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The competition to find the UK's best vocal harmony group has begun. | 0:00:02 | 0:00:05 | |
-That was a good rhythm! -Can you get it on this show? | 0:00:05 | 0:00:07 | |
# Who-oa oh o-oh oh-oh o-oh | 0:00:07 | 0:00:09 | |
# Who-oa oh o-oh | 0:00:09 | 0:00:10 | |
# Sing! # | 0:00:10 | 0:00:11 | |
-# Oh... -Oh... | 0:00:11 | 0:00:13 | |
# Yeah. # | 0:00:13 | 0:00:16 | |
You're a bit Gaxton, aren't you? | 0:00:16 | 0:00:18 | |
# Give you my heart... # | 0:00:19 | 0:00:20 | |
Tonight's winners, Leeds Contemporary Singers! | 0:00:20 | 0:00:24 | |
Tonight, another six groups are preparing for choral combat. | 0:00:24 | 0:00:28 | |
# Ooh... | 0:00:28 | 0:00:30 | |
# Ooh... | 0:00:30 | 0:00:31 | |
# Oooh... # | 0:00:31 | 0:00:32 | |
That was a fierce battle! | 0:00:32 | 0:00:34 | |
She's the queen of funk. | 0:00:34 | 0:00:35 | |
Chaka Khan! | 0:00:35 | 0:00:37 | |
-Pam! -Pam! | 0:00:37 | 0:00:38 | |
Chaka Khan. | 0:00:38 | 0:00:40 | |
That's the first time I've tried it with these jeans on. | 0:00:40 | 0:00:42 | |
# Ah... # | 0:00:44 | 0:00:47 | |
Cor blimey. | 0:00:47 | 0:00:49 | |
Let Pitch Battle commence. | 0:00:49 | 0:00:51 | |
# Ba da da ba ba da da | 0:00:52 | 0:00:55 | |
# Ba da da ba ba da da | 0:00:55 | 0:00:57 | |
# Ba da da ba ba da da ba-ah | 0:00:57 | 0:01:00 | |
# Oh | 0:01:00 | 0:01:02 | |
# Ba da da ba ba da da | 0:01:02 | 0:01:03 | |
# Ba da da ba ba da da da | 0:01:03 | 0:01:06 | |
# Ba da da ba ba da da | 0:01:06 | 0:01:08 | |
# Who-oa-oa. # | 0:01:08 | 0:01:10 | |
# And we danced all night | 0:01:12 | 0:01:14 | |
# To the best song ever | 0:01:14 | 0:01:16 | |
# Best song ever | 0:01:16 | 0:01:17 | |
# Best song ever | 0:01:17 | 0:01:19 | |
# So don't you dare look back | 0:01:20 | 0:01:22 | |
# Just keep your eyes on me | 0:01:22 | 0:01:24 | |
# I said you're holding back | 0:01:24 | 0:01:26 | |
# She said shut up and dance with me | 0:01:26 | 0:01:29 | |
# This woman is my destiny | 0:01:29 | 0:01:32 | |
# She said, oo-oo-ooh | 0:01:32 | 0:01:35 | |
# Shut up and dance | 0:01:35 | 0:01:36 | |
-# What's -Go, go | 0:01:36 | 0:01:38 | |
-# Go -Go-ing | 0:01:38 | 0:01:39 | |
# Ing on on the floor | 0:01:39 | 0:01:40 | |
# I love this record, baby | 0:01:40 | 0:01:42 | |
# But I can't see straight any more | 0:01:42 | 0:01:44 | |
-# Keep -Keep | 0:01:44 | 0:01:45 | |
-# It -It cool | 0:01:45 | 0:01:47 | |
# What's the name of this club? | 0:01:47 | 0:01:49 | |
# I can't remember | 0:01:49 | 0:01:50 | |
# But it's all right, a-all right | 0:01:50 | 0:01:51 | |
# Here we go | 0:01:51 | 0:01:52 | |
# Just dance | 0:01:52 | 0:01:53 | |
# It'll be OK | 0:01:53 | 0:01:55 | |
# Da-da, doo-roo | 0:01:55 | 0:01:56 | |
# Just... # | 0:01:56 | 0:01:57 | |
# Get into the groove, girl | 0:01:57 | 0:02:00 | |
# You got to prove your love to me | 0:02:00 | 0:02:03 | |
# Yeah | 0:02:03 | 0:02:05 | |
# Get up on your feet | 0:02:05 | 0:02:07 | |
# Yeah, step to the beat | 0:02:07 | 0:02:09 | |
# Girl, what will it... # | 0:02:09 | 0:02:10 | |
# I can't dance | 0:02:10 | 0:02:12 | |
# I can't talk | 0:02:12 | 0:02:14 | |
# Only thing about me is the way I walk | 0:02:14 | 0:02:19 | |
# I can't dance but I can sing | 0:02:19 | 0:02:22 | |
# I'm just standing here, boy | 0:02:22 | 0:02:25 | |
# You can dance | 0:02:25 | 0:02:27 | |
# You can jive | 0:02:27 | 0:02:29 | |
# Having the time of your life | 0:02:29 | 0:02:32 | |
# Oo-oo-ooh | 0:02:32 | 0:02:33 | |
# See that girl | 0:02:33 | 0:02:35 | |
# Watch that scene | 0:02:35 | 0:02:37 | |
# Digging the dancing queen... # | 0:02:37 | 0:02:39 | |
# Nothing I can see but you | 0:02:39 | 0:02:41 | |
-# When you dance, dance, dance -# I can't stop this feeling | 0:02:41 | 0:02:43 | |
# Feeling good, good creeping up on you | 0:02:43 | 0:02:45 | |
-# When you dance, dance, dance -# I can't stop this feeling | 0:02:45 | 0:02:47 | |
# All these things I shouldn't do | 0:02:47 | 0:02:49 | |
-# But you dance, dance, dance -# I can't stop this feeling | 0:02:49 | 0:02:51 | |
# Ain't nobody leaving soon | 0:02:51 | 0:02:53 | |
-# So keep dancing, dancing -# I can't stop this feeling | 0:02:53 | 0:02:56 | |
# Got this feeling in my body... # | 0:02:56 | 0:02:57 | |
Go, go, everyone, everyone! | 0:02:57 | 0:03:00 | |
# Got this feeling in my body | 0:03:00 | 0:03:03 | |
# Just dance | 0:03:03 | 0:03:04 | |
# Got this feeling in my body | 0:03:04 | 0:03:07 | |
# Just dance | 0:03:07 | 0:03:08 | |
# Got this feeling in my body | 0:03:08 | 0:03:11 | |
# Don't you dare look | 0:03:11 | 0:03:12 | |
# Got this feeling in my body | 0:03:12 | 0:03:15 | |
# Just dance | 0:03:15 | 0:03:16 | |
# Got this feeling in my body | 0:03:16 | 0:03:19 | |
# Don't you dare look back | 0:03:19 | 0:03:21 | |
-# Just keep your eyes on me -Dance, dance, dance | 0:03:21 | 0:03:23 | |
-# Just dance -I said you're holding back | 0:03:23 | 0:03:25 | |
# Got this feeling in my body | 0:03:25 | 0:03:27 | |
-# Just dance -Don't you dare look back | 0:03:27 | 0:03:29 | |
-# Just keep your eyes on me -Dance, dance, dance | 0:03:29 | 0:03:31 | |
-# I said you're holding back -Just dance | 0:03:31 | 0:03:33 | |
# I got this feeling | 0:03:33 | 0:03:34 | |
# Shut up and dance with me! # | 0:03:34 | 0:03:36 | |
CHEERING AND APPLAUSE | 0:03:36 | 0:03:39 | |
MUSIC: Shut Up And Dance (instrumental) | 0:03:47 | 0:03:51 | |
Oh! | 0:04:10 | 0:04:11 | |
So nice to see you all. | 0:04:11 | 0:04:12 | |
Thank you to all of tonight's six amazing vocal groups. | 0:04:12 | 0:04:16 | |
And a big thanks to the musical genius | 0:04:16 | 0:04:19 | |
behind the Pitch Perfect movies for that awesome dance mash up... | 0:04:19 | 0:04:23 | |
That's a dance mash up. | 0:04:23 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
..our series musical director, Deke Sharon! | 0:04:27 | 0:04:29 | |
CHEERING AND APPLAUSE | 0:04:29 | 0:04:32 | |
Now, tonight, six of Britain's best choirs and vocal groups are | 0:04:32 | 0:04:37 | |
about to engage in some fierce choral combat, | 0:04:37 | 0:04:40 | |
and battle it out in a series of vocal challenges. | 0:04:40 | 0:04:44 | |
Only one group will make it through to the live final, | 0:04:44 | 0:04:46 | |
where they will be in with a chance of taking home | 0:04:46 | 0:04:48 | |
the amazing £50,000 cash prize... | 0:04:48 | 0:04:51 | |
AUDIENCE: Oooh! | 0:04:51 | 0:04:53 | |
Thank you. | 0:04:53 | 0:04:55 | |
..and being crowned champions of Pitch Battle 2017! | 0:04:55 | 0:04:59 | |
CHEERING AND APPLAUSE | 0:04:59 | 0:05:01 | |
Tonight, they must knock out their competition by impressing | 0:05:03 | 0:05:06 | |
our trio of melodic masters and mistresses, | 0:05:06 | 0:05:09 | |
our judges. | 0:05:09 | 0:05:11 | |
She's the Harlem choir girl turned Brit award-winning artist. | 0:05:11 | 0:05:15 | |
It's the amazing | 0:05:15 | 0:05:17 | |
Kelis. | 0:05:17 | 0:05:19 | |
MUSIC: Trick Me by Kelis | 0:05:19 | 0:05:21 | |
I grew up singing in a Pentecostal church choir. | 0:05:21 | 0:05:25 | |
It's charismatic and it is big. | 0:05:25 | 0:05:27 | |
You know, I think I really learned the love and the joy of singing, | 0:05:27 | 0:05:30 | |
and singing in a group. | 0:05:30 | 0:05:32 | |
When it's good, it's great. | 0:05:32 | 0:05:34 | |
And when the harmony is just right, and the pitch is just right, | 0:05:35 | 0:05:38 | |
it's just this one syncopated, beautiful sound, it's piercing. | 0:05:38 | 0:05:41 | |
MUSIC: Acapella by Kelis | 0:05:41 | 0:05:43 | |
So I am really excited to be able to see how creative people can get. | 0:05:43 | 0:05:47 | |
I want to see the different ways they use their voices. | 0:05:47 | 0:05:49 | |
If I love it or hate it, there is really no way to hide that. | 0:05:49 | 0:05:52 | |
They'll know. | 0:05:52 | 0:05:54 | |
Release the Kelis! | 0:05:54 | 0:05:57 | |
CHEERING AND APPLAUSE | 0:05:57 | 0:05:59 | |
MUSIC PLAYS | 0:05:59 | 0:06:01 | |
Now, please be upstanding for the Bafta award-winning choir starter. | 0:06:05 | 0:06:10 | |
It's Gareth Malone. | 0:06:10 | 0:06:12 | |
MUSIC: Symphony by Clean Bandit ft Zara Larsson | 0:06:12 | 0:06:15 | |
I think I've got a good ear. | 0:06:15 | 0:06:16 | |
-No, I -do -have a good ear. Why am I underselling myself? | 0:06:16 | 0:06:19 | |
I've got a really good ear. | 0:06:19 | 0:06:21 | |
# I just want to be part of your symphony. # | 0:06:21 | 0:06:23 | |
What is really exciting about this for me is, it's bringing the | 0:06:23 | 0:06:26 | |
community singing to national attention at a prime-time moment. | 0:06:26 | 0:06:30 | |
It's very exciting. I'm passionate about singing. | 0:06:30 | 0:06:33 | |
There's always a balance between the technical considerations, | 0:06:33 | 0:06:35 | |
is it in tune, is it in time, | 0:06:35 | 0:06:37 | |
and the passion, artistic side. | 0:06:37 | 0:06:40 | |
I want to cry, I want to feel something, | 0:06:40 | 0:06:42 | |
I want to laugh, I want to be taken away by these groups | 0:06:42 | 0:06:44 | |
somewhere really special. | 0:06:44 | 0:06:46 | |
CHEERING AND APPLAUSE | 0:06:47 | 0:06:48 | |
MUSIC: Guitar version of Toreador Song from Carmen by Bizet | 0:06:48 | 0:06:53 | |
Thank you, band. Sounding great. | 0:07:05 | 0:07:07 | |
-Gareth... -This gets weirder every week. | 0:07:07 | 0:07:09 | |
Everyone else is going to get the really cool music, | 0:07:09 | 0:07:11 | |
you're going to get the slightly square music. | 0:07:11 | 0:07:13 | |
-Can this not... -Sorry. -Can this not be a thing? | 0:07:13 | 0:07:15 | |
I think it will be, Gareth. | 0:07:15 | 0:07:16 | |
That's the way it's going to be. | 0:07:16 | 0:07:18 | |
LAUGHTER | 0:07:18 | 0:07:20 | |
Now, each week, Kelis and Gareth will be joined by | 0:07:20 | 0:07:23 | |
a superstar guest judge. | 0:07:23 | 0:07:25 | |
Tonight, she's the queen of funk who has won ten, yes, | 0:07:25 | 0:07:29 | |
TEN Grammys, and has sold over 70 million records worldwide. | 0:07:29 | 0:07:34 | |
She's every woman, and more. | 0:07:34 | 0:07:36 | |
It's the incredible Chaka Khan! | 0:07:36 | 0:07:39 | |
CHEERING AND APPLAUSE | 0:07:39 | 0:07:41 | |
MUSIC PLAYS | 0:07:41 | 0:07:44 | |
I've always been very keen on harmonies. | 0:07:44 | 0:07:46 | |
From the time I was a small girl, I used to listen to my | 0:07:46 | 0:07:50 | |
favourite artists sing and I would harmonise with them. | 0:07:50 | 0:07:54 | |
It's very powerful to hear many voices coming together. | 0:07:54 | 0:07:58 | |
It's not easy. | 0:07:58 | 0:07:59 | |
# I'm every woman... # | 0:07:59 | 0:08:02 | |
When you're singing with a lot of people, | 0:08:02 | 0:08:04 | |
that has to really be sharp and have a good ear. | 0:08:04 | 0:08:06 | |
One bad apple can swallow the whole bunch. | 0:08:06 | 0:08:08 | |
CHEERING AND APPLAUSE | 0:08:08 | 0:08:11 | |
It's this week's superstar guest judge, Chaka Khan! | 0:08:11 | 0:08:15 | |
MUSIC: I'm Every Woman by Chaka Khan | 0:08:15 | 0:08:21 | |
-Now, Chaka Khan. -Yes? | 0:08:38 | 0:08:41 | |
Chaka Khan. | 0:08:41 | 0:08:42 | |
AUDIENCE: Woohoo! | 0:08:42 | 0:08:44 | |
SHE RAPS: Chaka Khan, let me tell you what I want to do. | 0:08:44 | 0:08:47 | |
Do you feel for me the way I feel for you? | 0:08:47 | 0:08:49 | |
Chaka Khan, let me tell you what I want to do. | 0:08:49 | 0:08:51 | |
I want to love you, want to hug you, want to squeeze you too. | 0:08:51 | 0:08:54 | |
And I've forgotten the rest of the rhyme. | 0:08:54 | 0:08:56 | |
LAUGHTER AND CHEERING | 0:08:56 | 0:08:58 | |
Chaka. | 0:08:58 | 0:08:59 | |
That is the biggest fan I think I've ever seen. | 0:09:01 | 0:09:04 | |
Can you please display your fan? Look... | 0:09:04 | 0:09:06 | |
CHEERING AND APPLAUSE | 0:09:06 | 0:09:09 | |
It's not as big a fan as I am, though, Chaka Khan. | 0:09:09 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:14 | |
Thank you. | 0:09:14 | 0:09:15 | |
This is nonsense, I'm sorry, Chaka. | 0:09:15 | 0:09:17 | |
Listen, thank you so much, judges. | 0:09:17 | 0:09:19 | |
We will let the choral combat commence. | 0:09:19 | 0:09:22 | |
Our first two groups are about to perform their show stopper - | 0:09:22 | 0:09:25 | |
that's a song that sums up what they're all about - | 0:09:25 | 0:09:27 | |
before going face-to-face in a very dramatic riff-off. | 0:09:27 | 0:09:32 | |
CHEERING AND APPLAUSE | 0:09:32 | 0:09:34 | |
It's then down to the judges to decide who goes through | 0:09:34 | 0:09:37 | |
to tonight's solo battles. | 0:09:37 | 0:09:39 | |
Facing off first, from Loch Lomond, it's ScotSoul. | 0:09:39 | 0:09:44 | |
CHEERING AND APPLAUSE | 0:09:44 | 0:09:46 | |
And from Oxford, it's Out Of The Blue. | 0:09:47 | 0:09:50 | |
CHEERING AND APPLAUSE | 0:09:50 | 0:09:52 | |
ALL: We are ScotSoul. | 0:09:53 | 0:09:55 | |
We're five best friends from Loch Lomond in Scotland. | 0:09:55 | 0:09:58 | |
We've known each other for over 20 years. | 0:09:58 | 0:10:00 | |
-Ah! -Too long! | 0:10:00 | 0:10:02 | |
I think what makes this group work is all the history we have. | 0:10:05 | 0:10:09 | |
Me and Louise have been married for 13 years. | 0:10:09 | 0:10:12 | |
He won me over with his singing voice. | 0:10:12 | 0:10:14 | |
# Oh o-o-o-oh. # | 0:10:14 | 0:10:16 | |
My 15-year-old daughter, who's trying to study for her exams, | 0:10:16 | 0:10:19 | |
gives us a telling off for being too loud. | 0:10:19 | 0:10:21 | |
Can yous be quiet? | 0:10:21 | 0:10:22 | |
Can yous go to Jim's house? | 0:10:22 | 0:10:25 | |
Some people rehearse in proper studios. | 0:10:26 | 0:10:29 | |
But we have to work around the rowing machine and... | 0:10:29 | 0:10:32 | |
-And the neighbours! -And the neighbours. | 0:10:32 | 0:10:35 | |
Pitch Battle is the first time we've ever performed together as a group. | 0:10:35 | 0:10:39 | |
We are more than ready to step out of that garage | 0:10:39 | 0:10:41 | |
and get onto that big stage. | 0:10:41 | 0:10:43 | |
# Who-oa-oa. # | 0:10:43 | 0:10:46 | |
# Yeah, yeah... # | 0:10:48 | 0:10:49 | |
We are... | 0:10:49 | 0:10:50 | |
ALL: Out Of The Blue! | 0:10:50 | 0:10:52 | |
We're an all-male a cappella group from Oxford | 0:10:52 | 0:10:54 | |
and Oxford Brookes University. | 0:10:54 | 0:10:56 | |
We're the latest in a long line of students who've had the honour | 0:10:57 | 0:11:00 | |
of donning these blue suits. | 0:11:00 | 0:11:01 | |
Just to clarify, not the same suits. | 0:11:01 | 0:11:03 | |
They'd smell really quite bad. | 0:11:03 | 0:11:05 | |
# Ah, ah, ah, oh... # | 0:11:05 | 0:11:07 | |
We've become really popular online. | 0:11:07 | 0:11:09 | |
We've racked up maybe 15 million hits. | 0:11:09 | 0:11:11 | |
We've been lucky enough to tour the US, quite a few times. | 0:11:13 | 0:11:16 | |
We've developed a pretty solid female fan base. | 0:11:16 | 0:11:20 | |
Largely because they like the accents, I think. | 0:11:20 | 0:11:22 | |
I guess we're kind of the One Direction of a cappella. | 0:11:23 | 0:11:26 | |
# Let's go crazy, crazy, crazy... # | 0:11:26 | 0:11:28 | |
For our show stopper, we're going to be oiling up our hips | 0:11:28 | 0:11:31 | |
and preparing a Latin number, which we hope the judges are ready for. | 0:11:31 | 0:11:33 | |
This is our biggest performance ever, | 0:11:33 | 0:11:35 | |
so we're leaving it all on the stage because there are no second chances. | 0:11:35 | 0:11:39 | |
# Tonight, let's get some... | 0:11:40 | 0:11:42 | |
# And live while we're young. # | 0:11:42 | 0:11:44 | |
# Who-oa-oa. # | 0:11:45 | 0:11:47 | |
Up first, and performing Castle On The Hill, | 0:11:53 | 0:11:56 | |
it's our vocal harmony group, | 0:11:56 | 0:11:58 | |
ScotSoul. | 0:11:58 | 0:11:59 | |
CHEERING AND APPLAUSE | 0:11:59 | 0:12:01 | |
# I was six years old when I broke my leg | 0:12:01 | 0:12:05 | |
# O-o-oh | 0:12:08 | 0:12:10 | |
# I was running from my brother and his friends... # | 0:12:10 | 0:12:14 | |
So cute, I love them. | 0:12:14 | 0:12:16 | |
# Found my heart, broke it here | 0:12:17 | 0:12:20 | |
# Made friends and lost them through the years | 0:12:20 | 0:12:24 | |
# I've not seen the roaring fields | 0:12:24 | 0:12:27 | |
# In so long | 0:12:27 | 0:12:29 | |
# I know I've grown | 0:12:29 | 0:12:31 | |
-# I can't wait -To go home | 0:12:31 | 0:12:33 | |
# I'm on my way... # | 0:12:33 | 0:12:36 | |
Yeah! | 0:12:36 | 0:12:37 | |
# Driving at 90 down | 0:12:37 | 0:12:41 | |
# Those country lanes | 0:12:41 | 0:12:43 | |
# Singing to Tiny Dancer | 0:12:44 | 0:12:47 | |
# And I miss the way | 0:12:47 | 0:12:50 | |
# You make me feel | 0:12:50 | 0:12:54 | |
# It's real | 0:12:54 | 0:12:55 | |
# We watched the sunset | 0:12:55 | 0:12:58 | |
# Over the castle on the Hill. | 0:12:58 | 0:13:02 | |
# I'm on my way | 0:13:02 | 0:13:05 | |
# I still remember | 0:13:06 | 0:13:09 | |
# These old country lanes | 0:13:09 | 0:13:11 | |
# When we did not know the answer | 0:13:13 | 0:13:16 | |
# And I miss the way | 0:13:16 | 0:13:19 | |
# You make me feel | 0:13:19 | 0:13:22 | |
# It's real | 0:13:22 | 0:13:24 | |
# We watched the sunset | 0:13:24 | 0:13:27 | |
# Over the castle on the hill. # | 0:13:27 | 0:13:31 | |
CHEERING AND APPLAUSE | 0:13:31 | 0:13:35 | |
I love the kind of feel and the warmth. | 0:13:39 | 0:13:43 | |
Oh, strong work from ScotSoul, very strong. | 0:13:50 | 0:13:53 | |
Up next, and performing their show stopper, Livin' La Vida Loca, | 0:13:53 | 0:13:57 | |
it's our a cappella boyband, Out Of The Blue! | 0:13:57 | 0:14:00 | |
CHEERING AND APPLAUSE | 0:14:00 | 0:14:02 | |
One, two, three, four! | 0:14:04 | 0:14:06 | |
-# Doo, doo, doo, doo, doo -Ba, ba, ba-da-da, ba, ba | 0:14:06 | 0:14:08 | |
-# Doo, doo, doo, doo, doo -Ba, ba, ba-da-da, ba, ba | 0:14:08 | 0:14:11 | |
-# Doo, doo, doo, doo, doo -Ba, ba, ba-da-da, ba, ba | 0:14:11 | 0:14:14 | |
-# Doo, doo, doo, doo, doo -Ba, ba, ba-da-da, ba, ba | 0:14:14 | 0:14:16 | |
# She's into superstition | 0:14:16 | 0:14:19 | |
-# Black cats and voodoo dolls -Cha-ra, cha-ra, ba-da-ba cha | 0:14:19 | 0:14:22 | |
-# I feel the premonition -Cha-ra, ba-da-ba cha | 0:14:22 | 0:14:25 | |
-# That girl's going to make me fall -Cha-ra, ba-da-ba cha | 0:14:25 | 0:14:27 | |
-# Make you take your clothes off -Oh | 0:14:27 | 0:14:30 | |
-# And go dancing in the rain -Lo-o-oca | 0:14:30 | 0:14:32 | |
CHEERING | 0:14:32 | 0:14:33 | |
# She'll make you live her crazy life | 0:14:33 | 0:14:35 | |
-# She'll take away your pain -Lo-o-oca | 0:14:35 | 0:14:38 | |
-# Like a bullet to the brain -Ba-da-ba, ba-da-ba | 0:14:38 | 0:14:41 | |
# Come on! | 0:14:41 | 0:14:42 | |
# Upside inside out | 0:14:42 | 0:14:44 | |
# Livin' la vida loca | 0:14:44 | 0:14:47 | |
# She'll push and pull you down | 0:14:47 | 0:14:50 | |
# Livin' la vida loca | 0:14:50 | 0:14:52 | |
# Her lips are devil red | 0:14:52 | 0:14:55 | |
# And her skin is the colour of mocha | 0:14:55 | 0:14:58 | |
# She will wear you out | 0:14:58 | 0:15:01 | |
# Livin' la vida loca | 0:15:01 | 0:15:04 | |
# She'll make you live her crazy life | 0:15:04 | 0:15:06 | |
-# But she'll take away your pain -Lo-o-o-ca | 0:15:06 | 0:15:09 | |
-# Like a bullet through your brain -Ba-da-ba, ba-da-ba... # | 0:15:09 | 0:15:11 | |
Come on, now! | 0:15:11 | 0:15:13 | |
-KEY CHANGES -# Upside inside out | 0:15:13 | 0:15:15 | |
# Livin' la vida loca | 0:15:15 | 0:15:18 | |
# She'll push and pull you down | 0:15:18 | 0:15:21 | |
# Livin' la vida loca | 0:15:21 | 0:15:23 | |
# Her lips are devil red | 0:15:23 | 0:15:26 | |
# And her skin is the colour of mocha | 0:15:26 | 0:15:29 | |
# She will wear you out | 0:15:29 | 0:15:32 | |
-# Livin' la vida loca -Ba-ra-da-ra-ba | 0:15:32 | 0:15:35 | |
# Livin' la vida loca. # | 0:15:35 | 0:15:38 | |
CHEERING AND APPLAUSE | 0:15:38 | 0:15:41 | |
That was just amazing! | 0:15:57 | 0:15:59 | |
Amazing all round. | 0:15:59 | 0:16:00 | |
Now, Out Of The Blue, I feel confused. | 0:16:00 | 0:16:03 | |
I feel like I'm in the presence of One Direction, | 0:16:03 | 0:16:06 | |
but also my bank manager. | 0:16:06 | 0:16:07 | |
LAUGHTER | 0:16:07 | 0:16:09 | |
Can you do your jacket thing? That is... Oh, hello. | 0:16:09 | 0:16:12 | |
AUDIENCE: Ooh! | 0:16:12 | 0:16:14 | |
That works. That works. | 0:16:14 | 0:16:16 | |
Now, let's find out what the judges thought. Kelis? | 0:16:16 | 0:16:19 | |
ScotSoul? | 0:16:19 | 0:16:20 | |
You guys, yeah, I love, love, love that moment | 0:16:20 | 0:16:22 | |
when Des and Louise, you guys come together. | 0:16:22 | 0:16:25 | |
Like, you really feel that, it's such a beautiful, honest moment. | 0:16:25 | 0:16:28 | |
You guys made me feel kind of like | 0:16:28 | 0:16:29 | |
Ashford and Simpson meets, like, ABBA. | 0:16:29 | 0:16:31 | |
I think my one note would be, trust yourselves, because you've got this. | 0:16:31 | 0:16:34 | |
APPLAUSE | 0:16:34 | 0:16:36 | |
You guys are so solid, and you sound amazing. | 0:16:36 | 0:16:39 | |
So don't doubt yourselves, I think would be my one thing. | 0:16:39 | 0:16:42 | |
And then, Out Of The Blue, you guys are technically fantastic | 0:16:42 | 0:16:45 | |
and I think you show really polished. | 0:16:45 | 0:16:47 | |
My favourite thing about you was watching you guys right after | 0:16:47 | 0:16:50 | |
you were done, just kind of, like, the joy and the hugging and, | 0:16:50 | 0:16:53 | |
like, there's something really genuine and honest about it | 0:16:53 | 0:16:55 | |
that I do think we miss in the performance, | 0:16:55 | 0:16:58 | |
because you are so polished. | 0:16:58 | 0:16:59 | |
So maybe kind of, in the riff, sort of | 0:16:59 | 0:17:01 | |
be mindful of that and bring a little bit more of the heart. | 0:17:01 | 0:17:03 | |
Because you guys, I mean, just seeing you here, | 0:17:03 | 0:17:05 | |
you're adorable. It's really cute. | 0:17:05 | 0:17:06 | |
Now, Chaka, what are the thoughts from Ms Khan? | 0:17:06 | 0:17:09 | |
You guys are at the top of your games | 0:17:09 | 0:17:11 | |
in two different areas. | 0:17:11 | 0:17:13 | |
-Being a retired hippie... -LAUGHTER | 0:17:13 | 0:17:15 | |
..I really love ScotSoul. | 0:17:15 | 0:17:16 | |
You know, you took me back, you know? | 0:17:16 | 0:17:18 | |
And that warmth, and that love, peace | 0:17:18 | 0:17:22 | |
comes out in your music, | 0:17:22 | 0:17:23 | |
you got a really tight family going on | 0:17:23 | 0:17:26 | |
-and it's beautiful. -Yeah. -It's beautiful. | 0:17:26 | 0:17:30 | |
APPLAUSE | 0:17:30 | 0:17:31 | |
OK, Out Of The Blue. | 0:17:31 | 0:17:33 | |
You put on a show. You're really good musically. | 0:17:33 | 0:17:36 | |
But you also have a sense of, you know... Pam! You know... | 0:17:36 | 0:17:39 | |
Showmanship. | 0:17:39 | 0:17:40 | |
Yeah, showmanship, that's the word I'm looking for. | 0:17:40 | 0:17:42 | |
-I liked "Pam!" -Yeah! | 0:17:42 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:45 | |
You can have that on your poster, guys. | 0:17:45 | 0:17:47 | |
"'Pam!' - Chaka Khan." | 0:17:47 | 0:17:49 | |
LAUGHTER | 0:17:49 | 0:17:51 | |
Now, Gareth, I noticed that you were very much up on your tootsies | 0:17:51 | 0:17:54 | |
at the end of that. | 0:17:54 | 0:17:56 | |
I... I did... | 0:17:56 | 0:17:58 | |
Because I know the skill involved | 0:17:58 | 0:18:00 | |
in creating a cappella, it's not easy. | 0:18:00 | 0:18:03 | |
And I think some people hear a cappella and think, | 0:18:03 | 0:18:05 | |
"Well, it just, it's a load of people just making noises." | 0:18:05 | 0:18:07 | |
But getting it together to that degree is very, very difficult. | 0:18:07 | 0:18:10 | |
So I actually, I stood | 0:18:10 | 0:18:12 | |
-because we have the same tailor. -Yes! | 0:18:12 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:16 | |
You could be in the group! | 0:18:16 | 0:18:17 | |
I thought maybe, if the soloist goes down, | 0:18:17 | 0:18:19 | |
if you lose your voice, I'm available. | 0:18:19 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:23 | |
If I have one small thing, it was just one dynamic, really. | 0:18:23 | 0:18:26 | |
So going into the riff-off, I want to see more colours, | 0:18:26 | 0:18:29 | |
more gradations of your sound. | 0:18:29 | 0:18:31 | |
And I would agree with Kelis, I'd like to see a bit of heart. | 0:18:31 | 0:18:34 | |
Because that's what you gave me, absolutely amazing! | 0:18:34 | 0:18:38 | |
CHEERING AND APPLAUSE | 0:18:38 | 0:18:40 | |
Really, I was very moved by the duet. | 0:18:42 | 0:18:45 | |
It was like when me and my wife sing together. | 0:18:45 | 0:18:48 | |
-Do you sing together?! -Oh, yeah. -Do you? | 0:18:48 | 0:18:50 | |
Well, I won't go into the details, but we do sing together. | 0:18:50 | 0:18:52 | |
LAUGHTER AUDIENCE: Aww! | 0:18:52 | 0:18:53 | |
That's so... Well, that this is a husband-and-wife team, Gareth. | 0:18:53 | 0:18:56 | |
That chemistry was very natural. | 0:18:56 | 0:18:58 | |
You can't fake that, and between all of you, really enjoyed that. | 0:18:58 | 0:19:01 | |
It's a lovely blended sound. | 0:19:01 | 0:19:02 | |
Your tone just goes together. | 0:19:02 | 0:19:04 | |
It's like luxurious, it's totally not manufactured joy, which I love. | 0:19:04 | 0:19:08 | |
No, it was... It was organic joy. 100% natural. | 0:19:08 | 0:19:11 | |
Organic, blended joy. LAUGHTER | 0:19:11 | 0:19:14 | |
Now, one of these groups is about to be knocked out. | 0:19:14 | 0:19:17 | |
And deciding their fate is, of course, | 0:19:17 | 0:19:19 | |
the dramatic riff-off. | 0:19:19 | 0:19:22 | |
CHEERING | 0:19:22 | 0:19:24 | |
OK, team. | 0:19:26 | 0:19:27 | |
Rise like the cream as we reveal the theme. | 0:19:27 | 0:19:31 | |
# Da, da, da, da, da, da | 0:19:33 | 0:19:35 | |
# Da, da, da, da, da, da da! # | 0:19:35 | 0:19:38 | |
CHEERING AND APPLAUSE | 0:19:39 | 0:19:41 | |
Wow. | 0:19:41 | 0:19:43 | |
And the theme is famous people. | 0:19:43 | 0:19:46 | |
Let's find out whose Hollywood stars | 0:19:46 | 0:19:48 | |
are going to align for them tonight. | 0:19:48 | 0:19:51 | |
Very, very good luck, guys, all of you. | 0:19:51 | 0:19:53 | |
CHEERING AND APPLAUSE | 0:19:53 | 0:19:56 | |
# Let's Marvin Gaye and get it on | 0:20:05 | 0:20:08 | |
# You got the healing that I want | 0:20:09 | 0:20:12 | |
# Just like they say it in the song | 0:20:13 | 0:20:16 | |
# Until the dawn, let's Marvin Gaye and get it on, babe | 0:20:16 | 0:20:20 | |
# You got to give it up to me | 0:20:22 | 0:20:26 | |
# I'm screaming mercy, mercy please | 0:20:26 | 0:20:30 | |
# Just like they say it in the song | 0:20:30 | 0:20:33 | |
# Until the dawn, let's Marvin Gaye and get it on. # | 0:20:33 | 0:20:38 | |
APPLAUSE | 0:20:38 | 0:20:41 | |
# And it goes like this | 0:20:41 | 0:20:43 | |
# Take me by the tongue and I'll know you | 0:20:43 | 0:20:47 | |
# Kiss me till you're drunk and I'll show you | 0:20:47 | 0:20:49 | |
# All the moves like Jagger | 0:20:49 | 0:20:51 | |
# I've got the moves like Jagger | 0:20:51 | 0:20:53 | |
# I've got the moves like Jagger | 0:20:53 | 0:20:58 | |
# I don't need to try to control you | 0:20:58 | 0:21:02 | |
# Look into my eyes and I'll own you | 0:21:02 | 0:21:05 | |
# All the moves like Jagger I've got the moves like Jagger | 0:21:05 | 0:21:08 | |
# I've got the moves like Jagger. # | 0:21:08 | 0:21:13 | |
APPLAUSE | 0:21:13 | 0:21:15 | |
# Ra-ra Rasputin, lover of the Russian queen | 0:21:15 | 0:21:20 | |
# There was a cat that really was gone | 0:21:20 | 0:21:23 | |
# Ra ra Rasputin, lover of the Russian queen | 0:21:23 | 0:21:27 | |
# They didn't quit, they wanted his head | 0:21:27 | 0:21:31 | |
# Ra-ra Rasputin, Russia's greatest love machine | 0:21:31 | 0:21:35 | |
# And so they shot him till he was dead. # | 0:21:35 | 0:21:40 | |
Oh, those Russians. | 0:21:40 | 0:21:42 | |
# Starry starry night | 0:21:45 | 0:21:48 | |
# Paint your palette blue and grey | 0:21:48 | 0:21:52 | |
# Look out on a summer's day | 0:21:52 | 0:21:54 | |
# With eyes that know the darkness of my soul | 0:21:54 | 0:21:58 | |
# For they could not love you but still your love was true | 0:21:58 | 0:22:05 | |
# And when no hope was left in sight on that starry starry night | 0:22:05 | 0:22:10 | |
# You took your life as lovers often do | 0:22:10 | 0:22:12 | |
# But I could have told you, Vincent | 0:22:14 | 0:22:17 | |
# This world was never meant for one as beautiful as you. # | 0:22:17 | 0:22:23 | |
That ending was beautiful. | 0:22:27 | 0:22:29 | |
# You tried to be like Grace Kelly | 0:22:29 | 0:22:33 | |
# But all her looks were too sad | 0:22:33 | 0:22:36 | |
# So I tried a little Freddie | 0:22:37 | 0:22:41 | |
# I've gone identity mad | 0:22:41 | 0:22:45 | |
# I could be brown, I could be blue | 0:22:45 | 0:22:47 | |
# I could be violet sky | 0:22:47 | 0:22:49 | |
# I could be hurtful, I could be purple | 0:22:49 | 0:22:51 | |
# I could be anything you like | 0:22:51 | 0:22:53 | |
# I could be green, gotta be mean | 0:22:53 | 0:22:55 | |
# Gotta be everything more | 0:22:55 | 0:22:57 | |
# Why don't you like me? Why don't you like me? | 0:22:57 | 0:22:59 | |
# Why don't you walk out the door? | 0:22:59 | 0:23:02 | |
# Getting angry doesn't solve anything. # | 0:23:02 | 0:23:06 | |
# Vogue! | 0:23:07 | 0:23:09 | |
# Greta Garbo and Monroe | 0:23:09 | 0:23:11 | |
# Dietrich and DiMaggio | 0:23:11 | 0:23:13 | |
# Marlon Brando, Jimmy Dean | 0:23:13 | 0:23:15 | |
# On the cover of a magazine | 0:23:15 | 0:23:17 | |
# Ooh, you've got to let your body move to the music | 0:23:17 | 0:23:25 | |
# Ooh, you've got to just vogue, vogue, vogue, vogue. # | 0:23:25 | 0:23:35 | |
CHEERING AND APPLAUSE | 0:23:35 | 0:23:37 | |
That was a fierce famous battle! | 0:23:46 | 0:23:49 | |
ScotSoul led that whole thing off with those classic doo-wop | 0:23:49 | 0:23:51 | |
harmonies, the Marvin Gaye. | 0:23:51 | 0:23:53 | |
And then they shifted gears into Mika singing Grace Kelly with | 0:23:53 | 0:23:56 | |
a round robin of soloists - very impressive. | 0:23:56 | 0:23:59 | |
And on the other side, | 0:23:59 | 0:24:00 | |
Out Of The Blue put down their a cappella pitch pipe and sang with | 0:24:00 | 0:24:03 | |
the band, leading it off with some pop rock, hitting it hard, | 0:24:03 | 0:24:06 | |
and then they shifted gears and gave us a whole choral sound with Starry Starry Night. | 0:24:06 | 0:24:10 | |
They're both clearly going to be famous, | 0:24:10 | 0:24:12 | |
but is one of them on the fast track? | 0:24:12 | 0:24:14 | |
Oh, Deke, the Grandmaster. | 0:24:14 | 0:24:16 | |
APPLAUSE | 0:24:16 | 0:24:18 | |
Now, Des, did I really see you do the splits then? | 0:24:18 | 0:24:22 | |
I think so. | 0:24:22 | 0:24:24 | |
That's the first time I've tried it with these jeans on. | 0:24:24 | 0:24:27 | |
Gareth, which group's claim to fame really stood out for you? | 0:24:27 | 0:24:31 | |
I really genuinely liked both groups very, very much. | 0:24:31 | 0:24:35 | |
I think you've just got so much heart. | 0:24:35 | 0:24:37 | |
It should be cheesy but it isn't cos it's very, very sincere. | 0:24:37 | 0:24:42 | |
You've got fantastic tone, it was a really gutsy performance, | 0:24:42 | 0:24:46 | |
and you're fun. | 0:24:46 | 0:24:47 | |
You take it lightly which I really, really enjoyed. | 0:24:47 | 0:24:50 | |
But Out Of The Blue - I just know how hard that is. | 0:24:50 | 0:24:53 | |
You had great energy. | 0:24:53 | 0:24:54 | |
I thought Starry Starry Night - there were some lovely moments of harmony there. | 0:24:54 | 0:24:59 | |
Not absolutely 100% perfect, a couple of moments of flatness. | 0:24:59 | 0:25:02 | |
But still very, very good. | 0:25:02 | 0:25:04 | |
You did, however, steal my signature dance move - | 0:25:04 | 0:25:07 | |
the Running Man. | 0:25:07 | 0:25:08 | |
-Can we see a little bit of Malone Running Man? -Yeah. | 0:25:08 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:10 | 0:25:12 | |
CHEERING | 0:25:16 | 0:25:18 | |
I can do this for hours. | 0:25:19 | 0:25:21 | |
Now, Kelis, was that a good clean fight? | 0:25:27 | 0:25:29 | |
Yeah, it definitely was. You guys all gave it your all. | 0:25:29 | 0:25:32 | |
I do agree with Gareth - | 0:25:32 | 0:25:33 | |
you guys are so natural and there's such an ease about it that I love. | 0:25:33 | 0:25:37 | |
I think the blend is fantastic. | 0:25:37 | 0:25:39 | |
I love all the harmonies and everything about it just feels really good. | 0:25:39 | 0:25:42 | |
APPLAUSE | 0:25:42 | 0:25:45 | |
Out Of The Blue, I loved the vogueing. | 0:25:45 | 0:25:47 | |
I think that was a really cool thing, I thought it was really fun. I love that. | 0:25:47 | 0:25:50 | |
In the Riff, I was able to see more of your playful side which I | 0:25:50 | 0:25:53 | |
think is really important. | 0:25:53 | 0:25:55 | |
It's hard. | 0:25:55 | 0:25:56 | |
Chaka, hard for you too? | 0:25:56 | 0:25:57 | |
Yeah. I really don't know what to do | 0:25:57 | 0:26:00 | |
because you guys are fantastic in one way | 0:26:00 | 0:26:03 | |
and you guys in your way are fantastic, and everybody was putting it down, you know. | 0:26:03 | 0:26:06 | |
Out Of The Blue, you reminded me of a freaked-out glee club. | 0:26:06 | 0:26:12 | |
Which I love. | 0:26:12 | 0:26:13 | |
That's good, they'll take that. | 0:26:13 | 0:26:15 | |
You guys took fraternity to another level. | 0:26:15 | 0:26:18 | |
Cor blimey. Who'd have thought? I loved you all. | 0:26:18 | 0:26:24 | |
Well, only one of these groups is going to go through to | 0:26:24 | 0:26:27 | |
tonight's Solo Battles. | 0:26:27 | 0:26:28 | |
So, Chaka, which group would you like to go through to tonight's | 0:26:30 | 0:26:35 | |
Solo Battles? | 0:26:35 | 0:26:37 | |
I have to say ScotSoul. | 0:26:41 | 0:26:44 | |
APPLAUSE | 0:26:44 | 0:26:46 | |
Gareth, which group do you think deserves to go through | 0:26:50 | 0:26:53 | |
to the Solo Battles tonight? | 0:26:53 | 0:26:55 | |
You've heard from us how much we like both groups but I'm going to make a decision. | 0:26:55 | 0:27:00 | |
I am going to go with... | 0:27:00 | 0:27:03 | |
..Out Of The Blue. | 0:27:05 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:08 | |
Really? I'm surprised. | 0:27:08 | 0:27:10 | |
OK, guys. | 0:27:12 | 0:27:14 | |
Tense times. | 0:27:14 | 0:27:16 | |
One each. So, Kelis. | 0:27:16 | 0:27:18 | |
OK. It was really hard obviously. | 0:27:18 | 0:27:21 | |
I do love you both, I think you both have something so special. | 0:27:21 | 0:27:25 | |
I usually go with my heart and my heart says ScotSoul. | 0:27:26 | 0:27:30 | |
CHEERING AND APPLAUSE | 0:27:30 | 0:27:32 | |
So many congratulations to you, ScotSoul. | 0:27:37 | 0:27:40 | |
I think you touched everyone's heart strings. | 0:27:40 | 0:27:42 | |
Out Of The Blue, thank you so much for your spirit, your good vibes, | 0:27:42 | 0:27:46 | |
and for making everyone in this room extremely happy. | 0:27:46 | 0:27:49 | |
Thank you so much. | 0:27:49 | 0:27:51 | |
APPLAUSE | 0:27:51 | 0:27:52 | |
Who is going to join ScotSoul in the Solo Battles? | 0:27:56 | 0:28:00 | |
Well, it's time for Battle Two. | 0:28:00 | 0:28:02 | |
It's the City Academy Songbirds... | 0:28:02 | 0:28:03 | |
..and Soul Train. | 0:28:07 | 0:28:09 | |
ALL: We are the City Academy Songbirds. | 0:28:12 | 0:28:15 | |
We are an all-ladies group who meet up in the heart of the | 0:28:16 | 0:28:19 | |
West End to share our passion for music. | 0:28:19 | 0:28:21 | |
A ladies choir tends to be a lot older, whereas this choir, it's a group of friends, it's fun. | 0:28:23 | 0:28:29 | |
We've all got these little necklaces you can see to show that we love | 0:28:29 | 0:28:33 | |
to sing together and we're proud to be the Songbirds. | 0:28:33 | 0:28:35 | |
When we're not singing, we have been known to congregate at my house. | 0:28:38 | 0:28:41 | |
Oh, oh, oh, Bridesmaids! | 0:28:41 | 0:28:43 | |
ALL: Yes. | 0:28:43 | 0:28:44 | |
Our Showstopper happens to be from one of our favourite chick flicks. | 0:28:45 | 0:28:50 | |
So for Pitch Battle, we're going to give it everything we've got, aren't we, girls? | 0:28:50 | 0:28:54 | |
ALL: Yes! | 0:28:54 | 0:28:55 | |
We are Soul Train. | 0:29:00 | 0:29:03 | |
We are different to the typical because we I think we bring | 0:29:03 | 0:29:06 | |
a bit of an urban sound to vocal harmonies. | 0:29:06 | 0:29:11 | |
We've grown up together. | 0:29:11 | 0:29:12 | |
Like one big family. | 0:29:12 | 0:29:15 | |
We know each other so well, our singing is almost instinctive. | 0:29:15 | 0:29:18 | |
Whether we are rehearsing or not, it's cool to hang out. | 0:29:18 | 0:29:21 | |
For this battle, we've been working really hard, doing loads and loads of rehearsals. | 0:29:23 | 0:29:27 | |
We want to be ready and raring to go. | 0:29:27 | 0:29:29 | |
We are all just really good friends, so when it comes to battling, | 0:29:29 | 0:29:33 | |
no-one is going to touch us. | 0:29:33 | 0:29:35 | |
ALL: Soul Train! | 0:29:35 | 0:29:37 | |
Choo-choo. | 0:29:37 | 0:29:38 | |
APPLAUSE | 0:29:42 | 0:29:44 | |
Up first, with their Showstopper, Hold On, it's our all-singing, all-dancing show choir. | 0:29:47 | 0:29:52 | |
It's the City Academy Songbirds. | 0:29:52 | 0:29:55 | |
APPLAUSE | 0:29:55 | 0:29:57 | |
# I know this pain | 0:29:59 | 0:30:03 | |
# Why do lock yourself up in these chains? | 0:30:03 | 0:30:06 | |
# No-one can change your life except for you | 0:30:08 | 0:30:12 | |
# Don't ever let anyone step all over you | 0:30:13 | 0:30:17 | |
# Just open your heart and your mind | 0:30:17 | 0:30:22 | |
# Is it really fair to feel this way inside? | 0:30:22 | 0:30:29 | |
# Some day somebody's gonna make you want to | 0:30:29 | 0:30:31 | |
# Turn around and say goodbye | 0:30:31 | 0:30:34 | |
# Until then, baby, are you going to let them | 0:30:34 | 0:30:36 | |
# Hold you down and make you cry? | 0:30:36 | 0:30:37 | |
# Don't you know? | 0:30:37 | 0:30:38 | |
# Don't you know things can change | 0:30:38 | 0:30:40 | |
# Things'll go your way | 0:30:40 | 0:30:42 | |
# If you hold on for one more day | 0:30:42 | 0:30:46 | |
# Can you hold on for one more day? | 0:30:46 | 0:30:51 | |
# Things'll go your way | 0:30:51 | 0:30:54 | |
# Hold on for one more day | 0:30:54 | 0:30:56 | |
# I know that there is pain | 0:30:56 | 0:30:59 | |
# But you hold on for one more day | 0:30:59 | 0:31:01 | |
# And break free from the chains | 0:31:01 | 0:31:06 | |
# Some day somebody's gonna make you want to | 0:31:06 | 0:31:08 | |
# Turn around and say goodbye | 0:31:08 | 0:31:10 | |
# Until then, baby, are you going to let them | 0:31:10 | 0:31:12 | |
# Hold you down and make you cry Don't you know? | 0:31:12 | 0:31:15 | |
# Don't you know things can change | 0:31:15 | 0:31:17 | |
# Things'll go your way | 0:31:17 | 0:31:18 | |
# If you hold on for one more day | 0:31:18 | 0:31:23 | |
# Hold on. # | 0:31:23 | 0:31:30 | |
Very tight. | 0:31:31 | 0:31:33 | |
Fabulous. | 0:31:33 | 0:31:35 | |
Oh, delicious! | 0:31:42 | 0:31:45 | |
But before we hear from our judges, let's hear from the competition. | 0:31:45 | 0:31:49 | |
Singing their Showstopper, Human, from London, it's Soul Train. | 0:31:49 | 0:31:53 | |
APPLAUSE | 0:31:53 | 0:31:55 | |
# What can you see | 0:31:58 | 0:31:59 | |
# Is it clear or are you deceived by what you believe | 0:31:59 | 0:32:02 | |
# Cos I'm only human after all | 0:32:02 | 0:32:04 | |
# They're only human after all | 0:32:04 | 0:32:06 | |
# Don't put no blame on me, don't put your blame on me | 0:32:06 | 0:32:11 | |
# Maybe I'm foolish, maybe I'm blind | 0:32:11 | 0:32:14 | |
# Thinking I can see through this and see what's behind | 0:32:14 | 0:32:17 | |
# Got no way to prove it so maybe I'm blind | 0:32:17 | 0:32:22 | |
# Cos I'm only human after all | 0:32:22 | 0:32:26 | |
# I'm only human after all | 0:32:26 | 0:32:29 | |
# Don't put your blame on me | 0:32:29 | 0:32:30 | |
# Don't put your blame on me | 0:32:30 | 0:32:32 | |
# Don't put your blame on me | 0:32:32 | 0:32:34 | |
# Don't put your blame on me | 0:32:34 | 0:32:37 | |
# Some people got the real problems | 0:32:37 | 0:32:41 | |
# Some people out of luck | 0:32:41 | 0:32:44 | |
# Some people think I can solve them | 0:32:44 | 0:32:48 | |
# Lord heavens above | 0:32:48 | 0:32:50 | |
# I'm only human after all | 0:32:50 | 0:32:53 | |
# I'm only human after all | 0:32:53 | 0:32:56 | |
# Don't put your blame on me | 0:32:56 | 0:32:58 | |
# Don't put your blame on me | 0:32:58 | 0:32:59 | |
# Don't put your blame on me | 0:32:59 | 0:33:01 | |
# Don't put your blame on me | 0:33:01 | 0:33:03 | |
# I'm only human, I make mistakes | 0:33:03 | 0:33:07 | |
# I'm only human that's all it takes | 0:33:07 | 0:33:10 | |
# Don't put your blame on me | 0:33:10 | 0:33:12 | |
# Don't put your blame on me | 0:33:12 | 0:33:13 | |
# Don't put your blame on me | 0:33:13 | 0:33:15 | |
# Don't put your blame on me | 0:33:15 | 0:33:18 | |
# Take a look in the mirror What can you see? | 0:33:18 | 0:33:21 | |
# Is it clear? Are you deceived by what you believe? | 0:33:21 | 0:33:24 | |
# Cos I'm only human after all, they're only human after all | 0:33:24 | 0:33:28 | |
# Don't put no blame on me | 0:33:28 | 0:33:29 | |
# Don't put your blame on me. # | 0:33:29 | 0:33:32 | |
APPLAUSE | 0:33:32 | 0:33:34 | |
Come on, my loves. | 0:33:49 | 0:33:51 | |
Songbirds. Soul Train. | 0:33:51 | 0:33:53 | |
Lovely to be in a beautiful, melodic horseshoe with all of you. | 0:33:53 | 0:33:58 | |
I would love to do a sleepover with all you girls. | 0:33:58 | 0:34:00 | |
Do you all have the same onesies? | 0:34:02 | 0:34:04 | |
I bet you do. | 0:34:04 | 0:34:05 | |
We should actually. We should. | 0:34:05 | 0:34:08 | |
Why haven't we done that before? | 0:34:08 | 0:34:10 | |
Songbird onesies with maybe little wings, | 0:34:10 | 0:34:13 | |
little feathers. | 0:34:13 | 0:34:14 | |
Just a thought, gang, just a thought. | 0:34:14 | 0:34:16 | |
Soul Train, a first-class performance. | 0:34:16 | 0:34:20 | |
You all ran on time. | 0:34:20 | 0:34:22 | |
And there was a great buffet car in there as well... | 0:34:22 | 0:34:26 | |
I couldn't really continue with that, but it was blooming excellent. | 0:34:26 | 0:34:29 | |
How was it for you? What do you think of the competition? | 0:34:29 | 0:34:31 | |
It was absolutely fantastic. We had the best time, I hope that came across. | 0:34:31 | 0:34:34 | |
The competition were absolutely brilliant, it was so much fun to watch. | 0:34:34 | 0:34:38 | |
APPLAUSE | 0:34:38 | 0:34:39 | |
But it does just mean we're going to have to bring our A-game in the next round. | 0:34:39 | 0:34:43 | |
Fighting talk. Fighting talk. | 0:34:43 | 0:34:46 | |
Gareth, did the Songbirds set your musical heart a-flutter, | 0:34:46 | 0:34:50 | |
or were you on board the Soul Train? | 0:34:50 | 0:34:52 | |
I thought both groups were great. | 0:34:52 | 0:34:54 | |
Songbirds, I thought that was a very engaging opening. | 0:34:54 | 0:34:57 | |
It was something simple, something light, a little amuse-bouche for us | 0:34:57 | 0:35:00 | |
and I am looking now to see something with a bit more depth to it. | 0:35:00 | 0:35:03 | |
Just a couple of moments the tone got a little bit harsh so don't let | 0:35:03 | 0:35:07 | |
the excitement of this wonderful place make you shout and push. | 0:35:07 | 0:35:10 | |
Stay cool, girls. | 0:35:10 | 0:35:11 | |
But it was a great start. | 0:35:11 | 0:35:13 | |
And Soul Train absolutely was on tracks right the way through. Well done. | 0:35:13 | 0:35:16 | |
I got very excited because I just thought how far choirs have come | 0:35:16 | 0:35:19 | |
in this country that we can have a group like this | 0:35:19 | 0:35:22 | |
and a group like this, all styles are available. | 0:35:22 | 0:35:24 | |
I think that's really exciting and it's really what we want | 0:35:24 | 0:35:26 | |
to see in this contest. | 0:35:26 | 0:35:28 | |
But the detail absolutely has to be there. | 0:35:28 | 0:35:30 | |
-Gareth, can I just check one thing? -Please. | 0:35:30 | 0:35:32 | |
Did you use the word amuse-bouche? | 0:35:32 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:35 | |
I... Yes. | 0:35:35 | 0:35:37 | |
He basically described you as a snack. | 0:35:37 | 0:35:40 | |
It was a musical souffle but now I'm looking for the main course. | 0:35:40 | 0:35:44 | |
Literally digging himself in with the food metaphors. Kelis. | 0:35:44 | 0:35:48 | |
Songbirds, first of all I love your bird logo. | 0:35:48 | 0:35:51 | |
It reminds me of my first album and I have a tattoo of that so I love that. | 0:35:51 | 0:35:53 | |
-Have you got a tattoo of a bird, Kelis? -I do. -Where is it? Where? | 0:35:53 | 0:35:57 | |
It's right here. | 0:35:57 | 0:35:59 | |
-Not now! -Later, later. | 0:35:59 | 0:36:02 | |
People kind of overlook how hard it is to sing in unison and you guys | 0:36:02 | 0:36:05 | |
really come off as a unit and I love that. | 0:36:05 | 0:36:08 | |
I do agree with Gareth, I want to see what your depth is and what else | 0:36:08 | 0:36:10 | |
you guys have but I think that was a really fantastic start. | 0:36:10 | 0:36:13 | |
And, Soul Train, I love how individual you guys are. I think that's really important. | 0:36:13 | 0:36:16 | |
I'd like to see you guys really kind of listen to each other and move as a unit. | 0:36:16 | 0:36:20 | |
Pulling back a little, pushing, just so there is a more cohesive sound. | 0:36:20 | 0:36:23 | |
But otherwise I think the energy was great. | 0:36:23 | 0:36:25 | |
-Chaka Khan. -I'm lost. | 0:36:25 | 0:36:28 | |
Chaka Khan, you're in Manchester, you're in Manchester. | 0:36:28 | 0:36:32 | |
It's the north-west of England. | 0:36:32 | 0:36:34 | |
Thank you. | 0:36:34 | 0:36:35 | |
Lost in that. | 0:36:36 | 0:36:39 | |
Both of you guys were just fantastic. | 0:36:39 | 0:36:42 | |
I know how hard it is to get up in front of all these people | 0:36:42 | 0:36:45 | |
and still come off really relaxed and you did it beautifully. | 0:36:45 | 0:36:49 | |
APPLAUSE | 0:36:49 | 0:36:51 | |
Now only one of these groups will go through to the Solo Battles tonight. | 0:36:51 | 0:36:54 | |
The other is about to be knocked out. | 0:36:54 | 0:36:58 | |
It all comes down to the themed Riff-Off. | 0:36:58 | 0:37:01 | |
APPLAUSE | 0:37:01 | 0:37:03 | |
Let's reveal what your theme is. | 0:37:06 | 0:37:09 | |
Ah. How lovely. | 0:37:16 | 0:37:20 | |
The theme is friendship. | 0:37:20 | 0:37:23 | |
Listen, remember this is only a theme - | 0:37:23 | 0:37:25 | |
I don't want to see any palling up between the groups. | 0:37:25 | 0:37:29 | |
No chummy behaviour. | 0:37:29 | 0:37:30 | |
Remember, this is war-bling. | 0:37:30 | 0:37:34 | |
Best of luck. | 0:37:34 | 0:37:35 | |
Everybody, best of luck. | 0:37:35 | 0:37:38 | |
APPLAUSE | 0:37:38 | 0:37:40 | |
# Ooh ooh ooh ooh | 0:37:47 | 0:37:54 | |
# Yeah yeah | 0:37:54 | 0:37:58 | |
# You can count on me like one two three | 0:37:58 | 0:38:03 | |
# I'll be there | 0:38:03 | 0:38:05 | |
# And I know when I need it I can count on you like four three two | 0:38:06 | 0:38:14 | |
# You'll be there | 0:38:14 | 0:38:16 | |
# I'll be there for you | 0:38:19 | 0:38:22 | |
# Cos you're there for me too | 0:38:22 | 0:38:25 | |
# I'll always be there for you | 0:38:25 | 0:38:27 | |
# It's like you're always stuck in second gear | 0:38:27 | 0:38:31 | |
# When it hasn't been your day, your week, your month | 0:38:31 | 0:38:34 | |
# Or even your year | 0:38:34 | 0:38:37 | |
# I'll be there for you when the rain starts to pour. # | 0:38:38 | 0:38:45 | |
# Under my umbrella, ella, ella | 0:38:45 | 0:38:50 | |
# When the sun shines, we'll shine together | 0:38:50 | 0:38:53 | |
# Told you I'd be here forever | 0:38:53 | 0:38:56 | |
# Said I'll always be a friend | 0:38:56 | 0:38:59 | |
# Took an oath I'ma stick it out till the end | 0:38:59 | 0:39:01 | |
# Now that it's raining more than ever | 0:39:01 | 0:39:04 | |
# Know that we'll still have each other | 0:39:04 | 0:39:07 | |
# You can stand under my umbrella | 0:39:07 | 0:39:10 | |
# You can stand under my umbrella, ella, ella | 0:39:10 | 0:39:13 | |
# Eh, eh, under my umbrella, ella ella, eh, eh. # | 0:39:13 | 0:39:23 | |
# What would you do if I sang out of tune | 0:39:26 | 0:39:32 | |
# Would you stand up and walk out on me? | 0:39:32 | 0:39:35 | |
# By with a little help from my friends | 0:39:36 | 0:39:41 | |
# Try with a little help from my friends | 0:39:41 | 0:39:45 | |
# By with a little help from my friends | 0:39:45 | 0:39:50 | |
# Ooh ooh ooh. # | 0:39:50 | 0:39:55 | |
# Can your friends do this? | 0:40:02 | 0:40:04 | |
# Can your friends do that? | 0:40:04 | 0:40:06 | |
# Can your friends pull this out of their little hat? | 0:40:06 | 0:40:11 | |
# Mr Aladdin, sir, have a wish or two or three | 0:40:12 | 0:40:17 | |
# I'm on the job, you big nabob | 0:40:17 | 0:40:19 | |
# You ain't never had a friend, never had a friend | 0:40:19 | 0:40:21 | |
# You ain't never had a friend, never had a friend | 0:40:21 | 0:40:24 | |
# You ain't never had a friend like me | 0:40:24 | 0:40:31 | |
# You ain't never had a friend like me. # | 0:40:31 | 0:40:34 | |
# I know that I've been messed up, you never let me give up | 0:40:37 | 0:40:41 | |
# I'm a pain, I'm a child, I'm afraid, but yet you understand | 0:40:41 | 0:40:45 | |
# That they don't stand a chance because | 0:40:45 | 0:40:48 | |
# When I'm with you | 0:40:48 | 0:40:51 | |
# I'm standing with an army | 0:40:51 | 0:40:54 | |
# Standing with an army | 0:40:54 | 0:40:57 | |
# Through the dark times, you would always find the bright side | 0:40:57 | 0:41:00 | |
# I'm amazed by the things that you would sacrifice | 0:41:00 | 0:41:03 | |
# Just to be there for me | 0:41:03 | 0:41:04 | |
# How you cringe when you sing out of tune | 0:41:04 | 0:41:06 | |
# But yet it's everything. # | 0:41:06 | 0:41:08 | |
Wow, the City Academy Songbirds let off with some beautiful | 0:41:14 | 0:41:18 | |
high resonant harmonies. | 0:41:18 | 0:41:19 | |
You can really feel their friendships. | 0:41:19 | 0:41:21 | |
And then they spun it full Disney show choir when they brought out | 0:41:21 | 0:41:24 | |
Aladdin's genie, right. Awesome. | 0:41:24 | 0:41:26 | |
And on the other side, the Soul Train took us on | 0:41:26 | 0:41:29 | |
a ride through pop and rock and took a left turn | 0:41:29 | 0:41:32 | |
at Ellie Goulding's Army. | 0:41:32 | 0:41:33 | |
I think the judges just got about 35 friend requests. | 0:41:33 | 0:41:36 | |
Will they be accepted or denied? | 0:41:36 | 0:41:38 | |
Oh, Deke, we all salute you. | 0:41:38 | 0:41:41 | |
Salute the Deke. | 0:41:41 | 0:41:42 | |
The Archdeke. | 0:41:43 | 0:41:45 | |
Now, Louise, the Umbrella dance was absolutely magnificent. | 0:41:45 | 0:41:49 | |
You sounded gorgeous. | 0:41:49 | 0:41:51 | |
Presumably though, inside, cold-blooded ruthless determination | 0:41:51 | 0:41:56 | |
to see Soul Train just crushed. | 0:41:56 | 0:41:59 | |
Do you know what, it's not really. It was more the nerves, we've never really danced before. | 0:41:59 | 0:42:03 | |
So we were just, like, "We need to get through it." | 0:42:03 | 0:42:06 | |
It's all about being here together and having an amazing time. | 0:42:06 | 0:42:08 | |
What do you mean you've never danced before? | 0:42:08 | 0:42:10 | |
We step and click sometimes but not always successfully. | 0:42:10 | 0:42:14 | |
I step and click, I need a hip replacement. | 0:42:14 | 0:42:16 | |
I'm clicking all over the shop when I step. | 0:42:16 | 0:42:18 | |
It looked fantastic, your dancing was really, really good. | 0:42:18 | 0:42:21 | |
Now, Soul Trainers. Young Ali, that voice... | 0:42:21 | 0:42:24 | |
Are you the sort of ace card that is going to be played here? | 0:42:24 | 0:42:27 | |
I mean, I wouldn't call myself the ace card. | 0:42:28 | 0:42:31 | |
I think the best part of our group is that we are all so good individually. | 0:42:31 | 0:42:34 | |
Any of these people could have stood up and done the solo. | 0:42:34 | 0:42:37 | |
So it was really an honour that they asked me to do it. | 0:42:37 | 0:42:41 | |
-Were you quite pleased it was you? -Of course. | 0:42:41 | 0:42:43 | |
LAUGHTER Well done, Soul Train. | 0:42:43 | 0:42:46 | |
So, Kelis, it's not going to be easy, is it? | 0:42:47 | 0:42:50 | |
No, it's not, because they're so different. | 0:42:50 | 0:42:52 | |
And you guys both did a fantastic job. | 0:42:52 | 0:42:55 | |
Songbirds, you guys are a unit and you sound and look like... | 0:42:55 | 0:42:58 | |
What do you guys say here, is it "hen do"? | 0:42:58 | 0:43:01 | |
-A hen do?! -Is that it? | 0:43:01 | 0:43:03 | |
Kelis, love, hen do is more sort of furry cuffs and... | 0:43:03 | 0:43:07 | |
What is it called? | 0:43:07 | 0:43:08 | |
Like a very sophisticated hen night. | 0:43:08 | 0:43:10 | |
It's like you want to hang out. You guys are so girlie, it's fun. | 0:43:12 | 0:43:15 | |
I do feel like there were moments when I wanted to see you kind | 0:43:15 | 0:43:18 | |
of, like, give us a different kind of vibe. | 0:43:18 | 0:43:20 | |
Louise, though, your voice is fantastic. I want to say that. | 0:43:20 | 0:43:23 | |
APPLAUSE | 0:43:23 | 0:43:25 | |
Really good. | 0:43:25 | 0:43:26 | |
And for Soul Train, you guys are all fantastic. | 0:43:26 | 0:43:28 | |
My one note - sometimes if I'm on stage I need my people with me so I'm not belting, | 0:43:28 | 0:43:33 | |
cos that will kind of make me lose the quality of my voice. | 0:43:33 | 0:43:36 | |
The other soloist, you have a wonderful, belty, | 0:43:36 | 0:43:38 | |
high register voice, so when she's singing, you guys can, like, | 0:43:38 | 0:43:41 | |
kill it, you can go in. | 0:43:41 | 0:43:42 | |
When Ali is singing I think it's like you have to make | 0:43:42 | 0:43:45 | |
adjustments for that because she does have | 0:43:45 | 0:43:47 | |
a really beautiful velvety voice but it is definitely | 0:43:47 | 0:43:49 | |
low register and it's smooth and sexy which we love. | 0:43:49 | 0:43:52 | |
So just kind of keep that in mind. | 0:43:52 | 0:43:54 | |
Now, Gareth, who put up the best fight? Come on. | 0:43:54 | 0:43:57 | |
I thought that was an excellent battle. | 0:43:57 | 0:43:59 | |
Songbirds, I thought great energy. | 0:43:59 | 0:44:01 | |
The moves were great. | 0:44:01 | 0:44:03 | |
If you've not been doing that, that's got to become a part of your act cos I think it's really good. | 0:44:03 | 0:44:08 | |
They move naturally. Really fun to watch. | 0:44:08 | 0:44:11 | |
I was looking for that extra note. | 0:44:11 | 0:44:13 | |
I'd like to see something gutsy from you, something deeper, some attitude. | 0:44:13 | 0:44:17 | |
It's very nice, and nice is good, but singing needs to show | 0:44:17 | 0:44:22 | |
all parts of your personality and heart. | 0:44:22 | 0:44:24 | |
Soul Train, I think Kelis is right, | 0:44:24 | 0:44:27 | |
it's tremendous what you're doing, | 0:44:27 | 0:44:29 | |
but ensemble is your biggest challenge. | 0:44:29 | 0:44:32 | |
I struggled to hear everything at times so you need to really watch | 0:44:32 | 0:44:35 | |
that you're listening to each other and getting out of the way of each other. | 0:44:35 | 0:44:38 | |
But you have got tremendous presence and it really crackled. | 0:44:38 | 0:44:41 | |
It felt very modern. I liked it. | 0:44:41 | 0:44:44 | |
Only one of them can go through to the Solo Battles later on. | 0:44:44 | 0:44:47 | |
Kelis, which group would you like to see going through to the | 0:44:50 | 0:44:55 | |
Solo Battles? | 0:44:55 | 0:44:57 | |
Well, it has been a very hard decision. | 0:44:57 | 0:45:01 | |
I am going to have to go with Soul Train. | 0:45:01 | 0:45:04 | |
Soul Train. Thank you very much, Kelis. | 0:45:04 | 0:45:06 | |
Well done, gang. | 0:45:08 | 0:45:10 | |
Gareth, which group do you think really deserves to go through | 0:45:10 | 0:45:14 | |
to our Solo Battles? | 0:45:14 | 0:45:15 | |
This is very difficult because I thought both performances | 0:45:15 | 0:45:17 | |
were pretty much equally successful. | 0:45:17 | 0:45:19 | |
Not much in it. | 0:45:19 | 0:45:21 | |
But the group that I would like to put forward to the solo round are... | 0:45:21 | 0:45:24 | |
Soul Train. | 0:45:28 | 0:45:30 | |
APPLAUSE | 0:45:30 | 0:45:32 | |
Chaka, who would you like to have seen go through? | 0:45:38 | 0:45:40 | |
I voted for Soul Train. | 0:45:40 | 0:45:43 | |
APPLAUSE | 0:45:43 | 0:45:45 | |
We're very, very sorry to see you leave, Songbirds. | 0:45:45 | 0:45:47 | |
There's only one place left in the Solo Battles. | 0:45:49 | 0:45:52 | |
Who is going to join Soul Train and ScotSoul? | 0:45:52 | 0:45:56 | |
Get ready for battle number three. | 0:45:56 | 0:45:59 | |
It's the Flyboys... | 0:45:59 | 0:46:00 | |
..versus the Noteables. | 0:46:03 | 0:46:06 | |
We are the Flyboys, | 0:46:10 | 0:46:11 | |
a harmony group specialising in swing and jazz with a modern twist. | 0:46:11 | 0:46:14 | |
We are called the Flyboys because we spend most of our lives | 0:46:14 | 0:46:17 | |
jetsetting around the world working on some of the biggest cruise | 0:46:17 | 0:46:20 | |
liners that are out there. | 0:46:20 | 0:46:21 | |
What we do is a bit of a tip of the hat to some of the absolute | 0:46:26 | 0:46:28 | |
classic crooners | 0:46:28 | 0:46:30 | |
like Dean Martin, Frank Sinatra, but we offer it out to a new generation. | 0:46:30 | 0:46:33 | |
There's nothing quite like travelling and performing | 0:46:38 | 0:46:41 | |
with your best mates in the world. | 0:46:41 | 0:46:43 | |
We end up with a lot of free time when not performing | 0:46:43 | 0:46:46 | |
and on the sea is where we've actually honed our act. | 0:46:46 | 0:46:49 | |
One, two, three, spin. | 0:46:49 | 0:46:51 | |
We've got a big Showstopper number coming for you and it | 0:46:53 | 0:46:56 | |
is a really good fusion of vintage and modern. | 0:46:56 | 0:46:59 | |
-We are ready for battle, aren't we, boys? -Yes, we are. | 0:46:59 | 0:47:02 | |
We are the Noteables. | 0:47:09 | 0:47:11 | |
We are a pop a cappella choir based in London. | 0:47:11 | 0:47:13 | |
Most of us have really serious jobs so we just love to let go and | 0:47:13 | 0:47:17 | |
sing our hearts out. | 0:47:17 | 0:47:18 | |
In our choir we have actuaries, solicitors, | 0:47:23 | 0:47:26 | |
teachers, people who run their own businesses, but actually we | 0:47:26 | 0:47:29 | |
are all secretly choir geeks. | 0:47:29 | 0:47:31 | |
To be in the Noteables you absolutely have to have a sense of humour. | 0:47:32 | 0:47:36 | |
Other choirs might think we don't take ourselves too seriously | 0:47:36 | 0:47:39 | |
but we can focus when we need to. | 0:47:39 | 0:47:41 | |
So watch out. | 0:47:41 | 0:47:42 | |
We'll take you down. | 0:47:42 | 0:47:44 | |
LAUGHTER | 0:47:44 | 0:47:47 | |
To actually compete head-to-head with a group, | 0:47:47 | 0:47:50 | |
I think it's going to be a huge challenge. | 0:47:50 | 0:47:52 | |
We're just going to go out there, give it our all, and bring it. | 0:47:52 | 0:47:55 | |
-ALL: -Yes. | 0:47:55 | 0:47:56 | |
Prepare yourselves for something completely different. | 0:48:05 | 0:48:08 | |
Performing their unique version of some classics for their | 0:48:08 | 0:48:10 | |
Showstopper, it's our Rat Pack group, the Flyboys. | 0:48:10 | 0:48:14 | |
APPLAUSE | 0:48:14 | 0:48:16 | |
# He's a boogie woogie bugle boy of Company B | 0:48:18 | 0:48:26 | |
# Tommy used to work on the docks | 0:48:30 | 0:48:32 | |
# Union's been on strike He's down on his luck | 0:48:32 | 0:48:35 | |
# It's tough, so tough | 0:48:35 | 0:48:40 | |
# Gina dreams of running away | 0:48:40 | 0:48:43 | |
# When she cries at night | 0:48:43 | 0:48:44 | |
# Tommy whispers "Baby it's OK, someday." | 0:48:44 | 0:48:51 | |
# He's in the army now a-blowin' reveille | 0:48:51 | 0:48:53 | |
# He's the boogie woogie bugle boy of Company B | 0:48:53 | 0:48:57 | |
# Whoa, we're halfway there | 0:48:57 | 0:48:59 | |
# Whoa, livin' on a prayer | 0:48:59 | 0:49:02 | |
# Take my hand, we'll make it I swear | 0:49:02 | 0:49:05 | |
# Whoa, livin' on a prayer | 0:49:05 | 0:49:07 | |
# Sister What-ya-call-em what you doin' tonight | 0:49:07 | 0:49:10 | |
# Hope you're in the mood because I'm feeling all right | 0:49:10 | 0:49:12 | |
# Ev'rybody must agree the dancin' has charm | 0:49:12 | 0:49:15 | |
# When you have the certain one you love in your arms | 0:49:15 | 0:49:18 | |
# Steppin' out with you will be a sweet interlude | 0:49:18 | 0:49:20 | |
# A builder-up with that will put me in the mood | 0:49:20 | 0:49:24 | |
# Whoa, we're halfway there | 0:49:24 | 0:49:26 | |
# Whoa, livin' on a prayer | 0:49:26 | 0:49:28 | |
# Take my hand, we'll make it I swear | 0:49:28 | 0:49:31 | |
# Whoa, livin' on a prayer | 0:49:31 | 0:49:34 | |
# Livin' on a prayer. # | 0:49:37 | 0:49:42 | |
-So good. -Amazing. | 0:49:50 | 0:49:52 | |
Swing-a-ding-dong. | 0:49:53 | 0:49:55 | |
Well done, the Flyboys. | 0:49:55 | 0:49:56 | |
But now, ready for battle, and performing their Showstopper, | 0:49:56 | 0:49:59 | |
Some Nights, it's our pop choir, the Noteables. | 0:49:59 | 0:50:03 | |
# Some nights I stay up cashing in my bad luck | 0:50:06 | 0:50:10 | |
# Some nights I call it a draw | 0:50:10 | 0:50:13 | |
# Some nights I wish that my lips could build a castle | 0:50:14 | 0:50:18 | |
# Some nights I wish they'd just fall off | 0:50:18 | 0:50:22 | |
# This is it, boys, this is war What are we waiting for? | 0:50:22 | 0:50:26 | |
# Why don't we break the rules already? | 0:50:26 | 0:50:30 | |
# I was never one to believe the hype | 0:50:30 | 0:50:33 | |
# Save that for the black and white | 0:50:33 | 0:50:34 | |
# I try twice as hard and I'm half as liked | 0:50:34 | 0:50:37 | |
# But here they come again to jack my style | 0:50:37 | 0:50:40 | |
# And that's all right I found a martyr in my bed tonight | 0:50:40 | 0:50:45 | |
# She stops my bones from wondering just who I am, who I am, who I am | 0:50:45 | 0:50:48 | |
# Well some nights I wish that this all would end | 0:50:48 | 0:50:52 | |
# Cos I could use some friends for a change | 0:50:52 | 0:50:57 | |
# And some nights I'm scared you'll forget me again | 0:50:57 | 0:51:01 | |
# Some nights I always win I always win | 0:51:01 | 0:51:05 | |
# But I still wake up I still see your ghost | 0:51:05 | 0:51:09 | |
# Oh, Lord I'm still not sure what I stand for | 0:51:09 | 0:51:14 | |
# What do I stand for? What do I stand for? | 0:51:14 | 0:51:18 | |
# Most nights I don't know | 0:51:18 | 0:51:22 | |
# Oh, come on, oh, come on | 0:51:22 | 0:51:25 | |
# Oh, come on! | 0:51:25 | 0:51:28 | |
# Oh, come on! | 0:51:28 | 0:51:31 | |
# Oh. # | 0:51:31 | 0:51:38 | |
The vibes are so strong and so good. | 0:51:52 | 0:51:54 | |
Can I just say I did love your performance | 0:51:56 | 0:51:59 | |
in both Con Air and Captain Corelli's Mandolin? | 0:51:59 | 0:52:03 | |
Are you getting it? | 0:52:03 | 0:52:05 | |
Have people told you you look like Nicolas Cage? | 0:52:05 | 0:52:08 | |
Yes, actually quite a lot. | 0:52:08 | 0:52:10 | |
If the singing fails then I can become a lookalike... | 0:52:10 | 0:52:13 | |
The singing is never going to fail, Flyboys, thank you very much. | 0:52:13 | 0:52:17 | |
Is there anything on the end of this chain? I was slightly... | 0:52:17 | 0:52:20 | |
Oh, no. It's all attached. | 0:52:20 | 0:52:21 | |
I'm so sorry. Sorry. | 0:52:21 | 0:52:23 | |
That's very good. | 0:52:25 | 0:52:26 | |
Noteables. Can I just say, you look... | 0:52:26 | 0:52:29 | |
Don't they look just absolutely gorgeous? | 0:52:29 | 0:52:31 | |
You're all slightly matching in a beautiful way. | 0:52:31 | 0:52:35 | |
It's slightly Von Trapp. | 0:52:35 | 0:52:37 | |
But, no, but in a very cool... | 0:52:37 | 0:52:40 | |
In a very cool way. How was that for you, my love? | 0:52:40 | 0:52:43 | |
That was amazing, Mel, my heart is still beating. | 0:52:43 | 0:52:46 | |
I hope it is still beating, | 0:52:46 | 0:52:48 | |
otherwise we have a little bit of a problem on our hands | 0:52:48 | 0:52:51 | |
for the paramedics. | 0:52:51 | 0:52:53 | |
So keep it beating, OK, just keep it beating. | 0:52:53 | 0:52:57 | |
Chaka. Chaka Khan. | 0:52:57 | 0:52:59 | |
Whose Showstopper stopped the show for you? | 0:52:59 | 0:53:03 | |
The barbershop guys, I loved that. | 0:53:03 | 0:53:06 | |
That's a lost art today. | 0:53:06 | 0:53:08 | |
And the fact that you guys are keeping it alive, you know, | 0:53:08 | 0:53:11 | |
down to the spats. | 0:53:11 | 0:53:13 | |
The spats are great. | 0:53:13 | 0:53:15 | |
I love that. | 0:53:15 | 0:53:17 | |
And with the Noteables? | 0:53:17 | 0:53:18 | |
You guys have found I think a good chemistry amongst each other | 0:53:18 | 0:53:21 | |
and it shows. It really does. | 0:53:21 | 0:53:24 | |
I love you both, I love what you both have to offer. | 0:53:24 | 0:53:26 | |
Chaka, thank you. | 0:53:26 | 0:53:27 | |
Now, Gareth, are you leaning more towards one group than the | 0:53:27 | 0:53:31 | |
other at this point? What's going on in the Malone mind? | 0:53:31 | 0:53:34 | |
It's all going on in the Malone mind as ever. | 0:53:34 | 0:53:36 | |
There were some very exciting moments there. | 0:53:36 | 0:53:39 | |
Noteables, I have a couple of notes. | 0:53:39 | 0:53:41 | |
It was good. Difficult arrangement, it's a hard song to sing, a big, feisty song, | 0:53:41 | 0:53:45 | |
and it's a hard thing to fill and I think you just about got there. | 0:53:45 | 0:53:48 | |
It's tough in an amateur choir, you said you come together once a week. | 0:53:48 | 0:53:52 | |
I know how much practice these things take, so very well done. | 0:53:52 | 0:53:55 | |
You need to really take care of those harmonies and you had | 0:53:55 | 0:53:58 | |
that ninth chord, that was really good. | 0:53:58 | 0:54:01 | |
But in the Riff-Off I'd like to see a little more care of those | 0:54:01 | 0:54:03 | |
harmonies and making sure they're absolutely bang in tune. | 0:54:03 | 0:54:07 | |
I have to say that was a fantastic job, Flyboys. | 0:54:07 | 0:54:11 | |
That was a bit of a show stealer. | 0:54:11 | 0:54:12 | |
I love that it's barbershop but it is barbershop with | 0:54:12 | 0:54:15 | |
a bit of cool and swing in there. | 0:54:15 | 0:54:17 | |
I thought your technique matched the style really well. | 0:54:17 | 0:54:20 | |
All the vowels were right and nicely turned together. | 0:54:20 | 0:54:23 | |
You came together, that blend was there. | 0:54:23 | 0:54:25 | |
I want to see more. | 0:54:25 | 0:54:27 | |
-Now, Kelis. -Well, the Noteables, you guys are so endearing. | 0:54:27 | 0:54:31 | |
It does feel very Von Trapp in the best way. | 0:54:31 | 0:54:35 | |
I just want to sing, "Do, a deer." | 0:54:35 | 0:54:36 | |
I really want to break out into song. | 0:54:36 | 0:54:39 | |
I do agree with Gareth, I think that there are moments where it is | 0:54:39 | 0:54:41 | |
a little bit chaotic I think sometimes, | 0:54:41 | 0:54:45 | |
because there are so many parts. | 0:54:45 | 0:54:46 | |
I think my notes for the Riff-Off would be just to kind of | 0:54:46 | 0:54:49 | |
focus on each other and make eye contact, I think that helps a lot. | 0:54:49 | 0:54:52 | |
That would be really helpful. | 0:54:52 | 0:54:54 | |
I love all the red lipstick too, by the way, | 0:54:54 | 0:54:56 | |
that's like a really good pop, I love that. | 0:54:56 | 0:54:58 | |
And then, Flyboys, I feel like this is exactly what I was looking for. | 0:54:58 | 0:55:02 | |
Everything was stylised and you guys had these really beautiful | 0:55:02 | 0:55:06 | |
kind of vintage American harmonies that I love. | 0:55:06 | 0:55:09 | |
For me I think the one thing I want to see is what else do you | 0:55:09 | 0:55:13 | |
have in your arsenal? Is it just this vintage style | 0:55:13 | 0:55:15 | |
or can you do something else? That's what I'm looking for. | 0:55:15 | 0:55:18 | |
I think that is going to be the challenge is to take that | 0:55:18 | 0:55:20 | |
into other styles of music, how you're going to handle that. | 0:55:20 | 0:55:22 | |
Flyboys, what do you have in your arsenal? | 0:55:22 | 0:55:24 | |
That's the question... | 0:55:24 | 0:55:25 | |
One group will join Soul Train and ScotSoul in the Solo Battles, | 0:55:27 | 0:55:32 | |
but it's final curtains for the other. | 0:55:32 | 0:55:34 | |
There's only one way to decide which is which - | 0:55:34 | 0:55:37 | |
it's the Riff-Off. | 0:55:37 | 0:55:39 | |
APPLAUSE | 0:55:39 | 0:55:41 | |
So let's reveal what your theme is. | 0:55:42 | 0:55:45 | |
Guys, begging. | 0:55:55 | 0:55:57 | |
Begging, interesting. | 0:55:57 | 0:55:59 | |
Very, very good luck, guys, seriously. Go for it. | 0:55:59 | 0:56:03 | |
APPLAUSE | 0:56:03 | 0:56:05 | |
# I'm begging... # | 0:56:10 | 0:56:14 | |
Not good, not good. | 0:56:14 | 0:56:16 | |
# I'm begging you Put your loving hand out baby | 0:56:16 | 0:56:22 | |
# I'm holding on I can't fall back | 0:56:22 | 0:56:25 | |
# I'm just a man about to fade to black | 0:56:25 | 0:56:29 | |
# Beggin', beggin' you Put your loving hand out baby. # | 0:56:29 | 0:56:36 | |
# You think that I'll be the other girl | 0:56:41 | 0:56:45 | |
# Just like there's nothing in this world | 0:56:45 | 0:56:47 | |
# I wanna have fun Gonna get me some | 0:56:47 | 0:56:49 | |
# I just don't know where you're coming from | 0:56:49 | 0:56:51 | |
# You got me beggin' | 0:56:51 | 0:56:53 | |
# Mercy, show me some mercy | 0:56:53 | 0:56:57 | |
# I want you, please | 0:56:57 | 0:56:59 | |
# I want you, please | 0:56:59 | 0:57:03 | |
# I'm beggin' you for mercy | 0:57:03 | 0:57:07 | |
# Yeah. # | 0:57:07 | 0:57:09 | |
# La la la la Please, please don't leave me | 0:57:10 | 0:57:18 | |
# Baby Please, please don't leave me | 0:57:18 | 0:57:26 | |
# I'm always saying how I don't need you | 0:57:27 | 0:57:31 | |
# But it's always gonna come right back to this | 0:57:31 | 0:57:35 | |
# Please don't leave me. # | 0:57:37 | 0:57:39 | |
# Please don't go, please don't go | 0:57:43 | 0:57:47 | |
# Please don't go, please don't go | 0:57:47 | 0:57:51 | |
# Babe, I love you so | 0:57:51 | 0:57:53 | |
# And I want you to know | 0:57:55 | 0:57:58 | |
# That I'm going to miss your love | 0:57:58 | 0:58:02 | |
# The minute you walk through that door | 0:58:02 | 0:58:05 | |
# Please don't go, don't go | 0:58:05 | 0:58:08 | |
# Please don't go, don't go | 0:58:08 | 0:58:11 | |
# Please don't, please don't go | 0:58:12 | 0:58:14 | |
# Hey, I need your love | 0:58:14 | 0:58:17 | |
# I'm down on my knees | 0:58:17 | 0:58:20 | |
# Beggin' please Please, please don't go. # | 0:58:20 | 0:58:23 | |
# Aah ah ah | 0:58:25 | 0:58:29 | |
# Don't leave me this way | 0:58:33 | 0:58:38 | |
# I can't exist I will surely miss your tender kiss | 0:58:38 | 0:58:45 | |
# So don't leave me this way | 0:58:45 | 0:58:48 | |
# Oh, baby, my heart is full of love and desire for you | 0:58:48 | 0:58:55 | |
# Cos only your good loving can set me free | 0:58:55 | 0:59:01 | |
# Baby! # | 0:59:01 | 0:59:02 | |
# Please, please tell me now | 0:59:04 | 0:59:08 | |
# Is there something I should know? | 0:59:08 | 0:59:11 | |
# Is there something I should say? | 0:59:11 | 0:59:15 | |
# That would make you come my way | 0:59:15 | 0:59:19 | |
# Do you feel the same cos you don't let it show | 0:59:19 | 0:59:24 | |
# No, no, no, no, no, no, no, no, no | 0:59:24 | 0:59:27 | |
# Please, please tell me now. # | 0:59:27 | 0:59:31 | |
CHEERING AND APPLAUSE | 0:59:31 | 0:59:33 | |
These groups are down on their knees, begging you. | 0:59:36 | 0:59:39 | |
The Flyboys started out. They swooped down and brought those | 0:59:39 | 0:59:42 | |
classic Four Seasons close harmonies, right. | 0:59:42 | 0:59:45 | |
Then they pulled up and sang Pink! Who was expecting that? | 0:59:45 | 0:59:48 | |
Meanwhile The Noteables on the other side led with those Motown | 0:59:48 | 0:59:52 | |
harmonies by Duffy and then did a full 1980s pop vocal thing | 0:59:52 | 0:59:55 | |
with Duran Duran, right. | 0:59:55 | 0:59:57 | |
All I know is this audience is begging for more, am I right? | 0:59:57 | 1:00:00 | |
CHEERING | 1:00:00 | 1:00:03 | |
Dekers... | 1:00:03 | 1:00:05 | |
Thank you for your thoughts. | 1:00:05 | 1:00:07 | |
Now, guys, there was some exceptional riffing going on. | 1:00:07 | 1:00:11 | |
There was a lot of this and a lot of that and a lot of everything. | 1:00:11 | 1:00:14 | |
Yes, sorry, love. I'm sorry. | 1:00:14 | 1:00:17 | |
Now, were you trying to make them laugh, basically, to distract them? | 1:00:17 | 1:00:22 | |
Laugh? We were taking that very seriously. | 1:00:22 | 1:00:25 | |
If they were finding that funny, that's incredibly offensive. | 1:00:25 | 1:00:27 | |
LAUGHTER | 1:00:27 | 1:00:29 | |
It was excellent, on all fronts. We loved it. | 1:00:29 | 1:00:32 | |
-Now, Jess? How are you doing? -I'm all right, actually. | 1:00:32 | 1:00:35 | |
-Really, really enjoying it. -I need to just check with your colleague... | 1:00:35 | 1:00:39 | |
Sorry. Yes, still beating. Still beating. | 1:00:39 | 1:00:43 | |
Yeah, we're good. They are good. We're absolutely good. | 1:00:43 | 1:00:45 | |
Now, Chaka, they were quite literally on their knees at times. | 1:00:45 | 1:00:49 | |
Begging. | 1:00:49 | 1:00:52 | |
What do you think? | 1:00:52 | 1:00:54 | |
Oi, oi, oi... | 1:00:54 | 1:00:55 | |
Oggi, oggi, oggi. | 1:00:55 | 1:00:57 | |
LAUGHTER | 1:00:57 | 1:00:59 | |
Sorry, it's just a thing. | 1:00:59 | 1:01:01 | |
You are like this beautiful United Nations kind of thing going on. | 1:01:01 | 1:01:05 | |
Yeah. | 1:01:05 | 1:01:06 | |
You know what I mean? I wanted to hear more cohesive parts. | 1:01:06 | 1:01:10 | |
You guys are like, from another era. | 1:01:10 | 1:01:12 | |
You represent a wonderful post-war beautiful harmony and the way | 1:01:12 | 1:01:18 | |
that you look, Fly Boys... | 1:01:18 | 1:01:20 | |
yeah, I can relate to that. | 1:01:20 | 1:01:21 | |
She's about to pick up her fan, Fly Boys. | 1:01:21 | 1:01:23 | |
I think that's what's happening here. There she goes. | 1:01:23 | 1:01:26 | |
-You made her hot! -Oh, there's a little bit of flirtation going on there. | 1:01:26 | 1:01:31 | |
Now, Gareth, after all that pleading... | 1:01:31 | 1:01:34 | |
-Oh! -..did they manage to break through that stone choral heart? | 1:01:34 | 1:01:39 | |
LAUGHTER | 1:01:39 | 1:01:41 | |
I'm a very warm individual. | 1:01:41 | 1:01:42 | |
-I know. -Yeah, it did. | 1:01:42 | 1:01:43 | |
I really enjoyed Notables, you went up a gear there. | 1:01:43 | 1:01:47 | |
You know I love a community choir. | 1:01:47 | 1:01:48 | |
I love what you guys are about, it's fantastic. | 1:01:48 | 1:01:51 | |
I'd love to come down, have a cup of tea and sing along with you. | 1:01:51 | 1:01:53 | |
And that is great. You have brought that energy tonight. | 1:01:53 | 1:01:56 | |
It was really joyous. I thought the Duran Duran was fantastic. | 1:01:56 | 1:01:59 | |
The unison stuff was really good. | 1:01:59 | 1:02:00 | |
Simple is best, for you guys. | 1:02:00 | 1:02:02 | |
It's so important that you work just within yourself. | 1:02:02 | 1:02:05 | |
And I think at times, what let you down was you were trying to stretch, | 1:02:05 | 1:02:08 | |
"Hey, look, guys - we can do these harmonies!" | 1:02:08 | 1:02:09 | |
And you are up against these guys who are more adept at harmonies | 1:02:09 | 1:02:13 | |
and that is where I think you are challenged. | 1:02:13 | 1:02:15 | |
However, Fly Boys, you fluffed the beginning big-time. | 1:02:15 | 1:02:18 | |
It was really out of tune right at the start. | 1:02:18 | 1:02:21 | |
That dominant seventh chord came from the band and you didn't catch it. | 1:02:21 | 1:02:25 | |
If your main thing is vocal harmony, | 1:02:25 | 1:02:28 | |
be really careful of slips like that. | 1:02:28 | 1:02:30 | |
Made him sweat. | 1:02:30 | 1:02:32 | |
I was quietly dying, here. | 1:02:32 | 1:02:34 | |
My heart actually stopped for a second. | 1:02:34 | 1:02:37 | |
Now, Kelis, don't hold back. | 1:02:37 | 1:02:39 | |
Notables, I do have to agree with Chaka and with Gareth. | 1:02:39 | 1:02:42 | |
I do feel like there were some moments where I wanted you guys | 1:02:42 | 1:02:44 | |
to really rein it in. | 1:02:44 | 1:02:46 | |
But I think you really do feel the vibe. | 1:02:46 | 1:02:48 | |
You guys look like you are having so much fun. | 1:02:48 | 1:02:50 | |
Like you rapping and everything. | 1:02:50 | 1:02:52 | |
Where did that come from? I was not expecting it. | 1:02:52 | 1:02:55 | |
It was great. | 1:02:55 | 1:02:57 | |
And then, with Fly Boys, I was surprised by that first chord, | 1:02:57 | 1:03:00 | |
that harmony was intense, for me. | 1:03:00 | 1:03:03 | |
You eventually pulled it together. | 1:03:03 | 1:03:05 | |
This is going to be hard. | 1:03:05 | 1:03:06 | |
-Yeah. -You guys really gave it off. | 1:03:06 | 1:03:08 | |
Now, there's only one spot left in the next round. | 1:03:08 | 1:03:11 | |
Who will take it? | 1:03:11 | 1:03:13 | |
Chaka? Which group would you like to see going through to the solo battles? | 1:03:17 | 1:03:22 | |
This is not fair. | 1:03:24 | 1:03:25 | |
I'm sorry, Chaka. | 1:03:25 | 1:03:26 | |
It's the format, I'm sorry. | 1:03:26 | 1:03:28 | |
LAUGHTER | 1:03:28 | 1:03:30 | |
-KELIS: -Fan, fan. -Oh, my fan. -My fan, right. | 1:03:30 | 1:03:34 | |
Um...I have to go... | 1:03:34 | 1:03:36 | |
..with... | 1:03:36 | 1:03:38 | |
..the more cohesive group of people. | 1:03:38 | 1:03:40 | |
I have to go with Fly Boys. | 1:03:41 | 1:03:43 | |
CHEERING | 1:03:43 | 1:03:45 | |
-Gareth? -Yes. | 1:03:47 | 1:03:48 | |
Which group do you think deserves to go through to the solo battles? | 1:03:48 | 1:03:53 | |
I'm excited to see what's going to happen in the solo battles. | 1:03:53 | 1:03:57 | |
And the group that I really want to see in that... | 1:03:57 | 1:04:00 | |
Despite a very good fight, I'm going to go with the Fly Boys. | 1:04:00 | 1:04:04 | |
CHEERING | 1:04:04 | 1:04:07 | |
Kelis, what would you have done? | 1:04:12 | 1:04:15 | |
Oh, I was Fly Boys. | 1:04:15 | 1:04:16 | |
You were Fly Boys. | 1:04:16 | 1:04:17 | |
You guys were... I love you guys, but you guys, I had to go that way. | 1:04:17 | 1:04:20 | |
Oh, Notables, we have so enjoyed having you here. | 1:04:21 | 1:04:24 | |
Keep the heart beating, that's important. | 1:04:24 | 1:04:26 | |
LAUGHTER AND CHEERING | 1:04:26 | 1:04:28 | |
One last time, please give it up for both The Fly Boys and The Notables. | 1:04:28 | 1:04:31 | |
The groups through to the solo battle are Soul Train... | 1:04:37 | 1:04:41 | |
Ensemble is your biggest challenge. | 1:04:41 | 1:04:43 | |
-Really got to show the unity that we have... -But we have, anyway. -..on and off stage. | 1:04:43 | 1:04:47 | |
-ScotSoul... -You guys are fantastic. | 1:04:47 | 1:04:50 | |
-We just gave absolutely everything. -So good. -We made ourselves proud. | 1:04:50 | 1:04:54 | |
And the Fly Boys. | 1:04:54 | 1:04:55 | |
This is exactly what I was looking for. | 1:04:55 | 1:04:57 | |
What else do you have in your arsenal? | 1:04:57 | 1:04:59 | |
That was our secret weapon, just have fun. | 1:04:59 | 1:05:01 | |
If we're having fun, hopefully that carried across, which I think it did. | 1:05:01 | 1:05:05 | |
Well, we started with six, now we are down to three. | 1:05:07 | 1:05:09 | |
And this is when the pressure really bites. | 1:05:09 | 1:05:12 | |
The fate of each group now lies on the shoulders of one person | 1:05:12 | 1:05:15 | |
who must step forward to perform in the solo battle. | 1:05:15 | 1:05:18 | |
Once all three have performed, the judges will decide which two groups | 1:05:18 | 1:05:21 | |
will go through to tonight's final battle. | 1:05:21 | 1:05:24 | |
Deke, one of these groups is about to leave completely empty-handed. | 1:05:24 | 1:05:28 | |
Do you think, so far, the judges have made the right decisions? | 1:05:28 | 1:05:32 | |
I think they have made the right decisions, but it's tough because | 1:05:32 | 1:05:35 | |
the truth is, a cappella is my world and one of the greatest male | 1:05:35 | 1:05:39 | |
collegiate a cappella groups in the world are the boys right there. | 1:05:39 | 1:05:42 | |
Out Of The Blue. | 1:05:42 | 1:05:44 | |
-You've got to love them. -CHEERING | 1:05:44 | 1:05:46 | |
They're so good. They're so good. | 1:05:46 | 1:05:48 | |
Gentlemen... | 1:05:48 | 1:05:50 | |
But they're young. | 1:05:50 | 1:05:52 | |
They'll have bright futures and they are going to Oxford, | 1:05:52 | 1:05:54 | |
so I'm sure in about three years I'll be working for all of them! | 1:05:54 | 1:05:56 | |
I will be. | 1:05:56 | 1:05:58 | |
Now, um... | 1:05:58 | 1:05:59 | |
Deke, what advice would you give to the groups going forward now, | 1:05:59 | 1:06:03 | |
to the soloists? There is a lot on their shoulders, isn't there? | 1:06:03 | 1:06:06 | |
The judges have heard the group harmony, they've heard different styles. | 1:06:06 | 1:06:09 | |
Now it's about telling a story. It's about the song. | 1:06:09 | 1:06:12 | |
And each person now needs to step forward and crystallise the lyric | 1:06:12 | 1:06:16 | |
and tell a story in a way that in group harmony is not always the case. | 1:06:16 | 1:06:21 | |
So it's a real shift of gear. | 1:06:21 | 1:06:22 | |
Thank you so much, Deke. | 1:06:22 | 1:06:24 | |
And also, these amazing gents behind you. | 1:06:24 | 1:06:26 | |
Whoo! | 1:06:26 | 1:06:28 | |
CHEERING | 1:06:28 | 1:06:30 | |
The band, so strong. | 1:06:30 | 1:06:32 | |
Now, it's time for the solo battles. | 1:06:32 | 1:06:34 | |
CHEERING | 1:06:34 | 1:06:37 | |
Up first, it's Soul Train, | 1:06:37 | 1:06:39 | |
whose soloist is taking centre stage for the very first time. | 1:06:39 | 1:06:42 | |
Alexandra is doing our solo. | 1:06:43 | 1:06:47 | |
It was an easy decision. | 1:06:47 | 1:06:48 | |
She is just incredible and she doesn't realise how amazing she is. | 1:06:48 | 1:06:52 | |
I'm studying for my A-levels. | 1:06:52 | 1:06:55 | |
I guess if I had to pick between doing homework and rehearsing, | 1:06:55 | 1:06:58 | |
I'd probably pick rehearsing! | 1:06:58 | 1:07:00 | |
I'm quite a shy person and music has really given me the confidence. | 1:07:00 | 1:07:04 | |
One of the things I love about the solo is that one of my best friends, | 1:07:07 | 1:07:09 | |
Liv, she comes out and sings a bit with me. | 1:07:09 | 1:07:11 | |
It actually relates to real life. | 1:07:11 | 1:07:13 | |
I'll be there to hold her hand through absolutely everything. | 1:07:13 | 1:07:16 | |
I'm 18, so I think I'm the youngest soloist, | 1:07:16 | 1:07:19 | |
so it's quite a big weight on my shoulders, | 1:07:19 | 1:07:21 | |
but hopefully, I will do it justice. | 1:07:21 | 1:07:24 | |
CHEERING | 1:07:24 | 1:07:29 | |
MUSIC: Ordinary People by John Legend | 1:07:31 | 1:07:33 | |
# Boy, I'm in love with you | 1:07:33 | 1:07:36 | |
# But this ain't the honeymoon | 1:07:36 | 1:07:37 | |
# We've passed the infatuation phase | 1:07:37 | 1:07:41 | |
# Ooh-ooh | 1:07:41 | 1:07:43 | |
# We're right in the thick of love | 1:07:43 | 1:07:45 | |
# At times we get sick of love | 1:07:45 | 1:07:47 | |
# It seems like we argue every day | 1:07:47 | 1:07:51 | |
# I know I've misbehaved | 1:07:51 | 1:07:53 | |
# And you made your mistakes | 1:07:53 | 1:07:55 | |
# And we both still got room left to grow | 1:07:55 | 1:08:00 | |
# And though love sometimes hurts | 1:08:00 | 1:08:03 | |
# I still put you first | 1:08:03 | 1:08:05 | |
# And we'll make this thing work | 1:08:05 | 1:08:07 | |
# But I think we should take it slow | 1:08:07 | 1:08:11 | |
# We're just ordinary people | 1:08:11 | 1:08:14 | |
# We don't know which way to go | 1:08:16 | 1:08:20 | |
# Cos we're ordinary people | 1:08:20 | 1:08:24 | |
# Maybe we should take it slow | 1:08:25 | 1:08:28 | |
# Take it slow | 1:08:28 | 1:08:30 | |
# Maybe we'll live and learn | 1:08:30 | 1:08:32 | |
# Maybe we'll crash and burn | 1:08:32 | 1:08:34 | |
# Maybe we'll grow, we'll never know | 1:08:34 | 1:08:37 | |
# Baby, you and I | 1:08:37 | 1:08:41 | |
# We're just ordinary people | 1:08:41 | 1:08:44 | |
# Maybe we should take it slow | 1:08:44 | 1:08:47 | |
# Take it slow | 1:08:47 | 1:08:50 | |
# Slow | 1:08:50 | 1:08:53 | |
# This time we'll take it | 1:08:53 | 1:08:58 | |
# Slow. # | 1:08:58 | 1:09:05 | |
APPLAUSE AND CHEERING | 1:09:05 | 1:09:08 | |
That was so good. | 1:09:15 | 1:09:17 | |
CHEERING CONTINUES | 1:09:17 | 1:09:21 | |
Beautiful. Now, up next it's ScotSoul where emotions are riding | 1:09:21 | 1:09:26 | |
high for their chosen soloist. | 1:09:26 | 1:09:30 | |
We have chosen Natalie to be our solo singer in our group. | 1:09:30 | 1:09:33 | |
She's one of my favourite singers. | 1:09:33 | 1:09:35 | |
# I'm talking 'bout the high... # | 1:09:35 | 1:09:36 | |
In 2005, I did something completely crazy | 1:09:36 | 1:09:40 | |
and I moved to Poland where I joined a girl band over there. | 1:09:40 | 1:09:43 | |
We performed on Top Of The Pops. | 1:09:43 | 1:09:45 | |
Probably one of our greatest achievements was that we won | 1:09:45 | 1:09:48 | |
Best Pop Group against the Black Eyed Peas. | 1:09:48 | 1:09:51 | |
I now have a lovely daughter Wallis, who is two and a half. | 1:09:52 | 1:09:57 | |
We like to sing together as well. | 1:09:57 | 1:09:59 | |
THEY SING | 1:09:59 | 1:10:04 | |
So it's been a while since I have been in the spotlight. | 1:10:04 | 1:10:07 | |
There is a bit of pressure. | 1:10:07 | 1:10:08 | |
I just want to make everyone proud. | 1:10:08 | 1:10:11 | |
This moment for Natalie means everything. | 1:10:13 | 1:10:16 | |
She has been waiting so long for it. We are rooting for her. | 1:10:16 | 1:10:19 | |
APPLAUSE AND CHEERING | 1:10:21 | 1:10:28 | |
MUSIC: Clown by Emeli Sande | 1:10:29 | 1:10:32 | |
# I guess it's funnier from where you're standing | 1:10:32 | 1:10:37 | |
# Cos from over here I missed the joke | 1:10:40 | 1:10:43 | |
# Clear the way for my crash landing | 1:10:47 | 1:10:52 | |
# I've done it again | 1:10:52 | 1:10:54 | |
# Another number for your notes | 1:10:54 | 1:10:59 | |
# I'll be your clown APPLAUSE | 1:10:59 | 1:11:03 | |
# Behind the glass | 1:11:03 | 1:11:06 | |
# Go ahead and laugh | 1:11:06 | 1:11:09 | |
# Cos it's funny | 1:11:09 | 1:11:10 | |
# I would too if I saw me | 1:11:10 | 1:11:14 | |
# I'll be your clown | 1:11:14 | 1:11:18 | |
# On your favourite channel | 1:11:18 | 1:11:21 | |
# My life's a circus circus | 1:11:21 | 1:11:24 | |
# Round in circles | 1:11:24 | 1:11:26 | |
# I'm selling out tonight | 1:11:26 | 1:11:30 | |
# From a distance | 1:11:30 | 1:11:31 | |
# From a distance I can entertain | 1:11:31 | 1:11:37 | |
# But there's no way you can feel it | 1:11:37 | 1:11:39 | |
# You can feel it | 1:11:39 | 1:11:40 | |
# From so far away | 1:11:40 | 1:11:46 | |
# I'll be your clown | 1:11:46 | 1:11:49 | |
# On your favourite channel | 1:11:49 | 1:11:52 | |
# My life's a circus circus | 1:11:52 | 1:11:56 | |
# Round in circles | 1:11:56 | 1:11:58 | |
# I'm selling out tonight. # | 1:11:58 | 1:12:03 | |
APPLAUSE AND CHEERING | 1:12:04 | 1:12:10 | |
A beautiful song, impeccably sung. | 1:12:19 | 1:12:23 | |
Our third and final group are the Fly Boys | 1:12:23 | 1:12:25 | |
whose soloist swapped the low valleys for the high seas. | 1:12:25 | 1:12:29 | |
Our soloist for this number is Max. | 1:12:29 | 1:12:34 | |
We needed a powerhouse vocal and this is the guy to give it. | 1:12:34 | 1:12:37 | |
I'm a proud Welshman, born and bred in Wales. | 1:12:37 | 1:12:40 | |
I get to travel the world with my best mates, | 1:12:40 | 1:12:42 | |
but I'm always pleased to go home. | 1:12:42 | 1:12:44 | |
I miss my family when I'm away. | 1:12:44 | 1:12:46 | |
My little dogs, they break my heart when I think about them. | 1:12:46 | 1:12:48 | |
It's always nice to Skype someone at home. | 1:12:48 | 1:12:50 | |
-Hi, Mum! -Hello! -Hello, are you all right? -Fab. | 1:12:50 | 1:12:53 | |
Lovely to see your face. | 1:12:53 | 1:12:54 | |
I love you back. | 1:12:54 | 1:12:56 | |
The pressure is more on my shoulders for this song, | 1:12:56 | 1:12:58 | |
but I've got such confidence with these boys behind me | 1:12:58 | 1:13:01 | |
that we're going to do a brilliant job. | 1:13:01 | 1:13:03 | |
I'm really proud to lead the Fly Boys into battle. | 1:13:03 | 1:13:05 | |
APPLAUSE AND CHEERING | 1:13:07 | 1:13:11 | |
MUSIC: Intro to Fever | 1:13:19 | 1:13:21 | |
# Romeo loved Juliet | 1:13:25 | 1:13:28 | |
# Juliet, she felt the same | 1:13:28 | 1:13:31 | |
# When he put his arms around her | 1:13:32 | 1:13:35 | |
# He said, | 1:13:35 | 1:13:36 | |
# "Julie, baby, you're my flame | 1:13:36 | 1:13:38 | |
# She said, don't touch me, please | 1:13:38 | 1:13:42 | |
# I cannot stand the way you tease | 1:13:42 | 1:13:47 | |
# I love you, though you hurt me so | 1:13:47 | 1:13:51 | |
# Now I'm gonna pack my things and go | 1:13:51 | 1:13:56 | |
# Once I ran to you | 1:13:56 | 1:13:58 | |
# I ran | 1:13:58 | 1:14:00 | |
# Now I run from you | 1:14:00 | 1:14:01 | |
# Whoa-oa This tainted love you've given | 1:14:01 | 1:14:06 | |
# I give you all a boy could give you | 1:14:06 | 1:14:10 | |
# Take my tears and that's not nearly | 1:14:10 | 1:14:14 | |
-# Fever -Tainted love | 1:14:14 | 1:14:16 | |
# Whoa-oa-oa fever | 1:14:16 | 1:14:18 | |
# Whoa, tainted love | 1:14:18 | 1:14:20 | |
# Whoa-oa-oa fever | 1:14:20 | 1:14:22 | |
# Tainted love | 1:14:22 | 1:14:23 | |
# You give me fever | 1:14:24 | 1:14:28 | |
# All through the | 1:14:28 | 1:14:33 | |
# Night! # | 1:14:33 | 1:14:39 | |
Not easy! | 1:14:40 | 1:14:42 | |
CHEERING AND APPLAUSE | 1:14:44 | 1:14:46 | |
Ladies and gentlemen, Soul Train, ScotSoul and The Flyboys! | 1:14:59 | 1:15:04 | |
CHEERING AND APPLAUSE | 1:15:04 | 1:15:08 | |
Ah... So, Ali, you were up first. Very, very brave. | 1:15:08 | 1:15:12 | |
A lot of responsibility on your little shoulders. | 1:15:12 | 1:15:14 | |
-Did you feel that, Ali? -Yeah, a bit! | 1:15:14 | 1:15:18 | |
APPLAUSE Now, on to ScotSoul. A lot of support. | 1:15:18 | 1:15:21 | |
CHEERING A lot of support in the crowd. | 1:15:21 | 1:15:25 | |
Natalie, it was an emotional song. Were you quite emotional singing it? | 1:15:25 | 1:15:30 | |
I was completely in the moment | 1:15:30 | 1:15:33 | |
and I sang like my life depended on it. | 1:15:33 | 1:15:37 | |
CHEERING AND APPLAUSE Oh, Natalie. | 1:15:37 | 1:15:39 | |
And finally, Max, how was the solo for you, Max? | 1:15:43 | 1:15:47 | |
The best kind of terrified I've ever been in my life. | 1:15:47 | 1:15:51 | |
So, kind of butterflies and also sand in the pants, slightly. | 1:15:51 | 1:15:54 | |
-LAUGHTER -Yeah, absolutely, I think I blacked out, | 1:15:54 | 1:15:57 | |
I can't really remember what happened. Did we do it? | 1:15:57 | 1:15:59 | |
-Have we done it yet? We have done it. -It happened and it was good. | 1:15:59 | 1:16:02 | |
-Great. -Absolutely, well done, Fly Boys. | 1:16:02 | 1:16:04 | |
Now, only two of these groups, of course, will go through to the final battle | 1:16:04 | 1:16:07 | |
so, Gareth, who do you think rose to the challenge? | 1:16:07 | 1:16:10 | |
Oh, that was excellent. If I start with the train, Soul Train, | 1:16:10 | 1:16:15 | |
Ali, wow! That was stellar. | 1:16:15 | 1:16:18 | |
You've got a fantastic voice, but you also have a fantastic soul, | 1:16:18 | 1:16:21 | |
I think, and it shone out of your little face, it was beautiful. | 1:16:21 | 1:16:24 | |
I was very moved. | 1:16:24 | 1:16:27 | |
Between all of you, there were tuning issues, erm, throughout, | 1:16:27 | 1:16:31 | |
so that was difficult | 1:16:31 | 1:16:33 | |
but, boy, that was really, really special. | 1:16:33 | 1:16:36 | |
Ali, like, glorious. I think it is so spectacular because | 1:16:36 | 1:16:40 | |
the fact that you do have these really great people that are able to surround you, yeah, | 1:16:40 | 1:16:45 | |
I was blown away, it was fantastic. | 1:16:45 | 1:16:48 | |
And I think you guys have such a huge, wonderful future ahead of you. | 1:16:48 | 1:16:50 | |
You remind me little bit of me when I was kind of, you know, starting, | 1:16:50 | 1:16:54 | |
and that's been a really good, long career for me, so, I love that. | 1:16:54 | 1:16:58 | |
I love to see that. That was really spectacular. | 1:16:58 | 1:17:00 | |
So, keep doing what you guys are doing. | 1:17:00 | 1:17:03 | |
Soul Train, I mean, you guys are a-poppin'! | 1:17:03 | 1:17:06 | |
-LAUGHTER -And very modern, in a good way. | 1:17:06 | 1:17:10 | |
-A good modern mix. And I love that too. -And what about ScotSoul? | 1:17:10 | 1:17:15 | |
Scot Soul, you knocked out Out Of The Blue and I wanted to see | 1:17:15 | 1:17:18 | |
from you close harmony singing | 1:17:18 | 1:17:21 | |
and you gave me that, but you also gave me magic. | 1:17:21 | 1:17:23 | |
I thought it was really, really impeccable, | 1:17:23 | 1:17:26 | |
the way you all supported her | 1:17:26 | 1:17:29 | |
facing round, so musical, so deft. | 1:17:29 | 1:17:32 | |
Very heartfelt solo there. | 1:17:32 | 1:17:34 | |
Just very, very moving. | 1:17:34 | 1:17:36 | |
There was a moment when I looked at you guys and it was like there was no-one else in the room | 1:17:36 | 1:17:40 | |
and to be able to do that with more than just two people is crazy | 1:17:40 | 1:17:43 | |
and with all of us sitting here, I mean, | 1:17:43 | 1:17:46 | |
I absolutely loved it. | 1:17:46 | 1:17:48 | |
You guys are so warm and so beautiful. | 1:17:48 | 1:17:51 | |
You remind me of, like, apple pie. | 1:17:51 | 1:17:54 | |
LAUGHTER | 1:17:54 | 1:17:56 | |
No, really, it's so sweet and warm, it gets you, to the heart. | 1:17:56 | 1:17:59 | |
-And that's a beautiful thing. -Lovely. And what about the Flyboys? | 1:17:59 | 1:18:03 | |
Flyboys, it's a really impressive sound, you were up against two extremely moving soloists, | 1:18:03 | 1:18:07 | |
so, I think that is a disadvantage. | 1:18:07 | 1:18:09 | |
The solo round, I think, for me, | 1:18:09 | 1:18:11 | |
is about drawing me close to you. | 1:18:11 | 1:18:14 | |
And I think the other two groups really achieved that, so, I think that's more difficult for you. | 1:18:14 | 1:18:19 | |
But - it's very clever. | 1:18:19 | 1:18:22 | |
Very clever and very impressive and very technically assured. | 1:18:22 | 1:18:25 | |
-Well said, there. -Thank you. -Thank you. | 1:18:25 | 1:18:28 | |
There's a lot of precision, you know, it's like you guys are mechanics, | 1:18:28 | 1:18:32 | |
in a way, vocal mechanics. It's really special. | 1:18:32 | 1:18:35 | |
-And it takes precision and you guys have it. -Thank you so much, judges. | 1:18:35 | 1:18:39 | |
Now, once again, of course, it's decision time. | 1:18:39 | 1:18:43 | |
Judges, please decide the two groups | 1:18:47 | 1:18:49 | |
that you would like to take in to the final battle. | 1:18:49 | 1:18:52 | |
THEY CONFER | 1:18:54 | 1:18:57 | |
OK, judges... Please, if you will, tell us the first group | 1:18:59 | 1:19:04 | |
that you want to go through. Gareth. | 1:19:04 | 1:19:07 | |
Erm, the first group we're going to put through, | 1:19:07 | 1:19:10 | |
difficult decision... | 1:19:10 | 1:19:16 | |
The Flyboys. | 1:19:16 | 1:19:18 | |
CHEERING AND APPLAUSE | 1:19:18 | 1:19:21 | |
So, the Flyboys, you are through to tonight's final battle. | 1:19:31 | 1:19:35 | |
Only one group can join. Will it be Soul Train or ScotSoul? | 1:19:35 | 1:19:40 | |
Kelis, please tell us the second group you are putting through to tonight's final battle. | 1:19:40 | 1:19:46 | |
Um... OK... SHE LAUGHS | 1:19:46 | 1:19:51 | |
Well, we deliberated and it was really hard because there's | 1:19:51 | 1:19:53 | |
a lot of things in play here. However, um, | 1:19:53 | 1:19:58 | |
we went with ScotSoul. | 1:19:58 | 1:20:01 | |
CHEERING AND APPLAUSE | 1:20:01 | 1:20:04 | |
Soul Train, so sad to see you go. | 1:20:11 | 1:20:14 | |
-Kelis is going in for a hug. -I just have to. I have to. | 1:20:15 | 1:20:19 | |
CHEERING | 1:20:19 | 1:20:20 | |
I just wanted to come over here | 1:20:20 | 1:20:22 | |
and look you in the eye and just tell you, like, this is, like, | 1:20:22 | 1:20:25 | |
you know, you are so, so, so good. | 1:20:25 | 1:20:26 | |
You've got it, you guys are there. Just like, you know, | 1:20:26 | 1:20:29 | |
kind of not as perfect as... | 1:20:29 | 1:20:31 | |
You're there, you've got it. | 1:20:31 | 1:20:33 | |
Ladies and gentlemen, Soul Train. | 1:20:33 | 1:20:36 | |
CHEERING AND APPLAUSE | 1:20:36 | 1:20:40 | |
OK, ScotSoul and the Flyboys, catch your breath | 1:20:44 | 1:20:48 | |
as your fate is about to be decided in this, the final battle. | 1:20:48 | 1:20:53 | |
They will share the same song, taking it in turns to out-sing each other. | 1:20:57 | 1:21:01 | |
While they're performing, our judges will be deliberating and once they've made up their minds, | 1:21:01 | 1:21:05 | |
our Superstar guest judge, Chaka Khan, will join in with the group | 1:21:05 | 1:21:09 | |
they want to take through to the live final. | 1:21:09 | 1:21:13 | |
And they're not just singing any song. | 1:21:13 | 1:21:16 | |
And it AIN'T just by anyBODY. | 1:21:16 | 1:21:20 | |
It's Ain't Nobody by our own Chaka Khan. | 1:21:20 | 1:21:24 | |
CHEERING AND APPLAUSE | 1:21:24 | 1:21:28 | |
So, fighting for a place in the live final, it's the final battle with | 1:21:29 | 1:21:33 | |
ScotSoul versus the Flyboys. | 1:21:33 | 1:21:37 | |
CHEERING AND APPLAUSE | 1:21:37 | 1:21:41 | |
# Captured effortlessly That's the way it was | 1:21:45 | 1:21:50 | |
# It happened so naturally I didn't know it was love | 1:21:50 | 1:21:55 | |
# The next thing I felt was you Holding me close | 1:21:55 | 1:22:00 | |
# What was I gonna do? I let myself go | 1:22:00 | 1:22:04 | |
# Now we're flyin' through the stars | 1:22:04 | 1:22:07 | |
# I hope this night will last forever. # | 1:22:07 | 1:22:11 | |
APPLAUSE | 1:22:11 | 1:22:14 | |
# I've been waitin' for you | 1:22:14 | 1:22:16 | |
# It's been so long | 1:22:16 | 1:22:18 | |
# I knew just what I would do When I heard your song | 1:22:18 | 1:22:23 | |
# Filled my heart with your bliss You gave me freedom | 1:22:23 | 1:22:27 | |
# You knew I could not resist I needed someone | 1:22:27 | 1:22:32 | |
# Now we're flyin' through the stars | 1:22:32 | 1:22:34 | |
# I hope this night will last for ever. # | 1:22:34 | 1:22:38 | |
-Yeah! -# Huh-huh-huh-huh | 1:22:38 | 1:22:41 | |
-# Ain't nobody -Nobody | 1:22:41 | 1:22:44 | |
# Loves me better | 1:22:44 | 1:22:46 | |
# Makes me happy | 1:22:46 | 1:22:49 | |
# Makes me feel this way | 1:22:49 | 1:22:50 | |
# Ain't nobody Loves me better than you | 1:22:50 | 1:22:55 | |
# Duh-duh, duh-duh, duh-duh Duh-duh, duh-duh, duh-duh | 1:22:55 | 1:22:59 | |
# I wait for night-time to come | 1:22:59 | 1:23:02 | |
# And bring you to me | 1:23:02 | 1:23:04 | |
# I can't believe I'm the one | 1:23:04 | 1:23:06 | |
# I was so lonely | 1:23:06 | 1:23:08 | |
# I feel like no-one could feel | 1:23:08 | 1:23:11 | |
# I must be dreamin' | 1:23:11 | 1:23:13 | |
# I want this dream to be real | 1:23:13 | 1:23:15 | |
# I need this feelin' | 1:23:15 | 1:23:18 | |
# Now we're flyin' through the stars | 1:23:18 | 1:23:20 | |
# Hope this night will last for ever | 1:23:20 | 1:23:24 | |
# Huh-huh-huh-huh | 1:23:24 | 1:23:27 | |
-# Ain't nobody -Ain't nobody | 1:23:27 | 1:23:29 | |
-# Loves me better -Loves me better | 1:23:29 | 1:23:31 | |
# Makes me happy | 1:23:31 | 1:23:34 | |
# Makes me feel this way | 1:23:34 | 1:23:36 | |
# Ain't nobody | 1:23:36 | 1:23:38 | |
-# Loves me better -Better than you | 1:23:38 | 1:23:41 | |
# Ain't nobody | 1:23:41 | 1:23:42 | |
# Loves me better | 1:23:42 | 1:23:45 | |
CHEERING AND WHOOPING | 1:23:45 | 1:23:48 | |
-# Ain't nobody -Ain't nobody | 1:23:54 | 1:23:57 | |
-# Loves me better -Better than you | 1:23:57 | 1:23:59 | |
-# Makes me feel this way -Makes me feel this way | 1:23:59 | 1:24:02 | |
-# Nobody -Ain't nobody | 1:24:02 | 1:24:05 | |
-# Loves me better -There's nobody | 1:24:05 | 1:24:08 | |
-# Makes me happy -Yeah-eah | 1:24:08 | 1:24:11 | |
# Makes me feel this way | 1:24:11 | 1:24:13 | |
# Ain't nobody loves me better | 1:24:13 | 1:24:16 | |
# Makes me happy | 1:24:16 | 1:24:19 | |
# Makes me feel this way... # | 1:24:19 | 1:24:22 | |
# Ain't nobody loves me better | 1:24:22 | 1:24:25 | |
# Makes me happy Makes me feel this way... | 1:24:25 | 1:24:30 | |
# Ooh-ooh-ooh, yeah. # | 1:24:32 | 1:24:37 | |
-CHEERING AND APPLAUSE -Yeah, so good! | 1:24:42 | 1:24:47 | |
Ladies and gentlemen, tonight's winners, ScotSoul! | 1:24:53 | 1:24:57 | |
CHEERING AND APPLAUSE | 1:25:03 | 1:25:07 | |
Huge congratulations to all five of you. | 1:25:07 | 1:25:10 | |
How does it feel singing in this live final with Ms Chaka Khan? | 1:25:10 | 1:25:14 | |
How can you express how that's feeling? | 1:25:14 | 1:25:17 | |
It's incredible, absolutely incredible. | 1:25:17 | 1:25:19 | |
God bless you. It was the split that got me. | 1:25:19 | 1:25:22 | |
LAUGHTER | 1:25:22 | 1:25:24 | |
Des's splits, well done. And, Chaka, you will be singing with ScotSoul | 1:25:24 | 1:25:29 | |
in the live final. CHEERING AND APPLAUSE | 1:25:29 | 1:25:31 | |
The Flyboys, all might not be lost as one of the groups who | 1:25:31 | 1:25:34 | |
made it through to the final battle across the series | 1:25:34 | 1:25:37 | |
will be chosen as our wild card finalists. | 1:25:37 | 1:25:40 | |
CHEERING AND APPLAUSE | 1:25:40 | 1:25:44 | |
So, fan me, Chaka. Please, fan me! | 1:25:44 | 1:25:47 | |
That is like the best wind machine you could ever have. | 1:25:47 | 1:25:51 | |
A hand-operated wind machine by Chaka Khan! That's incredible. | 1:25:51 | 1:25:55 | |
Thank you so much to tonight's groups, | 1:25:55 | 1:25:58 | |
to Deke, to all of our judges and most of all, | 1:25:58 | 1:26:01 | |
thanks to you for watching. | 1:26:01 | 1:26:03 | |
For heaven's sake, join us again next time | 1:26:03 | 1:26:06 | |
because the music sounds better with you. | 1:26:06 | 1:26:08 | |
Thank you so much, bye-bye, goodnight! | 1:26:08 | 1:26:12 | |
CHEERING AND APPLAUSE | 1:26:12 | 1:26:14 | |
This week's Superstar guest judge, Bebe Rexha! | 1:26:17 | 1:26:21 | |
The harmonies are great, I love the energy. | 1:26:21 | 1:26:23 | |
There's eye contact and then there's straddling someone's desk! | 1:26:23 | 1:26:26 | |
I love that. | 1:26:26 | 1:26:28 | |
# You gotta fight for your right to party! # | 1:26:30 | 1:26:35 | |
Oh, my goodness... SHE SCREAMS | 1:26:36 | 1:26:40 | |
CHEERING AND APPLAUSE | 1:26:43 | 1:26:46 |