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Looking at the watch... Right-ho, cue telecine. | 0:00:02 | 0:00:04 | |
50 years ago, the world was very different. | 0:00:07 | 0:00:11 | |
The first manned space flight had only just taken place... | 0:00:11 | 0:00:15 | |
..yet most trains were still powered by steam. | 0:00:16 | 0:00:20 | |
And television was in black and white. | 0:00:20 | 0:00:23 | |
Just as the '60s were about to swing, | 0:00:23 | 0:00:26 | |
a new TV series was commissioned to feature congregations singing in their own churches. | 0:00:26 | 0:00:33 | |
It was called Songs Of Praise. | 0:00:33 | 0:00:36 | |
In the first of three special programmes to celebrate our 50th birthday, | 0:00:40 | 0:00:44 | |
we return to the church where it all began, | 0:00:44 | 0:00:47 | |
to enjoy the same hymns that were sung in the very first programme. | 0:00:47 | 0:00:51 | |
Plus, reminiscences from Geoffrey Wheeler and Sir Cliff Richard. | 0:00:51 | 0:00:56 | |
# Come on, let's twist again | 0:01:00 | 0:01:03 | |
# Like we did last summer... # | 0:01:03 | 0:01:05 | |
1961, the year of the Twist, was when Songs Of Praise was born, | 0:01:05 | 0:01:11 | |
at 6.15 on October 1st. | 0:01:11 | 0:01:14 | |
It came from Tabernacl Capel y Bedyddwyr - | 0:01:14 | 0:01:18 | |
Tabernacle Welsh Baptist Church - in the centre of Cardiff. | 0:01:18 | 0:01:23 | |
Well, the world has changed, | 0:01:23 | 0:01:26 | |
except that hymn-singing is still right at the heart of what we do, | 0:01:26 | 0:01:30 | |
and hymns don't get much better | 0:01:30 | 0:01:32 | |
than our first one today, | 0:01:32 | 0:01:34 | |
with its tune named after the Rhondda Valley, | 0:01:34 | 0:01:37 | |
and inspirational words from William Williams, | 0:01:37 | 0:01:40 | |
the writer known as the "Sweet Singer of Wales". Guide Me, O Thou Great Jehovah. | 0:01:40 | 0:01:44 | |
IN WELSH: | 0:03:55 | 0:03:59 | |
And out steps Prince Charles, as always, looking tremendously fresh. | 0:04:26 | 0:04:31 | |
Songs Of Praise's roots lay firmly in Wales. | 0:04:31 | 0:04:36 | |
As part of the celebrations following his Investiture in 1969, | 0:04:36 | 0:04:41 | |
the country's new Prince took part in a programme from Swansea. | 0:04:41 | 0:04:46 | |
And earlier in the decade, it was a Welshman who, | 0:04:46 | 0:04:49 | |
by a fortunate co-incidence, | 0:04:49 | 0:04:51 | |
was responsible for commissioning the very first programme. | 0:04:51 | 0:04:55 | |
Before lunch one Sunday, I switched on the television set | 0:04:57 | 0:05:00 | |
and, by chance, there happened to be a programme | 0:05:00 | 0:05:03 | |
I didn't know was going out, in Welsh, | 0:05:03 | 0:05:05 | |
from a Welsh chapel, in Cardiff, I think it was. | 0:05:05 | 0:05:09 | |
I happened to watch it, wondering what the devil it was doing there, from Crystal Palace transmitters. | 0:05:09 | 0:05:15 | |
The force came, I think, from the wholehearted, uninhibited quality of the singing. | 0:05:15 | 0:05:21 | |
This experience inspired a programme of hymn-singing in English to be commissioned, | 0:05:24 | 0:05:29 | |
and a producer for the new series was appointed. | 0:05:29 | 0:05:33 | |
One of my jobs was to find a suitable title for the series, | 0:05:33 | 0:05:36 | |
and it being a hymn-singing festival, I turned to the Bible | 0:05:36 | 0:05:40 | |
and to the Book of Psalms, and in Psalm 147, I found this, in Welsh. | 0:05:40 | 0:05:44 | |
Molwch yr Arglwydd, canys da yw canu i'n Duw ni, | 0:05:44 | 0:05:50 | |
which, in English, is, "Praise ye the Lord, | 0:05:50 | 0:05:53 | |
"for it is good to sing praises unto our God." | 0:05:53 | 0:05:57 | |
And that gave us a clue. It HAD to be Songs Of Praise. | 0:05:57 | 0:06:00 | |
# Songs of praises | 0:06:00 | 0:06:03 | |
# Songs of praises | 0:06:03 | 0:06:06 | |
# I will ever... # | 0:06:06 | 0:06:09 | |
Many of the early presenters were clergymen, | 0:06:09 | 0:06:12 | |
and the man who introduced the hymns in the first programme | 0:06:12 | 0:06:15 | |
was a Congregationalist minister from Aberystwyth. | 0:06:15 | 0:06:20 | |
I think television had only been in existence for just a few years, | 0:06:20 | 0:06:24 | |
and the chief image that it conveyed | 0:06:24 | 0:06:26 | |
was that it was a secular animal, despite the fact that there were religious programmes in Welsh. | 0:06:26 | 0:06:31 | |
But this was the programme, I think, that brought home to most people | 0:06:31 | 0:06:35 | |
that this was a vehicle that could convey the most delicate, sensitive emotions of the soul, as well. | 0:06:35 | 0:06:42 | |
The world often felt vulnerable in 1961, | 0:09:18 | 0:09:21 | |
with nuclear war seeming a distinct possibility. | 0:09:21 | 0:09:25 | |
The top news stories included the summit between Harold Macmillan and President Kennedy, | 0:09:25 | 0:09:30 | |
the building of the Berlin Wall, | 0:09:30 | 0:09:33 | |
and demonstrations against nuclear weapons. | 0:09:33 | 0:09:37 | |
Not only was the world very different in 1961, television was as well, | 0:09:37 | 0:09:41 | |
with just two channels to choose from. | 0:09:41 | 0:09:44 | |
However, there were some programmes WE'd still recognise. | 0:09:44 | 0:09:48 | |
The Sky At Night has had the same presenter, Sir Patrick Moore, | 0:09:48 | 0:09:52 | |
since its first programme in 1957. | 0:09:52 | 0:09:55 | |
If I'd come on the air when we did the first of these Sky At Night programmes | 0:09:55 | 0:10:00 | |
and said that within five years, I'd be showing you pictures of the first man to go round the Earth, | 0:10:00 | 0:10:05 | |
in orbit, in a spaceship... Well, I think you'd have regarded me as mad! But it HAS happened. | 0:10:05 | 0:10:10 | |
MUSIC: "Blue Peter" Theme Tune | 0:10:10 | 0:10:12 | |
And Blue Peter has been entertaining and informing children for nearly 53 years. | 0:10:12 | 0:10:17 | |
We will be back in a fortnight's time, when we'll be starting a brand-new cartoon serial | 0:10:17 | 0:10:22 | |
-about a Red Indian boy, so see you all then. Bye-bye. -Bye. | 0:10:22 | 0:10:26 | |
Popular programmes on the day Songs Of Praise was first broadcast included What's My Line?... | 0:10:27 | 0:10:32 | |
Are you, then, a film actor? | 0:10:32 | 0:10:35 | |
No... | 0:10:35 | 0:10:38 | |
..and the often-anarchic Sooty And Sweep Show. | 0:10:38 | 0:10:42 | |
No. No... | 0:10:42 | 0:10:44 | |
Full-length dramas and concerts often featured in the schedule. | 0:10:44 | 0:10:49 | |
Soprano Heather Harper sang leading roles in televised operas | 0:10:49 | 0:10:53 | |
like La Traviata, and also took part in the first-ever Songs Of Praise. | 0:10:53 | 0:11:00 | |
And singing a hymn from that first programme is one of today's | 0:11:00 | 0:11:03 | |
brightest singing stars, Elin Manahan Thomas. | 0:11:03 | 0:11:06 | |
# Let us, with a gladsome mind | 0:11:09 | 0:11:13 | |
# Praise the Lord, for he is kind | 0:11:13 | 0:11:18 | |
# For his mercies aye endure | 0:11:18 | 0:11:22 | |
# Ever faithful, ever sure | 0:11:22 | 0:11:26 | |
# He with all-commanding might | 0:11:31 | 0:11:35 | |
# Filled the new-made world with light | 0:11:35 | 0:11:40 | |
# For his mercies aye endure | 0:11:40 | 0:11:45 | |
# Every faithful, ever sure | 0:11:45 | 0:11:49 | |
# He the golden-tressed sun | 0:11:58 | 0:12:02 | |
# Caused all day his course to run | 0:12:02 | 0:12:06 | |
# For his mercies aye endure | 0:12:06 | 0:12:11 | |
# Ever faithful, ever sure | 0:12:11 | 0:12:15 | |
# And the horned moon by night | 0:12:19 | 0:12:23 | |
# Mid her spangled sisters bright | 0:12:23 | 0:12:28 | |
# For his mercies aye endure | 0:12:28 | 0:12:34 | |
# Ever faithful, ever sure | 0:12:34 | 0:12:38 | |
# All things living he doth feed | 0:12:42 | 0:12:47 | |
# His full hand supplies their need | 0:12:47 | 0:12:51 | |
# For his mercies aye endure | 0:12:51 | 0:12:55 | |
# Ever faithful, ever sure | 0:12:55 | 0:13:00 | |
# Let us, with a gladsome mind | 0:13:07 | 0:13:13 | |
# Praise the Lord, for he is kind | 0:13:13 | 0:13:17 | |
# For his mercies aye endure | 0:13:17 | 0:13:21 | |
# Ever faithful, ever sure... # | 0:13:21 | 0:13:29 | |
I am delighted to introduce the man who was the familiar face of Songs Of Praise in the '60s, | 0:13:34 | 0:13:41 | |
when there were so few TV channels that every household would've known the programme. | 0:13:41 | 0:13:45 | |
His first programme came from Baden-Powell House in London, | 0:13:45 | 0:13:49 | |
and he's in Cardiff today. It's Geoffrey Wheeler. | 0:13:49 | 0:13:53 | |
Geoffrey, you were already well established as a TV presenter. You did Television Top Of The Form | 0:13:56 | 0:14:01 | |
before Songs Of Praise. Did this series feel different? | 0:14:01 | 0:14:04 | |
Very, very different. | 0:14:04 | 0:14:06 | |
Technically, it was the same - the same cameras, the same lights, | 0:14:06 | 0:14:10 | |
the same lines to remember. All these things were the same. | 0:14:10 | 0:14:13 | |
But underneath it all was a more serious purpose. A lot of programmes are done just for fun. | 0:14:13 | 0:14:18 | |
This was fun, too, but it really meant something to the people making the programme, | 0:14:18 | 0:14:22 | |
and I think it showed. | 0:14:22 | 0:14:24 | |
Now, many of the programmes were live, | 0:14:24 | 0:14:27 | |
including one memorable occasion, when Winston Churchill died. On that day, | 0:14:27 | 0:14:31 | |
you presented a programme from his old school in Harrow. What do you remember of that? | 0:14:31 | 0:14:35 | |
I remember everything about it. | 0:14:35 | 0:14:38 | |
I had to get, immediately, from Broadcasting House up to Harrow on the Hill on the Tube, | 0:14:38 | 0:14:43 | |
and there was a complete standby unit. | 0:14:43 | 0:14:45 | |
His timing, I have to say, was perfect. | 0:14:45 | 0:14:48 | |
We knew he was ill, but he died that morning, | 0:14:48 | 0:14:51 | |
and we were able to go straight into rehearsal for the programme. | 0:14:51 | 0:14:55 | |
This was a really, really important moment in the history of the nation, | 0:14:55 | 0:15:00 | |
and we were doing this live. | 0:15:00 | 0:15:02 | |
There wasn't going to be a second chance. We HAD to get it right. | 0:15:02 | 0:15:05 | |
# O praise ye the Lord | 0:15:05 | 0:15:09 | |
# Praise him in the height... # | 0:15:09 | 0:15:14 | |
I suppose, after all those years of interviewing people, | 0:15:14 | 0:15:17 | |
of hearing about their challenges and faith, | 0:15:17 | 0:15:20 | |
-I wonder whether it made an impact on your own faith. -I think it did. | 0:15:20 | 0:15:24 | |
You meet a lot of people when you're interviewing people, | 0:15:24 | 0:15:28 | |
but when you meet somebody who is enormously moving in what they say, | 0:15:28 | 0:15:33 | |
it's very humbling, and you look at your own life, and you think about it again. | 0:15:33 | 0:15:39 | |
Well, as you're here, will you slip back into the familiar role and introduce the next hymn for us? | 0:15:39 | 0:15:45 | |
Yes, of course, Pam. | 0:15:45 | 0:15:46 | |
We've heard a lot, haven't we, about Royal weddings lately. | 0:15:46 | 0:15:50 | |
Well, this next hymn was chosen by the Queen for her wedding. | 0:15:50 | 0:15:55 | |
The music was written specially for it. It's a hymn of hope. | 0:15:55 | 0:16:00 | |
Ransomed, healed, restored, forgiven - | 0:16:00 | 0:16:04 | |
we've a new beginning to look forward to. | 0:16:04 | 0:16:08 | |
# Well, do you wanna dance? # | 0:18:50 | 0:18:52 | |
In 1961, Cliff Richard was already a household name. | 0:18:52 | 0:18:57 | |
# Do you wanna dance? # | 0:18:57 | 0:19:00 | |
It was a very exciting time, because rock'n'roll was in its infancy. The fact that we had even gone in | 0:19:00 | 0:19:05 | |
and made records was exciting. The fact that television, | 0:19:05 | 0:19:08 | |
which was something that we went to my aunt's house to see, | 0:19:08 | 0:19:12 | |
with a magnifying glass over the front to make it look bigger. Do you remember those? | 0:19:12 | 0:19:17 | |
So the whole period was a freshness. I know that we'll probably never, ever going to capture that again. | 0:19:17 | 0:19:22 | |
So, what were the highlight? Where were the performances you remember? Or the awards that were special? | 0:19:22 | 0:19:28 | |
Being on television, doing Sunday Night At The London Palladium. | 0:19:28 | 0:19:32 | |
Thank you very much. Now we'd like to introduce to you our vocalist. | 0:19:32 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:39 | |
..Cliff Richard. | 0:19:39 | 0:19:41 | |
# The young ones | 0:19:45 | 0:19:46 | |
# Darling, we're the young ones... # | 0:19:47 | 0:19:50 | |
You could have remained very private about your faith. | 0:19:50 | 0:19:52 | |
Instead of that, you stepped out on the stage of the Billy Graham | 0:19:52 | 0:19:55 | |
rally in 1966, which was quite a momentous decision, really. | 0:19:55 | 0:19:59 | |
It was so nerve-wracking to get up and speak to these people, knowing... | 0:19:59 | 0:20:03 | |
There must have been that huge area that they have there for people when they come forward. | 0:20:03 | 0:20:09 | |
Billy usually says to people, "If you want to give your life to Jesus, come forward. | 0:20:09 | 0:20:13 | |
"This means nothing in itself but you will be met by somebody, | 0:20:13 | 0:20:17 | |
"somebody will stand next to you and help you make the next step." | 0:20:17 | 0:20:20 | |
And that space was full of press, so I was terrified. | 0:20:20 | 0:20:25 | |
So, as a young, enthusiastic, evangelical Christian, | 0:20:25 | 0:20:29 | |
as you were at that time, was Songs Of Praise even on your radar? | 0:20:29 | 0:20:33 | |
Er, you know, I'd be working somewhere, anywhere, | 0:20:33 | 0:20:36 | |
and have a Sunday off, or whatever, be in the hotel room, | 0:20:36 | 0:20:39 | |
I used to tend to stay sleeping late, and I used to watch Songs Of Praise there. | 0:20:39 | 0:20:43 | |
And as the concept changed, | 0:20:43 | 0:20:45 | |
and grew, suddenly you found that you were getting people from | 0:20:45 | 0:20:49 | |
all walks of life coming and talking about how they received their faith, | 0:20:49 | 0:20:53 | |
how they achieved that moment of recognition of Jesus being this vital factor in our lives, | 0:20:53 | 0:20:59 | |
and it was encouraging to see that. For me it was encouraging. | 0:20:59 | 0:21:03 | |
The tranquillity of the worship... | 0:21:03 | 0:21:06 | |
'I still think we need to feel there's a focal point' | 0:21:06 | 0:21:08 | |
for all of us to be able to share our faith | 0:21:08 | 0:21:12 | |
and...and I hope that, as the years go by, Songs Of Praise becomes more and more necessary. | 0:21:12 | 0:21:20 | |
It's not just a TV show. | 0:21:20 | 0:21:22 | |
Young ones have been an important part of Songs Of Praise right from the first programme, | 0:21:25 | 0:21:30 | |
when a children's choir performed All Things Bright And Beautiful, sung now by youngsters from Cardiff. | 0:21:30 | 0:21:36 | |
The first instinct that a human being has, when he's born, | 0:23:21 | 0:23:27 | |
it's...the instinct is...sex. | 0:23:27 | 0:23:30 | |
I'm very glad you make that point, you know, because I hold that strongly. | 0:23:30 | 0:23:34 | |
That is an enormously important thing... | 0:23:34 | 0:23:36 | |
In the early 1960s, pop stars debated with archbishops, | 0:23:36 | 0:23:40 | |
and on the day Songs Of Praise was first broadcast | 0:23:40 | 0:23:43 | |
it was one of several religious programmes on BBC television. | 0:23:43 | 0:23:48 | |
The evening's final programme, at 10.45, was The Epilogue. | 0:23:48 | 0:23:52 | |
..and prayers learnt at his mother's knee. | 0:23:52 | 0:23:55 | |
This was a time when the influence of the BBC's first Director General, | 0:23:56 | 0:24:01 | |
John Reith, pervaded the corporation. | 0:24:01 | 0:24:03 | |
..as there was a board of governors over me | 0:24:03 | 0:24:07 | |
in whom, de jure, all responsibility and authority was vested. | 0:24:07 | 0:24:12 | |
In many ways you've got to go right back to John Reith. | 0:24:12 | 0:24:15 | |
Here he was, a Scottish Presbyterian. | 0:24:15 | 0:24:19 | |
If you like, he believed, in the end, | 0:24:19 | 0:24:22 | |
the most important element in making programmes | 0:24:22 | 0:24:27 | |
was the producer's conscience. | 0:24:27 | 0:24:30 | |
That, you know, you can't sit in judgment | 0:24:30 | 0:24:32 | |
on every one of hundreds and hundreds and hundreds of programmes | 0:24:32 | 0:24:36 | |
that are coming out of, say, the BBC. | 0:24:36 | 0:24:39 | |
You depend upon the producer's conscience. | 0:24:39 | 0:24:43 | |
Now, that tradition is really quite part of the spine of Songs Of Praise still. | 0:24:43 | 0:24:48 | |
So I wonder if those founding fathers would be surprised | 0:24:49 | 0:24:52 | |
that we're now celebrating Songs Of Praise's 50th birthday. | 0:24:52 | 0:24:56 | |
What is their legacy in that, do you think? | 0:24:56 | 0:24:58 | |
I think that any of them would recognise, still, in Songs Of Praise | 0:24:58 | 0:25:02 | |
the essential elements which were part of its founding genius. | 0:25:02 | 0:25:06 | |
They might have grumbles about the dancing girls and the guitars | 0:25:06 | 0:25:12 | |
and that...you know... | 0:25:12 | 0:25:14 | |
but nonetheless...they would... they would sense... | 0:25:14 | 0:25:18 | |
that...that the faith was still being kept by this programme. | 0:25:18 | 0:25:22 | |
It is often said that Songs Of Praise is folk religion, | 0:25:25 | 0:25:29 | |
and that is exactly what it is, | 0:25:29 | 0:25:31 | |
because that's how hymns originate. | 0:25:31 | 0:25:34 | |
You know, most of religion is run by professionals, | 0:25:34 | 0:25:37 | |
parsons, theologians, | 0:25:37 | 0:25:40 | |
but hymns are where the congregation strike back. | 0:25:40 | 0:25:44 | |
You know, the theologians can say a hymn is absolute doggerel | 0:25:44 | 0:25:47 | |
but if a congregation decides to take it to its heart, | 0:25:47 | 0:25:51 | |
sooner or later it will end up in one of the hymn books. | 0:25:51 | 0:25:54 | |
My father, who was a coal miner, didn't have much formal education | 0:25:57 | 0:26:02 | |
but was one of the most cultured men I knew, | 0:26:02 | 0:26:05 | |
used to say that the half dozen most majestic words in the English language | 0:26:05 | 0:26:11 | |
were found in that verse of O Worship The King - | 0:26:11 | 0:26:14 | |
"pavilioned in splendour and girded with praise". | 0:26:14 | 0:26:19 | |
And he said that's the best seven-word definition of the majesty of God you will find in the language. | 0:26:19 | 0:26:27 | |
And I've never forgotten that. | 0:26:27 | 0:26:28 | |
Lord of life and hope, | 0:29:16 | 0:29:18 | |
may the assurance of your presence and the peace of your blessing | 0:29:18 | 0:29:22 | |
give voice to the music of our souls, | 0:29:22 | 0:29:25 | |
that we may praise you today and for ever. | 0:29:25 | 0:29:28 | |
Amen. | 0:29:28 | 0:29:30 | |
CONGREGATION: Amen. | 0:29:30 | 0:29:31 | |
Well, it's not for nothing that Wales is known as the land of song, | 0:29:32 | 0:29:37 | |
and here in the Tabernacle Chapel, | 0:29:37 | 0:29:39 | |
where Songs Of Praise began life 50 years ago, | 0:29:39 | 0:29:41 | |
we take our leave of you now with the wonderful combination of a classic Welsh tune, Blaenwern, | 0:29:41 | 0:29:47 | |
and much-loved words from Charles Wesley, | 0:29:47 | 0:29:49 | |
so it's goodbye from all of us here in Cardiff with Love Divine, All Loves Excelling. | 0:29:49 | 0:29:54 | |
Next week, Aled introduces the second programme | 0:33:25 | 0:33:29 | |
celebrating our 50th anniversary, | 0:33:29 | 0:33:31 | |
with lots of magic moments from the past 50 years, | 0:33:31 | 0:33:35 | |
the most surprising places, extraordinary people, | 0:33:35 | 0:33:38 | |
incredible stories and inspiring music | 0:33:38 | 0:33:42 | |
since Songs Of Praise began in 1961. | 0:33:42 | 0:33:46 | |
Subtitles by Red Bee Media Ltd | 0:34:00 | 0:34:03 | |
E-mail [email protected] | 0:34:03 | 0:34:06 |