:33:36 | |
-# Yesterday has gone | 0:33:37 | 0:33:40 | |
-# Today belongs to us. | 0:33:40 | 0:33:43 | |
-# Tomorrow remains untouched | 0:33:45 | 0:33:48 | |
-# The future is in our hands. | 0:33:49 | 0:33:53 | |
-# The sun and yesterday's shadows | 0:34:01 | 0:34:06 | |
-# Are the foundation of our today. | 0:34:07 | 0:34:13 | |
-# An echo of the past | 0:34:14 | 0:34:19 | |
-# Is the light that guides our way. | 0:34:19 | 0:34:26 | |
-# An echo, magical enchantment | 0:34:27 | 0:34:30 | |
-# A legend and a song. | 0:34:30 | 0:34:33 | |
-# We are guardians of the past | 0:34:33 | 0:34:36 | |
-# We are the future of Wales. | 0:34:36 | 0:34:42 | |
-# Yesterday has gone | 0:34:43 | 0:34:46 | |
-# Today belongs to us. | 0:34:46 | 0:34:48 | |
-# Tomorrow remains untouched | 0:34:49 | 0:34:52 | |
-# The future is in our hands. | 0:34:53 | 0:34:55 | |
-# Yesterday has gone | 0:34:56 | 0:34:59 | |
-# Today belongs to us | 0:34:59 | 0:35:02 | |
-# Tomorrow remains untouched | 0:35:04 | 0:35:07 | |
-# The future is in our hands. | 0:35:08 | 0:35:12 | |
-# Yesterday has gone | 0:35:14 | 0:35:17 | |
-# Today belongs to us | 0:35:17 | 0:35:20 | |
-# Tomorrow remains untouched | 0:35:21 | 0:35:24 | |
-# The future is in our hands. | 0:35:25 | 0:35:27 | |
-# Yesterday has gone | 0:35:28 | 0:35:31 | |
-# Today belongs to us | 0:35:31 | 0:35:34 | |
-# Tomorrow remains untouched | 0:35:36 | 0:35:39 | |
-# The future is in our hands. | 0:35:40 | 0:35:44 | |
-# In our hands | 0:35:44 | 0:35:48 | |
-# In our hands. # | 0:35:48 | 0:35:52 | |
-888 | 0:36:13 | 0:36:15 | |
-Dai and Mari -weren't very happy together. | 0:36:22 | 0:36:27 | |
-Dai told his friend Will one day... | 0:36:27 | 0:36:29 | |
-.."I'm going to get a divorce." | 0:36:29 | 0:36:31 | |
-"Why is that?" asked Will. | 0:36:32 | 0:36:34 | |
-Dai replied, "Mari hasn't spoken -to me for a month." | 0:36:34 | 0:36:38 | |
-"Hold on!" said Will, -"Don't be too hasty. | 0:36:38 | 0:36:42 | |
-"Wives like that -are very hard to find." | 0:36:42 | 0:36:47 | |
-Can I offer a word of advice... | 0:36:50 | 0:36:52 | |
-..to every married couple here, -or who might be listening? | 0:36:52 | 0:36:57 | |
-Never go to bed angry. | 0:36:57 | 0:37:00 | |
-Stay up to fight it out! | 0:37:01 | 0:37:03 | |
-It's very fashionable now -to walk along with dogs... | 0:37:07 | 0:37:11 | |
-..to walk dogs on a chain. | 0:37:12 | 0:37:14 | |
-I was in Newcastle Emlyn mart -the other day... | 0:37:15 | 0:37:18 | |
-..when a woman stood next to me -with a Labrador on a chain. | 0:37:19 | 0:37:23 | |
-She was a hippy cross. | 0:37:23 | 0:37:25 | |
-I noticed that the dog -was really pulling on the chain. | 0:37:27 | 0:37:31 | |
-It was looking for a tree trunk. | 0:37:33 | 0:37:35 | |
-Then something strange happened. | 0:37:38 | 0:37:40 | |
-The dog used my wellingtons -as a tree trunk. | 0:37:41 | 0:37:46 | |
-I felt something -going into my wellington... | 0:37:48 | 0:37:52 | |
-..like a cup of tea being poured in. | 0:37:52 | 0:37:54 | |
-Fair play to the woman, she said... | 0:37:55 | 0:37:57 | |
-.."Are you alright, love?" | 0:37:59 | 0:38:01 | |
-"Yes, love," I said, "I'm alright. | 0:38:03 | 0:38:05 | |
-"You can pull the chain now." | 0:38:05 | 0:38:07 | |
-We're nearing the end -of another NOSON LAWEN. | 0:38:18 | 0:38:21 | |
-Thank you for being -such a welcoming audience. | 0:38:22 | 0:38:25 | |
-It's been a pleasure to be here. | 0:38:25 | 0:38:27 | |
-Thanks to our performers, -Tara Bethan... | 0:38:28 | 0:38:30 | |
-..Robert Jenkins and Gwyn Morris, -Ben Creighton-Griffiths... | 0:38:31 | 0:38:35 | |
-..and Cor Aelwyd Hafodwenog. | 0:38:36 | 0:38:38 | |
-As I said earlier, they used -to dig for gold here many years ago. | 0:38:39 | 0:38:44 | |
-Gold is rare and precious, -as you know. | 0:38:45 | 0:38:48 | |
-I can say exactly the same thing -about our next guest's talent. | 0:38:48 | 0:38:53 | |
-Friends, as our finale... | 0:38:54 | 0:38:56 | |
-..give a warm welcome -to Dafydd Iwan. | 0:38:57 | 0:39:00 | |
-I happened to be in the area -recently, in Llanfynydd. | 0:39:06 | 0:39:09 | |
-It was the first time -I'd been to Llanfynydd. | 0:39:10 | 0:39:13 | |
-That night, someone said, -"I remember you in Pumsaint... | 0:39:13 | 0:39:17 | |
-"..years ago, singing -a duet with Ray Gravell. | 0:39:17 | 0:39:21 | |
-"You said that Gwynfor Evans -had lost his seat." | 0:39:21 | 0:39:25 | |
-I'd lost my seat on the council. | 0:39:25 | 0:39:27 | |
-Ray Gravell had lost his place -in the Wales rugby team... | 0:39:27 | 0:39:30 | |
-..and we'd lost the referendum. | 0:39:31 | 0:39:33 | |
-Then I said, -"Alright, we'll enjoy ourselves!" | 0:39:33 | 0:39:36 | |
-But you can't always find a reason -to celebrate on Noson Lawen. | 0:39:36 | 0:39:40 | |
-# The days pass by so quickly - -I can't stop them | 0:39:43 | 0:39:47 | |
-# The wheel keeps spinning -faster to the end. | 0:39:50 | 0:39:55 | |
-# The dear land of my fathers | 0:39:58 | 0:40:01 | |
-# Can't withstand the changes | 0:40:01 | 0:40:05 | |
-# And the wind would make | 0:40:05 | 0:40:08 | |
-# The hardiest oak tree quake. | 0:40:10 | 0:40:12 | |
-# But the old, old memories | 0:40:12 | 0:40:17 | |
-# Will always break my heart | 0:40:17 | 0:40:21 | |
-# And the old, old longing -still prevails | 0:40:21 | 0:40:27 | |
-# And the old, old tears | 0:40:28 | 0:40:33 | |
-# Still flow after all these years | 0:40:33 | 0:40:36 | |
-# As I walk | 0:40:37 | 0:40:39 | |
-# Along the old, -old footpaths of Wales. | 0:40:39 | 0:40:45 | |
-# The road signs are in Welsh -along the motorway | 0:40:55 | 0:41:00 | |
-# The motorway -which leads to England there. | 0:41:03 | 0:41:07 | |
-# And the traffic's mad procession | 0:41:11 | 0:41:14 | |
-# Transports the valley's children | 0:41:14 | 0:41:18 | |
-# Away from their homeland | 0:41:18 | 0:41:21 | |
-# To leave without a care. | 0:41:22 | 0:41:25 | |
-# But the old, old memories | 0:41:25 | 0:41:30 | |
-# Will always break my heart | 0:41:30 | 0:41:33 | |
-# And the old, old longing -still prevails | 0:41:34 | 0:41:40 | |
-# And the old, old tears | 0:41:41 | 0:41:45 | |
-# Still flow after all these years | 0:41:46 | 0:41:49 | |
-# As I walk | 0:41:50 | 0:41:52 | |
-# Along the old, -old footpaths of Wales. | 0:41:52 | 0:41:57 | |
-# My grandma's house -is now a summer cottage | 0:42:08 | 0:42:12 | |
-# The TV has replaced -old nursery rhymes. | 0:42:16 | 0:42:20 | |
-# The language of the chapel | 0:42:23 | 0:42:27 | |
-# Is flowing down the cable | 0:42:28 | 0:42:30 | |
-# In a never-ending carnival. | 0:42:31 | 0:42:34 | |
-# It's changing with the times. | 0:42:35 | 0:42:37 | |
-# But the old, old memories | 0:42:38 | 0:42:42 | |
-# Will always break my heart | 0:42:43 | 0:42:46 | |
-# And the old, old longing -still prevails | 0:42:47 | 0:42:53 | |
-# And the old, old tears | 0:42:54 | 0:42:58 | |
-# Still flow after all these years | 0:42:59 | 0:43:02 | |
-# As I walk | 0:43:02 | 0:43:04 | |
-# Along the old, -old footpaths of Wales. | 0:43:05 | 0:43:10 | |
-# But the old, old memories | 0:43:13 | 0:43:16 | |
-# Will always break my heart | 0:43:17 | 0:43:20 | |
-# And the old, old longing -still prevails | 0:43:21 | 0:43:27 | |
-# And the old, old tears | 0:43:28 | 0:43:32 | |
-# Still flow after all these years | 0:43:32 | 0:43:35 | |
-# As I walk | 0:43:36 | 0:43:38 | |
-# Along the old, old footpaths | 0:43:38 | 0:43:42 | |
-# Of Wales. # | 0:43:44 | 0:43:46 | |
-Thank you. For our last song, -I'll sing an old favourite. | 0:43:59 | 0:44:02 | |
-It's about the things -that mean so much to you and me. | 0:44:02 | 0:44:06 | |
-We don't have to explain, only -a fool asks why snow is white. | 0:44:06 | 0:44:10 | |
-Thank you. | 0:44:10 | 0:44:12 | |
-# When the sun's on the mountain | 0:44:18 | 0:44:22 | |
-# When the wind's on the sea | 0:44:22 | 0:44:26 | |
-# When the field's full of flowers | 0:44:27 | 0:44:30 | |
-# And birds are in the tree. | 0:44:31 | 0:44:34 | |
-# When the tears of my beloved | 0:44:35 | 0:44:38 | |
-# Are like gossamer dew | 0:44:39 | 0:44:42 | |
-# I know in that one instant | 0:44:43 | 0:44:46 | |
-# That this is what is true. | 0:44:47 | 0:44:50 | |
-# I know the meaning of freedom | 0:44:51 | 0:44:55 | |
-# And truth, I understand. | 0:44:56 | 0:44:59 | |
-# And love, I know what love is | 0:45:00 | 0:45:03 | |
-# For a people and a land. | 0:45:04 | 0:45:07 | |
-# So your stupid questions -will have to wait | 0:45:08 | 0:45:12 | |
-# You can look -dumbfounded all night. | 0:45:12 | 0:45:15 | |
-# Only fools need to question | 0:45:16 | 0:45:19 | |
-# Why snow is white. | 0:45:20 | 0:45:23 | |
-# When the words of my comrades | 0:45:30 | 0:45:34 | |
-# Are mellow like fine wine | 0:45:35 | 0:45:38 | |
-# And old familiar phrases | 0:45:39 | 0:45:42 | |
-# Trip from these lips of mine | 0:45:43 | 0:45:46 | |
-# When I hear the sweet notes | 0:45:47 | 0:45:50 | |
-# Of an age-old melody | 0:45:51 | 0:45:55 | |
-# I know what 'belonging' | 0:45:55 | 0:45:59 | |
-# And 'living' mean to me. | 0:45:59 | 0:46:02 | |
-# I know the meaning of freedom | 0:46:04 | 0:46:07 | |
-# And truth, I understand. | 0:46:08 | 0:46:11 | |
-# And love, I know what love is | 0:46:12 | 0:46:16 | |
-# For a people and a land. | 0:46:16 | 0:46:19 | |
-# So your stupid questions -will have to wait | 0:46:20 | 0:46:24 | |
-# You can look -dumbfounded all night | 0:46:24 | 0:46:28 | |
-# Only fools need to question | 0:46:28 | 0:46:32 | |
-# Why snow is white. | 0:46:33 | 0:46:36 | |
-# When I see the scarred miner | 0:46:44 | 0:46:47 | |
-# And the bloodstains on the slate | 0:46:47 | 0:46:50 | |
-# When the haystacks all remind me | 0:46:51 | 0:46:55 | |
-# Of the tired crofter's fate. | 0:46:55 | 0:46:59 | |
-# When I see the humble schoolboy | 0:46:59 | 0:47:03 | |
-# Branded with the old Welsh Not | 0:47:04 | 0:47:07 | |
-# I know I've got to stand up | 0:47:08 | 0:47:11 | |
-# For my brother and his lot. | 0:47:12 | 0:47:15 | |
-# I know the meaning of freedom | 0:47:16 | 0:47:20 | |
-# And truth, I understand. | 0:47:20 | 0:47:24 | |
-# And love, I know what love is | 0:47:25 | 0:47:28 | |
-# For a people and a land. | 0:47:29 | 0:47:32 | |
-# So your stupid questions -will have to wait | 0:47:33 | 0:47:36 | |
-# You can look -dumbfounded all night. | 0:47:37 | 0:47:40 | |
-# Only fools need to question | 0:47:41 | 0:47:44 | |
-# Why snow is white. | 0:47:45 | 0:47:48 | |
-# I know the meaning of freedom | 0:47:50 | 0:47:52 | |
-# And truth, I understand. | 0:47:53 | 0:47:56 | |
-# And love - I know what love is | 0:47:57 | 0:48:01 | |
-# For a people and a land. | 0:48:01 | 0:48:04 | |
-# So your stupid questions -will have to wait | 0:48:05 | 0:48:09 | |
-# You can look -dumbfounded all night. | 0:48:09 | 0:48:13 | |
-# Only fools need to question | 0:48:13 | 0:48:17 | |
-# Why snow is white. # | 0:48:18 | 0:48:24 | |
-A rural audience at its best. | 0:48:37 | 0:48:39 | |
-It was good to see new talent -mixing in with the old hands. | 0:48:39 | 0:48:43 | |
-I think it'll be a fine -programme, when it's shown. | 0:48:43 | 0:48:47 | |
-We're glad we came here. | 0:48:47 | 0:48:49 | |
-It's an honour to have -NOSON LAWEN here. Marvellous. | 0:48:50 | 0:48:54 | |
-They were all good. | 0:48:54 | 0:48:56 | |
-Dafydd Iwan. | 0:48:57 | 0:48:58 | |
-It's nice to be back. Audiences -in Carmarthenshire are very warm. | 0:48:58 | 0:49:02 | |
-It's hot and sweaty there. | 0:49:03 | 0:49:04 | |
-It's fine if you're just singing... | 0:49:05 | 0:49:07 | |
-..but if you play the guitar, -your hands get slippery. | 0:49:07 | 0:49:10 | |
-So I prefer my job to yours. | 0:49:10 | 0:49:13 | |
-So I prefer my job to yours. - -Yes. Guitars go out of tune. | 0:49:13 | 0:49:14 | |
-Was it out of tune? | 0:49:15 | 0:49:15 | |
-Was it out of tune? - -Mm. | 0:49:15 | 0:49:16 | |
-I thought it was me! | 0:49:16 | 0:49:18 | |
-That's OK, then! It was his fault. | 0:49:19 | 0:49:21 | |
-S4C Subtitles by: GWEAD | 0:49:25 | 0:49:27 |