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'Ladies and gentlemen, welcome to Proms In The Park 2012 | 0:00:02 | 0:00:04 | |
'from Titanic Slipways, Belfast.' | 0:00:04 | 0:00:07 | |
ORCHESTRA PLAYS | 0:00:07 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:01:26 | 0:01:28 | |
Ladies and gentlemen, you are very welcome to Proms In The Park 2012, | 0:01:29 | 0:01:35 | |
and in this Titanic Centenary Year, where else could we be | 0:01:35 | 0:01:40 | |
but here at Titanic Belfast, | 0:01:40 | 0:01:42 | |
with 7,000 of us packed into the slipway area | 0:01:42 | 0:01:45 | |
for an evening of memorable music to match this spectacular backdrop? | 0:01:45 | 0:01:49 | |
Absolutely. Tonight of course is a huge celebration of place, | 0:01:49 | 0:01:53 | |
history, heritage and culture, | 0:01:53 | 0:01:55 | |
supported by Belfast City Council and the Northern Ireland Tourist Board. | 0:01:55 | 0:01:59 | |
The orchestra opened this evening with the 633 Squadron, | 0:01:59 | 0:02:02 | |
and we felt that was very appropriate given that we are | 0:02:02 | 0:02:05 | |
so closely situated to our own aviation history. | 0:02:05 | 0:02:09 | |
So right on with the music. | 0:02:09 | 0:02:11 | |
Our first guest is a young woman, | 0:02:11 | 0:02:12 | |
versatile on the classical and the traditional flute. | 0:02:12 | 0:02:15 | |
She's played for kings and queens and heads of state and presidents, | 0:02:15 | 0:02:19 | |
but tonight she's playing for us, | 0:02:19 | 0:02:22 | |
so a big Titanic welcome please for Craigavon's finest, Eimear McGeown. | 0:02:22 | 0:02:26 | |
CHEERING AND APPLAUSE | 0:02:26 | 0:02:28 | |
CHEERING AND APPLAUSE | 0:06:56 | 0:06:58 | |
Eimear, that was absolutely stunning. | 0:07:08 | 0:07:11 | |
How did it feel to be first up there as our first performer this evening? | 0:07:11 | 0:07:14 | |
It was amazing, it really was, and it's good, cos now I can relax | 0:07:14 | 0:07:17 | |
and enjoy the rest of the concert, but, erm, yeah, | 0:07:17 | 0:07:19 | |
I'm just kind of on a bit of a buzz. | 0:07:19 | 0:07:21 | |
Lovely to have you here this evening. Thank you so much indeed. | 0:07:21 | 0:07:23 | |
Now, you all know the story about the visitor to New York who stopped | 0:07:23 | 0:07:26 | |
a passer-by in the street and said, "How do I get to Carnegie Hall?" | 0:07:26 | 0:07:30 | |
And the guy came, sharp as a New York tack, | 0:07:30 | 0:07:33 | |
"Practice, practice, practice." | 0:07:33 | 0:07:35 | |
Well, our next guest got a job as a receptionist at the Hall | 0:07:35 | 0:07:39 | |
in the hope that some passing impresario would listen | 0:07:39 | 0:07:42 | |
to his wonderful humming and give him a job. | 0:07:42 | 0:07:44 | |
He was, of course, a trained musician. | 0:07:44 | 0:07:47 | |
He did eventually win a place | 0:07:47 | 0:07:49 | |
on the coveted Adler Program at San Francisco Opera | 0:07:49 | 0:07:52 | |
and there he got the big break that everyone needs. | 0:07:52 | 0:07:55 | |
Ladies and gentlemen, a big warm Belfast welcome for Noah Stewart. | 0:07:55 | 0:07:59 | |
CHEERING AND APPLAUSE | 0:08:01 | 0:08:03 | |
# Nessun dorma | 0:08:13 | 0:08:18 | |
# Nessun dorma | 0:08:18 | 0:08:25 | |
# Tu pure, o Principessa | 0:08:27 | 0:08:31 | |
# Nella tua fredda stanza | 0:08:31 | 0:08:37 | |
# Guardi le stelle | 0:08:37 | 0:08:41 | |
# Che tremano d'amore | 0:08:41 | 0:08:47 | |
# E di speranza | 0:08:47 | 0:08:53 | |
# Ma il mio mistero e chiuso in me | 0:08:56 | 0:09:03 | |
# Il nome mio nessun sapra | 0:09:03 | 0:09:08 | |
# No, no! | 0:09:08 | 0:09:10 | |
# Sulla tua bocca | 0:09:10 | 0:09:15 | |
# Lo diro | 0:09:15 | 0:09:19 | |
# Quando la luce | 0:09:19 | 0:09:25 | |
# Splendera | 0:09:25 | 0:09:31 | |
# Ed il mio bacio | 0:09:35 | 0:09:40 | |
# Sciogliera il silenzio | 0:09:40 | 0:09:46 | |
# Che ti fa mia | 0:09:46 | 0:09:52 | |
# Dilegua, o notte | 0:10:07 | 0:10:12 | |
# Tramontate, stelle | 0:10:12 | 0:10:16 | |
# Tramontate, stelle | 0:10:16 | 0:10:21 | |
# # All'alba vincero | 0:10:21 | 0:10:27 | |
# Vincero | 0:10:29 | 0:10:32 | |
# Vincero! # | 0:10:33 | 0:10:44 | |
APPLAUSE AND CHEERING | 0:10:54 | 0:10:58 | |
They love it out there! | 0:11:05 | 0:11:07 | |
I can safely say | 0:11:07 | 0:11:08 | |
that you had every lady in the crowd swooning this evening. | 0:11:08 | 0:11:12 | |
HE LAUGHS Am I right, ladies? | 0:11:12 | 0:11:14 | |
-LADIES IN AUDIENCE: -Yeah! | 0:11:14 | 0:11:16 | |
Love you guys. Love you ladies. Love everyone! | 0:11:16 | 0:11:19 | |
Everyone's been so friendly, and I grew up as a kid, | 0:11:19 | 0:11:22 | |
with the story of the Titanic. | 0:11:22 | 0:11:24 | |
So to be here, singing, where it all began, is pretty amazing. | 0:11:24 | 0:11:28 | |
-It's been a dream come true. -Well, it has been lovely. | 0:11:28 | 0:11:30 | |
A dream come true for all of us here to have you here this evening. | 0:11:30 | 0:11:33 | |
Noah, for the moment, thank you very much indeed. Back to you, Noel. | 0:11:33 | 0:11:36 | |
APPLAUSE AND CHEERING | 0:11:36 | 0:11:39 | |
All the ladies swooning? She never says that about me. | 0:11:39 | 0:11:43 | |
Changing the mood completely now, | 0:11:43 | 0:11:46 | |
the Chronicles Of Narnia are, of course, children's classics, | 0:11:46 | 0:11:50 | |
written by CS Lewis, | 0:11:50 | 0:11:51 | |
who was brought up not far from here in East Belfast. | 0:11:51 | 0:11:54 | |
There are a number of stories, | 0:11:54 | 0:11:56 | |
a number of books in the series, of course, | 0:11:56 | 0:11:58 | |
but we're going to hear now Geoffrey Burgon's composition | 0:11:58 | 0:12:00 | |
for the most famous of them all, | 0:12:00 | 0:12:02 | |
The Lion, The Witch And The Wardrobe. | 0:12:02 | 0:12:06 | |
APPLAUSE AND CHEERING | 0:13:40 | 0:13:45 | |
It's always a great pleasure at Proms In The Park | 0:13:46 | 0:13:49 | |
to showcase local talent, and we're about to meet a man now | 0:13:49 | 0:13:52 | |
who's making a real name for himself. | 0:13:52 | 0:13:54 | |
Some of these guys have been together | 0:13:54 | 0:13:55 | |
since they were in their teens. | 0:13:55 | 0:13:57 | |
Right now, they're about to embark on a tour of the US and the UK | 0:13:57 | 0:14:01 | |
and to record a second album. | 0:14:01 | 0:14:03 | |
So, ladies and gentlemen, a big round of applause please, | 0:14:03 | 0:14:05 | |
for Foy Vance. | 0:14:05 | 0:14:09 | |
# The scenery's changing | 0:14:11 | 0:14:15 | |
# And it warms my soul | 0:14:15 | 0:14:19 | |
# I'm 200 miles done | 0:14:20 | 0:14:22 | |
# And a long way yet to go | 0:14:22 | 0:14:25 | |
# So get your boots on | 0:14:26 | 0:14:30 | |
# And your walking coat | 0:14:30 | 0:14:34 | |
# We'll together leave our footprints out upon the virgin snow | 0:14:34 | 0:14:41 | |
# That ancient sunrise | 0:14:41 | 0:14:45 | |
# Will soon descend | 0:14:45 | 0:14:49 | |
# We'll be left here pondering on the things which we can't mend | 0:14:49 | 0:14:55 | |
# So let's start over | 0:14:56 | 0:15:00 | |
# With no means to an end | 0:15:00 | 0:15:05 | |
# Just an open-hearted hope And a closed hand full of friends | 0:15:05 | 0:15:10 | |
# Yeah, well, livin' was all right But I was dead in the water | 0:15:15 | 0:15:19 | |
# Couldn't see in its light I couldn't kneel at its altar | 0:15:19 | 0:15:23 | |
# All I wanted was to tear it right down to the ground | 0:15:23 | 0:15:26 | |
# But I'm feelin' all right now | 0:15:26 | 0:15:31 | |
# Yeah, I'm feelin' all right | 0:15:31 | 0:15:36 | |
# Every morning | 0:15:40 | 0:15:43 | |
# When the coffee's on | 0:15:43 | 0:15:47 | |
# I rediscover that colour of your eyes that is golden as bronze | 0:15:47 | 0:15:53 | |
# In the moonlight | 0:15:55 | 0:15:58 | |
# We'll get the candles going | 0:15:58 | 0:16:02 | |
# With the recitations of the parish poets on our tongues | 0:16:02 | 0:16:09 | |
# Yeah, well, it was all right But I was dead in the water | 0:16:12 | 0:16:17 | |
# Couldn't see in its light I couldn't kneel at its altar | 0:16:17 | 0:16:20 | |
# All I wanted was to tear it right down to the ground | 0:16:20 | 0:16:25 | |
# Oh, and I'm feeling all right now | 0:16:25 | 0:16:29 | |
# From the wolves and the vultures | 0:16:29 | 0:16:32 | |
# I want to hide it all away | 0:16:32 | 0:16:37 | |
# But I'm feelin' all right now | 0:16:37 | 0:16:40 | |
# Yeah, I'm feelin' all right | 0:16:40 | 0:16:45 | |
# I-I-I-II | 0:16:45 | 0:16:51 | |
# In the recitations of the parish poets | 0:16:54 | 0:16:57 | |
# In the building of the bowers and the long tables | 0:16:57 | 0:17:02 | |
# I will find my means to an end | 0:17:02 | 0:17:05 | |
# With an open-hearted hope | 0:17:05 | 0:17:07 | |
# And a closed hand full of friends | 0:17:07 | 0:17:09 | |
# In the recitations of the parish poets | 0:17:09 | 0:17:13 | |
# In the building with the bowers and the long tables | 0:17:13 | 0:17:16 | |
# Will find my means to an end | 0:17:16 | 0:17:20 | |
# With an open-hearted hope | 0:17:20 | 0:17:22 | |
# And a closed hand full of friends | 0:17:22 | 0:17:25 | |
# In the recitations of the parish poets | 0:17:25 | 0:17:28 | |
# In the building of the bowers and the long tables | 0:17:28 | 0:17:31 | |
# I will find my means to an end | 0:17:31 | 0:17:35 | |
# With an open-hearted hope | 0:17:35 | 0:17:37 | |
# And a closed hand full of friends. # | 0:17:37 | 0:17:41 | |
APPLAUSE AND CHEERING | 0:17:44 | 0:17:47 | |
# Oh, well, the air is cold | 0:18:23 | 0:18:26 | |
# Yonder lies my sleeping soul | 0:18:29 | 0:18:34 | |
# Now the branches are broke like bones | 0:18:36 | 0:18:41 | |
# All this weakened tree no longer holds | 0:18:44 | 0:18:48 | |
# But the night is still | 0:18:54 | 0:18:58 | |
# And I have not yet lost my way | 0:18:58 | 0:19:04 | |
# And I will keep on movin' till | 0:19:06 | 0:19:12 | |
# I find my way home | 0:19:14 | 0:19:19 | |
# So when I need to get home | 0:19:23 | 0:19:30 | |
# You're my guiding light | 0:19:30 | 0:19:32 | |
# You're my guiding light | 0:19:32 | 0:19:36 | |
# When I need to get home | 0:19:39 | 0:19:44 | |
# You're my guiding light | 0:19:44 | 0:19:47 | |
# You're my guiding light | 0:19:47 | 0:19:52 | |
# When I need to get home | 0:19:54 | 0:19:59 | |
# You're my guiding light | 0:19:59 | 0:20:02 | |
# You're my guiding light | 0:20:02 | 0:20:07 | |
# When I need to get home | 0:20:10 | 0:20:14 | |
# You're my guiding light | 0:20:14 | 0:20:18 | |
# You're my guiding light | 0:20:18 | 0:20:22 | |
# So lead me home | 0:20:22 | 0:20:24 | |
# And lead me strong | 0:20:24 | 0:20:30 | |
# Like the road I walk on | 0:20:30 | 0:20:35 | |
# When I need to get home | 0:20:39 | 0:20:45 | |
# You're my guiding light | 0:20:45 | 0:20:48 | |
# You're my guiding light. # | 0:20:48 | 0:20:54 | |
APPLAUSE AND CHEERING | 0:20:57 | 0:21:00 | |
Well, what can I say about our next performers? | 0:21:06 | 0:21:11 | |
Francis I, well, he formed the original group. | 0:21:11 | 0:21:14 | |
Francis II, he only influenced Bob Dylan. | 0:21:14 | 0:21:17 | |
Francis III, he taught John Lennon to play the uilleann pipes. | 0:21:17 | 0:21:21 | |
And Francis IV, well, he has now formed the new supergroup. | 0:21:21 | 0:21:25 | |
Ladies and gentlemen, I give you Belfast's own McPeake. | 0:21:25 | 0:21:28 | |
APPLAUSE AND CHEERING | 0:21:28 | 0:21:31 | |
APPLAUSE AND CHEERING | 0:24:49 | 0:24:52 | |
A very special person is going to join us on stage now. | 0:24:54 | 0:24:58 | |
He's my father, he's Francis McPeake III, | 0:24:58 | 0:25:02 | |
and I'm absolutely delighted for him to come on | 0:25:02 | 0:25:05 | |
and join us in this next song. | 0:25:05 | 0:25:08 | |
Please put your hands together for Francis McPeake. | 0:25:08 | 0:25:11 | |
APPLAUSE AND CHEERING | 0:25:11 | 0:25:13 | |
# Oh, the summer time is coming | 0:25:17 | 0:25:24 | |
# And the trees are sweetly blooming | 0:25:26 | 0:25:36 | |
# And the wild mountain thyme | 0:25:36 | 0:25:41 | |
# Grows around that blooming heather | 0:25:44 | 0:25:51 | |
# Will ye go, lassie, go? | 0:25:51 | 0:26:00 | |
# And I will build my love a tower | 0:26:18 | 0:26:25 | |
# By yon clear, crystal fountain | 0:26:27 | 0:26:34 | |
# And on it I'll pile | 0:26:36 | 0:26:41 | |
# All the flowers of the mountain | 0:26:43 | 0:26:50 | |
# Will ye go, lassie, go? | 0:26:52 | 0:26:59 | |
# And we'll all go together | 0:27:00 | 0:27:09 | |
# To pull wild mountain thyme | 0:27:09 | 0:27:14 | |
# All around the blooming heather | 0:27:17 | 0:27:24 | |
# Will ye go, lassie, go? | 0:27:24 | 0:27:32 | |
# And if my true love, she were gone | 0:28:05 | 0:28:13 | |
# I would surely find another | 0:28:13 | 0:28:21 | |
# To pull wild mountain thyme | 0:28:21 | 0:28:28 | |
# All around the blooming heather | 0:28:30 | 0:28:37 | |
# Will ye go, lassie, go? | 0:28:37 | 0:28:45 | |
# And we'll all go together | 0:28:46 | 0:28:54 | |
# To pull wild mountain thyme | 0:28:54 | 0:29:00 | |
# All around the blooming heather | 0:29:02 | 0:29:10 | |
# Will ye go, lassie, go? | 0:29:10 | 0:29:16 | |
# And we'll all go together | 0:29:18 | 0:29:25 | |
# To the wild mountain thyme | 0:29:25 | 0:29:32 | |
# All around the blooming heather | 0:29:34 | 0:29:41 | |
# Will ye go, lassie, go? # | 0:29:42 | 0:29:48 | |
APPLAUSE AND CHEERING | 0:30:20 | 0:30:22 | |
Thank you very much. | 0:30:22 | 0:30:23 | |
I think they enjoyed it out there. | 0:30:41 | 0:30:43 | |
Not a dry eye in the house, I imagine. | 0:30:43 | 0:30:44 | |
It's great to be able to come and play the Belfast song | 0:30:44 | 0:30:50 | |
to the Belfast people on such a night, | 0:30:50 | 0:30:52 | |
on such an occasion. | 0:30:52 | 0:30:54 | |
And thank you very much, and I hope you did enjoy it. | 0:30:54 | 0:30:57 | |
Francis IV, Francis III, lovely to have you here. | 0:30:57 | 0:31:00 | |
-Thank you very much for having us. -Continued success. Thank you very much indeed. | 0:31:00 | 0:31:03 | |
APPLAUSE | 0:31:03 | 0:31:06 | |
Few people have made more impact on movie music than Marvin Hamlisch. | 0:31:06 | 0:31:11 | |
He's won Grammys, Oscars, Tonys, Pulitzers, Golden Globes - | 0:31:11 | 0:31:14 | |
you name it, he's won it for his more than 40 film scores. | 0:31:14 | 0:31:17 | |
We're going to hear the melancholic, the memorable, The Way We Were. | 0:31:17 | 0:31:22 | |
APPLAUSE AND CHEERING | 0:34:31 | 0:34:34 | |
Not a dry eye in the house. | 0:34:40 | 0:34:42 | |
Let's liven things up a bit. Paul McCartney's Live And Let Die | 0:34:42 | 0:34:47 | |
is perhaps the most memorable of all the Bond themes. | 0:34:47 | 0:34:49 | |
Christopher, I want you to leave them stirred but not shaken. | 0:34:49 | 0:34:54 | |
APPLAUSE AND CHEERING | 0:36:49 | 0:36:52 | |
Our next guest has been an international singing star | 0:36:54 | 0:36:59 | |
for a decade already, | 0:36:59 | 0:37:01 | |
although she's still only 25 years old. | 0:37:01 | 0:37:04 | |
Yes, unbelievable. She started out busking, would you believe, | 0:37:04 | 0:37:08 | |
in her native New Zealand, | 0:37:08 | 0:37:10 | |
but she is now her country's most successful ever recording artist. | 0:37:10 | 0:37:14 | |
Please give a big Belfast welcome to Hayley Westenra. | 0:37:14 | 0:37:19 | |
APPLAUSE AND CHEERING | 0:37:19 | 0:37:22 | |
# Whispers in a dream | 0:37:37 | 0:37:42 | |
# The world is quiet and waiting | 0:37:44 | 0:37:48 | |
# And all around the air is still | 0:37:51 | 0:37:57 | |
# Then sings the angel | 0:37:57 | 0:38:03 | |
# When all is come to pass | 0:38:03 | 0:38:08 | |
# The storm has breathed its last | 0:38:08 | 0:38:12 | |
# And the rain | 0:38:12 | 0:38:16 | |
# Has washed our fears away | 0:38:16 | 0:38:21 | |
# Love will fall | 0:38:21 | 0:38:30 | |
# Whispers in the wind | 0:38:35 | 0:38:39 | |
# The clouds part to let the light in | 0:38:39 | 0:38:44 | |
# And all around the people sigh | 0:38:46 | 0:38:51 | |
# As birds take to the sky | 0:38:51 | 0:38:57 | |
# When all is come to pass | 0:38:57 | 0:39:02 | |
# The storm has breathed its last | 0:39:02 | 0:39:06 | |
# And the rain | 0:39:06 | 0:39:09 | |
# Has washed our fears away | 0:39:09 | 0:39:15 | |
# Love will fall | 0:39:15 | 0:39:23 | |
# On us all | 0:39:23 | 0:39:33 | |
# The world will smile | 0:39:38 | 0:39:44 | |
# Again | 0:39:46 | 0:39:53 | |
# Whispers in a dream | 0:39:56 | 0:40:01 | |
# The world is quiet and waiting | 0:40:01 | 0:40:07 | |
# And all around the air is still | 0:40:08 | 0:40:14 | |
# Then sings the angel | 0:40:14 | 0:40:20 | |
# When all is come to pass | 0:40:20 | 0:40:24 | |
# The storm has breathed its last | 0:40:24 | 0:40:28 | |
# And the rain | 0:40:28 | 0:40:31 | |
# Has washed our fears away | 0:40:31 | 0:40:37 | |
# Love will fall | 0:40:37 | 0:40:46 | |
# On us all | 0:40:46 | 0:40:55 | |
# And we can smile | 0:41:00 | 0:41:08 | |
# Again. # | 0:41:08 | 0:41:15 | |
APPLAUSE AND CHEERING | 0:41:19 | 0:41:23 | |
Thank you. How's everyone tonight? | 0:41:33 | 0:41:37 | |
CROWD CHEERS | 0:41:37 | 0:41:38 | |
It's so, so wonderful just to be here with you all in Belfast | 0:41:38 | 0:41:42 | |
at this very iconic place on such a beautiful evening. | 0:41:42 | 0:41:46 | |
I'm really, really thrilled to be back. | 0:41:46 | 0:41:49 | |
I've been here a few times and so I'm feeling... | 0:41:49 | 0:41:51 | |
I'm feeling quite at home here. | 0:41:51 | 0:41:53 | |
# I dreamed a dream in time gone by | 0:42:09 | 0:42:16 | |
# When hope was high and life worth living | 0:42:16 | 0:42:22 | |
# I dreamed that love would never die | 0:42:24 | 0:42:31 | |
# I dreamed that God would be forgiving | 0:42:31 | 0:42:38 | |
# I was young and unafraid | 0:42:38 | 0:42:45 | |
# And dreams were made and used and wasted | 0:42:45 | 0:42:52 | |
# There was no ransom to be paid | 0:42:53 | 0:43:00 | |
# No song unsung, no wine untasted | 0:43:01 | 0:43:07 | |
# But the tigers come at night | 0:43:09 | 0:43:13 | |
# With their voices soft as thunder | 0:43:17 | 0:43:24 | |
# As they tear your hope apart | 0:43:24 | 0:43:31 | |
# As they turn your dreams to shame | 0:43:31 | 0:43:45 | |
# He slept a summer by my side | 0:43:47 | 0:43:53 | |
# He filled my days with endless wonder | 0:43:55 | 0:44:01 | |
# He took my childhood in his stride | 0:44:02 | 0:44:09 | |
# But he was gone when autumn came | 0:44:09 | 0:44:14 | |
# And still I dream he'll come to me | 0:44:20 | 0:44:27 | |
# That we will live the years together | 0:44:27 | 0:44:34 | |
# But there are dreams that cannot be | 0:44:34 | 0:44:41 | |
# And there are storms we cannot weather | 0:44:41 | 0:44:47 | |
# I had a dream my life would be | 0:44:51 | 0:44:57 | |
# So different from this hell I'm living | 0:44:57 | 0:45:02 | |
# So different now from what it seemed | 0:45:02 | 0:45:06 | |
# Now life has killed the dream I dreamed. # | 0:45:08 | 0:45:23 | |
APPLAUSE AND CHEERING | 0:45:34 | 0:45:37 | |
Thank you. | 0:45:39 | 0:45:42 | |
I want you all just to look around you | 0:45:53 | 0:45:55 | |
and think of this place that we are in, this very special place, | 0:45:55 | 0:45:59 | |
where the world's most famous ship set sail from in April 1912. | 0:45:59 | 0:46:03 | |
When the Titanic embarked on her maiden voyage, | 0:46:03 | 0:46:05 | |
the world was full of hope and awe, | 0:46:05 | 0:46:07 | |
and this next piece reflects beautifully | 0:46:07 | 0:46:09 | |
both the excitement and despair. | 0:46:09 | 0:46:12 | |
This is Titanic Suite. | 0:46:12 | 0:46:14 | |
APPLAUSE AND CHEERING | 0:51:47 | 0:51:50 | |
# Nearer, my God, to Thee | 0:52:27 | 0:52:34 | |
# Nearer to Thee | 0:52:34 | 0:52:39 | |
# E'en though it be a cross | 0:52:39 | 0:52:46 | |
# That raiseth me | 0:52:46 | 0:52:54 | |
# Still all my song be | 0:52:57 | 0:53:05 | |
# Nearer, my God, to Thee | 0:53:05 | 0:53:12 | |
# Nearer, my God, to Thee | 0:53:12 | 0:53:19 | |
# Nearer to Thee | 0:53:19 | 0:53:24 | |
# Though like the wanderer | 0:53:30 | 0:53:38 | |
# The sun gone down | 0:53:38 | 0:53:44 | |
# Darkness be over me | 0:53:44 | 0:53:51 | |
# My rest a stone | 0:53:51 | 0:53:58 | |
# Yet in my dreams I'd be | 0:53:58 | 0:54:05 | |
# Nearer, my God, to Thee | 0:54:05 | 0:54:12 | |
# Nearer, my God, to Thee | 0:54:12 | 0:54:21 | |
# Nearer to Thee | 0:54:21 | 0:54:29 | |
# Or if on joyful wing | 0:54:32 | 0:54:39 | |
# Cleaving the sky | 0:54:39 | 0:54:46 | |
# Sun, moon, and stars forgot | 0:54:46 | 0:54:53 | |
# Upwards I fly | 0:54:53 | 0:55:00 | |
# Still all my song shall be | 0:55:00 | 0:55:08 | |
# Nearer, my God, to Thee | 0:55:08 | 0:55:22 | |
# Nearer, my God, to Thee | 0:55:26 | 0:55:32 | |
# Nearer to Thee | 0:55:32 | 0:55:41 | |
# Nearer | 0:55:43 | 0:55:51 | |
# To Thee. # | 0:55:51 | 0:56:02 | |
APPLAUSE AND CHEERING | 0:56:02 | 0:56:05 | |
So, ladies and gentlemen, we've had solemnity this evening, | 0:56:39 | 0:56:43 | |
we have always had that feeling of pride in the Titanic. | 0:56:43 | 0:56:47 | |
I think we've mirrored that pride in what has become of this site | 0:56:47 | 0:56:52 | |
and, indeed, how we have celebrated tonight. | 0:56:52 | 0:56:55 | |
APPLAUSE AND CHEERING | 0:56:55 | 0:56:59 | |
Our thanks, as ever, to the Ulster Orchestra, | 0:56:59 | 0:57:02 | |
with their leader, Tomas Kocsis. | 0:57:02 | 0:57:04 | |
APPLAUSE AND CHEERING | 0:57:04 | 0:57:06 | |
And Christopher Bell! | 0:57:06 | 0:57:09 | |
APPLAUSE AND CHEERING | 0:57:09 | 0:57:12 | |
Now, then, get ready to kick up your heels for Offenbach, | 0:57:12 | 0:57:16 | |
the Can-Can from Orpheus In The Underworld. | 0:57:16 | 0:57:19 | |
-From Proms In The Park, good night! -Good night! | 0:57:19 | 0:57:22 | |
CHEERING | 0:58:51 | 0:58:53 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |