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It's the middle of summer and I've travelled to a tiny Hebridean island | 0:00:02 | 0:00:05 | |
just one mile wide and three and a half miles long. | 0:00:05 | 0:00:09 | |
It's home for about 130 people, | 0:00:09 | 0:00:11 | |
but every year attracts thousands of visitors. | 0:00:11 | 0:00:15 | |
Many come here for the sandy beaches, | 0:00:15 | 0:00:17 | |
dramatic scenery and rich wildlife. | 0:00:17 | 0:00:20 | |
But, for centuries, this has also | 0:00:20 | 0:00:23 | |
been a place of special significance for Christians. | 0:00:23 | 0:00:27 | |
Today I follow in the footsteps of countless pilgrims | 0:00:27 | 0:00:30 | |
who've made their way here from all around the world | 0:00:30 | 0:00:32 | |
to experience the unique spirituality of the island of Iona. | 0:00:32 | 0:00:37 | |
I meet the leader of one of the Christian groups on the island, | 0:00:38 | 0:00:41 | |
the Iona Community, and learn about its founder | 0:00:41 | 0:00:44 | |
who was behind the restoration of Iona's Benedictine abbey. | 0:00:44 | 0:00:48 | |
And the summer theme continues, | 0:00:50 | 0:00:51 | |
as Claire heads to the Northern Irish coast, | 0:00:51 | 0:00:54 | |
where teenagers are exploring their faith through a spot of surfing. | 0:00:54 | 0:00:57 | |
And for those of us who think self-assembly furniture is | 0:00:58 | 0:01:01 | |
a modern invention, Pam is at the Ashmolean Museum to prove otherwise, | 0:01:01 | 0:01:06 | |
with a 6th century flatpack church. | 0:01:06 | 0:01:09 | |
This tiny island off the west coast of Scotland | 0:01:23 | 0:01:26 | |
is the symbolic centre of Scottish Christianity. | 0:01:26 | 0:01:29 | |
Its restored abbey, visited by thousands of pilgrims, | 0:01:29 | 0:01:32 | |
has architecture spanning the 13th to 16th century. | 0:01:32 | 0:01:37 | |
And there's been a place of worship here | 0:01:37 | 0:01:39 | |
for more than one and a half millennia. | 0:01:39 | 0:01:41 | |
Iona's Christian story began in 563, | 0:01:42 | 0:01:46 | |
when a nobleman of royal blood landed here from his native Ireland. | 0:01:46 | 0:01:51 | |
His name was Columba and he set up a monastery here which went on | 0:01:51 | 0:01:55 | |
to become a centre of learning, healing and hospitality. | 0:01:55 | 0:01:59 | |
Columba's successors continued his missionary work. | 0:02:00 | 0:02:03 | |
It was a monk from Iona, St Aidan, | 0:02:03 | 0:02:05 | |
who converted the Kingdom of Northumbria to Christianity. | 0:02:05 | 0:02:09 | |
He founded his own community | 0:02:10 | 0:02:12 | |
on an island off the north-east coast called Lindisfarne. | 0:02:12 | 0:02:16 | |
Our first hymn was recorded there. | 0:02:16 | 0:02:19 | |
It's based on Psalm 23 | 0:02:19 | 0:02:20 | |
and sung to a traditional Irish melody called St Columba. | 0:02:20 | 0:02:25 | |
Iona's tiny population swells during the summer months, | 0:05:13 | 0:05:16 | |
as thousands come to visit. | 0:05:16 | 0:05:18 | |
Four churches serve | 0:05:20 | 0:05:21 | |
the spiritual needs of islanders and visitors alike. | 0:05:21 | 0:05:23 | |
At the heart of Christian life here on the island is the Iona Community. | 0:05:24 | 0:05:29 | |
It was founded in 1938 by a minister from the Church of Scotland | 0:05:29 | 0:05:33 | |
called George MacLeod. | 0:05:33 | 0:05:34 | |
George was a war hero turned pacifist with unconventional ideas. | 0:05:35 | 0:05:41 | |
I met today's leader of the Iona Community to find out what | 0:05:41 | 0:05:44 | |
brought George to this tiny island. | 0:05:44 | 0:05:47 | |
We've been thinking about | 0:05:48 | 0:05:49 | |
George MacLeod recently because it's 25 years now since his death. | 0:05:49 | 0:05:55 | |
In the 1930s, he was a parish minister in Govan in Glasgow | 0:05:55 | 0:06:00 | |
at a time of unemployment and hardship and very real poverty. | 0:06:00 | 0:06:07 | |
And out of his experience in Govan, he felt there was a need | 0:06:07 | 0:06:12 | |
for the renewal of community, but also for the renewal of the church. | 0:06:12 | 0:06:18 | |
And the rebuilding of this part of the abbey was to serve as a symbol | 0:06:18 | 0:06:24 | |
of that rebuilding of community and of the renewal of the church. | 0:06:24 | 0:06:28 | |
So who worked for him here? Who helped him rebuild this? | 0:06:28 | 0:06:32 | |
George gathered here, each of the summer months from 1938 to 1965, | 0:06:32 | 0:06:38 | |
craftsmen who gave of their skills and of their time, | 0:06:38 | 0:06:42 | |
but also a whole succession of young ministers and theological students | 0:06:42 | 0:06:49 | |
from around the world who came and actually did the rebuilding. | 0:06:49 | 0:06:53 | |
# ..who give our songs of love and praise. # | 0:06:54 | 0:06:59 | |
And George MacLeod's ideas | 0:06:59 | 0:07:01 | |
are still attracting people to join his community. | 0:07:01 | 0:07:04 | |
No matter where they live in the world or what their denomination. | 0:07:04 | 0:07:08 | |
What unites us is a commitment to the rule, | 0:07:08 | 0:07:12 | |
and a rule commits us to care about our own faith, | 0:07:12 | 0:07:17 | |
so the importance of prayer and of reading and studying the Bible. | 0:07:17 | 0:07:23 | |
And those issues that George highlighted back in the 1930s | 0:07:23 | 0:07:28 | |
are as vital today as they were back then. | 0:07:28 | 0:07:34 | |
Do you feel like you're still rooted in the ethos of Columba? | 0:07:34 | 0:07:37 | |
We try to take, as he did, | 0:07:37 | 0:07:40 | |
what we understand as the essentials of the Christian faith | 0:07:40 | 0:07:44 | |
and to find ways of living out today in the 21st century. | 0:07:44 | 0:07:48 | |
So we're not trying to play at being Columban monks, and we're not really | 0:07:48 | 0:07:53 | |
trying to imitate what George MacLeod did in the 1930s. | 0:07:53 | 0:07:56 | |
We're trying to be faithful to that tradition today. | 0:07:56 | 0:08:01 | |
# Come, thou fount of every blessing | 0:08:03 | 0:08:08 | |
# Tune my heart to sing thy grace | 0:08:08 | 0:08:14 | |
# Streams of mercy, never ceasing | 0:08:14 | 0:08:19 | |
# Call for songs of loudest praise | 0:08:19 | 0:08:25 | |
# Jesus sought me when a stranger | 0:08:25 | 0:08:30 | |
# Wandering from the fold of God | 0:08:30 | 0:08:35 | |
# He, to rescue me from danger, | 0:08:35 | 0:08:41 | |
# Interposed his precious blood | 0:08:41 | 0:08:46 | |
# O to grace how great a debtor | 0:08:55 | 0:09:01 | |
# Daily I'm constrained to be | 0:09:01 | 0:09:06 | |
# Let thy goodness, like a fetter | 0:09:06 | 0:09:12 | |
# Bind my wandering heart to thee | 0:09:12 | 0:09:18 | |
# Prone to wander, Lord, I feel it | 0:09:18 | 0:09:23 | |
# Prone to leave the God I love | 0:09:23 | 0:09:29 | |
# Here's my heart, Lord | 0:09:29 | 0:09:32 | |
# Take and seal it | 0:09:32 | 0:09:34 | |
# Seal it for thy courts above | 0:09:34 | 0:09:39 | |
# Come, thou fount of every blessing | 0:09:48 | 0:09:54 | |
# Tune my heart to sing thy grace | 0:09:54 | 0:09:59 | |
# Streams of mercy, never ceasing | 0:09:59 | 0:10:05 | |
# Call for songs of loudest praise. # | 0:10:05 | 0:10:12 | |
During Columba's lifetime when he was setting up the monastery here, | 0:10:19 | 0:10:22 | |
over on the other side of the world, | 0:10:22 | 0:10:24 | |
a Byzantine Emperor was doing his bit to further the Christian gospel | 0:10:24 | 0:10:29 | |
with an ingenious idea. | 0:10:29 | 0:10:31 | |
Prefabricated flatpack churches sent out across the sea | 0:10:31 | 0:10:35 | |
to the far reaches of his empire. | 0:10:35 | 0:10:39 | |
Pam Rhodes went to the Ashmolean Museum in Oxford to find out | 0:10:40 | 0:10:43 | |
about one of those churches that never reached its destination | 0:10:43 | 0:10:47 | |
and ended up at the bottom of the sea. | 0:10:47 | 0:10:49 | |
PAM: In an effort to cement the Christian faith, | 0:10:52 | 0:10:54 | |
Justinian the Great initiated an ambitious church-building scheme. | 0:10:54 | 0:10:59 | |
I must say, this doesn't look much like a church. | 0:11:00 | 0:11:03 | |
What have we got here? | 0:11:03 | 0:11:04 | |
Well, what you have here are some of the elements from | 0:11:04 | 0:11:08 | |
the shipwreck discovered off the coast of Sicily, | 0:11:08 | 0:11:11 | |
and it contains a flatpack interior of a church. | 0:11:11 | 0:11:15 | |
So, if you like, the local people would build the exterior, | 0:11:15 | 0:11:18 | |
and the emperor provided the interior, | 0:11:18 | 0:11:20 | |
and these are the pieces that have come up from the seabed. | 0:11:20 | 0:11:24 | |
Had the parts reached their destination, | 0:11:25 | 0:11:28 | |
the constructed church would have looked something like this. | 0:11:28 | 0:11:32 | |
To date, 450 pieces have been brought to the surface. | 0:11:32 | 0:11:37 | |
Paul and his team got to visit the rescued remains | 0:11:37 | 0:11:41 | |
and hand-pick items for the museum. | 0:11:41 | 0:11:44 | |
We were like kids in a sweet shop. | 0:11:44 | 0:11:45 | |
We had all these different elements to choose. | 0:11:45 | 0:11:48 | |
We couldn't rebuild the whole thing because there's 450 pieces | 0:11:48 | 0:11:51 | |
and would go through the floor of the museum, | 0:11:51 | 0:11:53 | |
so we chose little elements of every part of the church. | 0:11:53 | 0:11:57 | |
Here we've got the columns, | 0:11:57 | 0:12:00 | |
you've got the bases, | 0:12:00 | 0:12:01 | |
you've got the capitals. | 0:12:01 | 0:12:03 | |
You've also got fragments of the pulpit. | 0:12:03 | 0:12:06 | |
This pulpit was a monster. | 0:12:06 | 0:12:07 | |
It was huge, with two staircases going up the side | 0:12:07 | 0:12:11 | |
and a great platform | 0:12:11 | 0:12:12 | |
where the priest could have looked out onto the flock. | 0:12:12 | 0:12:14 | |
So it's a full kit, if you like, to make the church. | 0:12:14 | 0:12:18 | |
Some of the fragments even have marks on them, | 0:12:18 | 0:12:21 | |
which could be masons' marks. Or they could be instruction marks. | 0:12:21 | 0:12:26 | |
So, why did Justinian want to do this? | 0:12:26 | 0:12:30 | |
For two reasons. First, he was the Emperor. He's in control. | 0:12:30 | 0:12:34 | |
But very importantly he is also a very strong figure in the faith. | 0:12:34 | 0:12:39 | |
So, we have to thank Justinian for spreading the faith? | 0:12:39 | 0:12:43 | |
I wonder what he'd think about his self-assembly church being here? | 0:12:43 | 0:12:46 | |
I think he'd be absolutely delighted. | 0:12:46 | 0:12:48 | |
He didn't intend it to come to Britannia, | 0:12:48 | 0:12:50 | |
he intended it to go to North Africa or Sicily or Italy, but the fact | 0:12:50 | 0:12:55 | |
that it's sitting here in Oxford, a centre of great learning | 0:12:55 | 0:13:00 | |
and also of faith, I think he'd be absolutely delighted that we, | 0:13:00 | 0:13:04 | |
the British, are coming to see his church and coming to see him. | 0:13:04 | 0:13:08 | |
Columba was a renowned intellectual, | 0:15:23 | 0:15:26 | |
and Iona's reputation as a place of learning continued after his death. | 0:15:26 | 0:15:31 | |
It's believed that the famous Book Of Kells was illustrated here | 0:15:31 | 0:15:34 | |
by monks at the beginning of the 9th century. | 0:15:34 | 0:15:38 | |
And today the Iona Community | 0:15:38 | 0:15:40 | |
has continued to keep that cultural tradition alive. | 0:15:40 | 0:15:43 | |
# Come all you people Come praise your maker... # | 0:15:45 | 0:15:50 | |
John Bell, a member of the Iona Community, | 0:15:50 | 0:15:52 | |
has written many songs and hymns that are now known and loved | 0:15:52 | 0:15:55 | |
around the world, including our next hymn, Will You Come And Follow Me. | 0:15:55 | 0:15:59 | |
It was recorded at St Andrew's Cathedral in Glasgow, | 0:15:59 | 0:16:02 | |
and conducted by John Bell himself. | 0:16:02 | 0:16:05 | |
Set to a traditional Scottish melody, | 0:16:05 | 0:16:08 | |
it's often referred to as The Summons, a summons to faith, | 0:16:08 | 0:16:12 | |
to self-discovery and to a conquering of our inner fears. | 0:16:12 | 0:16:16 | |
Summer's here and it's the perfect time to hit the beach. | 0:18:40 | 0:18:43 | |
And the sun was certainly shining for Claire | 0:18:43 | 0:18:45 | |
when she went to the north coast of Ireland, to meet some teenagers | 0:18:45 | 0:18:49 | |
who are taking the opportunity to explore and share their faith | 0:18:49 | 0:18:53 | |
in the great outdoors. | 0:18:53 | 0:18:55 | |
CLAIRE: The seaside resort of Portrush | 0:19:03 | 0:19:05 | |
is just seven miles along the north coast from the iconic stones | 0:19:05 | 0:19:08 | |
of the world-famous Giant's Causeway. | 0:19:08 | 0:19:11 | |
But the visitors here don't just come for the dramatic scenery. | 0:19:12 | 0:19:15 | |
they come for the surf. | 0:19:15 | 0:19:17 | |
MUSIC: Surfin' USA by The Beach Boys | 0:19:17 | 0:19:20 | |
Every surfer is searching for the perfect wave. | 0:19:23 | 0:19:25 | |
And I think in life too, | 0:19:25 | 0:19:26 | |
I think we're all searching for that perfect wave. | 0:19:26 | 0:19:29 | |
And unfortunately a lot of people don't go to God to find that. | 0:19:29 | 0:19:32 | |
Jono Griffin has turned his passion for surfing | 0:19:32 | 0:19:35 | |
into a ministry, called The Surf Project. | 0:19:35 | 0:19:38 | |
It's pretty much about creating a place and space for young people | 0:19:38 | 0:19:41 | |
in particular to encounter God. | 0:19:41 | 0:19:43 | |
So we're using the sport and culture of surfing | 0:19:43 | 0:19:46 | |
to create a safe place where young people can come and be themselves | 0:19:46 | 0:19:49 | |
and encounter God's creation, the ocean and the waves. | 0:19:49 | 0:19:53 | |
This church youth group has come from Portadown, | 0:19:53 | 0:19:56 | |
not just to learn how to surf, but also to strengthen their faith | 0:19:56 | 0:19:59 | |
in the workshops later on in the day. | 0:19:59 | 0:20:02 | |
A lot of people who come, some might come from the cities, from towns, | 0:20:02 | 0:20:06 | |
and this would be a totally new experience. | 0:20:06 | 0:20:08 | |
And by just simply being on the beach and in the water | 0:20:08 | 0:20:11 | |
and in this environment, just... | 0:20:11 | 0:20:13 | |
I think it changes perspectives for young people. | 0:20:13 | 0:20:16 | |
And it gives you a platform, and an openness, | 0:20:16 | 0:20:18 | |
to really connect and give them a different view on life. | 0:20:18 | 0:20:21 | |
Getting right onto the hands, OK? | 0:20:22 | 0:20:24 | |
Because you lean back and it slows up. | 0:20:24 | 0:20:26 | |
-So, come right forward. -OK. -Good. Well done. | 0:20:26 | 0:20:28 | |
I thought it would be such a good opportunity | 0:20:28 | 0:20:31 | |
to come and meet new people | 0:20:31 | 0:20:32 | |
and try new things and also just deepen my relationship with God. | 0:20:32 | 0:20:35 | |
Getting to know other people through the fellowship that comes with that | 0:20:35 | 0:20:39 | |
has been a real blessing to me. | 0:20:39 | 0:20:40 | |
It's such a good opportunity, like, | 0:20:40 | 0:20:42 | |
to even come and worship God while you're out here on the beach. | 0:20:42 | 0:20:45 | |
It's pretty unique in terms of ministries. | 0:20:47 | 0:20:49 | |
Why did you decide to set it up? | 0:20:49 | 0:20:51 | |
Part of my own testimony, my own calling, | 0:20:51 | 0:20:53 | |
was working in Manchester as a PE teacher | 0:20:53 | 0:20:55 | |
and living in Cheshire at the time | 0:20:55 | 0:20:57 | |
and I had the job, I had the car, | 0:20:57 | 0:20:59 | |
I had the full-time contract. | 0:20:59 | 0:21:01 | |
But there was something missing inside. I wasn't fulfilled. | 0:21:01 | 0:21:04 | |
So I just felt God say to me, | 0:21:04 | 0:21:05 | |
"Jono, how can you use your surfing to serve me?" | 0:21:05 | 0:21:08 | |
And the Methodist Church have been very supportive here? | 0:21:08 | 0:21:10 | |
Absolutely. I've been brought up in the Methodist Church, | 0:21:10 | 0:21:13 | |
so I suppose my roots are in Methodism. | 0:21:13 | 0:21:15 | |
I just approached the church about three or four years ago | 0:21:15 | 0:21:17 | |
and they really liked the idea, as vague as it was back then. | 0:21:17 | 0:21:20 | |
So we have that backing and that support. | 0:21:20 | 0:21:22 | |
And we use their facilities. | 0:21:22 | 0:21:24 | |
We work in partnership with the local churches. | 0:21:24 | 0:21:27 | |
The project is a team effort. | 0:21:28 | 0:21:30 | |
Back at the church hall, | 0:21:30 | 0:21:32 | |
Jono's wife Beth has been busy preparing a well-earned meal. | 0:21:32 | 0:21:35 | |
We both have very different gift-sets, | 0:21:36 | 0:21:38 | |
but both just felt called to the ministry. | 0:21:38 | 0:21:41 | |
We believe living life to the full is living God's way | 0:21:41 | 0:21:43 | |
through a relationship with Jesus, | 0:21:43 | 0:21:45 | |
and we as Christians have a responsibility to share that. | 0:21:45 | 0:21:48 | |
We're just going to bring all the day in and we're going to do our | 0:21:48 | 0:21:50 | |
Living Life To The Full workshop. We'll look at those Bible passages | 0:21:50 | 0:21:53 | |
that you had your homework for, to read. | 0:21:53 | 0:21:55 | |
I guess we're just trying to use our gifts and skills | 0:21:55 | 0:21:58 | |
to serve God and serve others. | 0:21:58 | 0:22:00 | |
And I suppose The Surf Project is a real reflection of that. | 0:22:00 | 0:22:02 | |
Do you pinch yourself when you look out on views like this every day? | 0:22:02 | 0:22:06 | |
This is your office effectively. | 0:22:06 | 0:22:07 | |
Absolutely. Yeah, and I get to surf regularly. | 0:22:07 | 0:22:09 | |
I get out on the beach with the dog. | 0:22:09 | 0:22:11 | |
And that's the times when you get that inspiration | 0:22:11 | 0:22:13 | |
and when you hear from God and hear that small voice. | 0:22:13 | 0:22:16 | |
And what better way to get to know Creator God | 0:22:16 | 0:22:18 | |
than to immerse yourself in his creation, you know? | 0:22:18 | 0:22:22 | |
You can see why George MacLeod, the founder of the Iona Community, | 0:25:32 | 0:25:35 | |
described this island as a thin place, | 0:25:35 | 0:25:38 | |
by which he meant there seems to be | 0:25:38 | 0:25:40 | |
only a thin tissue dividing the material world from the spiritual, | 0:25:40 | 0:25:44 | |
because it's that beautiful. | 0:25:44 | 0:25:45 | |
Joyce Watson first discovered | 0:25:50 | 0:25:52 | |
the beauty and spirituality of the island through her camera lens. | 0:25:52 | 0:25:56 | |
I really fell in love with the landscape more than anything. | 0:25:56 | 0:26:00 | |
And the nature, the variety of it. | 0:26:00 | 0:26:03 | |
The ruggedness and the gentleness. | 0:26:03 | 0:26:06 | |
The birds, the flowers. And I see that as almost a window into God. | 0:26:06 | 0:26:12 | |
There's an amazing little patch of flowers just here. | 0:26:12 | 0:26:17 | |
Bird's-foot trefoil. | 0:26:17 | 0:26:19 | |
And this is a tiny little flower called eyebright. | 0:26:19 | 0:26:23 | |
Iona has been Joyce Watson's home for 18 years. | 0:26:25 | 0:26:28 | |
She first came as a visitor, | 0:26:28 | 0:26:30 | |
but was unexpectedly left a house on the island | 0:26:30 | 0:26:33 | |
by a friend in her will. | 0:26:33 | 0:26:35 | |
It was such an incredible gift. | 0:26:35 | 0:26:37 | |
But I also had that sense of responsibility. | 0:26:37 | 0:26:42 | |
I'd been given so much and what could I give back? | 0:26:42 | 0:26:46 | |
Joyce found her answers six years ago, when she was asked if | 0:26:48 | 0:26:51 | |
she'd like to become Iona's resident Episcopalian priest. | 0:26:51 | 0:26:55 | |
-The Lord be with you. -ALL: -And also with you. | 0:26:55 | 0:26:58 | |
Most of my life is a kind of happy accident | 0:26:58 | 0:27:02 | |
and things just seem to happen. | 0:27:02 | 0:27:03 | |
And it wasn't what I was looking for, | 0:27:03 | 0:27:06 | |
and I was a bit daunted by the thought, | 0:27:06 | 0:27:08 | |
but I've grown into it now and it feels right. | 0:27:08 | 0:27:10 | |
People know who I am and if anybody just needs to talk in confidence, | 0:27:12 | 0:27:17 | |
I'm available. | 0:27:17 | 0:27:19 | |
One of the lovely things about Iona is all the people that you meet, | 0:27:19 | 0:27:22 | |
literally from all over the world. | 0:27:22 | 0:27:24 | |
One of the old crofters once said that, you know, | 0:27:24 | 0:27:26 | |
you just stayed here and the whole world came to you. | 0:27:26 | 0:27:29 | |
And that's a joy. It's lovely. | 0:27:29 | 0:27:32 | |
# Sitting here tonight | 0:27:34 | 0:27:39 | |
# By the firelight | 0:27:41 | 0:27:46 | |
# It reminds me I already have | 0:27:46 | 0:27:52 | |
# More than I should | 0:27:52 | 0:27:56 | |
# I don't need fame | 0:28:00 | 0:28:04 | |
# People to know my name | 0:28:06 | 0:28:12 | |
# At the end of the day | 0:28:12 | 0:28:15 | |
# Lord I pray | 0:28:15 | 0:28:18 | |
# I have a life that's good | 0:28:18 | 0:28:22 | |
# Two arms around me | 0:28:25 | 0:28:28 | |
# Heaven to ground me | 0:28:28 | 0:28:30 | |
# And a family that always calls me home | 0:28:30 | 0:28:35 | |
# Four wheels to get there | 0:28:37 | 0:28:40 | |
# Enough love to share | 0:28:40 | 0:28:43 | |
# And a sweet, sweet, sweet song | 0:28:43 | 0:28:48 | |
# At the end of the day | 0:28:49 | 0:28:53 | |
# Lord I pray | 0:28:53 | 0:28:56 | |
# I have a life that's good | 0:28:56 | 0:29:00 | |
# Sometimes I'm hard on me | 0:29:02 | 0:29:07 | |
# When dreams don't come easy | 0:29:09 | 0:29:14 | |
# I want to look back and say | 0:29:14 | 0:29:18 | |
# I did all that I could | 0:29:18 | 0:29:24 | |
# At the end of the day | 0:29:27 | 0:29:31 | |
# Lord I pray | 0:29:31 | 0:29:34 | |
# I have a life that's good | 0:29:34 | 0:29:38 | |
# Two arms around me | 0:29:41 | 0:29:44 | |
# Heaven to ground me | 0:29:44 | 0:29:47 | |
# And a family that always calls me home | 0:29:47 | 0:29:52 | |
# Four wheels to get there | 0:29:54 | 0:29:57 | |
# Enough love to share | 0:29:57 | 0:30:00 | |
# And a sweet, sweet, sweet song | 0:30:00 | 0:30:04 | |
# At the end of the day | 0:30:06 | 0:30:09 | |
# Lord I pray | 0:30:09 | 0:30:12 | |
# I have a life that's good | 0:30:12 | 0:30:17 | |
# At the end of the day | 0:30:19 | 0:30:22 | |
# Lord I pray | 0:30:22 | 0:30:25 | |
# I have a life that's good. # | 0:30:25 | 0:30:31 | |
Well, that's it for this week. | 0:30:37 | 0:30:38 | |
Next week, we're meeting Olympians past and present | 0:30:38 | 0:30:42 | |
ahead of the Games in Rio. | 0:30:42 | 0:30:44 | |
But to end today, our final hymn is another by John Bell. | 0:30:44 | 0:30:47 | |
This one expresses the thought that, although you might get | 0:30:47 | 0:30:51 | |
a heightened sense of God's presence in a beautiful place like Iona, | 0:30:51 | 0:30:55 | |
we ought to remember that he is with us anywhere and everywhere. | 0:30:55 | 0:30:59 |