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So far, four vocal groups have made it through to the live final | 0:00:03 | 0:00:05 | |
where they'll collaborate with their superstar judge | 0:00:05 | 0:00:08 | |
and battle it out to be crowned series champions - they are... | 0:00:08 | 0:00:11 | |
# I'm ready to face it all... # | 0:00:14 | 0:00:17 | |
# Hold back... # | 0:00:19 | 0:00:20 | |
# On the hill... # | 0:00:20 | 0:00:22 | |
# Gonna make it worth my while... # | 0:00:22 | 0:00:25 | |
# I got the eye of the tiger... # | 0:00:28 | 0:00:31 | |
The competition reaches fever pitch. | 0:00:33 | 0:00:37 | |
ALL SING VARIOUS NOTES | 0:00:37 | 0:00:39 | |
..as Joe Jonas is our superstar judge. | 0:00:39 | 0:00:43 | |
Eating cake by the ocean is very difficult. | 0:00:43 | 0:00:46 | |
There's so much charisma and so much personality | 0:00:46 | 0:00:49 | |
and someone keeps winking at me. | 0:00:49 | 0:00:50 | |
# Right, I should have known you were bad news... # | 0:00:50 | 0:00:53 | |
That was next-level. | 0:00:53 | 0:00:56 | |
And tensions run high with the last two places in the live final | 0:00:56 | 0:01:00 | |
at stake. | 0:01:00 | 0:01:02 | |
I can see great vocal potential here. Serious? Yeah. | 0:01:02 | 0:01:05 | |
There's a little Riff-Off developing here. | 0:01:05 | 0:01:07 | |
Who will win tonight's heat | 0:01:07 | 0:01:09 | |
and who deserves the wild card place? | 0:01:09 | 0:01:12 | |
It's really hard. Come on, let's make a decision. | 0:01:12 | 0:01:14 | |
I think it's a good choice. OK, on your head be it. | 0:01:14 | 0:01:18 | |
# Ba-ra-ra-bub-bub-ra-ra | 0:01:19 | 0:01:21 | |
# Da-ra-ra-bub-bub-ra-ra | 0:01:21 | 0:01:23 | |
# Ba-ba-ba-ra-ra | 0:01:23 | 0:01:25 | |
# Ooh | 0:01:25 | 0:01:28 | |
# Ba-ra-ra-bub-bub-ra-ra | 0:01:28 | 0:01:30 | |
# Da-ra-ra-bub-bub-ra-ra | 0:01:30 | 0:01:32 | |
# Ba-ba-ba-ra-ra. # | 0:01:32 | 0:01:36 | |
CHEERING AND APPLAUSE | 0:01:36 | 0:01:40 | |
# I hear your heart beat to the beat of the drums | 0:01:42 | 0:01:46 | |
# Oh, what a shame that you came here with someone | 0:01:46 | 0:01:51 | |
# So while you're here in my arms | 0:01:51 | 0:01:54 | |
# Let's make the most of the night | 0:01:54 | 0:01:56 | |
# Like we're gonna die young... # | 0:01:56 | 0:01:58 | |
CHEERING AND APPLAUSE | 0:01:58 | 0:02:01 | |
# All | 0:02:01 | 0:02:03 | |
# All I need is a beauty and a beat | 0:02:03 | 0:02:10 | |
# My life complete... # | 0:02:10 | 0:02:14 | |
CHEERING AND APPLAUSE | 0:02:14 | 0:02:16 | |
# Turn the beat around | 0:02:16 | 0:02:20 | |
# Love to hear percussion | 0:02:20 | 0:02:23 | |
# Turn it upside down | 0:02:23 | 0:02:27 | |
# Love to hear percussion... # | 0:02:27 | 0:02:31 | |
CHEERING AND APPLAUSE | 0:02:31 | 0:02:33 | |
# Boom boom boom Gotta get that | 0:02:33 | 0:02:35 | |
# Boom boom boom Gotta get that | 0:02:35 | 0:02:37 | |
# Boom boom boom Gotta get that | 0:02:37 | 0:02:40 | |
# That Boom boom boom | 0:02:40 | 0:02:42 | |
# That Boom boom boom... # | 0:02:42 | 0:02:45 | |
CHEERING AND APPLAUSE | 0:02:45 | 0:02:48 | |
# Go, baby, go, baby, go | 0:02:48 | 0:02:50 | |
# Don't upset the rhythm, baby | 0:02:50 | 0:02:52 | |
# Go, baby, go, baby, go | 0:02:52 | 0:02:53 | |
# Don't upset the rhythm | 0:02:53 | 0:02:55 | |
# Go, baby, go, baby, go | 0:02:55 | 0:02:57 | |
# Don't upset the rhythm, baby | 0:02:57 | 0:02:59 | |
# Go, baby, go, baby, go | 0:02:59 | 0:03:01 | |
# Don't upset the rhythm... # | 0:03:01 | 0:03:03 | |
CHEERING AND APPLAUSE | 0:03:03 | 0:03:07 | |
# Rhythm is gonna getcha, rhythm is gonna getcha | 0:03:07 | 0:03:10 | |
# Rhythm is gonna getcha | 0:03:10 | 0:03:13 | |
# Tonight... # | 0:03:13 | 0:03:15 | |
CHEERING AND APPLAUSE | 0:03:15 | 0:03:17 | |
# Oh eh, oh eh | 0:03:17 | 0:03:19 | |
# Oh eh, oh eh | 0:03:19 | 0:03:20 | |
# Oh ey, ah, oh, ah | 0:03:20 | 0:03:23 | |
# Oh ey, ah, oh, ah | 0:03:23 | 0:03:25 | |
# Oh eh, oh eh | 0:03:25 | 0:03:27 | |
# Oh eh, oh eh | 0:03:27 | 0:03:28 | |
# Oh ey, ah, oh, ah | 0:03:28 | 0:03:30 | |
# Oh ey, ah, oh, ah... # | 0:03:30 | 0:03:33 | |
CHEERING AND APPLAUSE | 0:03:36 | 0:03:40 | |
# I hear your heart beat... # | 0:03:40 | 0:03:42 | |
# Beauty and the beat... # | 0:03:42 | 0:03:44 | |
# Turn the beat around... # | 0:03:44 | 0:03:46 | |
# Boom boom boom Gotta get that... # | 0:03:46 | 0:03:48 | |
# Rhythm is gonna getcha, rhythm is gonna getcha... # | 0:03:48 | 0:03:51 | |
# Go, baby, go, baby, go | 0:03:51 | 0:03:54 | |
# Don't upset the rhythm. # | 0:03:54 | 0:03:56 | |
CHEERING AND APPLAUSE | 0:03:56 | 0:03:58 | |
Thank you so much to all of tonight's six amazing vocal groups, | 0:04:26 | 0:04:31 | |
and a big thanks to the musical genius | 0:04:31 | 0:04:33 | |
behind the Pitch Perfect movies - | 0:04:33 | 0:04:35 | |
our series musical director, Deke Sharon, | 0:04:35 | 0:04:37 | |
for that amazing rhythm mashup! | 0:04:37 | 0:04:39 | |
CHEERING AND APPLAUSE Thank you. | 0:04:39 | 0:04:42 | |
Now, Deke, I must ask you - | 0:04:42 | 0:04:44 | |
what can we expect tonight from our phalanxes of larynxes? | 0:04:44 | 0:04:49 | |
I can't follow that! | 0:04:49 | 0:04:52 | |
Can't follow that. | 0:04:52 | 0:04:53 | |
We have wall-to-wall fun tonight, Mel. | 0:04:53 | 0:04:55 | |
69 amazing singers. | 0:04:55 | 0:04:57 | |
You want Motown? Check. Pop? Check. | 0:04:57 | 0:05:00 | |
Rock? Check. Opera? Check. | 0:05:00 | 0:05:02 | |
Musical theatre? Check. Get ready to par-tay. | 0:05:02 | 0:05:05 | |
Fantastic! | 0:05:05 | 0:05:07 | |
So tonight six of Britain and Ireland's best vocal groups | 0:05:07 | 0:05:11 | |
will battle it out in a series of vocal challenges. | 0:05:11 | 0:05:14 | |
Only one group will make it through to the live final, where they'll be | 0:05:14 | 0:05:17 | |
in with a chance of taking home the amazing ?50,000 cash prize! | 0:05:17 | 0:05:21 | |
CHEERING AND APPLAUSE | 0:05:21 | 0:05:23 | |
But more important than that - | 0:05:23 | 0:05:25 | |
being crowned Champions of Pitch Battle 2017. | 0:05:25 | 0:05:29 | |
CHEERING AND APPLAUSE | 0:05:29 | 0:05:31 | |
Deciding their fate is our very own triple threat, our judges. | 0:05:33 | 0:05:37 | |
She's the Brit Award-winning singer whose milkshake most | 0:05:37 | 0:05:40 | |
definitely brought all the boys to the yard - it's Kelis! | 0:05:40 | 0:05:44 | |
CHEERING AND APPLAUSE | 0:05:44 | 0:05:47 | |
He's the choir master, the twisted choir master. | 0:05:53 | 0:05:57 | |
It's Gareth Malone! | 0:05:57 | 0:05:59 | |
CHEERING AND APPLAUSE | 0:05:59 | 0:06:01 | |
Terrifying. Hello! | 0:06:16 | 0:06:18 | |
CHEERING | 0:06:18 | 0:06:20 | |
Simmer down, simmer down. | 0:06:23 | 0:06:26 | |
He's sold over 17 million records worldwide, | 0:06:26 | 0:06:29 | |
so let's lose our minds and go ruddy crazy - it's Joe Jonas! | 0:06:29 | 0:06:33 | |
CHEERING AND APPLAUSE | 0:06:33 | 0:06:37 | |
I am very excited to be judging on Pitch Battle. | 0:06:37 | 0:06:40 | |
# Talk to me, baby... # | 0:06:40 | 0:06:42 | |
Being in a choir when I was younger, | 0:06:42 | 0:06:44 | |
then working with my brothers for years and having to find ways to | 0:06:44 | 0:06:48 | |
have the balance melodically, also the harmonies...I can relate | 0:06:48 | 0:06:52 | |
to what they're going through, especially the younger groups. | 0:06:52 | 0:06:55 | |
# Every night it's the one thing on my mind... # | 0:06:55 | 0:06:58 | |
The diversity of genres tonight is unbelievable. | 0:06:58 | 0:07:01 | |
It's going to be really amazing to see talented individuals that | 0:07:01 | 0:07:04 | |
really take on the challenge. | 0:07:04 | 0:07:06 | |
# Cake by the ocean... # | 0:07:06 | 0:07:07 | |
It's this week's superstar guest judge - Joe Jonas! | 0:07:07 | 0:07:11 | |
CHEERING | 0:07:11 | 0:07:14 | |
Joe, so good to see you. | 0:07:31 | 0:07:33 | |
Good to see you. Now, little bone to pick with you. | 0:07:33 | 0:07:36 | |
Cake by the ocean. Mm. | 0:07:36 | 0:07:39 | |
Have you ever eaten a Battenberg on Bournemouth Beach? | 0:07:39 | 0:07:42 | |
Eating a cake by the ocean is very difficult. | 0:07:42 | 0:07:46 | |
The sand gets into the sponge. I wouldn't recommend it. | 0:07:46 | 0:07:50 | |
Wouldn't recommend it. I just wanted to clear that up. | 0:07:50 | 0:07:53 | |
The first one, what's it called? Battenberg. OK. | 0:07:53 | 0:07:56 | |
I have never seen it either. Pink and yellow squares | 0:07:56 | 0:07:59 | |
held together with marzipan in a sort of cross. | 0:07:59 | 0:08:01 | |
It's got a lovely rise on it. It's a very delicious cake. | 0:08:01 | 0:08:04 | |
This isn't the cake show. | 0:08:04 | 0:08:06 | |
LAUGHTER AND APPLAUSE | 0:08:06 | 0:08:08 | |
Thank you so much, judges. | 0:08:08 | 0:08:10 | |
Right, it's time for battle one. | 0:08:10 | 0:08:12 | |
Our first two groups are about to perform their Showstopper | 0:08:12 | 0:08:16 | |
before going face-to-face in a thrilling Riff-Off. | 0:08:16 | 0:08:20 | |
CHEERING | 0:08:20 | 0:08:23 | |
Our judges here will decide which group packed the biggest vocal | 0:08:23 | 0:08:26 | |
punch and deserves to go through to the solo battles later on. | 0:08:26 | 0:08:30 | |
So let's meet tonight's two groups | 0:08:30 | 0:08:31 | |
gearing up for our first clash of choirs. | 0:08:31 | 0:08:34 | |
From Hertfordshire, it's Tring Park 16. | 0:08:34 | 0:08:37 | |
CHEERING | 0:08:37 | 0:08:41 | |
And from the West Midlands, it's Crescendo. | 0:08:41 | 0:08:44 | |
CHEERING | 0:08:44 | 0:08:46 | |
ALL: We're Tring Park 16. | 0:08:46 | 0:08:48 | |
A chamber choir from Tring Park School for the Performing Arts | 0:08:48 | 0:08:51 | |
in Hertfordshire. Tring Park is a really mad and crazy place to be. | 0:08:51 | 0:08:55 | |
We're all sixth-form students so we're all 17 and 18 years old. | 0:08:55 | 0:08:58 | |
We've seen some incredibly successful and famous people walk in | 0:08:58 | 0:09:01 | |
and out of its doors - Lily James, Daisy Ridley, Ella Henderson - | 0:09:01 | 0:09:05 | |
and we all want to follow in their footsteps. | 0:09:05 | 0:09:07 | |
Tring Park was a bit of a magical place. | 0:09:09 | 0:09:11 | |
In one room you could have ballet going on, | 0:09:11 | 0:09:13 | |
in the other you could have people playing the piano, saxophones. | 0:09:13 | 0:09:16 | |
You could say Tring Park was the Hogwarts of the performing arts. | 0:09:16 | 0:09:19 | |
Last year we were fortunate to take | 0:09:19 | 0:09:21 | |
part in BBC's Songs Of Praise Senior School Choir Of The Year, | 0:09:21 | 0:09:25 | |
which we eventually went on to win. | 0:09:25 | 0:09:27 | |
Entering this competition, it's really nice just to do | 0:09:27 | 0:09:29 | |
something different and sing more modern stuff that we listen to. | 0:09:29 | 0:09:32 | |
Do you think we're going to shock them, like, when we come on stage? | 0:09:32 | 0:09:35 | |
Mum will be shocked. Yeah. | 0:09:35 | 0:09:37 | |
People might expect a more classical sound but what we're bringing | 0:09:37 | 0:09:40 | |
to Pitch Battle is something quite fresh and exciting. | 0:09:40 | 0:09:43 | |
ALL: We're Crescendo! | 0:09:47 | 0:09:49 | |
Crescendo is a group of passionate musical theatre performers that love | 0:09:49 | 0:09:52 | |
to sing songs from the shows. | 0:09:52 | 0:09:54 | |
We're a diverse group. I'm a warehouse manager. | 0:09:54 | 0:09:58 | |
I work at a prison. I'm a hairdresser. | 0:09:58 | 0:10:00 | |
And I own a bacon factory. The best thing at rehearsal, for me, | 0:10:00 | 0:10:04 | |
is getting all of Sarah's bacon butties. | 0:10:04 | 0:10:06 | |
Come on, then, come and get your sandwiches. | 0:10:06 | 0:10:08 | |
It's amazing we get any rehearsing done! | 0:10:08 | 0:10:11 | |
ALL: # Be our guest... # | 0:10:11 | 0:10:13 | |
When we rehearse, we very rarely get the hall to ourselves. | 0:10:13 | 0:10:17 | |
There's usually people having a listen | 0:10:17 | 0:10:19 | |
and they seem to really enjoy it. | 0:10:19 | 0:10:20 | |
# Be our guest, be our guest... # | 0:10:20 | 0:10:23 | |
We know that we could be up against more professional groups but | 0:10:23 | 0:10:26 | |
between us we've got the passion to give anyone a run for their money. | 0:10:26 | 0:10:30 | |
CHEERING | 0:10:30 | 0:10:31 | |
APPLAUSE | 0:10:34 | 0:10:36 | |
First, and hoping to impress our judges | 0:10:39 | 0:10:41 | |
with their Showstopper, Believer, | 0:10:41 | 0:10:43 | |
it's our chamber choir, Tring Park 16. | 0:10:43 | 0:10:47 | |
# Hoo Hey, ha, hey! | 0:10:50 | 0:10:52 | |
# Hoo Hey, ha, hey! | 0:10:52 | 0:10:54 | |
# First things first I'mma say all the words inside my head | 0:10:54 | 0:10:59 | |
# I'm fired up and tired of the way that things have been, oh | 0:10:59 | 0:11:03 | |
# Ooh | 0:11:03 | 0:11:05 | |
# The way that things have been, oh | 0:11:05 | 0:11:07 | |
# Ooh-ooh | 0:11:07 | 0:11:10 | |
# Second things second | 0:11:10 | 0:11:12 | |
# Don't you tell me what you think that I could be | 0:11:12 | 0:11:15 | |
# I'm the one at the sail, I'm the master of my sea, oh | 0:11:15 | 0:11:19 | |
# Ooh-oooh | 0:11:19 | 0:11:21 | |
# The master of my sea, oh | 0:11:21 | 0:11:23 | |
# Ooh-ooh | 0:11:23 | 0:11:26 | |
# I was broken from a young age | 0:11:26 | 0:11:28 | |
# Taking my sulking to the masses | 0:11:28 | 0:11:30 | |
# Writing my poems for the few | 0:11:30 | 0:11:32 | |
# That look to me, took to me, shook to me, feeling me | 0:11:32 | 0:11:34 | |
# Singing from heartache from the pain... # | 0:11:34 | 0:11:36 | |
I quite like this! | 0:11:36 | 0:11:38 | |
# Speaking my lesson from the brain | 0:11:38 | 0:11:40 | |
# Seeing the beauty through the | 0:11:40 | 0:11:44 | |
# Pain | 0:11:44 | 0:11:45 | |
# You made me a You made me a believer | 0:11:45 | 0:11:48 | |
# Believer | 0:11:48 | 0:11:51 | |
# Pain | 0:11:51 | 0:11:53 | |
# You made me a You made me a believer | 0:11:53 | 0:11:56 | |
# Believer | 0:11:56 | 0:12:00 | |
# Pain | 0:12:00 | 0:12:01 | |
# You made me a You made me a believer | 0:12:01 | 0:12:04 | |
# Believer | 0:12:04 | 0:12:07 | |
# Pain | 0:12:07 | 0:12:09 | |
# You made me a You made me a believer | 0:12:09 | 0:12:13 | |
# Believer Oh-oh-oh. # | 0:12:13 | 0:12:17 | |
CHEERING | 0:12:17 | 0:12:19 | |
Well, I'm a believer. | 0:12:27 | 0:12:28 | |
But before we hear from our judges, here is their competition. | 0:12:28 | 0:12:31 | |
Singing their Showstopper, a Motown medley, | 0:12:31 | 0:12:34 | |
it's our musical theatre group, Crescendo! | 0:12:34 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:42 | |
# Ooh, yeah, baby | 0:12:42 | 0:12:45 | |
# Like a fool I went and stayed too long | 0:12:45 | 0:12:49 | |
# Now I'm wondering if your love's still strong | 0:12:49 | 0:12:52 | |
# Ooh, baby, here I am | 0:12:52 | 0:12:55 | |
# Signed, sealed, delivered I'm yours | 0:12:55 | 0:12:57 | |
# Waaah | 0:12:59 | 0:13:01 | |
# Then that time I went and said goodbye | 0:13:01 | 0:13:05 | |
# Now I'm back and not ashamed to cry | 0:13:05 | 0:13:08 | |
# Ooh | 0:13:08 | 0:13:11 | |
# Baby, I need your loving | 0:13:11 | 0:13:13 | |
# Got to have all your loving | 0:13:13 | 0:13:17 | |
# Baby, I need your loving | 0:13:17 | 0:13:21 | |
# Got to have all your loving | 0:13:21 | 0:13:24 | |
# Feel like you can't go on Can't go on | 0:13:24 | 0:13:27 | |
# Cos of all your hope is gone All your hope is gone | 0:13:27 | 0:13:30 | |
# And your life's filled with much confusion | 0:13:30 | 0:13:34 | |
# Because your happiness is just an illusion | 0:13:34 | 0:13:36 | |
# Happiness is just an illusion | 0:13:36 | 0:13:38 | |
# And your world around is crumblin' down | 0:13:38 | 0:13:41 | |
# Well, darling, reach out | 0:13:41 | 0:13:45 | |
# Reach out Reach out for me | 0:13:45 | 0:13:48 | |
# I'll be there | 0:13:48 | 0:13:52 | |
# With a love that will shelter you | 0:13:52 | 0:13:55 | |
# I'll be there | 0:13:55 | 0:13:58 | |
# With a love that will see you through | 0:13:58 | 0:14:02 | |
# Ooh, I'll be there | 0:14:02 | 0:14:06 | |
# Signed, sealed, delivered | 0:14:06 | 0:14:10 | |
# I'll be there. # | 0:14:10 | 0:14:14 | |
CHEERING AND APPLAUSE | 0:14:14 | 0:14:16 | |
I love that. | 0:14:21 | 0:14:22 | |
I love that. Amazing. | 0:14:24 | 0:14:27 | |
That was good. I'm so happy. | 0:14:27 | 0:14:29 | |
What a cracking start that was! | 0:14:35 | 0:14:38 | |
Now, Tring 16, I know that your teacher is around, isn't she? | 0:14:38 | 0:14:42 | |
Mrs Norris? Hello! Aww! | 0:14:42 | 0:14:46 | |
How did you feel about their performance? | 0:14:48 | 0:14:50 | |
I thought they were absolutely amazing. | 0:14:50 | 0:14:52 | |
I thought they really, really nailed it and it gave me goose bumps | 0:14:52 | 0:14:55 | |
and made me really proud. | 0:14:55 | 0:14:57 | |
Aww! | 0:14:57 | 0:14:59 | |
She liked it, gang, well done. | 0:14:59 | 0:15:01 | |
Well done, all of you. | 0:15:01 | 0:15:02 | |
Now, I know that you're a prison manager. | 0:15:04 | 0:15:09 | |
Have you brought the cuffs with you tonight? | 0:15:09 | 0:15:12 | |
They're in the dressing room, yeah. | 0:15:12 | 0:15:16 | |
Who are you going to be cuffing tonight? | 0:15:16 | 0:15:19 | |
Haven't decided yet. | 0:15:19 | 0:15:22 | |
She's got her eye on Malone, I can see it. | 0:15:22 | 0:15:24 | |
Listen, a very, very good start on both sides. | 0:15:27 | 0:15:30 | |
Kelis, is there a frontrunner for you? | 0:15:30 | 0:15:32 | |
They're so different. I was actually really wowed by Tring Park 16. | 0:15:32 | 0:15:36 | |
You guys are very committed, it's very serious, I love it. | 0:15:36 | 0:15:39 | |
I kind of felt your angst a little bit | 0:15:39 | 0:15:41 | |
so I think, just for the Riff-Off, | 0:15:41 | 0:15:43 | |
take a deep breath, you got through the first part, it was fantastic. | 0:15:43 | 0:15:47 | |
And then for Crescendo, I feel like you have really great vocal control | 0:15:47 | 0:15:51 | |
and every time there was a soloist, | 0:15:51 | 0:15:53 | |
I felt like it wasn't over-singing, it was just exactly what we wanted. | 0:15:53 | 0:15:56 | |
I think my own note for you guys would be keep the rhythm. | 0:15:56 | 0:15:59 | |
These things have a nice swing to them so just be mindful of that. | 0:15:59 | 0:16:03 | |
But I loved the performance. Very excited to see both groups. | 0:16:03 | 0:16:07 | |
Lovely, Kelis. | 0:16:07 | 0:16:08 | |
Now, Gareth, did Crescendo sign, seal and deliver for you | 0:16:08 | 0:16:12 | |
and are you a believer in Tring Park 16? | 0:16:12 | 0:16:14 | |
I am. Honestly, if I'd been in something that cool and fun... | 0:16:14 | 0:16:18 | |
My school choir was not that cool. | 0:16:18 | 0:16:20 | |
I heard hints of the choral sound and I wanted more of that. | 0:16:20 | 0:16:24 | |
I thought if you're a chamber choir, let's hear some real choral music. | 0:16:24 | 0:16:27 | |
So I hope that in the Riff-Off, you've got something a little more, | 0:16:27 | 0:16:30 | |
you know, rich and sonorous. | 0:16:30 | 0:16:32 | |
And then we have Crescendo. Lots of vocal experience. | 0:16:32 | 0:16:35 | |
You've been working on that sound very hard. | 0:16:35 | 0:16:37 | |
You've come out here and done medleys. | 0:16:37 | 0:16:39 | |
It's tough because you have a very short space of time to win us over | 0:16:39 | 0:16:42 | |
and I can just be getting into a song and you change it up. | 0:16:42 | 0:16:45 | |
You've really gotta handle the energy right | 0:16:45 | 0:16:47 | |
and I thought you did that very well, so that's good. | 0:16:47 | 0:16:50 | |
Now that's the Motown thing - I want to see what else you've got. | 0:16:50 | 0:16:53 | |
Now, Joe, what advice would you give to the two groups | 0:16:53 | 0:16:56 | |
before they meet each other again the old Riff-Offery? | 0:16:56 | 0:16:59 | |
Just enjoy, settle. | 0:16:59 | 0:17:01 | |
Obviously there's a lot of nerves, being on that stage. | 0:17:01 | 0:17:04 | |
I think being out there by yourself is probably a very vulnerable thing | 0:17:04 | 0:17:07 | |
but you held your own. | 0:17:07 | 0:17:08 | |
And Crescendo... Damn, Daniel. | 0:17:08 | 0:17:11 | |
LAUGHTER AND APPLAUSE | 0:17:11 | 0:17:14 | |
I will say the spotlight definitely wasn't on Daniel. | 0:17:14 | 0:17:17 | |
I mean, everyone had a moment where they showed their vocals | 0:17:17 | 0:17:19 | |
and that was pretty impressive. Good words, gang. | 0:17:19 | 0:17:21 | |
OK, only one group will go through to the solo battles later tonight, | 0:17:21 | 0:17:25 | |
the other is about to be knocked out of the competition. | 0:17:25 | 0:17:28 | |
Deciding their fate is the themed Riff-Off. | 0:17:28 | 0:17:32 | |
AUDIENCE: Whoo! | 0:17:32 | 0:17:35 | |
So let us now reveal your theme. | 0:17:35 | 0:17:38 | |
AUDIENCE: Oooh...! | 0:17:41 | 0:17:44 | |
CHEERING AND APPLAUSE | 0:17:47 | 0:17:49 | |
Well, the theme is Trouble. | 0:17:49 | 0:17:52 | |
If there is any trouble, Jodyne is here, very much | 0:17:52 | 0:17:55 | |
just ready to deal with any situation. | 0:17:55 | 0:17:59 | |
Good luck, guys, in the Riff-Off. | 0:17:59 | 0:18:01 | |
# I knew you were trouble when you walked in | 0:18:09 | 0:18:13 | |
# So shame on me now | 0:18:13 | 0:18:16 | |
# Flew me to places I'd never been | 0:18:16 | 0:18:19 | |
ALL: # Now I'm lying on the cold hard ground | 0:18:19 | 0:18:22 | |
# Oh, oh, oh | 0:18:22 | 0:18:25 | |
# Trouble, trouble, trouble | 0:18:25 | 0:18:28 | |
# I knew you were trouble when you walked in | 0:18:28 | 0:18:32 | |
# Trouble Trouble, trouble | 0:18:32 | 0:18:34 | |
# I knew you were trouble when you walked in | 0:18:34 | 0:18:38 | |
# Trouble Trouble, trouble. # | 0:18:38 | 0:18:41 | |
CHEERING AND APPLAUSE | 0:18:41 | 0:18:43 | |
# Trouble troublemaker, yeah, that's your middle name | 0:18:43 | 0:18:46 | |
# Whoa-ho-ho | 0:18:46 | 0:18:48 | |
# I know you're no good but you're stuck in my brain | 0:18:48 | 0:18:51 | |
# Whoa, whoa, whoa And I wanna know | 0:18:51 | 0:18:53 | |
ALL: # Why does it feel so good but hurt so bad? | 0:18:53 | 0:18:55 | |
# Whoa | 0:18:55 | 0:18:57 | |
# My mind keeps saying Run as fast as you can | 0:18:57 | 0:19:00 | |
# Troublemaker | 0:19:00 | 0:19:01 | |
# I say I'm done but, babe, you pull me back | 0:19:01 | 0:19:05 | |
# Whoa-oh-oh | 0:19:05 | 0:19:06 | |
# I swear you're giving me a heart attack | 0:19:06 | 0:19:09 | |
# Troublemaker. # | 0:19:09 | 0:19:11 | |
CHEERING AND APPLAUSE | 0:19:11 | 0:19:13 | |
# I'm on your side | 0:19:13 | 0:19:18 | |
# Oh, when times get rough | 0:19:18 | 0:19:23 | |
# And friends just can't be found | 0:19:23 | 0:19:29 | |
# Like a bridge over troubled water | 0:19:29 | 0:19:36 | |
# I will lay me down | 0:19:36 | 0:19:40 | |
# Like a bridge over troubled water Like a bridge over troubled water | 0:19:40 | 0:19:47 | |
# I will ease your mind. # | 0:19:47 | 0:19:54 | |
Very good! That was great. | 0:19:54 | 0:19:58 | |
# I never meant to cause you trouble | 0:19:58 | 0:20:03 | |
# I never meant to do you wrong | 0:20:05 | 0:20:10 | |
# Oh, no | 0:20:13 | 0:20:14 | |
# I see I see | 0:20:14 | 0:20:18 | |
BOTH: # A spider web and it's me in the middle | 0:20:18 | 0:20:22 | |
ALL: # Whoa-oh-oh-oh | 0:20:22 | 0:20:25 | |
# I never meant to cause you trouble | 0:20:25 | 0:20:32 | |
# Oh, no, I never meant to do you wrong. # | 0:20:32 | 0:20:38 | |
CHEERING AND APPLAUSE | 0:20:38 | 0:20:41 | |
# Right, I should have known you were bad news | 0:20:41 | 0:20:43 | |
# From the bad boy demeanour and the tattoos | 0:20:43 | 0:20:45 | |
# Cos most guys only want one thing | 0:20:45 | 0:20:47 | |
# But I'm undecided, trying to figure out if that's you | 0:20:47 | 0:20:50 | |
# Either way, though, I think you're worth a test drive | 0:20:50 | 0:20:52 | |
# So much better than the next guy | 0:20:52 | 0:20:54 | |
# And a little trouble only makes for a good time | 0:20:54 | 0:20:57 | |
# So all the normal red flags be a good sign | 0:20:57 | 0:20:59 | |
ALL: # Don't you come here thinking about it | 0:20:59 | 0:21:02 | |
# Ain't that far | 0:21:02 | 0:21:04 | |
# Seem like trouble to me | 0:21:04 | 0:21:07 | |
# I can tell by the way that you lean | 0:21:07 | 0:21:10 | |
# And the way that you kiss your teeth | 0:21:10 | 0:21:12 | |
# And you turn up so flashy clean | 0:21:12 | 0:21:14 | |
# Smells like trouble to me. # | 0:21:14 | 0:21:18 | |
# When will somebody save me? When will somebody save me? | 0:21:18 | 0:21:22 | |
# I got trouble with my baby | 0:21:22 | 0:21:24 | |
# She got trouble with her baby | 0:21:24 | 0:21:25 | |
# Cos I know I know | 0:21:25 | 0:21:27 | |
# I do I do | 0:21:27 | 0:21:29 | |
# Too much Too much | 0:21:29 | 0:21:30 | |
# For you I got trouble with my baby | 0:21:30 | 0:21:32 | |
# Got trouble with my baby | 0:21:32 | 0:21:34 | |
# I can't go on like this | 0:21:34 | 0:21:37 | |
# Mama said there'd be days like this | 0:21:37 | 0:21:40 | |
# Now the whole world knows | 0:21:40 | 0:21:42 | |
# I got trouble with my baby | 0:21:42 | 0:21:44 | |
# Trouble with my baby | 0:21:44 | 0:21:45 | |
# Trouble with my baby | 0:21:45 | 0:21:47 | |
# Trouble with my baby | 0:21:47 | 0:21:48 | |
# Trouble with my baby. # | 0:21:48 | 0:21:51 | |
CHEERING AND APPLAUSE | 0:21:51 | 0:21:53 | |
Oh, yeah! I think the judges are the ones who are in trouble right now. | 0:22:03 | 0:22:06 | |
That was pretty amazing watching two different generations of high-energy | 0:22:06 | 0:22:10 | |
performers bring it on both sides. | 0:22:10 | 0:22:12 | |
Tring had backflips and rap but it was when they pulled down to | 0:22:12 | 0:22:16 | |
those choral harmonies that I think they really threw that sucker punch. | 0:22:16 | 0:22:19 | |
And on the other hand we had sequins and wagging fingers | 0:22:19 | 0:22:22 | |
and all kinds of attitude. | 0:22:22 | 0:22:24 | |
What's it going to be - youthful exuberance? | 0:22:24 | 0:22:26 | |
Is it going to be seasoned polish? | 0:22:26 | 0:22:28 | |
It's in your hands, judges. | 0:22:28 | 0:22:31 | |
I love it when you say "sucker punch." | 0:22:31 | 0:22:34 | |
MIMICS HIM: Sucker punch. | 0:22:34 | 0:22:36 | |
Liam, that was extraordinary. | 0:22:36 | 0:22:38 | |
How do you sing like that and then produce a flick-flack? | 0:22:38 | 0:22:43 | |
A lot of work and practice. | 0:22:43 | 0:22:47 | |
Guys, that was absolutely brilliant. | 0:22:47 | 0:22:50 | |
Now, hello, Tom. Hello, how are you? Very good indeed. | 0:22:50 | 0:22:54 | |
Now, how was that for you? What do you make of this side? | 0:22:54 | 0:22:57 | |
They were coming at you, weren't they? | 0:22:57 | 0:23:00 | |
There was a lot of attitude there. Yeah, they were fantastic. | 0:23:00 | 0:23:03 | |
Absolutely brilliant. But hopefully us old people, you know, brought it. | 0:23:03 | 0:23:08 | |
Can I just say, I very much enjoyed the bit | 0:23:08 | 0:23:12 | |
when you gave "Damn, Daniel" a slap across the face! | 0:23:12 | 0:23:15 | |
Did you catch that bit, judges? She gave him a whack round the face. | 0:23:15 | 0:23:19 | |
No, could we see it again? I'm sorry, I missed it. | 0:23:19 | 0:23:22 | |
Gareth, there was, quite literally, double trouble going up here. | 0:23:23 | 0:23:27 | |
We really enjoyed it. | 0:23:27 | 0:23:28 | |
If I start with Crescendo, you just make excellent tone choices, | 0:23:28 | 0:23:32 | |
so when you need to be sinewy and thin, | 0:23:32 | 0:23:34 | |
you're doing these very thin "Ahh" in the background, | 0:23:34 | 0:23:37 | |
and then you brought it out to a lovely, rich "Ohh!" | 0:23:37 | 0:23:39 | |
It's quite sonorous. | 0:23:39 | 0:23:41 | |
I thought that was very stylish, so very well done. | 0:23:41 | 0:23:44 | |
Moving over to Tring Park 16. | 0:23:44 | 0:23:46 | |
Wow! Secret weapon - Matt, the rap, totally not expecting that. | 0:23:46 | 0:23:51 | |
That was great fun. | 0:23:51 | 0:23:53 | |
Listen, I have been waiting for a choir to sing in eight parts | 0:23:53 | 0:23:58 | |
and you did. | 0:23:58 | 0:23:59 | |
For 16-, 17-, 18-year-olds to sing like that, | 0:23:59 | 0:24:02 | |
I thought it was really lovely. | 0:24:02 | 0:24:03 | |
They weren't all perfectly executed but, boy, there was | 0:24:03 | 0:24:07 | |
a lot of variety, so very well done. | 0:24:07 | 0:24:09 | |
Kelis, what are your thoughts right now? | 0:24:09 | 0:24:11 | |
Well, you know, I really do think that Gareth kind of took all of | 0:24:11 | 0:24:14 | |
the words right out of my mouth - I think he's been reading my notes. | 0:24:14 | 0:24:19 | |
Crescendo, you guys are so spot-on. | 0:24:19 | 0:24:22 | |
You kind of put the heart at ease | 0:24:22 | 0:24:24 | |
and I really enjoy watching you, | 0:24:24 | 0:24:26 | |
I think you are a lot of fun to watch. | 0:24:26 | 0:24:29 | |
I was absolutely blown away with Tring Park 16. | 0:24:29 | 0:24:32 | |
You showed your versatility here, you nailed it. | 0:24:32 | 0:24:35 | |
Now, Joe, anyone troubling you up here? | 0:24:35 | 0:24:37 | |
So much trouble as well, yeah. | 0:24:37 | 0:24:39 | |
Tring Park, the energy level was through the roof. | 0:24:39 | 0:24:43 | |
You literally showed us every style of music, | 0:24:43 | 0:24:46 | |
which was really impressive. | 0:24:46 | 0:24:47 | |
Joe, with the vocals, I was really impressed. | 0:24:47 | 0:24:49 | |
With a name like that, I assumed you'd be... | 0:24:49 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
Crescendo, obviously you deliver. | 0:24:54 | 0:24:56 | |
You guys also had some dance moves, too, which was really impressive. | 0:24:56 | 0:25:00 | |
Yeah, overall, it's really tough to say. | 0:25:00 | 0:25:03 | |
You both sounded so wonderful. | 0:25:03 | 0:25:06 | |
Aw, thanks, Joe. Thank you. | 0:25:06 | 0:25:08 | |
Now, a profiterole by the ocean is fine, Joe. That's fine. | 0:25:08 | 0:25:12 | |
Doughnut? Not sure. Profiterole, I'm good with. | 0:25:12 | 0:25:17 | |
So only one group can go through to tonight's solo battles. | 0:25:17 | 0:25:22 | |
Joe, which group would you like to see going through to | 0:25:24 | 0:25:28 | |
tonight's solo battles? | 0:25:28 | 0:25:29 | |
Tring Park. | 0:25:33 | 0:25:34 | |
Well done, guys. | 0:25:35 | 0:25:37 | |
Gareth, who do you think deserves a place in those solo battles? | 0:25:43 | 0:25:46 | |
I've got to say, this was a very difficult one. | 0:25:46 | 0:25:49 | |
Both of you were great. But I am going to go for... | 0:25:49 | 0:25:52 | |
..Tring Park 16. | 0:25:56 | 0:25:57 | |
Kelis, out of interest, who would you have chosen? | 0:26:06 | 0:26:09 | |
Obviously I absolutely loved Crescendo | 0:26:09 | 0:26:12 | |
but I ended up picking Tring Park 16 as well. | 0:26:12 | 0:26:15 | |
OK. Listen, we're going to be very, very sad | 0:26:15 | 0:26:17 | |
to say goodbye to you, Crescendo. | 0:26:17 | 0:26:19 | |
You've brought real vim, vigour and life to proceedings. | 0:26:19 | 0:26:23 | |
Thank you so, so much. | 0:26:23 | 0:26:24 | |
We've loved having you here but going though...is Tring Park 16! | 0:26:28 | 0:26:34 | |
CHEERING | 0:26:34 | 0:26:38 | |
But the question - who will be joining you? | 0:26:38 | 0:26:41 | |
It's time for battle two. | 0:26:41 | 0:26:42 | |
Let's meet our next groups ready to go head-to-head on Pitch Battle. | 0:26:42 | 0:26:46 | |
From London, it's Vocalities. | 0:26:46 | 0:26:49 | |
And from Dublin, it's The Ramparts. | 0:26:53 | 0:26:56 | |
We are... ALL: Vocalities! | 0:27:00 | 0:27:04 | |
We're a seven-piece group from all over Europe. | 0:27:04 | 0:27:06 | |
Norway! Lithuania! Portugal! Norway! Italy! Estonia! England! | 0:27:06 | 0:27:12 | |
We're coming together for Pitch Battle. | 0:27:13 | 0:27:15 | |
Got the support of our six countries and we really want to do them proud. | 0:27:15 | 0:27:19 | |
Kerli and I are best friends. | 0:27:19 | 0:27:21 | |
We started recording covers and putting them up on social media. | 0:27:21 | 0:27:25 | |
And we started inviting these guys over for guest solo spots. | 0:27:25 | 0:27:29 | |
And then we formed this super group, Vocalities. | 0:27:29 | 0:27:33 | |
We all miss our countries. That's what brought us together. | 0:27:33 | 0:27:37 | |
Hi! | 0:27:37 | 0:27:38 | |
But what we miss the most is the food. | 0:27:38 | 0:27:41 | |
Everyone brings dishes from their own countries. | 0:27:41 | 0:27:43 | |
I still need to make toad in the hole. Toad in a hole? | 0:27:43 | 0:27:47 | |
Girls, here's to a Showstopper! | 0:27:47 | 0:27:49 | |
We're The Ramparts, from Dublin, Ireland. | 0:27:57 | 0:27:59 | |
CHEERING | 0:27:59 | 0:28:01 | |
We were set up about two years ago and we've grown ever since. | 0:28:01 | 0:28:04 | |
We're a group of lads with a passion for singing barbershop harmony. | 0:28:04 | 0:28:08 | |
Sometimes we go busking on Grafton Street. | 0:28:11 | 0:28:14 | |
We sing trad Irish songs, folk songs, pop songs. | 0:28:14 | 0:28:18 | |
Any type of song! | 0:28:18 | 0:28:20 | |
With bands like U2, Thin Lizzy, | 0:28:20 | 0:28:23 | |
maybe we'll be the next big thing outta Ireland. | 0:28:23 | 0:28:26 | |
This is definitely the biggest thing we've ever done. | 0:28:26 | 0:28:28 | |
Going to give it everything. | 0:28:28 | 0:28:30 | |
And you know what? I think we might make it the whole way to the final. | 0:28:30 | 0:28:33 | |
CHEERING | 0:28:33 | 0:28:34 | |
APPLAUSE | 0:28:40 | 0:28:42 | |
Up first, with their Showstopper, the Adele classic Send My Love, | 0:28:43 | 0:28:48 | |
it's our all-female vocal group, Vocalities! | 0:28:48 | 0:28:52 | |
SHE MIMICS BEAT | 0:29:00 | 0:29:03 | |
# This was all you, none of it me | 0:29:03 | 0:29:06 | |
# You put your hands all over my body and told me | 0:29:06 | 0:29:10 | |
# Told me | 0:29:10 | 0:29:11 | |
# Ummm | 0:29:11 | 0:29:13 | |
# That was what you told me | 0:29:13 | 0:29:15 | |
# I'm giving you up | 0:29:15 | 0:29:18 | |
# I've forgiven it all | 0:29:18 | 0:29:21 | |
# You set me free | 0:29:21 | 0:29:25 | |
# Hey! | 0:29:25 | 0:29:26 | |
# Send my love to your new lover | 0:29:26 | 0:29:29 | |
# Treat her better | 0:29:29 | 0:29:31 | |
# We gotta let go of all of our ghosts | 0:29:31 | 0:29:34 | |
# We both know we ain't kids no more... # | 0:29:34 | 0:29:37 | |
Nice. | 0:29:37 | 0:29:39 | |
# If you're ready | 0:29:39 | 0:29:40 | |
# If you're ready, I am ready | 0:29:40 | 0:29:43 | |
# If you're ready I'm ready | 0:29:43 | 0:29:45 | |
# We both know we ain't kids no more | 0:29:45 | 0:29:48 | |
# I'm giving you up | 0:29:48 | 0:29:52 | |
# I've forgiven it all | 0:29:52 | 0:29:55 | |
# You set me free | 0:29:55 | 0:29:58 | |
# Hey! | 0:29:58 | 0:30:00 | |
# Send my love to your new lover If you're ready | 0:30:00 | 0:30:02 | |
# If you're ready Treat her better | 0:30:02 | 0:30:05 | |
# If you're ready Gotta let go | 0:30:05 | 0:30:08 | |
# We both know we ain't kids no more | 0:30:08 | 0:30:11 | |
# Send my love to your new lover If you're ready | 0:30:11 | 0:30:14 | |
# If you're ready Treat her better | 0:30:14 | 0:30:16 | |
# If you're ready Gotta let go | 0:30:16 | 0:30:19 | |
# We both know we ain't kids no more | 0:30:19 | 0:30:22 | |
# Ooh. # | 0:30:22 | 0:30:25 | |
OK. Yeah, very good! | 0:30:25 | 0:30:26 | |
Wow! I want to be in Vocalities. | 0:30:36 | 0:30:39 | |
Girl power! | 0:30:39 | 0:30:40 | |
But your competition are ready and raring to go. | 0:30:40 | 0:30:43 | |
Performing their Showstopper, Shape Of You, | 0:30:43 | 0:30:46 | |
it's our barbershop chorus - boy power! - | 0:30:46 | 0:30:50 | |
it's The Ramparts! | 0:30:50 | 0:30:51 | |
# Doot-do, a-root-do, a-root do | 0:30:57 | 0:31:02 | |
# The club isn't the best place to find a lover | 0:31:02 | 0:31:04 | |
# So the bar is where I go | 0:31:04 | 0:31:05 | |
# Me and my friends at the table doing shots | 0:31:05 | 0:31:08 | |
# Drinking fast and then we talk slow | 0:31:08 | 0:31:10 | |
# Come over and start up a conversation with just me | 0:31:10 | 0:31:13 | |
# And trust me I'll give it a chance now | 0:31:13 | 0:31:15 | |
# Take my hand, stop, put Van the Man on the jukebox | 0:31:15 | 0:31:17 | |
# And then we start to dance and now I'm singing like | 0:31:17 | 0:31:20 | |
# Girl, I want your love | 0:31:20 | 0:31:22 | |
# Your love was handmade for somebody like me | 0:31:22 | 0:31:25 | |
# Come on now, follow my lead | 0:31:25 | 0:31:27 | |
# I may be crazy, don't mind me | 0:31:27 | 0:31:29 | |
# Say, boy, let's not talk too much | 0:31:29 | 0:31:32 | |
# Grab on my waist and put that body on me | 0:31:32 | 0:31:35 | |
# Come on now, follow my lead | 0:31:35 | 0:31:37 | |
# Come on now, follow my lead | 0:31:37 | 0:31:38 | |
# I'm in love with the shape of you | 0:31:39 | 0:31:42 | |
# We push and pull like a magnet do | 0:31:42 | 0:31:44 | |
# Although my heart is falling, too | 0:31:44 | 0:31:47 | |
# I'm in love with your body | 0:31:47 | 0:31:49 | |
# And last night you were in my room | 0:31:49 | 0:31:51 | |
# And now my bedsheets smell like you | 0:31:51 | 0:31:54 | |
# Every day discovering something brand-new | 0:31:54 | 0:31:56 | |
# I'm in love with your body | 0:31:56 | 0:31:58 | |
# Oh-ah, oh-ah, oh-ah, oh-ah | 0:31:58 | 0:32:00 | |
# I'm in love with your body | 0:32:00 | 0:32:03 | |
# Oh-ah, oh-ah, oh-ah, oh-ah | 0:32:03 | 0:32:05 | |
# I'm in love with the shape of you | 0:32:05 | 0:32:07 | |
# Come on, be my baby Come on | 0:32:07 | 0:32:10 | |
# Come on, be my baby Come on | 0:32:10 | 0:32:12 | |
# Come on, be my baby Come on | 0:32:12 | 0:32:14 | |
# Come on, be my baby | 0:32:14 | 0:32:16 | |
# Come on, be my baby Come on | 0:32:16 | 0:32:19 | |
# Come on, be my baby Come on | 0:32:19 | 0:32:21 | |
# Come on, be my baby Come on | 0:32:21 | 0:32:24 | |
# Come on | 0:32:24 | 0:32:27 | |
# I'm in love with the shape of you. # | 0:32:27 | 0:32:30 | |
Now, listen, this is rather amazing. | 0:32:47 | 0:32:49 | |
We've got the most incredible international group, | 0:32:49 | 0:32:53 | |
so, girls, I will say... | 0:32:53 | 0:32:54 | |
SHE SAYS HELLO IN VARIETY OF LANGUAGES | 0:32:54 | 0:32:57 | |
All right? | 0:32:57 | 0:32:59 | |
I might have missed one out, I'm sorry, Carina. | 0:32:59 | 0:33:02 | |
How do you say "hello" in Norway? | 0:33:02 | 0:33:04 | |
Hallo! Isn't that lovely? | 0:33:04 | 0:33:06 | |
Or hi! | 0:33:06 | 0:33:07 | |
So nice! Hallo! Hallo! Hallo! | 0:33:07 | 0:33:12 | |
Were you pleased with how that went? I was really happy, it was amazing. | 0:33:12 | 0:33:16 | |
It's so much fun to sing for you guys and...sing with you... | 0:33:16 | 0:33:20 | |
AUDIENCE: Aww! | 0:33:20 | 0:33:22 | |
LAUGHTER | 0:33:22 | 0:33:26 | |
Am I sensing a little bit of...? SHE CLICKS HER TONGUE | 0:33:26 | 0:33:29 | |
Well, not from me. | 0:33:29 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:33 | |
Not from you. | 0:33:33 | 0:33:35 | |
Not today, not tomorrow, not next week, not ever. | 0:33:35 | 0:33:39 | |
APPLAUSE | 0:33:39 | 0:33:42 | |
Was that too much? Not at all! Never too much, Adam. | 0:33:42 | 0:33:45 | |
Not from the Irish anyway. | 0:33:45 | 0:33:47 | |
I'm loving your... Is this a lucky earring? | 0:33:47 | 0:33:49 | |
It's not lucky, it was literally two euro. | 0:33:49 | 0:33:53 | |
And everyone keeps talking about it. | 0:33:53 | 0:33:56 | |
I tried to convince the lads to get them as well | 0:33:56 | 0:33:58 | |
but I don't think it's going to happen. | 0:33:58 | 0:34:00 | |
You've all got lovely, amazing, matching outfits. | 0:34:00 | 0:34:03 | |
I just feel like I'm part of a stag party. | 0:34:03 | 0:34:07 | |
LAUGHTER | 0:34:07 | 0:34:09 | |
CHEERING | 0:34:09 | 0:34:11 | |
Now, Gareth, it's a right royal battle of the sexes | 0:34:13 | 0:34:17 | |
going on up on stage. | 0:34:17 | 0:34:19 | |
Who are you siding with? | 0:34:19 | 0:34:20 | |
Talent on both sides, and very different. | 0:34:20 | 0:34:23 | |
We had a show | 0:34:23 | 0:34:24 | |
and then we had some really delicate moments from Vocalities. | 0:34:24 | 0:34:28 | |
I liked that you went from a lovely chord into a kind of drop, | 0:34:28 | 0:34:31 | |
that worked really well. | 0:34:31 | 0:34:33 | |
Lots of lovely voices, good blend, good sound. I want more. | 0:34:33 | 0:34:37 | |
APPLAUSE | 0:34:37 | 0:34:39 | |
Guys, geeks anonymous, it was fantastic. | 0:34:39 | 0:34:42 | |
It made me smile and that's really crucial. Little bits of harmony. | 0:34:42 | 0:34:47 | |
The harmony that you did do you pulled off, sounded really good. | 0:34:47 | 0:34:50 | |
It wasn't super difficult but it was well handled. | 0:34:50 | 0:34:53 | |
I think you've got trickier waters to navigate in the next stage | 0:34:53 | 0:34:56 | |
so I'll be intrigued to see if you can show me | 0:34:56 | 0:34:58 | |
a little more finesse, a little more depth. | 0:34:58 | 0:35:00 | |
Now, Joe, who needs to be showing you more? | 0:35:00 | 0:35:05 | |
They both showed off so much vocals. | 0:35:05 | 0:35:06 | |
I would say, you know, there's about 100 men up there, I don't know | 0:35:06 | 0:35:10 | |
how much more vocals you can show but I was really impressed. | 0:35:10 | 0:35:14 | |
It was simple but also complex on its own | 0:35:14 | 0:35:17 | |
and you guys really showed off what you can do. | 0:35:17 | 0:35:19 | |
And then for the ladies, your vocals were beautiful and delicate | 0:35:19 | 0:35:22 | |
and you all worked so well together | 0:35:22 | 0:35:23 | |
and being from all over the world it's really impressive | 0:35:23 | 0:35:26 | |
that you can do this in such unison, so I was really impressed. | 0:35:26 | 0:35:31 | |
So the girls with Adele, the guys with Ed Sheeran. | 0:35:31 | 0:35:34 | |
It's like the Brit Awards, isn't it? | 0:35:34 | 0:35:36 | |
Talking of Brit Award winners, Kelis, | 0:35:36 | 0:35:40 | |
is there a clear winner for you at the moment? | 0:35:40 | 0:35:44 | |
Well, thank you. First of all, you guys are so much fun. | 0:35:44 | 0:35:47 | |
There's so much charisma and so much personality | 0:35:47 | 0:35:49 | |
and someone keeps winking at me, I swear. Who's winking at Kelis? | 0:35:49 | 0:35:54 | |
Was it you? | 0:35:54 | 0:35:55 | |
LAUGHTER | 0:35:55 | 0:35:58 | |
You ladies, you guys have some amazing harmonies. | 0:35:58 | 0:36:00 | |
There was some moments that were so lush. | 0:36:00 | 0:36:03 | |
But pull back a little bit because your tone is great, | 0:36:03 | 0:36:06 | |
I just think that you're an alto, so you're in there and then | 0:36:06 | 0:36:10 | |
you've got these very, like, soft and beautiful, ethereal voices. | 0:36:10 | 0:36:13 | |
And so I just wanna hear that blend a little bit more. | 0:36:13 | 0:36:17 | |
But...so good. You guys killed it, it was great. Thank you, judges. | 0:36:17 | 0:36:20 | |
One of these groups is about to be knocked out of the competition. | 0:36:20 | 0:36:23 | |
One of these groups is about to be knocked out of the competition. | 0:36:24 | 0:36:24 | |
AUDIENCE: Whoo! | 0:36:25 | 0:36:27 | |
Theme, oh, Theme Machine, I'm looking for a Theme Machine | 0:36:27 | 0:36:31 | |
to reveal... | 0:36:31 | 0:36:33 | |
It's too long, isn't it? Let's just reveal the theme. | 0:36:33 | 0:36:37 | |
AUDIENCE: Ooh...! | 0:36:39 | 0:36:42 | |
CHEERING | 0:36:45 | 0:36:47 | |
Weddings. | 0:36:47 | 0:36:49 | |
Pull out the stopper, let's have a whopper, | 0:36:49 | 0:36:53 | |
but get me to the church on... | 0:36:53 | 0:36:55 | |
Is that not going to feature, is it? No, that won't feature. | 0:36:55 | 0:36:58 | |
Let's hope the judges say "I do" after this Riff-Off. | 0:36:58 | 0:37:02 | |
I'm just going to have a think about what I've done, singing that song. | 0:37:02 | 0:37:06 | |
Good luck in the Riff-Off, everybody. Good luck! | 0:37:06 | 0:37:09 | |
# All the single ladies, all the single ladies | 0:37:16 | 0:37:19 | |
# All the single ladies Now put your hands up | 0:37:19 | 0:37:22 | |
# Whoa-oh-oh, oh-oh-oh, oh-oh-oh-oh | 0:37:22 | 0:37:25 | |
# Oh-oh-oh | 0:37:25 | 0:37:26 | |
# If you liked it then you should have put a ring on it | 0:37:26 | 0:37:29 | |
# If you liked it then you should have put a ring on it | 0:37:29 | 0:37:31 | |
# Don't be mad if you see that he want it | 0:37:31 | 0:37:34 | |
# If you liked it then you should have put a ring on it | 0:37:34 | 0:37:36 | |
# If you liked it then you should have put a ring on it | 0:37:36 | 0:37:39 | |
# If you liked it then you should have put a ring on it | 0:37:39 | 0:37:41 | |
# Don't be mad if you see that he want it | 0:37:41 | 0:37:44 | |
# Cos if you liked it then you should have put a ring on it | 0:37:44 | 0:37:46 | |
# Whoa-oh-oh. # | 0:37:46 | 0:37:48 | |
# Dum-dum-dum-dum, dum-dum-dum-dum | 0:37:50 | 0:37:53 | |
# It's a beautiful night | 0:37:53 | 0:37:55 | |
# We're looking for something dumb to do | 0:37:55 | 0:37:59 | |
# Hey, baby | 0:37:59 | 0:38:01 | |
# I think I wanna marry you | 0:38:01 | 0:38:02 | |
# I think I wanna marry you... # | 0:38:02 | 0:38:04 | |
HE LAUGHS | 0:38:04 | 0:38:06 | |
# Is it the look in your eyes | 0:38:06 | 0:38:08 | |
# Or is it this dancing juice? | 0:38:08 | 0:38:12 | |
# Who cares, baby | 0:38:12 | 0:38:14 | |
# I think I wanna marry you | 0:38:14 | 0:38:16 | |
# Dum-dum-dum-dum, dum-dum-dum-dum. # | 0:38:16 | 0:38:20 | |
Oh, that is so cute! | 0:38:20 | 0:38:21 | |
# I need a ring B-b-buy me a ring | 0:38:21 | 0:38:24 | |
# You gotta know how to treat me like a lady | 0:38:24 | 0:38:29 | |
# Even when I'm acting crazy... # | 0:38:29 | 0:38:31 | |
They're winning in their song. I know. Come on, ladies. | 0:38:31 | 0:38:36 | |
# Dear future husband | 0:38:36 | 0:38:38 | |
# If you wanna get this special lovin' | 0:38:38 | 0:38:42 | |
# Tell me I'm beautiful each and every night | 0:38:42 | 0:38:46 | |
# Whoa | 0:38:46 | 0:38:48 | |
# Future husband | 0:38:48 | 0:38:50 | |
# Better love me right. # | 0:38:50 | 0:38:53 | |
CHEERING AND APPLAUSE | 0:38:53 | 0:38:56 | |
# Going to the chapel and we're | 0:38:56 | 0:38:59 | |
# Gonna to get married | 0:38:59 | 0:39:03 | |
# Going to the chapel of love | 0:39:03 | 0:39:09 | |
# Going to the chapel | 0:39:09 | 0:39:13 | |
# Of love | 0:39:13 | 0:39:15 | |
# Shooby-do-wah-ba-ra. # | 0:39:15 | 0:39:19 | |
# It's true | 0:39:21 | 0:39:23 | |
# I do, I do, I do, I do, I do | 0:39:23 | 0:39:28 | |
# So love me or leave me | 0:39:28 | 0:39:33 | |
# Make your choice but believe me | 0:39:33 | 0:39:38 | |
# I love you I do | 0:39:38 | 0:39:40 | |
# I do, I do, I do, I do, I do | 0:39:40 | 0:39:46 | |
# I do, I do. # | 0:39:46 | 0:39:49 | |
Almost. Almost. | 0:39:49 | 0:39:53 | |
# You made a promise | 0:39:53 | 0:39:55 | |
# That we'd never part | 0:39:55 | 0:39:59 | |
# Then you turn around | 0:39:59 | 0:40:00 | |
# And you broke Broke | 0:40:00 | 0:40:03 | |
# My heart | 0:40:03 | 0:40:04 | |
# Now you're standing there | 0:40:04 | 0:40:06 | |
# Saying I do | 0:40:06 | 0:40:09 | |
# Holding hands with somebody new | 0:40:09 | 0:40:13 | |
# Should've been me | 0:40:13 | 0:40:15 | |
# Oh-oh-oh-ohhhh | 0:40:15 | 0:40:19 | |
# Should have been me | 0:40:19 | 0:40:21 | |
# Oh-oh, should've been me | 0:40:21 | 0:40:23 | |
# Should've been me Should | 0:40:23 | 0:40:24 | |
# Should've been me | 0:40:24 | 0:40:26 | |
# Should've, should've | 0:40:26 | 0:40:28 | |
# Oh-oh-oh, it should've been me. # | 0:40:28 | 0:40:31 | |
CHEERING AND APPLAUSE | 0:40:31 | 0:40:34 | |
Oh, yeah! That was next-level. | 0:40:40 | 0:40:44 | |
On one side, the single ladies stacked up their vocal harmonies, | 0:40:44 | 0:40:48 | |
threw a bunch of sass in there. | 0:40:48 | 0:40:49 | |
On the other side, we had a whole bunch of cheeky guys | 0:40:49 | 0:40:52 | |
who went deep with group vocals and over-the-top choreography. | 0:40:52 | 0:40:56 | |
And did you notice, Mel, that together they told a story? | 0:40:56 | 0:41:00 | |
It started with single ladies and then we had a proposal, | 0:41:00 | 0:41:03 | |
going to the chapel, I do, and then in the end it should have been me. | 0:41:03 | 0:41:07 | |
Something pretty incredible they made together and I get | 0:41:07 | 0:41:09 | |
the sense that's not the last thing they're going to making together. | 0:41:09 | 0:41:13 | |
Now, girls, listen, | 0:41:13 | 0:41:16 | |
up against quite a few testosterone, bowtie-clad lads. | 0:41:16 | 0:41:21 | |
How did it feel? Was it a tough competition? | 0:41:21 | 0:41:23 | |
We had so much fun with this battle but...girls have to win. | 0:41:23 | 0:41:27 | |
CHEERING | 0:41:29 | 0:41:31 | |
They're laying down the gauntlet. | 0:41:31 | 0:41:33 | |
Now, listen, that is a beautiful, rich voice. How low can you go? | 0:41:35 | 0:41:40 | |
DEEP VOICE: # Well, I can go pretty low. # | 0:41:40 | 0:41:45 | |
That's impressive. That's impressive. | 0:41:45 | 0:41:49 | |
Now, Joe, which of the two groups will always be a bridesmaid | 0:41:49 | 0:41:53 | |
and who's going to be the bride tonight, do you think? | 0:41:53 | 0:41:57 | |
This was actually pretty tough to call. | 0:41:57 | 0:41:59 | |
It became dance-off at one point. Yes! | 0:41:59 | 0:42:03 | |
But the gentlemen, the charisma is at a high level. | 0:42:03 | 0:42:05 | |
Is it Sean? | 0:42:05 | 0:42:07 | |
Sean, I was really impressed, that voice came out of nowhere. | 0:42:07 | 0:42:10 | |
And what about Vocalities? | 0:42:10 | 0:42:11 | |
They had some secret dance moves in their pockets, too, I saw. | 0:42:11 | 0:42:14 | |
But the song choices were really strong as well. | 0:42:14 | 0:42:17 | |
Kelis? It was really entertaining to watch. | 0:42:17 | 0:42:20 | |
I mean, Vocalities, I think you guys have some gorgeous harmonies | 0:42:20 | 0:42:23 | |
and some really beautiful vocal aerobatics you were doing. | 0:42:23 | 0:42:26 | |
There were so many harmonies | 0:42:26 | 0:42:27 | |
that I think you guys really pulled them off very nicely. | 0:42:27 | 0:42:30 | |
It's going to be tricky, I can sense. | 0:42:30 | 0:42:32 | |
Gareth, our very own father of the bride, | 0:42:32 | 0:42:35 | |
who would you like to see live happily ever after? | 0:42:35 | 0:42:39 | |
I'm going to start with Vocalities. Well done. | 0:42:39 | 0:42:42 | |
I really admired some of your harmonies. | 0:42:42 | 0:42:44 | |
I admired your vocal energy. | 0:42:44 | 0:42:46 | |
I felt like the dance moves were maybe something new for you? | 0:42:46 | 0:42:50 | |
Yeah, and that's difficult because you are up against a group of lads | 0:42:50 | 0:42:53 | |
who've just, I mean, you know, their sense of shame has just gone. | 0:42:53 | 0:42:56 | |
And they're just going for it! | 0:42:56 | 0:43:00 | |
They agree! | 0:43:00 | 0:43:02 | |
And I love that. I absolutely loved that. | 0:43:02 | 0:43:04 | |
But that makes it very difficult for you because even | 0:43:04 | 0:43:07 | |
when you were singing your socks off and you were singing beautifully, | 0:43:07 | 0:43:10 | |
my eye was going to you | 0:43:10 | 0:43:12 | |
because you were just popping off the stage in terms of energy, | 0:43:12 | 0:43:15 | |
and I think as a performer, you've always got to be | 0:43:15 | 0:43:18 | |
upping your game, adding, adding. | 0:43:18 | 0:43:20 | |
If you see someone giving you more, you've gotta give them more. | 0:43:20 | 0:43:23 | |
That's a tough lesson to learn. | 0:43:23 | 0:43:24 | |
If I come to you, Ramparts, it was party time. | 0:43:24 | 0:43:27 | |
It was a Ram-party! | 0:43:27 | 0:43:29 | |
CHEERING | 0:43:29 | 0:43:31 | |
It was. The harmony was so much better in that. | 0:43:31 | 0:43:33 | |
I thought the Going To The Chapel, that really worked for you, | 0:43:33 | 0:43:36 | |
that's absolutely your genre. | 0:43:36 | 0:43:39 | |
Very good, but two very, very different performances. | 0:43:39 | 0:43:42 | |
OK, thank you so much, judges. | 0:43:42 | 0:43:43 | |
I'm afraid there is only one place left in the next round. | 0:43:43 | 0:43:48 | |
Gareth, which group would you like to see going through | 0:43:50 | 0:43:53 | |
to the solo battles? | 0:43:53 | 0:43:54 | |
It's not all about tone, it's about performance as well. | 0:43:54 | 0:43:58 | |
For me, The Ramparts had that. | 0:44:01 | 0:44:03 | |
Joe, who would you like to send through to those solo battles? | 0:44:09 | 0:44:12 | |
Have to go with Ramparts on this one, yeah. | 0:44:16 | 0:44:19 | |
Kelis, who would you have gone for? It's a Ramparts party. | 0:44:24 | 0:44:29 | |
Listen, Vocalities, it's been so lovely having you here. | 0:44:29 | 0:44:32 | |
Don't give up what you do because you do it brilliantly. | 0:44:32 | 0:44:35 | |
Wouldn't you agree, everybody? | 0:44:35 | 0:44:36 | |
CHEERING AND APPLAUSE | 0:44:36 | 0:44:38 | |
Such a great Riff-Off, guys, thank you so much. | 0:44:40 | 0:44:43 | |
There is only place left in the solo battles. | 0:44:43 | 0:44:46 | |
Let's meet tonight's final two choral contenders. | 0:44:46 | 0:44:49 | |
It's the Oxford Alternotives! | 0:44:49 | 0:44:51 | |
And from London, it's Vox-Xover! | 0:44:55 | 0:44:58 | |
We are... | 0:45:00 | 0:45:01 | |
The Oxford Alternotives. | 0:45:01 | 0:45:03 | |
We're from the University of Oxford. | 0:45:04 | 0:45:06 | |
We are a mixed a cappella group, | 0:45:06 | 0:45:07 | |
with people from colleges all over the University. | 0:45:07 | 0:45:10 | |
We think it's the oldest student a cappella group in the UK. | 0:45:10 | 0:45:13 | |
We are its current crop. | 0:45:13 | 0:45:15 | |
# Whether you're a brother or whether you're a mother | 0:45:15 | 0:45:17 | |
# You're stayin' alive... # | 0:45:17 | 0:45:19 | |
We are a group of really different personalities and characters. | 0:45:19 | 0:45:22 | |
JP is Blues cricket. | 0:45:22 | 0:45:23 | |
Hiba's our cool dancer. | 0:45:23 | 0:45:26 | |
G-Lo, she is one of the best cellists in the University. | 0:45:26 | 0:45:29 | |
And Bryce... He's liftable. | 0:45:29 | 0:45:31 | |
We can lift him up and throw him around. | 0:45:31 | 0:45:33 | |
We've been working on this performance for months, | 0:45:38 | 0:45:40 | |
and now we're just ready to get out there, | 0:45:40 | 0:45:42 | |
wow everyone and beat the other group. | 0:45:42 | 0:45:45 | |
We are Vox-Xover. | 0:45:51 | 0:45:53 | |
And we are five professional opera singers from London. | 0:45:53 | 0:45:57 | |
We've been on tour through Europe, | 0:45:57 | 0:45:59 | |
been in Phantom Of The Opera and Les Miserables. | 0:45:59 | 0:46:01 | |
We like to add a little bit of rock edge to everything that we do. | 0:46:01 | 0:46:04 | |
# Thunderbolt and lightning... # | 0:46:04 | 0:46:06 | |
We were originally a four-piece. Nadia came along as a guest singer, | 0:46:06 | 0:46:09 | |
and we thought five voices together sounded epic, | 0:46:09 | 0:46:12 | |
so she stuck around. | 0:46:12 | 0:46:13 | |
Especially with Michael. | 0:46:13 | 0:46:15 | |
Nadia and I got engaged, and since then, it's been incredibly busy, | 0:46:15 | 0:46:19 | |
planning for our big day this summer. | 0:46:19 | 0:46:21 | |
But also rehearsing for Pitch Battle. | 0:46:21 | 0:46:24 | |
When we perform, we are quite used to some pretty epic staging | 0:46:24 | 0:46:27 | |
in large spaces. | 0:46:27 | 0:46:28 | |
But when we rehearse, it's just at Nadia and Michael's flat. | 0:46:28 | 0:46:31 | |
# Many, many... # | 0:46:31 | 0:46:33 | |
Yeah, we just get together like friends and have a sing. | 0:46:33 | 0:46:36 | |
Despite there only being five of us, we make a big sound together. | 0:46:38 | 0:46:41 | |
Hopefully we can give the other groups a run for their money. | 0:46:43 | 0:46:45 | |
When it comes to our Showstopper, | 0:46:45 | 0:46:47 | |
we're going to "rocket". | 0:46:47 | 0:46:50 | |
Up first, and performing a Rihanna medley, | 0:46:59 | 0:47:02 | |
it's our a cappella group, the Oxford Alternotives. | 0:47:02 | 0:47:06 | |
APPLAUSE | 0:47:06 | 0:47:08 | |
# La-la-la, la-la-la La-la-la-la-la oh | 0:47:13 | 0:47:15 | |
# Doo-doo-doo-wow | 0:47:15 | 0:47:18 | |
# I'm obsessive when just one thought of you comes up | 0:47:18 | 0:47:21 | |
# And I'm aggressive just one thought of close enough | 0:47:21 | 0:47:23 | |
# You got me stressing, incessantly pressing the issue | 0:47:23 | 0:47:27 | |
# Cos every moment gone you know I miss you | 0:47:27 | 0:47:30 | |
# SOS Somebody, help me, yeah... # | 0:47:30 | 0:47:34 | |
APPLAUSE | 0:47:34 | 0:47:36 | |
# Y-O-U are making this hard | 0:47:36 | 0:47:39 | |
# You got me tossin' and turnin' and can't sleep at night | 0:47:39 | 0:47:42 | |
# Boy, you know you got me feeling open | 0:47:42 | 0:47:44 | |
# And boy, your love's enough with words unspoken | 0:47:44 | 0:47:48 | |
# I said boy I'm telling you, you got me open | 0:47:48 | 0:47:51 | |
# I don't know what to do | 0:47:51 | 0:47:53 | |
# I'm going crazy | 0:47:53 | 0:47:58 | |
# Oo-oh... # APPLAUSE | 0:47:58 | 0:48:00 | |
# Find light in the beautiful sea I choose to be happy | 0:48:00 | 0:48:04 | |
# You and I, you and I | 0:48:04 | 0:48:08 | |
# We're like diamonds in the sky | 0:48:08 | 0:48:10 | |
# At first sight I felt the energy of sun rays | 0:48:10 | 0:48:17 | |
# I saw the life inside your eyes | 0:48:17 | 0:48:22 | |
# We found love in a hopeless place | 0:48:22 | 0:48:25 | |
# We found love in a hopeless place | 0:48:25 | 0:48:29 | |
# We found love in a hopeless place | 0:48:29 | 0:48:37 | |
# But I've got to let it go. # | 0:48:37 | 0:48:41 | |
CHEERING AND APPLAUSE | 0:48:43 | 0:48:46 | |
Aw, you've got to love a medley. Powerful stuff. | 0:48:53 | 0:48:55 | |
But up next, something completely different. | 0:48:55 | 0:48:58 | |
Performing their Showstopper, Barcelona, | 0:48:58 | 0:49:00 | |
it's our classical group Vox-Xover. | 0:49:00 | 0:49:05 | |
CHEERING AND APPLAUSE | 0:49:05 | 0:49:08 | |
MUSIC PLAYS | 0:49:10 | 0:49:12 | |
# I had this perfect dream | 0:49:12 | 0:49:14 | |
# Un sueno me envolvio | 0:49:14 | 0:49:17 | |
# This dream was me and you | 0:49:17 | 0:49:19 | |
# Tal vez estas aqui | 0:49:19 | 0:49:22 | |
# I want all the world to see | 0:49:22 | 0:49:25 | |
# Un instinto me guiaba | 0:49:25 | 0:49:28 | |
# A miracle sensation My guide and inspiration | 0:49:28 | 0:49:33 | |
# Now my dream is slowly coming true | 0:49:33 | 0:49:41 | |
# Barcelona Such a beautiful horizon | 0:49:41 | 0:49:47 | |
# Barcelona Like a jewel in the sun | 0:49:47 | 0:49:52 | |
# Por ti sere gaviota de tu bella mar | 0:49:52 | 0:50:00 | |
# Barcelona Suenan las campanas | 0:50:00 | 0:50:05 | |
# Barcelona Abre tus puertas al mundo | 0:50:05 | 0:50:10 | |
# If God is willing If God is willing | 0:50:10 | 0:50:15 | |
# If God is willing Friends until the end | 0:50:15 | 0:50:21 | |
# Viva-a-a-a | 0:50:21 | 0:50:25 | |
# A-a-a-a-a-a-ah... # | 0:50:25 | 0:50:28 | |
Yes! Yes! | 0:50:30 | 0:50:32 | |
# Barcelona! # | 0:50:32 | 0:50:38 | |
Yeah! | 0:50:40 | 0:50:42 | |
CHEERING AND APPLAUSE | 0:50:44 | 0:50:48 | |
Now, Rosie, there were so many layers in that. | 0:50:53 | 0:50:57 | |
It was... It was very much like an opera cake, | 0:50:57 | 0:51:00 | |
which again, Joe, I wouldn't eat by the ocean. | 0:51:00 | 0:51:03 | |
How many parts were in that? 14. 14 parts, Gareth! | 0:51:03 | 0:51:07 | |
14 layering parts. | 0:51:07 | 0:51:09 | |
Now, Rosie, I must ask you, | 0:51:09 | 0:51:11 | |
why do you think you should stay in this competition? | 0:51:11 | 0:51:14 | |
Well... | 0:51:14 | 0:51:16 | |
We just literally love singing together and having fun together | 0:51:16 | 0:51:19 | |
and we're basically like a family, | 0:51:19 | 0:51:21 | |
because we don't love each other all the time, but for the most part, | 0:51:21 | 0:51:24 | |
we just have a really great time, so we want to keep doing that. | 0:51:24 | 0:51:27 | |
Oh, that's very lovely. | 0:51:27 | 0:51:28 | |
Now, talking of beautiful things and relationships, | 0:51:28 | 0:51:32 | |
Nadia, I believe you are engaged | 0:51:32 | 0:51:33 | |
to this lovely man next to you, Michael. | 0:51:33 | 0:51:35 | |
Yes, I am. | 0:51:35 | 0:51:37 | |
Congratulations. APPLAUSE | 0:51:37 | 0:51:39 | |
Michael, congrats. How is the wedding planning going? | 0:51:39 | 0:51:42 | |
Have you sorted out the hors d'oeuvres, | 0:51:42 | 0:51:45 | |
the invitations, all that kind of stuff? | 0:51:45 | 0:51:47 | |
Yes, the amuse-bouches are on the way. | 0:51:47 | 0:51:49 | |
HE LAUGHS There will be a big cake. | 0:51:49 | 0:51:51 | |
Ooh, what sort? | 0:51:51 | 0:51:52 | |
Cheese...cake. | 0:51:52 | 0:51:54 | |
Cheesecake by the ocean is fine, Joe. | 0:51:54 | 0:51:56 | |
It's fine. It's OK, I approve. | 0:51:56 | 0:51:58 | |
Because you have a nice solid layer at the bottom, | 0:51:58 | 0:52:01 | |
which kind of decrumbs the whole thing, so that works. | 0:52:01 | 0:52:04 | |
LAUGHTER Did you... | 0:52:04 | 0:52:08 | |
Did you propose to Nadia with song? | 0:52:08 | 0:52:10 | |
I didn't, no, I crumbled under the pressure, I'm afraid. Aw! | 0:52:10 | 0:52:15 | |
No, I was a whimpering mess, and thankfully, | 0:52:15 | 0:52:18 | |
she worked out what I was trying to say and accepted. | 0:52:18 | 0:52:21 | |
APPLAUSE Lovely! | 0:52:21 | 0:52:22 | |
Kelis. Yes. | 0:52:22 | 0:52:23 | |
A cappella versus opera. Only on this show. | 0:52:23 | 0:52:27 | |
Seriously! | 0:52:27 | 0:52:28 | |
I feel like I was dressed appropriately | 0:52:28 | 0:52:30 | |
to come and watch you sing and perform somewhere. | 0:52:30 | 0:52:33 | |
And I absolutely loved every second of it. | 0:52:33 | 0:52:34 | |
So, well done there. | 0:52:34 | 0:52:37 | |
I think for Oxford Alternotives, | 0:52:37 | 0:52:39 | |
there were some really interesting choices there, so that was exciting. | 0:52:39 | 0:52:42 | |
I do want to say, and commend you guys on a cappella. | 0:52:42 | 0:52:45 | |
It is really hard, and there were so many moving parts. | 0:52:45 | 0:52:48 | |
There were moments where I was a little bit nervous pitch-wise. | 0:52:48 | 0:52:51 | |
I want to see you guys really pull together. | 0:52:51 | 0:52:53 | |
Because these guys are on your tail. | 0:52:53 | 0:52:55 | |
It's going to be very interesting. | 0:52:55 | 0:52:57 | |
Now, Joe, what are you going to be looking for | 0:52:57 | 0:52:59 | |
when they come to the Riff-Off? | 0:52:59 | 0:53:00 | |
I'd say for Vox-Xover, first of all, so impressed. | 0:53:00 | 0:53:04 | |
Your vocal range is insane. | 0:53:04 | 0:53:06 | |
Coming out the gate, belting. | 0:53:06 | 0:53:09 | |
And also, the only lady to hold | 0:53:09 | 0:53:11 | |
so strongly in a group is really impressive. | 0:53:11 | 0:53:13 | |
So, amazing. But I guess what I'm looking for next is how, | 0:53:13 | 0:53:17 | |
coming from the operatic world, what you'll do with different styles | 0:53:17 | 0:53:20 | |
of music, and how you'll balance the two. | 0:53:20 | 0:53:21 | |
And what about the Oxford Alternotives? | 0:53:21 | 0:53:23 | |
I think that last song, it got a little pitchy here and there, | 0:53:23 | 0:53:28 | |
but finding kind of your comfort zone and settling in, | 0:53:28 | 0:53:30 | |
so that way for this next song, you guys really just ease into it, | 0:53:30 | 0:53:34 | |
you know, find your zone. | 0:53:34 | 0:53:36 | |
Gareth, as we've said, | 0:53:36 | 0:53:38 | |
stylistically, two very, very different groups. | 0:53:38 | 0:53:41 | |
Two very, VERY different performances. | 0:53:41 | 0:53:43 | |
If I start with you, Vox-Xover, | 0:53:43 | 0:53:45 | |
if I'm honest, I struggle slightly with this kind of crossover style, | 0:53:45 | 0:53:49 | |
it's a difficult one to pull off. | 0:53:49 | 0:53:51 | |
But I can see great vocal potential here. | 0:53:51 | 0:53:53 | |
Vocal POTENTIAL? Serious? | 0:53:53 | 0:53:56 | |
Yeah, it's just not...my jam. Seriously. | 0:53:56 | 0:53:58 | |
AUDIENCE: Oo-oo-oh! | 0:53:58 | 0:54:00 | |
There's a little Riff-Off developing here at the judges' desk! | 0:54:00 | 0:54:02 | |
Kelis, you loved it. And it's fine that she loved it. | 0:54:02 | 0:54:05 | |
I'm a sceptic, I'm afraid to say. | 0:54:05 | 0:54:07 | |
We can get you a cream for that, Gareth. Thank you. | 0:54:07 | 0:54:10 | |
LAUGHTER | 0:54:10 | 0:54:11 | |
Yeah, please. | 0:54:11 | 0:54:14 | |
Oxford Alternotives. | 0:54:14 | 0:54:16 | |
I'm afraid I've got your score here. | 0:54:16 | 0:54:18 | |
Just being a little bit nerdy, some of your harmonies that you were | 0:54:18 | 0:54:21 | |
trying to pull off, in the arrangement, | 0:54:21 | 0:54:22 | |
I would say keep it simple. | 0:54:22 | 0:54:24 | |
Doing these complicated chords, it's like building a house. | 0:54:24 | 0:54:26 | |
You've got to have the foundations there. | 0:54:26 | 0:54:28 | |
You can't just build a penthouse flat | 0:54:28 | 0:54:30 | |
and have nothing underneath it. | 0:54:30 | 0:54:31 | |
And I thought at times, your upper notes were just a bit exposed | 0:54:31 | 0:54:35 | |
and there was no foundation to the chords. | 0:54:35 | 0:54:38 | |
So I think in the Riff-Off, you've got to work hard, | 0:54:38 | 0:54:40 | |
cos you are up against people who are vocally incredibly assured. | 0:54:40 | 0:54:43 | |
Vocal potential! Vocal potential, that's right. | 0:54:43 | 0:54:46 | |
No, I mean, come on. Great voices. I don't wish to be unfair. | 0:54:46 | 0:54:49 | |
That's it from Nerds Corner. | 0:54:49 | 0:54:51 | |
I doubt that! Yeah, I doubt that! I doubt that! | 0:54:51 | 0:54:55 | |
I'll just go back to my score. | 0:54:57 | 0:54:59 | |
One group is about to be knocked out of the competition. | 0:54:59 | 0:55:02 | |
The other will face Tring Park 16 in tonight's solo battles. | 0:55:02 | 0:55:06 | |
Deciding their fate is the dramatic Riff-Off. | 0:55:06 | 0:55:09 | |
AUDIENCE: Ooh! | 0:55:09 | 0:55:12 | |
# Sweet themes are made of this... # | 0:55:13 | 0:55:17 | |
Anyway, let's reveal the theme. | 0:55:17 | 0:55:19 | |
CHEERING AND APPLAUSE | 0:55:27 | 0:55:29 | |
Lonely. | 0:55:29 | 0:55:30 | |
Time to find out who's going to be lonely at the top | 0:55:32 | 0:55:34 | |
and who will be going home alone. | 0:55:34 | 0:55:36 | |
Good luck. | 0:55:36 | 0:55:37 | |
CHEERING AND APPLAUSE | 0:55:37 | 0:55:40 | |
MUSIC: Rock And Roll | 0:55:44 | 0:55:46 | |
# It's been a long time since we rock and rolled | 0:55:46 | 0:55:49 | |
# Oh, yeah, rock and roll | 0:55:49 | 0:55:51 | |
# It's been a long time since we did The Stroll | 0:55:51 | 0:55:54 | |
# Oh, yeah, we did The Stroll | 0:55:54 | 0:55:57 | |
# It's been a long time Been a long time, been a long | 0:55:57 | 0:56:00 | |
# Lonely, lonely, lonely, lonely Lonely time | 0:56:00 | 0:56:03 | |
# It's been a long time Oh, yeah, oh, yeah | 0:56:03 | 0:56:05 | |
# Whoa-oh-oh! | 0:56:05 | 0:56:06 | |
# Oh, yeah, ooh-ooh, yeah | 0:56:06 | 0:56:08 | |
# It's been a long time Been a long time, been a long | 0:56:08 | 0:56:11 | |
# Lonely, lonely, lonely, lonely Lonely time | 0:56:11 | 0:56:15 | |
# Yeah! # | 0:56:15 | 0:56:19 | |
APPLAUSE | 0:56:19 | 0:56:21 | |
# Only the lonely Dum, dum-dum, dum-dy, doo-wah | 0:56:21 | 0:56:25 | |
# Know this feeling ain't right Dum, dum-dum, dum-dy, doo-wah | 0:56:25 | 0:56:31 | |
# Maybe tomorrow Ba-ba, ba-ba | 0:56:31 | 0:56:33 | |
# A new romance Ba-ba, ba-ba | 0:56:33 | 0:56:37 | |
# No more sorrow Ba-ba, ba-ba | 0:56:37 | 0:56:40 | |
# But that's a chance Ba-ba, ba-ba | 0:56:40 | 0:56:44 | |
# You gotta take | 0:56:44 | 0:56:48 | |
# Because only the lonely know the heartbreaks | 0:56:48 | 0:56:51 | |
# Only the lonely | 0:56:51 | 0:56:52 | |
# Lonely. # | 0:56:52 | 0:56:54 | |
CHEERING AND APPLAUSE | 0:56:54 | 0:56:58 | |
# Are you lonesome tonight? | 0:57:01 | 0:57:05 | |
# Do you miss me tonight? | 0:57:05 | 0:57:09 | |
# Are you sorry we drifted apart? | 0:57:11 | 0:57:16 | |
# Drifted apart | 0:57:16 | 0:57:20 | |
# Tell me, dear | 0:57:20 | 0:57:22 | |
# Are you lonesome tonight? | 0:57:22 | 0:57:26 | |
# I'm lonely. # | 0:57:26 | 0:57:28 | |
I liked that. A nice surprise. | 0:57:30 | 0:57:32 | |
# Well, someone told me yesterday | 0:57:32 | 0:57:35 | |
# Yester-day | 0:57:35 | 0:57:36 | |
# That when you throw your love away | 0:57:36 | 0:57:39 | |
# Throw your love away | 0:57:39 | 0:57:41 | |
# You act as if you just don't care | 0:57:43 | 0:57:47 | |
# You look as if you're going somewhere | 0:57:48 | 0:57:52 | |
# So lonely, so lonely | 0:57:52 | 0:57:56 | |
# So lonely. | 0:57:56 | 0:57:57 | |
# Time for it all! # | 0:57:58 | 0:58:04 | |
# All by myself | 0:58:06 | 0:58:11 | |
# Oh, oh-oh | 0:58:11 | 0:58:13 | |
# I don't wanna be | 0:58:13 | 0:58:14 | |
# All by myself | 0:58:14 | 0:58:19 | |
# Any more! | 0:58:19 | 0:58:21 | |
# More | 0:58:21 | 0:58:24 | |
# Oh, no! | 0:58:24 | 0:58:26 | |
# All by myself | 0:58:26 | 0:58:30 | |
# Oh, oh, oh-oh, oh, oh-oh! # | 0:58:30 | 0:58:34 | |
# I love him | 0:58:38 | 0:58:40 | |
# But every day I'm learning | 0:58:40 | 0:58:45 | |
# All my life | 0:58:45 | 0:58:47 | |
# I've only been pretending | 0:58:47 | 0:58:51 | |
# Pretending... Without me | 0:58:51 | 0:58:54 | |
# His world will go on turning | 0:58:54 | 0:58:58 | |
# A world that's full of happiness That I have never known | 0:58:58 | 0:59:03 | |
# I love him | 0:59:03 | 0:59:06 | |
# But only on my own | 0:59:06 | 0:59:11 | |
# So lonely... My own! # | 0:59:11 | 0:59:18 | |
CHEERING AND APPLAUSE | 0:59:18 | 0:59:21 | |
This was a fascinating battle because it was an uphill climb | 0:59:23 | 0:59:26 | |
for both of these groups. | 0:59:26 | 0:59:28 | |
Our a cappella group had to perform with instruments | 0:59:28 | 0:59:31 | |
and our opera group had to, basically, perform with a rock band | 0:59:31 | 0:59:34 | |
and both groups did very, very well. | 0:59:34 | 0:59:37 | |
Led Zeppelin, Elvis Presley, Celine Dion, Les Mis. | 0:59:37 | 0:59:41 | |
The Riff-Off's like a box of chocolates. | 0:59:41 | 0:59:43 | |
You never know what you're going to get. | 0:59:43 | 0:59:46 | |
APPLAUSE | 0:59:46 | 0:59:50 | |
Well done, everyone concerned in the Riff-Off. Little Imogen, | 0:59:50 | 0:59:54 | |
I have got some... You dropped your little tissue. | 0:59:54 | 0:59:56 | |
I was very emotional in the last song. Have you recovered? | 0:59:56 | 1:00:01 | |
Just about. Just about, Mel, thank you. Thank you. | 1:00:01 | 1:00:03 | |
How was that for you guys? It is such a wonderful experience | 1:00:03 | 1:00:06 | |
to do this on the stage and to share this experience. | 1:00:06 | 1:00:09 | |
We have so many unique personalities | 1:00:09 | 1:00:10 | |
and everyone brings something to the group. Lovely. | 1:00:10 | 1:00:13 | |
Thank you so much, guys. Great Riff-Off work. | 1:00:13 | 1:00:15 | |
CHEERING AND APPLAUSE | 1:00:15 | 1:00:17 | |
Woody. | 1:00:17 | 1:00:18 | |
How was the Riff`Off for you? Bit of a challenge for us, | 1:00:18 | 1:00:21 | |
given our background and things, | 1:00:21 | 1:00:23 | |
but I think we pulled it out the bag. | 1:00:23 | 1:00:25 | |
We have got a lot of tricks up our sleeve, a lot in the locker | 1:00:25 | 1:00:28 | |
that we can, hopefully, continue to show the audience | 1:00:28 | 1:00:31 | |
here and at home. | 1:00:31 | 1:00:33 | |
I'm not sure I want to see inside your locker, Woody. | 1:00:33 | 1:00:35 | |
I'm not sure. What sort of things have you got in your locker? | 1:00:35 | 1:00:38 | |
Cake? Always good. Talk to Joe Jonas about that. | 1:00:38 | 1:00:42 | |
Croquembouche by the ocean, absolutely fine, Joe. | 1:00:42 | 1:00:45 | |
Absolutely fine. | 1:00:45 | 1:00:48 | |
Well done, everybody. That was a cracking Riff-Off, | 1:00:48 | 1:00:50 | |
I have to say. Kelis, if you could, which lonely hearts club band | 1:00:50 | 1:00:55 | |
would you be joining tonight? | 1:00:55 | 1:00:56 | |
I think for me, Imogen, you sound fantastic. Your tone is amazing. | 1:00:56 | 1:01:01 | |
I love it. It's so easy. It came... | 1:01:01 | 1:01:04 | |
and you stood and, kind of, took your stance and it came out. | 1:01:04 | 1:01:07 | |
It was great. That was a wonderful moment. | 1:01:07 | 1:01:09 | |
There were some great harmony moments in there, as well, that I really liked. | 1:01:09 | 1:01:12 | |
And the blend was really good. | 1:01:12 | 1:01:15 | |
Vox-Xover, so good to watch. So exciting. | 1:01:15 | 1:01:18 | |
There were some pitch moments that I think you gentlemen had, | 1:01:18 | 1:01:21 | |
but it didn't faze you, Nadia, so well done. | 1:01:21 | 1:01:23 | |
It's tough. You guys delivered, so we'll see. | 1:01:23 | 1:01:27 | |
Thanks, Kelis. | 1:01:27 | 1:01:28 | |
Gareth, you said that you were a bit of a sceptic about Vox-Xover. | 1:01:28 | 1:01:33 | |
Have they changed your opinion? | 1:01:33 | 1:01:35 | |
I thought that was much more the thing, for me. | 1:01:35 | 1:01:37 | |
I liked your music theatre sound. | 1:01:37 | 1:01:38 | |
That was really exciting, but when you are doing the vibrato | 1:01:38 | 1:01:42 | |
on those close harmony moments, you need to adapt your style. | 1:01:42 | 1:01:46 | |
You have got one poor soprano there all the way up in the heights. | 1:01:46 | 1:01:49 | |
No alto to fill the gap in-between | 1:01:49 | 1:01:51 | |
and you guys - # Oh-oh-oh-oh! # - down the bottom. | 1:01:51 | 1:01:55 | |
Very hard to tune in. It didn't sound exactly like that, though. | 1:01:55 | 1:01:57 | |
When I do, # Oh-oh-oh-oh!? No. You didn't sound like that, though. | 1:01:57 | 1:02:00 | |
That was a cruel exaggeration, but just watch that. | 1:02:00 | 1:02:04 | |
You have got to support your soprano, | 1:02:04 | 1:02:06 | |
who is out there very exposed. | 1:02:06 | 1:02:07 | |
And well done. That was vocal acrobatics up there. | 1:02:07 | 1:02:10 | |
Turning to the Oxford Alternotives, | 1:02:10 | 1:02:13 | |
when you do a style, like Rock And Roll, | 1:02:13 | 1:02:15 | |
and then you change to Elvis Presley, | 1:02:15 | 1:02:17 | |
you have to adapt your sound, | 1:02:17 | 1:02:18 | |
you have to adapt your vocal set-up to that completely | 1:02:18 | 1:02:22 | |
and you have got to commit to that. | 1:02:22 | 1:02:24 | |
I felt, at times, you just dipped your toe in the water. | 1:02:24 | 1:02:26 | |
That is a great first step, but I want all-in. | 1:02:26 | 1:02:29 | |
Done. I've finished. OK. Good. | 1:02:29 | 1:02:31 | |
LAUGHTER | 1:02:31 | 1:02:33 | |
Relax. Take it easy. Take a deep breath. | 1:02:33 | 1:02:35 | |
Joe. Dear Joe. | 1:02:35 | 1:02:37 | |
Who put up the best fight? | 1:02:37 | 1:02:39 | |
You guys really impressed me yet again, but you coming out with | 1:02:39 | 1:02:43 | |
Led Zeppelin is a daring move. Then finishing with Celine Dion, | 1:02:43 | 1:02:46 | |
I was so, kind of, shocked and impressed how you guys came together | 1:02:46 | 1:02:49 | |
that last minute and really showed off your talent. | 1:02:49 | 1:02:52 | |
So, I have to say it's kind of up in the air for me right now. | 1:02:52 | 1:02:56 | |
Only one of these groups can go through to tonight's solo battles. | 1:02:56 | 1:02:59 | |
Kelis, which group would you like to put through | 1:03:04 | 1:03:06 | |
to tonight's solo battles? | 1:03:06 | 1:03:08 | |
Vox-Xover! | 1:03:16 | 1:03:18 | |
Vox-Xover from Kelis. | 1:03:18 | 1:03:20 | |
Joe, which group do you think | 1:03:23 | 1:03:25 | |
deserves a place in those solo battles? | 1:03:25 | 1:03:28 | |
I have to go with Vox-Xover. | 1:03:31 | 1:03:33 | |
Vox-Xover. | 1:03:33 | 1:03:35 | |
CHEERING AND APPLAUSE | 1:03:35 | 1:03:38 | |
Gareth, out of interest, who would you have gone for? | 1:03:42 | 1:03:45 | |
I was won over. I would have gone with Vox-Xover. | 1:03:45 | 1:03:47 | |
Yeah, we turned him! Wow. | 1:03:47 | 1:03:49 | |
Now, Alternotives, well done. | 1:03:50 | 1:03:52 | |
You were absolutely excellent and all of us absolutely loved you. | 1:03:52 | 1:03:56 | |
CHEERING AND APPLAUSE | 1:03:56 | 1:03:59 | |
The groups through to the solo battles are Tring Park 16... | 1:04:01 | 1:04:04 | |
You, literally, showed us every style of music, | 1:04:04 | 1:04:06 | |
which was really impressive. | 1:04:06 | 1:04:08 | |
We knew we had to pull it out the bag. | 1:04:08 | 1:04:09 | |
..Vox-Xover... | 1:04:09 | 1:04:11 | |
I was won over. I liked your music theatre sound. | 1:04:12 | 1:04:15 | |
That was really exciting. | 1:04:15 | 1:04:16 | |
Brilliant! | 1:04:16 | 1:04:17 | |
..and The Ramparts. | 1:04:17 | 1:04:19 | |
There is so much charisma and so much personality. | 1:04:20 | 1:04:22 | |
And someone keeps winking at me, I swear! | 1:04:22 | 1:04:25 | |
# The unreachable....star! # | 1:04:25 | 1:04:33 | |
APPLAUSE | 1:04:33 | 1:04:36 | |
It's time for the solo battles. | 1:04:36 | 1:04:39 | |
CHEERING AND APPLAUSE | 1:04:39 | 1:04:44 | |
Up first, let's find out who Tring Park 16 have chosen | 1:04:44 | 1:04:47 | |
to put under the spotlight as their soloist. | 1:04:47 | 1:04:50 | |
Caitlin is our soloist in our Solo Battle. | 1:04:51 | 1:04:54 | |
We chose Caitlin cos she has just got the most incredible voice. | 1:04:54 | 1:04:57 | |
It is so unique. | 1:04:57 | 1:04:58 | |
I grew up in a really musical family. | 1:04:59 | 1:05:01 | |
My mum is a concert pianist, | 1:05:01 | 1:05:03 | |
my dad is a drummer and my sister is the singer-songwriter, Birdy. | 1:05:03 | 1:05:07 | |
Birdy is a massive inspiration, | 1:05:08 | 1:05:10 | |
as well as a sister and a best friend. | 1:05:10 | 1:05:12 | |
She always tells me to just go for it, to just express myself. | 1:05:12 | 1:05:15 | |
I suffer from muscle strain disorder, | 1:05:17 | 1:05:19 | |
which puts a lot of tension on my throat. | 1:05:19 | 1:05:22 | |
When my muscle strain gets at its worst, | 1:05:22 | 1:05:24 | |
I physically can't sing. | 1:05:24 | 1:05:26 | |
Sometimes, I can't even speak, it gets so bad. | 1:05:26 | 1:05:29 | |
Coming here is a massive challenge for me. | 1:05:29 | 1:05:31 | |
In your voice, there is just a little bit of rasp that cheats in. | 1:05:31 | 1:05:34 | |
I'm terrified about my voice. I don't know how it's going to go | 1:05:34 | 1:05:38 | |
when I get out there. | 1:05:38 | 1:05:39 | |
I'm just going to give it my all. | 1:05:39 | 1:05:41 | |
CHEERING AND APPLAUSE | 1:05:44 | 1:05:47 | |
# Same bed, but it feels just a little bit bigger now | 1:05:53 | 1:05:58 | |
# Our song on the radio but it don't sound the same | 1:06:01 | 1:06:05 | |
# When our friends talk about you | 1:06:07 | 1:06:09 | |
# All it does is just tear me down... # | 1:06:09 | 1:06:11 | |
Oh, God, yeah. | 1:06:11 | 1:06:13 | |
# Cos my heart breaks a little | 1:06:13 | 1:06:16 | |
# When I hear your name | 1:06:16 | 1:06:19 | |
# Although it hurts | 1:06:19 | 1:06:22 | |
# You'll be the first to say that you were wrong | 1:06:22 | 1:06:29 | |
# Oh, oh-oh, oh, oh-oh, whoa | 1:06:29 | 1:06:32 | |
# Oh, I know you're probably much too late | 1:06:32 | 1:06:36 | |
# To try and apologise for your mistakes | 1:06:36 | 1:06:39 | |
# But I just want you to know | 1:06:39 | 1:06:43 | |
# I hope he buys me flowers | 1:06:45 | 1:06:49 | |
# I hope he holds my hand | 1:06:49 | 1:06:52 | |
# Give me all his hours | 1:06:52 | 1:06:56 | |
# When he has the chance | 1:06:56 | 1:06:58 | |
# He'll take me to every party | 1:06:58 | 1:07:02 | |
# Do you remember how much I loved to dance? | 1:07:02 | 1:07:05 | |
# Do all the things you should have done | 1:07:05 | 1:07:09 | |
# When you were my man | 1:07:09 | 1:07:11 | |
# He'll do all the things you should have done | 1:07:11 | 1:07:16 | |
# When you were my man. # | 1:07:16 | 1:07:21 | |
CHEERING AND APPLAUSE | 1:07:23 | 1:07:26 | |
What a voice. Gorgeous. Well done. | 1:07:26 | 1:07:29 | |
Feeling the pressure next, it's Vox-Xover, | 1:07:36 | 1:07:38 | |
whose soloist has been busy putting in Pitch Battle rehearsals | 1:07:38 | 1:07:41 | |
with the planning of a wedding. | 1:07:41 | 1:07:43 | |
For our solo, we needed a voice that has drama and intensity. | 1:07:44 | 1:07:48 | |
For that reason, we've chosen Nadia. | 1:07:48 | 1:07:50 | |
I started singing when I was 12 years old and I trained classically | 1:07:51 | 1:07:55 | |
back home in Sweden. | 1:07:55 | 1:07:56 | |
Michael and I met singing together, | 1:07:56 | 1:07:58 | |
as cheesy as it sounds, it was love at first sight! | 1:07:58 | 1:08:01 | |
He proposed in Rome. I thought I was going off to do concerts | 1:08:01 | 1:08:05 | |
and work with him. | 1:08:05 | 1:08:07 | |
I wasn't expecting it, at all. | 1:08:07 | 1:08:08 | |
Michael is absolutely everything to me. He is just my best friend. | 1:08:10 | 1:08:14 | |
Every time I see Nadia perform, I am unbelievably proud | 1:08:15 | 1:08:18 | |
and I know that, when she is singing the solo, that will be | 1:08:18 | 1:08:22 | |
the proudest moment so far. | 1:08:22 | 1:08:24 | |
With the boys and my husband behind me, | 1:08:24 | 1:08:25 | |
I've got all the support I need. | 1:08:25 | 1:08:28 | |
CHEERING AND APPLAUSE | 1:08:29 | 1:08:32 | |
# How can you see into my eyes | 1:08:36 | 1:08:41 | |
# Like open doors? | 1:08:41 | 1:08:45 | |
# Leading you down into my core | 1:08:45 | 1:08:51 | |
# Where I've become so numb | 1:08:51 | 1:08:54 | |
# Wake me up inside | 1:08:56 | 1:09:00 | |
# Call my name and save me from the dark | 1:09:00 | 1:09:05 | |
# Frozen inside without your touch | 1:09:05 | 1:09:09 | |
# Without your love, darling | 1:09:09 | 1:09:14 | |
# Only you | 1:09:14 | 1:09:17 | |
# Are the life among the dead | 1:09:17 | 1:09:23 | |
# Ah, ah-ah | 1:09:23 | 1:09:26 | |
# Ah, ah-ah | 1:09:26 | 1:09:28 | |
# Ah, ah-ah | 1:09:29 | 1:09:31 | |
# Ah, ah-ah, ah-ah, ah | 1:09:31 | 1:09:37 | |
# Wake me up inside | 1:09:37 | 1:09:39 | |
# Wake me up inside | 1:09:39 | 1:09:42 | |
# Call my name and save me | 1:09:42 | 1:09:45 | |
# From the dark | 1:09:45 | 1:09:47 | |
# Bid my blood to run | 1:09:47 | 1:09:49 | |
# Before I come undone | 1:09:49 | 1:09:52 | |
# Save me from the nothing I've become | 1:09:52 | 1:09:56 | |
# Bring me to life. # | 1:09:56 | 1:10:04 | |
CHEERING AND APPLAUSE | 1:10:06 | 1:10:09 | |
Wow. That was great. That was fantastic. | 1:10:10 | 1:10:14 | |
Our final group are The Ramparts, | 1:10:17 | 1:10:19 | |
who've chosen their youngest member | 1:10:19 | 1:10:21 | |
to lead them in their Solo Battle. | 1:10:21 | 1:10:23 | |
For the solo battle, we have decided to give it to the youngest member | 1:10:24 | 1:10:27 | |
of The Ramparts, which is Ruairi Nicol. | 1:10:27 | 1:10:30 | |
CHEERING | 1:10:30 | 1:10:31 | |
I go to Belvedere College Secondary School in inner-city Dublin. | 1:10:32 | 1:10:35 | |
I've got double music first thing on a Monday, | 1:10:35 | 1:10:37 | |
which is great to start off the week. | 1:10:37 | 1:10:39 | |
Given that I'm just 17, it's great still living at home. | 1:10:39 | 1:10:42 | |
I don't know where I'd be without my mum, honestly. | 1:10:42 | 1:10:44 | |
She looks after pretty much everything that I do | 1:10:44 | 1:10:47 | |
and everything that goes on in my life. | 1:10:47 | 1:10:49 | |
It's a bit like having a personal assistant or my own manager. | 1:10:49 | 1:10:52 | |
You could get off the couch and do some work? | 1:10:52 | 1:10:55 | |
I love being a part of The Ramparts, just cos it's like having | 1:10:55 | 1:10:58 | |
17 older brothers. | 1:10:58 | 1:11:00 | |
It means a lot that the lads have trusted me with | 1:11:00 | 1:11:02 | |
this incredibly important solo. | 1:11:02 | 1:11:04 | |
I know the lads are going to be standing behind | 1:11:04 | 1:11:06 | |
me the whole way through - they've got my back. | 1:11:06 | 1:11:08 | |
CHEERING AND APPLAUSE | 1:11:12 | 1:11:14 | |
# I don't know you | 1:11:18 | 1:11:22 | |
# But I want to | 1:11:22 | 1:11:26 | |
# All the more for that | 1:11:26 | 1:11:30 | |
# Words fall through me | 1:11:32 | 1:11:36 | |
# And always fool me | 1:11:36 | 1:11:40 | |
# And I can't react | 1:11:40 | 1:11:44 | |
# And games that never amount | 1:11:47 | 1:11:51 | |
# To more that they're meant | 1:11:51 | 1:11:55 | |
# Will play themselves out | 1:11:55 | 1:11:58 | |
# Ah-ah-ah-ah | 1:11:58 | 1:12:01 | |
# Ah-ah-ah-ah | 1:12:01 | 1:12:04 | |
# Take this sinking boat | 1:12:04 | 1:12:09 | |
# And point it home | 1:12:09 | 1:12:12 | |
# We've still got time | 1:12:12 | 1:12:19 | |
# Raise your hopeful voice | 1:12:19 | 1:12:23 | |
# You have a choice | 1:12:23 | 1:12:26 | |
# You'll make it now... # | 1:12:26 | 1:12:31 | |
Bang on. | 1:12:31 | 1:12:32 | |
# Falling slowly | 1:12:32 | 1:12:36 | |
# Sing your melody | 1:12:36 | 1:12:41 | |
# I'll sing along. # | 1:12:41 | 1:12:48 | |
CHEERING AND APPLAUSE | 1:12:51 | 1:12:53 | |
Mrs Norris, Caitlin, what a performance. | 1:13:08 | 1:13:11 | |
I mean, the whole group, what a performance there. | 1:13:11 | 1:13:14 | |
What did you think? I think Caitlin is really something very special | 1:13:14 | 1:13:17 | |
and someone we need to keep a very close eye on in the future. | 1:13:17 | 1:13:21 | |
That sounds worrying. | 1:13:21 | 1:13:23 | |
LAUGHTER | 1:13:23 | 1:13:24 | |
In a good way! In a good way. | 1:13:24 | 1:13:26 | |
No-one messes with Mrs Norris, do they? | 1:13:26 | 1:13:28 | |
No-one messes. | 1:13:28 | 1:13:30 | |
Well done, Tringers, that was really, really strong. | 1:13:30 | 1:13:32 | |
Now, Nadia, corsetry, a heavy rock beat - | 1:13:32 | 1:13:37 | |
it was all incredibly alluring. | 1:13:37 | 1:13:39 | |
Very, very strong from you. How did you feel, doing that? | 1:13:39 | 1:13:42 | |
It was amazing. It was nerve-racking, but loved it | 1:13:42 | 1:13:45 | |
and it is so great being up here with these guys. It's just... | 1:13:45 | 1:13:48 | |
They give such energy off, it's just awesome. I loved it. | 1:13:48 | 1:13:51 | |
Well done, all of you. That was tremendous. | 1:13:51 | 1:13:53 | |
Now, where is Ruairi? | 1:13:53 | 1:13:55 | |
You are the youngest member of the Ramparts. | 1:13:55 | 1:13:57 | |
How old are you, Ruairi? | 1:13:57 | 1:13:59 | |
17. 17. Did you enjoy it, Ruairi? It was brilliant. | 1:13:59 | 1:14:03 | |
It was a fantastic experience. Yes. | 1:14:03 | 1:14:04 | |
APPLAUSE | 1:14:04 | 1:14:09 | |
So, Gareth, did anyone surprise you up there? | 1:14:09 | 1:14:11 | |
Sorry, we are just arguing. Oh, dear. | 1:14:11 | 1:14:14 | |
Yeah, do you know, it was great. This is a very difficult decision. | 1:14:14 | 1:14:18 | |
Tring - Caitlin. | 1:14:18 | 1:14:20 | |
Beautiful. | 1:14:20 | 1:14:21 | |
Absolutely stunning. I was bewitched by your performance. | 1:14:21 | 1:14:25 | |
It was very moving. | 1:14:25 | 1:14:26 | |
You have had some vocal issues and I can hear a bit of that, | 1:14:26 | 1:14:30 | |
but actually, you were careful, you didn't overblow it. | 1:14:30 | 1:14:33 | |
It was a thrilling performance. | 1:14:33 | 1:14:35 | |
Your voice is beautiful. | 1:14:35 | 1:14:36 | |
We're like athletes and sometimes we get injured. And that's OK, | 1:14:36 | 1:14:39 | |
cos you pressed on. You are doing a really good job. | 1:14:39 | 1:14:41 | |
Caitlin, I think you would have made Bruno Mars very proud tonight. | 1:14:41 | 1:14:44 | |
Really impressive, especially with what you're going through vocally. | 1:14:44 | 1:14:47 | |
That is unbelievable. So, to get up there | 1:14:47 | 1:14:50 | |
with a great group behind you, that can support you, | 1:14:50 | 1:14:53 | |
and also know that you are the right pick for them, | 1:14:53 | 1:14:55 | |
that shows a lot of your team, so good job, guys. | 1:14:55 | 1:14:58 | |
So, Vox-Xover, that was an amazing vocal display from you, | 1:15:01 | 1:15:04 | |
Nadia, quite, quite extraordinarily dramatic. | 1:15:04 | 1:15:07 | |
It was enchanting, it was beautiful, | 1:15:07 | 1:15:10 | |
there were times when the vibrato, sometimes you'd get lost in it, | 1:15:10 | 1:15:13 | |
but that's not necessarily a bad thing. | 1:15:13 | 1:15:15 | |
Pop music translating from that style where you guys come from | 1:15:15 | 1:15:18 | |
can be tricky, but you do it really well. | 1:15:18 | 1:15:20 | |
Well, Nadia, obviously you are a star, | 1:15:20 | 1:15:23 | |
you belong centre stage. | 1:15:23 | 1:15:25 | |
You were like a cake topper, | 1:15:25 | 1:15:26 | |
it was like a very dark cake topper, but... | 1:15:26 | 1:15:29 | |
A terrifying cake! But you were... | 1:15:29 | 1:15:31 | |
I mean, you absolutely are stunning | 1:15:31 | 1:15:33 | |
and there was a few moments there where I kind of felt, | 1:15:33 | 1:15:36 | |
like, in the beauty of the intensity, | 1:15:36 | 1:15:38 | |
I sort of lost the meaning a little bit, | 1:15:38 | 1:15:40 | |
but extremely powerful and that's not easy to do either, | 1:15:40 | 1:15:44 | |
so as far as performance goes, you guys are fabulous! | 1:15:44 | 1:15:47 | |
Now, Joe, a cake topper by the ocean is absolutely fine. | 1:15:47 | 1:15:52 | |
Absolutely fine. | 1:15:52 | 1:15:54 | |
I kind of knew that one was coming. | 1:15:54 | 1:15:56 | |
I'm sorry! Oh, Joe! | 1:15:56 | 1:15:58 | |
Oh, Joe, are you bored of me? | 1:15:58 | 1:16:00 | |
Oh, no! | 1:16:00 | 1:16:01 | |
Are you bored of me? I couldn't... Joe, I couldn't bear that. | 1:16:01 | 1:16:04 | |
No, you have a lot of promises | 1:16:04 | 1:16:05 | |
of taking me out for lots cake in different places, so... | 1:16:05 | 1:16:07 | |
We will do it, not only by the ocean. | 1:16:07 | 1:16:09 | |
I have high expectations. | 1:16:09 | 1:16:11 | |
OK. | 1:16:11 | 1:16:12 | |
Gareth? | 1:16:12 | 1:16:13 | |
Boys - Ruairi, 17! | 1:16:13 | 1:16:16 | |
Lovely, just really sweet, | 1:16:16 | 1:16:17 | |
that was very sensitive, very beautiful. It was. | 1:16:17 | 1:16:20 | |
Not absolutely always in tune, but some very good moments. | 1:16:20 | 1:16:25 | |
I do think, also, that there were some pitchy things there, | 1:16:25 | 1:16:28 | |
but I love the fact that you guys go for it | 1:16:28 | 1:16:30 | |
and then, yeah, Ruairi, like... | 1:16:30 | 1:16:32 | |
Hi! I know who you are! | 1:16:32 | 1:16:36 | |
LAUGHTER | 1:16:36 | 1:16:37 | |
I love that you guys put Ruairi in the front line | 1:16:37 | 1:16:39 | |
because you nailed it, | 1:16:39 | 1:16:40 | |
it was like honey, it was, like, a beautiful, beautiful moment. | 1:16:40 | 1:16:44 | |
You guys did a really good job | 1:16:44 | 1:16:46 | |
and you showed a really romantic side of what you do. | 1:16:46 | 1:16:49 | |
Waiting for a moment where you can really be sentimental and you proved yourselves. | 1:16:49 | 1:16:52 | |
Well, once again, it is decision time. | 1:16:54 | 1:16:56 | |
Judges, please decide the two groups | 1:16:56 | 1:16:59 | |
you want to take into the final battle. | 1:16:59 | 1:17:01 | |
OK, judges, please will you tell us the first group that you want | 1:17:12 | 1:17:16 | |
to go through to the final head-to-head battle and why. | 1:17:16 | 1:17:19 | |
Gareth? | 1:17:19 | 1:17:20 | |
Just because of the sheer joyous nature of their performance | 1:17:20 | 1:17:25 | |
and also a very sensitive song in the solo round... | 1:17:25 | 1:17:30 | |
It's The Ramparts. | 1:17:30 | 1:17:32 | |
CHEERING | 1:17:32 | 1:17:34 | |
Kelis, please tell us the name of the second group | 1:17:47 | 1:17:50 | |
that will be going through to the final battle. | 1:17:50 | 1:17:53 | |
This was hard because, as you know, we don't always agree. | 1:17:53 | 1:17:58 | |
As much as I think we saw some real vocal mastery... | 1:17:58 | 1:18:04 | |
..we're going with Tring. | 1:18:10 | 1:18:12 | |
CHEERING | 1:18:12 | 1:18:15 | |
Oh, Vox-Xover, I'm afraid that means it's the end of your time | 1:18:27 | 1:18:32 | |
with us tonight, but what amazing performances, seriously! | 1:18:32 | 1:18:37 | |
CHEERING | 1:18:37 | 1:18:41 | |
Tring Park 16 and The Ramparts, take a deep breath | 1:18:44 | 1:18:47 | |
and shake it all out, because this is the final battle. | 1:18:47 | 1:18:51 | |
They'll share the same song, taking it in turns to out-sing each other. | 1:18:55 | 1:18:59 | |
While they are performing, our judges here | 1:18:59 | 1:19:01 | |
will be deciding who they want to win tonight's show. | 1:19:01 | 1:19:03 | |
Once they've made up their minds, | 1:19:03 | 1:19:05 | |
our superstar guest judge, Joe Jonas, will join in with | 1:19:05 | 1:19:08 | |
the group that our judges want to take through to the live final. | 1:19:08 | 1:19:12 | |
And they are going to be singing one of this summer's biggest smashes | 1:19:12 | 1:19:16 | |
by none other than our superstar guest judge, | 1:19:16 | 1:19:18 | |
the mighty Joe Jonas, with "Dinces..." | 1:19:18 | 1:19:21 | |
How do you pronounce it? | 1:19:21 | 1:19:22 | |
DNCE. DNCE! | 1:19:22 | 1:19:26 | |
I knew that! I'm down with the kids! You got, you got it. | 1:19:26 | 1:19:29 | |
DNCE's Kissing Strangers. | 1:19:29 | 1:19:31 | |
Now, listen, Joe, you are going to be revealing | 1:19:31 | 1:19:34 | |
who has won tonight's competition. | 1:19:34 | 1:19:36 | |
That's quite a lot of pressure on you. | 1:19:36 | 1:19:39 | |
I'm feeling the pressure. | 1:19:39 | 1:19:40 | |
I mean, these are two amazing groups who have worked really hard | 1:19:40 | 1:19:44 | |
and have a lot of fun doing it | 1:19:44 | 1:19:45 | |
and they've done such a great job and they are both winners tonight. | 1:19:45 | 1:19:48 | |
So, now, fighting for a place in that grand final, | 1:19:48 | 1:19:52 | |
it's the final battle, | 1:19:52 | 1:19:53 | |
with Tring Park 16 versus The Ramparts. | 1:19:53 | 1:19:57 | |
CHEERING | 1:19:57 | 1:19:58 | |
# Hey, I'm just trying to make my way all through this concrete jungle | 1:20:05 | 1:20:11 | |
# Who walks with me? | 1:20:11 | 1:20:13 | |
# Hey, trying to find connections in 2000-something ain't easy | 1:20:13 | 1:20:21 | |
# Woohoo, can't quit | 1:20:21 | 1:20:24 | |
# Take sips | 1:20:24 | 1:20:27 | |
# Wanna taste you | 1:20:27 | 1:20:30 | |
# Ooh, make wish | 1:20:30 | 1:20:33 | |
# Use lips | 1:20:33 | 1:20:36 | |
# Kissing strangers, huh! | 1:20:36 | 1:20:38 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:20:38 | 1:20:42 | |
# Na-na-na na-na-na na-na Kissing strangers, huh! | 1:20:42 | 1:20:46 | |
# Open heart, open mind Never know who you'll find | 1:20:46 | 1:20:49 | |
# Open heart, close your eyes | 1:20:49 | 1:20:51 | |
# Kissing strangers, huh! | 1:20:51 | 1:20:54 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:20:54 | 1:20:58 | |
# Na-na-na na-na-na na-na Kissing strangers, huh! | 1:20:58 | 1:21:02 | |
# Hey-ey, all this information open to interpretation | 1:21:02 | 1:21:07 | |
# Just keep searching | 1:21:07 | 1:21:10 | |
# Hey, hyperventilating Blocking up my circulation | 1:21:10 | 1:21:15 | |
# No waiting | 1:21:15 | 1:21:17 | |
# Woohoo | 1:21:17 | 1:21:19 | |
# Make wish, take sips | 1:21:19 | 1:21:24 | |
# Wanna taste you | 1:21:24 | 1:21:27 | |
# Make wish, use lips | 1:21:27 | 1:21:31 | |
# Kissing strangers, huh! | 1:21:31 | 1:21:34 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:21:34 | 1:21:38 | |
# Na-na-na na-na-na na-na Kissing strangers, huh! | 1:21:38 | 1:21:42 | |
# Open heart, open mind | 1:21:42 | 1:21:44 | |
# Never know who you'll find | 1:21:44 | 1:21:46 | |
# Open heart, close your eyes | 1:21:46 | 1:21:48 | |
# Kissing strangers, huh! | 1:21:48 | 1:21:50 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:21:50 | 1:21:54 | |
# Na-na-na na-na-na na-na Kissing strangers, huh... # | 1:21:54 | 1:21:58 | |
What do you think? Oh, man. You say. | 1:21:58 | 1:22:01 | |
I think we're all in, I think we're agreed. | 1:22:06 | 1:22:09 | |
CHEERING | 1:22:13 | 1:22:16 | |
# ..Na-na-na na-na-na na-na Kissing strangers, huh! | 1:22:21 | 1:22:26 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:22:26 | 1:22:30 | |
# Na-na-na na-na-na na-na Kissing strangers, huh! | 1:22:30 | 1:22:34 | |
# Na-na-na na-na-na na-na Till I find someone I trust | 1:22:34 | 1:22:38 | |
# Na-na-na na-na-na na-na Kissing strangers | 1:22:38 | 1:22:42 | |
# Open heart, open mind Never know who you'll find | 1:22:42 | 1:22:45 | |
# Open heart, close your eyes Kissing strangers, huh! | 1:22:45 | 1:22:50 | |
# Na-na-na na-na-na na-na Till I find someone I love | 1:22:50 | 1:22:54 | |
# Na-na-na na-na-na na-na Kissing strangers, huh! # | 1:22:54 | 1:22:58 | |
CHEERING AND APPLAUSE | 1:23:00 | 1:23:04 | |
Wow. | 1:23:23 | 1:23:25 | |
First of all, The Ramparts, | 1:23:26 | 1:23:30 | |
who brought the Ram-party to the party, | 1:23:30 | 1:23:33 | |
we're so sorry to see you go tonight, Ramparts, | 1:23:33 | 1:23:37 | |
you literally gave it your all, you really did. | 1:23:37 | 1:23:40 | |
CHEERING | 1:23:40 | 1:23:42 | |
Two words, gents, two words - | 1:23:43 | 1:23:45 | |
wild card. | 1:23:45 | 1:23:47 | |
All is not lost. | 1:23:47 | 1:23:48 | |
There will be that cheeky wild card that joins us in the live final. | 1:23:48 | 1:23:53 | |
It could be The Ramparts, who knows? | 1:23:53 | 1:23:55 | |
Still bringing joy, The Ramparts. Still bringing joy! | 1:23:55 | 1:23:59 | |
CHEERING AND APPLAUSE | 1:23:59 | 1:24:01 | |
Now... | 1:24:03 | 1:24:04 | |
Seriously, Tring Park 16, you knocked it out of Tring Park! | 1:24:07 | 1:24:12 | |
Joe, I must ask you, | 1:24:12 | 1:24:14 | |
what was it about these guys that made you choose their path? | 1:24:14 | 1:24:18 | |
I mean, the whole night, they really proved themselves. | 1:24:18 | 1:24:20 | |
From the beginning and then, of course, the solo performance. | 1:24:20 | 1:24:24 | |
Both were great, but they really kind of showed | 1:24:24 | 1:24:26 | |
the judges and myself that they were the winner tonight. | 1:24:26 | 1:24:29 | |
Joe, being an incredibly busy international/global pop star, | 1:24:33 | 1:24:39 | |
you are not actually going to be able to join us, | 1:24:39 | 1:24:41 | |
are you, for the live final? | 1:24:41 | 1:24:43 | |
But never fear, when you lose one Jonas, | 1:24:43 | 1:24:46 | |
you gain another! | 1:24:46 | 1:24:48 | |
So, your lovely brother, Nick, I believe, is going to step in. | 1:24:48 | 1:24:52 | |
Is that really true, Joe? | 1:24:52 | 1:24:55 | |
I'll text him right now and make sure, make sure he shows up. | 1:24:55 | 1:24:58 | |
What are you going to tell him about this group? | 1:24:58 | 1:25:00 | |
I'm going to tell him... Obviously, it's a tough competition, | 1:25:00 | 1:25:03 | |
a lot of incredible performers and groups, | 1:25:03 | 1:25:06 | |
but I've got to give a nice shout-out for my group back here. | 1:25:06 | 1:25:10 | |
They crushed it tonight. | 1:25:10 | 1:25:12 | |
Thank you so much to all of tonight's groups for taking part, | 1:25:14 | 1:25:17 | |
to Deke, to all of our judges | 1:25:17 | 1:25:19 | |
and, most of all, thank you so much to you for watching. | 1:25:19 | 1:25:22 | |
Next week, it's the Pitch Battle live final. | 1:25:22 | 1:25:25 | |
We'll see you again next week. Bye-bye! | 1:25:25 | 1:25:28 | |
The line-up for the grand final is almost complete, | 1:25:30 | 1:25:32 | |
but a lifeline still remains for one of five runners-up. | 1:25:32 | 1:25:36 | |
So, who will Gareth and Kelis pick as their wild card? | 1:25:36 | 1:25:39 | |
If you want youthful exuberance, that's it. | 1:25:39 | 1:25:43 | |
# Don't believe me... # | 1:25:43 | 1:25:45 | |
My kids really loved that. | 1:25:45 | 1:25:46 | |
LMA, they were super fun, super entertaining. | 1:25:46 | 1:25:49 | |
They sound like a choir. Yeah. | 1:25:49 | 1:25:51 | |
# Angel eyes... # | 1:25:52 | 1:25:54 | |
Wow! Yeah, that's great. | 1:25:54 | 1:25:56 | |
# Oh, living on a prayer... # | 1:25:56 | 1:25:59 | |
There's a really nice vintage element about them. | 1:25:59 | 1:26:01 | |
They are born performers. They are very polished, very tight. | 1:26:01 | 1:26:04 | |
# I'm on the edge... # | 1:26:04 | 1:26:06 | |
What Sgarmes gave us was amazing passion. | 1:26:06 | 1:26:08 | |
You know, it's etched on their faces. | 1:26:08 | 1:26:09 | |
They are a community choir, they're from a small town in Wales, | 1:26:09 | 1:26:12 | |
it's just really about the love and the joy of singing. | 1:26:12 | 1:26:15 | |
Charisma and personality. | 1:26:16 | 1:26:17 | |
# I'm in love with the shape of you... # | 1:26:17 | 1:26:20 | |
Warren was winking at me this entire time. | 1:26:20 | 1:26:22 | |
Hilarious! He was winking at me! | 1:26:22 | 1:26:24 | |
Come on, let's make a decision, I don't think it's them. | 1:26:24 | 1:26:26 | |
I think there is a mismatch. I agree. | 1:26:26 | 1:26:28 | |
It's not them, lack of skill. Now we are down to two. | 1:26:28 | 1:26:31 | |
Yeah, we are down to LMA... And Sgarmes. | 1:26:31 | 1:26:33 | |
They're neck-and-neck. | 1:26:33 | 1:26:34 | |
# Only want to see you laughing in the... # | 1:26:34 | 1:26:37 | |
Conor's solo kind of skyrocketed them. | 1:26:37 | 1:26:40 | |
# ..and, honey, I know... # | 1:26:40 | 1:26:42 | |
You know, it's fabulous, OK? That was phenomenal! | 1:26:42 | 1:26:45 | |
I love this kid, | 1:26:45 | 1:26:46 | |
but Kim looked like an absolute star. Here we go. | 1:26:46 | 1:26:49 | |
# Somebody to love... # | 1:26:49 | 1:26:54 | |
I have chills! | 1:26:54 | 1:26:56 | |
# ..Oh oh-oh-oh! # I love her! | 1:26:56 | 1:27:00 | |
OK, done. Yes! | 1:27:00 | 1:27:01 | |
# Hallelujah! # | 1:27:01 | 1:27:04 | |
I think it's a good choice. Wales will thank us. | 1:27:04 | 1:27:07 | |
Bring on the final battle! | 1:27:07 | 1:27:09 | |
So, Sgarmes claim the last spot in the live final, | 1:27:09 | 1:27:11 | |
where they will collaborate with Motown legend Jermaine Jackson. | 1:27:11 | 1:27:15 | |
Completing the all-star line-up are... | 1:27:15 | 1:27:17 | |
Leeds Contemporary Singers with Will Young, | 1:27:17 | 1:27:20 | |
Scot Soul with Chaka Khan, | 1:27:20 | 1:27:21 | |
All The King's Men with Bebe Rexha, | 1:27:21 | 1:27:23 | |
Portsmouth University Gospel Choir with Seal, | 1:27:23 | 1:27:26 | |
and, tonight's victors, Tring Park 16 with Nick Jonas. | 1:27:26 | 1:27:30 | |
You can vote to decide the winner online. | 1:27:30 | 1:27:33 | |
Register now by visiting bbc.co.uk/pitchbattle | 1:27:33 | 1:27:37 | |
and you will also get to pick what Gareth wears | 1:27:37 | 1:27:39 | |
to next Saturday's live final, starting 7.25 on BBC One. | 1:27:39 | 1:27:43 | |
Don't miss it! | 1:27:43 | 1:27:45 | |
30 vocal groups clashed in choral combat - | 1:27:52 | 1:27:55 | |
six survivors now face their toughest battles yet | 1:27:55 | 1:27:58 | |
in the live final. | 1:27:58 | 1:28:00 | |
# Going to take this night... # | 1:28:00 | 1:28:01 | |
I want to, like, hang out with you guys. | 1:28:01 | 1:28:03 | |
# And make it evergreen. # | 1:28:03 | 1:28:05 |