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All-out warfare has broken out between Britain's best choirs | 0:00:02 | 0:00:04 | |
and vocal harmony groups as they fight for choral supremacy. | 0:00:04 | 0:00:08 | |
-You blew my mind. -Game changing. -Wow! | 0:00:08 | 0:00:11 | |
So far, three groups have seized a place | 0:00:11 | 0:00:14 | |
in the live Pitch Battle final. | 0:00:14 | 0:00:17 | |
Leeds Contemporary Singers with their superstar judge, Will Young. | 0:00:17 | 0:00:21 | |
# Make it evergreen... # | 0:00:21 | 0:00:24 | |
Scot Soul with Chaka Khan. | 0:00:24 | 0:00:26 | |
# Makes me feel this way... # | 0:00:26 | 0:00:29 | |
And last week's victors, All The King's Men, with Bebe Rexha. | 0:00:29 | 0:00:33 | |
# Ohh-ohh... # | 0:00:33 | 0:00:35 | |
Tonight, another six groups enter the heat of battle. | 0:00:35 | 0:00:40 | |
But who will live to fight another day? | 0:00:41 | 0:00:44 | |
And who will beat a hasty retreat... | 0:00:44 | 0:00:45 | |
Ooh-la-la, senorita! Guten Tag. | 0:00:45 | 0:00:48 | |
..as they grapple to impress Gareth? | 0:00:48 | 0:00:50 | |
-We've got to rock out. -No-one knows that better than me. | 0:00:50 | 0:00:53 | |
-Kelis... -Neither one knows what you're talking about. | 0:00:53 | 0:00:56 | |
..and tonight's superstar guest judge, Seal. | 0:00:56 | 0:00:58 | |
#RealTalk, you have to be right on it. | 0:00:58 | 0:01:02 | |
So, let Pitch Battle commence. | 0:01:02 | 0:01:04 | |
I'm going to disagree with Seal. | 0:01:04 | 0:01:06 | |
APPLAUSE AND CHEERING | 0:01:16 | 0:01:19 | |
# Dun, dun-dun-dun | 0:01:33 | 0:01:36 | |
# Dun-dun-dun | 0:01:36 | 0:01:39 | |
# Dun-dun-dun | 0:01:39 | 0:01:42 | |
# I'm gonna fight 'em off | 0:01:42 | 0:01:44 | |
# A seven-nation army couldn't hold me back | 0:01:45 | 0:01:49 | |
# They're gonna rip it off | 0:01:49 | 0:01:52 | |
# Doo, doo-doo-doo-doo-doo | 0:01:52 | 0:01:54 | |
# Taking their time right behind... # | 0:01:54 | 0:01:56 | |
# I'm a survivor | 0:01:56 | 0:01:58 | |
# I'm not gonna give up | 0:01:58 | 0:02:01 | |
# I'm not gonna stop | 0:02:01 | 0:02:03 | |
# I'm gonna work harder | 0:02:03 | 0:02:05 | |
# I'm a survivor | 0:02:05 | 0:02:07 | |
# I'm gonna make it | 0:02:07 | 0:02:09 | |
# I will survive... # | 0:02:09 | 0:02:12 | |
# Oh, no, not I | 0:02:12 | 0:02:14 | |
# I will survive | 0:02:14 | 0:02:17 | |
# As long as I know how to love | 0:02:17 | 0:02:19 | |
# I know I'll stay alive | 0:02:19 | 0:02:21 | |
# I'll stay alive | 0:02:21 | 0:02:23 | |
# Cos I've got all my love to give | 0:02:23 | 0:02:25 | |
# I will survive | 0:02:25 | 0:02:27 | |
# I will survive... # | 0:02:27 | 0:02:29 | |
-# Work it harder -Make it stronger | 0:02:29 | 0:02:31 | |
-# Do it faster -Makes us stronger | 0:02:31 | 0:02:33 | |
-# More than ever -Hour after | 0:02:33 | 0:02:35 | |
-# Our work is -Never over | 0:02:35 | 0:02:37 | |
-# Work it harder -Make it better | 0:02:37 | 0:02:39 | |
-# Do it faster -Makes us stronger | 0:02:39 | 0:02:41 | |
-# More than ever -Hour after | 0:02:41 | 0:02:44 | |
-# Our work is -Never over... # | 0:02:44 | 0:02:46 | |
# Makes me that much stronger | 0:02:46 | 0:02:48 | |
# Makes me work a little bit harder | 0:02:48 | 0:02:50 | |
# Makes me that much wiser | 0:02:50 | 0:02:52 | |
# Thanks for making me a fighter | 0:02:52 | 0:02:55 | |
# Made me learn a little bit faster | 0:02:55 | 0:02:57 | |
# Made my skin a little bit thicker | 0:02:57 | 0:02:59 | |
# Makes me that much smarter | 0:02:59 | 0:03:01 | |
# Thanks for making me... # | 0:03:01 | 0:03:03 | |
# It's the eye of the tiger | 0:03:03 | 0:03:05 | |
# It's the thrill of the fight | 0:03:05 | 0:03:07 | |
# Rising up to the challenge of our rivals | 0:03:07 | 0:03:11 | |
# And the last known survivor Stalks his prey in the night | 0:03:11 | 0:03:16 | |
# And he's watching us all with the eye | 0:03:16 | 0:03:20 | |
# Of the tiger | 0:03:20 | 0:03:23 | |
# I'm a survivor | 0:03:24 | 0:03:26 | |
# Of the tiger | 0:03:26 | 0:03:29 | |
# I will survive | 0:03:29 | 0:03:31 | |
# Gonna make it | 0:03:31 | 0:03:33 | |
# I'm a survivor | 0:03:33 | 0:03:35 | |
# Of the tiger | 0:03:35 | 0:03:38 | |
# I will survive | 0:03:38 | 0:03:39 | |
# Gonna make it | 0:03:39 | 0:03:41 | |
# Survive | 0:03:41 | 0:03:43 | |
# Survivor | 0:03:43 | 0:03:45 | |
# Survivor | 0:03:45 | 0:03:47 | |
# I'm gonna | 0:03:47 | 0:03:49 | |
# I'm a survivor | 0:03:49 | 0:03:51 | |
# I'm gonna make it | 0:03:51 | 0:03:53 | |
# I will survive | 0:03:53 | 0:03:55 | |
# Keep on surviving. # | 0:03:55 | 0:03:59 | |
CHEERING AND APPLAUSE | 0:03:59 | 0:04:02 | |
Oh, my wings are flapping with excitement. | 0:04:20 | 0:04:24 | |
Now, thank you so much to all of tonight's six amazing vocal groups. | 0:04:24 | 0:04:30 | |
CHEERING AND APPLAUSE | 0:04:30 | 0:04:32 | |
And to the pitch perfect Deke Sharon, | 0:04:32 | 0:04:35 | |
our series musical director, for that brilliant | 0:04:35 | 0:04:38 | |
opening battle mash-up. | 0:04:38 | 0:04:40 | |
Thank you. Thank you. | 0:04:40 | 0:04:42 | |
Thank you. | 0:04:42 | 0:04:44 | |
Deke, what can we expect? | 0:04:44 | 0:04:46 | |
-We have an amazing array of groups, Mel. -Tell me. | 0:04:46 | 0:04:48 | |
We have a gospel powerhouse, we have a teen show choir, | 0:04:48 | 0:04:51 | |
we've got a country girl quartet, | 0:04:51 | 0:04:54 | |
we've got musical theatre ensemble. | 0:04:54 | 0:04:56 | |
-Stop it. -We have an adult pop choir. | 0:04:56 | 0:04:58 | |
And university a cappella. | 0:04:58 | 0:05:00 | |
Now, sit back on your stool, Deke, now, that's quite enough. | 0:05:02 | 0:05:06 | |
Six of the Britain's best choirs and vocal groups | 0:05:06 | 0:05:09 | |
are about to engage in some choral combat | 0:05:09 | 0:05:12 | |
and battle it out over a series of | 0:05:12 | 0:05:14 | |
do-or-die, sing-or-be-sung-off vocal challenges. | 0:05:14 | 0:05:18 | |
Only one group will make it through to the live final | 0:05:18 | 0:05:20 | |
where they'll be in with a chance of taking home | 0:05:20 | 0:05:23 | |
the amazing £50,000 cash prize... | 0:05:23 | 0:05:27 | |
CHEERING AND APPLAUSE | 0:05:27 | 0:05:29 | |
..and being one step closer | 0:05:29 | 0:05:31 | |
to being crowned champions of Pitch Battle 2017. | 0:05:31 | 0:05:36 | |
CHEERING AND APPLAUSE | 0:05:36 | 0:05:40 | |
And deciding the fate of our groups, | 0:05:42 | 0:05:45 | |
our three musical maestros. | 0:05:45 | 0:05:47 | |
She's the former choir girl who went on to become | 0:05:47 | 0:05:50 | |
a multi-award-winning music star, it's Kelis. | 0:05:50 | 0:05:53 | |
Hoping to bring some perfect harmony to our panel, | 0:05:56 | 0:06:00 | |
it's the majestic Gareth Malone. | 0:06:00 | 0:06:03 | |
-Oh, Gareth. -Hello. | 0:06:18 | 0:06:20 | |
Two judges, we need one more. | 0:06:20 | 0:06:23 | |
Joining them tonight is an international musical sensation. | 0:06:23 | 0:06:27 | |
He's sold more than 30 million records worldwide, | 0:06:27 | 0:06:30 | |
he's won Brit awards, Grammy awards, you name it, he's won it. | 0:06:30 | 0:06:34 | |
It's the magnificent Seal. | 0:06:34 | 0:06:37 | |
CHEERING AND APPLAUSE | 0:06:37 | 0:06:39 | |
I feel very honoured to be this guest judge. | 0:06:39 | 0:06:42 | |
I am expecting passion. | 0:06:42 | 0:06:44 | |
I want to hear the dynamic ability of each group, | 0:06:44 | 0:06:48 | |
a combination of voices, that spark. | 0:06:48 | 0:06:51 | |
It is a battle. Show me what you've got. | 0:06:51 | 0:06:54 | |
It's this week's superstar guest judge, Seal. | 0:06:57 | 0:07:01 | |
CHEERING AND APPLAUSE | 0:07:01 | 0:07:04 | |
Seal, ladies and gentlemen. | 0:07:45 | 0:07:47 | |
-Oh, Seal, can I just say, my love... -Go on, love. -..in the early '90s, | 0:07:48 | 0:07:52 | |
we listened to your music literally on a loop. | 0:07:52 | 0:07:56 | |
-I was your jam, was I? -You were my jam. | 0:07:56 | 0:07:58 | |
And I'll be your bread. | 0:07:58 | 0:08:01 | |
LAUGHTER AND APPLAUSE | 0:08:01 | 0:08:04 | |
Seal, ladies and gentlemen. | 0:08:04 | 0:08:06 | |
It's time for some choral combat. | 0:08:11 | 0:08:14 | |
And battle one, the showstoppers. | 0:08:14 | 0:08:16 | |
Our first two contenders are about to go head-to-head. | 0:08:16 | 0:08:19 | |
They'll each perform their showstopper | 0:08:19 | 0:08:21 | |
before battling it out in the action-packed, dramatic riff-off. | 0:08:21 | 0:08:25 | |
Our judges will then decide which group packed the biggest vocal punch | 0:08:25 | 0:08:29 | |
and deserves to go through to tonight's solo battles | 0:08:29 | 0:08:32 | |
and who must pack their bags and go home. | 0:08:32 | 0:08:35 | |
-AUDIENCE: -Aww! -I know. | 0:08:35 | 0:08:37 | |
Battling first are the Bristol Suspensions. | 0:08:37 | 0:08:40 | |
And from Liverpool, Over The Water. | 0:08:42 | 0:08:45 | |
We're the Bristol Suspensions. | 0:08:50 | 0:08:52 | |
Whoo! | 0:08:52 | 0:08:53 | |
We're a 16-piece a cappella group from the University of Bristol. | 0:08:54 | 0:08:58 | |
Over the last two years, we've travelled | 0:08:58 | 0:09:00 | |
up and down the country competing in national | 0:09:00 | 0:09:02 | |
and international a cappella competitions. | 0:09:02 | 0:09:04 | |
The competition day is always so much fun. | 0:09:06 | 0:09:08 | |
We like to have a good time, but we do take it seriously. | 0:09:10 | 0:09:13 | |
It is like proper, real-life Pitch Perfect. | 0:09:13 | 0:09:15 | |
Every weekend, we like to go busking in Bristol city centre, | 0:09:18 | 0:09:21 | |
so we can actually raise money to go on these trips. | 0:09:21 | 0:09:24 | |
We love busking for the Bristol public, | 0:09:24 | 0:09:26 | |
they're really supportive to us. | 0:09:26 | 0:09:28 | |
We are so excited to be going head-to-head against another group. | 0:09:28 | 0:09:31 | |
We're ready to do competitions, I'm pretty sure we're ready for it. | 0:09:31 | 0:09:35 | |
-ALL: -We're Over The Water. | 0:09:41 | 0:09:43 | |
We're called Over The Water | 0:09:43 | 0:09:44 | |
because half of us are from the Wirral... | 0:09:44 | 0:09:47 | |
Yeah! | 0:09:47 | 0:09:48 | |
..and the other half are from | 0:09:48 | 0:09:49 | |
the other side of the Mersey in Liverpool. | 0:09:49 | 0:09:52 | |
Yeah! | 0:09:52 | 0:09:53 | |
We rehearse twice a week, | 0:09:57 | 0:09:59 | |
all the Liverpool people get on the ferry and come over here | 0:09:59 | 0:10:02 | |
and then the Wirral people get on the ferry over to Liverpool. | 0:10:02 | 0:10:05 | |
We keep that ferry in business. | 0:10:05 | 0:10:07 | |
As a choir, we're a really close-knit group, | 0:10:09 | 0:10:11 | |
it's like one big family. And literally in some cases, | 0:10:11 | 0:10:14 | |
cos I've got my sister here and my fiancee here. | 0:10:14 | 0:10:17 | |
We span the generations, we've got students, we've got retired people. | 0:10:17 | 0:10:21 | |
I'm a retired headteacher. | 0:10:21 | 0:10:23 | |
The feeling that you get when you sing with the group | 0:10:23 | 0:10:26 | |
is absolutely amazing. | 0:10:26 | 0:10:28 | |
So much joy, so much passion. | 0:10:28 | 0:10:30 | |
Are we ready to go into battle? | 0:10:30 | 0:10:32 | |
Yes! | 0:10:32 | 0:10:34 | |
-These are my people! -LAUGHTER | 0:10:34 | 0:10:36 | |
CHEERING AND APPLAUSE | 0:10:40 | 0:10:43 | |
Up first, performing their showstopper Car Wash, | 0:10:44 | 0:10:48 | |
it's our a cappella group, the Bristol Suspensions. | 0:10:48 | 0:10:52 | |
# Here we go again | 0:10:58 | 0:10:59 | |
# You might not ever get rich | 0:10:59 | 0:11:02 | |
# Da da da da da | 0:11:02 | 0:11:03 | |
# Let me tell you it's better than digging a ditch | 0:11:03 | 0:11:06 | |
# Da da da da da | 0:11:06 | 0:11:07 | |
# There ain't no telling who you might meet | 0:11:07 | 0:11:10 | |
# A movie star or maybe a common thief | 0:11:11 | 0:11:14 | |
# Working at the car wash | 0:11:14 | 0:11:16 | |
# Whoa-oh, yeah, yeah | 0:11:16 | 0:11:18 | |
# At the car wash, yeah | 0:11:18 | 0:11:20 | |
# Yeah | 0:11:20 | 0:11:23 | |
# At the car wash | 0:11:23 | 0:11:24 | |
# Sing it with me now | 0:11:24 | 0:11:26 | |
# Working at the car wash, yeah | 0:11:26 | 0:11:28 | |
# Come summer, the work It's kind of hard | 0:11:31 | 0:11:34 | |
# Da da da | 0:11:34 | 0:11:35 | |
# This ain't no place to be | 0:11:35 | 0:11:36 | |
# If you're planning on being a star | 0:11:36 | 0:11:39 | |
# Let me tell you it's so ice cool | 0:11:39 | 0:11:43 | |
# And the boss don't mind sometimes if you're acting like a fool | 0:11:43 | 0:11:45 | |
# Working at the car wash | 0:11:45 | 0:11:48 | |
# Oh, yeah | 0:11:48 | 0:11:50 | |
# At the car wash, yeah | 0:11:50 | 0:11:52 | |
# Yeah, yeah | 0:11:52 | 0:11:55 | |
# At the car wash | 0:11:55 | 0:11:56 | |
# Oooh, ooh, ooh | 0:11:56 | 0:11:58 | |
# Working at the car wash, yeah | 0:11:58 | 0:12:00 | |
# Said, said, said, sing | 0:12:00 | 0:12:03 | |
-# Work and work -Those cars never stop coming in | 0:12:03 | 0:12:06 | |
-# Work and work -Keep those rags and machines working | 0:12:06 | 0:12:11 | |
-# Work and work -My fingers to the bone | 0:12:11 | 0:12:14 | |
-# Work and work -Come on, I can't wait | 0:12:14 | 0:12:17 | |
# Till it's time to go home | 0:12:17 | 0:12:18 | |
# Hey, get your car washed today | 0:12:18 | 0:12:22 | |
# Working at the car wash | 0:12:22 | 0:12:26 | |
# Now. # | 0:12:26 | 0:12:28 | |
CHEERING AND APPLAUSE | 0:12:28 | 0:12:31 | |
Nice. | 0:12:35 | 0:12:37 | |
Before we hear from our judges, here is their competition. | 0:12:39 | 0:12:43 | |
Singing their showstopper, Cake By The Ocean, | 0:12:43 | 0:12:46 | |
from Liverpool, it's our pop choir, Over The Water. | 0:12:46 | 0:12:49 | |
# Dum, dum-dum-dum-dum-dum-dum | 0:12:53 | 0:12:57 | |
# Oh, no | 0:12:57 | 0:12:58 | |
# See you walking round like it's a funeral | 0:12:58 | 0:13:02 | |
# Not so serious, girl Why those feet cold? | 0:13:02 | 0:13:07 | |
# We're just getting started Don't you tiptoe | 0:13:07 | 0:13:10 | |
# Tiptoe | 0:13:10 | 0:13:13 | |
# Waste time with a masterpiece Don't waste time with a masterpiece | 0:13:13 | 0:13:17 | |
# Huh! | 0:13:17 | 0:13:18 | |
# You should be rolling with me You should be rolling with me | 0:13:18 | 0:13:21 | |
# Talk to me, baby | 0:13:21 | 0:13:23 | |
# I'm going blind from this sweet, sweet craving | 0:13:24 | 0:13:27 | |
# Aha | 0:13:27 | 0:13:28 | |
# Let's lose our minds And go crazy, crazy | 0:13:28 | 0:13:31 | |
# Ay ay ay ay ah | 0:13:32 | 0:13:34 | |
# Keep on hopin' We eat cake by the ocean | 0:13:34 | 0:13:37 | |
# Red velvet, vanilla | 0:13:38 | 0:13:40 | |
# Chocolate in my life | 0:13:40 | 0:13:42 | |
# Funfetti, I'm ready I need it every night | 0:13:42 | 0:13:46 | |
# Red velvet, vanilla | 0:13:46 | 0:13:48 | |
# Ay ay ay ay ay ah | 0:13:48 | 0:13:50 | |
# Keep on hopin' We'll eat cake by the ocean | 0:13:50 | 0:13:53 | |
# Oooh, aha... # | 0:13:53 | 0:13:57 | |
SCATS | 0:13:57 | 0:14:01 | |
# Talk to me, boy | 0:14:04 | 0:14:06 | |
# Talk to me, baby | 0:14:06 | 0:14:08 | |
# I'm going blind from this sweet, sweet craving, aha | 0:14:08 | 0:14:13 | |
# Let's lose our minds And go crazy, crazy | 0:14:13 | 0:14:16 | |
# Ay ay ay ay ay ah | 0:14:17 | 0:14:18 | |
# Keep on hopin' We'll eat cake by the ocean. # | 0:14:18 | 0:14:22 | |
CHEERING AND APPLAUSE | 0:14:23 | 0:14:26 | |
Oh, my goodness. | 0:14:35 | 0:14:37 | |
Now, I noticed, Elle, that you hit | 0:14:37 | 0:14:40 | |
some incredibly powerful high notes there. | 0:14:40 | 0:14:44 | |
Do you have to clench something to get to them? | 0:14:44 | 0:14:47 | |
Physically, how does that work? | 0:14:47 | 0:14:49 | |
What are you doing, is it the diaphragm? What's going on? | 0:14:49 | 0:14:52 | |
Most of the time it's just screaming, | 0:14:52 | 0:14:54 | |
you've just got to go for it. | 0:14:54 | 0:14:56 | |
Can you recreate at will? Can you do that? Do you fancy doing that? | 0:14:56 | 0:15:00 | |
Come on, Elle, we want to see it again. Come on, Elle. | 0:15:00 | 0:15:03 | |
Come on, this is Elle. | 0:15:04 | 0:15:06 | |
# Ah-ah-ah! # I'll stop there. | 0:15:06 | 0:15:09 | |
APPLAUSE | 0:15:09 | 0:15:13 | |
Amazing. That actually shattered the right contact lens just there. | 0:15:13 | 0:15:18 | |
Well done to all of you, that was really superb. | 0:15:20 | 0:15:22 | |
Now, Jeanette, this is a beautiful, beautiful thing. | 0:15:22 | 0:15:27 | |
Something lovely is occurring down here. | 0:15:27 | 0:15:31 | |
Now, how much longer till the birth? | 0:15:31 | 0:15:34 | |
I've got a couple of weeks to go. | 0:15:34 | 0:15:35 | |
A couple of weeks! | 0:15:35 | 0:15:37 | |
APPLAUSE | 0:15:37 | 0:15:39 | |
Jeanette... | 0:15:39 | 0:15:41 | |
so it could be a case tonight of Over The Breaking Waters. | 0:15:41 | 0:15:47 | |
Who would you like to be your midwife - Seal, Kelis or Gareth? | 0:15:48 | 0:15:51 | |
-I'd have to go with Seal. -Seal. | 0:15:53 | 0:15:55 | |
I'd be glad to. | 0:15:55 | 0:15:57 | |
Now, it's time to be placed under the bespectacled, | 0:15:59 | 0:16:02 | |
owlish gaze of Gareth. | 0:16:02 | 0:16:04 | |
Gareth, did Over The Water blow you out of the water? | 0:16:04 | 0:16:09 | |
Yes. Both groups I thought did very well, so congratulations to both. | 0:16:09 | 0:16:12 | |
I thought there was some great energy in your performance. | 0:16:12 | 0:16:15 | |
A couple of moments when I wanted a little bit more tone. | 0:16:15 | 0:16:18 | |
But certainly you had real commitment | 0:16:18 | 0:16:20 | |
and I really enjoyed that. | 0:16:20 | 0:16:21 | |
Great energy from you as well. | 0:16:21 | 0:16:22 | |
I thought a couple of times a little bit of rushing going on. | 0:16:22 | 0:16:26 | |
You need to stay in the groove, guys. | 0:16:26 | 0:16:28 | |
But very, very good performances from both of you. | 0:16:28 | 0:16:31 | |
Nice words from Gareth. Now, Kelis, two very different groups, | 0:16:31 | 0:16:35 | |
a cappella over this side, pop choir over this side. | 0:16:35 | 0:16:38 | |
Who rocked your boat? | 0:16:38 | 0:16:40 | |
I think they were both great. You guys were fantastic. | 0:16:40 | 0:16:42 | |
And I have to say, I have performed pregnant, | 0:16:42 | 0:16:44 | |
so I know what that's like. You killed it. | 0:16:44 | 0:16:47 | |
I think the energy was great with both. | 0:16:47 | 0:16:49 | |
You guys are all really fun to watch. | 0:16:49 | 0:16:51 | |
You know when the baby is growing, | 0:16:51 | 0:16:53 | |
it can sometimes reduce your lung capacity. | 0:16:53 | 0:16:56 | |
-Is it hard to sing? -Yeah, it's a fight, | 0:16:56 | 0:16:58 | |
it's like I'm winning here. | 0:16:58 | 0:17:00 | |
-Yes. -It's hard. -Seal, lovely Seal. | 0:17:00 | 0:17:03 | |
Speaking as someone who hasn't performed pregnant... | 0:17:03 | 0:17:06 | |
I thought... I thoroughly enjoyed both performances. | 0:17:06 | 0:17:10 | |
Over The Water, I do feel that you rushed a little bit. | 0:17:10 | 0:17:13 | |
And perhaps maybe not as much energy as Bristol Suspensions. | 0:17:13 | 0:17:18 | |
But I thoroughly enjoyed it and congratulations to you | 0:17:18 | 0:17:21 | |
for singing a cappella, I thought that was really incredible. | 0:17:21 | 0:17:24 | |
APPLAUSE | 0:17:24 | 0:17:27 | |
Oh, now, only one of these groups will go through | 0:17:28 | 0:17:31 | |
to the solo battles later tonight. | 0:17:31 | 0:17:34 | |
The other is about to be knocked out of the competition. | 0:17:34 | 0:17:37 | |
Their fate will be decided by a no-holds-barred-themed riff-off. | 0:17:37 | 0:17:41 | |
So, gang, let's reveal what your theme is. | 0:17:44 | 0:17:49 | |
Have a look at this. | 0:17:49 | 0:17:50 | |
And the theme is... | 0:17:59 | 0:18:00 | |
Buonasera, bonsoir, ooh-a-la, senorita, und guten Tag. | 0:18:00 | 0:18:04 | |
It's foreign languages, guys. | 0:18:04 | 0:18:07 | |
Now, remember, only one group will go through to the solo battles. | 0:18:07 | 0:18:10 | |
Time to find out who is speaking the judges' language. | 0:18:10 | 0:18:14 | |
Good luck, guys. | 0:18:14 | 0:18:15 | |
# Hey, sister, go, sister | 0:18:22 | 0:18:24 | |
# Soul sister, go sister | 0:18:24 | 0:18:26 | |
# Come on | 0:18:26 | 0:18:29 | |
# Oh, yeah | 0:18:29 | 0:18:33 | |
# Voulez-vous coucher avec moi Ce soir? | 0:18:35 | 0:18:39 | |
# Voulez-vous coucher avec moi | 0:18:39 | 0:18:42 | |
# Hey, yeah | 0:18:42 | 0:18:43 | |
# Creole Lady Marmalade | 0:18:43 | 0:18:45 | |
# Oh, oh-oh, oh-oh, oh-oh | 0:18:45 | 0:18:50 | |
# Oh-oh, yeah... # | 0:18:50 | 0:18:55 | |
# Oooh | 0:18:56 | 0:18:58 | |
# Voulez-vous | 0:18:58 | 0:19:01 | |
# Ba-ba-ba-ba-ba-ba-ba | 0:19:01 | 0:19:02 | |
# Take it now or leave it | 0:19:02 | 0:19:04 | |
# Now it's all we get | 0:19:04 | 0:19:06 | |
# Nothing promised, no regrets | 0:19:06 | 0:19:09 | |
# Voulez-vous | 0:19:10 | 0:19:13 | |
# Aha, ain't no big decision | 0:19:13 | 0:19:15 | |
# Aha, you know what to do | 0:19:15 | 0:19:17 | |
# La question, c'est voulez-vous | 0:19:17 | 0:19:20 | |
# Ba-ba-ba-ba-ba-ba | 0:19:20 | 0:19:22 | |
# Voulez-vous | 0:19:22 | 0:19:28 | |
# Voulez-vous | 0:19:29 | 0:19:31 | |
# Ba-ba-ba-ba-ba-ba Ba-ba-ba-ba. # | 0:19:31 | 0:19:33 | |
# Ba-ba-ba-ba-ba-ba | 0:19:36 | 0:19:38 | |
# Comme te po' capi chi te vo bene | 0:19:38 | 0:19:40 | |
# Ba-ba, ba-ba-ba-ba-ba | 0:19:40 | 0:19:42 | |
# Si tu le parle 'mmiezzo americano? | 0:19:42 | 0:19:44 | |
# Ba-ba, ba-ba-ba-ba-ba | 0:19:44 | 0:19:46 | |
# Quando se fa l'ammore sotto 'a luna | 0:19:46 | 0:19:50 | |
# Come te vene 'capa e di "I love you!?" | 0:19:50 | 0:19:52 | |
# Ba-ba-ba-ba-ba-ba # Ba-ba-ba-ba-ba-ba, da! | 0:19:52 | 0:19:55 | |
# Pa pa l'americano... # | 0:19:55 | 0:19:56 | |
INDISTINCT | 0:19:56 | 0:19:59 | |
# Whisky soda e rock'n'roll | 0:19:59 | 0:20:01 | |
-# Whisky soda e rock'n'roll -Ba-ba-ba-ba | 0:20:01 | 0:20:03 | |
# Whisky soda e rock'n'roll | 0:20:03 | 0:20:05 | |
# Ba-ba-ba-ba-ba-ba, ba! # | 0:20:05 | 0:20:08 | |
CHEERING AND APPLAUSE | 0:20:08 | 0:20:11 | |
# Ooh, doo-doo | 0:20:13 | 0:20:17 | |
# I am actually good | 0:20:17 | 0:20:20 | |
# Can't help it if we're tilted | 0:20:20 | 0:20:22 | |
# I am actually good | 0:20:22 | 0:20:25 | |
# Can't help it if we're tilted | 0:20:25 | 0:20:28 | |
# Tsch-tsch | 0:20:28 | 0:20:29 | |
# Nous et la man on est de sortie | 0:20:29 | 0:20:30 | |
# Pire qu'une simple moitie on compte a demi-demi | 0:20:30 | 0:20:33 | |
# Pile sur un des bas cotes comme des origamis | 0:20:33 | 0:20:35 | |
# Le bras tendu parait casse tout n'est qu'epis | 0:20:35 | 0:20:38 | |
# We are actually good | 0:20:38 | 0:20:39 | |
# Can't help it we're tilted | 0:20:39 | 0:20:42 | |
# I am actually good | 0:20:42 | 0:20:44 | |
# Can't help it if we're tilted. # | 0:20:44 | 0:20:47 | |
CHEERING | 0:20:47 | 0:20:50 | |
# Shakira, Shakira | 0:20:50 | 0:20:53 | |
# I never really knew that she could dance like this | 0:20:53 | 0:20:56 | |
# She makes a man want to speak Spanish | 0:20:56 | 0:20:59 | |
-# Como se llama -Si | 0:20:59 | 0:21:01 | |
-# Bonita -Si | 0:21:01 | 0:21:02 | |
-# Mi casa -Shakira, Shakira | 0:21:02 | 0:21:04 | |
# I'm on tonight My hips don't lie | 0:21:04 | 0:21:08 | |
# And I'm starting to feel it's right | 0:21:08 | 0:21:10 | |
# Baby on, let's go real slow | 0:21:10 | 0:21:12 | |
# Baby, like this is perfecto | 0:21:12 | 0:21:15 | |
# Oh, you know I'm on tonight | 0:21:15 | 0:21:17 | |
# My hips don't lie I'm starting to feel it's right | 0:21:17 | 0:21:20 | |
# The attraction, the tension | 0:21:20 | 0:21:23 | |
# Baby, like, this is perfection. # | 0:21:23 | 0:21:25 | |
CHEERING AND APPLAUSE | 0:21:25 | 0:21:28 | |
# Er war ein Punker Und er lebte in der grossen Stadt | 0:21:28 | 0:21:32 | |
# Es war in Wien Wo er alles tat | 0:21:32 | 0:21:34 | |
# Er hatte Schulden denn er trank Doch ihn liebten alle Frauen | 0:21:34 | 0:21:37 | |
# Und jede rief "Come and rock me, Amadeus" | 0:21:37 | 0:21:39 | |
# Amadeus, Amadeus Amadeus | 0:21:39 | 0:21:42 | |
# Amadeus, Amadeus, Amadeus | 0:21:42 | 0:21:45 | |
# Amadeus, Amadeus Oh-oh, Amadeus | 0:21:45 | 0:21:48 | |
# Come and rock me, Amadeus | 0:21:48 | 0:21:50 | |
# Amadeus, Amadeus Amadeus | 0:21:50 | 0:21:52 | |
# Amadeus, Amadeus, Amadeus | 0:21:52 | 0:21:55 | |
# Amadeus, Amadeus, Amadeus Oh-oh-oh, Amadeus. # | 0:21:55 | 0:21:58 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:02 | |
Now that's what we call a riff-off. It's the new fad of the century. | 0:22:07 | 0:22:11 | |
This Suspensions came out swinging and smashed it with Lady Marmalade. | 0:22:11 | 0:22:15 | |
And then our friends from Liverpool snuck in a sucker punch | 0:22:15 | 0:22:18 | |
with little Molly coming out rapping. | 0:22:18 | 0:22:20 | |
You've got to love it. | 0:22:20 | 0:22:21 | |
So much to discuss there, lads. | 0:22:23 | 0:22:26 | |
I need very briefly to speak to Len. | 0:22:26 | 0:22:29 | |
Len, please come forward. | 0:22:29 | 0:22:31 | |
CHEERING | 0:22:31 | 0:22:33 | |
Len, what I enjoyed particularly | 0:22:33 | 0:22:36 | |
from your performance and the dancing, | 0:22:36 | 0:22:38 | |
we were just treated to a little bit of stomach coming through. | 0:22:38 | 0:22:43 | |
So hang on, let's just tuck it away, Len, you did extremely well. | 0:22:43 | 0:22:47 | |
Cracking good dance moves. Good work from Len. | 0:22:47 | 0:22:50 | |
Molly, not only were you rapping, | 0:22:52 | 0:22:56 | |
but you were rapping in French. | 0:22:56 | 0:22:58 | |
-Indeed. -Tu parles le francais? | 0:22:58 | 0:23:00 | |
-I don't actually speak French. -Doesn't speak French. | 0:23:00 | 0:23:04 | |
So that was very convincing. | 0:23:04 | 0:23:06 | |
-Yeah. -Can you give us a bit more of the French rap? | 0:23:06 | 0:23:08 | |
# Nous et la man on est de sortie | 0:23:08 | 0:23:10 | |
# Pire qu'une simple moitie on compte a demi-demi | 0:23:10 | 0:23:12 | |
# Pile sur un des bas cotes comme des origamis | 0:23:12 | 0:23:15 | |
# Le bras tendu parait casse tout n'est qu'epis. # | 0:23:15 | 0:23:17 | |
CHEERING AND APPLAUSE | 0:23:17 | 0:23:19 | |
And you've absolutely no idea what you were saying. | 0:23:21 | 0:23:24 | |
-Something about a dodgy arm. -Something about a dodgy arm. | 0:23:24 | 0:23:27 | |
LAUGHTER | 0:23:27 | 0:23:30 | |
Is she always like this? Yeah, OK. | 0:23:30 | 0:23:33 | |
Now, Bristol Suspensions, so, so good. | 0:23:33 | 0:23:37 | |
Stanford here was doing some amazing dancing. | 0:23:37 | 0:23:41 | |
Well done, Stanford, you look slightly out of breath, my love. | 0:23:41 | 0:23:44 | |
It takes a lot to wiggle that way. | 0:23:44 | 0:23:46 | |
Well, Bristol Suspensions, you did fantastically well. | 0:23:48 | 0:23:51 | |
Gareth, did one group steal it for you? | 0:23:51 | 0:23:54 | |
I thought both groups had lots to recommend them. | 0:23:54 | 0:23:57 | |
I did think that there were problems on both sides. | 0:23:57 | 0:24:00 | |
There were little moments of tuning that both groups had. | 0:24:00 | 0:24:03 | |
I loved the community spirit over here, it really comes through. | 0:24:03 | 0:24:06 | |
Hugely entertaining, really great. | 0:24:06 | 0:24:08 | |
I particularly enjoyed Shakira. It's a tough one. | 0:24:08 | 0:24:11 | |
Thank you very much, Gareth. | 0:24:11 | 0:24:13 | |
Now, Kelis, did they surpass your expectations? | 0:24:13 | 0:24:16 | |
They did. I mean, you guys are all so fun to watch. | 0:24:16 | 0:24:19 | |
I want to hang out with you guys, you guys are so warm | 0:24:19 | 0:24:22 | |
and there's a real honesty that comes through that I love. | 0:24:22 | 0:24:24 | |
And I have to say, you guys nailed it, it was fantastic. | 0:24:24 | 0:24:28 | |
It's a really hard decision. | 0:24:28 | 0:24:30 | |
Seal, if you had to pick a standout moment, what would it be? | 0:24:30 | 0:24:34 | |
A standout moment for me was when the Bristol Suspensions | 0:24:34 | 0:24:37 | |
basically came out of the gate, I mean, you ran out of the gate. | 0:24:37 | 0:24:41 | |
I thought you really set the tone, and, to be honest, I thought | 0:24:41 | 0:24:44 | |
you guys over there seemed a little bit taken by surprise at first, | 0:24:44 | 0:24:48 | |
but then you seemed to pull it together, | 0:24:48 | 0:24:50 | |
which was really good, and showed the fight. | 0:24:50 | 0:24:52 | |
Ultimately, you both looked great, | 0:24:52 | 0:24:54 | |
and when you look back, I think you'll be quite proud of yourselves. | 0:24:54 | 0:24:58 | |
Now, only one of them will go through | 0:24:58 | 0:25:00 | |
to the solo battles later on. | 0:25:00 | 0:25:02 | |
OK. | 0:25:04 | 0:25:05 | |
Gareth, which group do you want to go through | 0:25:06 | 0:25:10 | |
to the solo battles tonight? | 0:25:10 | 0:25:12 | |
One of the groups I felt had the technical edge, | 0:25:12 | 0:25:16 | |
and that group was... | 0:25:16 | 0:25:17 | |
..the Bristol Suspensions. | 0:25:22 | 0:25:23 | |
CHEERING | 0:25:23 | 0:25:24 | |
Well done, Suspensions. | 0:25:24 | 0:25:26 | |
Kelis, who do you think deserves a place | 0:25:29 | 0:25:31 | |
in those solo battles later on? | 0:25:31 | 0:25:34 | |
-SHE SIGHS -Well, it's definitely been a really hard decision, | 0:25:34 | 0:25:37 | |
but I have to agree with Gareth - | 0:25:37 | 0:25:39 | |
I'm going to go with the Bristol Suspensions. | 0:25:39 | 0:25:41 | |
CHEERING AND APPLAUSE | 0:25:41 | 0:25:42 | |
OK. | 0:25:44 | 0:25:46 | |
We have a decision, but Seal, out of interest, who would you have chosen? | 0:25:46 | 0:25:50 | |
I feel like you just have to give the edge to Bristol Suspensions. | 0:25:50 | 0:25:53 | |
CHEERING AND APPLAUSE | 0:25:53 | 0:25:56 | |
Over The Water, it has been so lovely having you on the show. | 0:25:59 | 0:26:02 | |
Thank you. | 0:26:02 | 0:26:04 | |
We've really enjoyed having you here, | 0:26:05 | 0:26:07 | |
but going through is Bristol Suspensions. | 0:26:07 | 0:26:11 | |
CHEERING AND APPLAUSE | 0:26:11 | 0:26:12 | |
Congratulations, guys. You put up a very strong fight. | 0:26:12 | 0:26:17 | |
It's time for battle two. | 0:26:19 | 0:26:20 | |
Let's meet our next two groups ready to go head-to-head on Pitch Battle. | 0:26:20 | 0:26:25 | |
From Milton Keynes, it's Perfect 6th. | 0:26:25 | 0:26:28 | |
CHEERING AND APPLAUSE | 0:26:28 | 0:26:30 | |
And from London, The Savannahs. | 0:26:30 | 0:26:33 | |
CHEERING AND APPLAUSE | 0:26:33 | 0:26:34 | |
We're Perfect 6th. | 0:26:36 | 0:26:37 | |
THEY CHEER | 0:26:37 | 0:26:39 | |
We're a big group of sixth form students from Milton Keynes. | 0:26:40 | 0:26:43 | |
We're one of the youngest groups, | 0:26:43 | 0:26:44 | |
so we're going to bring loads of fun and energy to the stage. | 0:26:44 | 0:26:47 | |
We have quite a current twist on musical theatre. | 0:26:47 | 0:26:50 | |
We're down with the kids! | 0:26:50 | 0:26:52 | |
THEY LAUGH | 0:26:52 | 0:26:54 | |
In college, we train in dance, singing and acting. | 0:26:55 | 0:26:59 | |
James is our tutor and our course leader. | 0:26:59 | 0:27:02 | |
I want these guys to just hit that stage, have the time of their lives, | 0:27:02 | 0:27:06 | |
and just give it absolutely everything they've got. | 0:27:06 | 0:27:08 | |
All of us have part-time jobs, | 0:27:08 | 0:27:11 | |
but we also actually do spend quite a lot of time together. | 0:27:11 | 0:27:14 | |
We're going to be doing one of the biggest songs of the last few years, | 0:27:15 | 0:27:19 | |
and we're going to be up against | 0:27:19 | 0:27:20 | |
some of the best vocal groups in the country, but we're ready. | 0:27:20 | 0:27:23 | |
THEY CHEER | 0:27:23 | 0:27:25 | |
-ALL: -We're The Savannahs. | 0:27:29 | 0:27:31 | |
Where a country roots band | 0:27:31 | 0:27:32 | |
bringing our country roots sound to Pitch Battle. | 0:27:32 | 0:27:35 | |
We're all individual singer-songwriters. | 0:27:35 | 0:27:37 | |
We met in London. | 0:27:37 | 0:27:38 | |
Singing with these girls is new to me, and I'm absolutely loving it. | 0:27:38 | 0:27:41 | |
I think Rebecca is kind of the mother hen of the group. | 0:27:42 | 0:27:46 | |
I'm a medical doctor. | 0:27:46 | 0:27:47 | |
I work lots of long shifts, | 0:27:47 | 0:27:49 | |
but absolutely love rehearsing with the other girls for The Savannahs. | 0:27:49 | 0:27:52 | |
Our country influences are definitely Ryan Adams, | 0:27:53 | 0:27:57 | |
Johnny Cash... | 0:27:57 | 0:27:58 | |
I think we all really love and respect Dolly Parton. | 0:27:58 | 0:28:00 | |
She has an incredible voice. | 0:28:00 | 0:28:02 | |
By scale, we're quite small in comparison | 0:28:03 | 0:28:05 | |
to some of the other groups, but we have something that's really unique. | 0:28:05 | 0:28:08 | |
We think we're quite powerful - just, even though we're four, | 0:28:08 | 0:28:11 | |
we bring something that's really special. | 0:28:11 | 0:28:13 | |
Up first, performing their version of Uptown Funk, | 0:28:23 | 0:28:26 | |
from Milton Keynes, it's our all-singing and dancing show choir, | 0:28:26 | 0:28:30 | |
Perfect 6th! | 0:28:30 | 0:28:32 | |
CHEERING AND APPLAUSE | 0:28:32 | 0:28:34 | |
# This hit, that ice cold | 0:28:35 | 0:28:38 | |
# Michelle Pfeiffer, that white gold | 0:28:38 | 0:28:40 | |
# This one's for them hood girls | 0:28:40 | 0:28:42 | |
# Them good girls straight masterpieces | 0:28:42 | 0:28:46 | |
ALL: # Stylin', whilein' Livin' it up in the city | 0:28:46 | 0:28:50 | |
# Got Chucks on with Saint Laurent I gotta kiss myself, I'm so pretty | 0:28:50 | 0:28:55 | |
# Too hot, hot damn Called a police and a fireman | 0:28:55 | 0:28:59 | |
# Too hot, hot damn Make a dragon wanna retire man | 0:28:59 | 0:29:03 | |
# Too hot, too hot, too hot | 0:29:03 | 0:29:06 | |
# Say my name you know who I am | 0:29:06 | 0:29:08 | |
# Too hot, hot damn | 0:29:08 | 0:29:10 | |
# Am I bad about that money? | 0:29:10 | 0:29:12 | |
# Break it down | 0:29:12 | 0:29:13 | |
-# Girls hit your hallelujah -Whoo | 0:29:13 | 0:29:14 | |
-# Boys hit your hallelujah -Yeah | 0:29:14 | 0:29:17 | |
# Girls hit your hallelujah | 0:29:17 | 0:29:19 | |
# Cos uptown funk gon' give it to you | 0:29:19 | 0:29:21 | |
# Cos uptown funk gon' give it to you | 0:29:21 | 0:29:23 | |
# Saturday night and we in the spot | 0:29:23 | 0:29:25 | |
# Don't believe me just watch | 0:29:25 | 0:29:28 | |
# Gonna give it to you Dance, jump on it | 0:29:28 | 0:29:30 | |
# If you sexy then flaunt it | 0:29:30 | 0:29:32 | |
# If you freaky then own it | 0:29:32 | 0:29:34 | |
# Hey, hey, hey, oh | 0:29:34 | 0:29:36 | |
# Uptown funk you up Uptown funk you up | 0:29:36 | 0:29:40 | |
# Say what? | 0:29:40 | 0:29:41 | |
# Uptown funk you up | 0:29:41 | 0:29:43 | |
-# Don't believe me just watch -Gonna give it to you | 0:29:43 | 0:29:45 | |
-# Don't believe me just watch -Gonna give it to you | 0:29:45 | 0:29:47 | |
-# Don't believe me just watch -Gonna give it to you | 0:29:47 | 0:29:49 | |
-# Don't believe me just watch -Gonna give it to you | 0:29:49 | 0:29:52 | |
# Oh | 0:29:52 | 0:29:53 | |
# Hey, hey, hey, hey, hey, hey, hey | 0:29:53 | 0:29:58 | |
# Don't believe me just watch | 0:29:58 | 0:30:00 | |
# Come on! # | 0:30:00 | 0:30:01 | |
CHEERING AND APPLAUSE | 0:30:01 | 0:30:04 | |
That was great! | 0:30:07 | 0:30:09 | |
Now, time to hear from the competition. | 0:30:12 | 0:30:15 | |
Performing their show-stopper, Wake Me Up, | 0:30:15 | 0:30:18 | |
it's our country group, The Savannahs. | 0:30:18 | 0:30:21 | |
CHEERING AND APPLAUSE | 0:30:21 | 0:30:23 | |
# Feeling my way through the darkness | 0:30:28 | 0:30:32 | |
# Guided by a beating heart | 0:30:32 | 0:30:36 | |
# I can't tell where the journey will end | 0:30:36 | 0:30:40 | |
But I know where to start | 0:30:40 | 0:30:44 | |
# They tell me I'm too young to understand | 0:30:44 | 0:30:48 | |
# They say I'm caught up in a dream | 0:30:48 | 0:30:52 | |
# Life will pass me by if I don't open up my eyes | 0:30:52 | 0:30:57 | |
# Well, that's fine by me | 0:30:57 | 0:30:59 | |
ALL: # So wake me up when it's all over | 0:30:59 | 0:31:03 | |
# When I'm wiser and I'm older | 0:31:03 | 0:31:07 | |
# All this time I was finding myself | 0:31:07 | 0:31:11 | |
# And I | 0:31:11 | 0:31:12 | |
# I didn't know I was lost | 0:31:12 | 0:31:15 | |
# So wake me up when it's all over | 0:31:15 | 0:31:19 | |
# When I'm wiser and I'm older | 0:31:19 | 0:31:23 | |
# All this time I was finding myself | 0:31:23 | 0:31:28 | |
# I didn't know I was lost | 0:31:28 | 0:31:32 | |
# Ba-ba-da-da-da-da | 0:31:32 | 0:31:35 | |
# Ba-da-da-da-da | 0:31:35 | 0:31:36 | |
# Ba-ba-da-da-da-da | 0:31:36 | 0:31:38 | |
# Ba-da-da-da-da | 0:31:38 | 0:31:40 | |
# Ba-ba-da-da-da-da | 0:31:40 | 0:31:42 | |
# Ba-da-da-da-da | 0:31:42 | 0:31:44 | |
# I didn't know I was lost | 0:31:44 | 0:31:48 | |
# I didn't know I was lost | 0:31:48 | 0:31:50 | |
# I didn't know I was | 0:31:50 | 0:31:53 | |
# Lost. # | 0:31:53 | 0:31:56 | |
CHEERING AND APPLAUSE | 0:31:58 | 0:32:00 | |
Now... | 0:32:11 | 0:32:13 | |
Savannahs, you took a dance anthem, and you slowed it down... | 0:32:13 | 0:32:17 | |
IN SOUTHERN DRAWL: ..and you hoed it right down. | 0:32:17 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:21 | |
Now, Hannah, Hannah, please come forward. | 0:32:21 | 0:32:23 | |
Hannah Savannah - that works, doesn't it? Hannah Savannah. | 0:32:23 | 0:32:27 | |
How was that for you, Hannah? | 0:32:27 | 0:32:29 | |
We loved it, absolutely loved it. | 0:32:29 | 0:32:30 | |
Just such a buzz, it's just... | 0:32:30 | 0:32:31 | |
The whole thing, the whole experience has just been incredible. | 0:32:31 | 0:32:34 | |
Amazing. Well, well done. It was a beautiful thing well done. | 0:32:34 | 0:32:37 | |
Now, Perfect 6th. | 0:32:37 | 0:32:39 | |
We have Tay... CHEERING AND APPLAUSE | 0:32:39 | 0:32:41 | |
-Hello, Tay. -You all right? How are you? | 0:32:41 | 0:32:43 | |
I'm really good, Tay. | 0:32:43 | 0:32:45 | |
TO TUNE OF RESPECTABLE BY MEL & KIM: # Tay, Tay, Tay, Tay | 0:32:45 | 0:32:47 | |
# Tay, Tay, Tay, Tay... # | 0:32:47 | 0:32:49 | |
-Literally, that will mean nothing to you. -No, I know it. | 0:32:49 | 0:32:51 | |
Everyone I know sings it, every time they see me, | 0:32:51 | 0:32:54 | |
they're like, "Tay - song." | 0:32:54 | 0:32:55 | |
So what you're saying is, what I did there was just very old hat. | 0:32:55 | 0:32:58 | |
Thanks a lot, Tay! LAUGHTER | 0:32:58 | 0:33:01 | |
Now, you were all fierce, | 0:33:02 | 0:33:06 | |
but, Kelis, for you, who was it that packed the biggest vocal punch? | 0:33:06 | 0:33:11 | |
Well, you guys both did a great job. | 0:33:11 | 0:33:13 | |
I mean, you guys are like sugar and sprinkles, | 0:33:13 | 0:33:16 | |
and you guys look fantastic. I think... | 0:33:16 | 0:33:18 | |
Yeah, I mean, this is going to be really hard. | 0:33:18 | 0:33:20 | |
I have to say I was worried about the song choice at first, | 0:33:20 | 0:33:23 | |
but I think you guys really pulled it off, | 0:33:23 | 0:33:25 | |
and it was actually really exciting. | 0:33:25 | 0:33:27 | |
And then, I guess, my notes for The Savannahs - | 0:33:27 | 0:33:29 | |
I think there were some blending issues. | 0:33:29 | 0:33:31 | |
There's four of you, so you have a real opportunity | 0:33:31 | 0:33:33 | |
to really listen to each other, and just kind of like... | 0:33:33 | 0:33:37 | |
get in sync with each other. | 0:33:37 | 0:33:38 | |
Seal, this is not going to be an easy decision, is it? | 0:33:38 | 0:33:41 | |
No, it isn't going to be an easy decision. | 0:33:41 | 0:33:44 | |
I feel that in the case of Perfect 6th, | 0:33:44 | 0:33:47 | |
I think it was a brave choice. | 0:33:47 | 0:33:48 | |
I'm not sure whether it was necessarily the right one. | 0:33:48 | 0:33:51 | |
You know, #RealTalk for a second - | 0:33:51 | 0:33:53 | |
Uptown Funk is a great song, | 0:33:53 | 0:33:55 | |
but not necessarily a great choice for this. | 0:33:55 | 0:33:58 | |
It's a funk song, and, you know, | 0:33:58 | 0:34:00 | |
you have to be right on it when you're singing funk. | 0:34:00 | 0:34:03 | |
I mean, it is kind of... | 0:34:03 | 0:34:05 | |
That is rule number one of the genre. | 0:34:05 | 0:34:08 | |
It's more of a kind of soloist's song. | 0:34:08 | 0:34:10 | |
But it was brave, and you got through it. | 0:34:10 | 0:34:13 | |
The same for you, The Savannahs - I think it was an interesting choice. | 0:34:13 | 0:34:16 | |
It's really great to see you show your artistry, | 0:34:16 | 0:34:19 | |
but it is going to be... | 0:34:19 | 0:34:21 | |
a tough one. | 0:34:21 | 0:34:22 | |
OK, thank you, Seal. | 0:34:22 | 0:34:23 | |
-Now, Gareth, again... -Yeah. | 0:34:23 | 0:34:24 | |
..two incredibly different groups here. | 0:34:24 | 0:34:27 | |
-Yeah. -Who, for you, was tippity top of the show-stop? | 0:34:27 | 0:34:30 | |
I thought they both worked. | 0:34:30 | 0:34:32 | |
I thought the choreography was very exciting, | 0:34:32 | 0:34:35 | |
and I'm rubbish at dancing, and you aren't, so points for that. | 0:34:35 | 0:34:39 | |
I did think at times you got a bit tense in your voices - | 0:34:39 | 0:34:42 | |
-you start to push and shout as you're... -HE PANTS | 0:34:42 | 0:34:45 | |
..getting out of breath, and then you start to get tuning issues. | 0:34:45 | 0:34:49 | |
That wasn't always absolutely on point vocally. | 0:34:49 | 0:34:51 | |
And I thought with The Savannahs, there were moments of real quality | 0:34:51 | 0:34:54 | |
when your voices did come together, but, | 0:34:54 | 0:34:56 | |
as Kelis says, it wasn't there all the time, and I think... | 0:34:56 | 0:34:59 | |
Am I right in saying you've not been together that long? | 0:34:59 | 0:35:01 | |
There are four voices here, four soloists, | 0:35:01 | 0:35:03 | |
and it hasn't quite yet come through to being a vocal ensemble, | 0:35:03 | 0:35:07 | |
and I think that's what I'd like to see more of - | 0:35:07 | 0:35:09 | |
just get that real quality of harmony. | 0:35:09 | 0:35:13 | |
I want that lovely sensation on my ear of honey, | 0:35:13 | 0:35:16 | |
of all the voices coming together in one syrupy deliciousness | 0:35:16 | 0:35:19 | |
and I'm not sure I've heard that yet. | 0:35:19 | 0:35:22 | |
Gang, it's all about the blending. | 0:35:22 | 0:35:23 | |
Everyone, it's all about the... What is it all about? | 0:35:23 | 0:35:26 | |
-ALL: -The blending! | 0:35:26 | 0:35:29 | |
Excellent! Now... We're in panto. Now... | 0:35:29 | 0:35:31 | |
LAUGHTER | 0:35:31 | 0:35:33 | |
One of these groups is about to be knocked out and the other | 0:35:33 | 0:35:35 | |
will face Bristol Suspensions in the Solo Battles later on. | 0:35:35 | 0:35:40 | |
Deciding their fate is, of course, the dramatic Riff-Off. | 0:35:40 | 0:35:44 | |
CHEERING AND APPLAUSE | 0:35:44 | 0:35:48 | |
So let us activate the theme-generating computer. | 0:35:48 | 0:35:52 | |
CHEERING | 0:35:59 | 0:36:01 | |
And the theme is sunshine. | 0:36:03 | 0:36:05 | |
Time to find out who shines brightest tonight. | 0:36:05 | 0:36:09 | |
Guys, very, very good luck to all of you. | 0:36:09 | 0:36:11 | |
APPLAUSE | 0:36:11 | 0:36:13 | |
# You are my sunshine, my only sunshine | 0:36:20 | 0:36:24 | |
# You make me happy when skies are grey | 0:36:24 | 0:36:30 | |
# You'll never know, dear, how much I love you | 0:36:30 | 0:36:35 | |
# Please don't take my sunshine away | 0:36:35 | 0:36:39 | |
-Nice. -Yeah. | 0:36:39 | 0:36:41 | |
# Please don't take | 0:36:41 | 0:36:43 | |
# My sunshine away. # | 0:36:43 | 0:36:50 | |
CHEERING AND APPLAUSE | 0:36:50 | 0:36:54 | |
# You are the sunshine of my life... # | 0:36:54 | 0:36:58 | |
-I like these kids. -I love this song! | 0:36:58 | 0:37:00 | |
# Sunshine! | 0:37:00 | 0:37:02 | |
# That's why I'll always be around | 0:37:02 | 0:37:07 | |
# Oh, whoa | 0:37:07 | 0:37:09 | |
-# Ba-ba, ba -You are the apple of my eye | 0:37:09 | 0:37:13 | |
# Apple of my eye | 0:37:13 | 0:37:17 | |
# Forever you'll stay in my heart | 0:37:17 | 0:37:21 | |
# Oh, sunshine | 0:37:21 | 0:37:24 | |
# You are the sunshine of my life. # | 0:37:24 | 0:37:29 | |
CHEERING AND APPLAUSE | 0:37:29 | 0:37:32 | |
# Sunshine through my window | 0:37:32 | 0:37:35 | |
# That's what you are | 0:37:35 | 0:37:37 | |
# My shining star | 0:37:37 | 0:37:41 | |
# Sunshine! | 0:37:41 | 0:37:42 | |
# Making me feel | 0:37:42 | 0:37:44 | |
# I'm on top of the world | 0:37:44 | 0:37:48 | |
# Telling me I'll go far | 0:37:48 | 0:37:50 | |
# Ooh | 0:37:50 | 0:37:52 | |
# Sunshine through my window | 0:37:52 | 0:37:54 | |
# That's what you are | 0:37:54 | 0:37:57 | |
# My shining star. # | 0:37:57 | 0:37:59 | |
CHEERING AND APPLAUSE | 0:37:59 | 0:38:01 | |
# Ooh, yeah! | 0:38:01 | 0:38:03 | |
# I'm walking on sunshine | 0:38:03 | 0:38:06 | |
# Whoa-oh | 0:38:06 | 0:38:08 | |
# I'm walking on sunshine | 0:38:08 | 0:38:10 | |
# Whoa-oh | 0:38:10 | 0:38:12 | |
# I'm walking on sunshine | 0:38:12 | 0:38:14 | |
# Whoa-oh | 0:38:14 | 0:38:16 | |
# And don't it feel good? | 0:38:16 | 0:38:18 | |
# Hey! | 0:38:18 | 0:38:19 | |
# Ba-ba da-ba-ba-da-ba-da | 0:38:19 | 0:38:21 | |
# And don't it feel good? | 0:38:21 | 0:38:23 | |
# I said, I said, I say it again now | 0:38:23 | 0:38:25 | |
# And don't it feel good?! # | 0:38:25 | 0:38:27 | |
CHEERING AND APPLAUSE | 0:38:27 | 0:38:30 | |
# Let the sun shine | 0:38:30 | 0:38:32 | |
# Let the sun shine, baby | 0:38:32 | 0:38:34 | |
# Let it all go, let it all go | 0:38:34 | 0:38:37 | |
-# So play that sweet tune -Ooh | 0:38:37 | 0:38:40 | |
# Play it through the air | 0:38:40 | 0:38:42 | |
# Don't you ask me twice | 0:38:42 | 0:38:43 | |
# You know I'm gonna be | 0:38:43 | 0:38:45 | |
# Only cos the sun shined once again | 0:38:45 | 0:38:50 | |
# So let the sun shine | 0:38:50 | 0:38:52 | |
# Let the sun shine, baby | 0:38:52 | 0:38:55 | |
# Let it all go, let it all go. # | 0:38:55 | 0:39:00 | |
CHEERING AND APPLAUSE | 0:39:00 | 0:39:03 | |
-# Let the sunshine -Let the sunshine | 0:39:03 | 0:39:08 | |
# Let the sunshine in | 0:39:08 | 0:39:11 | |
-# The -Sun | 0:39:11 | 0:39:13 | |
-# Sun -Sunshine in | 0:39:13 | 0:39:15 | |
-# You gotta feel it -Let the sunshine | 0:39:15 | 0:39:20 | |
-# You gotta feel it -Let the sunshine in | 0:39:20 | 0:39:24 | |
-# You gotta feel it -The sunshine in. # | 0:39:24 | 0:39:30 | |
CHEERING AND APPLAUSE | 0:39:30 | 0:39:33 | |
It's getting hot in here, right? | 0:39:40 | 0:39:43 | |
First The Savannahs warned the room with their beautiful four-part | 0:39:43 | 0:39:47 | |
Dolly Parton-style harmonies, meanwhile we got Perfect 6th | 0:39:47 | 0:39:51 | |
over there shooting off some solar flares with Walking On Sunshine. | 0:39:51 | 0:39:54 | |
Bottom line, it's a battle between sweet and sassy. | 0:39:54 | 0:39:58 | |
Now, I think I speak for all of us | 0:39:58 | 0:40:01 | |
when I say I'm glad that I slathered myself in Factor 50 | 0:40:01 | 0:40:04 | |
to avoid scorching before that particular Riff-Off. | 0:40:04 | 0:40:08 | |
Savannahs, I have to say, four of you against a bigger group | 0:40:08 | 0:40:13 | |
but you really, no, you really stood your ground, though. | 0:40:13 | 0:40:16 | |
How did it feel? | 0:40:16 | 0:40:17 | |
Yeah, we nearly got clobbered but our plan was just to come out | 0:40:17 | 0:40:21 | |
and have fun and I think that's what we did | 0:40:21 | 0:40:23 | |
-and these guys are literally a ray of sunshine. -Aw! -It's so enjoyable. | 0:40:23 | 0:40:27 | |
Well done, Savannahs, that was very strong. Now... | 0:40:27 | 0:40:30 | |
CHEERING AND APPLAUSE | 0:40:30 | 0:40:32 | |
Over to Perfect 6th. | 0:40:32 | 0:40:35 | |
I very much enjoyed the mime with the apple. | 0:40:35 | 0:40:38 | |
LAUGHTER | 0:40:38 | 0:40:40 | |
Who's responsible for the apple? | 0:40:40 | 0:40:43 | |
There we go. Very, very good. Loved that bit. | 0:40:43 | 0:40:47 | |
Now, remember, they're being judged on both their showstopper | 0:40:47 | 0:40:50 | |
and the riff-off, so Kelis, | 0:40:50 | 0:40:53 | |
was there one group that shone out in particular for you? | 0:40:53 | 0:40:56 | |
Well, first I just want to say, because we didn't mention it, | 0:40:56 | 0:40:59 | |
the four girls with the guitars, | 0:40:59 | 0:41:00 | |
I love that, you guys are musicians and it really does show. | 0:41:00 | 0:41:03 | |
I think it helps when you guys look at each other. | 0:41:03 | 0:41:05 | |
Don't be afraid to, like, you know, contact, you do that, | 0:41:05 | 0:41:09 | |
I loved seeing that and obviously you guys are sunshine | 0:41:09 | 0:41:12 | |
and you're bright and the energy's amazing. | 0:41:12 | 0:41:14 | |
I think you guys need to listen, you know, hear the other ones around you | 0:41:14 | 0:41:18 | |
but all in all, I know where I want to go. | 0:41:18 | 0:41:20 | |
-Seal, a crackling riff-off. How was that for you? -Yes, it was. | 0:41:20 | 0:41:24 | |
It's a bit tricky, this one. | 0:41:24 | 0:41:27 | |
Perfect 6th, I thought you were a bit sketchy, your intro, but you | 0:41:27 | 0:41:32 | |
really kind of pulled it together for me with the Stevie Wonder song. | 0:41:32 | 0:41:35 | |
What's the gentleman's name in the green? | 0:41:35 | 0:41:38 | |
Gentleman in the green, quickly, Seal's asking! Seal's asking! Quick! | 0:41:38 | 0:41:41 | |
-David. -It's David, Seal! -David, well... | 0:41:41 | 0:41:44 | |
CHEERING AND APPLAUSE | 0:41:44 | 0:41:46 | |
I'm a big fan of your voice, so as soon as you started to sing, | 0:41:46 | 0:41:49 | |
-I wanted to hear more of you. -David! | 0:41:49 | 0:41:52 | |
The Savannahs, I do really applaud your musicianship. | 0:41:52 | 0:41:55 | |
It's wonderful to see four beautiful women playing instruments, | 0:41:55 | 0:41:58 | |
I mean, the artistry is great. | 0:41:58 | 0:42:00 | |
I felt that the nerves got the better of you. | 0:42:00 | 0:42:03 | |
You just need to spend more time together. | 0:42:03 | 0:42:06 | |
-You just need to sing more. -Gareth. | 0:42:06 | 0:42:08 | |
Oh, that was very exciting | 0:42:08 | 0:42:10 | |
and I think a lot changed in it for me as well | 0:42:10 | 0:42:12 | |
and I asked Perfect 6th to listen more and we got to Stevie Wonder | 0:42:12 | 0:42:15 | |
and I really started to see some potential there. | 0:42:15 | 0:42:18 | |
There's a long way to go until we achieve the perfect blend that | 0:42:18 | 0:42:21 | |
we're all looking for but definitely a step in the right direction. | 0:42:21 | 0:42:24 | |
Just watch out for pushing because it means you get louder and louder, | 0:42:24 | 0:42:28 | |
it becomes a sort of arms race of volume | 0:42:28 | 0:42:30 | |
and you can't hear what's going on around you. | 0:42:30 | 0:42:32 | |
It's really important that you listen all the times, | 0:42:32 | 0:42:35 | |
as all musicians say, two ears, one voice. Same goes for you. | 0:42:35 | 0:42:40 | |
I thought that was really lovely. | 0:42:40 | 0:42:41 | |
Tempo is at the heart of, I think, the difficulty for you. | 0:42:41 | 0:42:45 | |
You have to find a way, if you do have slower tempos, | 0:42:45 | 0:42:48 | |
you've still got to invest it with some charge, | 0:42:48 | 0:42:50 | |
you've got to make me want to get up, even though it's a soft song. | 0:42:50 | 0:42:53 | |
Don't use a soft song as an excuse to just do a low-energy performance. | 0:42:53 | 0:42:57 | |
Emily in the hat, I thought your voice was lovely | 0:42:57 | 0:43:00 | |
and we only just got a little bit there. | 0:43:00 | 0:43:02 | |
I would have liked to have heard more from you. | 0:43:02 | 0:43:04 | |
That, those, there, that is my wisdom. | 0:43:04 | 0:43:06 | |
MEL LAUGHS | 0:43:06 | 0:43:08 | |
Those, that, there from Gareth. Now... #RealTalk. | 0:43:08 | 0:43:12 | |
Only one of these groups will go through to tonight's Solo Battles. | 0:43:12 | 0:43:16 | |
Seal, please can you give us now the name of the group | 0:43:19 | 0:43:23 | |
that you would like to put through to tonight's Solo Battles. | 0:43:23 | 0:43:27 | |
I felt it was really close | 0:43:28 | 0:43:30 | |
but in the end the group that won me over was, uh... | 0:43:30 | 0:43:34 | |
..Perfect 6th. | 0:43:36 | 0:43:37 | |
CHEERING AND APPLAUSE | 0:43:37 | 0:43:39 | |
Thank you very much, Seal. | 0:43:39 | 0:43:40 | |
Kelis? | 0:43:43 | 0:43:45 | |
Well, again, I want to congratulate both groups, | 0:43:45 | 0:43:47 | |
but I am going to go with... | 0:43:47 | 0:43:50 | |
Perfect 6th. | 0:43:50 | 0:43:51 | |
Perfect 6th. | 0:43:51 | 0:43:53 | |
CHEERING AND APPLAUSE | 0:43:53 | 0:43:54 | |
Now, we do have a winner, but, Gareth, | 0:43:57 | 0:44:00 | |
who would you have gone for for the Solo Battles? | 0:44:00 | 0:44:03 | |
-I'm afraid to say I would have gone with Perfect 6th as well. -Oh... | 0:44:03 | 0:44:08 | |
Savannahs, listen. | 0:44:08 | 0:44:09 | |
C'mon, y'all. | 0:44:11 | 0:44:12 | |
DOLLY PARTON VOICE: You just get round in a circle, | 0:44:12 | 0:44:14 | |
you get back there and you just practice your hearts out. | 0:44:14 | 0:44:17 | |
And you start blendin', girls, you start just blendin' day and... | 0:44:17 | 0:44:20 | |
I don't know what I'm doing, | 0:44:20 | 0:44:22 | |
but what I would love to say to you is thank you very, very much. | 0:44:22 | 0:44:26 | |
Ladies and gents, The Savannahs. | 0:44:26 | 0:44:28 | |
CHEERING AND APPLAUSE | 0:44:28 | 0:44:31 | |
Congratulations to Perfect 6th. | 0:44:34 | 0:44:36 | |
We're going to see you again later, my loves. | 0:44:36 | 0:44:39 | |
There is only one place left in the Solo Battles. | 0:44:41 | 0:44:44 | |
Who's going to join Bristol Suspensions and Perfect 6th? | 0:44:44 | 0:44:47 | |
Let's meet tonight's final two choral contenders. | 0:44:47 | 0:44:50 | |
It's the Portsmouth University Gospel Choir... | 0:44:50 | 0:44:52 | |
CHEERING AND APPLAUSE | 0:44:52 | 0:44:55 | |
And from London, it's Vocal I-Sing. | 0:44:55 | 0:44:58 | |
CHEERING AND APPLAUSE | 0:44:58 | 0:45:01 | |
THEY CHANT | 0:45:02 | 0:45:04 | |
We are the Portsmouth University Gospel Choir | 0:45:04 | 0:45:07 | |
and I'm telling you, we are bringing that South Coast fire! | 0:45:07 | 0:45:11 | |
ALL: Whoo! | 0:45:11 | 0:45:12 | |
We are a pretty lively bunch of friends. | 0:45:15 | 0:45:18 | |
I like to think I'm in charge, | 0:45:18 | 0:45:20 | |
but keeping this lot in check is not easy! | 0:45:20 | 0:45:22 | |
It definitely helps that we've got | 0:45:23 | 0:45:25 | |
some competitive people in the group. | 0:45:25 | 0:45:27 | |
We've got the mentality of winners. | 0:45:28 | 0:45:30 | |
Whoo! Yes! | 0:45:30 | 0:45:33 | |
Although we like to have a lot of fun, | 0:45:33 | 0:45:36 | |
we are taking this competition seriously. | 0:45:36 | 0:45:39 | |
For the showstopper, we are bringing the African influences within us. | 0:45:39 | 0:45:42 | |
We are here to win! | 0:45:42 | 0:45:44 | |
ALL: Yes! | 0:45:44 | 0:45:45 | |
ALL: We are Vocal-I-Sing. | 0:45:49 | 0:45:51 | |
And we are a ten-piece musical-theatre group from London. | 0:45:51 | 0:45:55 | |
We're a triple threat - we all act, sing and dance, | 0:45:56 | 0:45:58 | |
and we've been super lucky in our careers | 0:45:58 | 0:46:00 | |
to work on some of the biggest West End shows. | 0:46:00 | 0:46:03 | |
We've all just come together for Pitch Battle, | 0:46:05 | 0:46:08 | |
so we're really excited to perform on the show. | 0:46:08 | 0:46:11 | |
We have to practise singing and dancing at the same time! | 0:46:11 | 0:46:14 | |
Obviously, we've all had a lot of experience on stage. | 0:46:15 | 0:46:18 | |
This is a completely different scale. | 0:46:18 | 0:46:20 | |
For our showstopper, we have decided to do something a bit different. | 0:46:20 | 0:46:24 | |
It's not your typical musical-theatre number, | 0:46:24 | 0:46:26 | |
so it's a bit out of our comfort zone, | 0:46:26 | 0:46:28 | |
but we are going to try to do it justice. | 0:46:28 | 0:46:30 | |
Get ready, Pitch Battle, Vocal-I-Sing are going to rock. | 0:46:30 | 0:46:33 | |
Up first, with their version of a fighting anthem, | 0:46:43 | 0:46:46 | |
performing Katy Perry's Roar, | 0:46:46 | 0:46:48 | |
it's the Portsmouth University Gospel choir. | 0:46:48 | 0:46:51 | |
CHEERING AND APPLAUSE | 0:46:51 | 0:46:53 | |
# Oh, oh, oh-oh... # | 0:46:58 | 0:47:01 | |
THEY WHOOP | 0:47:01 | 0:47:03 | |
# Oh, oh, oh-oh... # | 0:47:03 | 0:47:05 | |
THEY WHOOP | 0:47:05 | 0:47:06 | |
# Oh, oh, oh-oh... # | 0:47:06 | 0:47:10 | |
You're right, great start. | 0:47:10 | 0:47:12 | |
# ..Oh, oh, oh-oh | 0:47:12 | 0:47:15 | |
# I used to bite my tongue and hold my breath | 0:47:15 | 0:47:17 | |
# Scared to rock the boat and make a mess | 0:47:17 | 0:47:19 | |
# So I sat quietly, agreed politely | 0:47:19 | 0:47:23 | |
# I guess that I forgot I had a choice | 0:47:23 | 0:47:25 | |
# I let you push me past my breaking point | 0:47:25 | 0:47:27 | |
# I stood for nothing | 0:47:27 | 0:47:29 | |
# So I fell for everything | 0:47:29 | 0:47:31 | |
# You held me down but I got up Hey | 0:47:31 | 0:47:33 | |
# Already brushing off the dust | 0:47:33 | 0:47:35 | |
# You hear my voice You hear that sound | 0:47:35 | 0:47:38 | |
# Like thunder Gonna shake the ground | 0:47:38 | 0:47:40 | |
# You held me down but I got up | 0:47:40 | 0:47:42 | |
# Get ready cos I had enough | 0:47:42 | 0:47:44 | |
# I see it all, I see it now | 0:47:44 | 0:47:46 | |
# I got the eye of the tiger A fighter | 0:47:46 | 0:47:50 | |
# Dancing through the fire | 0:47:50 | 0:47:52 | |
# Cos I am a champion and you're gonna hear me roar | 0:47:52 | 0:47:56 | |
# Louder, louder than a lion | 0:47:56 | 0:48:00 | |
# Cos I am a champion and you're gonna hear me roar | 0:48:00 | 0:48:05 | |
# Oh oh oh oh oh oh oh oh | 0:48:05 | 0:48:07 | |
# You're gonna hear me roar | 0:48:07 | 0:48:09 | |
# Oh oh oh oh oh oh oh oh | 0:48:09 | 0:48:11 | |
# You're gonna hear me roar | 0:48:11 | 0:48:13 | |
# Oh oh oh oh oh oh oh oh | 0:48:13 | 0:48:15 | |
# You're gonna hear me roar | 0:48:15 | 0:48:17 | |
# Oh oh oh oh oh oh oh oh | 0:48:17 | 0:48:19 | |
# You're gonna hear me roar! # | 0:48:19 | 0:48:25 | |
CHEERING AND APPLAUSE | 0:48:25 | 0:48:28 | |
What a beautiful sound, huh? | 0:48:30 | 0:48:32 | |
They roared louder than a lion. | 0:48:37 | 0:48:39 | |
That was incredible! | 0:48:39 | 0:48:41 | |
But the competition are ready to blow the roof off. | 0:48:43 | 0:48:45 | |
Performing their showstopper, Here I Go Again, | 0:48:45 | 0:48:48 | |
it's our musical-theatre group, Vocal-I-Sing. | 0:48:48 | 0:48:52 | |
CHEERING AND APPLAUSE | 0:48:52 | 0:48:55 | |
# Here I go again | 0:48:58 | 0:49:02 | |
# I don't know where I'm going | 0:49:05 | 0:49:07 | |
# Wa-ooh-ooh | 0:49:07 | 0:49:10 | |
# But I sure know where I've been | 0:49:10 | 0:49:12 | |
# Wa-ooh-ooh | 0:49:12 | 0:49:14 | |
# Oh, Lord, I pray you give me strength to carry on | 0:49:14 | 0:49:20 | |
# Cos I know what it means | 0:49:20 | 0:49:24 | |
# To walk along a lonely street of dreams | 0:49:24 | 0:49:28 | |
# Here I go again on my own | 0:49:29 | 0:49:33 | |
# Walking down the only road I've ever known | 0:49:34 | 0:49:37 | |
Like a drifter I was born to walk alone | 0:49:39 | 0:49:42 | |
# And I've made up my mind | 0:49:45 | 0:49:49 | |
# I ain't wasting no more time | 0:49:49 | 0:49:54 | |
# Here I go again on my own | 0:49:54 | 0:49:57 | |
# Hey, hey, yeah | 0:49:57 | 0:49:59 | |
# Going down the only road I've ever known | 0:49:59 | 0:50:02 | |
# Whoa-oh-oh | 0:50:02 | 0:50:04 | |
# Like a drifter I was born to walk alone | 0:50:04 | 0:50:07 | |
# To walk alone | 0:50:07 | 0:50:09 | |
# Cos I know what it means | 0:50:09 | 0:50:14 | |
# To walk along a lonely street of dreams | 0:50:14 | 0:50:18 | |
# Here I go again! # | 0:50:18 | 0:50:20 | |
CHEERING AND APPLAUSE | 0:50:20 | 0:50:23 | |
A consummate performance. | 0:50:25 | 0:50:26 | |
Now, Vocal-I-Sing, you vocal-I-sang absolutely amazingly. | 0:50:34 | 0:50:40 | |
What did you make of your rivals? | 0:50:40 | 0:50:42 | |
We absolutely adore them, their energy is infectious | 0:50:42 | 0:50:45 | |
and we are really lucky and excited to be on the stage with them | 0:50:45 | 0:50:48 | |
for the riff battle. They are amazing. | 0:50:48 | 0:50:51 | |
So much love going on there. | 0:50:51 | 0:50:53 | |
So much love! | 0:50:53 | 0:50:56 | |
Now, Portsmouth University, you go beyond double denim, | 0:50:56 | 0:51:00 | |
via triple, quadruple, quintuple, sextuple and seven-tuple | 0:51:00 | 0:51:05 | |
and all the other numbers. | 0:51:05 | 0:51:06 | |
This is an amazing array of denim! So good! | 0:51:06 | 0:51:10 | |
CHEERING | 0:51:10 | 0:51:12 | |
Now, Heaven, how was that for you? | 0:51:12 | 0:51:15 | |
This is big and it's great | 0:51:15 | 0:51:16 | |
and we're just all so happy to be here, honestly. | 0:51:16 | 0:51:18 | |
Listen... | 0:51:18 | 0:51:20 | |
Heaven, how did it feel | 0:51:24 | 0:51:26 | |
seeing Kelis and Gareth Malone got to their feet when you were singing? | 0:51:26 | 0:51:31 | |
-How did that feel? -I... I can't... | 0:51:31 | 0:51:33 | |
Amazing, thank you, guys, so much, and I'm glad you enjoyed it. | 0:51:33 | 0:51:36 | |
And we're just ready to give so much more if you give us the chance. | 0:51:36 | 0:51:39 | |
APPLAUSE | 0:51:39 | 0:51:41 | |
Well done, guys. | 0:51:41 | 0:51:43 | |
Seal, two radically different groups here. | 0:51:46 | 0:51:48 | |
We have gospel, we have musical theatre. | 0:51:48 | 0:51:51 | |
Which one really nailed it for you? | 0:51:51 | 0:51:53 | |
The answer to that is they both did. | 0:51:53 | 0:51:55 | |
I just thought they were fantastic. | 0:51:55 | 0:51:57 | |
And I have to say, this show is, of course, called Pitch Battle | 0:51:57 | 0:52:00 | |
and both of you really, really embodied that tonight. | 0:52:00 | 0:52:04 | |
I thought it was pretty fantastic. | 0:52:04 | 0:52:06 | |
Your performances were amazing. | 0:52:06 | 0:52:07 | |
It's going to be tough. | 0:52:07 | 0:52:09 | |
I mean, I need to see more. | 0:52:09 | 0:52:11 | |
-Gareth. -Hello. | 0:52:11 | 0:52:13 | |
I sense, my friend, this is going to be another tough decision. | 0:52:13 | 0:52:16 | |
-Am I right? -This is enormously tough. | 0:52:16 | 0:52:18 | |
It really was. Both groups, excellent. | 0:52:18 | 0:52:20 | |
I thought... Portsmouth, I always do that thing, | 0:52:20 | 0:52:23 | |
I look down the line to see who is not committed | 0:52:23 | 0:52:25 | |
and every single one of you was 100% in, all the way through | 0:52:25 | 0:52:29 | |
and that was absolutely great, so very well done for that. | 0:52:29 | 0:52:32 | |
CHEERING AND APPLAUSE | 0:52:32 | 0:52:34 | |
But if I may just... | 0:52:34 | 0:52:36 | |
Little bits of vocal tension and posture at times | 0:52:36 | 0:52:39 | |
and getting on the verge of shouting and the tune starts to go. | 0:52:39 | 0:52:43 | |
What I want to see from you as a refined sound. | 0:52:43 | 0:52:46 | |
I would say the same thing to you as well. | 0:52:46 | 0:52:48 | |
I thought it was great, | 0:52:48 | 0:52:49 | |
but it was one dynamic all the way through, | 0:52:49 | 0:52:52 | |
with the exception of the very beginning, it was all loud | 0:52:52 | 0:52:55 | |
and then you got louder and even louder still, | 0:52:55 | 0:52:58 | |
-so have you got another gear? -Lula, have you got another gear? | 0:52:58 | 0:53:00 | |
Of course we have! That was a rock song, you've got to rock out. | 0:53:00 | 0:53:03 | |
-We've got many other things. -No-one knows that better than me! | 0:53:03 | 0:53:06 | |
-LAUGHTER -Quite right. | 0:53:06 | 0:53:09 | |
Now, Kelis, finally, a bona fide gospel choir we've got here. | 0:53:09 | 0:53:14 | |
Did that take you back to your gospel choir days? | 0:53:14 | 0:53:16 | |
Well, I loved... Both of you guys were fantastic. | 0:53:16 | 0:53:18 | |
You guys are very different. | 0:53:18 | 0:53:20 | |
I want to say, I think it's a lot harder to sing in unison | 0:53:20 | 0:53:23 | |
than people think and that is kind of the core of gospel music, | 0:53:23 | 0:53:25 | |
it's about the oneness and the singing in unison, | 0:53:25 | 0:53:28 | |
so that was fantastic. And I think you guys are like, "Showtime!" | 0:53:28 | 0:53:30 | |
I mean, it's just like it's on and it's so exciting. | 0:53:30 | 0:53:33 | |
It's going to be really hard. | 0:53:33 | 0:53:34 | |
Oh, exciting times! | 0:53:34 | 0:53:36 | |
One of these groups is about to be knocked out. | 0:53:36 | 0:53:38 | |
The other will join Bristol Suspensions and Perfect 6th | 0:53:38 | 0:53:42 | |
in the solo battles. | 0:53:42 | 0:53:44 | |
The only thing standing in their way is the riff-off. | 0:53:44 | 0:53:48 | |
CHEERING | 0:53:48 | 0:53:51 | |
So, let's reveal what your theme is going to be. | 0:53:51 | 0:53:56 | |
Have a look. | 0:53:56 | 0:53:57 | |
CHEERING | 0:54:03 | 0:54:06 | |
Happy. | 0:54:06 | 0:54:07 | |
Let's find out which of these two groups makes our judges happy. | 0:54:07 | 0:54:11 | |
Good luck, one and all. | 0:54:11 | 0:54:13 | |
CHEERING | 0:54:13 | 0:54:16 | |
# Don't know how to live without your love | 0:54:23 | 0:54:25 | |
# I was born to make you happy | 0:54:25 | 0:54:27 | |
# I'd do anything | 0:54:28 | 0:54:31 | |
# I'd give you my world | 0:54:32 | 0:54:35 | |
# Just to show you how much I care | 0:54:35 | 0:54:42 | |
# I don't know how to live without your love | 0:54:44 | 0:54:47 | |
# I was born to make you happy | 0:54:47 | 0:54:49 | |
# You're the only one that's in my heart | 0:54:49 | 0:54:52 | |
# I was born to make you happy! # | 0:54:52 | 0:54:55 | |
# Because I'm happy | 0:54:59 | 0:55:00 | |
# Clap along if you feel like a room without a roof | 0:55:00 | 0:55:06 | |
-# Happy -Clap along if you feel | 0:55:06 | 0:55:08 | |
# Like that's what you want to do | 0:55:08 | 0:55:10 | |
# Oh-oh-oh | 0:55:10 | 0:55:12 | |
# Happy, happy, happy, happy | 0:55:12 | 0:55:17 | |
# Because I'm happy | 0:55:17 | 0:55:18 | |
# Clap along | 0:55:18 | 0:55:19 | |
# If you know what happiness is to you | 0:55:19 | 0:55:22 | |
# Eh, eh, eh Happy | 0:55:22 | 0:55:25 | |
# Clap along if you feel like that's what you want to do | 0:55:25 | 0:55:28 | |
# I'm happy! # | 0:55:28 | 0:55:30 | |
# Oh, oh, oh, happy | 0:55:30 | 0:55:34 | |
# Oh, happy day | 0:55:34 | 0:55:36 | |
-# Talking about these happy days -Oh, happy days | 0:55:36 | 0:55:41 | |
-# When Jesus washed -When Jesus washed, oh, oh, oh | 0:55:41 | 0:55:45 | |
-# When Jesus washed -When Jesus washed | 0:55:45 | 0:55:50 | |
# When Jesus washed | 0:55:50 | 0:55:52 | |
# When Jesus washed | 0:55:52 | 0:55:54 | |
# My sins away | 0:55:54 | 0:55:56 | |
# Oh, happy day! # | 0:55:56 | 0:55:58 | |
# Here's a little song I wrote | 0:56:03 | 0:56:05 | |
# You might want to sing it note for note | 0:56:05 | 0:56:09 | |
# Don't worry... # | 0:56:09 | 0:56:11 | |
Hey, sugar! | 0:56:11 | 0:56:13 | |
# ..Be happy | 0:56:13 | 0:56:14 | |
# Don't worry, be happy | 0:56:14 | 0:56:17 | |
# Ooh, ooh, ooh... # | 0:56:17 | 0:56:20 | |
Hey! | 0:56:20 | 0:56:21 | |
Don't worry. | 0:56:21 | 0:56:23 | |
Oh, God, oh, God, be happy! | 0:56:23 | 0:56:26 | |
I love that! I love that! | 0:56:26 | 0:56:28 | |
# ..Don't worry be happy! # | 0:56:28 | 0:56:31 | |
CHEERING AND APPLAUSE | 0:56:31 | 0:56:34 | |
It's just real, isn't it? | 0:56:34 | 0:56:37 | |
# Forget your troubles | 0:56:37 | 0:56:39 | |
# Happy days | 0:56:39 | 0:56:42 | |
# Come on, get happy | 0:56:42 | 0:56:45 | |
# Better chase all your cares away | 0:56:45 | 0:56:51 | |
# From now on | 0:56:51 | 0:56:56 | |
-# From now on -Forget your troubles | 0:56:56 | 0:57:02 | |
# And just get happy | 0:57:02 | 0:57:05 | |
# Happy again! # | 0:57:05 | 0:57:11 | |
CHEERING AND APPLAUSE | 0:57:11 | 0:57:15 | |
# Be young, be foolish But be happy | 0:57:15 | 0:57:19 | |
# Be young, be foolish But be happy | 0:57:22 | 0:57:27 | |
# Same old story all over the world | 0:57:29 | 0:57:32 | |
# Girl needs boy and boy needs girl | 0:57:32 | 0:57:38 | |
# Be young, be foolish But be happy | 0:57:38 | 0:57:43 | |
# Be young, be foolish | 0:57:45 | 0:57:48 | |
# But be happy | 0:57:48 | 0:57:50 | |
# Be happy! # | 0:57:52 | 0:57:55 | |
CHEERING AND APPLAUSE | 0:57:55 | 0:58:00 | |
I think both, I like them both. | 0:58:00 | 0:58:02 | |
Oh, yeah! | 0:58:07 | 0:58:09 | |
That is the world's most powerful antidepressant, am I right? | 0:58:09 | 0:58:13 | |
We had Vocal-I-Sing weaving together their rich harmonies | 0:58:13 | 0:58:16 | |
and amazing West End flair | 0:58:16 | 0:58:18 | |
and then we had Portsmouth emitting pure joy | 0:58:18 | 0:58:20 | |
and weaving some a cappella in there. | 0:58:20 | 0:58:22 | |
Speaking of weaving, that might be the first time anybody has woven together | 0:58:22 | 0:58:26 | |
Pharrell, Britney Spears, Bobby McFerrin and Judy Garland, right? | 0:58:26 | 0:58:30 | |
Now, that's a mixture! Am I right? | 0:58:30 | 0:58:33 | |
CHEERING | 0:58:33 | 0:58:34 | |
Thank you very much. | 0:58:34 | 0:58:37 | |
Now, Peter, Peter from Vocal-I-Sing. | 0:58:37 | 0:58:40 | |
That... Where does that voice come from? | 0:58:40 | 0:58:42 | |
I'm wearing very tight jeans, | 0:58:42 | 0:58:45 | |
so that helps get those high notes. | 0:58:45 | 0:58:48 | |
Well done, Vocal-I-Sing, you were absolutely superb. | 0:58:48 | 0:58:51 | |
Now, Portsmouth University Gospel Choir. | 0:58:51 | 0:58:56 | |
Jordan, you looked, when you were singing, really, | 0:58:56 | 0:59:00 | |
as if you weren't worrying at all | 0:59:00 | 0:59:02 | |
and as if you were really staying happy. | 0:59:02 | 0:59:05 | |
Am I right? | 0:59:05 | 0:59:06 | |
Well, you know, don't worry, be happy. | 0:59:06 | 0:59:09 | |
That's exactly what I said. | 0:59:09 | 0:59:11 | |
It came through. | 0:59:13 | 0:59:14 | |
How do you remain so Zen and calm? | 0:59:14 | 0:59:17 | |
Well, obviously, don't worry, be happy. | 0:59:17 | 0:59:20 | |
LAUGHTER | 0:59:20 | 0:59:24 | |
Wise words there from Jordan. | 0:59:24 | 0:59:26 | |
Very much on message, Jordan, well done. | 0:59:26 | 0:59:28 | |
Now, Seal, they were both determined to make you happy, | 0:59:28 | 0:59:32 | |
but did they succeed? | 0:59:32 | 0:59:34 | |
Yes, they did. Yes and no. | 0:59:34 | 0:59:36 | |
Yes and no?! | 0:59:36 | 0:59:38 | |
Well, yes and no. | 0:59:38 | 0:59:39 | |
With Portsmouth Gospel Choir, with Happy, you know, it... | 0:59:39 | 0:59:44 | |
It's a funny one, that, because it's such a great iconic song | 0:59:44 | 0:59:47 | |
and I'm not quite sure whether you got there | 0:59:47 | 0:59:49 | |
in terms of doing it justice, | 0:59:49 | 0:59:51 | |
but it was great, you know. | 0:59:51 | 0:59:53 | |
Overall, I thought you did a fantastic job. | 0:59:53 | 0:59:55 | |
Vocal-I-Sing, I thought it was... | 0:59:55 | 0:59:58 | |
I thought it was good enough. | 0:59:58 | 0:59:59 | |
I thought you kind of got there in the end, | 0:59:59 | 1:00:02 | |
but your experience in musical theatre, I think, | 1:00:02 | 1:00:04 | |
really showed through and, you know, ultimately, | 1:00:04 | 1:00:07 | |
it's going to take more than just great voices at the end of the day, | 1:00:07 | 1:00:10 | |
so I thought you did a really great job with that. | 1:00:10 | 1:00:13 | |
Good, good comments from Seal. | 1:00:13 | 1:00:15 | |
Gareth, please...tell us what you thought. | 1:00:17 | 1:00:19 | |
I'm going to disagree with Seal, because I thought... | 1:00:19 | 1:00:22 | |
SHE GASPS | 1:00:22 | 1:00:23 | |
..I really enjoyed Happy. What do I know? | 1:00:23 | 1:00:25 | |
But I thought it was great, I really enjoyed the atmosphere... | 1:00:25 | 1:00:28 | |
CHEERING | 1:00:28 | 1:00:29 | |
Well done. | 1:00:29 | 1:00:32 | |
I think we've got just a difference between... | 1:00:32 | 1:00:34 | |
We've got polish on this side. | 1:00:34 | 1:00:35 | |
We've got professionalism and then on this side we've got | 1:00:35 | 1:00:38 | |
something that's quite sort of natural | 1:00:38 | 1:00:41 | |
and it's very hard to decide between the two | 1:00:41 | 1:00:42 | |
because both are great, this is not a situation | 1:00:42 | 1:00:45 | |
where I'm saying one is bad and one is not. | 1:00:45 | 1:00:46 | |
I thought it was very brave of you to bring gospel to gospel... | 1:00:46 | 1:00:49 | |
LAUGHTER | 1:00:49 | 1:00:50 | |
..and carried off with aplomb! | 1:00:50 | 1:00:52 | |
Amen! Just if I can be slightly critical for a second, | 1:00:52 | 1:00:57 | |
you do have great technique but at times it gets harsh | 1:00:57 | 1:01:00 | |
because you are SO determined! SO determined, it can be a little | 1:01:00 | 1:01:04 | |
overwhelming at times. And your arrangements are simpler | 1:01:04 | 1:01:08 | |
on this side, so I think we have to take that into consideration | 1:01:08 | 1:01:11 | |
and at times you're not absolutely pulling off every moment | 1:01:11 | 1:01:14 | |
of harmony and this is about harmony, it's about singing | 1:01:14 | 1:01:17 | |
as well as you possibly can, so it's definitely something | 1:01:17 | 1:01:20 | |
-you need to address - is technical details. -OK. | 1:01:20 | 1:01:22 | |
And, Kelis, who surprised you in that riff-off? | 1:01:22 | 1:01:25 | |
Neither one of them know what they're talking about! | 1:01:25 | 1:01:27 | |
LAUGHTER | 1:01:27 | 1:01:30 | |
-Well, I think - both great, so different... -Yeah. | 1:01:30 | 1:01:34 | |
I agree with Gareth in that on one hand I think there's so much | 1:01:34 | 1:01:38 | |
heart and there's something really honest and natural that | 1:01:38 | 1:01:42 | |
I love about Portsmouth and then technique and just... | 1:01:42 | 1:01:45 | |
You guys are so on and there's something in the middle, I think, | 1:01:45 | 1:01:49 | |
-if that's... -That's me, Kelis... | 1:01:49 | 1:01:51 | |
LAUGHTER | 1:01:52 | 1:01:53 | |
Are you saying that I should go through to the next round? | 1:01:53 | 1:01:56 | |
LAUGHTER AND CHEERING | 1:01:56 | 1:01:57 | |
My blending is awful. | 1:02:00 | 1:02:02 | |
Have you ever had a hit record, Mel? | 1:02:02 | 1:02:04 | |
Well, I might have had a number-one single... Yeah. | 1:02:04 | 1:02:08 | |
You hadn't mentioned it so I just thought... | 1:02:08 | 1:02:10 | |
Yeah, I might have had a number-one single, | 1:02:10 | 1:02:11 | |
for one week only, gang, in Gareth's choir, with John Craven, | 1:02:11 | 1:02:15 | |
it was a very special moment. | 1:02:15 | 1:02:17 | |
LAUGHTER | 1:02:17 | 1:02:18 | |
Now, listen, this is serious, there's only one place left | 1:02:18 | 1:02:21 | |
in the next round... | 1:02:21 | 1:02:22 | |
OK, Seal, which group would you like to see go through? | 1:02:23 | 1:02:27 | |
God, it's so tough, it's so tough... Erm... | 1:02:27 | 1:02:30 | |
We're looking at the best of the evening so far... | 1:02:33 | 1:02:36 | |
APPLAUSE | 1:02:36 | 1:02:38 | |
If I had to trust what my ears tell me, it would be... | 1:02:38 | 1:02:41 | |
..Vocal-I-sing. | 1:02:45 | 1:02:47 | |
OK, Gareth... | 1:02:52 | 1:02:54 | |
Who would you like to see go through to the solo battles? | 1:02:54 | 1:02:58 | |
Um, this is difficult but I'll cut to it. | 1:02:58 | 1:03:02 | |
I would like to go with... | 1:03:02 | 1:03:05 | |
Portsmouth. | 1:03:05 | 1:03:07 | |
CHEERING | 1:03:07 | 1:03:09 | |
Right, Kelis, it rests on your shoulders, my love, | 1:03:12 | 1:03:15 | |
you have the deciding vote. | 1:03:15 | 1:03:18 | |
-SIGHING: -Well... | 1:03:18 | 1:03:20 | |
It was really hard, as both gentlemen have said... | 1:03:20 | 1:03:22 | |
But I'm going to go with my heart... | 1:03:27 | 1:03:28 | |
It's Portsmouth... | 1:03:28 | 1:03:30 | |
CHEERING | 1:03:30 | 1:03:31 | |
Well done. | 1:03:44 | 1:03:45 | |
Now, listen, you saw how difficult that was for them. | 1:03:45 | 1:03:49 | |
No word of a lie, they were absolutely torn, | 1:03:49 | 1:03:52 | |
you were brilliant, weren't they? | 1:03:52 | 1:03:54 | |
CHEERING | 1:03:54 | 1:03:56 | |
But...Portsmouth University Gospel Choir - congratulations to you. | 1:03:58 | 1:04:02 | |
CHEERING | 1:04:02 | 1:04:05 | |
We're going to see you shortly in those solo battles. | 1:04:05 | 1:04:09 | |
Now, how... | 1:04:09 | 1:04:11 | |
There are tears, oh! How are you? Are you OK? | 1:04:11 | 1:04:13 | |
Yeah, yeah, good! | 1:04:13 | 1:04:15 | |
Listen, denim is extremely absorbent, so... | 1:04:15 | 1:04:17 | |
LAUGHTER | 1:04:17 | 1:04:19 | |
..just rub yourself on somebody's denim and you'll be absolutely fine. | 1:04:19 | 1:04:22 | |
Listen, well done, guys, you were absolutely tremendous. | 1:04:22 | 1:04:25 | |
One last time, please give it up for both Portsmouth University | 1:04:25 | 1:04:27 | |
Gospel Choir and Vocal-I-sing. | 1:04:27 | 1:04:30 | |
CHEERING | 1:04:30 | 1:04:31 | |
The groups through to the solo battle are... | 1:04:34 | 1:04:37 | |
Perfect 6th... | 1:04:37 | 1:04:38 | |
You really kind of pulled it together for me. | 1:04:38 | 1:04:41 | |
What's the gentleman's name in the green? | 1:04:41 | 1:04:43 | |
THEY CHANT | 1:04:43 | 1:04:44 | |
As soon as you started singing, I wanted to hear more of you. | 1:04:44 | 1:04:47 | |
I just can't believe it, it's so crazy, thank you so much | 1:04:47 | 1:04:49 | |
for supporting me and everything. | 1:04:49 | 1:04:51 | |
..The Bristol Suspensions... | 1:04:51 | 1:04:53 | |
You ran out of the game. I thought you really set the tone. | 1:04:53 | 1:04:56 | |
I thoroughly enjoyed it, that was really incredible. | 1:04:56 | 1:04:59 | |
I was so worried I was going to kick Len | 1:04:59 | 1:05:01 | |
and I was, like, | 1:05:01 | 1:05:02 | |
"Please move, cos I don't want to kick you on television." | 1:05:02 | 1:05:05 | |
..and Portsmouth University Gospel Choir. | 1:05:05 | 1:05:08 | |
I'm not quite sure whether you've got there in terms of | 1:05:11 | 1:05:13 | |
doing it justice, but overall I think you did a fantastic job. | 1:05:13 | 1:05:17 | |
We didn't get Seal's vote, we've got to win him over. | 1:05:17 | 1:05:20 | |
So, only three groups are left standing and like an impromptu | 1:05:23 | 1:05:25 | |
camping trip, things are about to get a whole lot more intense. | 1:05:25 | 1:05:30 | |
Backed by the rest of their core companions, | 1:05:30 | 1:05:32 | |
the fate of each group now lies on the shoulders | 1:05:32 | 1:05:35 | |
of just one singer, who must take centre stage in the solo battles. | 1:05:35 | 1:05:38 | |
Once all three have performed, the judges will decide | 1:05:38 | 1:05:41 | |
which two groups will go through to tonight's final battle. | 1:05:41 | 1:05:44 | |
I can sense his presence - here he is. | 1:05:44 | 1:05:47 | |
Deke, what do you think of the judges' decisions so far? | 1:05:47 | 1:05:50 | |
I agree with them, these have all been tough decisions and | 1:05:50 | 1:05:53 | |
if I had to take one group and put them through... | 1:05:53 | 1:05:56 | |
it'd be Vocal-I-sing... | 1:05:56 | 1:05:58 | |
I'm going to miss those guys... | 1:05:58 | 1:05:59 | |
CHEERING | 1:05:59 | 1:06:00 | |
-..what a sound... -They were amazing. | 1:06:00 | 1:06:03 | |
What advice would you give to those soloists now? | 1:06:03 | 1:06:07 | |
Well, the hardest thing to do right now, | 1:06:07 | 1:06:09 | |
now that you're all whipped up and your energy and adrenaline | 1:06:09 | 1:06:12 | |
is going, is to get lost and stop and focus on the | 1:06:12 | 1:06:16 | |
message of the song, let all this fade away, | 1:06:16 | 1:06:18 | |
and just tell the story. | 1:06:18 | 1:06:21 | |
Thank you so much, Deke. Take heed, the master has spoken - | 1:06:21 | 1:06:25 | |
Deke Sharon! | 1:06:25 | 1:06:26 | |
CHEERING | 1:06:26 | 1:06:29 | |
It's time for the solo battles. | 1:06:29 | 1:06:31 | |
Up first, hoping they'll make the grade, | 1:06:35 | 1:06:37 | |
let's find out who The Bristol Suspensions | 1:06:37 | 1:06:40 | |
have chosen to put under the spotlight as their soloist. | 1:06:40 | 1:06:45 | |
We decided that Alice was going to be our feature soloist. | 1:06:45 | 1:06:48 | |
I'm really excited and hoping that I can do the group proud. | 1:06:48 | 1:06:51 | |
I love living in Bristol. I do miss home, though. | 1:06:54 | 1:06:57 | |
Ever since she was little, Alice wanted to be on the stage. | 1:06:57 | 1:07:01 | |
Makes me really proud. | 1:07:01 | 1:07:02 | |
It's a lot of pressure cos the rest of the group follow | 1:07:04 | 1:07:07 | |
behind me and if I've come in wrong | 1:07:07 | 1:07:09 | |
then the whole song goes wrong. | 1:07:09 | 1:07:10 | |
CHEERING AND APPLAUSE | 1:07:12 | 1:07:15 | |
MUSIC: I Can't Make You Love Me | 1:07:19 | 1:07:20 | |
# Turn down the lights | 1:07:22 | 1:07:27 | |
# Turn down the bed | 1:07:27 | 1:07:30 | |
# Turn down these voices | 1:07:30 | 1:07:35 | |
# Inside my head | 1:07:35 | 1:07:39 | |
# Lay down with me | 1:07:39 | 1:07:44 | |
# Tell me no lies | 1:07:44 | 1:07:49 | |
# Just hold me close | 1:07:49 | 1:07:53 | |
# Don't patronise me | 1:07:53 | 1:07:57 | |
# Don't patronise me | 1:07:57 | 1:08:04 | |
# Cos I can't make you love me | 1:08:06 | 1:08:12 | |
# If you don't | 1:08:12 | 1:08:16 | |
# Love me | 1:08:16 | 1:08:19 | |
# Why won't you love me? | 1:08:19 | 1:08:22 | |
-# Love me -Love me | 1:08:24 | 1:08:28 | |
# Why won't you love me? | 1:08:28 | 1:08:30 | |
# Please love me | 1:08:30 | 1:08:33 | |
# Love me | 1:08:33 | 1:08:36 | |
# Why won't you love me? | 1:08:36 | 1:08:38 | |
# Love me | 1:08:38 | 1:08:41 | |
# Come and love me Come and love me | 1:08:41 | 1:08:44 | |
# Why won't you love me? # | 1:08:44 | 1:08:51 | |
CHEERING AND APPLAUSE | 1:08:52 | 1:08:55 | |
Oh, what a beautiful, poised performance that was. | 1:09:03 | 1:09:07 | |
Now, feeling the pressure next, it's Perfect 6th, | 1:09:07 | 1:09:09 | |
who, at 17, have the youngest soloist performing tonight. | 1:09:09 | 1:09:13 | |
Singing our solo is going to be... | 1:09:16 | 1:09:18 | |
..Gaby! | 1:09:20 | 1:09:22 | |
CHEERING | 1:09:22 | 1:09:23 | |
I am really terrified, actually. My boyfriend, Aaron, | 1:09:23 | 1:09:27 | |
is also in the group, so he completely understands why | 1:09:27 | 1:09:30 | |
-I'm feeling nervous. -We all have faith in you, | 1:09:30 | 1:09:32 | |
I think you have to believe in yourself. | 1:09:32 | 1:09:35 | |
This is definitely one of the biggest moments in my life. | 1:09:35 | 1:09:39 | |
It just really adds to the pressure and makes me even more nervous. | 1:09:39 | 1:09:42 | |
CHEERING | 1:09:44 | 1:09:46 | |
MUSIC: How Far I'll Go | 1:09:46 | 1:09:48 | |
# I've been staring at the edge of the water | 1:09:49 | 1:09:53 | |
# As long as I can remember | 1:09:53 | 1:09:55 | |
# Never really knowing why | 1:09:55 | 1:09:59 | |
# I wish I could be the perfect daughter | 1:09:59 | 1:10:03 | |
# But I come back to the water no matter how hard I try | 1:10:03 | 1:10:09 | |
# Every turn I take, every trail I track | 1:10:09 | 1:10:12 | |
# Every path I make | 1:10:12 | 1:10:14 | |
# Every road leads back | 1:10:14 | 1:10:16 | |
# To the place I know Where I cannot go | 1:10:16 | 1:10:18 | |
# Where I long to be | 1:10:18 | 1:10:20 | |
# Oo, oo, oo, oo, oo | 1:10:20 | 1:10:22 | |
# See the line where the sky meets the sea? | 1:10:22 | 1:10:25 | |
# It calls me | 1:10:25 | 1:10:26 | |
# And no-one knows how far it goes | 1:10:28 | 1:10:33 | |
# If the wind in my sail on the sea stays behind me | 1:10:33 | 1:10:38 | |
# One day I'll know | 1:10:38 | 1:10:41 | |
# If I go there's just no telling how far I'll go | 1:10:41 | 1:10:45 | |
# Oh, oh, oh, oh, oh | 1:10:45 | 1:10:49 | |
# Oh, oh, oh, oh, oh | 1:10:49 | 1:10:54 | |
# See the light as it shines on the sea? | 1:10:54 | 1:10:56 | |
# It's blinding | 1:10:56 | 1:10:59 | |
# It's blinding | 1:10:59 | 1:11:00 | |
# But no-one knows how deep it goes | 1:11:00 | 1:11:04 | |
# If the wind in my sail on the sea stays behind me | 1:11:04 | 1:11:09 | |
# One day I'll know, how far I'll go | 1:11:09 | 1:11:19 | |
# Go... # | 1:11:19 | 1:11:22 | |
CHEERING AND APPLAUSE | 1:11:22 | 1:11:25 | |
Well, the bar is going ever higher. This is our third | 1:11:38 | 1:11:41 | |
and final group, it's the Portsmouth University Gospel Choir, | 1:11:41 | 1:11:45 | |
who have had to deal with a last-minute change of soloist. | 1:11:45 | 1:11:48 | |
Singing the solo for us will be... | 1:11:52 | 1:11:54 | |
Heaven! | 1:11:54 | 1:11:56 | |
CHEERING | 1:11:56 | 1:11:57 | |
I love this choir and everything about it, | 1:11:57 | 1:12:00 | |
so having this opportunity to do the solo, | 1:12:00 | 1:12:03 | |
really does mean a lot to me. | 1:12:03 | 1:12:05 | |
# People fall in love in mysterious... # | 1:12:07 | 1:12:10 | |
-Yo... -No? | 1:12:10 | 1:12:13 | |
I'm so trying to give it my best and I feel like | 1:12:13 | 1:12:15 | |
it's kind of taken a toll on my voice. | 1:12:15 | 1:12:17 | |
If we had to give you the solo, do you think you'd be able to do it? | 1:12:18 | 1:12:23 | |
Yeah? Take it, take it! | 1:12:24 | 1:12:26 | |
All right, all right, I'll try my hardest. | 1:12:26 | 1:12:29 | |
CHEERING | 1:12:33 | 1:12:35 | |
MUSIC: Thinking Out Loud | 1:12:36 | 1:12:38 | |
# When your legs don't work like they used to before | 1:12:41 | 1:12:45 | |
# And I can't sweep you off of your feet | 1:12:47 | 1:12:52 | |
# Will your mouth still remember the taste of my love? | 1:12:52 | 1:12:57 | |
# Will your eyes still smile from your cheeks? | 1:12:59 | 1:13:02 | |
# People fall in love in mysterious ways | 1:13:04 | 1:13:10 | |
# Maybe just the touch of a hand | 1:13:10 | 1:13:15 | |
# Well, me I fall in love with you every single day | 1:13:15 | 1:13:21 | |
# And I just wanna tell you I am | 1:13:21 | 1:13:26 | |
# So honey now | 1:13:26 | 1:13:29 | |
# Take me into your loving arms | 1:13:31 | 1:13:36 | |
# Kiss me under the light of a thousand stars | 1:13:36 | 1:13:41 | |
# Oh, baby | 1:13:41 | 1:13:43 | |
# Place your head on my beating heart | 1:13:43 | 1:13:47 | |
# I'm thinking out loud | 1:13:47 | 1:13:49 | |
# See, maybe we found love right where we are | 1:13:49 | 1:13:56 | |
# See, maybe we found love right where we are | 1:13:56 | 1:14:02 | |
# We found love right where we | 1:14:02 | 1:14:10 | |
# Are. # | 1:14:10 | 1:14:14 | |
CHEERING AND APPLAUSE | 1:14:14 | 1:14:16 | |
Right, Alice, I'm sending you a lot of love. | 1:14:38 | 1:14:42 | |
That was so good. How did it feel? | 1:14:42 | 1:14:45 | |
It felt amazing and to sing it with, like, my best friends and be | 1:14:45 | 1:14:50 | |
on the stage with my favourite people just makes it even better. | 1:14:50 | 1:14:53 | |
Oh, how nice. And, Gaby, 17 years old. | 1:14:53 | 1:14:59 | |
What an amazing performance from Gaby. | 1:14:59 | 1:15:02 | |
Seriously. | 1:15:02 | 1:15:04 | |
How was it for you, my love? | 1:15:04 | 1:15:06 | |
I... I can't... I can't even explain it. | 1:15:06 | 1:15:08 | |
Like, in the rehearsals I was really worried about it and then | 1:15:08 | 1:15:11 | |
when I was here I just did it and I was like, "Wow." | 1:15:11 | 1:15:16 | |
I can't explain the feeling. I can't explain the feeling. | 1:15:16 | 1:15:19 | |
Let me tell you, you did really, really well. | 1:15:19 | 1:15:22 | |
So good. | 1:15:22 | 1:15:24 | |
Now, Natalie... | 1:15:24 | 1:15:25 | |
CHEERING | 1:15:26 | 1:15:29 | |
-Standing in at the last minute, you did so well. -Thank you so much. | 1:15:29 | 1:15:34 | |
What was going through your mind? | 1:15:34 | 1:15:36 | |
I hope I do it justice. I hope I don't mess up. I hope it's all well. | 1:15:36 | 1:15:40 | |
-You did. -I hope I make them proud. | 1:15:40 | 1:15:43 | |
Well done to all three soloists. | 1:15:43 | 1:15:44 | |
Only two of these groups will go through to the final battle | 1:15:44 | 1:15:48 | |
so, judges, who do you rate so high in this SOLO challenge? | 1:15:48 | 1:15:54 | |
Oh... | 1:15:54 | 1:15:56 | |
Well, Mel, I thought everyone did a great job. | 1:15:56 | 1:15:59 | |
The Bristol Suspensions, I absolutely love a cappella, | 1:15:59 | 1:16:02 | |
love the sound of it and some of those chords | 1:16:02 | 1:16:04 | |
were really juicy and delicious. | 1:16:04 | 1:16:06 | |
A couple of bits quite exposed in the arrangement | 1:16:06 | 1:16:10 | |
but very, very strong. | 1:16:10 | 1:16:12 | |
I thought they were really, really great performances all round, | 1:16:12 | 1:16:16 | |
generally speaking. | 1:16:16 | 1:16:17 | |
Bristol Suspensions, | 1:16:17 | 1:16:19 | |
I Can't Make You Love Me, it's one of my favourite songs | 1:16:19 | 1:16:22 | |
and I think it's one of the greatest songs ever written. | 1:16:22 | 1:16:25 | |
I felt that your balance wasn't as good as it could have been. | 1:16:25 | 1:16:29 | |
By saying that, I felt like the soloist, Alice, | 1:16:29 | 1:16:31 | |
you were slightly overpowered. | 1:16:31 | 1:16:33 | |
But you sounded great. | 1:16:33 | 1:16:36 | |
I Can't Make You Love Me is one of my favourite songs, I have to say. | 1:16:36 | 1:16:39 | |
I do have a note for you, though. | 1:16:39 | 1:16:40 | |
When you're singing in front and you're a soloist, | 1:16:40 | 1:16:42 | |
you have to take liberty to just, if you have to, close your eyes, | 1:16:42 | 1:16:45 | |
shut it all out and, like, get in it. | 1:16:45 | 1:16:48 | |
I think you have to feel the right to do that. | 1:16:48 | 1:16:50 | |
Perfect 6th, you just left me thoroughly impressed. | 1:16:53 | 1:16:56 | |
That kind of music is not necessarily what I put on | 1:16:56 | 1:16:59 | |
-when I go home... -What? -Yeah, right. -I'm sorry? | 1:16:59 | 1:17:03 | |
But it was just on pro level. | 1:17:03 | 1:17:05 | |
Like, so good. We were talking, I was like, | 1:17:05 | 1:17:08 | |
"I want to see them give me a different note," I guess. | 1:17:08 | 1:17:11 | |
I think you guys went into a round and there was some staccato, | 1:17:11 | 1:17:15 | |
which I was really... I love that. I thought that was really exciting. | 1:17:15 | 1:17:18 | |
I know Moana very well and I've sung | 1:17:18 | 1:17:20 | |
that song around the piano with my kids but I thought you did... | 1:17:20 | 1:17:23 | |
You did an even better job than my six-year-old daughter. | 1:17:23 | 1:17:26 | |
It was very, very good. Well done. | 1:17:26 | 1:17:28 | |
Portsmouth Gospel Choir, | 1:17:29 | 1:17:31 | |
I had to keep telling myself the young lady that's singing, | 1:17:31 | 1:17:36 | |
she's not the soloist, because you did such a great job. | 1:17:36 | 1:17:40 | |
Natalie. | 1:17:40 | 1:17:42 | |
Well done, Natalie. | 1:17:43 | 1:17:44 | |
Just warm. It felt like a choir. | 1:17:46 | 1:17:48 | |
You guys bring the happy. You really do. | 1:17:48 | 1:17:51 | |
It was lovely to have that much of a solo at the beginning. | 1:17:54 | 1:17:57 | |
I was waiting for the choir to come in | 1:17:57 | 1:17:59 | |
and that was a real killer moment for me, so well done. | 1:17:59 | 1:18:02 | |
Now... | 1:18:02 | 1:18:04 | |
Once again it's decision time so, judges, please decide | 1:18:05 | 1:18:09 | |
the two groups that you would like to take forward | 1:18:09 | 1:18:12 | |
into the final battle. | 1:18:12 | 1:18:14 | |
We're talking under our breath. | 1:18:20 | 1:18:22 | |
OK, here it goes. Here we go. | 1:18:27 | 1:18:28 | |
OK, judges, please tell us, if you would, | 1:18:28 | 1:18:32 | |
the name of the first group | 1:18:32 | 1:18:34 | |
that you would like to put forward in our final head-to-head battle. | 1:18:34 | 1:18:38 | |
Gareth. | 1:18:38 | 1:18:39 | |
Mel, the first group that we | 1:18:39 | 1:18:41 | |
would like to put through to the final battle... | 1:18:41 | 1:18:44 | |
You did a great job. | 1:18:44 | 1:18:46 | |
And that is... | 1:18:46 | 1:18:49 | |
Perfect 6th. | 1:18:49 | 1:18:51 | |
CHEERING AND APPLAUSE | 1:18:51 | 1:18:52 | |
So, Perfect 6th, well done. Only one group can join you. | 1:18:59 | 1:19:04 | |
Will it be Bristol Suspensions or Portsmouth Gospel Choir? | 1:19:04 | 1:19:08 | |
Kelis, please tell us, if you will, | 1:19:08 | 1:19:10 | |
the second group that you're sending through to the final battle. | 1:19:10 | 1:19:15 | |
Well, we have talked amongst ourselves. | 1:19:15 | 1:19:18 | |
We are going to go with... | 1:19:22 | 1:19:23 | |
..Portsmouth. | 1:19:27 | 1:19:28 | |
CHEERING AND APPLAUSE | 1:19:28 | 1:19:30 | |
Oh, wow. There are microphones... | 1:19:33 | 1:19:36 | |
Oh. That means, Bristol Suspensions, I'm afraid that was your swansong. | 1:19:43 | 1:19:49 | |
But, listen, we have loved every single minute | 1:19:49 | 1:19:52 | |
of all of your performances so very, very well done to all of you. | 1:19:52 | 1:19:56 | |
CHEERING AND APPLAUSE | 1:19:56 | 1:19:58 | |
OK, Perfect 6th and Portsmouth University Gospel Choir, | 1:20:03 | 1:20:07 | |
buckle up, my friends, because this is the final battle. | 1:20:07 | 1:20:12 | |
You're going to share the same song, | 1:20:15 | 1:20:17 | |
taking it in turns to out-sing each other. | 1:20:17 | 1:20:19 | |
While you're performing, our judges will be deliberating. | 1:20:19 | 1:20:22 | |
Once they've made their minds up, | 1:20:22 | 1:20:24 | |
our superstar guest judge Seal will take to the stage and join in | 1:20:24 | 1:20:28 | |
with the group that they want to take through to the live final. | 1:20:28 | 1:20:33 | |
And the song you're singing is a multi-Grammy award winning | 1:20:33 | 1:20:35 | |
classic anthem and was written by the great man himself, Seal. | 1:20:35 | 1:20:40 | |
It's Kiss From A Rose. | 1:20:40 | 1:20:43 | |
Now, Seal, every time I hear that song, | 1:20:48 | 1:20:50 | |
Kiss From A Rose, I like to think that maybe you're singing it to me. | 1:20:50 | 1:20:56 | |
You know, I never thought | 1:20:56 | 1:20:57 | |
I would get this opportunity to tell you this. | 1:20:57 | 1:21:00 | |
You are absolutely... | 1:21:00 | 1:21:02 | |
wrong. | 1:21:02 | 1:21:03 | |
LAUGHTER | 1:21:03 | 1:21:05 | |
Oh! | 1:21:05 | 1:21:06 | |
AUDIENCE: Aw! | 1:21:06 | 1:21:08 | |
That was mean. | 1:21:08 | 1:21:10 | |
Who was it written for, Seal? Who was it written? | 1:21:10 | 1:21:13 | |
Mel, it was written for you and only you. | 1:21:13 | 1:21:16 | |
Listen, I need to stand up because this is embarrassing. | 1:21:16 | 1:21:20 | |
Let me stand up. | 1:21:20 | 1:21:21 | |
Seal, any last-second advice for these amazing choirs? | 1:21:21 | 1:21:26 | |
You know, I think what I've seen and heard so far, you don't | 1:21:26 | 1:21:29 | |
really need any advice from me. | 1:21:29 | 1:21:31 | |
Just relax, have fun with it and give it all you've got. | 1:21:31 | 1:21:36 | |
There really is everything to sing for. | 1:21:36 | 1:21:38 | |
One last battle stands between these two groups | 1:21:38 | 1:21:41 | |
and a place in the grand final of Pitch Battle. | 1:21:41 | 1:21:44 | |
Who will win? | 1:21:44 | 1:21:46 | |
Singing Seal's Kiss From A Rose, | 1:21:46 | 1:21:48 | |
it's Perfect 6th versus Portsmouth University Gospel Choir. | 1:21:48 | 1:21:52 | |
CHEERING AND APPLAUSE | 1:21:52 | 1:21:54 | |
MUSIC: Kiss From A Rose by Seal | 1:21:54 | 1:21:57 | |
# Dada-da, dada, da-da-da, da Da-da-da | 1:21:57 | 1:22:02 | |
# Dada-da, dada, da-da-da, da Da-da-da | 1:22:02 | 1:22:08 | |
# There used to be a greying tower alone on the sea | 1:22:08 | 1:22:14 | |
# You became the light on the dark side of me | 1:22:14 | 1:22:21 | |
# Love remained a drug that's the high and not the pill | 1:22:21 | 1:22:28 | |
-# But did you know -Know | 1:22:28 | 1:22:29 | |
-# That when it snows -Snows | 1:22:29 | 1:22:30 | |
# My eyes become large | 1:22:30 | 1:22:33 | |
# And the light that you shine can be seen? | 1:22:33 | 1:22:39 | |
# Baby, I compare you to a kiss from a rose on the grey | 1:22:39 | 1:22:45 | |
# Ooh, the more I get of you the stranger it feels, yeah | 1:22:45 | 1:22:51 | |
# Now that your rose is in bloom | 1:22:51 | 1:22:55 | |
# A light hits the gloom on the grey | 1:22:55 | 1:23:01 | |
# Dada-da, dada, da-da-da, da Da-da-da | 1:23:01 | 1:23:07 | |
# There is so much a man can tell you, so much he can say... # | 1:23:07 | 1:23:13 | |
He's good. | 1:23:13 | 1:23:14 | |
# You remain my power, my pleasure, my pain | 1:23:14 | 1:23:20 | |
# Baby, to me, you're like a growing addiction that I can't deny | 1:23:20 | 1:23:26 | |
# Won't you tell me is that healthy, baby? | 1:23:26 | 1:23:29 | |
-# But did you know -Know | 1:23:29 | 1:23:31 | |
-# That when it snows -Snows | 1:23:31 | 1:23:32 | |
# My eyes become large and the light that you shine can be seen? | 1:23:32 | 1:23:40 | |
# Baby, I compare you to a kiss from a rose on the grey | 1:23:40 | 1:23:47 | |
# Ooh, the more I get of you the stranger it feels, yeah, yeah | 1:23:47 | 1:23:53 | |
# Now that your rose is in bloom | 1:23:53 | 1:23:57 | |
# A light hits the gloom on the grey... # | 1:23:57 | 1:24:02 | |
-Sounds great. -Who are we going with? -I don't know! I don't know! | 1:24:02 | 1:24:05 | |
INAUDIBLE | 1:24:14 | 1:24:15 | |
# Baby, I compare you to a kiss from a rose on the grey | 1:24:24 | 1:24:30 | |
# Ooh, the more I get of you the stranger it feels, yeah | 1:24:30 | 1:24:36 | |
# Now that your rose is in bloom | 1:24:36 | 1:24:40 | |
# A light hits the gloom on the grey. # | 1:24:40 | 1:24:51 | |
CHEERING AND APPLAUSE | 1:24:51 | 1:24:52 | |
Oh, my goodness. | 1:25:05 | 1:25:08 | |
Now, Perfect 6th, listen up. | 1:25:08 | 1:25:12 | |
Big commiserations to you. | 1:25:12 | 1:25:14 | |
You put in some incredible performing this evening | 1:25:14 | 1:25:17 | |
and you fought, you battled, you did so, so well, | 1:25:17 | 1:25:21 | |
and there's always that chance that you might be picked | 1:25:21 | 1:25:25 | |
as the wild card selection for our final, | 1:25:25 | 1:25:30 | |
so all is not lost. | 1:25:30 | 1:25:32 | |
I hope you've had a good time. Perfect 6th. | 1:25:32 | 1:25:34 | |
CHEERING AND APPLAUSE | 1:25:34 | 1:25:36 | |
But, ladies and gentlemen, let's hear it | 1:25:38 | 1:25:40 | |
for tonight's amazing winners, | 1:25:40 | 1:25:43 | |
Portsmouth University Gospel Choir. | 1:25:43 | 1:25:46 | |
CHEERING AND APPLAUSE | 1:25:46 | 1:25:48 | |
Now, Seal, why... why did you pick them? | 1:25:55 | 1:25:58 | |
In every performance, you look for what I call the money moment, | 1:25:58 | 1:26:03 | |
you know, that magic moment, and I think it was you in the... | 1:26:03 | 1:26:06 | |
-Where are you? -There's a lot of denim. It's hard to see. | 1:26:06 | 1:26:09 | |
It was you, right? You took the second verse, right? | 1:26:09 | 1:26:12 | |
You know, and I think you just, you stayed true to the song but you | 1:26:12 | 1:26:16 | |
owned it and I think that was enough to kind of push you over the edge. | 1:26:16 | 1:26:19 | |
Listen, thank you so, so much to tonight's groups for taking part, | 1:26:21 | 1:26:26 | |
to Deke up there, to all of our judges. | 1:26:26 | 1:26:29 | |
We'll see you again next week | 1:26:32 | 1:26:33 | |
for more dramatic action and vocal gymnastics on Pitch Battle. | 1:26:33 | 1:26:38 | |
CHEERING | 1:26:38 | 1:26:39 | |
# Go, baby, go, baby, go Don't upset the rhythm, baby. # | 1:26:43 | 1:26:46 | |
This week's superstar guest judge - Joe Jonas. | 1:26:46 | 1:26:49 | |
# I should've known you were bad news | 1:26:51 | 1:26:53 | |
# From the bad boy demeanour and the tattoo. # | 1:26:53 | 1:26:56 | |
# Turn the beat around. # | 1:26:56 | 1:26:58 | |
There's so much charisma and so much personality | 1:26:58 | 1:27:00 | |
and someone keeps winking at me. | 1:27:00 | 1:27:03 | |
That was next level! | 1:27:08 | 1:27:10 |