Browse content similar to 14/09/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome Singleton Park where we have a | :00:00. | :00:07. | |
stallar Singleton Park where we have a | :00:08. | :00:10. | |
stellar line-up for you. An international Welsh superstar who | :00:11. | :00:12. | |
stellar line-up for you. An has flown across Europe to perform | :00:13. | :00:13. | |
here this evening. She is one of the has flown across Europe to perform | :00:14. | :00:17. | |
finest of her generation. has flown across Europe to perform | :00:18. | :00:20. | |
finect of her generation. And a finest of her generation. And a | :00:21. | :00:21. | |
brand-new Welsh singer-songwriter who is making a name for herself. It | :00:22. | :00:24. | |
can only be BBC Proms in the cal only `e B C Proms in the Park | :00:25. | :00:25. | |
2014. Good evening, Swansea. It is lovely | :00:26. | :01:22. | |
to be back. I'm Tim Rhys-Evans. Good evening, Swansea. It is lovely | :01:23. | :01:43. | |
Josie d'Arby. Tonight, we are Josie d'Apbq. Tolight, ve are here | :01:44. | :01:49. | |
to celebrate the Last Night Josie d'Apbq. Tolight, ve are here | :01:50. | :01:56. | |
Proms. We begin with music from one of Wales' most talented sons, who | :01:57. | :01:58. | |
Proms. We begin with music from one celebrated his 70th birthday this | :01:59. | :02:03. | |
year. Karl Jenkins is one of the UK's most popular contemporary | :02:04. | :02:05. | |
coiposers UK's most popular contemporary | :02:06. | :02:06. | |
composers and one of Wales' most UK's most popular contemporary | :02:07. | :02:08. | |
versatile musicians. From the first UK's most popular contemporary | :02:09. | :02:13. | |
album in the Songs of Sanctuary series, thic is | :02:14. | :02:18. | |
album in the Songs of Sanctuary series, this is the opening | :02:19. | :03:08. | |
Our first geest hs Casi, she is part of The Horizons music scheme, | :03:09. | :05:24. | |
of T`e Horirons lusic sbheme, delivered in partnership with Art | :05:25. | :05:26. | |
of T`e Horirons lusic sbheme, Council Wales. At the moment, I am | :05:27. | :05:33. | |
fealang Council Wales. At the moment, I am | :05:34. | :05:33. | |
feeling quite calm. Council Wales. At the moment, I am | :05:34. | :05:35. | |
feelang quide calm. But, Council Wales. At the moment, I am | :05:36. | :05:35. | |
feeling quite calm. But, probably, feelang quide calm. ut, probably, | :05:36. | :05:36. | |
later on, when I hear the feelang quide calm. ut, probably, | :05:37. | :05:38. | |
lateb on, w`en I hear the whole feelang quide calm. ut, probably, | :05:39. | :05:38. | |
concert feelang quide calm. ut, probably, | :05:39. | :05:39. | |
colcert stabting, the feelang quide calm. ut, probably, | :05:40. | :05:39. | |
concert starting, the excitement feelang quide calm. ut, probably, | :05:40. | :05:40. | |
will probably pump and kick in then. feelang quide calm. ut, probably, | :05:41. | :05:42. | |
What songs gill you be feelang quide calm. ut, probably, | :05:43. | :05:45. | |
What songs will you be singing? I'm singang | :05:46. | :05:45. | |
What songs will you be singing? I'm singing songs that started out with | :05:46. | :05:47. | |
What songs will you be singing? I'm me and the piano in my room. They | :05:48. | :05:50. | |
What songs will you be singing? I'm are specially arranged | :05:51. | :05:50. | |
What songs will you be singing? I'm ara cpecially arpanged for | :05:51. | :05:51. | |
are specially arranged for tonight. Tell us about that. We | :05:52. | :05:55. | |
are specially arranged for tonight. Tell us a`oet th`t. We vere | :05:56. | :05:56. | |
Tell us about that. We were in Cardaff | :05:57. | :05:57. | |
Tell us about that. We were in the | :05:58. | :05:59. | |
Tell us about that. We were in tha first tame I | :06:00. | :06:00. | |
Tell us about that. We were in the first time I got to | :06:01. | :06:00. | |
Tell us about that. We were in tha first tame I got to hear | :06:01. | :06:00. | |
Tell us about that. We were in the first time I got to hear my | :06:01. | :06:01. | |
coipositionc the first time I got to hear my | :06:02. | :06:01. | |
compositions being performed with a compositionc beilg performed with a | :06:02. | :06:03. | |
full orchestra. It was a feeling compositionc beilg performed with a | :06:04. | :06:05. | |
that I probably won't be able to compositionc beilg performed with a | :06:06. | :06:09. | |
describe, compositionc beilg performed with a | :06:10. | :06:09. | |
descbibe, bet it compositionc beilg performed with a | :06:10. | :06:10. | |
describe, but it was phenomenal so compositionc beilg performed with a | :06:11. | :06:11. | |
can't wait to hear them again can'd wait do hear them again | :06:12. | :06:13. | |
tonight Now, our next guest has moved heaven | :06:14. | :09:16. | |
and earth to be with us and crossed Now, our next guest has moved heaven | :09:17. | :09:22. | |
rivers and mountains to join us this evanang | :09:23. | :09:22. | |
rivers and mountains to join us this evening - and I mean that. He is | :09:23. | :09:24. | |
rivers and mountains to join us this of the greatest singers on the | :09:25. | :09:26. | |
planet. I can't quite believe we of the greatest singers on the | :09:27. | :09:32. | |
have got him tonight, so Swansea, go wihd, | :09:33. | :09:32. | |
have got him tonight, so Swansea, go wild, go crazy for Mr Bryn Terfel. | :09:33. | :09:34. | |
You have come a long here? Yes, I was singing in the | :09:35. | :09:58. | |
Vienna State Opera Last Night, I did foqr | :09:59. | :09:58. | |
Vienna State Opera Last Night, I did four performances there, got up at | :09:59. | :10:01. | |
foqr performances there, got up at 4.00am, went to the | :10:02. | :10:02. | |
foqr performances there, got up at 4.00am, wend to the airport. It is a | :10:03. | :10:03. | |
4.00am, went to the airport. It is a lolg | :10:04. | :10:03. | |
4.00am, went to the airport. It is a long way from the | :10:04. | :10:04. | |
4.00am, went to the airport. It is a lolg way drom thd centre of | :10:05. | :10:05. | |
4.00am, went to the airport. It is a long way from the centre of Vienna | :10:06. | :10:05. | |
4.00am, went to the airport. It is a into the airport - about an | :10:06. | :10:08. | |
4.00am, went to the airport. It is a had do be | :10:09. | :10:08. | |
4.00am, went to the airport. It is a had to be there ready in | :10:09. | :10:09. | |
4.00am, went to the airport. It is a had do be t`ere peady in time. I | :10:10. | :10:10. | |
had to be there ready in time. I have | :10:11. | :10:11. | |
had to be there ready in time. I hate been | :10:12. | :10:12. | |
had to be there ready in time. I have been tweeting and Facebooking, | :10:13. | :10:13. | |
"On my way, have been tweeting and Facebooking, | :10:14. | :10:14. | |
"On my wax, on mx way." have been tweeting and Facebooking, | :10:15. | :10:14. | |
"On my way, on my way." The plane have been tweeting and Facebooking, | :10:15. | :10:15. | |
was on time. The journey was have been tweeting and Facebooking, | :10:16. | :10:18. | |
perfect. We arrived to sunshine. Wonderful. You have got a very tight | :10:19. | :10:20. | |
perfect. We arrived to sunshine. schedule. When you have been looking | :10:21. | :10:24. | |
perfect. We arrived to sunshine. ahead and seen Proms in the Park, is | :10:25. | :10:26. | |
that something you have been looking that somethang ynu have been looking | :10:27. | :10:28. | |
forward to? I have that somethang ynu have been looking | :10:29. | :10:30. | |
about getting here. That hurdle that somethang ynu have been looking | :10:31. | :10:31. | |
done now. I can think about my works that somethang ynu have been looking | :10:32. | :10:34. | |
and my songs and what that somethang ynu have been looking | :10:35. | :10:35. | |
and my solgc and what h`ppens nn the that somethang ynu have been looking | :10:36. | :10:36. | |
day here. My parents have that somethang ynu have been looking | :10:37. | :10:37. | |
day here. Mq parents have come day here. My parents have come down | :10:38. | :10:38. | |
from North Wales. So it will be day here. My parents have come down | :10:39. | :10:41. | |
really exciting to perform once again in Wales. This is your | :10:42. | :10:45. | |
really exciting to perform once Proms in the Park, which has its own | :10:46. | :10:47. | |
really exciting to perform once special quality? Yes, I won't know | :10:48. | :10:49. | |
really exciting to perform once until I have dond at. | :10:50. | :10:51. | |
really exciting to perform once until I have done it. You know, I'm | :10:52. | :10:52. | |
unpil h`ve dond at. You know, I'm in the right place. I'm in Wales. | :10:53. | :10:54. | |
unpil h`ve dond at. You know, I'm I'm in South Wales. It is amazing to | :10:55. | :11:00. | |
unpil h`ve dond at. You know, I'm sing | :11:01. | :11:00. | |
unpil h`ve dond at. You know, I'm silg a couple of | :11:01. | :11:01. | |
unpil h`ve dond at. You know, I'm sing a couple of songs and be a | :11:02. | :11:03. | |
unpil h`ve dond at. You know, I'm of this Last Night once again. It is | :11:04. | :11:05. | |
unpil h`ve dond at. You know, I'm tremendous. Yes. The | :11:06. | :11:13. | |
unpil h`ve dond at. You know, I'm tramendous. Yes. T`e next song is | :11:14. | :11:14. | |
unpil h`ve dond at. You know, I'm written by a | :11:15. | :11:14. | |
unpil h`ve dond at. You know, I'm writden by a school | :11:15. | :11:15. | |
unpil h`ve dond at. You know, I'm written by a school teacher in Las | :11:16. | :11:17. | |
unpil h`ve dond at. You know, I'm Vegas. It is called Homeward Bound. | :11:18. | :11:19. | |
unpil h`ve dond at. You know, I'm This appealed to me being a | :11:20. | :11:21. | |
unpil h`ve dond at. You know, I'm son from North Wales. | :11:22. | :11:42. | |
# When the sparrows the moon has gone to bed, | :11:43. | :12:06. | |
# Phen thd gind vill set me rabing as my journey nears its end, | :12:07. | :13:58. | |
# And the path I'll be retracing when I'm homeward bound again. | :13:59. | :14:24. | |
# Sed me dree to fand mx calling and I'll return to you somehow. | :14:25. | :14:51. | |
# Set me free to find my calling and I'll return to you somehow. | :14:52. | :16:34. | |
# Set me free to find my calling and I'll return to you somehow. | :16:35. | :17:04. | |
She was 12 years the BBC Young Musician title back in | :17:05. | :18:20. | |
tha BB Young Murician title b`ck in 2002. Still, only 24, Jennifer Pike | :18:21. | :18:23. | |
tha BB Young Murician title b`ck in is widely regarded as one of the | :18:24. | :18:25. | |
tha BB Young Murician title b`ck in most gifted performers of | :18:26. | :18:27. | |
tha BB Young Murician title b`ck in most gifted performers nf her | :18:28. | :18:29. | |
generation and, ladies and gentlemen, a truly lovely pErsnn, | :18:30. | :18:30. | |
gentlemen, a truly lovely person, too. She's an demand around | :18:31. | :18:32. | |
gentlemen, a truly lovely person, world and we are delighted that | :18:33. | :18:34. | |
gentlemen, a truly lovely person, she's with us tonight. Please | :18:35. | :18:37. | |
gentlemen, a truly lovely person, her a very warm Swansea welcome. | :18:38. | :18:43. | |
I know you did Glasgow last year. This year, Swansea. How's | :18:44. | :18:50. | |
I know you did Glasgow last year. reception been? Fantastic. | :18:51. | :18:53. | |
I know you did Glasgow last year. welcoming. And we have got our own | :18:54. | :18:55. | |
I know you did Glasgow last year. caravan backstage, which is | :18:56. | :18:58. | |
incredible! All in all, five-stars from me! Tell us about your | :18:59. | :19:01. | |
incredible! All in all, five-stars repertoire for this evening? I will | :19:02. | :19:04. | |
repebtoire for this evening? I will be playing the Last Movement of the | :19:05. | :19:09. | |
Tchaikovsky Concerto in t`e first be playing the Last Movement of the | :19:10. | :19:11. | |
half. I can play better than be playing the Last Movement of the | :19:12. | :19:14. | |
speak! It is a fantastic be playing the Last Movement of the | :19:15. | :19:16. | |
piece to bring be playing the Last Movement of the | :19:17. | :19:17. | |
piece to `rang the house be playing the Last Movement of the | :19:18. | :19:17. | |
piece to bring the house down, hopefully, | :19:18. | :20:19. | |
MUSIC: Violin Concerto By | :20:20. | :24:09. | |
Tha gondepfel Jelnafer change of mood now, although the | :24:10. | :24:27. | |
Tha gondepfel Jelnafer title of the next piece may feel a | :24:28. | :24:30. | |
Tha gondepfel Jelnafer little bit premature. Don't be | :24:31. | :24:33. | |
little bit `remature. Don't be fooled, Winter | :24:34. | :24:34. | |
little bit `remature. Don't be fooled, Whnter earnt | :24:35. | :24:34. | |
little bit `remature. Don't be fooled, Winter earnt songwriter | :24:35. | :24:37. | |
fooled, Whnder earnt songwriter Casi Best Song of 2013 on Bethan | :24:38. | :24:40. | |
fooled, Whnder earnt songwriter Casi Radio Wales show last year. Please | :24:41. | :24:41. | |
fooled, Whnder earnt songwriter Casi welcome back to the stage, the | :24:42. | :24:43. | |
fooled, Whnder earnt songwriter Casi wonderful | :24:44. | :24:44. | |
# Why, oh, why, won't the winds just carry him home? | :24:45. | :25:39. | |
# Why, oh, why, won't the winds from the dark | :25:40. | :25:47. | |
# And ark myself just carry him home? | :25:48. | :26:22. | |
# Away he goes any more | :26:23. | :27:20. | |
# Why, oh, why, won't the winds just carry `im hnme? | :27:21. | :27:31. | |
# Why, oh, why, won't the winds just carry him home? | :27:32. | :27:33. | |
# He stole my soul from the dark | :27:34. | :27:38. | |
# Not even the birds sing their song any more | :27:39. | :28:45. | |
Thank you very much. APPLAU E | :28:46. | :28:48. | |
Thank you very much. Casi performing Winter with the BBC | :28:49. | :28:50. | |
Thank you very much. National Orchestra of | :28:51. | :28:53. | |
Thank you very much. Napional Nrchestpa of W`les. Now, | :28:54. | :28:53. | |
Thank you very much. with the fabulous new frock, | :28:54. | :28:56. | |
Thank you very much. welcome back Jennifer Pike to | :28:57. | :28:59. | |
Thank you very much. Banjo and Fiddle where the violin | :29:00. | :29:00. | |
takes on the role of the banjo and Banjo and Fiddle where the violin | :29:01. | :29:03. | |
the fiddle. MUSIC: Banjo and Faddle | :29:04. | :30:04. | |
By Wallial Kroll The next music we | :30:05. | :32:47. | |
started life in the Man of La Manc`a, | :32:48. | :32:53. | |
started life in the Man of La Mancha, | :32:54. | :32:53. | |
started life in the Man of La Malc`a, but | :32:54. | :32:55. | |
started life in the Man of La Mancha, but has been sung by people | :32:56. | :32:58. | |
Mancha, btt has `een sung by pdople ranging from Elvis Presley to Frank | :32:59. | :33:01. | |
Sinadra. ranging from Elvis Presley to Frank | :33:02. | :33:02. | |
Sinatra. We happen to have a Welsh Sinatra. Ve happdn to h`ve a Wdlsh | :33:03. | :33:04. | |
baritone in the house. Sinatra. Ve happdn to h`ve a Wdlsh | :33:05. | :33:07. | |
welcome back to the stage, the one, tha | :33:08. | :33:07. | |
welcome back to the stage, the one, the only, Bryn Terfel. | :33:08. | :33:30. | |
# And to run where the brave dare not fo | :33:31. | :34:06. | |
# To this glorious quest to follow that star | :34:07. | :34:32. | |
# When I'm laid to my rest peaceful and calm | :34:33. | :34:50. | |
# When I'm laid to my rest will be better for this | :34:51. | :34:51. | |
# That one man, scorned and covered with scars | :34:52. | :34:56. | |
# Still strove with his last ounce of courage | :34:57. | :36:21. | |
we have now reached the part of the evanang when | :36:22. | :36:23. | |
we have now reached the part of the evening when we celebrate some | :36:24. | :36:25. | |
we have now reached the part of the the traditions for the last | :36:26. | :36:27. | |
we have now reached the part of the Always a favourite with audiences, | :36:28. | :36:29. | |
we have now reached the part of the we are going to hear the hornpipe | :36:30. | :36:30. | |
from Henry Woods' and tastier, the we are going to hear the hornpipe | :36:31. | :36:34. | |
violin solo performed by we are going to hear the hornpipe | :36:35. | :36:39. | |
Pike -- APPLAUSE | :36:40. | :38:43. | |
wouldn't APPLAUSE | :38:44. | :38:56. | |
woqldn't `e the APPLAUSE | :38:57. | :38:56. | |
wouldn't be the Last Night of the APPLAUSE | :38:57. | :38:57. | |
Proms if APPLAUSE | :38:58. | :38:57. | |
Promc if xoe APPLAUSE | :38:58. | :38:58. | |
Proms if you didn't have Rule Britannia, but onlq in Wales | :38:59. | :38:59. | |
Proms if you didn't have Rule Britannia, but only in Wales would | :39:00. | :39:00. | |
Proms if you didn't have Rule you get some of it | :39:01. | :39:01. | |
Proms if you didn't have Rule yoq get snme of ht sung | :39:02. | :39:01. | |
Proms if you didn't have Rule you get some of it sung in Welsh. | :39:02. | :39:11. | |
# When Britain first at Heaven's command | :39:12. | :39:24. | |
# This was the charter, the charter of the land | :39:25. | :39:36. | |
# And guardian angels sang this strain | :39:37. | :39:42. | |
# Britons never will be slaves Britannia, rule the waves | :39:43. | :39:53. | |
# Rule, Britannia! Britannia, bule the wavds | :39:54. | :40:20. | |
# Rule, Britannia! crown'd | :40:21. | :42:04. | |
# Britons never will be slaves. # Britannia, rule the waves | :42:05. | :42:31. | |
A change of tempo in the traditional last night celebrations now, with | :42:32. | :42:35. | |
last night celebpations now, with one of the world's the greatest | :42:36. | :42:37. | |
singers and one of the best loved silgers ald one nf the best loved | :42:38. | :42:42. | |
Welsh silgers ald one nf the best loved | :42:43. | :42:42. | |
Wehs` sonfs. Welsh songs. | :42:43. | :42:42. | |
Bryn Terfel and Ar Hyd Y Nos. Wehl, hnpe you wall afree, it has | :42:43. | :44:23. | |
been another Wehl, hnpe you wall afree, it has | :44:24. | :47:35. | |
been anotheb fantastic Wehl, hnpe you wall afree, it has | :47:36. | :47:36. | |
been another fantastic Proms in Wehl, hnpe you wall afree, it has | :47:37. | :47:37. | |
park from Wehl, hnpe you wall afree, it has | :47:38. | :47:37. | |
papk from Sangleton Wehl, hnpe you wall afree, it has | :47:38. | :47:38. | |
park from Singleton Park in Swansea. Wehl, hnpe you wall afree, it has | :47:39. | :47:39. | |
Please join me now in Plaace join me nnw in thanking all | :47:40. | :47:43. | |
of our special guests this evening. Mr Bryn Terfel... Jennifer Pike... | :47:44. | :47:51. | |
Mr Bbyn Tdrfel.., Bennifer Pikd... Casi. And, of course, our very own | :47:52. | :47:58. | |
BBC National Orchestra and chorus Casi. And, of course, our very own | :47:59. | :47:59. | |
BBC Natiolal rchestra and chorus Of BBC National Orchestra and chorus of | :48:00. | :47:59. | |
Wahec, BBC National Orchestra and chorus of | :48:00. | :47:59. | |
Wales, and the BBC National Orchestra and chorus of | :48:00. | :47:59. | |
Wahec, and dhe m`n BBC National Orchestra and chorus of | :48:00. | :48:00. | |
Wales, and the man who has BBC National Orchestra and chorus of | :48:01. | :48:03. | |
all together, our wonderful condector, | :48:04. | :48:08. | |
all together, our wonderful conductor. And last but by no means | :48:09. | :48:10. | |
all together, our wonderful least, an enormous thank you to you, | :48:11. | :48:14. | |
all together, our wonderful Swansea, for being an amazing | :48:15. | :48:18. | |
all together, our wonderful audience. So to end the | :48:19. | :48:19. | |
all together, our wonderful au`ience. So to dnd the night, we | :48:20. | :48:20. | |
all together, our wonderful finish with a | :48:21. | :48:23. | |
all together, our wonderful Let's make | :48:24. | :48:24. | |
all together, our wonderful Let's makd cure | :48:25. | :48:24. | |
all together, our wonderful Let's make sure the whole of Wales | :48:25. | :48:29. | |
all together, our wonderful can hear Swansea singing tonight. | :48:30. | :48:48. | |
will keep a welcome in the vales; | :48:49. | :52:11. | |
# We'll kiss away each hour of hiraeth | :52:12. | :53:09. | |
# We'll kiss away each hour to Wales. # | :53:10. | :54:17. | |
# Pa le mae?r wen oedd ar dy wefus Fu?n cynnau ?ngh`riad ffyddlon ff?L? | :54:18. | :55:49. | |
# Guade md, O Thnu great Behov`h Pilgbim | :55:50. | :55:49. | |
# Guade md, O Thnu great Behov`h Pilgrim through this barren | :55:50. | :55:49. | |
# Guade md, O Thnu great Behov`h Pihgbim through thas barren land; | :55:50. | :55:50. | |
# Pilgrim through this barren land; # Pilgrim t`rough this barren land; | :55:51. | :55:57. | |
# I am weak, but T`ou # Pilgrim t`rough this barren land; | :55:58. | :55:59. | |
# I am weak, but Thou art mighty # Pilgrim t`rough this barren land; | :56:00. | :56:07. | |
# Hold me with Thy pow'rful hand # @read | :56:08. | :56:07. | |
# Hold me with Thy pow'rful hand # Bread of heaven, bread of heaven | :56:08. | :56:08. | |
Fead # Bread of heaven, bread of heaven | :56:09. | :56:10. | |
Feed me now and ever more, # Feed me now and | :56:11. | :56:11. | |
Feed me now and ever more, # Deed me now and ever | :56:12. | :56:11. | |
Feed me now and ever more, # Feed me now and ever more | :56:12. | :56:12. | |
# Feed me now and ever lore # O! am aros, O! am | :56:13. | :56:34. | |
# Feed me now and ever lore # O! am apoc, O! am aros | :56:35. | :56:37. | |
# Feed me now and ever lore # Yn ei gariad ddyddiau f'oes | :56:38. | :56:50. | |
# Gwlad beirdd a chantorion, enwogion o fri | :56:51. | :57:20. | |
# Ei gwrol ryfelwyr, gwladgarwyr tra mad | :57:21. | :57:49. | |
with a fantastic line-up, returns | :57:50. | :00:32. | |
What are you qualified to do? of Canterbury. | :00:33. | :00:38. |