Browse content similar to 18/09/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's London Fashion Week, and for Songs Of Praise, | 0:00:03 | 0:00:05 | |
I'm at a catwalk show with a difference - | 0:00:05 | 0:00:07 | |
one that's celebrating models of all shapes and sizes. | 0:00:07 | 0:00:10 | |
I'm being seen and heard as a real model, | 0:00:12 | 0:00:16 | |
not Nicki, the disabled person. | 0:00:16 | 0:00:19 | |
And I talk to a Christian who for 30 years | 0:00:19 | 0:00:22 | |
has had the best seat in the house at some of the top catwalk shows. | 0:00:22 | 0:00:26 | |
God was the first fashion designer. | 0:00:26 | 0:00:28 | |
I think he'd want clothes which were well made. | 0:00:28 | 0:00:30 | |
I think he'd want to be wearing clothes which were made by people | 0:00:30 | 0:00:33 | |
who were properly paid. | 0:00:33 | 0:00:35 | |
Pudsey Bear joins Josie d'Arby at the printers | 0:00:35 | 0:00:37 | |
to see the final stage of our Design A Christmas card competition, | 0:00:37 | 0:00:42 | |
and TV's Reverend Kate Bottley | 0:00:42 | 0:00:44 | |
will be trying out some clergy couture. | 0:00:44 | 0:00:46 | |
If I look good, then I feel more confident | 0:00:46 | 0:00:49 | |
and I think I do a better job. | 0:00:49 | 0:00:50 | |
We have a great mix of music for you today, | 0:00:59 | 0:01:01 | |
with performances from Only Men Aloud and Jermain Jackman. | 0:01:01 | 0:01:05 | |
Let's begin the singing with a traditional favourite | 0:01:05 | 0:01:08 | |
from St Mary-le-Tower Church in Ipswich. | 0:01:08 | 0:01:10 | |
As part of London Fashion Week, | 0:03:08 | 0:03:09 | |
fringe events are popping up all over the capital. | 0:03:09 | 0:03:11 | |
I'm here at Old Spitalfields Market | 0:03:11 | 0:03:13 | |
where this evening, they're hosting a fashion show | 0:03:13 | 0:03:16 | |
as diverse as the location. | 0:03:16 | 0:03:18 | |
It was set up in 2008 by a former model and Christian | 0:03:20 | 0:03:24 | |
who noticed a lack of diversity in the modelling industry. | 0:03:24 | 0:03:28 | |
They're challenging the idea that models have to be super tall | 0:03:28 | 0:03:31 | |
and super skinny. | 0:03:31 | 0:03:32 | |
People come in all shapes and sizes, so why shouldn't models? | 0:03:32 | 0:03:35 | |
Most clothes are designed for one shape, | 0:03:39 | 0:03:41 | |
and I think anyone outside of that shape, | 0:03:41 | 0:03:43 | |
anyone who's a bit sort of diverse, | 0:03:43 | 0:03:45 | |
really struggles to find clothes that fit | 0:03:45 | 0:03:47 | |
and find clothes that should sit how they should. | 0:03:47 | 0:03:50 | |
The show's stylist Dennis Immanuel knows how important clothes are | 0:03:50 | 0:03:55 | |
for every occasion, including worship. | 0:03:55 | 0:03:57 | |
If you're going to see the Queen, | 0:03:57 | 0:03:59 | |
you'd dress appropriately, wouldn't you? | 0:03:59 | 0:04:01 | |
Well, on a Sunday you go and see God, | 0:04:01 | 0:04:04 | |
and there's an attitude that you take when you dress | 0:04:04 | 0:04:06 | |
when you're going to see God, so it does matter to Christians. | 0:04:06 | 0:04:10 | |
Today is one of my proudest achievements | 0:04:11 | 0:04:13 | |
because I haven't actually done a live catwalk show. | 0:04:13 | 0:04:17 | |
Wow. This is the first time in five years since my spinal cord injury | 0:04:17 | 0:04:20 | |
to do this. | 0:04:20 | 0:04:21 | |
I love fashion. I'm very proud of that. | 0:04:21 | 0:04:23 | |
And to be included to roll down that aisle and everyone watching me, | 0:04:23 | 0:04:28 | |
I want to go for it. | 0:04:28 | 0:04:30 | |
We'll hear more from the models later as they take to the catwalk, | 0:04:31 | 0:04:35 | |
but first a great performance from a Welsh male voice choir | 0:04:35 | 0:04:37 | |
with a difference. | 0:04:37 | 0:04:39 | |
It's Only Men Aloud. | 0:04:39 | 0:04:41 | |
# I have run, I have crawled | 0:04:42 | 0:04:48 | |
# I have scaled these city walls | 0:04:48 | 0:04:53 | |
# These city walls | 0:04:53 | 0:04:58 | |
# Only to be with you | 0:04:58 | 0:05:04 | |
# But I still haven't found | 0:05:04 | 0:05:10 | |
# What I'm looking for | 0:05:10 | 0:05:14 | |
# But I still haven't found | 0:05:15 | 0:05:20 | |
# What I'm looking for | 0:05:20 | 0:05:25 | |
# Glory, glory | 0:05:27 | 0:05:32 | |
# Hallelujah | 0:05:32 | 0:05:38 | |
# Glory, glory | 0:05:38 | 0:05:42 | |
# Hallelujah | 0:05:42 | 0:05:48 | |
# Glory, glory | 0:05:48 | 0:05:53 | |
# Hallelujah | 0:05:53 | 0:05:59 | |
# His truth is marching on | 0:05:59 | 0:06:04 | |
# You broke the bonds # Glory, glory | 0:06:04 | 0:06:06 | |
# And you loosed the chains | 0:06:06 | 0:06:10 | |
# Carried the cross of my shame # Hallelujah | 0:06:10 | 0:06:15 | |
# Oh, my shame # Glory, glory | 0:06:15 | 0:06:20 | |
# You know I believe it # Hallelujah | 0:06:20 | 0:06:25 | |
# But I still haven't found # Glory, glory | 0:06:25 | 0:06:31 | |
# Hallelujah # What I'm looking for | 0:06:31 | 0:06:34 | |
# What I'm looking for | 0:06:34 | 0:06:37 | |
# His truth is marching on # But I still haven't found | 0:06:37 | 0:06:42 | |
# What I'm looking for # Glory, glory | 0:06:42 | 0:06:48 | |
# Hallelujah # Hallelujah | 0:06:48 | 0:06:53 | |
# But I still haven't found # His truth is marching | 0:06:53 | 0:06:59 | |
# What I'm looking for # On | 0:06:59 | 0:07:03 | |
# What I'm looking for. # | 0:07:03 | 0:07:10 | |
I've had some great moments with fashion. Not that one. | 0:07:16 | 0:07:20 | |
No, not that one either. | 0:07:20 | 0:07:21 | |
Look, look, the point is, I've always had fun with clothes, | 0:07:21 | 0:07:24 | |
but for some people, | 0:07:24 | 0:07:26 | |
it's a very serious multimillion pound business, | 0:07:26 | 0:07:28 | |
so where does faith fit in? | 0:07:28 | 0:07:30 | |
# Smooth operator... # | 0:07:30 | 0:07:33 | |
For 30 years, Simon Ward has been part of the British Fashion Council. | 0:07:33 | 0:07:38 | |
Now an author, | 0:07:38 | 0:07:39 | |
he's written about the relationship between fashion and faith. | 0:07:39 | 0:07:43 | |
This is the British Fashion Council press and buyers' lounge | 0:07:43 | 0:07:47 | |
for all the VIPs. | 0:07:47 | 0:07:48 | |
After all the shows, they all come in here | 0:07:48 | 0:07:50 | |
and all discuss how the shows have gone, | 0:07:50 | 0:07:52 | |
what they're going to place orders for | 0:07:52 | 0:07:53 | |
and then to generally have a gossip about the whole day's events. | 0:07:53 | 0:07:57 | |
It's an odd combination, isn't it? Fashion and faith? | 0:07:57 | 0:08:00 | |
Do you think that God is interested in fashion? | 0:08:00 | 0:08:02 | |
Well, I don't think it's odd at all. | 0:08:02 | 0:08:04 | |
If you look at the Bible starting at the beginning, | 0:08:04 | 0:08:07 | |
God didn't start with a business plan. | 0:08:07 | 0:08:09 | |
He started with an act of creativity. | 0:08:09 | 0:08:11 | |
He created the seasons, | 0:08:11 | 0:08:12 | |
so let's not talk about why do we always have change. | 0:08:12 | 0:08:15 | |
And God was the first fashion designer | 0:08:15 | 0:08:17 | |
when Adam and Eve got it wrong. | 0:08:17 | 0:08:18 | |
They tried a fig leaf, which obviously didn't work, | 0:08:18 | 0:08:21 | |
and God ran up some leather togs for them, | 0:08:21 | 0:08:23 | |
so he was the first fashion designer. | 0:08:23 | 0:08:24 | |
And all the way through the Bible, fashion appears. | 0:08:24 | 0:08:27 | |
The only picture we have of Jesus in heaven is, | 0:08:27 | 0:08:29 | |
he's wearing a long robe with a golden sash around it. | 0:08:29 | 0:08:34 | |
In his recent book, Simon asks, | 0:08:34 | 0:08:36 | |
"If God were in charge of the fashion industry, | 0:08:36 | 0:08:39 | |
"how might he run things?" | 0:08:39 | 0:08:41 | |
Um, I could probably be held up for heresy | 0:08:41 | 0:08:43 | |
and thrown out of the church for that. | 0:08:43 | 0:08:45 | |
I think he'd want clothes which were well made. | 0:08:45 | 0:08:47 | |
I think he'd want to be wearing clothes | 0:08:47 | 0:08:49 | |
which were made by people who were properly paid. | 0:08:49 | 0:08:51 | |
I would think he would want to wear clothes | 0:08:51 | 0:08:53 | |
that the unused dye wasn't just put out into the rivers | 0:08:53 | 0:08:55 | |
which then killed the fish which meant the local populations, | 0:08:55 | 0:08:59 | |
you know, had nothing to live off. | 0:08:59 | 0:09:00 | |
So, I think he wouldn't just | 0:09:00 | 0:09:02 | |
be worried about the way it looks externally. | 0:09:02 | 0:09:04 | |
He'd actually want to know, | 0:09:04 | 0:09:06 | |
"Where did this come from, who made my clothes and how? | 0:09:06 | 0:09:09 | |
I've got three daughters | 0:09:09 | 0:09:10 | |
who love fashion and are influenced by what they see. | 0:09:10 | 0:09:13 | |
How do you think the public mind-set with regard to size and body image | 0:09:13 | 0:09:18 | |
can be influenced by the fashion industry? | 0:09:18 | 0:09:21 | |
It's the creators, really, at the designer end of the industry. | 0:09:21 | 0:09:24 | |
They sail pretty close to the wind. | 0:09:24 | 0:09:26 | |
They're trying to create something, | 0:09:26 | 0:09:28 | |
an image which is really very strong, and quite often that means | 0:09:28 | 0:09:30 | |
they work with particularly skinny models. | 0:09:30 | 0:09:33 | |
And talking to quite a few model agencies, they say, | 0:09:33 | 0:09:36 | |
"Look, if only the sample size that was used went up | 0:09:36 | 0:09:39 | |
"by just one or two, all this issue would probably go away." | 0:09:39 | 0:09:44 | |
It's really important that designers and stylists | 0:09:44 | 0:09:47 | |
recognise the influence they have, particularly on young girls. | 0:09:47 | 0:09:50 | |
My faith has been crucial all through the years | 0:09:52 | 0:09:54 | |
I've worked in fashion, and one of my favourite hymns has always been | 0:09:54 | 0:09:57 | |
"Take my life and let it be consecrated, Lord, to thee." | 0:09:57 | 0:10:01 | |
And for me, that means that whether I'm leading worship on a Sunday | 0:10:01 | 0:10:05 | |
or whether I'm dealing with a designer | 0:10:05 | 0:10:07 | |
or a particularly difficult challenge | 0:10:07 | 0:10:09 | |
at London Fashion Week, | 0:10:09 | 0:10:10 | |
the way I deal with that and approach it | 0:10:10 | 0:10:13 | |
is dictated by my faith, | 0:10:13 | 0:10:16 | |
so the two really have to sit together. | 0:10:16 | 0:10:18 | |
When it comes to fashion, | 0:12:10 | 0:12:11 | |
it's not just top models that like to cut a dash. | 0:12:11 | 0:12:14 | |
Some of our clergy are getting into designer wear too, | 0:12:14 | 0:12:17 | |
as TV reverend Kate Bottley finds out. | 0:12:17 | 0:12:19 | |
Since I was ordained in 2008, | 0:12:21 | 0:12:23 | |
it's been a constant battle of what to wear with my collar, | 0:12:23 | 0:12:27 | |
so I'm really excited because today I'm off to meet a reverend | 0:12:27 | 0:12:31 | |
who has set up a business especially | 0:12:31 | 0:12:34 | |
to design day-to-day wear for female clergy. | 0:12:34 | 0:12:37 | |
Reverend Sandra Sykes came up with the concept | 0:12:37 | 0:12:40 | |
of Collared last year with her daughter and a friend, | 0:12:40 | 0:12:43 | |
and it's going from strength to strength. | 0:12:43 | 0:12:47 | |
So, what's going on here? Well, we're having a photoshoot. | 0:12:47 | 0:12:50 | |
So, this is Phaedra and Beth, | 0:12:50 | 0:12:52 | |
who are getting the next collection onto our website. | 0:12:52 | 0:12:55 | |
Tell me about...where did the idea for the company come from? | 0:12:55 | 0:12:59 | |
Well, I was ordained two years ago, | 0:12:59 | 0:13:00 | |
and I very quickly found out there was very little out there | 0:13:00 | 0:13:04 | |
in the way of clothes that I felt comfortable with and wanted to wear. | 0:13:04 | 0:13:07 | |
There were a lot of adapted male shirts. | 0:13:07 | 0:13:10 | |
That colour is amazing on you. | 0:13:10 | 0:13:12 | |
I like it. It's cornflower. | 0:13:12 | 0:13:14 | |
Kind of good, you know, | 0:13:14 | 0:13:15 | |
if you're doing a wedding, you can go on to the reception. | 0:13:15 | 0:13:18 | |
You look fabulous in it. I love it. Thank you. | 0:13:18 | 0:13:21 | |
I'm really pleased, Sandra, because for me, this is well needed, | 0:13:21 | 0:13:24 | |
because what I've been doing is buying dresses off the peg | 0:13:24 | 0:13:26 | |
in shops and trying to sew my own collars in | 0:13:26 | 0:13:29 | |
because I'm so desperate to wear something that I actually like. | 0:13:29 | 0:13:33 | |
What would you say to people who say this is disrespectful to the cloth? | 0:13:33 | 0:13:36 | |
You know, the collar is a wonderful thing. | 0:13:36 | 0:13:38 | |
Really opens doors. Really opens conversations. | 0:13:38 | 0:13:41 | |
But why can't we look like women | 0:13:41 | 0:13:43 | |
or wear things we would like to wear as well? | 0:13:43 | 0:13:46 | |
I think I want to go look at some clothes. | 0:13:46 | 0:13:49 | |
Can we go shopping? Yeah! | 0:13:49 | 0:13:51 | |
Sandra is helping me to find a new work outfit | 0:13:51 | 0:13:53 | |
from her collection. | 0:13:53 | 0:13:55 | |
I begin with trying on some colour. | 0:13:55 | 0:13:57 | |
It looks good on all shapes, sizes and ages. | 0:13:57 | 0:14:02 | |
Now, I'm not quite convinced by this one. Yeah. | 0:14:02 | 0:14:06 | |
That's fair enough. | 0:14:06 | 0:14:07 | |
When I was first ordained and when I bought my first clergy shirts, | 0:14:07 | 0:14:11 | |
I bought all colours. | 0:14:11 | 0:14:12 | |
What I found is that in my context where I'm being a vicar, | 0:14:12 | 0:14:16 | |
it confused people. | 0:14:16 | 0:14:18 | |
And when I was wearing black, it made me stand out more | 0:14:18 | 0:14:21 | |
and people knew straight away what that colour meant. | 0:14:21 | 0:14:24 | |
So, when it comes to the colour and the pattern, | 0:14:24 | 0:14:27 | |
have you had any complaints? | 0:14:27 | 0:14:28 | |
Yes. | 0:14:28 | 0:14:29 | |
We have had some comments about | 0:14:29 | 0:14:33 | |
the clergy should disappear behind black - | 0:14:33 | 0:14:35 | |
black being the sign of our sinfulness - | 0:14:35 | 0:14:38 | |
and so we need to be reminded that we are sinful. | 0:14:38 | 0:14:43 | |
'Although I mostly wear black myself, | 0:14:43 | 0:14:45 | |
'I don't feel it's an essential part of being a vicar, | 0:14:45 | 0:14:48 | |
'so I consider some more unusual outfits.' | 0:14:48 | 0:14:51 | |
That's quite a bold choice, isn't it?! | 0:14:51 | 0:14:53 | |
It is, but Christmas is coming! | 0:14:53 | 0:14:56 | |
'And I then come across this one.' | 0:14:56 | 0:14:58 | |
Oh, you look fabulous. Do I? You do. Bless you. Let's have a look. | 0:14:58 | 0:15:02 | |
Oh, you look great. | 0:15:02 | 0:15:04 | |
Oh, I really like that. | 0:15:04 | 0:15:05 | |
It's actually a clergy outfit I might want to wear. Yes. | 0:15:05 | 0:15:08 | |
And it's very professional. | 0:15:08 | 0:15:10 | |
Like, I could wear this doing a funeral. | 0:15:10 | 0:15:13 | |
For the wake afterwards, I could wear this. | 0:15:13 | 0:15:15 | |
I could wear it to a wedding reception. | 0:15:15 | 0:15:17 | |
I could even wear it day-to-day vicaring, school assemblies, | 0:15:17 | 0:15:20 | |
that sort of stuff. | 0:15:20 | 0:15:21 | |
It would do any occasion. But it's lovely. | 0:15:21 | 0:15:23 | |
Very versatile. Really nice. It's very useful. | 0:15:23 | 0:15:26 | |
This is the one. That is the one? Yeah, this is it. | 0:15:26 | 0:15:28 | |
I love this one. | 0:15:28 | 0:15:30 | |
Sandra, clothes aren't the be-all and end-all of everything, are they? | 0:15:30 | 0:15:34 | |
No. We're doing a great job for Jesus, that's what we're doing. | 0:15:34 | 0:15:38 | |
That's who we love, and the clothes are just a part of that. | 0:15:38 | 0:15:42 | |
The Bible tells us, doesn't it, "The lilies in the field | 0:15:42 | 0:15:45 | |
"be more beautiful than Solomon in all his glory, | 0:15:45 | 0:15:47 | |
"and how much more will our father in heaven | 0:15:47 | 0:15:49 | |
"clothe us who love him?" | 0:15:49 | 0:15:51 | |
And for me, that speaks of God's concern | 0:15:51 | 0:15:54 | |
that we exude that beauty that's beyond clothes. | 0:15:54 | 0:15:57 | |
It's actually an inner beauty. | 0:15:57 | 0:15:59 | |
Believe it or not, September is a big month | 0:18:55 | 0:18:57 | |
for the sale of Christmas cards. | 0:18:57 | 0:18:59 | |
Back in April, we launched our competition inviting amateur artists | 0:18:59 | 0:19:02 | |
to design a Christmas card, with proceeds going to Children in Need. | 0:19:02 | 0:19:06 | |
Now it's time to get them ready for sale. | 0:19:06 | 0:19:09 | |
I'm here at the printers, where our 10 chosen Christmas cards | 0:19:09 | 0:19:14 | |
are going to be printed in their thousands | 0:19:14 | 0:19:16 | |
for the very first time. | 0:19:16 | 0:19:18 | |
And three of our competition winners have come to see it happen | 0:19:20 | 0:19:23 | |
from start to finish. | 0:19:23 | 0:19:25 | |
Spencer, hi. Hi. | 0:19:25 | 0:19:27 | |
Let me introduce you to our winners. We've got Orla, Denise and John. | 0:19:27 | 0:19:30 | |
Hello. Congratulations. Thank you. | 0:19:30 | 0:19:32 | |
Exactly. They're all excited, so over to you, Spence. | 0:19:32 | 0:19:35 | |
OK, this is the beginning where we just go through to the graphics. | 0:19:35 | 0:19:38 | |
The ten original card designs, including two by children, | 0:19:38 | 0:19:42 | |
have been scanned into the computer software. | 0:19:42 | 0:19:45 | |
So here, what we do with the ten cards is, | 0:19:45 | 0:19:48 | |
we lay them all out on a sheet into position. | 0:19:48 | 0:19:51 | |
So, John, you were saying this is your first time | 0:19:51 | 0:19:53 | |
seeing yours on the screen. There you go. | 0:19:53 | 0:19:55 | |
That's beautiful, isn't it? | 0:19:55 | 0:19:56 | |
When I first sat down to do it, | 0:19:58 | 0:20:00 | |
I thought, "What does Christmas mean? | 0:20:00 | 0:20:03 | |
"It's Jesus Christ." | 0:20:03 | 0:20:05 | |
And I'm not very good on camels yet, | 0:20:05 | 0:20:07 | |
so, who were the first people that made the long trek | 0:20:07 | 0:20:10 | |
to see Jesus Christ? | 0:20:10 | 0:20:12 | |
What was the first thing they saw at Bethlehem? | 0:20:12 | 0:20:15 | |
It was a star. Fantastic. Simple is best. | 0:20:15 | 0:20:17 | |
What were you thinking when you came up with your design? | 0:20:17 | 0:20:20 | |
Silent Night is my favourite hymn, | 0:20:20 | 0:20:23 | |
and it tells the story of Christmas for me. | 0:20:23 | 0:20:27 | |
And it's such a lovely melody, and I felt I just had to do it. | 0:20:27 | 0:20:33 | |
And we've got a completely different scene from you, Denise, haven't we? | 0:20:33 | 0:20:36 | |
It was obvious what I had to do. Yeah. | 0:20:36 | 0:20:39 | |
So I thought of the mother and child. Mm-hm. | 0:20:39 | 0:20:42 | |
And then the importance of the star. | 0:20:42 | 0:20:44 | |
And I put the black cross in | 0:20:44 | 0:20:46 | |
as the future of what was in store. | 0:20:46 | 0:20:49 | |
I love the power of that colour coming through that. | 0:20:49 | 0:20:52 | |
It just radiates. | 0:20:52 | 0:20:55 | |
That's the meaning of Christianity, isn't it? | 0:20:55 | 0:20:57 | |
Yeah. Beginning and the end. Yeah. The beginning and the end. | 0:20:57 | 0:21:00 | |
The computer then creates templates of the design | 0:21:00 | 0:21:04 | |
to put into the printing press | 0:21:04 | 0:21:06 | |
which outline which colour to print where. | 0:21:06 | 0:21:10 | |
We probably print about 70,000 to 80,000 cards an hour. | 0:21:10 | 0:21:14 | |
Looks like a messy business. Yeah. A little bit. Yeah. | 0:21:14 | 0:21:17 | |
The paper is put in at one end of the machine... | 0:21:19 | 0:21:23 | |
Go! | 0:21:23 | 0:21:24 | |
..and then out come the cards in their thousands at the other end. | 0:21:26 | 0:21:29 | |
Wow. Looks good. It's beautiful. | 0:21:29 | 0:21:32 | |
Yeah. | 0:21:32 | 0:21:33 | |
And now you can see them all next to each other as well. | 0:21:33 | 0:21:35 | |
What do you think about the selection? | 0:21:35 | 0:21:37 | |
It's terrific. | 0:21:37 | 0:21:39 | |
It's got a real religious, beautiful theme to it. Yeah. | 0:21:39 | 0:21:43 | |
But look at those two children saying their prayers. | 0:21:43 | 0:21:46 | |
It's so sweet, isn't it? Beautiful. | 0:21:46 | 0:21:47 | |
There's something for everyone there. They're beautiful. | 0:21:47 | 0:21:50 | |
I like the snowman, his nose. He's got a nice... Yeah. | 0:21:50 | 0:21:54 | |
These came out really well. And these two penguins. | 0:21:54 | 0:21:58 | |
The mistletoe will bring them together. Yeah. | 0:21:58 | 0:22:00 | |
SHE LAUGHS | 0:22:00 | 0:22:02 | |
And now the final step. | 0:22:02 | 0:22:04 | |
The prints are cut and folded | 0:22:04 | 0:22:06 | |
and ready to be revealed to our winners. | 0:22:06 | 0:22:09 | |
Hello, hello, hello. Hello! | 0:22:09 | 0:22:12 | |
The fruit of your labour. | 0:22:12 | 0:22:15 | |
I have the finished cuts. | 0:22:15 | 0:22:17 | |
Fantastic. Yeah. | 0:22:17 | 0:22:21 | |
I think they're wonderful, | 0:22:21 | 0:22:23 | |
and it's such a good way of raising funds for Children in Need. | 0:22:23 | 0:22:26 | |
Well, guys, we've got one more surprise for you - | 0:22:26 | 0:22:30 | |
someone who wants to say thank you. | 0:22:30 | 0:22:33 | |
Pudsey, how are you? | 0:22:33 | 0:22:35 | |
He has a present for each of you. | 0:22:35 | 0:22:37 | |
Thank you very much. | 0:22:37 | 0:22:38 | |
Just a small thank you from Songs Of Praise | 0:22:38 | 0:22:41 | |
and BBC Children in Need. Thank you very much. | 0:22:41 | 0:22:43 | |
For details of how to buy a set of these lovely cards | 0:22:46 | 0:22:48 | |
all in aid of Children in Need, go to our website. | 0:22:48 | 0:22:52 | |
That's: | 0:22:52 | 0:22:54 | |
Ladies and gentlemen, | 0:25:17 | 0:25:19 | |
we welcome you to tonight's show by Models of Diversity. | 0:25:19 | 0:25:24 | |
The great thing about this fashion show | 0:25:27 | 0:25:28 | |
in Old Spitalfields Market | 0:25:28 | 0:25:30 | |
is that the models represent a different range of people. | 0:25:30 | 0:25:33 | |
They're from a charity called Models of Diversity, | 0:25:33 | 0:25:36 | |
because we don't all come in one shape and size. | 0:25:36 | 0:25:39 | |
We've been going for over eight years now, | 0:25:41 | 0:25:44 | |
but now they're actually taking us seriously | 0:25:44 | 0:25:47 | |
and they're actually listening to a lot of the supporters | 0:25:47 | 0:25:50 | |
as well that we've got, because we've got a lot of supporters. | 0:25:50 | 0:25:53 | |
They're actually starting to listen | 0:25:53 | 0:25:55 | |
that there is people out there in wheelchairs | 0:25:55 | 0:25:57 | |
and there is models of colour and there is plus-size models out there, | 0:25:57 | 0:26:00 | |
and we all love fashion. | 0:26:00 | 0:26:03 | |
I believe God gave me the talent and skill and the passion | 0:26:03 | 0:26:07 | |
to want to be in fashion and to be a stylist. | 0:26:07 | 0:26:10 | |
I believe that my skill brings enrichment | 0:26:10 | 0:26:12 | |
and it's a chance to express the love of God | 0:26:12 | 0:26:15 | |
that he has for the world through me helping them look better | 0:26:15 | 0:26:18 | |
and feel better about themselves. | 0:26:18 | 0:26:20 | |
Did you pick them out yourself? | 0:26:20 | 0:26:21 | |
I did pick them out myself from local designers. This is... | 0:26:21 | 0:26:25 | |
The models have all got their own reasons | 0:26:25 | 0:26:27 | |
for wanting to be here today. | 0:26:27 | 0:26:29 | |
Nicki Donnelly was a police officer | 0:26:29 | 0:26:31 | |
before a car accident in 2011 left her paralysed. | 0:26:31 | 0:26:35 | |
How did your attitude to fashion change after the accident? | 0:26:35 | 0:26:39 | |
Honestly, before my car crash, | 0:26:39 | 0:26:41 | |
I never realised how difficult fashion is in a wheelchair. | 0:26:41 | 0:26:47 | |
Just trying on clothes in a high street store, | 0:26:47 | 0:26:50 | |
changing rooms aren't accessible, clothes are too high. | 0:26:50 | 0:26:54 | |
Clothes alone have to be adjusted myself back at home. | 0:26:55 | 0:26:59 | |
What I'd love to see more than anything | 0:26:59 | 0:27:01 | |
is a mannequin on a wheelchair. Yeah. | 0:27:01 | 0:27:03 | |
That shows they've included me. | 0:27:03 | 0:27:07 | |
It's been a long journey back to health for Nicki. | 0:27:08 | 0:27:11 | |
Following her accident, | 0:27:11 | 0:27:12 | |
she was close to death and spent two years in hospital. | 0:27:12 | 0:27:16 | |
That is when I genuinely... | 0:27:17 | 0:27:20 | |
..gave up on God, and that I felt alone, | 0:27:22 | 0:27:25 | |
I felt powerless. | 0:27:25 | 0:27:27 | |
But I knew I was a mother, I needed to fight back. | 0:27:27 | 0:27:31 | |
I had to adjust very quickly to being a woman in a wheelchair. | 0:27:31 | 0:27:36 | |
And even now, it's hard. | 0:27:36 | 0:27:40 | |
What was it that restored your relationship with God? | 0:27:40 | 0:27:44 | |
My daughter said a prayer for me at church, | 0:27:44 | 0:27:48 | |
and to this day, I've still got that prayer with me. | 0:27:48 | 0:27:51 | |
And she reminded me that God still loves me | 0:27:54 | 0:27:59 | |
and God will never give up on me, just like my daughter never will. | 0:27:59 | 0:28:03 | |
# As I lay me down | 0:28:12 | 0:28:16 | |
# Heaven hear me now | 0:28:17 | 0:28:21 | |
# I'm lost without a cause | 0:28:21 | 0:28:26 | |
# After giving it my all | 0:28:26 | 0:28:31 | |
# Winter storms have come, hmm | 0:28:31 | 0:28:36 | |
# And darkened my sun | 0:28:36 | 0:28:41 | |
# After all that I've been through | 0:28:41 | 0:28:44 | |
# Who on earth can I turn to | 0:28:46 | 0:28:49 | |
# I look to you | 0:28:49 | 0:28:57 | |
# After all my strength is gone | 0:29:00 | 0:29:05 | |
# It's in you I can be strong | 0:29:05 | 0:29:08 | |
# I look to you | 0:29:08 | 0:29:17 | |
# And when melodies are gone | 0:29:20 | 0:29:25 | |
# It's in you I hear a song | 0:29:25 | 0:29:28 | |
# I look to you | 0:29:28 | 0:29:32 | |
# About to lose my breath | 0:29:34 | 0:29:39 | |
# There's no more fighting left | 0:29:39 | 0:29:44 | |
# Sinking to rise no more | 0:29:44 | 0:29:48 | |
# Searching for that open door | 0:29:48 | 0:29:53 | |
# And every road that I've taken, yeah | 0:29:53 | 0:29:58 | |
# Led to my regret | 0:29:58 | 0:30:03 | |
# And I don't know if I'm going to make it | 0:30:03 | 0:30:08 | |
# Nothing to do but lift my head | 0:30:08 | 0:30:11 | |
# I look to you | 0:30:11 | 0:30:16 | |
# I look to you, hey | 0:30:16 | 0:30:22 | |
# After all my strength is gone | 0:30:22 | 0:30:26 | |
# In you, in you I can be strong | 0:30:26 | 0:30:31 | |
# I look to you | 0:30:31 | 0:30:38 | |
# You, you, you | 0:30:38 | 0:30:41 | |
# And when melodies are gone | 0:30:41 | 0:30:45 | |
# It's in you I hear a song | 0:30:45 | 0:30:49 | |
# I look to you. # | 0:30:49 | 0:30:53 | |
APPLAUSE | 0:31:00 | 0:31:02 | |
It's great to see an audience really appreciate a fashion show | 0:31:02 | 0:31:06 | |
that embraces our differences. | 0:31:06 | 0:31:08 | |
It's been a brilliant experience for those watching and modelling. | 0:31:08 | 0:31:12 | |
It was an amazing feeling. | 0:31:12 | 0:31:14 | |
That sense of achievement, hearing the crowd cheer and support you | 0:31:14 | 0:31:18 | |
was what I really needed to hear. | 0:31:18 | 0:31:20 | |
And that's almost it. | 0:31:23 | 0:31:24 | |
Today we end with a hymn that celebrates the beauty | 0:31:24 | 0:31:28 | |
of everything around us. | 0:31:28 | 0:31:29 |